Rock & Indie 665 Items

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1968 | US | Reissue (Sundazed)

Ten Years After

28,99 €*

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Genesis HHV Exclusive Green Vinyl Edition

Wendy & Bonnie

LP | 1969 | EU | Reissue (Cinedelic)

LP | 1960 | Reissue (Waxtime In Color)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Limited to 100 copies on green vinyl. Only available at hhv.de

Enchanting and sunny 1969 psych folk by San Francisco teenage sisters Wendy & Bonnie Flower. A cult album that would later inspire bands like Stereolab, with dreamy vocal harmonies as the main attraction, laced with Brazilian splashes and soft-rock strains. Pure timeless psychedelic pop perfection, awash in serenity and haunting reverie floating in the ether above airy soundscapes that convey a sophistication that belies the artists' tender age: 15 and 18. Alongside them are top-notch musicians such as guitarist Larry Carlton, drummer Jim Keltner, bassist Randy Sterling and organists/pianists Mike Melvoin and Mike Lang. Originally produced by Gary McFarland, Gábor Szabó and Cal Tjader.

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Chuck Berry

Rockin' At The Hops

22,99 €*

Release: 1960 / Reissue

Genre: Rock & Indie

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Genesis Black Vinyl Edition

Wendy & Bonnie

LP | 1969 | EU | Reissue (Cinedelic)

7" | 1968 | EU | Reissue (Arsivplak)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Enchanting and sunny 1969 psych folk by San Francisco teenage sisters Wendy & Bonnie Flower. A cult album that would later inspire bands like Stereolab, with dreamy vocal harmonies as the main attraction, laced with Brazilian splashes and soft-rock strains. Pure timeless psychedelic pop perfection, awash in serenity and haunting reverie floating in the ether above airy soundscapes that convey a sophistication that belies the artists' tender age: 15 and 18. Alongside them are top-notch musicians such as guitarist Larry Carlton, drummer Jim Keltner, bassist Randy Sterling and organists/pianists Mike Melvoin and Mike Lang. Originally produced by Gary McFarland, Gábor Szabó and Cal Tjader.

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Beybonlar

Gelin Aysem / Nenni

13,99 €*

Rationals Record Store Day 2022 Vinyl Edition

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Here is Beybonlar Orkestrasi. Ultra rare Turkish heavy psychedelic single by Beybonlar from 1969.

Amazing stuff from the teenagers band that the drummer was only 12 years old when they recorded the tunes Side A is Gelin Ayse (Bride Ayse) which is very sad traditional Turkish folk song that arranged by the psych form Side B is Nenni (Lullaby) that is a traditional tune, but what a traditional tune by the teenagers!!! Enjoy it..!

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Rationals

LP | 1969 | US | Reissue (Rouge)

27,99 €*

2LP | 1969 | EU | Reissue (Parlophone Label Group)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Limited to 1000 copies.

The Rationals are one of the cornerstone bands of Detroit’s ever-storied rock history. Artists such as Bob Seger, Ted Nugent and Brownsville Station were influenced by The Rationals. Coming out of Ann Arbor in 1964, The Rationals gave an authentic R&B twist to the new rock ‘n roll styles of the British Invasion. They broke through on Jeep Holland’s A2 label in 1965 and found a hit with a cover of Otis Redding’s “Respect” on the Cameo Parkway label in 1966—reaching a spot on the Billboard Hot 100. By 1967 The Rationals were firmly embedded in the Detroit music scene alongside such contemporaries as MC5, The Stooges, Bob Seger System and the Amboy Dukes. They were frequently featured on bills at the legendary Grande Ballroom, and acted as supporting act for Cream, Jimi He ndrix, and Pi nk Floyd around the Detroit area. Their sole studio LP was self-titled and released by Crewe Records in 1970. Their matured sound included touches of soul, hard rock, psychedelia, and the blues which spawned originals like “Guitar Army,” and showcased their soulful talents on covers such as “Temptation ‘Bout To Get Me”.

This Record Store Day 2022 reissue of the 1970 LP has been newly remastered and pressed on orange and yellow splatter vinyl at Third Man Pressing in Detroit.

Barefootin' Temptation 'Bout To Get Me Guitar Army Something's Gotta Hold On Me Deep Red Sunset Glowin' Handbags and Gladrags Ha Ha Zip-A-Dee Doo-Dah (Bonus Track)

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Dr. Feelgood

The UA Years

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Quicksilver Messenger Service

Happy Trails

LP | 1969 | EU | Reissue (Endless Happiness)

LP | 1969 | US | Reissue (Columbia)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Reissue for the 1969 live album for Quicksilver Messenger Service, recorded live in 1968 at the Fillmore in San Francisco.

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Terry Riley

A Rainbow In Curved Air

Release: 1969 / US – Reissue

Genre: Rock & Indie

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180 Gram Reissue!

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An Anthology Of British Blues, Volume 2

LP | 1968 | US | Original (Immediate)

11,99 €*

LP | 1969 | EU (Endless Happiness)

Release: 1968 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: G+

Cover has two seam splits.

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The Cyrkle

Neon

23,99 €*

Ars Nova Black Vinyl Edition

Release: 1969 / EU

Genre: Rock & Indie

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Cykle produced one album's worth of solid garage rock, and it certainly proves that the band was an enthusiastic bunch of musicians. Much closer to late 60’s garage (proto) punk than psychedelia, the album was released in 1969.

They were best known for their 1966 song "Red Rubber Ball" (written by Paul Simon) which went to #2 on the Billboard Hot 100 chart. The band was discovered and managed by Brian Epstein and given the unique spelling of their name by John Lennon. The group was formed by guitarists and lead singers Don Dannemann and Tom Dawes (bass guitar), who met while studying at Lafayette College in Easton, Pennsylvania. The other members were Earl Pickens on keyboards and Marty Fried on drums.

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Ars Nova

LP | 1968 | US | Reissue (Sundazed)

The Biggest Twang Of Them All Coke Boittle Clear Vinyl Edition

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Classical infused psych from NY groovers Ars Nova! Through their creative use of medieval modes, hook-driven pop, & trombone, Ars Nova delivers psychedelia within a classical & prog rock lens, a style that’s their own, yet recalls bands like Left Banke, Honeybus, and Aphrodite’s Child - all who were experimenting with the short-lived baroque pop craze. Pressed on green vinyl! Ars Nova was something totally different for the musical ears of 1968, and still sounds fresh and exciting today, when you think of the great albums of ‘68, like Abbey Road, White Light/White Heat, The Hangman’s Beautiful Daughter, The Move, Electric Ladyland, This Was or Wonderwall Music shows how influential the year was and yet, Ars Nova with its wide sphere of influences has nothing in common with the trends of the year. The only albums that it can be vaguely compared to is either the Velvet Underground or United States of America, both bands that, like Ars Nova, bucked against existing trends and the end of psychedelia, instead preferring to go their own unique way. This is American progressive music, and takes the art of music making into a different genre, an alternative alleyway. The intelligence and musical nous that spans [this album] is really worth diving into and enjoying. It’s always great to get to hear albums like this, as it provides a counterpoint to the contemporary of the time and gives a real insight into the underground and alternative scene of that era. The beauty of being underground and away from the mainstream is that something that is not of its time ends up being timeless.

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Duane Eddy

LP | 1966 | US | Reissue (Sundazed)

Duane Eddy Does Bob Dylan Red Vinyl Edition

Release: 1966 / US – Reissue

Genre: Rock & Indie

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A Twangy Touch On 1960s Hits!

As one of America’s most influential guitarists, Duane Eddy’s famed twangy, reverb-drenched guitar shines on a wide variety of pop-rock hits, standards, and more!

Backed by two drummers, four more guitars, organ, piano, bass, saxes, and that's just the beginning, Duane goes unafraid at the kind of tunes that normally are "one person songs" Like "Ballad of the Green Berets" which becomes a twang-bang march under Duane's banner. Like "Monday, Monday" which was "The Mamas and Papas" and now has the wild newness of Duane Eddy.

After rising to fame in the late ‘50s with “Rebel Rouser,” Eddy’s influence on radio inspired musicians like George Harrison and Bruce Springsteen. Rockabilly and country music were both major factors in Eddy’s trademark sound; heavy, catchy guitar riffs over a ska-type beat. His hits included “Peter Gunn,” “Because They’re Young,” and “Twistin’ ‘n’ Twangin’.”

As music morphed into melodic sunshine pop, Eddy adapted his sound to fit chart hits of the ‘60s in his own twangy style.

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Duane Eddy

LP | 1965 | US | Reissue (Sundazed)

Nucleus White Vinyl Edition

Release: 1965 / US – Reissue

Genre: Rock & Indie

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Legend On Legend!

Eddy’s superb reverb-drenched renditions of Dylan’s biggest hits gives your ears a fresh take on these familiar favorites. Full of twang and gut bucket harmonica, this collection of 12 songs encapsulates the ‘60s in a way only Duane Eddy could.

Originally released in 1965, the album has remained one of the rarest and hard-to-get collectibles for Duane Eddy fans everywhere. Produced by Lee Hazelwood, the album is completely instrumental and showcases Eddy’s individual stylings of the 1960s.

Eddy’s guitar romps and soars through Dylan’s brain waves – translated in this album into notes which build and explode into bar lines of enjoyable melodies. By instrumentally interpreting 12 of the significant songs of the 60’s, Eddy proves there is quality and richness in popular music, too often knocked down for its tendency toward shrillness and over-amplification.

What Bob Dylan is capable of saying with his magical way with words, Duane Eddy is capable of saying instrumentally. As you will undoubtedly hear, it’s a happy marriage.

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Nucleus

LP | 1969 | US | Reissue (Sundazed)

31,99 €*

Release: 1969 / US – Reissue

Genre: Rock & Indie, Pop

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LP | 1964 | EU (Trading Places)

Little Richard

Little Richard Is Back

21,99 €*

LP | 1969 | NL | Reissue (Elektra)

Release: 1964 / EU

Genre: Rock & Indie

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Known as ‘the Architect of Rock ‘n’ Roll,’ the flamboyant rhythm and blues extrovert, Little Richard, made an incredible impact with unorthodox piano playing and rasping, shouted vocals, yielding a series of pivotal hits in the mid-1950s, but he abandoned secular music for gospel following a tour of Australia in 1957. Lured back into rock by promoter Don Arden, his UK tour featuring The Beatles as support, Little Richard Is Back was his comeback set for Vee Jay, his voice now deeper and seasoned; the range of covers are tackled with plenty of pep, and original ‘Groovy Little Suzy’ was co-written by Harry Nillson. All hail the King!

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The Stooges

Release: 1969 / NL – Reissue

Genre: Rock & Indie

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LP | 1969 | DE | Reissue (Universal)

Frank Zappa

Hot Rats

28,99 €*

On The Threshold Of A Dream

Release: 1969 / DE – Reissue

Genre: Organic Grooves, Rock & Indie

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„Hot Rats“, originally released 1969, is Zappa’s second album. It‘s considered to be one of the first Jazzrock albums ever and mostly contains instrumental compositions except from one track.

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The Moody Blues

LP | 1969 | US | Original (Deram)

6,99 €*

Brian Auger & The Trinity

Release: 1969 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Cover has ring-wear.

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Definitely What!

LP | 1968 | DE | Original (Polydor)

33,99 €*

Release: 1968 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1969 | GDR | Original (AMIGA)

Theo Schumann Combo

Release: 1969 / GDR – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1961 | US | Original (Columbia)

The Adventurers

Can't Stop Twistin'

Release: 1961 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Im Banne Einer Blassen Stunde

Renate Thormelen

LP | 1968 | GDR | Original (LITERA)

Release: 1968 / GDR – Original

Genre: Rock & Indie, Pop, Comics, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG

Josef Laufer's Many Faces

Josef Laufer

LP | 1968 | CS | Original (Panton)

Bertolt Brecht, Hanns Eisler - Ernst Busch

Release: 1968 / CS – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: Generic

Cover is missing.

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Legenden, Lieder Und Balladen 1914-1934

LP | 1965 | GDR | Original (ETERNA)

Release: 1965 / GDR – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Beliebte Russische Lieder

Karl-Heinz Hocke

LP | 1968 | DE | Original (Metronome)

11,99 €*

Bertolt Brecht, Hanns Eisler, Lutz Görner – Ulrich Türk, Sigurd Rozbroy

Release: 1968 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Cover close to VG+

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Texte – Zur Lage Der Nation

LP | 1960 | DE | Reissue (Esel)

LP | 1966 | DE | Reissue (Metronome 2001)

Release: 1960 / DE – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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Mikis Theodorakis

Greek Popular Music

7" | 1968 | US | Original (Velvet Tone Record Corp.)

Release: 1966 / DE – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

German reissue. Cover and vinyl are close to NM.

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The Jimmy Velvet Five

Good, Good Lovin'

9,99 €*

7" | 1964 | DE | Original (CBS)

Release: 1968 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

Vinyl with a couple of light scuffs

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Johnny Cash

Ring Of Western Songs II

11,99 €*

Cadillac / Just Can't Go To Sleep

Release: 1964 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: G+, Cover: Generic

Vinyl with a couple of scratches, closer to VG

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The Kinks

7" | 1965 | DE | Original (Vogue Schallplatten)

5,99 €*

Release: 1965 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: G, Cover: Generic

Aubrey Pankey, Siegfried Stöckigt

Negro Spirituals

LP | 1965 | GDR | Original (ETERNA)

Release: 1965 / GDR – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Tutti Morimmo A Stento Black Vinyl Edition

Fabrizio De Andre'

LP | 1968 | EU | Reissue (RCA)

37,99 €*

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Yuya Uchida & The Flowers

Challenge!

LP | 1969 | EU | Reissue (Absinthe)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1968 | UK | Reissue (Outernational Sounds)

Shankar Jaikishan

Raga Jazz Style

Dick Dale & His Del-Tones

Release: 1968 / UK – Reissue

Genre: Organic Grooves, Rock & Indie

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Never before reissued, this legendary 1968 EMI recording is a revered Indian jazz rarity; a collectors’ holy grail.

Raga Jazz Style is an original Indian excursion into Indo-jazz fusion. A one-away recording from the almost unknown Bombay jazz scene, it is among the few jazz LPs to hail from the subcontinent.

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Surfers' Choice

LP | 1962 | EU | Reissue (Waxtime)

Release: 1962 / EU – Reissue

Genre: Rock & Indie

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LP | 1969 | DE | Original (Constanze)

Music For Wild Angels

Release: 1969 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1968 | EU | Reissue (Cosmic Rock)

Summerhill

Rare Bird Orange Vinyl Edtion

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Produced by David Briggs (Neil Young, Alice Cooper) and recoreded at famous Wally Heider Studio 3 in Hollywood, CA during 1969, their self-titled album features ten original compositions, with essential contributions from the four members of the band. Summerhill certainly spotted a late-1960s West Coast vibe, including Hendrix-Rock style ("Bring Me Around"), sunshine pop ("Soft Voice") and even a touch of ‘flower-jazz’ ("What Can I Say").

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Rare Bird

LP | 1969 | EU | Reissue (Klimt)

Nancy Sinatra & Lee Hazlewood

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Rare Bird are perhaps best remembered for having the distinction of being the first act to be released on Tony Stratton Smith’s gloriously eclectic label Charisma records (also the home of Genesis, THE Nice and VAN DER Graaf Generator to name but a few) and for their excellent 1970 hit single ‘Sympathy’. Like fellow future Charisma stable mates Van Der Graaf Generator, Rare Bird was formed around the principle of keyboard dominated progressive rock which eschewed the use of guitars. In December 1969 their eponymous debut album was released to great critical acclaim.

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Nancy & Lee 8Track Edition

8Track | 1968 | US | Reissue (Light In The Attic)

19,99 €*

Nancy Sinatra & Lee Hazlewood

Release: 1968 / US – Reissue

Genre: Rock & Indie

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This is an 8track-cartridge, not a music cassette

First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.

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Nancy & Lee Black Vinyl Edition

LP | 1968 | US | Reissue (Light In The Attic)

Mike Bloomfield And Al Kooper

Release: 1968 / US – Reissue

Genre: Rock & Indie

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First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive
Beautifully packaged and expanded gatefold LP featuring a 20-page booklet

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.

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The Live Adventures Of Mike Bloomfield And Al Kooper

2LP | 1969 | US | Original (Columbia)

14,99 €*

4LP | 1968 | US | Reissue (Future Days)

Release: 1969 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

Santa Maria Pressing.
Ships in a brand new plain sleeve.

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Grateful Dead

Two From The Vault

79,99 €*

LP | 1965 | US | Reissue (4 Men With Beards)

Release: 1968 / US – Reissue

Genre: Rock & Indie

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2021 repress

Following on the heels of Light In The Attic’s vinyl LP release of One From The Vault comes the next in the trilogy of From The Vault releases by the Grateful Dead. These releases are distinguished from the more abundant Dick’s Picks series in that Dick’s Picks are “direct from the soundboard” recordings, while the From The Vault series were professionally recorded on multi-track tape and then mixed down (decades) later for release. Recorded live at the Shrine Auditorium (Los Angeles) in 1968, this is the worldwide vinyl debut release of this legendary show featuring the 6 piece line-up of Pigpen, Garcia, Weir, Lesh, Kruetzmann, & Hart, freshly remastered in 2014 by Joe Gastwirt for maximum mind expansion. 9 dynamic songs on 8 sides of wax, this show has previously only been available on CD; this is the first ever vinyl LP release!

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Holy Modal Rounders

2LP | 1969 | US | Original (Decca)

Release: 1965 / US – Reissue

Genre: Rock & Indie

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180 gram vinyl!

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The Who

Tommy

19,99 €*

LP | 1962 | US | Original (United Artists)

Release: 1969 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Indianapolis Pressing.
Cover with ring wear.

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Jay & The Americans

She Cried

5,99 €*

LP | 1966 | US | Original (Elektra)

Release: 1962 / US – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: G+, Cover: VG

Small writing on back cover.

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Love

Da Capo

27,99 €*

LP | 1966 | US | Original (Sunset)

Release: 1966 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: G+, Cover: G+

US original.

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The Standells

"Live" And Out Of Sight

In Search Of The Lost Chord

Release: 1966 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Small light scuff on side
Cover with seam split and faint ring wear.

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The Moody Blues

LP | 1968 | US | Original (Deram)

7,99 €*

LP | 1968 | US | Original (Dunhill)

Release: 1968 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: G+

Pitman Pressing.
Record has some hairlines and a few superficial scratches.

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The Mamas & The Papas

Golden Era Vol. 2

6,99 €*

Melvin Blue White Marble Vinyl Edition

Release: 1968 / US – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: G+, Cover: VG+

MGM Pressing.
Record has some hairlines and a few superficial scratches.

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The Belles

7" | 1966 | US | Reissue (Numero Group)

12,99 €*

LP | 1969 | US | Original (Columbia)

Release: 1966 / US – Reissue

Genre: Rock & Indie

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Blue White Marble.

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The Byrds

Ballad Of Easy Rider

5,99 €*

Release: 1969 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: G+, Cover: G+

LP | 1969 | US | Original (ATCO)

Vanilla Fudge

Near The Beginning

14,99 €*

Release: 1969 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1969 | US | Original (Immediate)

Humble Pie

As Safe As Yesterday Is

Release: 1969 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Another Side Of Bob Dylan

Bob Dylan

LP | 1964 | EU | Reissue (Columbia)

Release: 1964 / EU – Reissue

Genre: Rock & Indie

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The Jimi Hendrix Experience

Electric Ladyland

2LP | 1968 | DE | Reissue (Polydor)

110,99 €*

Mariachi Vargas de Tecalitlán

Release: 1968 / DE – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Beginning seam splits. 1980 reissue.

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Pasodobles Con El Mejor Mariachi Del Mundo

LP | 1960 | JP | Original (RCA Victor)

LP | 1961 | JP | Original (Reprise)

Release: 1960 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

OBI not included.

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Tony Williams

Sings His Greatest Hits

7,99 €*

LP | 1961 | JP | Original (Reprise)

Release: 1961 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: G+

Japanese pressing with OBI!

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Tony Williams

Sings His Greatest Hits

Release: 1961 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: G+, Cover: G+

It's A Long Way Down Red Vinyl Edition

The Fallen Angels

LP | 1968 | US | Reissue (Jackpot)

31,99 €*

Corridor Of Faces Black Vinyl Edition

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Released only one year after their psychedelic debut, The Fallen Angels’ sophomore album, It’s A Long Way Down, lays it all out on the line. Unfettered by label interference, The Fallen Angels’ second and final record highlights all the band has to offer. Off-kilter time signatures, experimental soundscapes, and white-hot guitar licks abound across It’s A Long Way Down’s dozen tracks, with lead singer Jack Bryant’s vocals serving as a guiding light through the paisley-patterned tunnel. Album high points like “Poor Old Man” and “Something New You Can Hide In” tease early signs of progressive rock with their weird and winding melodies, and impress with rock-solid instrumentation. An early marvel of psych rock that holds up to this day. Mastered from its original tapes and pressed at RTI on color vinyl, in its original gatefold design.

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Lazy Smoke

LP | 1969 | US | Reissue (Jackpot)

27,99 €*

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Contact Colored Vinyl Edition

The Silver Apples

LP | 1969 | EU | Reissue (Jackpot)

50,000,000 Fans / Golden Records Volume 2 180g Vinyl Editio

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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The 1969 follow up to Silver Apple’s debut found the duo digging into the far reaches of their songwriting psyches for a darker and more emotionally charged set of songs. While the debut set the stage for a sound the world had never heard before, Contact is where the Silver Apples began inhabiting that sound with more urgency and experimentation.

Sourced from the original master tapes plus inner sleeve with unseen master tape box photos. Featuring the original controversial artwork with the Silver Apples in the cockpit of a Pan Am jet on the front, and a plane crash with the duo superimposed over it, on the back. The airline sued both Kapp Records & the band, forcing the band to breakup. Their highly influential sound has influenced countless bands from Stereolab, Beastie Boys, Blur and more.

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Elvis Presley

LP | 1960 | EU | Reissue (Dol)

15,99 €*

Release: 1960 / EU – Reissue

Genre: Rock & Indie

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His Hand In Mine Aqua Blue Vinyledition

Elvis Presley

LP | 1960 | EU | Reissue (Dol)

14,99 €*

Release: 1960 / EU – Reissue

Genre: Rock & Indie

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I Got Dem Ol' Kozmic Blues Again Mama!

Janis Joplin

LP | 1969 | EU | Reissue (Music On Vinyl)

28,99 €*

2LP | 1966 | EU | Reissue (Legacy)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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In 1968, Janis Joplin decided to go solo while her album 'Cheap Thrills' with Big Brother & the Holding Company was still on top of the charts. 'I Got Them Ol' Kozmic Blues Again Mama!' was her first effort. She leans more towards Soul/Rock than on her previous work, with heavy horn arrangements from her accompanying band. The album contains the lead hit single 'Try (Just A Little Bit Harder)'. The audio is sourced from the original masters and features the original artwork.

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Bob Dylan

Blonde On Blonde

LP | 1969 | US | Reissue (Rhino)

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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180 gram pressing!

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Fleetwood Mac

Then Play On

38,99 €*

Release: 1969 / US – Reissue

Genre: Rock & Indie

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LP | 1969 | JP | Original (CBS/Sony)

Donovan

Donovan's Greatest Hits

9,99 €*

Dick Dale And His Del-Tones

Release: 1969 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Cover has ring-wear.
Japanese pressing with obi.

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Surfers' Choice Clear Vinyl Edtion

LP | 1962 | EU (Destination Moon)

Falling In Love Is Wonderful

Release: 1962 / EU

Genre: Rock & Indie

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Surfers’ Choice is a true landmark of surf rock, being the album that established the genre more than any other release. First issued in 1962 and mostly recorded at the Rendezvous Ballroom in Balboa Beach, midway between Los Angeles and San Diego, it has rollicking surf anthems like ‘Surf Beat,’ ‘Shake ‘N Stomp,’ ‘Surfing Drums’ and ‘Take It Off,’ as well as Dale’s adaptations of ‘Night Owl,’ ‘Fanny Mae’ and a strangely orchestrated take of ‘Sloop John B.’ With a soaring guitar that’s drenched in reverb at centre stage and Dale’s gritty vocals varying the action, this is the enduring start of surf rock and a blistering start at that!

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Jimmy Scott

LP | 1963 | US | Reissue (Honeypie)

13,99 €*

Ars Nova Green Vinyl Edition

Release: 1963 / US – Reissue

Genre: Rock & Indie

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Originally released on Ray Charles' Tangerine label, and for too long considered a collector’s item, "Falling in Love is Wonderful" can be easily considered as one of Jimmy Scott's essential albums. Perfectly backed by Marty Paich and Gerald Wilson sophisticated arrangements Jimmy Scott lays some of the best vocal performances in his entire career. Classic standards such as "There Is No Greater Love" and "How Deep Is The Ocean" reach new heights and flourish through his unique voice.

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Ars Nova

LP | 1968 | US | Reissue (Sundazed)

The Biggest Twang Of Them All

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Duane Eddy

LP | 1966 | EU | Reissue (Sundazed Music Inc.)

31,99 €*

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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2LP | 1968 | DE | Reissue (Apple)

The Beatles

Release: 1968 / DE – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: G+

Spine is torn. Vinyl is Close to VG+. Numbered reissue. Swedish Contract Pressing.

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LP | 1969 | CS | Original (Supraphon)

Night Club 68

Release: 1969 / CS – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Traumreise Afrika Asien / Musik Zum Tanz

LP | 1963 | DE | Original (Electrola)

Release: 1963 / DE – Original

Genre: Organic Grooves, Rock & Indie, Classical Music

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Used Vinyl

Medium: VG, Cover: VG

Idiosyncratics And Swallows Wings Black Vinyl Edition

Jeremy Harmer

LP | 1969 | EU | Reissue (Sommor)

Idiosyncratics And Swallows Wings Orange Vinyl Edtion

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Mega rare UK private album (99 copies originally pressed in 1969) by singer/songwriter Jeremy Harmer, featuring David Costa of psych-folk band Trees on guitar.

Melancholic, introspective psych-folk with chamber/ baroque feel. Guitar, flute, viola, bass, drums…

Jeremy Harmer started singing and playing at school and university, where his circle of friends included aspiring folk musicians like Nick Drake and pre-Trees David Costa. Jeremy has a long history as a singer/songwriter and performer, along with his work in the field of English language teaching.

“Idiosyncratics and Swallows’ Wings” was recorded one night in 1968 at the studios of Anglia Television, Norwich, while Jeremy was at the University of East Anglia. Along with Jeremy singing and playing guitar, the album features a mini-chamber ensemble of flute, viola, bass and drums with orchestral arrangements written by John Trevitt from the School of Fine Arts. Jeremy’s friend David Costa (prior to forming the psych-folk band Trees) played guitar on several tracks and co-wrote “Tuesday P.M.”

Only 99 copies were pressed at the time and all were sold to people at the University, making it impossible to find now.

*Original artwork in hard cardboard sleeve *First ever vinyl reissue *Insert with liner notes and photos *Download card

Riyl: Nick Drake, John Cale, Bert Jansch, Incredible String Band, Will Malone…

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Jeremy Harmer

LP | 1969 | EU | Reissue (Sommor)

29,44 €* 30,99 € -5%

LP | 1969 | EU | Reissue (Out-Sider Music)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Pulse

I Quelli Red Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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First ever official vinyl reissue of this bluesy psychedelic hard-rock album from 1969.

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Quelli

LP | 1969 | EU | Reissue (RCA)

23,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1968 | EU | Reissue (Cosmic Rock)

H.P. Lovecraft

H.P. Lovecraft II

2LP | 1968 | US | Original (Apple)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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The 2nd chapter, yet a revelation. Released on Philips in 1968, right after their ’67 self titled album this iconic psych-folk masterpiece still detain a refreshing and revelatory approach. The Chicago band, named after American supernatural fiction writer, is on the verge of some weird songwriting experience, as suggested by some explicit titles as Mobius Trip or At The Mountains Of Madness. Celestial electro-acoustic harmonies and spacey keyboards gave way to mystical show, still entertaining nowadays.

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The Beatles

Around Grapefruit Plus London Session

Release: 1968 / US – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: G+, Cover: Generic

Scranton Pressing.

Note: INCOMPLETE!
Disc 2 Side C&D only.
Record has some hairlines and a few superficial scratches.
Writing on label.
Ships in a brand new plain sleeve.

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Grapefruit

LP | 1968 | EU | Reissue (Bonfire)

LP | 1969 | EU | Reissue (Akarma)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Officially reissued for the first time on vinyl here's a definitive pop psych masterpiece, originally released in 1968 on Dunhill Records. It's not a legend that John Lennon named the band after an art book by Yoko Ono. The Beatles were closely involved in their early career, signing them to Apple Publishing. Lennon and McCartney produced their single "Lullaby". Here's their debut album with extra tracks taken from their 1967-1968 London Session Apple.

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Sacred Mushroom

LP | 1969 | EU (Trading Places)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Sacred Mushroom -- led by future Pure Prairie League member Larry Goshorn (guitar/vocals) and featuring brother Danny Goshorn (vocals) -- were a short-lived rock/blues quintet based in Cincinnati, OH. Their efforts coalesce on this, the band's self-titled debut (and only) long-player. The album contains a blend of proficient originals as well as a pair of well-chosen cover tunes, such as the blues standard "Mean Old World" and the Kinks' "I'm Not Like Everybody Else." While their name conjures images of late-'60s psychedelic or acid rock, Sacred Mushroom's roots were decidedly more bluesy than trippy.

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Beau

LP | 1968 | UK | Original (Xtra)

Release: 1969 / EU

Genre: Rock & Indie

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Leeds-born folk-rocker John Trevor Midgely, alias Beau, was known for his deft twelve-string guitar work, his poignant voice and distinctive song-writing, which brought him onto the roster of John Peel’s Dandelion label in 1969. His self-titled debut album is arguably his best and includes the outstanding single ‘1917 Revolution,’ said to have inspired America’s smash, ‘Horse With No Name,’ the LP ably demonstrating that all the artist needed was his voice, his guitar, and his individual approach to song writing, the work bearing his haunting hallmarks throughout. In short, an unjustly obscure release that is ripe for current reappraisal. Including 2 Bonus Tracks

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Archie Fisher

37,99 €*

LP | 1969 | UK | Reissue (Ace)

Release: 1968 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl is close to NM.

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Mighty Baby

2LP | 1969 | US | Reissue (Analogue Productions)

Release: 1969 / UK – Reissue

Genre: Rock & Indie

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Mighty Baby evolved out of the Action, club favourites who released a number of poor-selling singles. Dropped by Parlophone, musical chairs saw Ian Whiteman (keyboards/flute) and Martin Stone (guitar) join and the music now blended progressive psychedelia with longer pieces dominated by instrumental prowess rather than Reggie King’s soulful vocals. King departed and guitarist Alan King and Whiteman began to share vocal duties on newly penned material like ‘Egyptian Tomb’ and ‘House Without Windows’ that, in retrospect, can be seen as reflecting light from the dark star of the Grateful Dead.

“Mighty Baby” was first released on the Head label on 7th November 1969 in a superb gatefold sleeve with artist Martin Sharp serving up the arresting front cover that looked like a lion being showered in blood. The album received positive reviews, with International Times stating “The music has a hundred characters… Eastern, Oriental, country, folk, rock, blues, pop etc. etc… At this moment in time Mighty Baby’s record is simply THE best thing in its class.”

The album is now seen as a progressive rock classic; cohesive, with no low spots, the inventiveness and musical prowess on a par with the equally revered, albeit jazzier, prog rock band Cressida. This latest edition from Ace, not only replicates the gatefold sleeve of the original but also contains an inner sleeve replete with memorabilia from the collection of Richard Morton Jack

“Mighty Baby” is a must-have purchase not only for fans of the band but those who want to discover this classic progressive rock album for the first time.

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Jethro Tull

Stand Up

93,99 €*

Release: 1969 / US – Reissue

Genre: Rock & Indie

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LP | 1969 | US | Reissue (Metromedia)

Sugar Creek

Please Tell A Friend

19,99 €*

Release: 1969 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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LP | 1969 | US | Reissue (Mercury)

Van Der Graaf Generator

The Aerosol Grey Machine

Release: 1969 / US – Reissue

Genre: Rock & Indie

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LP | 1968 | US | Reissue (ATCO)

Bo Grumpus

Before The War

LP | 1968 | US | Reissue (International Artists)

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Signed By Simeon

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Lost And Found

Everybody's here

Release: 1968 / US – Reissue

Genre: Rock & Indie

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LP | 1969 | US | Original (MGM)

The Cowsills

The Best Of The Cowsills

Release: 1969 / US – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Walpurgis Black Vinyl Edition

The Shiver

LP | 1969 | EU | Reissue (Sommor)