Rock & Indie 12399 Items

LP | 2024 | EU | Original (Napalm)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Pekka Laine and The Enchanted's second album out on Svart Records in September

"In a dream I heard music with a strange bubbling sound. People were dancing to it in a surreal, cavernous space. What is this, I asked. One of the dancers stopped and answered. It's an underwater disco. In the morning, I grabbed my guitar and tried to recall what I had heard. Those foggy fragments became Malibu Beach”.

Helsinki 4th of June 2024, Pekka Laine

For Pekka Laine, the twang of an electric guitar is not a warm blanket of nostalgia. Instead, the echoing sound usually associated with surf and retro instrumentals is a ticket to the imaginary.

On this sonic journey, Laine is joined by The Enchanted, his powerhouse live band that has taken both festival and club stages by storm. Pekka Laine and his trusty space-age guitar take the listener to a place where a futuristic and humid disco sound, perfect with obese beats and robotic vocals, reigns supreme. Trippy vocoder vocals and Moog wizardry are provided by Antti Vuorenmaa, the synth sensei associated with several leading Finnish indie bands and a trusted member of the extended Enchanted family.

Pekka Laine's second album Pekka Laine & The Enchanted in Slumberland will be released on 27th of September 2024 digitally, CD and in three different vinyl versions: on a classic black vinyl, wonderful transparent green vinyl and limited edition of 100 white/green/orange marble vinyls hand-crafted by Pekka Laine himself at the Helsingin Levypuristamo. The limited edition is available only on the Svart Records online store.

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Powerwolf

Wake Up The Wicked

Release: 2024 / EU – Original

Genre: Rock & Indie

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Polar Veil Transparent Yellow Vinyl Edition

Hexvessel

LP | 2024 | EU | Original (Svart)

LP | 2024 | EU | Original (No Coincidence)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Hexvessel, the enigmatic Finnish band known for their genre-defying musical conjurations, is thrilled to announce the highly anticipated second vinyl pressing of their sixth album, "Polar Veil," via Svart Records, including new limited vinyl colours and a poster! Following the unexpected shift in tone from their Psychedelic Folk roots to a more atmospheric Black Metal sound, "Polar Veil" not only garnered Hexvessel a broader and even more diverse audience but also became one of Svart Records' best-selling albums of 2023.

Originally released to critical acclaim, "Polar Veil" earned the title of #1 Metal Album of the year in Sweden's Aftenposten newspaper, secured the #2 spot in Inferno Magazine's top 10 domestic Metal Albums of the year, and claimed the #13 position in Soundi's top 20 domestic albums of the year after receiving a stellar 5/5 review. The album was also nominated for Band of The Year in the Finnish Indie Awards, setting the stage for an exciting year of live shows in 2024.

Hexvessel's sixth album "Polar Veil" is a mesmerizing journey into the Sub Arctic North, weaving together elements of Black Metal, Ritual Folk Psychedelia, and Doom Rock. The second LP pressing is available on Svart exclusive transparent violet vinyl, limited transparent yellow vinyl, and standard issue black vinyl. Each pressing comes with a large-scale 12-page booklet featuring artwork by Thomas Hooper and the Svart exclusive edition also has a poster showcasing Benjamin König's stunning, jaw-dropping cover artwork.

Experience the magic of "Polar Veil" once again. Don’t miss out on one of these limited rarities and order your copy now!

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Thumpasaurus

Hard

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Boys Of Ladbroke Grove Red Marble Vinyl Edition

Motörhead

LP | 2024 | Original (Cleopatra)

Release: 2024 / Original

Genre: Rock & Indie

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Animals With Human Intelligence Blue Red Splatter Vinyl Edition

Enuff Z'nuff

LP | 2024 | Original (Cleopatra)

Release: 2024 / Original

Genre: Rock & Indie

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Hell, Fire & Damnation Black Vinyl Edition

Saxon

LP | 2024 | EU | Original (Silver Lining)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Merge)

Mary Timothy

Untame The Tiger

Spiral I A Straight Line Indie Exclusive Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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For more than 30 years, singer-songwriter and guitar hero Mary Timony has cut a distinctive path through the world of independent music, most recently as vocalist and guitarist of acclaimed garage-pop power trio Ex Hex (Merge) but also as a member of seminal postpunk band Autoclave (Dischord), celebrated leader of the deeply influential Helium (Matador), multifaceted solo artist (Matador, Lookout!, Kill Rock Stars), and a co-founder of supergroup Wild Flag (Merge). Described by Sleater-Kinney's Carrie Brownstein as "Mary Shelley with a guitar" and dubbed "a trailblazer and an innovator" by Lindsey Jordan a.k.a. Snail Mail, Timony has distinguished herself as one of her generation's most influential. Although she has remained a cult hero and critical favorite since the early '90s, Timony's many triumphs have long been counterbalanced by crippling doubt and self-nullification. Her fifth solo album, Untame the Tiger, approaches these emotions head on. Her first solo release in 15 years is a startling document of an artist fully coming into her own power during the fourth decade of her career. It is the product of lessons learned during life-altering struggle. The mystical, acoustic-driven Untame the Tiger emerged after the dissolution of a long-term relationship and was bookended by the deaths of Timony's father and mother. The album was recorded during a two-year period during which she was the primary caregiver for her ailing parents. The tectonic psychic shift Mary experienced due to this loss informs many of her lyrics. Standout track "No Thirds" "is a song about losing everything and having to keep on going," says Timony. "I wanted the verses to sound like a wide-open barren space, like driving across a desert, because that is what the song is about - losing people and the feeling that your future is a giant, wide-open blank space." The stripped-back acoustic instrumentation of "The Guest" conjures Sweetheart-era Byrds. Timony describes it as a song sung directly to loneliness: "I was imagining loneliness as a house guest who keeps knocking on your door. I thought it would be funny to say loneliness is the only one who always comes back." Untame the Tiger does not eschew Timony's guitar hero reputation; in fact, "Summer" relishes in it, a straight-up banger that you'd be half tempted to call "no frills" until its initial garage rock stomp breaks into the unexpected bliss of a twin guitar solo conclusion. "I wanted the recording to have the energy of the Kinks, early Dio and Elf, or Rory Gallagher," she explains. "I was also listening to a lot of Gerry Rafferty's first solo album and was inspired to have two simultaneous guitar solos." Untame the Tiger picks up the thread woven through Timony's freak-folk-anticipating solo albums of the early '00s. Basic tracks were recorded at Studio 606 in Los Angeles, with Timony backed by Dave Mattacks, drummer of legendary British folk-rock band Fairport Convention. "Mattacks is a hero of mine and one of my favorite musicians of all time. He is a true legend. I never in a million years thought he'd agree to play on my record," says Timony. "Before the session, I had a panic attack and had to go sit alone in the parking lot_ Once we started playing together, it felt so great that the fear subsided and turned into excitement. His playing felt instantly familiar, which makes sense because it's the foundation of many of my favorite records." Untame the Tiger was produced by Mary Timony, Joe Wong, and Dennis Kane. The album was recorded over the course of two years at Studio 606, Magpie Cage, 38North, and in Mary's basement Additional engineering by J. Robbins (Jawbox, Burning Airlines). Musicians include Chad Molter (Faraquet, Medications), David Christian (Karen O, Hospitality), and Brian Betancourt (Cass McCombs, Devendra Banhart, Hospitality). The album was mixed by Dave Fridmann (mgmt, The Flaming Lips, Mercury Rev), Dennis Kane, and John Agnello (Dinosaur Jr., Kurt Vile, Waxahatchee).

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Touche Amore

LP | 2024 | Original (BMG Rights Management)

Release: 2024 / Original

Genre: Rock & Indie

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Preorder shipping from 2024-10-25

Heavy Lifting Live Tracks

MC5

2LP | 2024 | EU | Original (Earmusic)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Heavy Lifting Limited Colored Vinyl Edition

MC5

LP | 2024 | EU | Original (Earmusic)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Turn The Light On Coloured Vinyl Edition

Imminence

2LP | 2019 | EU | Reissue (Arising Empire)

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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Bobby Boris Pickett / The Crypt-Kickers

The Original Monster Mash Glow In The Dark Vinyl Edition

LP | 2024 | Original (Decca)

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Earache)

Municipal Waste

The Art Of Partying

Release: 2019 / EU – Original

Genre: Rock & Indie

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Caravan Beyond Redemption Black Vinyl Edition

Cathedral

2LP | 2024 | Original (Earache)

34,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | WW | Original (Dog Holiday)

Club Kuru

Before The World

Release: 2024 / WW – Original

Genre: Rock & Indie

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LP | 2024 | Original (Aggressive Punk Produktionen)

Fahnenflucht

Molotov Zitrone

24,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Collapse List Bio Vinyl Edition

Novo Amor

LP | 2024 | UK | Original (Communion)

Release: 2024 / UK – Original

Genre: Rock & Indie

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In This City Colored Vinyl Edition

Richard Hawley

LP | 2024 | EU | Original (BMG)

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Million Masks Of God Chrystal Clear Vinyl Edition

Manchester Orchestra

LP | 2024 | Original (Concord)

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | UK | Original (Stones Throw)

DJ Harrison

Shades Of Yesterday

Release: 2024 / UK – Original

Genre: Hip Hop, Rock & Indie

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LP | 2024 | US | Original (New West)

The Wild Feathers

Sirens

LP | 2024 | EU | Original (Noisolution)

Release: 2024 / US – Original

Genre: Rock & Indie

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How would you define The Wild Feathers? Some may immediately check a box for Americana – and they wouldn’t be wrong. Others may lean on a version of rock: Country-rock, folk-rock, heartland rock. They’d all be right, too. Blues? A Southern flare? Occasional punk attitude? It’s all in there. Now, it’s time to hop on the bus and sing along.

The longtime Nashville band returns this year with Sirens, a new LP of road-worn, sharply-woven tales chronicling a life worth living, love worth holding and the hard-earned lessons found along the ride. To cut the follow-up to 2021 album Alvarado – the band’s debut on independent label New West Records – The Wild Feathers decamped from Music City, U.S.A., to Los Angeles for sessions with producer Shooter Jennings (known for his work with Brandi Carlile, Turnpike Troubadours and Tanya Tucker, among others) at Dave’s Room in North Hollywood.

Listen intently and without genre in mind. Because when the so-called Sirens make their sound on this new album, don’t worry about how to define it. Just enjoy the ride.

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24/7 Diva Heaven

Gift Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (BMG Rights Management)

Dokken

Tooth And Nail

37,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Daybreaker Record Store Day 2023 Picture Disc Vinyl Edition

Architects

LP | 2013 | EU | Reissue (Arising Empire)

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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The Raven That Refused To Sing

Steven Wilson

2LP | 2013 | EU | Reissue (Transmission)

40,99 €*

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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2LP | 2019 | EU | Original (Roadrunner)

Slipknot

We Are Not Your Kind

Release: 2019 / EU – Original

Genre: Rock & Indie

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2LP | 2016 | UK | Original (Earache)

Carcass

Choice Cuts

Release: 2016 / UK – Original

Genre: Rock & Indie

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A Moon Shaped Pool Black Vinyl Edition

Radiohead

2LP | 2016 | UK | Original (XL)

Dying Surfer Meets His Maker

Release: 2016 / UK – Original

Genre: Rock & Indie

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Away with the mystics, here it is: Radiohead's ninth long player combining art rock and psychedilc folk.

A cursory glance at A Moon Shaped Pool may suggest a certain measure of indifference on the part of Radiohead. Its 11 songs are sequenced in alphabetical order -- a stunt befitting a Pixies concert or perhaps a Frank Black box set, not a proper album -- and many of these tunes are of an older vintage: the group began work on the opening "Burn the Witch" at the turn of the century, while the closing "True Love Waits" first appeared in concerts way back in 1995. These are the elements of a clearinghouse, but with Radiohead appearances are always deceiving. A Moon Shaped Pool doesn't play like an ill-considered collection of leftovers; it unfurls with understated ease, each silvery song shimmering into the next. The pulse rarely quickens and the arrangements seldom agitate, yet the album never quite feels monochromatic. Sly, dissonant strings grace some cuts, acoustic guitars provide a pastoral counterpoint to an electronic pulse, Thom Yorke's voice floats through the music, often functioning as nothing more than an element of a mix; what he's saying matters not as much as how he murmurs. Such subtle, shifting textures emphasize Radiohead's musicianship, a point underscored when this version of "True Love Waits" is compared to its 2001 incarnation. There, Yorke accompanied himself with a simple acoustic guitar and he seemed earnest and yearning, but here, supported by piano and strings, he sounds weary and weathered, a man who has lost his innocence. What he and Radiohead have gained, however, is some measure of maturity, and with this, their music has deepened. Certainly, sections of A Moon Shaped Pool contain an eerie, disconcerting glimmer, usually attained through power kept in reserve -- nothing stabs as hard as the sawing fanfare of "Burn the Witch," while the winding, intersecting guitars that conclude "Identikit" provide the noisiest element -- yet the album as a whole doesn't feel unsettling. Instead, there's a melancholic comfort to its ebb and flow, a gentle rocking motion that feels comforting; it's a tonic to the cloistered, scattered King of Limbs and even the sleek alienation of Kid A. Radiohead are recognizably the same band that made that pioneering piece of electronica-rock but they're older and wiser on A Moon Shaped Pool, deciding not to push at the borders of their sound but rather settle into the territory they've marked as their own. This may not result in a radical shift in sound but rather a welcome change in tone: for the first time Radiohead feel comfortable in their own skin. - allmusic.com

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All Them Witches

LP | 2016 | US | Original (New West)

Release: 2016 / US – Original

Genre: Rock & Indie

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LP | 2013 | US | Original (ORG Music)

Refused

Everlasting EP

Release: 2013 / US – Original

Genre: Rock & Indie

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2LP | 2013 | EU | Original (Late Night Tales)

The Cinematic Orchestra

Late Night Tales

Mule Variations 25th Anniversary Silver Vinyl Edition

Release: 2013 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance, Pop

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feat. Flying Lotus, Nick Drake, Thom Yorke, Burial … 180 gram vinyl!

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Tom Waits

2LP | 2024 | EU | Original (Anti)

35,99 €*

Omniverse Consciousness Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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In celebration of Mule Variations" and ANTI- Records" 25th Anniversary,the GRAMMY Award winning album is being re-issued on 180g Silver vinyl.The 1999 release of his thirteenth studio album Mule Variations offers themost complete picture of his artistry while also marking the beginning ofthe indie label ANTI- Records. On this album, edgy stomps, humor andexperimentation are interspersed with some of the most beautiful and personal songs he"s ever written.

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Doedsmaghird

LP | 2024 | Original (Peaceville)

Release: 2024 / Original

Genre: Rock & Indie

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2LP | 2024 | CZ | Original (Interscope)

AFI

Sing The Sorrow

Release: 2024 / CZ – Original

Genre: Rock & Indie

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Talking Through Repetition Red & Black Vinyl Edition

The Psychotic Monks

2LP | 2024 | WW | Original (FatCat)

34,99 €*

Release: 2024 / WW – Original

Genre: Rock & Indie

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My Years With Ufo Black Vinyl Edition

Michael Schenker

2LP | 2024 | EU | Original (Earmusic)

34,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Angel Of The West Window Black

Tangerine Dream

2LP | 2024 | Original (Kscope)

40,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2019 | Original (Nettwerk)

Guster

Keep It Together

22,99 €*

Release: 2019 / Original

Genre: Rock & Indie

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Model Purple & Orange Vinyl Edition

Wallows

LP | 2024 | EU | Original (Atlantic)

47,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Les Blessures De L'ame 25th Anniversary Clear Vinyl Edition

Seth

LP | 2024 | Original (Peaceville)

Release: 2024 / Original

Genre: Rock & Indie

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Monsters Of Rock-Live 1980

Rainbow

2LP | 2019 | EU | Original (Earmusic Classics)

32,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (BMG Rights Management)

The Searchers

The Ultimate Collection

Release: 2024 / EU – Original

Genre: Rock & Indie

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Mind, Man, Medicine Jade Vinyl Ediiton

The Secret Sisters

LP | 2024 | US | Original (New West)

2LP | 2024 | EU | Original (RecordJet)

Release: 2024 / US – Original

Genre: Rock & Indie

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Our fifth chapter is the one where we seek, savor, and settle. The muse found us in the depths of raising children, nurturing relationships, surviving a world-changing virus, bidding farewell, shifting our mindsets, and discovering a sense of peace heretofore unseen. Our third decade of life has proven to be one of routine, rest, and realization, and these songs are about the lessons we’ve learned. We’ve learned to be space-holders and defenders of the people we hold close. We’ve learned from deep, steady love in various forms. We’ve learned to let go of people and perceptions and priorities that just didn’t make the cut as we weighed what is right and important and worth keeping. We’ve learned how all the things we’ve always treasured continue to withstand the pressure of time. If you notice an upward trend to the mood and emotions, you’re on target-we have found calm waters, for now. - The Secret Sisters (2023)

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Massacre

Corpus Umbra

Release: 2024 / EU – Original

Genre: Rock & Indie

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Opium Clear Vinyl Edition

Half Me

LP | 2024 | EU | Original (Arising Empire)

21,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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You're Never Alone With A Schizophrenic

Ian Hunter

2LP | 2024 | Original (Chrysalis)

Release: 2024 / Original

Genre: Rock & Indie

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2LP | 2024 | Original (Chrysalis)

Ian Hunter

Short Back N Sides

Release: 2024 / Original

Genre: Rock & Indie

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10" | 2024 | EU | Original (Fat Wreck)

Codefendants

Living Las Vegas

Release: 2024 / EU – Original

Genre: Rock & Indie

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Sugar Black Vinyl Edition

Tonic

LP | 2024 | EU | Original (Music On Vinyl)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Napalm)

Austrian Death Machine

Quad Brutal

Release: 2024 / EU – Original

Genre: Rock & Indie

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Bigger Than Life 15th Anniversary Edition

Black Marble

LP | 2019 | US | Reissue (Sacred Bones)

24,99 €*

Me First And The Gimme Gimmes

Release: 2019 / US – Reissue

Genre: Rock & Indie

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Third album from Chris Stewar as Black Marble, back then newly living in Los Angeles, fresh off a move from New York. As with every Black Marble album, Stewart recorded, produced, and played everything you hear on Bigger Than Life using entirely analog gear, though the process was new. This time around, he wrote everything on his MPC and sequenced it live to his synths - only using the computer to record, not to create. He also approached his vocals in a new way this time, bringing them forward in the mix and retreating from the reverb-drenched affect he has utilized in the past. "Everything about this record from the album art to the title, to the themes to all the sounds on the record is my response to this particular time," Stewart says.

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Blow It At Madison's Quinceanera Limited Pink Vinyl Edition

LP | 2024 | EU | Original (Fat Wreck)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Tarja - Rocking Heels: Live At Hellfest

Tarja

LP | 2024 | EU | Original (Earmusic)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-12-06

LP | 2024 | EU | Original (Arising Empire)

Awake The Dreamer

Holocene Colored

Release: 2024 / EU – Original

Genre: Rock & Indie

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Tape | 2024 | US | Original (Topshelf)

Boyscott

Spellbound

14,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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12" | 2024 | Original (Crass)

Alternative

In Nomine Patri

25,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Never Before Seen, Never Again Found Midnight Haze Vinyl Edition

Arm's Length

LP | 2024 | WW | Original (Many Hats Distribution)

Release: 2024 / WW – Original

Genre: Rock & Indie

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Baby I Miss You Blue Vinyl Edition

Chris Norman

LP | 2024 | Original (Bros Music)

Release: 2024 / Original

Genre: Rock & Indie

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Sentry Blue Vinyl Edition

Sentry

LP | 2024 | EU | Original (High Roller)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Swan Songs 10th Anniversary / 3

Lord Of The Lost

3LP | 2024 | EU | Original (Out Of Line Music)

41,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Norske Albumklassikere)

Saft

Stev, Sull, Rock & Rull

Release: 2024 / EU – Original

Genre: Rock & Indie

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Descendents

It Sux Being Single

7" | 2024 | EU (Tumbler)

18,99 €*

Release: 2024 / EU

Genre: Rock & Indie

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Abhorrence Gilded Abyss Colored Vinyl Edition

Cognitive

LP | 2024 | EU | Original (Metal Blade)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2016 | UK | Original (Static Shock)

Uranium Club

Human Exploration

16,99 €*

Release: 2016 / UK – Original

Genre: Rock & Indie

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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996

V.A.

2LP | 2024 | US | Original (Light In The Attic)

55,99 €*

LP | 2013 | EU | Original (RCA)

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”

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Bring Me The Horizon

Sempiternal

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13" Frank Beltrane Italian Stiletto Mint Green Vinyl Edition

Xiu Xiu

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V.A.

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Bring Me The Horizon

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Oren Ambarchi / Johan Berthling / Andreas Werliin

Ghosted II

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Missing out on that super-chill, uber-jittery minimal groove thing? Let"s get real, real Ghosted again.Oren Ambarchi has been collaborating with the Fire! trio (Mats Gustafsson, Johan Berthling and Andreas Werliin) for over a decade - and both Johan and Andreas played on Oren"s Live Hubris as well. Oren and Johan began music-making together back in the early aughts - but it wasn"t until 2021 that the three of them got together to record music. That became the first Ghosted album. When they were done, it was clear they had founded a new group. A music of sustained tension and deep atmosphere marked by subtle, shifting dynamics, Ghosted was released in May of 2022 to psyched response everywhere; the trio embarked upon an ongoing series of concert bookings around Europe, with loads of other people in the world still hoping to have the chance to be in the room at the next show. Two years on, Ghosted has gone through several represses, now it"s time for the "dreaded follow up album"! Rather than go back to the well, the guys decided to tear everything down and start all over again, reimagining themselves from scratch.Just kidding! As we"ve noted, Oren, Johan and Andreas have been playing together for years and years, developing an essential telepathy within their shared space. They get each other and feed each other"s music processes on an elemental level. Why change that? What made the most sense was to go back to Daneil Bengtsson at Studio Rymden in Stockholm for a couple days, then have Oren and Joe Talia mix and Joe master it at Good Mixture in Melbourne again, then get Pål Dybwik to do some well-distinctive cover art, and once more, call it a record.That"s just what they did - and it should be no surprise at all that the new Ambarchi/ Berthling/Werliin album looks and sounds as engrossing as their debut, if not more so! Ghosted II has a definitively fresh quality radiating throughout. The mutual feeling among the three players goes deep, allowing for lots more to say every time they get toge...

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Lost On You

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Ozean

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White Vinyl. Set your shoes to gaze mode and rip into this king size cloud of ethereal dream pop. Inspired by the spate of Brits leaning into swirling distortion and punishing volume, San Jose's Ozean played just two shows in their brief existence, dissolving before the Scene That Celebrates Itself ever broke the silicon barrier. The quartet's 1991 self-titled demo cassette has been remastered and pressed at 45RPM, a timeless document of late adolescent wonder and experimentation.

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Fine

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Jolly Good Fellas Best Of Broilers 1994-2024 Black Vinyl Edition

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Writing music, for singer-songwriter and producer Fine, “feels like being entrusted with a secret.” On Rocky Top Ballads, the Copenhagen-based musician’s debut album, these secrets take the form of minimalist compositions that search for glimpses of beauty in the everyday. Recorded, produced, and mixed by Fine, the album is a mystical soundtrack to a captivating songwriter’s explorations of process and intuition.

“The whole album is about the moments when you see a crack in something,” Fine explains, “where you briefly see another side of yourself or of someone you've known forever.”

Fine grew up in Denmark’s rural Northern Jutland; there, her father’s guitar and banjo playing formed the sonic backdrop of her childhood. In the years since, her musical curiosity has led her to work across a range of styles and sounds. In her early twenties, she became part of Danish electronic trio Chinah, which released three albums. You might also have caught her sampled vocals on the joyfully rollicking Two Shell song “Home,” from 2021. Then, last year, she — along with Erika de Casier and Smerz — co-wrote three songs for the massive, critically lauded K-pop group New Jeans. Fine is also a part of Clarissa Connelly Canons group back home in Denmark, and writes music under the moniker Coined with composer and songwriter Astrid Sonne.

But Rocky Top Ballads is a turn back towards a more personal, stream-of-consciousness songwriting style. Fine wrote and recorded these songs sporadically over the course of the last few years. In light of Chinah’s collaborative, piecemeal production style, Fine craved a more organic, intuitive process for these songs. Her work on the record combines sample-based production with the sounds of instruments she and her collaborators could hold in their hands, ones that inspired free-flowing improvisation: electric and acoustic guitar, even the Ensoniq keyboard that was in her childhood home. The resulting songs are equally inspired by the country and folk of her childhood, the hazy beauty of Mazzy Star, the avant-garde pop of Dean Blunt, and the songwriting of ’90s singer-songwriters like Suzanne Vega.

Fine describes her songwriting process as a “magical thinking method”: being in contact with the present moment and pretending as if she already knows the song she’s about to write. Many of the songs on Rocky Top Ballads use the original takes of Fine’s vocals, an attempt to capture a song’s initial essence and avoid disturbing the song’s generative idea as much as possible. You can hear that well-preserved spark on songs like “Losing Tennessee,” a minimalist and wistful reflection on the inherent loss and change of growing older. She wrote other tracks, like the piano-led “Whys” and the woozy “Coasting,” through a process of cutting and layering her improvisations, carefully merging multiple musical snippets into newly seamless compositions. And the stunning closing track “A Star” is the product of a slow process of evolution: beginning as an understated expression of sincerity before dissolving into a rich, distorted guitar-driven exploration.

As a songwriter and producer, Fine’s work often peers into the universes of experience that can be hidden inside a fragmentary moment. Sometimes she explores this literally — as in “Days Incomplete,” which she built off a short sample from “A Star.” This impulse — to zoom in, to recontextualize, to excavate — threads throughout her lyrics, too. What happens, her songs ask, when we pay close attention to those everyday images and physical realities we might otherwise ignore: the sky, the rain, the sun, the sea? On the spacious and swoony “Big Muzzy,” with its gentle sway and Cocteau Twins-inflected vocals, Fine sings about watching the “summer turn blue”; the grooving, propulsive “Remember The Heart” is a love letter to the sea where she grew up. In her airy voice, Fine traces meandering melodies that continually unspool with fresh insights.

A particular mantra guided Fine’s songwriting throughout the creation of Rocky Top Ballads: “Everything has potential.” In these songs, small moments are worthy of deep contemplation, and gentleness can evoke worlds of emotion. The resulting songs offer a gift of momentary pleasure, flowing and unhurried as a gentle breeze.

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Broilers

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Fort Minor

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Orion Sun

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Paramore

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The Life Of A Man The Ultimate Hits 1968-2013

Joe Cocker

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Overexposed

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Foals

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Pink Floyd

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In A Perfect World

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Suzan Köcher's Suprafon

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Willow

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Soul Jazz Records presents

Punk 45: Kill The Hippies! Kill Yourself! Record Store Day 2024 Colored Vinyl Edition

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Linkin Park

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Hidden History Of The Human Race

Blood Incantation

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Mazzy Star

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Every Heaven Surf's Up Blue Vinyl Edition

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Reissue der letzten Mazzy Star-LP aus 2013 auf schwarzem 180g Doppelvinyl.

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Humdrum

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