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Reset all Filters 1963 1964 1966 1968 1969
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Simon & Garfunkel - Simon And Garfunkel's Greatest Hits
Simon & Garfunkel
Simon And Garfunkel's Greatest Hits
LP | 1969 | JP | Original (CBS/Sony)
9,99 €*
Release: 1969 / JP – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG
Simon & Garfunkel - Simon And Garfunkel's Greatest Hits
Simon & Garfunkel
Simon And Garfunkel's Greatest Hits
LP | 1969 | JP | Original (CBS/Sony)
5,99 €*
Release: 1969 / JP – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG, Cover: G+
Cover with stains and yellowing.
Simon & Garfunkel - Parsley, Sage, Rosemary And Thyme
Simon & Garfunkel
Parsley, Sage, Rosemary And Thyme
LP | 1966 | EU | Reissue (Columbia)
27,99 €*
Release: 1966 / EU – Reissue
Genre: Rock & Indie
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Simon & Garfunkel - Bookends
Simon & Garfunkel
Bookends
LP | 1968 | EU | Reissue (Columbia)
21,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
2018 reissue.
Simon & Garfunkel - Bookends
Simon & Garfunkel
Bookends
LP | 1968 | EU | Reissue (Columbia)
27,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Silver Apples - Silver Apples Smoke Colored Vinyl Edition
Silver Apples
Silver Apples Smoke Colored Vinyl Edition
LP | 1968 | US | Reissue (Jackpot)
29,99 €*
Release: 1968 / US – Reissue
Genre: Rock & Indie, Electronic & Dance
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New 24 bit /96 kHz transfer taken from the original master tapes. Limited Smoke Colored Vinyl w/ Deluxe Silver Foil Jacket.

Formed in 1967 as a psychedelic electronic duo featuring Dan Taylor on drums and Simeon on a homemade synthesizer consisting of 12 oscillators (and an assortment of sound filters, telegraph keys, radio parts, lab gear and a variety of second hand electronic junk), SILVER APPLES quickly gained a reputation as New York’s leading underground musical expression. Their pulsating rhythmic beats with the use of electronics laid the groundwork for what would become“Krautrock” Silver Apples was released in 1968 and still remains an innovative and revolutionary album. Their highly influential sound has influenced countless bands from Stereolab, Beastie Boys, Blur and more. Edition of 500 copies.
Silver Apples - Silver Apples
Silver Apples
Silver Apples
LP | 1968 | EU | Reissue (Rotorelief)
25,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Silver Apples - Contact/ Metallic Vinyl Edition
Silver Apples
Contact/ Metallic Vinyl Edition
LP | 1969 | EU | Reissue (Rotorelief)
30,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Silver Apples - Contact
Silver Apples
Contact
LP | 1969 | EU | Reissue (Rotorelief)
28,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Shangri-Las - Leader Of The Pack
Shangri-Las
Leader Of The Pack
LP | 1964 | US | Reissue (Red Bird)
19,99 €*
Release: 1964 / US – Reissue
Genre: Rock & Indie
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Scott Walker - Scott 4
Scott Walker
Scott 4
LP | 1969 | EU | Reissue (Mercury)
22,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Scott Walker - Scott 3
Scott Walker
Scott 3
LP | 1969 | EU | Reissue (Mercury)
28,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Scott Fagan - South Atlantic Blues
Scott Fagan
South Atlantic Blues
LP | 1968 | US | Reissue (Earth)
29,99 €*
Release: 1968 / US – Reissue
Genre: Rock & Indie
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The long lost 1968 debut album by singer-songwriter, Scott Fagan, once tipped to be bigger than Elvis, is set for release on 9th February 2024 via Earth Recordings. 'South Atlantic Blues' will be reissued for the first time in its original artwork, with an iconic portrait of Fagan by famed rock photographer, Joel Brodsky, following a widely celebrated 2015 release.Revisiting his mystical, mythical, and deeply soulful masterpiece, this psych-folk gem doffs a Tropicalia hat direct from downtown New York. "His songs embrace a broad sonic fantasia, swirling in '60s New York R&B and '40s jazz, as well as the Caribbean rhythms of calypso, meringue and Pachanga." New York TimesScott Fagan's story is worthy of a movie in itself. A swinging hipster who landed in 60s Greenwich folk scene, escaping the abject poverty of his U.S. Virgin Islands upbringing, Fagan found himself mentored by the Brill Building's Doc Pomus and Mort Shuman, and feted as the next big thing. "Forget Rodriguez, forget Searching for Sugar Man," says Sharyn Felder, daughter of the late Doc Pomus, the legendary songwriter who signed Fagan to management in 1964. "Scott was so much more. He was cut from a different cloth."'South Atlantic Blues' is the perfect soundtrack to this tale, an epic song cycle wrapped around an impassioned love story, driven by Fagan's dense, allusive lyrics, and production by Elmer Jared Gordon (Pearls Before Swine) and rich arrangements by Horace Ott (Nina Simone, Sam Cooke, The Shirelles). The Earth Recordings reissue coincides with a resurgence in activity for Fagan, with a new album in the works - the never-recorded soundtrack to 'Soon', the 1971 Broadway rock musical he co-wrote and starred in - and a documentary 'Soon: the Story of Scott Fagan' currently filming through Scissor Kick Films, from director Marah Strauch, writer Chris Campion (who rediscovered the singer-songwriter in 2015), and producer Eric Bruggeman.Classic Black Vinyl + DLC
Scorpion - Scorpion
Scorpion
Scorpion
LP | 1969 | US | Reissue (Tower)
18,99 €*
Release: 1969 / US – Reissue
Genre: Rock & Indie
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180 Gram Vinyl
Schnuckenack Reinhardt Quintett - Musik Deutscher Zigeuner
Schnuckenack Reinhardt Quintett
Musik Deutscher Zigeuner
LP | 1969 | DE | Original (Da Camera Song)
8,99 €*
Release: 1969 / DE – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
close to NM. Writing on cover.
Santana - Santana
Santana
Santana
LP | 1969 | US | Reissue (Columbia)
6,99 €*
Release: 1969 / US – Reissue
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: G+, Cover: Generic
Original sleeve is missing.
Santana - Santana
Santana
Santana
LP | 1969 | EU | Reissue (Legacy)
27,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Santana - Jingo
Santana
Jingo
7" | 1969 | DE | Original (CBS)
5,99 €*
Release: 1969 / DE – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG, Cover: Generic
Cover is missing.
Sanford Clark - They Call Me Contry Blue Vinyl Edition
Sanford Clark
They Call Me Contry Blue Vinyl Edition
LP | 1968 | US | Reissue (Numero Group)
29,99 €*
Release: 1968 / US – Reissue
Genre: Rock & Indie
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Propelled by his 1956 Lee Hazlewood-produced hit "The Fool," Sanford Clark was already a rockabilly legend in his own right by the time he swapped his hair gel and switchblade for a pair of cowboy boots on They Call Me Country. Recorded between 1965-67 and originally released as a series of singles for Phoenix's Ramco label, the 12 tracks on this LP borrow Bakersfield's outlaw sound and ignore Nashville's countrypolitan flair, standing as a true lost masterpiece of country music's third generation. Clark's booming baritone tells tales of bar fights, heartaches, and drinking til you can't stand, while Waylon Jennings provides a backdrop of fuzzed out guitar twang. Mastered from the original session tapes and back on vinyl for the first time since the Nixon administration.
Sam Gopal - Escalator Colored Vinyl Edition
Sam Gopal
Escalator Colored Vinyl Edition
LP+7" | 1969 | UK | Reissue (Morgan Blue Town)
30,99 €*
Release: 1969 / UK – Reissue
Genre: Rock & Indie
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Sagittarius - Blue Marble Colored Vinyl Edition
Sagittarius
Blue Marble Colored Vinyl Edition
LP | 1969 | EU | Reissue (Sundazed)
28,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Sage And Seer - Sage And Seer
Sage And Seer
Sage And Seer
LP | 1969 | EU | Reissue (Wah Wah)
24,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Although this amazing U.S. popsike gem seems to have remained under the radar since it was first released in 1969, copies of an original pressing of this LP fetch several hundreds of dollars among the small circle of collectors that have managed to discover the amazing works of Don Beckmann and David Rea.

Their only LP was originally released on their hometown Denver’s Stylist Records label back in 1969. The production is amazing: to the strength of the duo’s compositions and their guitar and vocal talents, a complete band is added, plus impressive orchestrated arrangements with scores provided by Dan Goodman and Mark Schuster and conducted by Ben Kaufman, the result being a deliciously beautiful album that could be a missing link between the works of Simon & Garfunkel and those of soft pop maestros like The Free Design or Harper's Bizarre or baroque pop legends The Left Banke.
Sacred Mushroom - Sacred Mushroom
Sacred Mushroom
Sacred Mushroom
LP | 1969 | EU | Reissue (Akarma)
25,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Sacred Mushroom -- led by future Pure Prairie League member Larry Goshorn (guitar/vocals) and featuring brother Danny Goshorn (vocals) -- were a short-lived rock/blues quintet based in Cincinnati, OH. Their efforts coalesce on this, the band's self-titled debut (and only) long-player. The album contains a blend of proficient originals as well as a pair of well-chosen cover tunes, such as the blues standard "Mean Old World" and the Kinks' "I'm Not Like Everybody Else." While their name conjures images of late-'60s psychedelic or acid rock, Sacred Mushroom's roots were decidedly more bluesy than trippy.
Roy Harper - Folkjokeopus
Roy Harper
Folkjokeopus
LP | 1969 | UK | Reissue (Sunset)
24,99 €*
Release: 1969 / UK – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: VG+
Romica Puceanu Si Taraful Fratilor Gore - Cintece Lautaresti Black Vinyl Edition
Romica Puceanu Si Taraful Fratilor Gore
Cintece Lautaresti Black Vinyl Edition
LP | 1964 | EU | Reissue (Electrecord)
43,99 €*
Release: 1964 / EU – Reissue
Genre: Rock & Indie
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Romica Puceanu Si Taraful Fratilor Gore - Cintece Lautaresti
Romica Puceanu Si Taraful Fratilor Gore
Cintece Lautaresti
Tape | 1964 | EU | Reissue (Electrecord)
18,99 €*
Release: 1964 / EU – Reissue
Genre: Rock & Indie
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Robert And Iain - Alliance
Robert And Iain
Alliance
LP | 1968 | DK | Original (Metronome)
33,99 €*
Release: 1968 / DK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Ro-D-Ys - Earnest Vocation
Ro-D-Ys
Earnest Vocation
LP | 1966 | EU | Reissue (Music On Vinyl)
23,24 €* 30,99 € -25%
Release: 1966 / EU – Reissue
Genre: Rock & Indie
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RJ & The Riots - RJ & The Riots White Vinyl Edition
RJ & The Riots
RJ & The Riots White Vinyl Edition
LP | 1964 | EU | Reissue (Guerssen)
28,99 €*
Release: 1964 / EU – Reissue
Genre: Rock & Indie
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White Vinyl Limited TO 110 Hand-numbered Copies

Cool Rock&roll, Surf, Beat AND Garage-rock From Philippines IN THE 60s!! Led by teen guitar wizard Ramon “rj” Jacinto, RJ & THE Riots was one of the first rock&roll /beat bands from the Philippines and certainly the first to release original rock n’ roll songs with lyrics in their own country. This is the first ever reissue of their second album, originally released in 1964 and now impossible to find (four stars rating in Hans Pokora’s 1001 Record Collector Dreams book). Including original songs like the monster instrumental “Fuzzed”, the garage sounding “Advertising Man”, “Girl Nice”, the surf rock of “Trip To Manila” and more plus a few rad covers (Beach Boys, Buddy Holly…). The album was recorded at the home studio built by whizz kid Ramón Jacinto, who also operated his own record label (RJ Productions), magazine (Teenstone) and radio station (from his parent’s backyard!) RJ and the Riots started as a high school band of classmates composed of Ramon “rj” Jacinto (lead guitar), Alan Austria (bass guitar), Jimmy Colayco (rhythm guitar) and Bernie Evangelista (drums) with ages ranging from 15-17 years old. They were one of the first bands with electric instruments in the Philippines and this album marked the transition from instrumental rock to vocals. Today, RJ is a well-known businessman (founder of a TV and radio network), Pinoy rock&roll icon and continues his musical journey performing rock n’ roll hits of the 50’s – 80’s at his own Bistro “rj” music lounge, where the top of Philippine society, movers and shakers, go to dance and sing to RJ’s rock n’ roll classics. *Remastered sound and color insert with liner notes & rare photos. *Download card with the album plus one bonus track from a rare 45 Riyl: Ventures, Beach Boys, Buddy Holly, Stones, JAN & Dean, BeatLES…
RJ & The Riots - RJ & The Riots Black Vinyl Edition
RJ & The Riots
RJ & The Riots Black Vinyl Edition
LP | 1964 | EU | Reissue (Guerssen)
19,49 €* 25,99 € -25%
Release: 1964 / EU – Reissue
Genre: Rock & Indie
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Cool Rock&roll, Surf, Beat AND Garage-rock From Philippines IN THE 60s!! Led by teen guitar wizard Ramon “rj” Jacinto, RJ & THE Riots was one of the first rock&roll /beat bands from the Philippines and certainly the first to release original rock n’ roll songs with lyrics in their own country. This is the first ever reissue of their second album, originally released in 1964 and now impossible to find (four stars rating in Hans Pokora’s 1001 Record Collector Dreams book). Including original songs like the monster instrumental “Fuzzed”, the garage sounding “Advertising Man”, “Girl Nice”, the surf rock of “Trip To Manila” and more plus a few rad covers (Beach Boys, Buddy Holly…). The album was recorded at the home studio built by whizz kid Ramón Jacinto, who also operated his own record label (RJ Productions), magazine (Teenstone) and radio station (from his parent’s backyard!) RJ and the Riots started as a high school band of classmates composed of Ramon “rj” Jacinto (lead guitar), Alan Austria (bass guitar), Jimmy Colayco (rhythm guitar) and Bernie Evangelista (drums) with ages ranging from 15-17 years old. They were one of the first bands with electric instruments in the Philippines and this album marked the transition from instrumental rock to vocals. Today, RJ is a well-known businessman (founder of a TV and radio network), Pinoy rock&roll icon and continues his musical journey performing rock n’ roll hits of the 50’s – 80’s at his own Bistro “rj” music lounge, where the top of Philippine society, movers and shakers, go to dance and sing to RJ’s rock n’ roll classics. *Remastered sound and color insert with liner notes & rare photos. *Download card with the album plus one bonus track from a rare 45 Riyl: Ventures, Beach Boys, Buddy Holly, Stones, JAN & Dean, BeatLES…
Renate Thormelen - Im Banne Einer Blassen Stunde
Renate Thormelen
Im Banne Einer Blassen Stunde
LP | 1968 | GDR | Original (LITERA)
3,99 €*
Release: 1968 / GDR – Original
Genre: Rock & Indie, Pop, Comics, Soundtracks
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Used Vinyl
Medium: VG+, Cover: VG
Régine - Pourquoi Un Pyjama
Régine
Pourquoi Un Pyjama
7" | 1966 | FR | Original (Pathé)
4,99 €*
Release: 1966 / FR – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG
Small writing on back cover.
Ray Charles - Doing His Thing
Ray Charles
Doing His Thing
LP | 1969 | US | Original (ABC)
7,99 €*
Release: 1969 / US – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: G, Cover: VG+
Vinyl is dense with light surface scratches and scuffs--will likely cause pop, clicks, and/or background noise
Rationals - Rationals Record Store Day 2022 Vinyl Edition
Rationals
Rationals Record Store Day 2022 Vinyl Edition
LP | 1969 | US | Reissue (Rouge)
27,99 €*
Release: 1969 / US – Reissue
Genre: Rock & Indie
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Limited to 1000 copies.

The Rationals are one of the cornerstone bands of Detroit’s ever-storied rock history. Artists such as Bob Seger, Ted Nugent and Brownsville Station were influenced by The Rationals. Coming out of Ann Arbor in 1964, The Rationals gave an authentic R&B twist to the new rock ‘n roll styles of the British Invasion. They broke through on Jeep Holland’s A2 label in 1965 and found a hit with a cover of Otis Redding’s “Respect” on the Cameo Parkway label in 1966—reaching a spot on the Billboard Hot 100. By 1967 The Rationals were firmly embedded in the Detroit music scene alongside such contemporaries as MC5, The Stooges, Bob Seger System and the Amboy Dukes. They were frequently featured on bills at the legendary Grande Ballroom, and acted as supporting act for Cream, Jimi He ndrix, and Pi nk Floyd around the Detroit area. Their sole studio LP was self-titled and released by Crewe Records in 1970. Their matured sound included touches of soul, hard rock, psychedelia, and the blues which spawned originals like “Guitar Army,” and showcased their soulful talents on covers such as “Temptation ‘Bout To Get Me”.

This Record Store Day 2022 reissue of the 1970 LP has been newly remastered and pressed on orange and yellow splatter vinyl at Third Man Pressing in Detroit.

Barefootin' Temptation 'Bout To Get Me Guitar Army Something's Gotta Hold On Me Deep Red Sunset Glowin' Handbags and Gladrags Ha Ha Zip-A-Dee Doo-Dah (Bonus Track)
Rare Earth - Generation Pink Vinyl Edition
Rare Earth
Generation Pink Vinyl Edition
LP | 1969 | US | Reissue (Culture Factory)
32,99 €*
Release: 1969 / US – Reissue
Genre: Rock & Indie
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Limited to 2000 copies.
Rare Bird - Rare Bird Orange Vinyl Edtion
Rare Bird
Rare Bird Orange Vinyl Edtion
LP | 1969 | EU | Reissue (Klimt)
24,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Rare Bird are perhaps best remembered for having the distinction of being the first act to be released on Tony Stratton Smith’s gloriously eclectic label Charisma records (also the home of Genesis, THE Nice and VAN DER Graaf Generator to name but a few) and for their excellent 1970 hit single ‘Sympathy’. Like fellow future Charisma stable mates Van Der Graaf Generator, Rare Bird was formed around the principle of keyboard dominated progressive rock which eschewed the use of guitars. In December 1969 their eponymous debut album was released to great critical acclaim.
Quicksilver Messenger Service - Shady Grove
Quicksilver Messenger Service
Shady Grove
LP | 1969 | EU | Reissue (Endless Happiness)
23,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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The third long-player from San Francisco psychedelic icons Quicksilver Messenger Service (qms) is a direct contrast from their previous discs. Shady Grove (1969) is comprised mostly of shorter and self-contained pieces as opposed to the long and extended jams that were so prevalent on their self-titled debut (1967) and Happy Trails (1969). Ironically, the one stretched-out instrumental is courtesy of their latest acquisition -- Brit recording session guru Nicky Hopkins (keyboards). Another possible reason for the shift in style as well as personnel is the conspicuous absence of Gary Duncan (guitar) -- who is rumored to have been a "guest" of Bay Area law enforcement at the time. The band incorporate a number of different styles on the album. Kicking off the disc is an up-tempo rocking version of the traditional Appalachian folk song "Shady Grove." The QMS reading is highlighted by John Cipollina's trademark fluid fretwork and a familiar "Bo Diddley" backbeat -- reminiscent of both "Who Do You Love" and "Mona" from the live ensemble LP Happy Trails. (all music)
Question Mark & The Mysterians - 96 Tears
Question Mark & The Mysterians
96 Tears
LP | 1966 | EU | Reissue (Universal)
28,99 €*
Release: 1966 / EU – Reissue
Genre: Rock & Indie
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Quelli - I Quelli Red Vinyl Edition
Quelli
I Quelli Red Vinyl Edition
LP | 1969 | EU | Reissue (RCA)
23,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Pulse - Pulse
Pulse
Pulse
LP | 1969 | EU | Reissue (Out-Sider Music)
26,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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First ever official vinyl reissue of this bluesy psychedelic hard-rock album from 1969.
Procol Harum - Shine On Brightly
Procol Harum
Shine On Brightly
LP | 1968 | EU | Reissue (Music On Vinyl)
28,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Shine On Brightly is the second studio album by English rock band Procol Harum. The title of the epic "In Held 'Twas in I" is an acrostic, taking the first word from the first movement as well as the first word from a verse later in the movement as well as the first word from each of the three successive movements as shown in the track listing.
Procol Harum = Procol Harum - A Whiter Shade Of Pale = 青い影
Procol Harum = Procol Harum
A Whiter Shade Of Pale = 青い影
7" | 1968 | JP | Reissue (Deram)
7,99 €*
Release: 1968 / JP – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Japanese pressing.
Privilege - Privilege
Privilege
Privilege
LP | 1969 | EU (Survival Research)
14,99 €*
Release: 1969 / EU
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG+
Still shrink wrapped but opened.
Cover as new with faintly worn corners.
Privilege - Privilege
Privilege
Privilege
LP | 1969 | EU (Survival Research)
16,14 €* 16,99 € -5%
Release: 1969 / EU
Genre: Rock & Indie
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An acid rock LP on the Isley Brothers’ T-Neck label? Yes, the unlikely collaboration resulted from a Jimi Hendrix concert at New York’s Syracuse University, supported by the Isleys and mixed soul-rock group, Soul Survivors, who had worked with Tom Bell and Gamble & Huff. When Soul Survivors morphed into Privilege, they convinced the Isleys to sign them to T-Neck, the result being this rare self-titled album, a fine set of hard-rocking originals, expertly produced by the Isleys with plenty of stereo panning, blistering guitar from frontman Edward Leonetti, atmospheric organ from Paul Venturini and melodic bass lines from Jack Douglas, later an engineer for Aerosmith, Lou Reed and Cheap Trick. A true classic, not to be missed!
Plaster Caster Blues Band - Plaster Caster Blues Band
Plaster Caster Blues Band
Plaster Caster Blues Band
LP | 1969 | EU (Endless Happiness)
22,99 €*
Release: 1969 / EU
Genre: Rock & Indie
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This almost entirely instrumental album with “groovy” sounds by the legendary Plaster Casters, the Chicago groupies who started in the late 60s with Jimi Hendrix and later the likes of Jello Biafra and Ariel Pink, was produced by music business veteran Bob Thiele and released on his newly launched New York-based Flying Dutchman record label, which mostly released jazz and blues, including important albums by Gil Scott-Heron, Gato Barbieri, Oliver Nelson, Lonnie Liston Smith and Thiele’s wife, pop singer Teresa Brewer.
Pinky & The Fellas - Let The Music Start
Pinky & The Fellas
Let The Music Start
7" | 1969 | JP | Original (Polydor)
3,99 €*
Release: 1969 / JP – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG, Cover: VG
Japanese pressing.
Pink Floyd - Ummagumma Remastered Edition
Pink Floyd
Ummagumma Remastered Edition
LP | 1969 | EU | Reissue (Parlophone)
32,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Pink Floyd - Ummagumma
Pink Floyd
Ummagumma
2LP | 1969 | US | Reissue (Pink Floyd)
53,99 €*
Release: 1969 / US – Reissue
Genre: Rock & Indie
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Pink Floyd - A Saucerful Of Secrets Record Store Day 2019 Edition
Pink Floyd
A Saucerful Of Secrets Record Store Day 2019 Edition
LP | 1968 | EU | Reissue (Parlophone)
24,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Pink Floyd's second studio album, remastered from the original mono analogue tapes. Remastered by James Guthrie, Joel Plante and Bernie Grundman. Limited edition 180 g heavyweight vinyl. Tracklisting: Side 1: 1. Let There Be More Light, 2. Remember A Day, 3. Set The Controls For the Heart Of The Sun, 4. Corporal Clegg. Side 2: 1. A Saucerful Of Secrets, 2. See-Saw, 3. Jugband Blues.
Pink Floyd - A Saucerful Of Secrets
Pink Floyd
A Saucerful Of Secrets
LP | 1968 | EU | Reissue (Parlophone)
23,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Phil Ochs - All The News That's Fit To Sing
Phil Ochs
All The News That's Fit To Sing
LP | 1964 | RU (Audio Clarity)
19,99 €*
Release: 1964 / RU
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: VG+
2019 reissue.
Peter Sarstedt - As Though It Were A Movie
Peter Sarstedt
As Though It Were A Movie
LP | 1969 | DK | Original (United Artists)
9,99 €*
Release: 1969 / DK – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
Peter, Paul & Mary - The Best Of Peter, Paul And Mary
Peter, Paul & Mary
The Best Of Peter, Paul And Mary
LP | 1966 | JP | Original (Warner)
18,99 €*
Release: 1966 / JP – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
Red vinyl. Japanese pressing.
Peter, Paul & Mary - See What Tomorrow Brings
Peter, Paul & Mary
See What Tomorrow Brings
LP | 1966 | JP | Original (Warner)
9,99 €*
Release: 1966 / JP – Original
Genre: Rock & Indie
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Used Vinyl
Medium: G+, Cover: VG
Japanese pressing, no Obi.
Peter, Paul & Mary - Cruel War
Peter, Paul & Mary
Cruel War
7" | 1966 | JP | Original (Warner)
3,99 €*
Release: 1966 / JP – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Pesky Gee! - Exclamation Mark
Pesky Gee!
Exclamation Mark
LP | 1969 | EU | Reissue (Wiseraven)
28,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Paul Simon, Simon & Garfunkel, Dave Grusin - OST The Graduate
Paul Simon, Simon & Garfunkel, Dave Grusin
OST The Graduate
LP | 1968 | JP | Original (CBS/Sony)
28,99 €*
Release: 1968 / JP – Original
Genre: Rock & Indie, Soundtracks
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Used Vinyl
Medium: VG+, Cover: VG+
Japanese pressing, no Obi. Close to NM
Paul Simon, Simon & Garfunkel, Dave Grusin - OST The Graduate
Paul Simon, Simon & Garfunkel, Dave Grusin
OST The Graduate
LP | 1968 | JP | Original (CBS/Sony)
24,99 €*
Release: 1968 / JP – Original
Genre: Rock & Indie, Soundtracks
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Used Vinyl
Medium: VG, Cover: VG
Japanese pressing, no Obi.
Patti Lynn - A Quoi Bon Pleurer
Patti Lynn
A Quoi Bon Pleurer
7" | 1964 | FR | Original (Mercury)
4,99 €*
Release: 1964 / FR – Original
Genre: Rock & Indie
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Used Vinyl
Medium: G, Cover: Generic
Record plays with surface noise that does not overpower the music.
Two small deeper scratches on side 1.
Ships in a new generic sleeve.
Os Mutantes - Mutantes Bottle Green Vinyl Edition
Os Mutantes
Mutantes Bottle Green Vinyl Edition
LP | 1969 | EU | Reissue (Vinyl Lovers)
21,99 €*
Release: 1969 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
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One album into their career in 1969, Mutantes showed few signs of musical burnout after turning in one of the oddest LPs released in the '60s. Similar to its predecessor, Mutantes relies on an atmosphere of experimentation and continual musical collisions, walking a fine line between innovation and pointless genre exercises. The lead track ("Dom Quixote") has the same focus on stylistic cut-and-paste as their debut LP's first track ("Panis et Circenses"). Among the band's musical contemporaries, Mutantes sounds similar only to songs like the Who's miniature suite "A Quick One While He's Away" -- though done in three minutes instead of nine, and much more confusing given the language barrier. The album highlights ("Nao Va Se Perder por Ai") and ("Dois Mil e Um") come with what sounds like a typically twisted take on roots music (both Brazilian and American), complete with banjo, accordion, and twangy vocals. Though there are several other enjoyable tracks, including "Magica" and a slap-happy stomp called "Rita Lee," there's a palpable sense that the experimentation here isn't serving much more than its own ends. If the first album's relentless eclecticism did in fact occasionally result in dry passages, it's especially true here
Orphan Egg - Orphan Egg
Orphan Egg
Orphan Egg
LP | 1968 | EU | Reissue (Cosmic Rock)
24,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Orphan Egg were a short lived group who were formed in 1967 in San Jose California. Their sole self-titled album was released in 1968 on the small independent company Carole Records. Essentially a garage-psych album – in the tradition of future iconic compilation like Nuggets or Pebbles – Orphan Egg was recorded by a bunch of students at Saratoga High School in Saratoga. Occasionally they won the Vox Battle of the Bands, a nationwide competition. They also appeared on the soundtrack of the classic bike-movie ‘Cycle Savages’ with 3 tracks.
Orkes Angklung Padaeng, Daeng Soetigna - Angklung
Orkes Angklung Padaeng, Daeng Soetigna
Angklung
LP | 1963 | ID | Original (Lokananta)
9,95 €*
Release: 1963 / ID – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: G+, Cover: VG
Record has many scuffs and some superficial scratches, an audible one on A2. Sleeve is splitting on top and bottom seam.
Olympic - Ptak Rosomak
Olympic
Ptak Rosomak
LP | 1969 | EU | Reissue (Supraphon)
27,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Odetta - The Art Of Odetta
Odetta
The Art Of Odetta
LP | 1963 | JP | Original (Vanguard)
18,99 €*
Release: 1963 / JP – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG
OC Smith - Hickory Holler Revisited
OC Smith
Hickory Holler Revisited
LP | 1968 | US | Original (Columbia)
5,99 €*
Release: 1968 / US – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Original US Pitman pressing.
O’Seis - Suicida / Apocalipse
O’Seis
Suicida / Apocalipse
7" | 1966 | EU | Reissue (Mr Bongo)
11,99 €*
Release: 1966 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
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‘O’Seis’ are the core members of the mighty and legendary ‘Os Mutantes’ – namely Rita Lee and brothers Arnaldo and Sérgio Baptista, accompanied here by Raphael Vilardi, Maria ‘Mogguy’ Malheiros and Luiz Pastura. The record features anthemic, heavyweight, psychedelic rock on ‘Suicida’ b/w deeper, tripped-out MPB-folk on ‘Apocalipse’. Both tracks were written by Rita Lee, assisted by Tobe and Vilardi respectively. The term ‘holy grail’ is a little overused these days perhaps, but this definitely is one. Originally pressed and released by the band themselves in 1966, apparently only a handful of copies are known to exist (sources/numbers vary). The record has changed hands for up to a staggering $5000! Ouch.
Official Mr Bongo reissue. Licensed courtesy of Warner Music UK LTD.
Nucleus - Nucleus White Vinyl Edition
Nucleus
Nucleus White Vinyl Edition
LP | 1969 | US | Reissue (Sundazed)
31,99 €*
Release: 1969 / US – Reissue
Genre: Rock & Indie, Pop
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Nucleus - Nucleus
Nucleus
Nucleus
LP | 1969 | US | Reissue (Mainstream)
19,99 €*
Release: 1969 / US – Reissue
Genre: Rock & Indie
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180 gram vinyl
Nova Local - Nova 1
Nova Local
Nova 1
LP | 1968 | EU | Reissue (Cosmic Rock)
24,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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The sole album by cultish psychedelic pop band from Chapel Hill, North Carolina. They formed in 1964 and split up after their debut, which appeared on prestigious label Decca in 1968. The lines "Is it much too much to ask / Not to hide behind the mask?" from "If You Only Had the Time" weree sampled on MF Doom's 2005 song "The Mask". All along with classic blues standard ‘Tobacco Road‘ (covered by anyone from The Animals to Brother Jack McDuff via Jefferson Airplane) and contemporary folk number ‘Morning Dew’ (originally penned by Bonnie Dobson) the record shows a series of original numbers verging on the happiest side of jangle-rock with a ‘nuggets’ feel all in all.
Norma Jean - The Best Of Norma Jean
Norma Jean
The Best Of Norma Jean
LP | 1969 | JP | Original (RCA)
9,99 €*
Release: 1969 / JP – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Japanese pressing.
Nico - The Marble Index
Nico
The Marble Index
LP | 1968 | BE | Reissue (Elektra)
75,99 €*
Release: 1968 / BE – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
1972 reissue.
Nick Drake - Five Leaves Left
Nick Drake
Five Leaves Left
LP | 1969 | US | Reissue (Island)
37,99 €*
Release: 1969 / US – Reissue
Genre: Rock & Indie
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New Trolls - Senza Orario Senza Bandiera Clear Green Vinyl Edition
New Trolls
Senza Orario Senza Bandiera Clear Green Vinyl Edition
LP | 1968 | EU | Reissue (Vinyl Magic)
28,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Nazz - Nazz Nazz Purple Vinyl Edition
Nazz
Nazz Nazz Purple Vinyl Edition
LP | 1969 | US | Reissue (Cleopatra)
23,99 €*
Release: 1969 / US – Reissue
Genre: Rock & Indie
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Nathaniel Mayer - Going Back To The Village Of Love
Nathaniel Mayer
Going Back To The Village Of Love
LP | 1963 | EU | Reissue (Honeypie)
12,99 €*
Release: 1963 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
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American Rhythm 'n' Blues singer Nathaniel Mayer (1944-2008) is mostly remembered for his raw vocal timbre and for his particularly wild live act. Originally released in 1963 on Detroit based label Fortune Records, "Going Back To The Village Of Love" still sounds like an incredibly explosive hyper-energetic irreverent piece of pure Detroit sound.
Nat Bigwan - L'Année Qui Danse
Nat Bigwan
L'Année Qui Danse
LP | 1966 | FR | Original (RCA Victor)
4,19 €* 5,99 € -30%
Release: 1966 / FR – Original
Genre: Organic Grooves, Rock & Indie, Pop
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Used Vinyl
Medium: VG, Cover: VG
Nancy Sinatra - Nancy In London Summer Wine Red Vinyl Edition
Nancy Sinatra
Nancy In London Summer Wine Red Vinyl Edition
LP | 1966 | US | Reissue (Light In The Attic)
39,89 €* 41,99 € -5%
Release: 1966 / US – Reissue
Genre: Rock & Indie
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The definitive vinyl reissue of V3Nancy’s third album - Contains the hits “Summer Wine” and “Friday’s Child” - Features audio freshly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin - Includes four bonus tracks: The complete 1969 Mickie Most sessions with the previously unreleased “Colors Are Changing” - Vinyl pressed at RTI on black, "Summer Wine" red, & "Little Bird Blue w/ Peach" splatter wax - Beautifully packaged and expanded gatefold LP with 20 page booklet features Q&A with Nancy & GRAMMY®-nominated co-producer Hunter Lea Plus never-before-seen photos from Nancy Sinatra’s personal archive “Strawberries, cherries, and an angel’s kiss in spring…” were the immortal words sung by a twenty-five-year-old Nancy Sinatra on a frigid spring day in a London recording studio during the sessions for her third LP in four months! The 1966 album was cut in three days at Pye Studios where The Kinks, Petula Clark, and David Bowie recorded their songs in the mid-1960s. By going directly to the source and choosing songs like “On Broadway,” “Wishin’ and Hopin’,” and “This Little Bird,” the album has an unequivocally British feel. The LP includes the timeless Nancy & Lee Hazlewood duet “Summer Wine.”
Nancy Sinatra - Nancy In London Black Vinyl Edition
Nancy Sinatra
Nancy In London Black Vinyl Edition
LP | 1966 | US | Reissue (Light In The Attic)
37,99 €* 39,99 € -5%
Release: 1966 / US – Reissue
Genre: Rock & Indie
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The definitive vinyl reissue of V3Nancy’s third album - Contains the hits “Summer Wine” and “Friday’s Child” - Features audio freshly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin - Includes four bonus tracks: The complete 1969 Mickie Most sessions with the previously unreleased “Colors Are Changing” - Vinyl pressed at RTI on black, "Summer Wine" red, & "Little Bird Blue w/ Peach" splatter wax - Beautifully packaged and expanded gatefold LP with 20 page booklet features Q&A with Nancy & GRAMMY®-nominated co-producer Hunter Lea Plus never-before-seen photos from Nancy Sinatra’s personal archive “Strawberries, cherries, and an angel’s kiss in spring…” were the immortal words sung by a twenty-five-year-old Nancy Sinatra on a frigid spring day in a London recording studio during the sessions for her third LP in four months! The 1966 album was cut in three days at Pye Studios where The Kinks, Petula Clark, and David Bowie recorded their songs in the mid-1960s. By going directly to the source and choosing songs like “On Broadway,” “Wishin’ and Hopin’,” and “This Little Bird,” the album has an unequivocally British feel. The LP includes the timeless Nancy & Lee Hazlewood duet “Summer Wine.”
Nancy Sinatra - Nancy In London
Nancy Sinatra
Nancy In London
CD | 1966 | US | Reissue (Light In The Attic)
22,99 €*
Release: 1966 / US – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
The definitive vinyl reissue of V3Nancy’s third album - Contains the hits “Summer Wine” and “Friday’s Child” - Features audio freshly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin - Includes four bonus tracks: The complete 1969 Mickie Most sessions with the previously unreleased “Colors Are Changing” - Vinyl pressed at RTI on black, "Summer Wine" red, & "Little Bird Blue w/ Peach" splatter wax - Beautifully packaged and expanded gatefold LP with 20 page booklet features Q&A with Nancy & GRAMMY®-nominated co-producer Hunter Lea Plus never-before-seen photos from Nancy Sinatra’s personal archive “Strawberries, cherries, and an angel’s kiss in spring…” were the immortal words sung by a twenty-five-year-old Nancy Sinatra on a frigid spring day in a London recording studio during the sessions for her third LP in four months! The 1966 album was cut in three days at Pye Studios where The Kinks, Petula Clark, and David Bowie recorded their songs in the mid-1960s. By going directly to the source and choosing songs like “On Broadway,” “Wishin’ and Hopin’,” and “This Little Bird,” the album has an unequivocally British feel. The LP includes the timeless Nancy & Lee Hazlewood duet “Summer Wine.”
Nancy Sinatra & Lee Hazlewood - Nancy & Lee Black Vinyl Edition
Nancy Sinatra & Lee Hazlewood
Nancy & Lee Black Vinyl Edition
LP | 1968 | US | Reissue (Light In The Attic)
30,99 €*
Release: 1968 / US – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive
Beautifully packaged and expanded gatefold LP featuring a 20-page booklet

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.
Nancy Sinatra & Lee Hazlewood - Nancy & Lee 8Track Edition
Nancy Sinatra & Lee Hazlewood
Nancy & Lee 8Track Edition
8Track | 1968 | US | Reissue (Light In The Attic)
23,99 €*
Release: 1968 / US – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
This is an 8track-cartridge, not a music cassette

First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.
Nancy Sinatra & Lee Hazlewood - Nancy & Lee
Nancy Sinatra & Lee Hazlewood
Nancy & Lee
Tape | 1968 | US | Reissue (Light In The Attic)
10,99 €*
Release: 1968 / US – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.
Mott The Hoople - Rock And Roll Queen / Road To Birmingham
Mott The Hoople
Rock And Roll Queen / Road To Birmingham
7" | 1969 | DE | Original (Island)
18,99 €* 19,99 € -5%
Release: 1969 / DE – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Morgen - Morgen Black Vinyl Edition
Morgen
Morgen Black Vinyl Edition
LP | 1969 | EU | Reissue (Guerssen)
25,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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US heavy psych masterpiece from 1969. Powerful sound and recording with thunderous drums, piercing fuzz guitars and the incredible vocals of Steve Morgen. Formed as Morgen’s Dreame Spectrum in 1967 in NY, Morgen were one the first bands signed to ABC’s offshoot Probe Records (home also of Soft Machine in the US). Fuelled by the chemistry between ace guitar player Murray Shiffrin and creative songwriter/singer Steve Morgen, they recorded their self-titled album in 1968 but, much to the band’s dismay and frustration, it wasn’t released until December 1969. Morgen included seven impressive tracks, all of them written by Steve Morgen. You can hear subtle influences of Hendrix, Stones, Who, Doors or Donovan but Morgen’s sound is clearly a beast of its own kind. The mysterious gatefold cover featured Edvard Munch’s iconic 1893 composition The Scream on the front. Welcome to the Void! *Original gatefold artwork. *Repro of the elusive poster insert. *New color insert with cool photos and detailed liner notes by Mike Stax (Ugly Things) *Audiophile restoration / remastering by Ezra Lesser.
Monty Norman - OST Dr. No
Monty Norman
OST Dr. No
LP | 1963 | UK | Reissue (Liberty)
18,99 €*
Release: 1963 / UK – Reissue
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: VG+
1987 reissue.
Mike Bloomfield And Al Kooper - The Live Adventures Of Mike Bloomfield And Al Kooper
Mike Bloomfield And Al Kooper
The Live Adventures Of Mike Bloomfield And Al Kooper
2LP | 1969 | US | Original (Columbia)
14,99 €*
Release: 1969 / US – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG+, Cover: Generic
Santa Maria Pressing.
Ships in a brand new plain sleeve.
Mighty Baby - Mighty Baby
Mighty Baby
Mighty Baby
LP | 1969 | UK | Reissue (Ace)
26,99 €*
Release: 1969 / UK – Reissue
Genre: Rock & Indie
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Mighty Baby evolved out of the Action, club favourites who released a number of poor-selling singles. Dropped by Parlophone, musical chairs saw Ian Whiteman (keyboards/flute) and Martin Stone (guitar) join and the music now blended progressive psychedelia with longer pieces dominated by instrumental prowess rather than Reggie King’s soulful vocals. King departed and guitarist Alan King and Whiteman began to share vocal duties on newly penned material like ‘Egyptian Tomb’ and ‘House Without Windows’ that, in retrospect, can be seen as reflecting light from the dark star of the Grateful Dead.

“Mighty Baby” was first released on the Head label on 7th November 1969 in a superb gatefold sleeve with artist Martin Sharp serving up the arresting front cover that looked like a lion being showered in blood. The album received positive reviews, with International Times stating “The music has a hundred characters… Eastern, Oriental, country, folk, rock, blues, pop etc. etc… At this moment in time Mighty Baby’s record is simply THE best thing in its class.”

The album is now seen as a progressive rock classic; cohesive, with no low spots, the inventiveness and musical prowess on a par with the equally revered, albeit jazzier, prog rock band Cressida. This latest edition from Ace, not only replicates the gatefold sleeve of the original but also contains an inner sleeve replete with memorabilia from the collection of Richard Morton Jack

“Mighty Baby” is a must-have purchase not only for fans of the band but those who want to discover this classic progressive rock album for the first time.
Methuselah - Matthew, Mark, Luke And John
Methuselah
Matthew, Mark, Luke And John
LP | 1969 | EU (Trading Places)
23,74 €* 24,99 € -5%
Release: 1969 / EU
Genre: Rock & Indie
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Obscure psychedelic gospel act Methuselah had its roots in Scunthorpe ‘Beat’ group the Dimples, which became Gospel Garden, whose only 45 infused Northern Soul with psycheleanings. Regrouping as Methuselah, the group signed to Elektra for this sole religious rock concept LP, their sound deceptively American, with vocal harmonies evidencing bluegrass influences; guitarist Les Nicol is never short of excellent. Certain members would later form Amazing Blondel, but Matthew, Mark, Luke And John has a unique flavour, and our edition includes two rare bonus tracks. This slice of obscure psyche must be heard to be believed!
MC5 - Kick Out The Jams
MC5
Kick Out The Jams
LP | 1968 | EU | Reissue (Rhino)
41,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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MC5 - Kick Out The Jams
MC5
Kick Out The Jams
LP | 1968 | EU | Reissue (Rhino)
26,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
MC5 - Kick Out The Jams
MC5
Kick Out The Jams
LP | 1968 | EU | Reissue (Rhino)
30,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Maximillian - Maximillian
Maximillian
Maximillian
LP | 1969 | US | Reissue (Riding Easy)
34,99 €*
Release: 1969 / US – Reissue
Genre: Rock & Indie
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RidingEasy Records has teamed up with Permanent Records in Los Angeles to bring this very special heavy psych rocker back into the fold for RSD 2023. New York City based African-American & Latino hard rock/psych trio Maximillian released their sole self-titled album on ABC Records in 1969, then promptly vanished. It has remained a collectors’ conversation piece ever since. Maximillian combined elements of beat poetry, a little bit of The Fugs, a hit of Funkadelic, a lick of Cream and a vibe of Hendrix worship with an ambition that seems to have jumbled these influences. The Maximillian album is a rare artifact of late-60s psychedelic rock whose appeal is not the skill of their musicianship, but the downright strangeness of it. While at times it sounds like the trio is playing entirely different songs at the same time, it’s said that producer Teddy Vann had a hand in the album’s sometimes confusing production. Gatefold
Markley (West Coast Pop Art Experimental Band) - Markley, A Group
Markley (West Coast Pop Art Experimental Band)
Markley, A Group
LP | 1969 | EU | Reissue (Life Goes On)
25,99 €*
Release: 1969 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
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Markley, A Group is the sixth and final album by the American psychedelic rock group, the West Coast Pop Art Experimental Band, and was released in 1970 on Forward Records, owned by Mike Curb. The album was released under another group name, Markley A Group, as decided by the group owner, Bob Markley. It features compositions by Danny Harris, Michael Lloyd and Shaun Harris with lyrics by Bob himself. The content is simple and soft, reminiscent of the band's earlier work. A gently pop-psych stroke of genius.
Marianne Faithfull - Faithfull Forever Record Store Day 2024 Clear Vinyl Edition
Marianne Faithfull
Faithfull Forever Record Store Day 2024 Clear Vinyl Edition
LP | 1966 | Reissue (UMC)
36,99 €*
Release: 1966 / Reissue
Genre: Rock & Indie
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‘Faithfull Forever…’ is a 1966 studio album by Marianne that was only issued in the United States. This RSD pressing marks its first U.K release and it has not been re-issued on vinyl in the U.S. In 2024 Marianne celebrates her 60th anniversary in music, and for fans of her Decca catalogue ‘Faithfull Forever…’ is a must. All tracks have been remastered from the original tapes by Andrew Batt, and this special RSD release comes with detailed sleeve notes featuring exclusive commentary by Marianne herself and new artwork based on the original sleeve shot by the master French photographer Jean-Marie Perier.
Marcos Vermelho - Gira Gira / Parabéns Meu Bem Red Vinyl Edition
Marcos Vermelho
Gira Gira / Parabéns Meu Bem Red Vinyl Edition
7" | 1969 | EU | Reissue (Groovie)
11,99 €*
Release: 1969 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
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The Polydor label released a few singles in the late 1960s that became very obscure and unknown, even to researchers. Most of these 7 inches are super psychedelic and very creative, but totally anti commercial. Own compositions, recordings and good productions, always with a top team. These works were not promoted or publicized by the label and very few copies circulated at the time. The impression is that the intention was to freeze or disappear with the artist in question. Vermelho is one of them, a work that is little talked about or known but that always attracts the attention of those who have access to these two tracks. Arrangement by Rogério Duprat, who was proud to have participated in these recordings, with Rafael Moreno on bass, Alberto Niccoli Junior on drums, Bolão on Sax and Marcos Ficarelli, the “Vermelho” on guitar and vocals.

Marcos already knew well the ways of recording and producing an album, having participated in historical groups of Brazilian rock in the 60's such as Top Sounds, Código 90 and Loupha, to name a few. At this stage, he had already acquired good knowledge of recording and studio management. Excerpts such as “And in the hole of the corners, to look for, is what I try in vain” presents the listener with the mood of the dark times of that time, and today seems a premonition about the difficulty of finding this single, even in private collections.

“Parabéns Meu Bem” and “Gira-Gira” are tracks with an advanced rhythm for the time. Drums very well marked, with an original take and very close to North American funk. The bass is consistent and strong and the guitar full of effects and very reminiscent of the sound and energy of Jimi Hendrix, Santana and Blood Sweat & Tears. There is yet another musical layer created by Duprat, who managed to insert a mini orchestra along with the sound mass created by “Banda do Vermelho”.
Marcos Vermelho - Gira Gira / Parabéns Meu Bem Black Vinyl Edition
Marcos Vermelho
Gira Gira / Parabéns Meu Bem Black Vinyl Edition
7" | 1969 | EU | Reissue (Groovie)
11,99 €*
Release: 1969 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
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The Polydor label released a few singles in the late 1960s that became very obscure and unknown, even to researchers. Most of these 7 inches are super psychedelic and very creative, but totally anti commercial. Own compositions, recordings and good productions, always with a top team. These works were not promoted or publicized by the label and very few copies circulated at the time. The impression is that the intention was to freeze or disappear with the artist in question. Vermelho is one of them, a work that is little talked about or known but that always attracts the attention of those who have access to these two tracks. Arrangement by Rogério Duprat, who was proud to have participated in these recordings, with Rafael Moreno on bass, Alberto Niccoli Junior on drums, Bolão on Sax and Marcos Ficarelli, the “Vermelho” on guitar and vocals.

Marcos already knew well the ways of recording and producing an album, having participated in historical groups of Brazilian rock in the 60's such as Top Sounds, Código 90 and Loupha, to name a few. At this stage, he had already acquired good knowledge of recording and studio management. Excerpts such as “And in the hole of the corners, to look for, is what I try in vain” presents the listener with the mood of the dark times of that time, and today seems a premonition about the difficulty of finding this single, even in private collections.

“Parabéns Meu Bem” and “Gira-Gira” are tracks with an advanced rhythm for the time. Drums very well marked, with an original take and very close to North American funk. The bass is consistent and strong and the guitar full of effects and very reminiscent of the sound and energy of Jimi Hendrix, Santana and Blood Sweat & Tears. There is yet another musical layer created by Duprat, who managed to insert a mini orchestra along with the sound mass created by “Banda do Vermelho”.
Man - Revelation
Man
Revelation
LP | 1969 | UK | Original (Pye)
78,99 €*
Release: 1969 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG
Flipback cover has a tear on back cover.
Lucio Dalla - 1999 White Vinyl Edition
Lucio Dalla
1999 White Vinyl Edition
LP | 1966 | EU | Reissue (RCA)
31,99 €*
Release: 1966 / EU – Reissue
Genre: Rock & Indie
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Lucio Dalla - 1999
Lucio Dalla
1999
LP | 1966 | EU | Reissue (RCA)
22,39 €* 31,99 € -30%
Release: 1966 / EU – Reissue
Genre: Rock & Indie
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Love - Four Sail Expanded Edition
Love
Four Sail Expanded Edition
LP | 1969 | EU | Reissue (Music On Vinyl)
28,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Four Sail is the fourth album by the American Rock band Love, released in 1969. By mid-1968, Arthur Lee was the only remaining member of the Forever Changes line-up of Love. Three LPs worth of material were recorded in a makeshift studio in a Los Angeles warehouse, released as Four Sail and the Blue Thumb LP Out Here. This expanded edition of Four Sail includes three bonus tracks.

180g vinyl.
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