Rock & Indie 52091 Items

Release: 2019 / US – Original

Genre: Rock & Indie

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Better Oblivion Community Center (Conor Oberst & Phoebe Bridgers)

Better Oblivion Community Center Black Vinyl Edition

LP | 2019 | US | Original (Dead Oceans)

Release: 2019 / US – Original

Genre: Rock & Indie

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Nazz Nazz Purple Vinyl Edition

Nazz

LP | 1969 | US | Reissue (Cleopatra)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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La Norma Del Cielo (Volo Magico N.2)

Rocchi Claudio

LP | 2018 | EU | Original (RCA)

Release: 2018 / EU – Original

Genre: Rock & Indie

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Stuffed & Ready Black Vinyl Edition

Cherry Glazerr

LP | 2019 | US | Original (Secretly Canadian)

Release: 2019 / US – Original

Genre: Rock & Indie

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2x10"+CD | 2010 | EU | Reissue (Dritte Wahl)

Dritte Wahl

Gib Acht!

Release: 2010 / EU – Reissue

Genre: Rock & Indie

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LP | 2016 | EU | Original (Unmade Road)

Ben Watt

Fever Dream

Release: 2016 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Remind Me Tomorrow Black Vinyl Edition

Sharon Van Etten

LP | 2019 | US | Original (Jagjaguwar)

Release: 2019 / US – Original

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Bear Family)

The Petards

Hitshock

Junkspace feat. Rem Koolhaas

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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With their first, self-titled album for Liberty, The Petards from the state of Hessen in Germany had produced a real hit. The year 1969 meant for Klaus and Horst Ebert, Roger Waldmann and Arno Dittrich above all a wealth of appearances; at that time there was
probably no band harder working in Germany than The Petards. In September 1969 producer Sigi Loch called the band back to Munich's Trixi Ton Studio to record the next album. And as one would expect from the band, the musicians came to the studio well prepared. Within five days, enough new songs were recorded to create four singles in addition to the new album. All the titles were written by the two Ebert brothers, who apparently never ran out of ideas. The musicians used whatever kind of tools the studio gave them: synthesizers, Mellotron and piano were skillfully integrated into the Petards sound. As with the previous albums, the band captivated with an enormous amount of variety and talent. Progressive rock, Krautrock - everything was in the Petards songs - and yet with less than four minutes of running time they remained deeply suitable for airplay.
In early 1970 the new album 'Hitshock' was released on Liberty and continued the track of success of the four Hessians. For many people 'Hitshock' is the most mature and best produced album of the four from Schrecksbach. Fans and critics agreed. In April 1970, The Petards made it into the arts pages! Director Charles Lang had selected the band from 70 applicants and invited them to the Bremen Theatre. There they took part in the play 'Was ihr wollt', freely adapted from Shakespeare (’Twelfth Night’, or ’What You Will’). All arrangements were made by the musicians, some titles were rewritten. Unfortunately no recordings have been preserved. The play was not a great success, but The Petards got off well with the critics, and of course this also meant a good promotion for their new album. At least the four musicians had a lot of fun participating, but still they found time to carry the songs from 'Hitshock’ live through the republic. Bear Family releases this album for the first time again in the original artwork on 180 gram vinyl and adds a reproduction of the original poster to 'Hitshock'. This record is the third of four scheduled vinyl re-releases of the great Petards on Bear Family.

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Tempers

LP+CD | 2018 | EU | Original (BMG)

Release: 2018 / EU – Original

Genre: Rock & Indie

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Future Ruins Black Vinyl Edition

Swervedriver

LP | 2019 | UK | Original (Rock Action)

Release: 2019 / UK – Original

Genre: Rock & Indie

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LP | 2018 | US | Original (Secretly Canadian)

Richard Swift

The Hex

Release: 2018 / US – Original

Genre: Rock & Indie

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Therealangelcorpuschristi

Angel Corpus Christi

LP | 2018 | EU | Original (Mono-Tone)

3LP | 2018 | US | Original (Pirates Press)

Release: 2018 / EU – Original

Genre: Rock & Indie

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First compilation of the full career of Angel Corpus Christi, from 45s to major labels, from 1984 to now! Avant-garde or traditional pop auteur? There's no one quite like ACC in the pop firmament and the sooner the world wakes up to that fact, the better. You could do worse than start with this career-long compilation, from her 1984 debut
to recent stuff, mixing idiosyncratic covers and minimalist, left-field, ultra catchy pop. The songs feature guest stars Alan Vega (Suicide), Dean Wareham (Luna/Galaxie 500) and Sonic Boom (Spacemen 3/Spectrum) along the way. There's nowhere near enough accordion in rock n' roll as I'm sure you'll agree when you get a load of these hair-raising harmonics! Liner notes by Lindsay Hutton.

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V.A.

One Family. One Flag.

Release: 2018 / US – Original

Genre: Rock & Indie

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Limited edition for Schwarzer Freitag Record Store Day 2018! Only 1 per customer!

Another friday dedicated to the black gold!

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J Mascis

Elastic Days

Release: 2018 / US – Original

Genre: Rock & Indie

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LP | 2018 | US | Original (Jagjaguwar)

Unknown Mortal Orchestra

IC-01 Hanoi

Release: 2018 / US – Original

Genre: Rock & Indie

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LP | 1988 | EU | Reissue (Epitaph Europe)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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LP | 2018 | US | Original (Double Double Whammy)

Gabi

Empty Me

Release: 2018 / US – Original

Genre: Rock & Indie

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Stardust Birthday Party Black Vinyl Edition

Ron Gallo

LP | 2018 | US | Original (New West)

Release: 2018 / US – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (Hardly Art)

Lala Lala

The Lamb

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2018 | US | Original (Digital Regress)

Landline

Release: 2018 / US – Original

Genre: Rock & Indie

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Low

Double Negative

The New America (Remastered Edition)

Release: 2018 / US – Original

Genre: Rock & Indie

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In 2018, Low will turn twenty-five. Since 1993, Alan Sparhawk and Mimi Parker_the married couple whose heaven-and-earth harmonies have always held the band's center_have pioneered a subgenre, shrugged off its strictures, recorded a Christmas classic, become a magnetic onstage force, and emerged as one of music's most steadfast and vital vehicles for pulling light from our darkest emotional recesses. But Low will not commemorate its first quarter-century with mawkish nostalgia or safe runs through songbook favorites. Instead, in faithfully defiant fashion, Low will release its most brazen, abrasive (and, paradoxically, most empowering) album ever: Double Negative, an unflinching eleven-song quest through snarling static and shattering beats that somehow culminates in the brightest pop song of Low's career. To make Double Negative, Low reenlisted B.J. Burton, the quietly energetic and adventurous producer who has made records with James Blake, Sylvan Esso, and The Tallest Man on Earth in recent years while working as one of the go-to figures at Bon Iver's home studio, April Base. Burton recorded Low's last album, 2015's Ones and Sixes, at April Base, adding might to many of its beats and squelch and frisson beneath many of its melodies. This time, though, Sparhawk, Parker, and bassist Steve Garrington knew they wanted to go further with Burton and his palette of sounds, to see what someone who is, as Sparhawk puts it, "a hip-hop guy" could truly do to their music. Rather than obsessively write and rehearse at home in Duluth, Minnesota, they would often head southeast to Eau Claire, Wisconsin, arriving with sketches and ideas that they would work on for days with Burton. Band and producer became collaborative cowriters, building the pieces up and breaking them down and building them again until their purpose and force felt clear. As the world outside seemed to slide deeper into instability, Low repeated this process for the better part of two years, pondering the results during tours and breaks at home. They considered not only how the fragments fit together but also how, in the United States of 2018, they functioned as statements and salves. Double Negative is, indeed, a record perfectly and painfully suited for our time. Loud and contentious and commanding, Low fights for the world by fighting against it. It begins in pure bedlam, with a beat built from a loop of ruptured noise waging war against the paired voices of Sparhawk and Parker the moment they begin to sing during the massive "Quorum." For forty minutes, they indulge the battle, trying to be heard amid the noisy grain, sometimes winning and sometimes being tossed toward oblivion. In spite of the mounting noise, Sparhawk and Parker still sing. Or maybe they sing because of the noise. For Low, has there ever really been a difference?

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Bad Religion

LP | 2010 | EU | Reissue (Epitaph Europe)

Release: 2010 / EU – Reissue

Genre: Rock & Indie

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Be The Cowboy Black Vinyl Edition

Mitski

LP | 2018 | EU | Original (Dead Oceans)

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2018 | US | Original (Innovative Leisure)

The Molochs

Flowers In The Spring

Amends Black Vinyl Edition

Release: 2018 / US – Original

Genre: Rock & Indie

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First, let’s meet back up with the Molochs—you remember them, right? Their America’s
Velvet Glory was the earliest burst of light and energy to hit in 2017, an album of electrified
rock ‘n’ roll like Dylan and Lou Reed by a band named after the Ginsberg-ian glutton god
who demanded the sacrifice of all things good and pure. But now it’s 2018 and Moloch
himself is fatter and happier than ever, so the Molochs couldn’t just make another record.
After Glory showed the world who they were, they needed to make an album that showed
what they could do. So Flowers In The Spring is where the Molochs worked harder, thought
harder and fought harder to be the kind of band that the times demand: “I like to think the
world just needs some good solid songs out there,” founder Lucas Fitzsimons says. “It’s
simple. It’s not easy … but it’s simple.”
America’s Velvet Glory, their first-ever record for L.A.’s Innovative Leisure label, had sparked
their first-ever U.S and European tours, first-ever festival sets, first-ever international press
and more. (Top music mag Mojo even said they’d made one of the year’s best albums—“Any
year!”) Follow-up Flowers bloomed almost exactly a year later at Long Beach’s Jazzcats
studio between December of 2017 and January of 2018, where Fitzsimons and longtime
band member Ryan Foster had recorded Glory. By the time they’d returned, they had a slate
of songs that had come to Fitzsimons in flash moments, written on nerve-wracking
transcontinental flights or on isolated nights in an L.A. apartment, captured at once in bursts
of insight or rescued from almost-abandonment in discarded notebooks.
As on Glory, inspiration from Syd Barrett, Dylan, Nikki Sudden and kindred spirit Peter Perrett
of the Only Ones was at work, but the Molochs are endlessly (appropriately?) ravenous when
it comes to things to read and listen to and learn from. On Flowers they’d refine and
recombine their sound, working in that long tradition of poets who cover (or discover)
themselves in pop songs. “To Kick In A Lover’s Door” blows Flowers open with the wit and
precision of the Go-Betweens, and “I Wanna Say To You” draws more from some of
Creation Records’ dreamiest dreamers than it does from any esoteric 60s howlers. “Flowers
In The Spring” and “Pages Of Your Journal” could be two lost Kinks singles from two
different Kinks eras—that Ray Davies-ian venom stays the same, of course—and the
charming/disarming “Too Lost In Love” makes feeling down sound like cheering up, just like
the Clean did.
Yes, they do have their first-ever string section here, and that could confuse some people.
(“People go, ‘Wow, it sounds more mature.’” says Fitzsimons. “What kind of boring shit is
that?”) But Flowers isn’t a grown-up album or a show-off album or a break-up album or a
just-had-to-make-another-album album because the Molochs don’t pick targets that tiny.
Love and disgrace and life and death blur and bleed into each other, but at the core of
Flowers is a story about standing against the inhuman by being more human, however
messily honest that needs to be. (Or like Fitzsimons sings at the end of the record: beware
that “determination by a whole / to destroy the human soul.” Funny how that comes in a
song where he claims he can’t explain everything that happens to him, because he sort of
just did.) So consider their new Flowers In The Spring a meticulously plotted counterattack
against all things Moloch-ian, with clear, concise, immediate, undeniable, simple, direct pop
songs, says Fitzsimons, each sharpened enough to cut through anything it touched. That’s
what he needed to do, he says, because that’s what felt most true. Maybe it really was that
simple, even if it wasn’t easy. Like he’d explain in a song with just seven words: “There’s
something I wanna say to you.”

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Them Are Us Too

LP | 2018 | US | Original (Dais)

Release: 2018 / US – Original

Genre: Rock & Indie

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LP | 2018 | US | Original (Kill Rock Stars)

Wimps

Garbage People

LP | 1998 | EU | Reissue (Epitaph Europe)

Release: 2018 / US – Original

Genre: Rock & Indie

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Almost-catchier-than-the-Beatles - The Stranger Seattle trio Wimps channel all of the soul-crushing minutiae of our everyday lives into deceptively sad, yet infectious punk rock. - Noisey Seattle's Wimps (Rachel Ratner, Matt Nyce, and David Ramm) are back with their third album, Garbage People, out July 13th on LP, cassette, CD, and MP3! Known all over as one of the premiere plenty of nonsense guitar/bass/drum groups, Garbage People finds Wimps taking a sonic leap forward (there's saxophone, keyboard, and juuuust enough cowbell) and lyrically (subject matter ranges from gender pay inequality, decline of bee populations as a result of climate change, insomnia, and wanting to steal a pizza ... but only if it's cheese!) On Garbage People, Wimps have successfully filtered the best parts of 70's Rough Trade, the International Pop Underground 7" series, Devo, The B-52s, the Breeders, etc. into a unique and timeless sound that appeals to playlist streaming teens AND adults who own over 500 records.

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Bad Religion

No Substance Remastered

Release: 1998 / EU – Reissue

Genre: Rock & Indie

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LP | 1991 | EU | Reissue (Epitaph Europe)

Pennywise

Release: 1991 / EU – Reissue

Genre: Rock & Indie

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David Eugene Edwars / Alexander Hacke von Einstürzende Neubauten

Risha Black Vinyl Edition

LP | 2018 | EU | Original (Glitterhouse)

Release: 2018 / EU – Original

Genre: Rock & Indie

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Yuno

Moodie Loser Edition

Release: 2018 / US – Original

Genre: Rock & Indie

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Rolling Blackouts Coastal Fever

Hope Down

Release: 2018 / US – Original

Genre: Rock & Indie

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Prince And The Revolution

Purple Rain

LP | 1984 | EU | Reissue (Warner Bros.)

LP | 1996 | EU | Reissue (Epitaph Europe)

Release: 1984 / EU – Reissue

Genre: Organic Grooves, Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Original inner sleeve. 1984 EU reissue. Sticker on cover.

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Bad Religion

The Gray Race Remastered

Release: 1996 / EU – Reissue

Genre: Rock & Indie

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LP | 2018 | US | Original (Outer Battery)

Petyr

Smolyk

Release: 2018 / US – Original

Genre: Rock & Indie

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Call The Comet Colored Vinyl Edition

Johnny Marr

LP | 2018 | EU | Original (Rykodisc)

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 1988 | US | Reissue (Plain)

my bloody valentine

Isn't Anything

LP | 2018 | US | Original (Secretly Canadian)

Release: 1988 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

2003 repress from digital masters.
Gatefold sleeve.

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Damien Jurado

The Horizon Just Laughed

Release: 2018 / US – Original

Genre: Rock & Indie

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Don’t Give In / Life On Earth

Snow Patrol

10" | 2018 | EU | Original (Republic)

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2018 | US | Original (Kill Rock Stars)

Lithics

Mating Surfaces

Brown Acid - The Sixth Trip

Release: 2018 / US – Original

Genre: Rock & Indie

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Mating Surfaces is the second full length from Portland, Oregon's Lithics. Twelve tightly wound fragments of brittle abstract twin guitar, impellent rhythm, and absurd, imagistic lyricism. "A stern danceable sound that summons cut up snapshots of Su Tissue and Mark E Smith, an imagined landscape where Captain Beefheart hits that 99 Records Too Many Creeps beat." -Layla Gibbon (Maximum Rocknroll, Skinned Teen).

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V.A.

LP | 2018 | US | Original (Riding Easy)

I Told You I Was Freaky Light Green Vinyl Edition

Release: 2018 / US – Original

Genre: Rock & Indie

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Six volumes worth of licensed tracks released in just three years: doing the Dark Lord’s work isn’t an easy job, but somebody’s gotta do it, so here is Brown Acid - The Sixth Trip, with more lined up. The heads just can’t get enough obscure hard rock, heavy psych, and proto-metal from the late‘60s and ‘70s!

This time around Riding Easy present ten deep cuts from across the continental USA and one from the neighbors up North. This trip kicks off with an outrageous number from Gold out of San Francisco circa 1970. The band used to open their sets with this over-the-top frantic jammer which is absolutely mind-blowing! Delving deeper into the depths, Canadians continue to prove that they could bang heads with the best of ‘em! Heat Exchange from Toronto released the rollicking ripper “Inferno” on the Yorkville label way back in 1968 and it’s still thumping almost fifty years later.

Some more examples of the mind-melting tracks on this platter: Missouri isn’t a state that brought us a lot of heavy 45s, but there are a handful of outstanding tracks, one of which is the funk-laced anthem “Give Me Time” by Backwood Memory from Kansas City. Youngstown, Ohio, meanwhile, might have been the Hard Rock Mecca back in the day. Travis is yet another Youngstown group that aimed to get asses out of seats and out in the streets. Truth & Janey had their incredible proto-metal masterpiece 1976 album No Rest For The Wicked; released four years earlier, “Midnight Horseman” was a 45-only track, included here!

Those are just some of the fruits of months worth of record digging and detective work included on this latest installment. This is the stuff that makes life worth living, at least until the next Trip…

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Flight Of The Conchords

LP | 2009 | EU | Reissue (Sub Pop)

Forth Wanderers Loser Edition

Release: 2009 / EU – Reissue

Genre: Rock & Indie

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Limited European repress.

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Forth Wanderers

Release: 2018 / US – Original

Genre: Rock & Indie

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King Tuff

The Other Loser Edition

Release: 2018 / US – Original

Genre: Rock & Indie

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LP | 2016 | Reissue (Virgin EMI)

The Verve

A Storm In Heaven

Release: 2016 / Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Sex & Food Black Vinyl Edition

Unknown Mortal Orchestra

LP | 2018 | US | Original (Jagjaguwar)

Release: 2018 / US – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (New West)

Ron Gallo

Really Nice Guys

Ben Harper & Charlie Musselwhite

Release: 2018 / EU – Original

Genre: Rock & Indie

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Limited edition for Record Store Day 2018!

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No Mercy In This Land

LP | 2018 | EU | Original (Anti)

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2015 | US | Original (O Paon)

O Paon

Fleuve

Release: 2015 / US – Original

Genre: Rock & Indie

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LP | 2018 | US | Original (Digital Regress)

No Trend

You Deserve Your Life

Release: 2018 / US – Original

Genre: Rock & Indie

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LP | 2018 | US | Original (Riding Easy)

Spiny Normen

Release: 2018 / US – Original

Genre: Rock & Indie

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Spiny Normen were an incredible mid-’70s Houston hard rock, progressive, psychedelic rock band that featured mellotron, Vox Jaguar, crunchy, heavy guitars, flute with echo effects, and lots more. A totally lost relic, this self-titled album was recorded at a community college and never released. The recording is very English, dark, mysterious and proggy, but also very acid-drenched.

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LP | 2018 | EU | Original (Sub Pop)

Jericho Sirens

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2018 | US | Original (New West)

Naked Giants

Sluff

Release: 2018 / US – Original

Genre: Rock & Indie

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Moaning

Moaning Loser Edition

Hundred Acres Black Vinyl Edition

Release: 2018 / US – Original

Genre: Rock & Indie

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This Sub Pop Loser Edition is light blue Colored Vinyl! Moaning is a band defined by its duality. The abrasive post-punk trio comprised of LA DIY veterans, Sean Solomon, Pascal Stevenson, and Andrew MacKelvie, began nearly a decade after the three started playing music together. Their impassioned debut album comes born out of the member's experiences with love and distress, creating a sound uniquely dark and sincere. Although the band is just breaking out of their infancy, Moaning's sleek and cavernous tone emphasizes the turmoil of the era they were born into. One where the endless possibility for art and creation is met with the fear and doubt of an uncertain future. Solomon, Stevenson, and MacKelvie initially met as teenagers while growing up in the San Fernando Valley, and immediately developed a kinship through Los Angeles's local music scene. The three began regularly frequenting DIY institutions like The Smell and Pehrspace, eventually selling out dozens of their own shows at both venues with their first few bands. Moaning's conception came when Solomon sent Stevenson and MacKelvie the first demo for "Don't Go," setting the tone for the impulsive songwriting that would follow. The three fleshed out Solomon's primitive recordings, adding in MacKelvie's heavy syncopated drumming, and Stevenson's melodic driving bass and synth parts, capturing each member's personality in their sparse and fuzzed out tracks. Like many of their previous collaborative projects, Moaning forces pain up against pleasure, using the complexity of personal heart break to inform the band's conflicted sound. The band chose the moniker Moaning, admiring the ambiguity the name held, and hoping to reference both an intimate wail and an anguished scream. The band's homemade video for an early, home-recorded version of "The Same" caught the attention of Alex Newport, a seasoned engineer and producer who had previously worked with At The Drive-In, Bloc Party, and the Melvins. With Newport, Moaning began working on the tracks that would make up their self-titled release, employing a lush, open ended production quality that had never been at the band's disposal. Tracks like "Artificial" stand out among the recordings, where Moaning used the studio's recourses to take their frantic live arrangement and give it the intensity merited by Solomon's lyrics. As a whole, Moaning drifts from sentimental to catastrophic, hiding meek and introspective lyrics within powerful droning dance songs, giving sonic nods to some of the band's musical heroes like, New Order, Broadcast, and Slowdive. The band's youthful attitude is met with the weight of topics like loss, routine, and mental health, reflecting the anxiety towards the status quo that much of their generation faces today. Where many young bands take years to find their footing as writers and performers, Moaning has built up a confidence in sound and vision from the ten years of playing basements, bars, and ballrooms together in their previous projects. Yet, even with their polished exterior, Moaning continues to make the sacrifice of deeply personal anecdotes and emotions to their audience for the benefit of their craft.

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S. Carey of Bon Iver

LP | 2018 | US | Original (Jagjaguwar)

Release: 2018 / US – Original

Genre: Rock & Indie

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LP | 2018 | US | Original (New West)

Caroline Rose

Loner

Release: 2018 / US – Original

Genre: Rock & Indie

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Make Way For Love Black Vinyl Edition

Marlon Williams

LP | 2018 | US | Original (Dead Oceans)

Release: 2018 / US – Original

Genre: Rock & Indie

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Standing On The Verge Of Getting It On

Funkadelic

LP | 1974 | US | Original (Westbound)

On The Line In ’89 Volume 2

Release: 1974 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: G, Cover: G

US original.
Sleeve has heavy wear, handwriting on labels.
LP has scratches.

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Tom Waits

2LP | 2018 | UK (Vinyl Slab)

Release: 2018 / UK

Genre: Rock & Indie

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Songs Of Praise Black Vinyl Edition

Shame

LP | 2018 | CZ | Original (Dead Oceans)

Release: 2018 / CZ – Original

Genre: Rock & Indie

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Best Of Sun Records Sessions

Charlie Feathers

LP | 2017 | US | Original (ORG Music)

23,99 €* 31,99 € -25%

LP | 2017 | US | Original (Castle Face)

Release: 2017 / US – Original

Genre: Rock & Indie

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This newly compiled collection of recordings from rockabilly pioneer Charlie Feathers showcases the influential Memphis performer’s work at Sun Records (and related labels). Feathers started his musical career as a session musician at Sun Studios under Sam Phillips. His theatrical, hiccupping vocal style inspired a later generation of rock vocalists, including Lux Interior of The Cramps and Tav Falco, who contributed extensive liner notes and photos for the insert of this release.

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Prettiest Eyes

Pools

Release: 2017 / US – Original

Genre: Rock & Indie

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LP | 2002 | EU | Reissue (Sub Pop)

Suicide Invoice

Release: 2002 / EU – Reissue

Genre: Rock & Indie

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LP | 2000 | EU | Reissue (Sub Pop)

Automatic Midnight

Release: 2000 / EU – Reissue

Genre: Rock & Indie

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LP | 2004 | EU | Reissue (Sub Pop)

Audit In Progress

Release: 2004 / EU – Reissue

Genre: Rock & Indie

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Cindy Wilson of The B-52's

Change

LP | 2017 | US | Original (Kill Rock Stars)

A Collection Of Great Dance Songs

Release: 2017 / US – Original

Genre: Rock & Indie

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Known the world over as a vocalist, songwriter, and founding member of the one and only B-52s, Cindy Wilson has made a truly extraordinary solo debut with her new Change (Kill Rock Stars). The album – which arrives just in time to celebrate the legendary singer’s fortieth anniversary in the musical spotlight – marks a milestone for Wilson, abounding with pop creativity, ingenious production, confident songcraft, and deeply felt emotion.

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Pink Floyd

LP | 2017 | EU | Original (Parlophone)

Release: 2017 / EU – Original

Genre: Rock & Indie

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Losing Tear Vinyl Loser Edition

Bully

LP | 2017 | US | Original (Sub Pop)

Release: 2017 / US – Original

Genre: Rock & Indie

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Phases Black Vinyl Edition

Angel Olsen

LP | 2017 | US | Original (Jagjaguwar)

LP | 2017 | US | Original (Fuzz Club)

Release: 2017 / US – Original

Genre: Rock & Indie

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How do you best describe Angel Olsen? From the lo-fi, sparse folk-melancholy of her 2010 EP, Strange Cacti, to the electrified, polished rock ‘n’ roll bursting from 2016’s beloved and acclaimed MY WOMAN, Olsen has refused to succumb to a single genre, expectation, or vision. Impossible to pin down, Olsen navigates the world with her remarkable, symphonic voice and a propensity for narrative, her music growing into whatever shape best fits to tell the story.

Phases is a collection of Olsen’s work culled from the past several years, including a number of never-before-released tracks. “Fly On Your Wall,” previously contributed to the Bandcamp-only, anti-Trump fundraiser Our First 100 Days, opens Phases, before seamlessly slipping into “Special,” a brand new song from the MY WOMAN recording sessions. Both “How Many Disasters” and “Sans” are first-time listens: home-recorded demos that have never been released, leaning heavily on Olsen’s arresting croon and lonesome guitar.

The b-sides compilation is both a testament to Olsen’s enormous musical range and a tidy compilation of tracks that have previously been elusive in one way or another. Balancing tenacity and tenderness, Phases acts as a deep-dive for longtime fans, as well as a fitting introduction to Olsen’s sprawling sonics for the uninitiated.

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Juju

Our Mother Was A Plant

LP | 2011 | EU | Reissue (Warner)

Release: 2017 / US – Original

Genre: Rock & Indie

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Available on 180gm vinyl. JuJu is the brainchild of Sicilian multi-instrumentalist Gioele Valenti (Lay Llamas, Herself). This is the the follow-up to 2016s S/T debut that was widely hailed as one of the most innovative psych albums of the year. Carrying on in its predecessor's footsteps, the new LP is a continuation of JuJu's ritualistic sonic exploration into the cultural implications of the current refugee crisis, humanities increasingly strained relationship with Mother Earth and neo-pagan mythology. Even more adventurous than the last, JuJu has changed the game for modern psychedelia once again. Calling it just a 'psych' record would be an injustice though, JuJu's shamanic, lysergic mantras are influenced just as much by afrobeat, krautrock, glam, post-punk, art rock, drone and just about everything in between.

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Beatsteaks

Boombox

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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LP+CD | 2017 | EU | Original (Leaf)

Snapped Ankles

Come Play The Trees

Release: 2017 / EU – Original

Genre: Rock & Indie

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LP | 2017 | US | Original (Temporary Residence)

Behind The Shadow Drops

Harmonic

LP | 2017 | EU | Original (Sub Pop)

Release: 2017 / US – Original

Genre: Rock & Indie

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Behind the Shadow Drops is the new solo endeavor from Takaakira 'Taka' Goto,
founding guitarist and composer of iconic Japanese experimental rock group,
MONO. Established in 2016, Behind the Shadow Drops combines Goto's disparate
but commensurate interests in many different forms of music, most notably
ambient, trip-hop, industrial minimalism, and modern classical. Recorded at Goto's
home studio and mixed with esteemed producer and percussionist, John McEntire
(Tortoise, The Sea and Cake, Yo La Tengo), H a r m o n i c merges Goto's
dynamic, moody compositions with McEntire's renowned drum programming and
percussive sensibilities. What begins as a passing resemblance to the more
melancholy work of Goto's ensemble, MONO, slowly mutates into something
otherworldly, submerging in a symphony of synths, drum machines, noise loops,
and mournful strings (courtesy of Los Angeles experimental cellist, Helen Money).
Resembling something like waves rippling in the ocean under a cloudy moonlit sky,
H a r m o n i c is as eerie as it is beautiful - a vast abyss punctuated by seemingly
endless glimmers of light.

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Metz

Strange Peace

Release: 2017 / EU – Original

Genre: Rock & Indie

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Stranger In The Alps Black Vinyl Edition

Phoebe Bridgers

LP | 2017 | US | Original (Dead Oceans)

Release: 2017 / US – Original

Genre: Rock & Indie

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LP | 2017 | EU | Original (MG.Art)

Ash Ra Tempel Experience

Live In Melbourne

Okovi Black White Vinyl Edition

Release: 2017 / EU – Original

Genre: Rock & Indie

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2022 repress

I was invited to perform in Melbourne, Australia. It happened thanks to my dear old friend Mick Glossop, who made the suggestion to Sophia Brous, at the time the curator of a music-festival called “Supersense” at the Melbourne Arts Centre in summer 2015. In addition to the solo performance I’d planned, Sophia proposed an additional collaboration or session performances with some of the other participating musicians. I had never been very happy in performing “public sessions". I’ve always tried to first look for a conceptual approach, and my wife, Ilona J. Ziok, came up with the idea of performing some Ash Ra Tempel classics. That’s when the idea for an “Experience” was born. I decided that pieces from the second and third Ash Ra Tempel albums “Schwingungen” and “Seven Up” (both from 1972) would be most appropriate for a group performance with Ariel Pink, Shags Chamberlain and Oren Ambarchi. We conversed by email, and much to my surprise, they all claimed to be very familiar with this music. … It felt a bit like pushing at open doors - or, to put it another way - it felt like being welcomed with open arms!

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Zola Jesus

LP | 2017 | US | Original (Sacred Bones)

Light Information Loser Edition

Release: 2017 / US – Original

Genre: Rock & Indie

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German Exclusive Coloured Edition! Black&White swirl vinyl! Sacred Bones is pleased to release Okovi, the new album from ZOLA JESUS. For over a decade, Nika Roza Danilova has been recording music as ZOLA JESUS. She's been on Sacred Bones Records for most of that time, and Okovi marks her reunion with the label. Fittingly, the 11 electronics-driven songs on Okovi share musical DNA with her early work on Sacred Bones. The music was written in pure catharsis, and as a result, the sonics are heavy, dark, and exploratory. In addition to the contributions of Danilova's longtime live bandmate Alex DeGroot, producer/musician WIFE, cellist/noise-maker Shannon Kennedy from PEDESTRIAN DEPOSIT, and percussionist Ted Byrnes all helped build Okovi's textural universe. With Okovi, ZOLA JESUS has crafted a profound meditation on loss and reconciliation that stands tall alongside the major works of its genre. The album peaks of tragedy with great wisdom and clarity. Its songs plumb dark depths, but they reflect light as well. ,This album is a deeply personal snapshot of loss, reconciliation, and a sympathy for the chains that keep us all grounded to the unforgiving laws of nature. To bring it to life, I decided to enlist the help of Alex DeGroot, who has been the only constant in my live band and helped mix the Stridulum EP back in 2010. It will be released on Sacred Bones, the closest group of people I'll ever have to blood-bound family." - Zola Jesus

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Chad Vangaalen

LP | 2017 | US | Original (Sub Pop)

Forced Witness Black Vinyl Edition

Release: 2017 / US – Original

Genre: Rock & Indie

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Nobody cared about their old heads, because the new ones work just fine now, don't they?.... they have the same size mouth and eyes. The song "Old Heads" is a sci-fi space anthem to technology that constantly replaces itself, proving both necessary and unnecessary at the same time. It's also a jangly pop gem, a trip through the fantastical that is ultimately warm and relatable. This remarkable coexistence is one of many achievements of Chad VanGaalen's Light Information, his sixth record on Sub Pop, due September 8th. For an album that's about "not feeling comfortable with really anything," as VanGaalen says, Light Information is nonetheless a vivid, welcoming journey through future worlds and relentless memories. The rich soundscapes and sometimes jarring imagery could only come from the mind of a creative polymath--an accomplished visual artist, animator, director, and producer, VanGaalen has scored television shows, designed puppet characters for Adult Swim, directed videos for Shabazz Palaces, Strand of Oaks, Metz, Dan Deacon, and The Head and the Heart, and produced records for Women, Alvvays, and others. While alienation has always been a theme of VanGaalen's music, Light Information draws on a new kind of wisdom--and anxiety--gained as he watches his kids growing up. "Being a parent has given me a sort of alternate perspective, worrying about exposure to a new type of consciousness that's happening through the internet," he says. Throughout the dark-wave reverb of Light Information are stories of paranoia, disembodiment, and isolation--but there's also playfulness, empathy, and intimacy. The product of six years' work, going back even before 2014's Shrink Dust, Light Information emerged from the experimental instruments that fill VanGaalen's Calgary garage studio. As always, VanGaalen wrote, played, and produced all of the music on Light Information (save Ryan Bourne's bass part on "Mystery Elementals" and vocals on "Static Shape" from his young daughters Ezzy and Pip), and designed the cover art.

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Alex Cameron

LP | 2017 | US | Original (Secretly Canadian)

Release: 2017 / US – Original

Genre: Rock & Indie

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LP | 2003 | EU | Reissue (Hellcat)

Dropkick Murphys

Blackout

Release: 2003 / EU – Reissue

Genre: Rock & Indie

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Trio Da Kali And Kronos Quartet

Ladilikan

LP | 2017 | EU | Original (World Circuit)

LP | 1999 | US | Reissue (Sub Pop)

Release: 2017 / EU – Original

Genre: Rock & Indie

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You take a trio of the fnest traditonal griot musicians from Mali and put them in a studio with Western music's most revolutonary string quartet - and the resultng album is one of the most richly rewarding musical collaboratons you are likely to encounter. Together the Kronos Quartet and Trio Da Kali have created an album that is rich in texture, hauntngly melodic and strikingly inventve as violins, viola and cello combine with balafon, ngoni and the powerful female voice of Hawa 'Kassé Mady' Diabaté in transcendental style. David Harrington, who founded the Kronos Quartet in 1973, describes the album as one of the most beautful Kronos has done in forty years.' All three Da Kali members come from hereditary musical families, Balafon player and musical director Lassana Diabaté was a long-tme member of Toumani Diabaté's Symmetric Orchestra and has recorded with Salif Keita, Taj Mahal and many others. A musician of great subtlety and inventon he has honed a virtuoso two-balafon technique to perfecton. Bass ngoni player Mamadou Kouyaté is the eldest son of the instrument's greatest exponent, Bassekou Kouyaté and he holds down the groove in his father's band 'Ngoni Ba'. Singer Hawa 'Kassé Mady' Diabaté is the daughter of Mali's greatest traditonal singer, Kassé Mady Diabaté, and the power, range and phrasing of her voice led David Harrington to compare her to the late queen of American gospel, Mahalia Jackson.
Kronos Quartet have earned an enviable reputaton collaboratng with contemporary composers such as Steve Reich, Philip Glass, Terry Riley and Laurie Anderson and with world music icons from Argentnian tango hero Astor Piazzola to Bollywood singer Asha Bhosle.

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Mark Lanegan

I'll Take Care Of You

Release: 1999 / US – Reissue

Genre: Rock & Indie

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LP | 2017 | US | Original (Sub Pop)

Mark Lanegan

Field Songs

Soft Sounds From Another Planet Black Vinyl Edition

Release: 2017 / US – Original

Genre: Rock & Indie

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Field Songs is the fifth solo album by Mark Lanegan, released in 2001. Aside from its
inclusion in the now out of print box set one Way Street' this is the albums first time on
vinyl.

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Japanese Breakfast

LP | 2017 | US | Original (Dead Oceans)

Release: 2017 / US – Original

Genre: Rock & Indie

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Steven Wilson of Porcupine Tree

To The Bone

2LP | 2017 | EU | Original (Caroline)

Release: 2017 / EU – Original

Genre: Rock & Indie

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LP | 1981 | EU | Reissue (Polydor)

Siouxsie & The Banshees

Juju

LP | 2017 | US | Original (Dead Oceans)

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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Back in print!

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Kevin Morby

City Music

Release: 2017 / US – Original

Genre: Rock & Indie

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LP | 2006 | EU | Reissue (Audiolith)

Egotronic

Die Richtige Einstellung

Release: 2006 / EU – Reissue

Genre: Rock & Indie

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LP | 2017 | US | Original (Tompkins Square)

Harry Taussig & Max Ochs

The Music Of...

I Used To Spend So Much Time Alone Black Vinyl Edition

Release: 2017 / US – Original

Genre: Rock & Indie

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Fifty years before this release, Harry Taussig and Max Ochs were featured on the sampler LP 'Contemporary Guitar - Spring '67', alongside John Fahey, Robbie Basho and Bukka White. Both guitarists were "rediscovered" by Tompkins Square in 2005, and have since released new recordings for the label. 'The Music of Harry Taussig & Max Ochs' features newly recorded material, commemorating the 50th anniversary of the Takoma sampler they first appeared on.

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Chastity Belt

LP | 2017 | US | Original (Hardly Art)

LP | 2017 | US | Original (Ghost Ramp)

Release: 2017 / US – Original

Genre: Rock & Indie

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Chastity Belt are back with new album ’I Used To Spend So Much Time Alone’!

The record is being previewed with new single ‘Different Now’, which also has its own shiny video.

‘I Used To Spend So Much Time Alone’ is the follow-up to the band’s 2015 album ‘Time To Go Home’ and the new viddy for ‘Different Now’ parodies Temple of the Dog’s ‘Hunger Strike’ clip.

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Wavves

You're Welcome

Release: 2017 / US – Original

Genre: Rock & Indie

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LP | 2016 | EU | Original (Medicom)

Sergey Dunaev

In Your Name

Release: 2016 / EU – Original

Genre: Rock & Indie

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LP | 2017 | US | Original (Skin Graft)

Yowie

Synchromysticism

LP | 2017 | US | Original (Raveonettes Ltd)

Release: 2017 / US – Original

Genre: Rock & Indie

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Since 2000, St. Louis YOWIE has been perfecting a unique form of progressive rock that incorporates complex polyrhythms and guitar dissonance. Operating within its own unique idiom, Yowie rejects rock music s typical foundation of common time signature and standard melodic structures. Their third album, Synchromysticism, the first with guitarist Christopher Trull (formerly of Grand Ulena), marks a new level of ambition in terms of conceptual complexity, synthesizing opposing compositional approaches into a distinctive style that simultaneously elicits feelings of euphoria, perplexity, dread... and an inexorable urge to dance.

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The Raveonettes

2016 Atomized

LP | 2017 | US | Original (Innovative Leisure)

Release: 2017 / US – Original

Genre: Rock & Indie

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With their rave-sound-of-the-month completed in December of 2016, The Raveonettes have announced the complete album package now titled 2016 Atomized.

What was dubbed an ‘anti-album’, The Raveonettes’ rave-sound-of-the-month series featured freshly recorded tracks per month without any limitations of restraints.

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The Buttertones

Gravedigging