Rock & Indie 626 Items

Revolver Picture Disc Edition

LP | 1966 | EU | Reissue (Apple)

35,99 €*

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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2LP | 1969 | EU | Reissue (Rhino)

Grateful Dead

Live dead

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Early Allman (Featuring Duane And Gregg Allman)

The Allman Brothers Band

LP | 1966 | US | Reissue (Allman Brothers Band Recording Company)

Spirits Known And Unknown

Release: 1966 / US – Reissue

Genre: Rock & Indie

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Rare, historic 1966 “Early Allman” sessions Featuring Duane and Gregg Allman recordings pre Allman Brothers Band

Songs featured include “Spoonful” & “Gotta get Away”

First time available on vinyl in over 45 years

Prepared from original Dial/ Mercury analog master tapes Mastered by Tom Lewis at Jim Hawkins’ Studio 1093, Athens, GA

Vinyl cut by Kevin Gray at Cohearent Audio Vinyl pressed at Record Technology Inc.

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Leon Thomas

LP | 1969 | UK | Reissue (Pure Pleasure)

Release: 1969 / UK – Reissue

Genre: Rock & Indie

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LP | 1969 | EU | Reissue (Parlophone)

Deep Purple

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1969 | EU | Reissue (Columbia)

Blood, Sweat & Tears

Blood, sweat & tears

Deserti Blue Vinyl Edtion

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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limited edition analogue 180 gram vinyl reisue ... sampled by Run DMC, Public Enemy, ODB, ...

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Piero Pelu

LP | 1960 | EU | Reissue (Epic)

Release: 1960 / EU – Reissue

Genre: Rock & Indie, Pop

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LP | 1966 | JP | Original (Odeon)

Beatles For Sale

I got dem ol kozmic blues again mama !

Release: 1966 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: G+, Cover: VG

Red vinyl with many scuffs, hairlines and some deeper scratches. Japanese pressing without OBI.

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Janis Joplin

LP | 1969 | EU | Reissue (Columbia)

LP | 1969 | US | Reissue (Riding Easy)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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180 gram high quality pressing vinyl!

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Maximillian

We Are Ever So Clean Remastered Vinyl Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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RidingEasy Records has teamed up with Permanent Records in Los Angeles to bring this very special heavy psych rocker back into the fold for RSD 2023. New York City based African-American & Latino hard rock/psych trio Maximillian released their sole self-titled album on ABC Records in 1969, then promptly vanished. It has remained a collectors’ conversation piece ever since. Maximillian combined elements of beat poetry, a little bit of The Fugs, a hit of Funkadelic, a lick of Cream and a vibe of Hendrix worship with an ambition that seems to have jumbled these influences. The Maximillian album is a rare artifact of late-60s psychedelic rock whose appeal is not the skill of their musicianship, but the downright strangeness of it. While at times it sounds like the trio is playing entirely different songs at the same time, it’s said that producer Teddy Vann had a hand in the album’s sometimes confusing production. Gatefold

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Blossom Toes

LP | 1967 | UK | Reissue (Cherry Red)

Release: 1967 / UK – Reissue

Genre: Rock & Indie

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My Generation Half-Speed Remastered 2021 Vinyl Edition

The Who

LP | 1965 | EU | Reissue (Polydor)

Release: 1965 / EU – Reissue

Genre: Rock & Indie

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LP | 1967 | NL | Reissue (CBS)

Moby Grape

The Best Of Moby Grape

Stand By Your Man Vinyl Me, Please Edition

Release: 1967 / NL – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

1973 reissue.

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Tammy Wynette

LP | 1969 | US | Reissue (Vinyl Me, Please)

Lonely Weekends Vinyl Me, Please Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
“Knowing Tammy Wynette’s troubled history, and with 50-plus years of social change since the recording and release of Stand By Your Man, it’s difficult to hear the album and not want to scream: Tammy, get out of there; you’re so much better than him! But that’s not to say that the album, which ascended to No. 2 on Billboard’s Country Albums chart and earned a Country Music Association Album of the Year nomination in 1969, isn’t worth listening to. Wynette’s mournful voice, described by her longtime producer Billy Sherrill as ‘husky and soulful and tearful and dynamic,’ was made for songs like these; frankly, so were her real-life experiences. ‘She lived it, you know. She lived every tear every-body ever heard her sing,’ Sherrill once said of Wynette, and he assembled talented musicians to match her delivery in lush, Nashville Sound-era style.”

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Charlie Rich

LP | 1969 | US | Reissue (Vinyl Me, Please)

Buck Owens And His Buckaroos

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
After recording demos with Sam Phillips that he considered "too jazzy" Charlie Rich was given a stack of Jerry Lee Lewis records to study and "come back when [he got] that bad". The single "Lonely Weekends" hit Top 30 and earned a gold record for selling one million copies. The album features classics such as "C.C. Rider," "You're Gonna Be Waiting" and "Apple Blossom Time."

Limited to 1000 copies, the VMP exclusive edition of Charlie Rich's Lonely Weekends is pressed on Sky Blue vinyl at Softwax Record Pressing. The AAA 1LP will arrive in a single, direct-to-board jacket.

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Carnegie Hall Concert Vinyl Me, Please Edition

LP | 1966 | US | Reissue (Vinyl Me, Please)

U.F.O. Vinyl Me, Please Edition

Release: 1966 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
“In the first 75 years of Carnegie Hall being in operation, country music was an intermittent guest in the hallowed hall. In March 1966, however, a country band from Bakersfield, California, took to Carnegie Hall’s stages at the peak of their powers, as only the second country band to headline a show there, and ultimately released — outside of At Folsom Prison — the most important live country album ever. An album that proved many things between its two sides: that country music had an audience around the world already, and that the artist behind the album’s gamble on himself and his sound proved that you didn’t need to go to Nashville and sell out to sell big. With Carnegie Hall Concert, Buck Owens and His Buckaroos entered the pantheon of country music, becoming part of its very fiber, and altered the way it was considered in big cities and at record labels.”

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Jim Sullivan

LP | 1969 | US | Reissue (Vinyl Me, Please)

LP | 1966 | UK | Reissue (BMG)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
No one knows what happened to Jim Sullivan, but there have been various rumors floated involving the mob, police foul play, and, due to his closeness to Roswell, alien abduction. Because of the mystery of his disappearance, the lyrics on U.F.O. took on an otherworldly quality; the songs about aliens, and being in the sky, and disappearing seem like they were written to explain his disappearance, just written six years early.

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The Kinks

Face To Face

LP | 1969 | EU | Reissue (Proper)

Release: 1966 / UK – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

Violet vinyl edition. Still sealed with hype sticker and OBI.

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White Noise

An Electric Storm

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1969 | UK | Reissue (Proper)

Spooky Tooth

Spooky Two

Release: 1969 / UK – Reissue

Genre: Rock & Indie

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Underground Light Blue Vinyl Edition

The Electric Prunes

Release: 1967 / US – Reissue

Genre: Rock & Indie

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The Electric Prunes Blue Vinyl Edition

The Electric Prunes

Release: 1967 / US – Reissue

Genre: Rock & Indie

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2LP | 1967 | EU | Reissue (Polydor)

The Who

The Who Sell Out

Generation Pink Vinyl Edition

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Following recent super-deluxe editions and multi-format releases of classic Who albums – ‘My Generation’, ‘Tommy’ and ‘Quadrophenia’, and the success of ‘Live at Fillmore’, we follow with The Who Sell Out – this set shaping up to be the most superlative of all…!! Released in December 1967 – the album reflected a remarkable year in popular culture. As well as being forever immortalised as the moment when the counterculture and the ‘Love Generation’ went global, 1967 produced tremendous musical upheavals as “pop” metamorphosed to “rock”.

Originally planned by Pete Townshend and the band’s managers, as a loose concept album including jingles and commercials linking the songs styled as a Radio London broadcast – born out of necessity as the band’s managers wanted a new album and there weren’t enough songs.

The original plan was to sell advertising space on the album – Jaguar cars, Coca-Cola etc. The jingles pay tribute to the pirate radio stations and expose the myths of ‘pop-culture’ and mock consumer society – way ahead of their time…

The homage to pop-art is evident in both the advertising jingles and the iconic sleeve design – created by David King (art director at the Sunday Times) and Roger Law (who invented Spitting Image) producing four giant images for each band member – Odorono deodorant, Medac spot cream, Charles Atlas and Heinz baked beans (Roger apparently caught pneumonia from sitting in the cold beans for too long).

Photography by renowned portrait photographer David Montgomery (rare out-takes included)

The album is a bold depiction of the period in which it was made – the tail-end of the ‘swinging-60s’ meets pop-art mixed with psychedelia and straight-ahead pop craft. It’s glorious blend of classic powerful Who instrumentation, melodic harmonies, satirical lyrical imagery crystallised for what was only the group’s third album – the ambition and scope is unrivalled by the Who, or any others from that period.

Within the bold concept, were a batch of fabulous and diverse songs – I Can See for Miles (a Top Ten hit) is a Who classic, Rael, a Townshend ‘mini-opera’ with musical motifs that reappeared in Tommy and the psychedelic blast of Armenia City in the Sky and Relax are among the very best material of the 1960s.

One of the most extraordinary albums of any era – it’s The Who’s last ‘pop’ album. Two years later came Tommy – a double concept album about a deaf, dumb and blind kid…

“We were hoping to get free Jaguars. We got fifty tins of free Baked Beans”

Pete Townshend

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Rare Earth

LP | 1969 | US | Reissue (Culture Factory)

LP | 1965 | EU | Reissue (Columbia)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Limited to 2000 copies.

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Simon & Garfunkel

Sounds Of Silence

Release: 1965 / EU – Reissue

Genre: Rock & Indie

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Ummagumma Remastered Edition

Pink Floyd

LP | 1969 | EU | Reissue (Parlophone)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Bull Of The Woods Black Friday Record Store Day 2023 Black & White Vinyl Edition

13th Floor Elevators

LP | 1969 | EU | Reissue (Culture Factory)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Blue Hawaii Picture Disc Edition

Elvis Presley

LP | 1961 | EU | Reissue (Culture Factory)

Release: 1961 / EU – Reissue

Genre: Rock & Indie

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U.F.O. Blue Splatter Vinyl Edition

Jim Sullivan

LP | 1969 | US | Reissue (Light In The Attic)

LP | 1966 | EU | Reissue (RCA)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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* Newly Remastered!* Ultra rare 1969 private press psych-folk-rock masterpiece – featuring the legendary Wrecking Crew (Beach Boys, Phil Spector) * Lacquers cut by John Golden Mastering * Plated at Record Technology Inc. (rti) * Includes deep booklet with liner notes by Andria Lisle, rare photos, archival materials and full lyrics (LP: 16-pgs, CD: 48-pgs) In March 1975, Jim Sullivan mysteriously disappeared outside Santa Rosa, New Mexico. His VW bug was found abandoned, his motel room untouched. Some think he got lost in the desert. Some think he fell foul of a local family with alleged mafia ties. Some think he was abducted by aliens.

By coincidence – or perhaps not – Jim’s 1969 debut album was titled U.F.O. Released in tiny numbers on a private label, it too was truly lost, until Seattle’s Light In The Attic Records begun a years-long quest to give it the full release it deserves – and to solve the mystery of Sullivan’s disappearance. Only one of those things happened.

For record collectors, some albums are considered impossible to get hold of, records so rare you could sit on eBay for years and not get a sniff of a copy. U.F.O. is one of those albums. A seventh son, Jim Sullivan was a West Coast should-have-been, an Irish-American former high school quarterback whose gift for storytelling earned him cult status in the Malibu bar where he performed nightly. Sullivan was always on the edge of fame; hanging out with movie stars like Harry Dean Stanton, performing on the Jose Feliciano show, even stealing a cameo in the ultimate hippie movie, Easy Rider.

Friend and actor Al Dobbs thought he could change all that, and founded a label – Monnie Records – to release Jim’s album, enlisting the assistance of Phil Spector’s legendary sessioneers The Wrecking Crew to do so. That’s Don Randi, Earl Palmer and Jimmy Bond you can hear, the latter also acting as producer and arranger.

U.F.O. was a different beast to the one-man-and-his-guitar stuff Jim had been doing on stage; instead, it was a fully realised album of scope and imagination, a folk-rock record with its head in the stratosphere. Sullivan’s voice is deep and expressive like Fred Neil with a weathered and worldly Americana sound like Joe South, pop songs that aren’t happy – but filled with despair. The album is punctuated with a string section (that recalls David Axelrod), other times a Wurlitzer piano provides the driving groove (as if Memphis great Jim Dickinson was running the show). U.F.O. is a slice of American pop music filtered from the murky depths of Los Angeles, by way of the deep south.

With no music industry contacts, the record went largely unnoticed, and Jim simply moved on, releasing a further album on the Playboy label in 1972. But by 1975, his marriage breaking up, Jim left, for Nashville and the promise of a new life as a sessioneer in the home of C&W. That’s where it gets hazy.

We know he was stopped by cops for swerving on the highway in Santa Rosa, some 15 hours after setting off. We know he was taken to a local police station, found to be sober, and told to go to the local La Mesa Motel to get some rest, which he did. Some time later, his car was spotted on a ranch belonging to the local Genetti family, who confronted him about his business there. The next day his car was found 26 miles down the road, abandoned. His car and his hotel room contained, among other things, his twelve-string guitar, his wallet, his clothes and several copies of his second album, but no note, and no Jim. It was as if he had simply vanished into thin air.

Jim’s family travelled out to join search parties looking for him, the local papers printed missing person stories, but the search proved fruitless. Around the same time, the local sheriff retired and the Genettis moved to Hawaii. Jim’s manager Robert “Buster” Ginter later stated that during the early morning hours of a long evening Jim and Buster were talking about what would you do if they had to disappear. Jim said he’d walk into the desert and never come back.

Tracking down the truth behind Jim’s mystery became an obsession of Light In The Attic’s Matt Sullivan (no relation) when he happened upon a copy of the album and fell in love. He took on a cross country pilgrimage in search of master tapes and truth, and came back with neither, despite hundreds of phone calls, e-mails, letters, faxes, private detectives, telepathy, palm readings and meetings with Jim’s wife, son and producer. Thanks to superb digital mastering techniques, Light In The Attic is still able to present a clean, near perfect copy of Jim’s masterpiece for general consumption for the first time. Enjoy. And remember, beyond the mystery, there’s the music.

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Lucio Dalla

1999 White Vinyl Edition

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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The Fallen Angels Purple Vinyl Edition

The Fallen Angels

2LP | 1967 | UK | Reissue (GNP Crescendo)

Release: 1967 / US – Reissue

Genre: Rock & Indie

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Pioneers of psychedelic rock, Jackpot Records is thrilled to offer the first-ever vinyl reissue of The Fallen Angels’ debut album! An unsung classic of ’60s psychedelia, The Fallen Angels, originally released in 1967, showcases the frenetic energy and melodic mélange of early garage and psych rock. Hailing from the Washington, D.C. area, The Fallen Angels masterfully blended driving guitar solos, groovy basslines, and playful distortion, with lead vocalist Jack Bryant’s bluesy and charismatic vocals. Standout tracks like “Introspective Looking Glass”, “Room At The Top”, and “No Way Out” are replete with punchy horn sections, raucous drums, and just enough reverb-stricken sitar for that true late-’60s flavor. Pressed on limited edition color vinyl at RTI and mastered by Kevin Gray from the original tapes

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The Seeds

Future

Release: 1967 / UK – Reissue

Genre: Rock & Indie

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The ensuing album, “Future”, seemed at once both calculated and confused. For some, it represents the Seeds’ grand psychedelic statement, a mind-blowing articulation of the flower power movement of which they had been proclaimed torchbearers. To others, “Future” is Sky Saxon’s folly: an over-egged, acid-damaged pudding that submerged the true power of the band with meaningless grandeur. The truth lies somewhere between. A narcissistic over-confidence made Sky feel the need to now augment Daryl, Jan and Rick in the studio with numerous overdubs – strings, harp, tuba – on hastily cobbled material that brimmed with bizarre lyrical concepts. On certain tracks the combination worked fine, on others it seemed almost like a parody of psychedelia. Nevertheless, “Future” contains many fan favourites such as ‘Painted Doll’, ‘Flower Lady’, ‘Two Fingers’ and ‘A Thousand Shadows’.

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The Biggest Twang Of Them All

LP | 1966 | EU | Reissue (Sundazed Music Inc.)

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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Duane Eddy Does Bob Dylan Black Vinyl Edition

LP | 1965 | US | Reissue (Sundazed)

Nucleus White Vinyl Edition

Release: 1965 / US – Reissue

Genre: Rock & Indie

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Legend On Legend!

Eddy’s superb reverb-drenched renditions of Dylan’s biggest hits gives your ears a fresh take on these familiar favorites. Full of twang and gut bucket harmonica, this collection of 12 songs encapsulates the ‘60s in a way only Duane Eddy could.

Originally released in 1965, the album has remained one of the rarest and hard-to-get collectibles for Duane Eddy fans everywhere. Produced by Lee Hazelwood, the album is completely instrumental and showcases Eddy’s individual stylings of the 1960s.

Eddy’s guitar romps and soars through Dylan’s brain waves – translated in this album into notes which build and explode into bar lines of enjoyable melodies. By instrumentally interpreting 12 of the significant songs of the 60’s, Eddy proves there is quality and richness in popular music, too often knocked down for its tendency toward shrillness and over-amplification.

What Bob Dylan is capable of saying with his magical way with words, Duane Eddy is capable of saying instrumentally. As you will undoubtedly hear, it’s a happy marriage.

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Nucleus

Release: 1969 / US – Reissue

Genre: Rock & Indie, Pop

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LP | 1964 | EU | Reissue (Sundazed Music Inc.)

Link Wray

Sings And Plays Guitar

Release: 1964 / EU – Reissue

Genre: Rock & Indie

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The Orient Express Seaglass Bue Vinyl Edition

The Orient Express

The Amboy Dukes Lime Green Vinyl Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Sitar-laden raga rock-xotica! Light the incense, turn on and tune out to this acid folk blend of electric oud, minitar and melodica - its genuine organic blend of both Eastern and Western sounds make this band truly sound like no other. Pressed on seaglass blue vinyl!

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The Amboy Dukes

The Superfine Dandelion Blue Vinyl Edition

Release: 1967 / US – Reissue

Genre: Rock & Indie

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The lost tapes have surfaced, bringing with them a walloping new stereo mix! A sonic cocktail of acid garage, blues & psych rock from one of Detroit’s finest – featuring Ted Nugent! Dominated by gritty head-swirlers and heavy, fuzz guitar licks, their debut is considered to be an early innovator of heavy metal. Their five and a half minute version of “Baby Please Don’t Go” is an absolute acid garage classic with some fantastic feedback and great guitar sustain. Nugent creates some serious guitar noise on this number and shows off his brilliant chops. The album closes with another garage classic, “Gimme Love.” This song has some laser fuzz guitar riffs and angry Mike Drake vocals. In between these two garage monsters are many other great compositions. There are a few covers, two work really well (the splendidly bluesy “Let’s Go Get Stoned” and the gritty Who cover “It’s Not True”). They also hit real hard with “Colors,” a furious acid rock song with some sinister soloing. “Phillip’s Escalator” is very Syd Barrett era Pink Floyd with brit vocals, clanging chords and first class guitar scrape. It’s a true classic on this exceptional outing. The guitar freakouts, Who-like energy and great songs make this debut a prime slice of early Detroit rock. – The Rising Storm

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The Superfine Dandelion

2LP | 1966 | UK | Reissue (Crescendo)

Release: 1967 / US – Reissue

Genre: Rock & Indie

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Flower power psych pop that’ll blow you away! Exploring the jangly folk and garage sounds of the late ‘60s, the Superfine Dandelion picks a wide variety of colorful folk, country and jug band influences and puts a psychedelic tint on their all-original compositions. Our favored stereo mix, pressed on blue vinyl! Formed in 1967, this Phoenix, AZ band would only last for a year before parting ways, leaving behind just one album – a fate many Mainstream artists ultimately faced, no matter how quality their style and sound was. The Superfine Dandelion features Mike McFadden (formerly of the garage rockin’ Mile Ends) and Rick Anderson (founding member of the Tubes) showcasing the sound of the Summer of Love – kaleidoscopic, sunny & groovy! “While the cheeriest cuts have the sunny folk-pop/rock feel of, say, some of the L.A. folk-rock issued by the Dunhill label (‘Don't Try to Call Me’ recalls P.F. Sloan) or the Monkees, their self-titled LP had a good deal of sub-Jefferson Airplane folk-psych-rock, with plenty of minor chords, harmonies, and wistful lyrics. Then ‘Janie's Tomb’ and ‘It's Raining’ have a jokey jug band vibe, like a cross between the Charlatans and the Lovin' Spoonful.” – Richie Unterberger (AllMusic)

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The Seeds

The Seeds Deluxe Edition

West Coast Pop Art Experimental Band

Release: 1966 / UK – Reissue

Genre: Rock & Indie

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Legendary US garage band best known for their evergreen classics ‘Pushin’ Too Hard’ and ‘Can’t Seem To Make You Mine’ that detonated in the US charts in late 1966 and early 1967. Whilst ‘Pushin’ Too Hard’ was their only top 40 hit, this song has been discovered by every new generation that hear it from punk rockers of the 70s to those who are glued to their mobile phones today.

Their debut LP “The Seeds” released in 1966 contains both these tracks and is rightly feted as a garage classic. It is an essential album. As our very own Alec Palao stated, “Like the first Ramones long-player, it is one of rock’s great debuts; an album where, in spite of some obvious influences, a signature sign was sharply defined.”

Ace are delighted to serve up the deluxe edition of “The Seeds” that was lovingly curated by Palao and released by GNP Crescendo some years back. Not only do you get “The Seeds” with 12 pulsating tracks but also a bonus LP of alternate versions and a couple of unheard tracks like ‘The Other Place’ and ‘Out Of The Question’. The extended version of ‘Evil Hoodoo’ is a stone cold treat.

Both albums are housed in a gatefold sleeve with an 8-page full colour booklet with Palao’s brilliant liner notes and sensational photos and memorabilia.

There is no ‘Excuse Excuse’ not to pick up or stock this one.

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Volume 2 Mono Edition Colored Vinyl Edition

31,34 €* 32,99 € -5%

LP | 1969 | EU | Reissue (Long Hair)

Release: 1967 / US – Reissue

Genre: Rock & Indie

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Released in 1967 on Reprise Records as a follow-up to 'Part One', 'Vol. 2' (the band's third LP!) takes the band into more ambitious and psychedelic territory than the '66 debut on Fifo Records and the first Reprise full-length, 'Vol. 2' maintains their unique pop sound mixed with ominous fuzz guitar, jumping from graceful folk-rock to wailing guitar freakouts, to multilayered avant-garde compositions at a moment's notice. This legendary LP sees its first ever reissue in mono, with sound taken from the original master tapes.

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Touch

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Le Stelle di Mario Schifano

Dedicato A Purple Vinyl Edition

LP | 1967 | EU | Reissue (AMS)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Western Union Gold Record Store Day 2022 Vinyl Edition

Five Americans

Release: 1967 / US – Reissue

Genre: Rock & Indie

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Limited to 1200 copies. While overshadowed by its euphonic earworm, this is a remarkably deep and diverse album. With saccharin-saturated jangly pop that verges on bubblegum ('If I Could'), infectious Vox organ propelled grooves ('Sound Of Love'), fuzz-driven garage ('Reality') and the splendid and inventive sonic atlas 'Big Cities'! Come for the single, stay for the album! All analog, pressed on Abnak gold vinyl!

1. Western Union 2. Gimme Some Lovin’ 3. Husbands & Wives 4. If I Could 5. Sympathy 6. Big Cities 7. Sound Of Love 8. I Put A Spell On You 9. Tell Ann I Love Her 10. Reality 11. Now That It’s Over 12. See-Saw-Man

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LP | 1965 | EU | Reissue (Apple)

Help!

LP+DVD | 1967 | EU | Reissue (Bear Family Productions)

Release: 1965 / EU – Reissue

Genre: Rock & Indie, Pop, Soundtracks

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Used Vinyl

Medium: Sealed, Cover: Sealed

2012 reissue on 180gr vinyl. Still sealed with hype sticker.

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Tages

Studio

I've Got A Tiger By The Tail Orange Vinyl Edition

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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It happened in 1967... ‚The Summer of Love’ may date back 50 years, but ’Tages – Studio’ will remain a timeless classic. Every household should get its copy!!!
Tages (pronounced "tah-guess") are universally known as the best sixties pop band from Sweden. They struck it big early, hitting the Swedish #1 with Sleep Little Girl in 1964! Their efforts in the psychedelic era would be their last. ’Studio’ should sit comfortably next to other masterpieces of the year 1967, a few notches closer to ’Odessey & Oracle’ than ’Sgt Pepper’s Lonely Hearts Club Band’.
Thanks to the tape cuts, orchestration, harmonies, and studio tricks, it sounds like the guys got their hands on a copy of Brian Wilson's then yet unreleased ’Smile’ tapes. Certainly, anybody willing to spend enough time exploring all the rabbit holes in the Beatles’ catalog owes themselves a trip through this marvelous record
Have You Seen Your Brother Lately
The album opener, Have You Seen Your Brother Lately, proves how apt the name ’Studio’ is for such a creatively produced statement. Few won't be sold within the first few seconds, hearing a looping string quartet surrender to a commanding rhythm highlighted by pounding drums and boxy plucked bass lines. Delicate touches of grand piano and kazoo bust open the door to an album rife with auditory treats and excellent craftmanship. Vocals are good, reminding of an edgier Colin Blunstone, with plenty of fine backup parts.
’Studio’ comes across of rather diverse nature. It's My Life, the second track growls out dark guitar distortions straight from the Move arsenal under workout vocal leads. The drums stand out, consistently providing ahead-of-their-time, vicious beats.
Tunes are often loaded with orchestration like the soft ballad, People Without Faces, and bouncier brass marches like What's The Time and She's Having A Baby Now. Tasteful psychedelic treatments abound in backwards guitar leads, weird stomp boxes, and sound effects sprinkled throughout the record.
First time on DVD, ever
The accompanying previously unreleased DVD of ’Dalamania’ was produced by Swedish national TV, SVT and shows the Tages on the height of their psychedelic career. This little piece of rock history appears to be such a thing as the Swedish version of the UK Beatles movie, ’Magical Mystery Tour’. Since its original broadcast in 1968, ’Dalamania’ has remained unnoticed on the shelfs of SVT. First time on DVD, ever.
An album like ’Studio’ should have propelled the Tages to the top 500 lists, worldwide, rather than remain a Swedish Rock ’n’ Roll footnote. Members of the Tages would form Blond in 1969 a band that disbanded in 1970.
1-LP (Gatefold sleeve) with 8-page booklet 25x25 cms) plus bonus DVD in cardboard sleeve (DVD5, b&w, 30 mns, English, 4:3, NTSC, region: 0)

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Buck Owens

LP | 1965 | US | Reissue (Sundazed)

Release: 1965 / US – Reissue

Genre: Rock & Indie

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I Want My Woman White Vinyl Edition

The Emperors

LP | 1965 | US | Reissue (Beatrocket)

The Mugwumps Orange Vinyl Edition

Release: 1965 / US – Reissue

Genre: Rock & Indie

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Blisterin’ bleach blonde garage punk from Long Beach’s Emperors!

Previously limited to a handful of singles, this full length LP includes all of their material, including 4 unissued tracks! From the maniacal laughter on “Laughin’ Linda” to their foot-tappin’ cover of the Zombies’ “You Make Me Feel So Good” it’s easy to see why this group of teens were hailed as Long Beach’s favorite group.

Susan Gilmore, an Emperor fan, recollects, “The highlight of the dances were when they played. While attendance was pretty good for other bands, the Emperors packed the place every time. The buzz would start during the week at school. ‘The Emperors are playing this weekend. Are you going to go?’”

The wild teenage sound of the original Emperors is still the greatest. “It's just a lifetime experience,” concluded Randall. “In a way, I felt that we were ahead of our time. The way we played and the way we presented everything on stage, nobody was shy. It was a wonderful experience.”

A new version of the band rebranded as simply Emperor, led by Steve Watts and Randy Budihas, would record for RCA, then Private Stock during the ‘70s. After a 20-year break, The Emperors reformed in 2002 and are still performing and entertaining fans today.

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The Mugwumps

Release: 1967 / US – Reissue

Genre: Rock & Indie

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Sunshine & Shadows Black Vinyl Edition

Ars Nova

Sunshine & Shadows Pink Vinyl Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Touted as the “new Doors,” Ars Nova’s second release shows the band genre-bending jazz and heavy psychedelia in a style that’s their own. Shifting from a largely classical centric sound, this was the group’s last album before going their separate ways. Pressed on pink vinyl!

Sunshine & Shadows takes the baroque-meets-psych sound of the debut and turns a bit more to the psych side. The stately brass interludes are gone, but horns still figure prominently in the mix. There’s some jazzy New Orleans flavor to a couple of the tunes, albeit twisted into a 7/4 vamp on “You Had Better Listen.”

The instrumentalists in the band, featuring trumpet and trombone, really give the music a unique flavor, setting them apart from the multitudes of other American psych bands. Ars Nova might be likened to Ultimate Spinach (but without the overly serious, pretentious lyrics) or later Zombies (though with less emphasis on the keyboards).

It’s all very well written and nicely played, and when they do a tender ballad like “Temporary Serenade,” the acoustic guitar is very lute-like, much more along the lines of classical than folk (like the later work of Jan Akkerman with Focus), and the trumpet descant adds a lovely spice.

“Well, Well, Well” is the heaviest rock tune in their repertoire, with a great electric guitar riff and hot organ playing, again set apart by trombone and trumpet. This one is definitely worth seeking out for baroque pop fans.

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Ars Nova

Contact/ Metallic Vinyl Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Silver Apples

LP | 1969 | EU | Reissue (Rotorelief)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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The Biggest Twang Of Them All Coke Boittle Clear Vinyl Edition

LP | 1966 | US | Reissue (Sundazed)

Release: 1966 / US – Reissue

Genre: Rock & Indie

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A Twangy Touch On 1960s Hits!

As one of America’s most influential guitarists, Duane Eddy’s famed twangy, reverb-drenched guitar shines on a wide variety of pop-rock hits, standards, and more!

Backed by two drummers, four more guitars, organ, piano, bass, saxes, and that's just the beginning, Duane goes unafraid at the kind of tunes that normally are "one person songs" Like "Ballad of the Green Berets" which becomes a twang-bang march under Duane's banner. Like "Monday, Monday" which was "The Mamas and Papas" and now has the wild newness of Duane Eddy.

After rising to fame in the late ‘50s with “Rebel Rouser,” Eddy’s influence on radio inspired musicians like George Harrison and Bruce Springsteen. Rockabilly and country music were both major factors in Eddy’s trademark sound; heavy, catchy guitar riffs over a ska-type beat. His hits included “Peter Gunn,” “Because They’re Young,” and “Twistin’ ‘n’ Twangin’.”

As music morphed into melodic sunshine pop, Eddy adapted his sound to fit chart hits of the ‘60s in his own twangy style.

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Duane Eddy Does Bob Dylan Red Vinyl Edition

LP | 1965 | US | Reissue (Sundazed)

Art Gallery Turquoise Vinyl Edition

Release: 1965 / US – Reissue

Genre: Rock & Indie

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The Artwoods

LP | 1966 | EU | Reissue (Guerssen)

LP | 1965 | EU | Reissue (Polydor)

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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Essential ‘60s British beat, R&B, Mod album from 1966 by this band fronted by Art Wood (elder brother of Birds/Rolling Stones/Faces guitarist Ronnie) and featuring a young, pre-Deep Purple Jon Lord on organ, plus Keef Hartley (John Mayall’s Bluesbreakers) on drums, Derek Griffiths on guitar and Malcolm Pool on bass. Now reissued for the first time ever in Mono, just like the 1966 original.

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The Allman Brothers Band

Release: 1965 / EU – Reissue

Genre: Rock & Indie

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U.F.O. Black Vinyl Edition

Jim Sullivan

LP | 1969 | US | Reissue (Light In The Attic)

Impressions Of Wonderful Colored Vinyl Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Motions

LP | 1967 | EU | Reissue (Music On Vinyl)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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LP | 1967 | EU | Reissue (Rhino)

The Doors

Strange Days

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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LP | 1967 | EU | Reissue (Bonfire)

Free Design

Kites Are Fun

Fapardokly Record Store Day 2022 Vinyl Edition

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Fully licensed, ltd to 500 copies, 180 gr. 1967, just like it was yesterday, pre Vietnam war scenario, high hopes and a new bright horizon, soon to be fall. Meanwhile, the music and - in this case - the celestial vocal harmonies of the East Coast unit formally known as Free Design Their 1967 debut 'Kites Are Fun' is still a case in point and a major influence on today's alternative pop. Often referred as the East Coast answer to Mamas & the Papas, the band had a more ethereal and eclectic approach. From the gentle orchestral accompaniment of 'Make the Madness Stop' to the folkish bossa of 'When Love Was Young' through the sensational arrangements of 'Proper Ornaments' - a number eventually championed by Madlib in the stunning tribute The Now Sound Redesigned (released on Light In The Attic in 2005) - you'll find more than a singular approach. Produced by none other than Enoch Light the album is still an astonishing piece of heavenly art-pop with such a lysergic counterpoint.

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Fapardokly

LP | 1967 | EU | Reissue (Bonfire)

After Bathing At Baxter's

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Fully remastered and licensed ltd to 500 copies, 180 gr. Fapardokly was an American band from the West Coast. They’re sole self-titled album was effectively a 12 tracks developed by leader Merrell Fankhauser accompanied by a rotation of musicians. Originally released in 1967 on the small imprint UIP, the album is a perfectly fitting lost nugget from the psychedelic era, collecting a series of lysergic pop numbers with solemn orchestration and strong choral vocal efforts. One of the leading tracks – ‘Gone To Pot’ – has an aurea similar to the classic Byrds ‘Eight Miles High’, promoting an extra-sensorial experience all the way.

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Jefferson Airplane

LP | 1967 | EU | Reissue (Music On Vinyl)

Highway 61 Revisited Transparent Vinyl Edition

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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'After Bathing at Baxter's is the third album by the San Francisco rock band Jefferson Airplane. The Jefferson Airplane began 1967 with 'Surrealistic Pillow' and closed it with 'After Bathing at Baxter's', and what a difference ten months made. The album was among the purest of rock's psychedelic albums, it was also a lot more daring. The album showed a band in a state of ferment as singer/guitarist Mary Balin largely surrendered much of his creative input in the band he'd founded, and let Paul Kantner and Grace Slick dominate the songwriting and singing on all but one cut ('Young Girl Sunday Blues'). The album peaked at number 17 in The Billboard 200 in 1968. In 1967, the single 'Ballad Of You & Me & Pooneil' was placed 42 in The Billboard Hot 100.

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Bob Dylan

LP | 1965 | EU | Reissue (Sony)

Release: 1965 / EU – Reissue

Genre: Rock & Indie

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LP | 1969 | EU | Reissue (Sony)

Bob Dylan

Nashville Skyline

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1969 | EU | Reissue (Apple)

Yellow Submarine

LP | 1964 | EU | Reissue (Right Track)

Release: 1969 / EU – Reissue

Genre: Rock & Indie, Pop, Classical Music, Soundtracks

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Used Vinyl

Medium: Sealed, Cover: Sealed

2012 reissue. Still sealed with hype sticker.

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Fairuz

Bayaa El Khawatem

LP | 1964 | EU | Reissue (Sundazed)

Release: 1964 / EU – Reissue

Genre: Rock & Indie

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This reissue comes on 180g. Right Track is a specialized music label based in Beirut - Lebanon. As an IFPI certified member they are the exclusive Licensee and distributor of multiple international and regional labels in addition to a range of Lebanese Artists. From Omar Khorshid’s arabian-funk to Fairuz’s eerie songs, from Ziad Rabani’s proto-disco to lebanese traditional Wadih Al Safi compositions, Right Track is committed to re-releasing the Immortal Arabic music repertoire on 180 g vinyls, delivering the highest possible quality from remastered audio to satisfy the demanding audiophile connoisseurs.

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The Debutantes

Release: 1964 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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John Mayall With Eric Clapton

Blues Breakers Blue Vinyl Edition

LP | 1966 | EU | Reissue (Vinyl Lovers)

LP | 1969 | US | Reissue (Chrysalis)

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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This seminal British blues album gave Clapton the chance to finally show his chops, not surprisingly, launching Clapton into stardom. Recorded in 1966 during Clapton's short stint with the Bluesbreakers, just after leaving the Yardbirds (the birth place of other legendary guitar players like Jimmy Page and Jeff Beck) and before he joined Cream. Includes 4 bonus tracks. Light blue vinyl LP.

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Blodwyn Pig

Ahead Rings Out

Release: 1969 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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LP | 1969 | EU | Reissue (Music On Vinyl)

Kevin Ayers

Joy Of A Toy

LP | 1967 | DE | Reissue (CBS)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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As the Soft Machine's first bassist and original principal songwriter, Kevin Ayers was an overlooked force behind the group's groundbreaking recordings in 1967 and 1968. Joy Of A Toy is his debut solo album, its whimsical and unique vision is a clear indication of how Soft Machine might have progressed under Ayers' tenure. On the LP he is accompanied by his Soft Machine colleagues Robert Wyatt, Mike Ratledge and Hugh Hopper.

180g vinyl.

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Bob Dylan

Blonde On Blonde Vol.1

Release: 1967 / DE – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

White light / white heat Purple Vinyl Edition

Velvet Underground

LP | 1967 | EU | Reissue (Vinyl Lovers)

LP | 1967 | EU | Reissue (Vinyl Lovers)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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140 gram clear purple vinyl reissue!

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Traffic

Mr.Fantasy

The Velvet Underground & Nico

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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180 gram gatefold cover vinyl reissue incl. various bonus tracks!

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Velvet Underground

LP | 1967 | EU | Reissue (Vinyl Lovers)

7" | 1967 | DE | Original (Columbia)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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... one of the greatest albums of all time! ... 180 gram vinyl with bonus track 'chelsea girls'

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Pink Floyd

See Emily Play

Release: 1967 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

Kaleidoscope Black Vinyl Edition

Kaleidoscope

LP | 1969 | EU | Reissue (Guerssen)

LP | 1966 | US | Original (Sunset)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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One of the rarest psychedelic garage albums ever, the Kaleidoscope album was recorded in the Dominican Republic by this Boricuan/Dominican band but released only in Mexico in 1969 as a tiny pressing, housed in a fantastic psychedelic sleeve designed by Bodo Molitor.

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The Standells

"Live" And Out Of Sight

LP | 1969 | US | Original (Immediate)

Release: 1966 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Small light scuff on side
Cover with seam split and faint ring wear.

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Humble Pie

As Safe As Yesterday Is

Release: 1969 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1969 | EU | Reissue (Music On Vinyl)

Jefferson Airplane

Volunteers

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Julie Driscoll, Brian Auger & The Trinity

Open

LP | 1967 | DE | Original (Polydor)

Release: 1967 / DE – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1967 | EU | Reissue (Elemental)

Nico

Chelsea Girl

It's So Hard To Tell Who's Going To Love You...

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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The debut solo album (and second sb.Jdio LP) by German singer Nico, Chelsea Girt was released by Verve Records in October 1967, following Nico's collaboration with the Velvet Underground on their 1967 debut sb.Jdio album. The title is a reference to Andy Warhol's 1966 film Chelsea Girls, which Nico starred in. Born Christa Paffgen in Cologne in 1938, Nico was a singer, songwriter, actress and model. Besides working with Warhol, she had roles in several films, including Federico Fellini's La Dolce Vila (1960). In the 1980s, she toured extensively. She died in Ibiza on July 18, 1988, as the result of a cycling accident at the age of 49. Musically, Chelsea Girl can be described as a cross between chamber folk and 1960s baroque pop. Al/Music reviewer Lindsay Planer gave it four and a half out of five stars, stating tha???? "Nico's inherently bleak delivery is similar to the more modern contributions of Laurie Anderson, Ann Magnuson, and Patti Smith. An unqualified masterpiece." Produced by Tom Wilson, much of the album features instrumental work and songwriting credits from Velvet Underground members Lou Reed, Sterling Morrison, and John Cale. "I'll Keep It with Mine" was written by Bob Dylan, while three other songs are by Jackson Browne.

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Karen Dalton

LP | 1969 | EU | Reissue (Elemental)

7" | 1966 | UK | Original (Immediate)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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My favorite singer in the place was Karen Dalton. She had a voice like Billie Holiday's and played the guitar like Jimmy Reed"- Bob Dylan This essential folk/blues classic, originally released in 1969, was the debut album by Karen Dalton. Dalton was discovered by singer/songwriter Fred Neil, who introduced her to producer Nick Venet (the man who signed The Beach Boys and took The Beatles to America). She cut most of the tracks with one take, and all in one night. A perfectionist, Dalton was hard to convince to record, and producers Venet and Neil were only successful by tricking her into thinking the tape wasn't rolling. "Some find Karen Dalton's voice difficult to listen to", wrote Al/Music critic Richie Unterberger. "But Dalton's vocals aren't that hard to take, and they are expressive; like Buffy Sainte-Marie, it just does take some getting used to because of their unconventional timbre." On this album, Dalton covers a wide range of styles, from lim Hardin, Jelly Roll Morton, and Leadbelly to the traditional folk song "Ribbon Bow" and the Eddie Floyd/Booker T. Jones penned soul tune "I Love You More Than Words Can Say." She also sings a couple of Neil tunes. After years of drug abuse, Dalton died in 1993, aged 55. Although she didn't enjoy commercial success during her lifetime, her work has gained significant recognition since her death, and artists like Nick Cave, Devendra Banhart, and Joanna Newsom have noted her as an influence.

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Chris Farlowe

Hits

LP | 1969 | UK | Original (Island)

Release: 1966 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: G+, Cover: VG

Vinyl with scuffs and scratches! Plays with crackles and background sounds!
Cover has some ring wear, bents and small tear and writings on the back!

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Free

2LP | 1965 | EU | Reissue (BMG Rights Management)

Release: 1969 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl with scuffs and hairlines. Generic cover

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The Easybeats

Easy

Release: 1965 / EU – Reissue

Genre: Rock & Indie

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LP | 1969 | EU | Reissue (Capitol)

The Band

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Luigi Tenco Clear Yellow Vinyl Edition

Luigi Tenco

LP | 1965 | EU | Reissue (SAAR)

Release: 1965 / EU – Reissue

Genre: Rock & Indie

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Question Mark & The Mysterians

96 Tears

LP | 1966 | EU | Reissue (Universal)

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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I Got Dem Ol' Kozmic Blues Again Mama!

Janis Joplin

LP | 1969 | EU | Reissue (Music On Vinyl)

John Berberian And The Rock East Ensemble

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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In 1968, Janis Joplin decided to go solo while her album 'Cheap Thrills' with Big Brother & the Holding Company was still on top of the charts. 'I Got Them Ol' Kozmic Blues Again Mama!' was her first effort. She leans more towards Soul/Rock than on her previous work, with heavy horn arrangements from her accompanying band. The album contains the lead hit single 'Try (Just A Little Bit Harder)'. The audio is sourced from the original masters and features the original artwork.

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Middle Eastern Rock Black Vinyl Edition

LP | 1969 | US | Reissue (Modern Harmonic)