Rock & Indie 54994 Items

Release: 2019 / EU – Original

Genre: Rock & Indie

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Borga Revolution! Ghanaian Music (1983-1992)

Kalita Records Presents

2LP | 2022 | EU | Original (Kalita)

LP | 2024 | UK | Original (Riot Season)

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Kalita are proud to unveil the first ever compilationvfocussing on the phenomenon of 'Burger Highlife', avcrossover of West African melodies with synthesizers, discovand boogie that took over Ghanaian airwaves during the 1980's and beyond. Highlighting key recordings fromvgenre-defining artists including Thomas Frempong andvGeorge Darko, as well as more obscure sought-after tracksvby elusive bands such as Aban and Uncle Joe's Afri-Beat,vKalita come to the rescue of audiophiles, DJs andvmusic-lovers alike with 'Borga Revolution!' Spread over avdouble-LP housed in a gatefold sleeve. Accompanied by av16-page booklet featuring extensive interview-based liner notes on each artist and never-before-seen archival photos.

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Kaliyuga Express

Occult Future

Release: 2024 / UK – Original

Genre: Rock & Indie

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Limited 300 Only Blood Orange AND RED Marbled Vinyl. Attention space cadets! Following last year's much lauded Kaliyuga Express debut 'Warriors & Masters', Nolla (Finnish psych/space rockers) & Mike Vest (Maximalist guitar guru, Bong, Blown Out, Drunk In Hell, Artifacts & Uranium, Modoki, Tomoyuki Trio, Mienakunaru etc) combine their visions once again and explore dark futuristic mindscapes. They set their sights to the looming eons and gaze through an occult lens. Inspired by classic space rock, driving hypnotic krautrock and bleak synth soundscapes. The ground was laid in improvised Nolla sessions and further ascended with gloomy prophecies and lyrical explorations by Ilkka and Otto. With Ohto’s assertive drums and Teemu's solid guitars the canvas was set for Mike to paint his transcendent multilayered guitars. Bleak and overbearing sights are explored, but the future holds a speck of hope if you are prepared to embrace the darkness. For fans of: Hawkwind, Can, Sun Dial, Bevis Frond, Space Rock, Krautrock etc. Otto Juutilainen - Vocals, Synth, Lyrics, Mix, Mastering, Ilkka Vekka - Bass, Electronics, Lyrics, Art, Mike Vest - Guitar, Teemu Vilmunen - Guitar, Ohto Pallas - Drums Recorded in Finland & the United Kingdom Winter/Spring 2024

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7" | 2020 | EU | Original (Push My Buttons)

Absolute Bomber

8,24 €* 10,99 € -25%

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Push My Buttons)

Songs About Chuck

12,59 €* 20,99 € -40%

Release: 2021 / EU – Original

Genre: Rock & Indie

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7" | 2023 | Original (Push My Buttons)

The Detester

Release: 2023 / Original

Genre: Rock & Indie

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LP | 2023 | Original (Push My Buttons)

The Raft

22,99 €*

Release: 2023 / Original

Genre: Rock & Indie

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7" | 2019 | EU | Original (Push My Buttons)

Violence Is The New Sex

9,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (The Circle Music)

Kalt Vindur

Magna Mater

35,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Pride Is Your Consolation Prize

Kalte Lust

LP | 2014 | EU | Original (Destructure)

13,99 €*

Release: 2014 / EU – Original

Genre: Rock & Indie

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LP | 2015 | EU | Original (Rundling)

Holiday Im Niemandsland

17,99 €*

Release: 2015 / EU – Original

Genre: Rock & Indie

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2LP | 2018 | EU | Original (Rundling)

Live 1988

22,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Rundling)

Spiegel

18,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2017 | EU | Original (Rundling)

Wenn Es Dunkel Wird

Release: 2017 / EU – Original

Genre: Rock & Indie

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Kalu & The Electric Joint

Time Undone

LP | 2017 | EU | Original (Spaceflight)

Release: 2017 / EU – Original

Genre: Rock & Indie

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The Virtuoso Of Sitar, Volume I

Kalyani Roy

LP | 2020 | US | Original (Vishra)

21,99 €*

The Virtuoso Of Sitar, Volume II

Release: 2020 / US – Original

Genre: Rock & Indie

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First vinyl reissues of this Indian classical masterpiece recorded by Shrimati Kalyani Roy in the late 1960's. Undoubtedly one of the most talented sitar players in the history of the instrument. She is considered as one the [sic] finest female players in a field that was dominated by her male counterparts. On these recordings, she is accompanied by Manick Das (Tabla) and Namita Chatterjee (Tambura). Volume 1.

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Kalyani Roy

LP | 2020 | US | Original (Vishra)

21,99 €*

7" | 2019 | EU | Original (Metal Bastard Enterprises)

Release: 2020 / US – Original

Genre: Rock & Indie

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First vinyl reissue of this Indian classical masterpiece recorded by Shrimati Kalyani Roy in the late 1960's. Undoubtedly one of the most talented sitar players in the history of the instrument. She is considered as one the [sic] finest female players in a field that was dominated by her male counterparts. On these recordings, she is accompanied by Manick Das (Tabla) and Namita Chatterjee (Tambura). Volume 2

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Kam Lee / False Prophet

The End Devine Yellow

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2022 | DE | Original (Tonzonen)

Limbo666

30,59 €* 33,99 € -10%

Release: 2022 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Limbo666 Blue Marble Vinyl Edition

LP | 2022 | UK | Original (Tonzonen)

35,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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LP | 2019 | DE | Original (Tonzonen)

Your Sugar

Release: 2019 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Clear Red Marbled Vinyl!

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LP | 2019 | DE | Original (Tonzonen)

Your Sugar

Release: 2019 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Mint, Cover: Near Mint

Limited Edition.
Clear Red Marbled Vinyl.
Still shrink wrapped but opened just to check the color of the release.
Record is UNPLAYED.

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Ghost Opera: The Second Coming

LP | 2023 | EU | Original (Napalm)

Release: 2023 / EU – Original

Genre: Rock & Indie

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I Am The Empire-Live From The 013

2LP+DVD | 2020 | EU | Original (Napalm)

Release: 2020 / EU – Original

Genre: Rock & Indie

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2LP | 2023 | EU | Original (Napalm)

One Cold Winter's Night

Release: 2023 / EU – Original

Genre: Rock & Indie

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2LP | 2023 | EU | Original (Napalm)

Poetry For The Poisoned

Release: 2023 / EU – Original

Genre: Rock & Indie

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2LP | 2023 | EU | Original (Napalm)

The Awakening

Release: 2023 / EU – Original

Genre: Rock & Indie

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12" | 2017 | Reissue (Big Scary Monsters)

Kamikaze Girls

Sad

LP | 2017 | Original (Big Scary Monsters)

Release: 2017 / Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

small creasing upper seam. Download included.

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Kamikaze Girls

Seafoam

27,99 €*

LP | 2017 | EU | Original (Big Scary Monsters)

Release: 2017 / Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Cover has one tiny corner bump

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Kamikaze Girls

Seafoam

Release: 2017 / EU – Original

Genre: Rock & Indie

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LP | 2022 | CA | Original (Mint)

Kamikaze Nurse

Stimuloso

22,09 €* 25,99 € -15%

Release: 2022 / CA – Original

Genre: Rock & Indie

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LP | 2019 | US | Original (Muddguts Records)

Kamikaze Palm Tree

Good Boy

18,99 €*

Tape | 2022 | US | Original (Drag City)

Release: 2019 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Cover has twoseam splits. Record is close to NM.

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Kamikaze Palm Tree

Mint Chip

LP | 2022 | US | Original (Drag City)

Release: 2022 / US – Original

Genre: Rock & Indie

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For their Drag City debut, the enigmatic duo expand into eight-armed wonder; all the better to reach ever-deeper into their bag o' tricks. Slinky and sliding elegantly, the kids forge tunes with a harmony of ambiguity and nostalgia, effortless yet precise, and rounded with thick bottom - a dancing clash of cognition and dissonance!Since 2015, Kamikaze Palm Tree have been a relative mystery. Now, in times no less mysterious, Drag City welcomes them, celebrating the energy of their second LP, where KPT play their offbeat strain of 21st century rock.Making MINT CHIP, Dylan Hadley and Cole Berliner reach deeper into their bag of tricks than ever before, dialoguing with an absurd shared intent they haven't yet paused to question. The off-center pieces gathered together for Good Boy have given way to pulsing aquatic compositions on MINT CHIP. Cole's guitar tones, wire thin, bell-like, bluesily downtuned, slinky and sliding elegantly, arc purposeful around their peripherals. Dylan's kit work, effortless yet precise, grounded with heavy bottom, drives and interacts organically with all the emerging structure, nailing down finely detailed frames and canvases to backdrop her singing and the unremitting landing of melodies and songs. With the addition of Josh Puklavetz, things that didn't make sense before - like bass - are now on the beach, fully lotioned, essence to essence. Violin and clarinet (Laena Myers Ionita and Brad Caulkins, respectively) round out the tonal spectrum. All strung together in the foothills of Altadena's Wiggle World Studios with Hartling back in the engineer's seat and Tim Presley producing the proceedings!

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Kamikaze Palm Tree

Mint Chip

Release: 2022 / US – Original

Genre: Rock & Indie

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There Are Actions Which We Have Neglected And Which Never Cease To Call Us

Kammerflimmer Kollektief

LP+CD | 2018 | EU | Original (Bureau B)

27,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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Diversions Vol.2: Enter The Astral Plane

LP | 2023 | EU | Original (Jansen)

36,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Reissue (El Paraiso)

Double Sun

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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Repress 2023! Kanaan from Oslo, Norway is back with their 2nd album in 2020. Following the impromptu Odense Sessions with Causa Sui guitarist Jonas Munk released in February, Double Sun is a different beast all together: Treading the same path as their 2018 debut Windborne, Double Sun is a studio effort in the best sense of the word. Perfectly balanced on the edge of dynamic improv, throbbing beats sizzled in scorching fuzz and topped off with deeply layered soundscapes. This album sees Kanaan reach a new plateau. Kanaan presents a unique perspective to psychedelic rock, painting with a wide palette that includes jazz and post-rock. Double Sun devotes as much energy to sonic colour as it does to groove and energy. The spirit of experimentation is everywhere: From the savory, pastoral sounds of opening track Worlds Together, to the soaring exploratory paths of the two-part title track. In the creative process, Kanaan dived deep into the possibilities of the studio, adding intricate layers and twists and turns to these tunes: acoustic guitars, percussions & synthesizers embrace and enhance the Norwegian modern day version of a power-trio. 2023 reissue on ochre vinyl w/ obi strip.

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LP | 2021 | EU | Original (Jansen)

Earthbound

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Jansen)

Langt Langt Vekk

32,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-10-11

LP | 2019 | EU | Original (Mascom)

Kanda, Kodza I Nebojsa

Uskoro

Release: 2019 / EU – Original

Genre: Rock & Indie

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Kandarivas

Blood Surgical Death

LP | 2024 | EU (Foad)

18,89 €* 20,99 € -10%

2LP | 2019 | US | Original (Rooster)

Release: 2024 / EU

Genre: Rock & Indie

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"This album was created on the frontlines of the medical systems collapse fighting Covid-19". After their debut smasher "Grind surgical shrine" and a few demos, singles and split releases, here's the definitive consecration of this new grind revelation from Kanda, Tokyo! 13 tracks of punishing fierce grindcore combined with Japanese tribal/experimental breakdowns and the use of ancient traditional instruments, creating a unique psychotic sound all of its own. Founding guitarist/singer Tomoki works as a general thoracic surgeon and donated his own blood for the cover art of this album!! FOR THE First Time ON Vinyl, with a special blood-drenched packaging including OBI strip (with a quote written by Ishiya Death Side/Forward), foldout insert and PVC sticker. Recommended if you also like Unholy Grave, Excreteass, Terrorizer and Macabre.

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Kandodo 3

27,19 €* 31,99 € -15%

CD | 2019 | US | Original (Rooster)

Release: 2019 / US – Original

Genre: Rock & Indie

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A brand new studio full length from Bristol based sike-o-nauts Kandodo 3, orbiting in the Heads’ realm and led by Heads’ Simon Price, k3 continues their trajectory of outer space excursions.

Out of focus, relaxed and expansive vibes fuse together into serpentine rivers of minimalist rhythms and echoed tones, drawing the listener into tunnels of sound and scorched sonic landscapes—its one for the headphones at 30,000 feet or late night deserted drives.

The album finds three heads taking time out to dive into the dronal repetitions of deep space, three psychonauts killing time in the only way they know how: head-nodding drumfuzz layered with creamed strings. Guest guitar from fellow sike-head John McBain appears on the final half of this 40 minute trip! It takes the autobahn, veering left past the sun and heading on till morning. Settle in for the long haul and....

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Kandodo 3

Release: 2019 / US – Original

Genre: Rock & Indie

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2LP | 2022 | UK | Original (Cardinal Fuzz)

Kandodo 4

Burning The (Kandl)

37,99 €*

Lost Chants / Last Chance

Release: 2022 / UK – Original

Genre: Rock & Indie

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kandodo was invited to play at the 2015 Roadburn Festival as part of The Heads residency. Robert Hampson from Loop/MAIN was also going to be at the festival and so it seemed a good opportunity for him to join kandodo for this gig along with Wayne and Hugo from The Heads (who are also the Loop rhythm section as well as part of kandodo). Rehearsals were set up in Bristol and the gig in Roadburn was a couple of nights later and that is the recordings gathered here for "Burning The (Kandl)" with running order changed to help fit over these 2 hefty slabs of vinyl. So get ready for a total immersive trip through a psychedelic vortex . A glorious head nodding voyage into inner space where the vast churning of fuzzy guitars / keys / bass and drums phase in and out of focus with your inner core. Released in an edition of 500 and pressed on heavy black vinyl - Burning The (Kandl) is presented in a special lenticular effect outer sleeve.

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Kandodo / McBain

2CD | 2016 | US | Original (Rooster)

22,99 €*

Release: 2016 / US – Original

Genre: Rock & Indie

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LP | 2024 | UK | Original (Rooster)

Kandodo

Theendisinpsych

Kanji Harada & '70 All-Stars

Release: 2024 / UK – Original

Genre: Rock & Indie

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The Heads’ Simon Price returns to his kandodo project with 'theendisinpsych'; "primitive pieces of psychedelic tuneage+years of wasted time=43 minutes of headphone bliss."

It's the follow up to the 2019 collaboration with Wayne Maskell and Hugo Morgan, Kandodo 3 – K3, but this time back in solo-mode. He is now relocated in Northumbria, and has recorded the album himself in his home studio, drawing on his wide collection of music/instruments and the rural environment for inspiration.

The new album fizzes and crackles with a verve that will activate the “turn on, tune in, drop out” sense in all listeners…

Simon explained the album in a focused/out of focus track by track way… is this Price’s paean to his obsession with Bowie? chamba7 - octave mandolin through fuzz, tambo beat, in praise of Bowie compilations. chamba is malawian weed

theendisinpsych - bought a reel to reel tape off ebay in 2005, ('Bowie radio interview tape, USA, 1970, 3 minutes?') then bought a machine to play it on in 2015. Heard the words and laid them onto a fuzzy break bed. Thought it all too relevant to today, prophetic David from his 'hippy' days (not a prophet or a stone age man)

fuzzy oceans - played on 1 string spamjo, bouncing echo over 70's drum machine, 'we've fucked the oceans'

freefalling - rolling cello and hissing cymbals with vocoder dreams comes with african/stationtostation artwork stylings for the sleeve..pre-apocalypse blues (and pinks), the world isn't going a good way a sumptuous 4 course sonic supper, tuck in.

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黄金のドラム黒ネコのタンゴ

LP | JP | Original (Polydor)

19,99 €*

Release: JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Wirlmarni Black Vinyl Edition

Kankawa Nagarra

LP | 2024 | US | Original (Mississippi)

Wirlmarni Transparent Red Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Aboriginal Australian blues, country, and gospel by the great Kankawa Nagarra, Queen of the Bandaral Ngadu Delta.These intimate recordings introduce the world outside Australia to Kankawa Nagarra, a beloved Walmatjarri Elder, teacher, human rights advocate, and environmental activist.Born in the traditional lands of the Gooniyandi and Walmatjarri peoples of North Western Australia, Kankawa grew up with the tribal songs at cultural ceremonies. When she was taken from her family to the mission, she was taught hymns and Gospel songs with the choir. On the pastoral lease where she was sent to work, Country music was everywhere. She first heard rock and roll on the station gramophone. But it wasn't until many years later her musical journey truly began, when she stopped to listen to a busker outside a shop in Derby, Western Australia. It was the first time she'd heard the blues, and it awakened something in her. Through it, she found a medium to express all her thoughts and feelings, and it inspired her to turn these into songs. The empathy of her message extends from those she sees struggling around her to the entire planet being ravaged for profit.These twelve tracks, recorded live near her home of Wangkatjungka, WA, offer a cross-section of Kankawa's entiremusical experience - shifting gracefully between musical styles, languages, and moods, backed by the buzz of night bugs and call of daytime birds. In turns humorous, warm, and real about the hardships of life and the pillage of the land she holds dear, the record is the closest thing you can get to spending time with the great Kankawa herself.We are extremely grateful to release this record alongside Flippin Yeah Records and in collaboration with Kankawa Nagarra. High-quality vinyl comes with a four-page booklet featuring translations, stories, and track notes by the artist.

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Kankawa Nagarra

LP | 2024 | US | Original (Mississippi)

Live At Dark Easter Metal Meeting Limited Beer Colored Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Kanonenfieber

LP | 2024 | Original (Avantgarde)

34,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Kanonenfieber is a young band from Germany yet with a bespoken devastating live performance enhanced by pyrotechnic effects. Their legendary (in modern times) show at Dark Easter Metal Meeting festival from 2023 was captured on tape and initially released on Cd format only. Approaching summer dates (including Hellfest and a set of shows with Amon Amarth and Insomnium in August), in cooperation with Noisebringer we are now offering a one-press only edition on vinyl, limited to 250 copies. side A01 Die Feuertaufe 02 Dicke Bertha03 Die Schlacht bei Tannenberg 04 Grabenlieder side B05 Die Fastnacht der Hölle 06 Der Füsilier I 07 Der Füsilier II 08 The Yankee Division March

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Kansan Uutiset

Suomi Orgasmin Partaalla

2LP | 2019 | EU (Höhnie)

Release: 2019 / EU

Genre: Rock & Indie

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LP | 2014 | EU | Reissue (Music On Vinyl)

Leftoverture

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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Leftoverture is the fourth album by Americanrock band Kansas, released in 1976. With Steve Walsh taking a back seat on the production of material, Kerry Livgren stepped up and his compositions retained much of the classically inspired complexity of Livgren's previous work. The album begins with the hit single "Carry On Wayward Son". Kerry Livgren wrote the song as a sequel to the final song, "The Pinnacle", from the previous album, Masque.

180g vinyl.

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LP | 1976 | JP | Original (Epic)

Leftoverture

46,99 €*

Release: 1976 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI, but with insert.

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LP | 2014 | EU | Reissue (Music On Vinyl)

Leftoverture

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1979 | US | Original (Kirshner)

Monolith

5,99 €*

Release: 1979 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Monolith Black Vinyl Edition

LP | 1979 | EU | Reissue (Music On Vinyl)

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

American progressive rock band Kansas’ sixth studio album Monolith was their third straight studio album to hit the Billboard Top 10 in the US. Just like on their previous recordings you’ll find an extra amount of superb drumming and bass playing. They created some superlative, spiritual music that fuses the best parts of American rock and English prog. This well arranged record was the beginning of a slightly different approach, but it still maintains the power of all the band had to offer during those days. The tracks “On the Other Side”, “Angels Have Fallen” and “How My Soul Cries Out for You” are good examples of the great music the band recorded for this album. Kansas became popular during the 1970s with hits like “Carry On Wayward Son” and “Dust in the Wind”. Besides their well-known ballads, they also recorded some impressive progressive pieces. The diversity of their music and the immense energy of the band is one of the reasons why they’re still performing and recording. Monolith is available as a limited edition of 1000 individually numbered copies on blue Colored Vinyl and the package includes an insert.

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Point Of Know Return Live & Beyond

3LP+2CD | 2021 | EU | Original (Inside Outmusic)

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Sound Of Liberation)

Kant

Paranoia Pilgrimage

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Sound Of Liberation)

Kant

Paranoia Pilgrimage

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Sound Of Liberation)

Kant

Paranoia Pilgrimage

Release: 2024 / EU – Original

Genre: Rock & Indie

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Dear Lemon House, You Ruined Me: Senior Year

Kaonashi

LP | 2021 | US | Original (Equal Vision)

Release: 2021 / US – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Oihuka)

Kaotiko

Mundo Kaotiko

2LP | 2022 | EU | Original (Gute Laune)

Release: 2021 / EU – Original

Genre: Rock & Indie

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On the 20th anniversary of the birth of the band and their first album "Mundo Kaotiko" we are re-releasing it on 180 gram red vinyl. Our small tribute to this great album and to this impressive punk-r'n'r band.

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Kapelle Petra

Die Vier Jahreszeiten

Release: 2022 / EU – Original

Genre: Rock & Indie

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Hamm Recycled Vinyl Edition

Kapelle Petra

LP | 2023 | EU | Original (Gute Laune Entertainment Gbr)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Gute Laune Entertainment Gbr)

Kapelle Petra

Hamm Solid Orange

21,59 €* 23,99 € -10%

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2016 | EU | Original (Angry Voice)

Käptn Blauschimmel

13,99 €*

Release: 2016 / EU – Original

Genre: Rock & Indie

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Why Does The Earth Give Us People To Love?

Kara Jackson

2LP | 2023 | US | Original (September)

42,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

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Medium: Near Mint, Cover: Near Mint

Why Does The Earth Give Us People To Love? Neon Green Vinyl Edition

Kara Jackson

LP | 2023 | EU | Original (September)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2014 | DE | Original (Not On Label (Karaba Self-released))

Karaba

153,99 €* 279,99 € -45%

LP | 2017 | DE | Original (Tonzonen)

Release: 2014 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: Near Mint

Vinyl shows some scuffs and slight scratches! Close to VG+!

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Karakorum

Beteigeuze

64,99 €*

Release: 2017 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Orange, marbled vinyl!

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Complete Studio Recordings

8CD | 2023 | US | Original (Numero Group)

71,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

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Crashing at the unlikely intersection of post-hardcore, slowcore, and jazz-rock, Karate spent a dozen years producing peerless recordings in their adopted hometown of Boston. Collected here are their six albums_S/T, In Place of Real Insight, The Bed Is In The Ocean, Unsolved, Some Boots, Pockets, plus the Cancel/Sing and In The Fish Tank EPs, singles, and split 7"s, a whopping 69 tracks spread across eight glorious compact discs. Leor Galil's careerspanning essay is illustrated with dozens of period-appropriate photos in the accompanying 80-page book.

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Tape | 2024 | US | Original (Numero Group)

Make It Fit

Release: 2024 / US – Original

Genre: Rock & Indie

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The first new music from the postemotrio in two decades. Out of thebrain of Geoff Farina spills 10 newtales from their unlikely reunion,tracked with long-time Karatecollaborator Andy Hong. Make It Fitcrams 35 minutes of Wes Montgomeryhomage, Fugazi dub plate partyrocking, Lynott lyricism, and Clashcity crooning into a graceful seventhalbum.

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Make It Fit Black Vinyl Edition

LP | 2024 | US | Original (Numero Group)

Release: 2024 / US – Original

Genre: Rock & Indie

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Make It Fit Bleach The Scene Clear Vinyl Edition

LP | 2024 | US | Original (Numero Group)

Release: 2024 / US – Original

Genre: Rock & Indie

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Bleach The Scene Vinyl.The first new music from the postemotrio in two decades. Out of thebrain of Geoff Farina spills 10 newtales from their unlikely reunion,tracked with long-time Karatecollaborator Andy Hong. Make It Fitcrams 35 minutes of Wes Montgomeryhomage, Fugazi dub plate partyrocking, Lynott lyricism, and Clashcity crooning into a graceful seventhalbum.

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Some Boots Black Vinyl Edition

LP | 2002 | US | Reissue (Numero Group)

Release: 2002 / US – Reissue

Genre: Rock & Indie

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Some Boots Ice Or Ground Vinyl Edition

LP | 2002 | US | Reissue (Numero Group)

27,99 €*

Release: 2002 / US – Reissue

Genre: Rock & Indie

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The Bed Is In The Ocean Tri-Colored Vinyl Edition

LP | 1998 | US | Reissue (Numero Group)

Release: 1998 / US – Reissue

Genre: Rock & Indie

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A lingering guitar note. A cushion of a bassline nudging along a hushed cadence unspooling impressionistic poeticism one halting line at a time; the sparse snap of a snare providing punctuation. This is how Boston's Karate opened their third full-length, 1998's The Bed Is In The Ocean. Perhaps this was a reaction to the aggressive punk tones that marked their previous album, or maybe they hoped to capture the somnambulant dusk on one of those pristine fall days that make living in a town whose population swells when colleges welcome back students all worthwhile. Then again, Karate never made a point of chasing the same idea twice, and "There Are Ghosts" remains in line with the band's stylistic intrepidness and unpredictability. Even the group's lineup appeared constantly in flux. After expanding from a trio to a quartet and employing a dual-guitar attack with 1997's In Place of Real Insight, founding member Eamonn Vitt hung up his axe to attend medical school. Karate soldiered on as a trio, with mid-stream addition Jeff Goddard's bass work helping establish a sidewinding path forward through the smoky jazz melodicism and sun-beaten blues brushstrokes that hung in the background of the band's catalog. In their short time together, Karate helped bolster the national punk ecosystem, a scene in which individual artistic vision was prized but rarely achieved. Their exacting precision and emotive interplay helped recombine the DNA of the dignified grace of slowcore, the hot-and-sweaty atmospherics of the blues, and the high-wire tension of post-hardcore to deliver drawling instrumental curveballs and a furtive riptide climax with a controlled grace on "Outside Is The Drama." Singer-guitarist Geoff Farina frequently teased out the emotional nuances of each song, his worn-in voice shading in the complexities of his enigmatic lyrics; no matter how difficult it may be to parse his snatched-from-daily-life wisdoms, on The Bed Is In The Ocean Farina sounded like a guy who knew exactly the right thing to tell whoever may be listening. And with Karate's snaking turns through quasi-punk reveries no one else appeared capable of mustering, it's comforting to hear it accomplished by a band that knew exactly what they were doing.

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Tape | 2000 | US | Reissue (Numero Group)

Unsolved

Release: 2000 / US – Reissue

Genre: Rock & Indie

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As Warped Tour pop-punk and American Apparel indie rock dominated the strange post-Y2K guitar-band milieu, Boston's Karate delivered an engrossing shot of rock that constantly shifted between several shades of subterranean sounds. The quiet moments on Karate's millennium busting fourth album carry much of that old, unbridled intensity, braided into subdued jazz melodies and slowcore restraint. Karate's transition into rock maturity bore supple fruit with Unsolved, presented here with three previously unreleased songs.

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Unsolved Black Vinyl Edition

2LP | 2000 | US | Reissue (Numero Group)

32,99 €*

2LP | 2019 | EU | Original (Metalville)

Release: 2000 / US – Reissue

Genre: Rock & Indie

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Kärbholz

Herz & Verstand

Release: 2019 / EU – Original

Genre: Rock & Indie

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Liminal Rite Pale Blue Grey Marbled Vinyl Edition

Kardashev

LP | 2022 | EU | Original (Metal Blade)

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 1982 | EU | Reissue (Supraphon)

Karel Gott

Bílé Vánoce

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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7" | 1985 | GDR | Original (AMIGA)

Karel Hulinsky

3,99 €*

Release: 1985 / GDR – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Bratricku, Zavirej Vratka

Karel Kryl

LP | 1974 | EU | Reissue (Supraphon)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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LP | 2023 | EU | Original (Radioservis)

Karel Kryl

Plzen 90

32,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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2LP | 2009 | EU | Reissue (Supraphon)

Karel Kryl

To Nejlepsi

43,99 €*

Release: 2009 / EU – Reissue

Genre: Rock & Indie

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12" | 2021 | EU | Original (Magnetron Music)

Karel

Work

LP | 1975 | US | Original (Buddah)

Release: 2021 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Karel's second EP "The Work" is being re-released January 4th of 2021. After the success of his first EP, "Life", released on Job Jobse's label (De Vlieger) last year. He has been playing shows all over the Netherlands and Europe. He played major festivals like Lentekabinet this year and has been touring France, Germany and Belgium too. Last year he played Down the Rabbit Hole festival, where he was reviewed by 3voor12, (the major Dutch music platform) in the top 3 after Nick Cave & David Byrne. He also played the biggest festival in The Netherlands, Lowlands and has been a regular at the coolest local clubs in Amsterdam like Garage Noord and Skate Cafe. He has become very popular locally and is a live sensation, looking to expand the possibilities of performance. He is known for climbing up things, swinging in on a rope and other signature moves. He has a John Maus like, synth-pop/ wave/ 80s sound and creates a warm vibe wherever he is playing.

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Karen Beth

New Moon Rising

8,99 €*

2LP | 2021 | US | Reissue (Anthology)

Release: 1975 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: G+

Vinyl with a couple of light scuffs. Cover with long open seam split on the sides and strong ring wear.

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Karen Black

Dreaming Of You 1971-76

Release: 2021 / US – Reissue

Genre: Rock & Indie

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LP | 2011 | US | Reissue (Delmore Recording Society)

1966

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Karen Dalton was a remote, elusive creature. A hybrid of tough and tender with an unearthly voice that seemed to embody a time long past. As is often the case with such fragile beings, she instinctively understood that the only way to survive the harshness of the world around her, was to keep herself hidden. So it comes as no great surprise that she rarely sang in public or ventured into the unnatural setting of a recording studio. Only twice, for 1969’s It’s So Hard To Tell Who’s Going To Love You The Best and then again for 1971’s In My Own Time, was she coaxed from her habitat into the studio. Other times she made music in casual settings, sitting around a kitchen table or wood burning stove with her friends, singing and playing until daybreak.

In 1966, Carl Baron brought his reel to reel over to her remote cabin in Summerville, Colorado and recorded one of those exquisite musical evenings. Karen and Richard Tucker were rehearsing for a gig when Carl hit the “Record” button. The result is a 45-year-old tape, carefully exhumed, documenting Karen at her most raw and unfiltered. On it are Fred Neil and Tim Hardin songs we’ve never heard Karen give voice to before, as well as traditional songs she uncannily makes her own, including a devastating version of ‘Katie Cruel’, that is so powerful, it is as if the ghost of Katie Cruel seeped into her blood. This recording is a window to her Summerville cabin opened, allowing us to eavesdrop on Karen Dalton at her most pure and unaffected.

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CD | 2012 | US | Original (Delmore Recording Society)

1966

Release: 2012 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

digipack

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In My Own Time 50th Anniversary Edition

Tape | 1972 | US | Reissue (Light In The Attic)

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Karen Dalton’s 1971 album, In My Own Time, stands as a true masterpiece by one of music’s most mysterious, enigmatic, and enduringly influential artists. Celebrating the album’s 50th anniversary, Light in the Attic is honored to present a newly remastered (2021) edition of the album on LP, CD, cassette, and 8-Track.

Both the CD and cassette editions feature 9 bonus tracks, including 3 alternate takes from the In My Own Time album sessions, along with 6 previously unreleased tracks captured during Karen’s 1971 European tour, including live at The Montreux Golden Rose Pop Festival and Germany’s Beat Club.

All audio has been newly remastered by Dave Cooley, while lacquers were cut by Phil Rodriguez at Elysian Masters.

The Oklahoma-raised Karen Dalton (1937-1993) brought a range of influences to her work. As Lenny Kaye writes in the liner notes, one can hear “the jazz of Ella Fitzgerald and Billie Holiday, the immersion of Nina Simone, the Appalachian keen of Jean Ritchie, [and] the R&B and country that had to seep in as she made her way to New York."

Armed with a long-necked banjo and a 12-stringed guitar, Dalton set herself apart from her peers with her distinctive, world-weary vocals. In the early ‘60s, she became a fixture in the Greenwich Village folk scene, interpreting traditional material, blues standards, and the songs of her contemporaries, including Tim Hardin, Fred Neil, and Richard Tucker, whom she later married. Bob Dylan, meanwhile, was instantly taken with her artistry. “My favorite singer in the place was Karen Dalton,” he recalled in Chronicles: Volume One (Simon & Schuster, 2004). “Karen had a voice like Billie Holiday and played the guitar like Jimmy Reed.”

Those who knew Dalton understood that she was not interested in bowing to the whims of the record industry. On stage, she rarely interacted with audience members. In the studio, she was equally as uncomfortable with the recording process. Her 1969 debut, It’s So Hard to Tell Who’s Going To Love You The Best, reissued by Light in the Attic in 2009, was captured on the sly when Dalton assumed that she was rehearsing songs. When Woodstock co-promoter Michael Lang approached Dalton about recording a follow-up for his new imprint, Just Sunshine, she was dubious, to say the least. The album would have to be made on her own terms, in her own time. That turned out to be a six-month period at Bearsville Studios in Woodstock, NY.

Producing the album was bassist Harvey Brooks, who played alongside Dalton on It’s So Hard to Tell Who’s Going To Love You The Best. Brooks, who prided himself on being “simple, solid and supportive,” understood Dalton’s process, but was also willing to offer gentle encouragement, and challenge the artist to push her creative bounds. “I tried to present her with a flexible situation,” he told Kaye. “I left the decisions to her, to determine the tempo, feel. She was very quiet, and I brought all of it to her; if she needed more, I’d present options. Everyone was sensitive to her. She was the leader.”

Dalton, who rarely performed her own compositions, selected a range of material to interpret—from traditionals like “Katie Cruel” and “Same Old Man” to Paul Butterfield’s “In My Own Dream” and Richard Tucker’s “Are You Leaving For The Country.” She also expanded upon her typical repertoire, peppering in such R&B hits as “When a Man Loves a Woman” and “How Sweet It Is.” In a departure from her previous LP, Dalton’s new recording offered fuller, more pop-forward arrangements, featuring a slew of talented studio musicians.

While ‘70s audiences may not have been ready for Dalton’s music, a new generation was about to discover her work. In the decades following her death, a slew of artists would name Karen Dalton as an influence, including Lucinda Williams, Joanna Newsom, Nick Cave, Angel Olsen, Devendra Banhart, Sharon Van Etten, Courtney Barnett, and Adele. In the recent acclaimed film documentary Karen Dalton: In My Own Time, Cave muses on Dalton’s unique appeal: “There’s a sort of demand made upon the listener,” he explains. “Whether you like it or not, you have to enter her world. And it’s a despairing world.” Peter Walker, who also appears in the film, elaborates on this idea: “If she can feel a certain way in her music and play it in such a way that you feel that way, then that’s really the most magical thing [one] can do.” He adds, “She had a deep and profound and loving soul…you can hear it in her music.”

1–10: Originally released as Just Sunshine – PAS 6008, 1971 11–13: Alternate Takes from album sessions, 1970/71 14–15: Recorded live at Beat Club, Germany, April 21, 1971 16–19: Recorded live at The Montreux Golden Rose Pop Festival, May 1, 1972

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In My Own Time 50th Anniversary Edition 8-Track Cartridge Edition / 8-Spur-Kassette

8Track | 1972 | US | Reissue (Light In The Attic)

48,99 €*

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Karen Dalton’s 1971 album, In My Own Time, stands as a true masterpiece by one of music’s most mysterious, enigmatic, and enduringly influential artists. Celebrating the album’s 50th anniversary, Light in the Attic is honored to present a newly remastered (2021) edition of the album on LP, CD, cassette, and 8-Track.

All audio has been newly remastered by Dave Cooley, while lacquers were cut by Phil Rodriguez at Elysian Masters.

The Oklahoma-raised Karen Dalton (1937-1993) brought a range of influences to her work. As Lenny Kaye writes in the liner notes, one can hear “the jazz of Ella Fitzgerald and Billie Holiday, the immersion of Nina Simone, the Appalachian keen of Jean Ritchie, [and] the R&B and country that had to seep in as she made her way to New York."

Armed with a long-necked banjo and a 12-stringed guitar, Dalton set herself apart from her peers with her distinctive, world-weary vocals. In the early ‘60s, she became a fixture in the Greenwich Village folk scene, interpreting traditional material, blues standards, and the songs of her contemporaries, including Tim Hardin, Fred Neil, and Richard Tucker, whom she later married. Bob Dylan, meanwhile, was instantly taken with her artistry. “My favorite singer in the place was Karen Dalton,” he recalled in Chronicles: Volume One (Simon & Schuster, 2004). “Karen had a voice like Billie Holiday and played the guitar like Jimmy Reed.”

Those who knew Dalton understood that she was not interested in bowing to the whims of the record industry. On stage, she rarely interacted with audience members. In the studio, she was equally as uncomfortable with the recording process. Her 1969 debut, It’s So Hard to Tell Who’s Going To Love You The Best, reissued by Light in the Attic in 2009, was captured on the sly when Dalton assumed that she was rehearsing songs. When Woodstock co-promoter Michael Lang approached Dalton about recording a follow-up for his new imprint, Just Sunshine, she was dubious, to say the least. The album would have to be made on her own terms, in her own time. That turned out to be a six-month period at Bearsville Studios in Woodstock, NY.

Producing the album was bassist Harvey Brooks, who played alongside Dalton on It’s So Hard to Tell Who’s Going To Love You The Best. Brooks, who prided himself on being “simple, solid and supportive,” understood Dalton’s process, but was also willing to offer gentle encouragement, and challenge the artist to push her creative bounds. “I tried to present her with a flexible situation,” he told Kaye. “I left the decisions to her, to determine the tempo, feel. She was very quiet, and I brought all of it to her; if she needed more, I’d present options. Everyone was sensitive to her. She was the leader.”

Dalton, who rarely performed her own compositions, selected a range of material to interpret—from traditionals like “Katie Cruel” and “Same Old Man” to Paul Butterfield’s “In My Own Dream” and Richard Tucker’s “Are You Leaving For The Country.” She also expanded upon her typical repertoire, peppering in such R&B hits as “When a Man Loves a Woman” and “How Sweet It Is.” In a departure from her previous LP, Dalton’s new recording offered fuller, more pop-forward arrangements, featuring a slew of talented studio musicians.

While ‘70s audiences may not have been ready for Dalton’s music, a new generation was about to discover her work. In the decades following her death, a slew of artists would name Karen Dalton as an influence, including Lucinda Williams, Joanna Newsom, Nick Cave, Angel Olsen, Devendra Banhart, Sharon Van Etten, Courtney Barnett, and Adele. In the recent acclaimed film documentary Karen Dalton: In My Own Time, Cave muses on Dalton’s unique appeal: “There’s a sort of demand made upon the listener,” he explains. “Whether you like it or not, you have to enter her world. And it’s a despairing world.” Peter Walker, who also appears in the film, elaborates on this idea: “If she can feel a certain way in her music and play it in such a way that you feel that way, then that’s really the most magical thing [one] can do.” He adds, “She had a deep and profound and loving soul…you can hear it in her music.”

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In My Own Time 8-Track Edition

Tape | 1971 | US | Reissue (Light In The Attic)

14,99 €*

Release: 1971 / US – Reissue

Genre: Rock & Indie

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It's So Hard To Tell Who's Going To Love You...

LP | 1969 | EU | Reissue (Elemental)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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My favorite singer in the place was Karen Dalton. She had a voice like Billie Holiday's and played the guitar like Jimmy Reed"- Bob Dylan This essential folk/blues classic, originally released in 1969, was the debut album by Karen Dalton. Dalton was discovered by singer/songwriter Fred Neil, who introduced her to producer Nick Venet (the man who signed The Beach Boys and took The Beatles to America). She cut most of the tracks with one take, and all in one night. A perfectionist, Dalton was hard to convince to record, and producers Venet and Neil were only successful by tricking her into thinking the tape wasn't rolling. "Some find Karen Dalton's voice difficult to listen to", wrote Al/Music critic Richie Unterberger. "But Dalton's vocals aren't that hard to take, and they are expressive; like Buffy Sainte-Marie, it just does take some getting used to because of their unconventional timbre." On this album, Dalton covers a wide range of styles, from lim Hardin, Jelly Roll Morton, and Leadbelly to the traditional folk song "Ribbon Bow" and the Eddie Floyd/Booker T. Jones penned soul tune "I Love You More Than Words Can Say." She also sings a couple of Neil tunes. After years of drug abuse, Dalton died in 1993, aged 55. Although she didn't enjoy commercial success during her lifetime, her work has gained significant recognition since her death, and artists like Nick Cave, Devendra Banhart, and Joanna Newsom have noted her as an influence.

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It's So Hard To Tell Who's Going To Love You The Best

LP | 1969 | EU | Reissue (Light In The Attic)

34,99 €*