Rock & Indie 55882 Items

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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Louisville In The 60's The Lost Allen-Martin Tapes

V.A.

LP | 2019 | EU | Original (Out-Sider)

LP | 2019 | EU | Original (Napalm)

Release: 2019 / EU – Original

Genre: Rock & Indie

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14 tracks from the Louisville late 60s/early 70s garage-psych scene.
These cuts (all of them previously unissued except for one originally released on a rare 45) were found in the archives of the city's well known Allen-Martin Studio, after the owners retired and the place closed down.
Including some rather well known names such as The Rugbys, The Illusions, The Keyes and The Oxfords, as well as more obscure local heroes like Free Reign, The Premieres, Roc, Conception…Highlights include fabulous psych rockers by Rugbys and Oxfords; fuzzed out garage by Blues and Illusions; psychedelic hard-rock by Babylon and Free Reign; jangly teen beat by JB and The Young Wheels; killer psych covers of Beatles and Traffic by Keyes and Company Front,…

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Skyblood

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Merge)

Superchunk

Acoustic Foolish

LP | 1969 | EU | Reissue (Out-Sider)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Our original idea for an all-acoustic album was for it to be a selection of songs from all our albums, played in the style of an acoustic performance in a record store or a radio station, which we have done quite a bit of over the years (and documented on the first of our "Clambake" series in 2001). But with 2019 being the 25th anniversary of the Foolish album, it seemed weirder and more interesting to record an acoustic version of one whole album. I didn't want this to sound like "acoustic demos recorded 25 years after the fact" or a band trying to "rock out" except on acoustic guitars, though to be fair we do some rocking out. Once we got into the process of learning how to play the songs on acoustic guitars_some of which we had never performed at all_it made sense to make this record its own thing altogether. We are lucky to have Allison Crutchfield, Matt Douglas, Peter Holsapple, Owen Pallett, and Jenn Wasner lend their great talents to the record and also lucky that Jon has an arsenal of small bells and a vibraslap.

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Locksley Hall

LP | 2014 | EU | Reissue (Sunny Bastards)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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In 1969, Locksley Hall, a psychedelic band from Washington, recorded a full album at Audio Recorders in Seattle produced by Sonics Engineer Kearney Barton and long time Northwest guitarist Ned Neltner (Mark Five, Gas Company…).
Never released at the time, this is a great example of West Coast styled psychedelia / acid-rock, featuring female vocals, prominent organ, hard guitar, excellent songs…

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Long Tall Texans

The Devil Made Us Do It

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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LP | 2019 | EU | Original (Arbutus)

Sorry Girls

Deborah

LP | 2019 | EU | Original (Membran)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Think your new favourite album couldn't possibly pair earnest songwriting, irreverent danceable pop, and a synth-harmonica solo played over a collage of cinematic sound fx? Think again. Deborah - Sorry Girls' debut LP - marks their first release with legendary Montreal based label Arbutus Records. Written and recorded by the duo over two years and mixed by David Carriere of TOPS, the LP has a decidedly honed and cared for aesthetic. It chronicles the ebb and flow, ups and down of loving, of finding yourself. Moving seamlessly from moments of refined tension to contemplating the torment of a lost-love, it flirts seamlessly with the heartfelt songwriting of the 60s, the smooth groove of the 70s, the synth-mania of the 80s, and the angst of the 90s, without ever feeling anything less than Sorry Girls. Sorry Girls is a Montreal based duo consisting of Heather Foster Kirkpatrick and Dylan Konrad Obront. The Two met in 2008 while studying at university, making joke songs on Garage Band together over pots of Kraft Dinner on the floor of their friends' apartment. It wasn't until one serendipitous afternoon eight years later that they pooled their combined interest in powerful pop ballads to write 'This Game' sparking the inspiration for their debut EP Awesome Secrets, self-released in November 2016. Since then they have become a staple of Montreal's live music scene, embarked on a tour across Canada, performed at SXSW, and released a double-single 7" titled Easier with Arbutus Records. Deborah, the much anticipated follow up to Easier (released Nov 2018), is sure to tickle the fancy of all those who have patiently awaited its arrival.

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Fire From The Gods

American Sun

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Happy Happy Birthday To Me)

Magnapop

The Circle Is Round

LP | 2019 | EU | Original (Millaphon)

Release: 2019 / EU – Original

Genre: Rock & Indie

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90's alternative crunchy guitar mainstays Magnapop return after nearly ten years with new album The Circle Is Round.Atlanta, Ga 90's alternative guitar mainstays Magnapop return with The Circle Is Round, their first new album in nearly ten years. This is their 6th album and it sounds like they never took a break. The signature crunchy guitars of Ruthie Morris, the cool slightly scratchy vocals by Linda Hopper, drums pounded to hell by David Mcnair, and the always supportive bass of Shannon Mulvaney.Magnapop's new album, The Circle Is Round, is the Atlanta-based group's debut release for HHBTM Records, and is their sixth album, coming nearly a decade after their previous record, 2009's Chase Park. Prior to this, the group had a fruitful run during the Alternative Rock heyday of the mid-90s, finding critical acclaim with 1994's Hotboxing (with single Slowly, Slowly) and 1996's Rubbing Doesn't Help, which featured their most beloved song, Open The Door. And although the phrase was an endearing joke courtesy of slacker film Singles, Magnapop were indeed "big in Belgium," finding enduring success that has led them to visit the Benelux region numerous times over their three decade career. (They have a tour slated for the area this September.) Yet let's not think of it as a "comeback," shall we?Magnapop never really went away, appearing on the live circuit in Europe sporadically since their last release. The seeds that would blossom into The Circle Is Round were planted in 2011. "We reunited in 2011 when bassist Shannon Mulvaney contacted us about playing a benefit for Criminal Records, a local record store," says guitarist and songwriter Ruthie Morris. "Playing together was easy, but we knew we needed time together to play our old songs again. The more we played together, the more we realized we wanted to work on new material." The Circle Is Round was recorded at Furies Studios in Marietta, Georgia, and produced by the band and studio owner Ed Burdell_he worked with the band on one of their firs...

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Henny Herz

Back Into Space

Release: 2019 / EU – Original

Genre: Rock & Indie

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Kath Bloom & Loren Connors

Sand In My Shoe Black Vinyl Edition

LP | 1983 | EU | Reissue (Chapter Music)

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Justin Peter Kinkel-Schuster

Take Heart, Take Care

LP | 2019 | EU | Original (Big Legal Mess)

Release: 2019 / EU – Original

Genre: Rock & Indie

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10" | 2019 | US | Original (Tender Loving)

Y La Bamba

Entre Los Dos

Release: 2019 / US – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Napalm)

Dawn Of Disease

Processions Of Ghosts

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Mr Bongo)

Kit Sebastian

Mantra Moderne

Release: 2019 / EU – Original

Genre: Organic Grooves, Rock & Indie

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'Mantra Moderne' is a stunning, contemporary masterpiece that fuses Anatolian Psychedelia, Brazilian Tropicalia, 60’s European pop and American jazz. A must for fans of Khruangbin, Portishead, Arthur Verocai, Goat, Caetano Veloso, Tom Zé, Os Mutantes, Cortex and co.

The duo is formed of Kit Martin, who lives between London and France and plays all instruments on the album, and Merve Erdem, vocalist and multi-disciplinary artist from Istanbul, now based in London. This is their debut album.

The album explores universal themes such as love, loss, decay, language and ideology, mixing three different languages: English, Turkish and French. Written and recorded by the duo - Kit composed all the songs and Merve wrote the lyrics - in rural France during 2018, each song was completed within a 12-hour window, pawning contemplation for spontaneity.

Dubbed by Kit and Merve as ‘lo-fi-hi-fi’ in reference to the high-end tube equipment that helped it find its way to 8-track cassette tape. The style owes its sound to narrow tape width, valve distortion, spring reverb, the mixture of high end gear with lo-fi equipment as well as a disregard to the norms of hi-fi studio techniques. All instruments were analogue and no samples were used. The instruments that are used range from tablas to darbukas, balalaikas to ouds, MS20 synths to Farfisa organs and a lot of cuica. The mixing techniques were done on-the-fly, tracking immediately to tape: compression, EQ, delay and reverb; meaning mixing could not be revisited!

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Hiss Golden Messenger

Terms Of Surrender

Release: 2019 / US – Original

Genre: Rock & Indie

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David Kilgour And The Heavy Eights

Bobbie's A Girl

Release: 2019 / US – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Crumb)

Crumb

Crumb / Locket EP

LP | 2019 | UK | Original (Bad Omen)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Double EP encompassing Crumb's 2016 EP "Crumb" and 2017 EP "Locket"

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John Hoyles

Night Flight

LP | 2011 | US | Original (Domino)

Release: 2019 / UK – Original

Genre: Rock & Indie

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Born and bred in London, John Hoyles moved to Sweden in his early teens where he became the lead guitarist in the legendary doom metal band Witchcraft in the year 2000 playing on their self-titled debut, 'Firewood' & 'The Alchemist'. Nine years later he founded the band Spiders, and in 2016, he formed the group Big Kizz, together with his friend Axel Sjöberg from Graveyard. Whether creating in tandem with his fellow musicians or flying solo on his own, Hoyles creates music from the heart: some punk, pub rock, a little 70's glitter, heavy psych and a touch of vintage metal. His playing and singing are honest and accomplished while his warm, wicked tone is unmistakable.

Bad Omen Records reissue Hoyles' 2017 solo album, 'Night Flight' (previously issued on the now defunct Swedish label Crusher Records), including the previously unreleased track "Highwire". One of the more interesting rock releases of the past few years, 'Night Flight', is a killer sounding rock and roll album that would sit right at home in the late 1970’s London scene. It's also the first time that the guitarist brought his gruff British-accented snarl to the mic, to alluring result. The eight track album clocks in at just under 22 minutes and includes the punk-flavored opener ‘Talking About You’, the acid folk cut ‘In the Garden’, the psychedelic title track, a killer cover of former Pink Fairies guitarist Larry Wallis’ “Police Car”, and more.

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Real Estate

Days

Like The River Loses The Sea

Release: 2011 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Still shrink wrapped but opened.
Cover as new with slightly dented corners.
Record is close to NM.

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Joan Shelley

LP | 2019 | EU | Original (No Quarter)

LP | 1971 | EU | Reissue (Guerssen)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Much of this album was recorded in Iceland. Breath warm from singing rises into frozen air. Atomized. A million bright blue crystals _ the fractal branching of the lungs _ drift back to earth. Radiant, refracting. Clear notes melt like perfect soft snow. Straight lines curve and curve again. Much of this album was recorded in Iceland, but Joan Shelley wrote these songs in Kentucky. That's the dirt clinging to their roots. The wind blowing through Osage orange and pine trees is the joy and ache and urgency of these songs. It's the silence and the music. It's the space between time and words and the stillness in Joan's voice. The world spins more slowly. Moss overtakes a fallen tree. Kentucky is where we plant seeds of regret and stay to watch them flower. Maybe Mark Twain said that Kentucky (always five years behind the times) was the perfect place to ride out the apocalypse. Maybe it's twenty years. Maybe it's apocryphal. That doesn't mean it isn't true. "And oh, Kentucky Stays in my mind it's sweet to be five years behind That's where I'll be When the seas rise Holding my dear friends and drinking wine..." Maybe the world outside has already vaporized. Maybe we're already living on borrowed time. Nathan Salsburg's guitar pours out clean as water through his fingers, turning over every smooth stone. Bonnie "Prince" Billy's harmonies stretch time tight enough to break without breaking. Joan's voice calls us back. Birds are singing outside. Insistent. Don't miss what's right in front of you.

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Salamander

The Ten Comandments

The Voice Of The Revolution

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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UK 1971 album released on the Youngblood label.
Based in The Ten Commandments, though not proved to be Christian rock itself, the album is a nice progressive pop-rock disc showing influence of Deep Purple and The Moody Blues, with good dose of organ, guitar and brass.
Fantastic reissue in a four-way foldout poster-type picture cover, housed in deluxe PVC outer sleeve.
180 gram vinyl, remastered sound from master tapes, and insert with liner notes by Andy Morten.

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Che Guevara

LP | 2008 | EU | Reissue (Cleopatra)

Release: 2008 / EU – Reissue

Genre: Rock & Indie

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LP | 1971 | EU | Reissue (Guerssen)

Monument

The First Monument

Lost Girls Splattered Vinyl Edition

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Heavily organ and guitar doom-hardrock recorded in London in 1971 by same guys as hard-rockers ZIOR. A must for fans of early Black Sabbath or Leafhound.

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Bat For Lashes

LP | 2019 | EU | Original (Bat For Lashes)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Bob Mould

Sunshine Rock

LP | 2013 | DE | Original (Rookie)

Release: 2019 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Yellow and red swirl Vinyl! Still in shrink, but opened, with hype sticker

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Love A

Irgendwie

LP | 1984 | US | Reissue (Return To Analog)

Release: 2013 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Still in shrink, but opened, with hype sticker. White vinyl

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Genetic Control

First Impressions

LP | 1975 | EU | Reissue (Sommor)

Release: 1984 / US – Reissue

Genre: Rock & Indie

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We are glad to announce the first official reissue of Genetic Control's 1984 first impressions EP.This 35th anniversary edition will be released as a full length vinyl with loads of never before released tracks from the Genetic Control vaults. Limited to 500 numbered copies.

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Second Sign

LP | 1973 | EU | Reissue (Sommor)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Mid-70s UK hard/progressive/psychedelic band in the vein of Narnia, Saturnalia or Fruupp with connections to doom outfit Warlord. Featuring female vocalist Irene Menasche. This is the first ever vinyl release of their 1975 studio recordings. Music ranges from ultra-raw hard-rock to folk-rock, culminating in the 9-minute epic psych-prog masterpiece “Golden Age”.

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Three-Headed Dog

Hound Of Hades

LP | 2019 | EU | Original (Relapse)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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A mysterious three-piece from Birmingham, Three-Headed Dog played underground hard-rock, clearly influenced by early Judas Priest and Wishbone Ash. Before disappearing in the mist of time, they left behind an ultra rare demo tape - recorded in 1973 - which included a couple of cover versions from Wild Turkey and Edgar Broughton Band along with self-penned material. This demo was handled to Norman Hood, manager of other Brum bands such as Necromandus and Flying Hat Band, who was involved in promoting Three-Headed Dog at the time.

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Cherubs

Immaculada High

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2013 | US | Original (Numero Group)

Codeine

What About The Lonely?

Release: 2013 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2019 | US | Original (Pirates Press)

Harrington Saints

1,000 Pounds Of Oi!

Release: 2019 / US – Original

Genre: Rock & Indie

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LP | 2015 | US | Original (Epitaph)

Desaparecidos

Payola

LP | 2019 | EU | Original (Mecanica)

Release: 2015 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Limited edition in die-cut sleeve. Red vinyl.

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Pailhead

Trait

It's Bad For You But Buy It! 180g Edition

Release: 2019 / EU – Original

Genre: Rock & Indie

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Pailhead was a collaboration of vocalist Ian MacKaye (Minor Threat, Fugazi), Ministry’s Al Jourgensen and Paul Barker, and drummer Eric Spicer (Naked Raygun). In 1986, MacKaye was just a few years away from his genre-defining work in Minor Threat and on the cusp of starting an even more influential band, Fugazi. Al Jourgensen was also undergoing a transition with his band Ministry after the release of “Twitch”. He wasn’t the guy who would release the game-changing “The Land Of Rape And Honey” a couple of years later, but he was well on his way. Alain met Ian when he was living in London. Both found common ground musically and politically and decided to collaborate on a project that would fuse elements of industrial music with hardcore punk. The result was a bunch of unique and unrepeatable hymns. Pailhead released one first single “I Will Refuse” / “No Bunny” in 1987 and next year the 4-song EP “Trait”, both on the legendary Wax Trax! Records. Limited edition of 500 copies on grey vinyl with deluxe sleeve with soft touch lamination and sticker with classic band logo.

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The Ace Of Cups

LP | 2019 | EU | Original (Ace)

LP | 2019 | EU | Original (Merge)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Selected tracks from the band’s Big Beat CD of 2003, plus a previously unissued version of ‘Simplicity’. Pressed on 180g black vinyl in a thick cardboard sleeve with copious notes on inner bag.

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Fruit Bats

Gold Past Life

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Svart)

H.C. Slim

Sings

LP | 2019 | EU | Original (Membran)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Rural legend and outsider folk artist H.C Slim had amassed quite a catalog of original songs he's demoed on a tape recorder, deep in the Eastern Finnish countryside. Over the years cassettes and CDRs began to circulate with original copies selling for high prices, before Svart Records drove out to his remote cabin to offer Slim a deal for his debut album.

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Hellyeah

Welcome Home

Release: 2019 / EU – Original

Genre: Rock & Indie

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12" | 2016 | US | Original (Castle Face)

Feels

Release: 2016 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2019 | EU | Original (Svart)

War Curse

Eradication

Release: 2019 / EU – Original

Genre: Rock & Indie

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12" | 2019 | EU | Original (Kapitän Platte)

Husten

Teil 4 Und 5 Und 6

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 1990 | US | Original (New Red Archives)

Samiam

2LP | 2019 | EU | Original (TNC)

Release: 1990 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Purple translucent vinyl. Cover has slight wear and small writings on back cover, close to NM. Vinyl has some paper scuffs. Original inner sleeve.

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The Night Cafe

0151

Release: 2019 / EU – Original

Genre: Rock & Indie

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Revolucion Electronica En Musica Venezolana

Chelique Sarabia

LP | 1973 | EU | Reissue (Pharaway Sounds)

The Childhood Of A Leader

Release: 1973 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Ultimate space-age exotica trip from Venezuela.
In the early 70s, well-known composer and arranger Chelique Sarabia (who penned the famous “Ansiedad” when he was just a kid) decided to register an album of traditional & folkloric songs from Venezuela but giving them a modern touch, using especially developed equipment (M.R.A.A.), based off of the principles of the Moog.
Chelique, helped by a team of gifted musicians, employed traditional instruments like the cuatro and the bandola llanera, filtering them through oscillators, playing with feedback, tape delay, synthesized frequencies, echoing sounds… The result was “Revolución Electrónica en Música Venezolana”, an album with a truly exotic, psychedelic, and ahead of its time sound.
Originally, the album was sponsored by the Shell Company in Venezuela, given away to customers, employees and friends of the company as a Christmas gift in 1973. It was titled “4 Fases del Cuatro - Música Venezolana desarrollada Electrónicamente por Chelique Sarabia” (“4 Phases of Four – Venezuelan Music Electronically Developed by Chelique Sarabia”). Once the exclusivity period with the petrol company was over, Chelique did a commercial release, this time under the name of “Revolución Electrónica en Música Venezolana” (“Electronic Revolution in Venezuelan Music”). Thanks to this, Chelique and his team were considered electronic music pioneers in Latin America.
“In the past five decades, there have been many attempts at modernizing the vast folkloric tradition of Venezuela, but nobody has reached the level of depth that CHELIQUE SARABIA did when he put his impeccable reputation as a composer and arranger at risk with this out-of-the-blue revolutionary musical manifesto in 1971. 47 years later, an album that remains ahead of its time.” - Alex Figueira (Fumaça Preta)

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Scott Walker

LP | 2016 | UK | Original (4AD)

The Great Escape Limited Transparent Blue Vinyl Edition

Release: 2016 / UK – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance, Classical Music, Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: VG+

Clear wax! Cover close to NM

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Jailbirds

LP | 2019 | EU | Original (Golden Robot)

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Trikont)

Maxi Pongratz

Release: 2019 / EU – Original

Genre: Rock & Indie

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Play All Your Favorite Songs

Dum Dum Boys

LP | 2019 | EU (Mono-Tone)

Release: 2019 / EU

Genre: Rock & Indie

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LP | 2019 | EU | Original (Trikont)

Angela Aux

In Love With The Demons

Release: 2019 / EU – Original

Genre: Rock & Indie

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12" | 2019 | US | Original (Sister Polygon)

Olivia Neutron-John

Release: 2019 / US – Original

Genre: Rock & Indie

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Readjusting The Locks Black Vinyl Edition

Institute

LP | 2019 | US | Original (Sacred Bones)

Release: 2019 / US – Original

Genre: Rock & Indie

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LP | 1978 | US | Reissue (Return To Analog)

Eden

Release: 1978 / US – Reissue

Genre: Rock & Indie

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LP | 1967 | US | Reissue (Return To Analog)

Les Differents

Release: 1967 / US – Reissue

Genre: Rock & Indie

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LP | 1991 | US | Reissue (Return To Analog)

Eudoxis

Open Fire

Release: 1991 / US – Reissue

Genre: Rock & Indie

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LP | 1984 | US | Reissue (Return To Analog)

D.D.T.

Let The Screw

Release: 1984 / US – Reissue

Genre: Rock & Indie

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LP | 1973 | US | Reissue (Return To Analog)

Offenbach

Bulldozer

Release: 1973 / US – Reissue

Genre: Rock & Indie

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LP | 2015 | US | Original (Return To Analog)

The Sangomas

Giddyup & Destroy

Release: 2015 / US – Original

Genre: Rock & Indie

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Under The Westway / The Puritan

Blur

7" | 2012 | Original (Parlophone)

LP | 1999 | US | Original (Second Nature)

Release: 2012 / Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

White vinyl. Cover with light beginning of seam split, otherwise NM. Still in shrink, but opened

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Waxwing

For Madmen Only

The Ex / Getatchew Mekuria

Release: 1999 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl close to VG+. Cover with bumped corner. With original inner sleeve

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Moa Anbessa

LP | 2010 | EU | Original (Terp)

Release: 2010 / EU – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Grand Hotel Van Cleef)

Fortuna Ehrenfeld

Helm Ab Zum Gebet

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2000 | DE | Original (Kitty-Yo)

Surrogat

Rock

Release: 2000 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 2019 | EU | Original (Relapse)

Full Of Hell

Weeping Choir

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2019 | US | Original (Sentient Ruin Laboratories)

Leather Glove

Perpetual Animation

Release: 2019 / US – Original

Genre: Rock & Indie

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LP | 2018 | UK | Original (Fuzz Club)

Lumerians

Call Of The Void

Release: 2018 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

2LP | 2019 | UK | Original (Back On Black)

Soilwork

Death Resonance

Release: 2019 / UK – Original

Genre: Rock & Indie

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LP | 2019 | US | Original (GBV Inc.)

Guided By Voices

Warp And Woof

LP | 2019 | EU | Original (All Good Clean)

Release: 2019 / US – Original

Genre: Rock & Indie

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Following Guided By Voice’s sprawling double-album Zeppelin Over China, Robert Pollard has written and recorded another full-length in record-breaking time. It’s Warp And Woof, exuberantly barreling through twenty-four songs in just thirty-seven minutes with a brevity similar to mid-90s GBV albums Alien Lanes and Vampire On Titus. GBV kicked this one out in a flash, recorded in studios, club soundchecks, hotel rooms and even in the tour van.

After completing Zeppelin, Pollard felt the itch to record a few EPs. Just as GBV had done back in 1994, he would use them to channel his everflowing ideas to an outlet. But when a magical boombox writing session produced six fully formed songs in under half an hour, Pollard realized he had an album on his hands. What to do?

With a band so formidable they’ve been dubbed the Golden Age of GBV, they completed much of the recording on the road. The 2018 Space Gun Tour provided impromptu recording venues. Pollard recorded vocals in hotel rooms, complimentary condominiums, and small studios. Doug Gillard cut guitar tracks for “End It With Light” through his Mesa Boogie rig at the soundcheck at the Ottobar in Baltimore. Bobby Bare Jr. recorded his spacey main rhythm guitars for album closer, “Time Remains in Central Position” at the same show, but in the backstage green room. Kevin March added drum tracks in a studio in his hometown Montclair, New Jersey. Gillard played guitar on “Bury the Mouse” in a van hurtling at 60-plus m.p.h., and Mark Shue laid bass on “Angelic Weirdness” as he balanced on the speeding van’s bench seat.

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Red Lama

Motions

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Anti)

The Drums

Brutalism

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Chapter Music)

David Chesworth

Layer On Layer

Release: 2019 / EU – Original

Genre: Rock & Indie

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When You Hear The Music, It's Yours

One Of Hours

LP | 2019 | EU | Original (Out-Sider)

Der Süße Duft Der Widersprüchlichkeit (Wir Vs. Ich)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Cool late ‘60s US Pepperish psychedelia with inventive arrangements, fuzz guitars, studio effects…Recorded in 1967-68 but shelved at the time.
Famous for their “Psychedelic Illusion” 45, US garage-psych band ONE OF HOURS formed in Lexington, KY, in 1966. After adding guitar player Bob Willcutt to their line-up, they released their second 45, “Feel the Pain" / “Psychedelic Illusion”, in 1967. Work then began on an album of a complete but varied musical experience called "When You Hear the Music, It's Yours".
Fuelled by the creative force of band member Shawn Foreman (a true visionary who would create the cult electro / disco project Transistor-Jet in the 80s), the group (now called Dandelion Wine) entered Chetwyd Studios where they, in true psychedelic mode, experimented and used unusual techniques like backwards recording, paper under piano strings, singing through a comb, interconnecting Fuzz boxes, etc.
The finished master tape containing 12 songs with titles like “Two Heads For 25 Cents”, “Sweet Dragonfly” or “Incense C-19X” was sent to the Liberty label with the promise of an album contract for 1968…but the deal never came through and the master tape was destroyed in a warehouse fire. Luckily, Bob Willcutt kept a first generation copy of the master with perfect sound which we present here in a deluxe vinyl edition, housed in a silver mirrored die-cut sleeve.

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Kettcar

10" | 2019 | EU | Original (Grand Hotel Van Cleef)

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2019 | US | Original (The Flenser)

Elizabeth Colour Wheel

Nocebo

LP | 2019 | US | Original (Felte)

Release: 2019 / US – Original

Genre: Rock & Indie

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Nocebo, the first full-length by the Boston, Massachusetts five piece Elizabeth Colour Wheel, is inspired by anxiety, the fear and the desire of being constantly overwhelmed. The album came to fruition over the summer of 2018, when the band embraced a heavy “kill your idols” mindset, crafting an album that is distinctly schizophrenic yet familiar, touching on ’90s heavy rock, shoe-gaze, and black metal influences.

Mixed and mastered by Seth Manchester of Machines of Magnets (The Body, Street Sects), Nocebo is a five-walled haunted house, constructed from the wild, chantlike vocals of Lane Shi, the heavy, reverberant guitars of Emmett Palaima and Alice Jackson, the sludgy, distorted bass of Billy Cunningham, and the powerful, aggressive drumming of Connor Devito. Inside these walls frequencies of spectral anger echo and resound, gathering into thunderous waves, which crash against the borders of the room before dying out into eerie silence.

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Chasms

The Mirage

Release: 2019 / US – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Crying Bob)

Friska Viljor

Broken

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2019 | UK | Original (Heavenly)

Pip Blom

Boat

Release: 2019 / UK – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Creeper Crawler Publishing)

Chris Garneau

Yours

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 1989 | EU | Reissue (Nuclear Blast)

Meshuggah

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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LP | 2019 | US | Original (Ba Da Bing)

Tiny Ruins

Olympic Girls

LP | 2019 | US | Original (Ba Da Bing)

Release: 2019 / US – Original

Genre: Rock & Indie

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A rare blend of eloquent lyrical craft and explorative musicianship, the songs of Tiny Ruins are etched into the memories of crowds and critics worldwide. Traversing influences that cross genre and era, the artistry of Hollie Fullbrook and her band spans delicate folk, lustrous dream pop and ebullient psychedelia. Building on the sparse arrangements and “a novelist’s eye for detail” (Uncut) cultivated over the past several years, the group’s greatly anticipated third album Olympic Girls is replete with vital lyricism and galvanizing rhythms. Sparkling electric guitar jangles pull against the unique thrum of Fullbrook’s acoustic as the cryptic poetry she is known for rings out.
Hollie Fullbrook is no stranger to acclaim. Debut album Some Were Meant For Sea (2011) saw her name on billboards, playlists and blogs worldwide. The album’s clutch of “gorgeous vignettes” (BBC) put the artist on the map. Second album Brightly Painted One earned more accolades, championed by The New York Times, NPR and David Lynch, and winning Best Alternative Album at the New Zealand Music Awards in 2014. “An album of quiet, devastating beauty,” wrote Pop Matters. The album saw Fullbrook join forces with producer Tom Healy, whom, alongside long-time tour-mate bassist Cass Basil and drummer Alex Freer, Fullbrook has worked and toured with ever since.
While spanning continents, the band won fans in critics, crowds and became a sought after collaborator. A New York recording session culminated in the EP Hurtling Through (2015) with indie-rock legend Hamish Kilgour (The Clean), while 2016 single “Dream Wave” was recorded and produced by award-winning cult filmmaker and musician David Lynch. Headhunted by Lorde for the Hunger Games soundtrack blueprint she curated, Fullbrook teamed up with legendary filmmaker Lynch for the collaboration.
This album was made over a drawn out period of spontaneity and experimentation, stridently reaching beyond Fullbrook’s formerly minimalist domain. Production from Tom Healy and Fullbrook is exercised with muscular aplomb; marrying the intricately woven poetics of Leonard Cohen, the shimmering dream-pop landscapes of Beach House or Mazzy Star, and the off-kilter experimental pop of Broadcast or John Cale.

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The Dead C

Rare Ravers

Harlem River Dub (Peaking Lights Remix)

Release: 2019 / US – Original

Genre: Rock & Indie

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Disguised as the meandering outpourings of vacant thought and activity dialed simultaneously from zero and ten. Formed in the cauldron of a fevered mistake resolute. Surrounded by ignorance, dis-interest, and the attention of the carefully self-selected. Recorded and burned through a thousand galaxies of dust and doubt and endless infinite wonder, transforming both time and space. Forever exiled to the very bottom of the world to reflect on the struggling desperate pile above. Recognizing any contribution as miniscule and insignificant when placed within the greatness of the other, the dominant insolent preening satisfied, continually shouting the pre-eminence of the first world order.

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Kevin Morby

12" | 2019 | US | Original (Woodsist / Mare)

Richard And The Young Lions

Release: 2019 / US – Original

Genre: Rock & Indie

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“I wanted to do something to honor the title track off of my debut album, Harlem River, turning five years old this year. Its been very good to me over the past half decade as well as a staple in my live show. I’ve asked Aaron [Coyes] from Peaking Lights to breath some new life into it and give it a remix and I’m very happy with the results. This December I will be performing an hour long version of the song featuring many special guests. I wrote the song to be about new explorations, and it continues to give me—year after year—just that.” —Kevin Morby

Limited edition 12″ featuring 2 extended Harlem River Dub remixes by Aaron Coyes / Peaking Lights with art by Robbie Simon. Digital includes an extended version of the original track. Edition of 1,000 on black vinyl.

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Volume 1

LP | 2018 | US | Original (Wicked Cool)

Release: 2018 / US – Original

Genre: Rock & Indie

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William Tyler

Goes West

Release: 2019 / US – Original

Genre: Rock & Indie

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LP | 2019 | US | Original (Eleven Seven Music)

Papa Roach

Who Do You Trust

Release: 2019 / US – Original

Genre: Rock & Indie

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Iðnsamfélagið Og Framtíð Þess

Roht

LP | 2018 | US | Original (Iron Lung)

2LP | 2018 | EU | Original (Le Chant Du Monde)

Release: 2018 / US – Original

Genre: Rock & Indie

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Iðnsamfélagið Og Framtíð Þess which roughly translates to "Industry and its future", is taking the oddity and isolationism of hardcore punk and industrial noise and smashing them even further together than they did on previous releases. This is the sound of a band perfecting its approach to the world. And we can't get enough. At first listen it is what seems to be a simple formula of bass, noise, drums and vocals but as you continue to listen, delicate layers of depression, life, anger, creativity, emergence and deconstruction begin to unfold until you find yourself trapped in a dystopian clamor void of hellish nothingness. Industry and its future indeed. 350 copies on black vinyl housed in a 24pt reverse board jacket with printed inner sleeve and download card included.

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Johnny Cash

I Walk The Line

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Merge)

Mike Krol

Power Chords

Release: 2019 / EU – Original

Genre: Rock & Indie

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12" | 2019 | EU | Original (Napalm)

Jinjer

Micro EP

Whistling Jigs To The Moon

Release: 2019 / EU – Original

Genre: Rock & Indie

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More information coming soon.

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Flibbertigibbet

LP | 1974 | EU | Reissue (Sommor)

LP | 2018 | EU | Original (Guerssen)

Release: 1974 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Originally released in South Africa in 1978, “Whistling Jigs To The Moon” is not only a very rare and sought-after album but also a wonderful collection of traditional and original folk tunes with a strong Celtic influence. Featuring Alison O’ Donnell and David Williams from psych-folk legends MELLOW CANDLE.
In 1974, following the break-up of Mellow Candle, Alison and David arrived to South Africa. Once there, they met a couple of fellow expat musicians, Barrie Glenn and Jo Dudding, forming Flibbertigibbet in a niche folk and traditional circle of immigrant and local musicians, building up a repertoire of tunes and songs both original and traditional. They appeared at evenings held in communal houses, at folk nights and the Boksburg Folk Club.
Producer David Marks offered to release their album and launch it in a series of concerts at the renowned Market Theatre. They enlisted the help of a number of fine musicians on the recording, namely classical first violinist Francesco Cignoli, jazz bassist Denis Lalouette, Nippy Cripwell on string bass, Colin Shapiro on flute and Dave Lambert on fiddle.
“Whistling Jigs To The Moon” saw the light in 1978.
First ever legit vinyl reissue, master tape sound and insert with lyrics, liner notes and photos

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The Tropics

As Time's Gone

LP | 2018 | EU | Original (Mouthwatering)

Release: 2018 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Hailing from Florida, The Tropics were one of the finest 60s garage bands. Their memorable concerts are still remembered today by the lucky ones who saw them at the time. Between 1965 and 1969, they recorded some explosive and now legendary 45s which are prime examples of garage-rock, teen-beat, folk-rock and proto-psych sounds. Here you’ll find most of those 45 sides along with some rare, previously unreleased on vinyl tracks. Including the classic “As time’s gone” (covered by The Fuzztones) and many more.
Remastered sound in mono, insert with detailed liner notes by Jeremy Cargill (Ugly Things) and rare photos.
“In 1965 The Tropics were the biggest band in Florida…simple as that. I watched them in awe” Tom Petty

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Black Sea Dahu

White Creatures

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2018 | US | Original (Glassnote)

William Prince

Earthly Days

Release: 2018 / US – Original

Genre: Rock & Indie

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Lost Time Behind The Moon

Scott Hirsch

LP | 2018 | US | Original (Scissor Tail Editions)

LP | 2018 | US | Original (Artemisia)

Release: 2018 / US – Original

Genre: Rock & Indie

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Songwriter and multi-instrumentalist / producer Scott Hirsch has recorded a follow up to his critically acclaimed 2016 record, Blue Rider Songs. On Lost Time Behind The Moon, Hirsch chronicles confronting ghosts of the past, acknowledging that darkness rides alongside the light, and avoiding the pitfalls of regret. The record was recorded and produced by Hirsch with the help of Mike Coykendall (M Ward), and features musical guests William Tyler, Mikael Jorgensen (Wilco), Orpheo McCord (Edward Sharpe), Jimmy Calire (America) and Jesse Siebenberg (Lukas Nelson, Supertramp).

Scott Hirsch’s name is one you’ll find lurking in the liner notes of many admired recordings from the late 1990s to the present. As a founding member of Hiss Golden Messenger, he was integral to the band’s first five records, lending his sonic imprint on their productions, as well as shaping the sound of the live outfit, having toured heavily through the formative years of the band. Much of this work is reflected on the forthcoming Merge Records box set entitled Devotion: Songs About Rivers And Spirits And Children. Along the way he produced and played on records by Kim Krans’ Family Band, as well as recording a Grammy-nominated record by the legendary folksinger Alice Gerrard. Having stepped off the demanding tour schedule of Hiss in 2016, new pathways opened up for Hirsch to fully engage in the craft of songwriting. On this second record, his production tones and songwriting talents are in full bloom.

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Vouna

LP | 1985 | EU | Reissue (Espacial Discos)

Release: 2018 / US – Original

Genre: Rock & Indie

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Wolves In The Throne Room will be releasing the sorrowful and grand self-titled debut album by Cascadian funeral doom band Vouna through their own Artemisia Records. All music on Vouna was composed and all instruments performed by front-person and fellow native to the Pacific Northwest Yianna Bekris, previously of Vradiazei, Eigenlicht, and Sadhaka. This debut evokes the devastating and beautiful journey of becoming the last person on Earth. Razor sharp tremolo picked guitars cut through the heart like a knife. Mournfully sung vocals and cinematic melodies are combined with crushing doom drumming, while layers of primitive ’90s digital synths conjure a lush and rugged soundscape. The music is inspired and influenced by Finnish funeral doom, Eastern European black metal, and Greek folk music, a must-hear for fans of My Dying Bride, Skepticism, Shape Of Despair, and similar acts.

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Minx / Zimmerman