Rock & Indie 54821 Items

Release: 2024 / US – Original

Genre: Rock & Indie

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Victims Of Vile Torture Blue Vinyl Edition

Tombstoner

LP | 2024 | US | Original (Redefining Darkness)

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Majestic Mountain)

Saint Karloff

Paleolithic War Crimes

Release: 2024 / US – Original

Genre: Rock & Indie

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Rhejde Qhaominvac Tla Aglhaonamec

Trha

LP | 2024 | US | Original (Flowing Downward)

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Flowing Downward)

Brii

Ultimo Ancestral Comum

Release: 2024 / US – Original

Genre: Rock & Indie

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Bromio Colored Vinyl Edition

LP | 2024 | EU | Original (Subsound)

Lost Demo Colored Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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In January 1999, after years of continuous daily rehearsals, Zu entered the studio to record Bromio. The album was released in October of the same year to immediate and enthusiastic feedback from the press and the public, and a few months later Zu began to play on stages all over Europe. But the band's inexperience in recording work weighed on them, because the impact they had live was not present in the sound of the CD at all. So it was that during the slightly forced hiatus from 2020 onwards, they finally found the time to reopen those recordings, rework them in various ways, resonate some parts and release Bromio 25 years later in a sound that was much closer to the impact and sound system of their live performances. Listening to it again 25 years later, it still sounds fresh and vibrant, not tied to any predetermined genre or fashion of the moment (it is curious and almost comical that they were called 'jazzcore' when in fact the basis of their sound drew much more from prog and metal). Enjoy !

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LP | 2024 | EU | Original (Subsound)

Distortion Ink Spot Silver & Mint Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Since 1995, orphaned by their previous project, the three founding members of Zu (Jacopo Battaglia, Luca Mai and Massimo Pupillo) had been hanging out in the historic small room in Piazza Degli Zingari in Rome, every day, all day long, working nights and sometimes sleeping directly in the basement so as not to waste time. Looking for their own voice, without excluding any direction: electronics, tapes, sequencer (Film Nero) cello (played by their friend Francesco Chiari), and of course their first iconoclastic outbursts on bass sax and drums. One can obviously hear the shared love for NoMeansNo and Ruins, but much more was already part of Zu's DNA, including an instinctive ability to digest the myriad listens and influences that permeated them, without ever copying anything but transforming everything into their own personal voice. After about two years of intense and continuous rehearsals, this tape was the first demo they sent out, recorded in that room by their friend Giampaolo Felici, with whom they shared that space and with whom years later they would also found Ardecore. The cassette went around so much that the Zu themselves could not find a single copy of it, until one mysteriously reappeared, intact and still perfectly listenable, which transferred and mastered became, more than 25 years later, THE Lost Demo

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Future Palace

LP | 2024 | EU | Original (Arising Empire)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Distortion Twister Color - Pink Green Yellow Vinyl Edition

Future Palace

LP | 2024 | EU | Original (Arising Empire)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Steamhammer)

Turbokill

Champion

Release: 2024 / EU – Original

Genre: Rock & Indie

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2LP | 2024 | UK | Original (Fire)

The Bevis Frond

Focus On Nature

Kantos Purple Vinyl Editoin

Release: 2024 / UK – Original

Genre: Rock & Indie

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Repress on classic black vinyl!Focus On Nature is the new studio album from celebrated post-psyche singer songwriter Nick Saloman and his band The Bevis Frond. Seventy-five minutes of glorious melodies that span 60s psych, English folk, Seattle art-punks The Wipers, the buzzsaw pop of Dinosaur Jr and Hendrix-esque explorations. There's always an element of playful Englishness to their music.Heavily...

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Kishi Bashi

LP | 2024 | US | Original (Joyful Noise)

Red Mile Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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The latest full-length from Kishi Bashi, Kantos is a work of exquisite duality: aparty album about the possible end of humanity as we know it, at turns deeplyunsettling and sublimely joyful. In a sonic departure from the symphonic folkof his critically lauded 2019 LP Omoiyari_a career-defining body of work bornfrom his intensive meditation on the mass incarceration of Japanese-Americansduring World War II_the Seattle-born singer/songwriter/producer's fifthstudio album encompasses everything from Brazilian jazz and '70s funk toorchestral rock and city pop (a Japanese genre that peaked in the mid-'80s).Informed by an equally kaleidoscopic mix of inspirations_the cult-classic sci-finovel series Hyperion Cantos, the writings of 18th century enlightenmentphilosopher Immanuel Kant, a revelatory trip to ancient ruins on the island ofCrete_Kantos ultimately serves as an unbridled exaltation of the human spiritand all its wild complexities.During the earliest stages of creating songs for the album, Ishibashi's mainintent was to return to his highly eclectic musical roots, in part by tapping intohis jazz background and by delving into the dance-rock-leaning sensibilities hepreviously embraced as co-founder of Brooklyn-bred indie band Jupiter One.But not too long into the songwriting process, he stumbled upon anAI-equipped website capable of composing catchy song hooks based on aprompt_a turn of events that quickly catalyzed the existential inquiry at theheart of Kantos.Although his ruminations on AI, transhumanism, and humanity's troubled fateindelibly guided the making of Kantos, Ishibashi nonetheless views the albumas "less of a warning about this kind of hubris but more a celebration of thevery characteristics that make us human: desire, passion, empathy, and love.""If there's anything I want people to come away with when they hear thisrecord, it's a feeling of excitement about the possibilities of human-createdart," he says. "Even as we're learning more about al...

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Crack Cloud

LP | 2024 | US | Original (Jagjaguwar)

Avanti Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Crack Cloud has always been something beyond a rock band: bothprofound and grand, vaporous and elusive.The first iteration of Crack Cloud was formed nearly a decade ago as aproxy-rehab outlet on the fringes of Calgary. Over time, two EPs andaccompanying visual pieces were produced out of the residence knownas Red Mile. By 2017, several members had relocated to Vancouver,working out of harm reduction centers and low-barrier shelters. Sobriety,self-reformation and the idealism of their work further formed an ethosfor Crack Cloud. It was during these years that the band produced theirastounding 2020 album Pain Olympics. At once, their vision becameexpansive, cinematic.Now, Red Mile is a bit of a homecoming. Members have returned toCalgary. But Calgary/home has become a liminal space, a place of flux.After a decade of personal and collective growth, what does home evenmean? Red Mile is, for them, something like samsara: a return and arebirth.Red Mile's sound breathes expansive energy into the circuitous, streetbound sonics of Crack Cloud's prior material. Fizzling synths intertwinewith chiming pianos. Songs layer like Russian nesting dolls; one may finda Ramones chorus set within a desolate Western prog soundtrack only towatch it erupt into a joyous anthem. Real-ass guitars _ alternately lilting,scuzzy and soaring _ ring out across wide sun-bleached spaces. In 2024,the cumulative effect is (in rock instrumentation terms) naturalistic. Anywhiff of embalmed nostalgia is absent. Even the close of the album - awinding, alllllmost Jerry Garcia guitar noodle that leads us out of Red Mile- is delivered without sentimentality. Principal songwriter Zach Choy'slyrics are cutting but merciful, with a sharp self awareness that neverslides into self-satisfaction. Crack Cloud as artists are critical _ andultimately as forgiving _ of themselves as they are the melting worldaround them. The songs balance an easy charm and cathartic power:affirming life without denying de...

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Malice K

LP | 2024 | US | Original (Jagjaguwar)

Manfred Mann's Earth Band

Release: 2024 / US – Original

Genre: Rock & Indie

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There are ghosts all across AVANTI, the debut album fromMalice K. At points it's howling and unhinged, a grungy layeratop a lush foundation of melodic capital-s Songwriting, but inother moments it dissolves into a gentle, wistful haunting.Malice K's songs are blunt, uncomplicated and unflinching as heprobes the interiority of memories, of mistakes - saturated withan innate intensity that sucks you into his gnarled and visceralworld, so barbed it could draw blood.Malice K is helmed by visual artist and songwriter AlexKonschuh, New York-based but born and raised in Olympia,Washington. Following a stint living in Los Angeles, where hebecame a member of the artist collective Death Proof Inc., a tripto New York resulted in him simply never leaving the city. Aperiod of chaos ensued, Malice K exhausted and unmoored andultimately, unwell.The record is unpredictable across its 11 songs. The album openswith a jarring scream on "Halloween," Malice K's breathlessvocals buried beneath a grungy, roving Nineties riff. The trackemanates a manic energy, enveloping. It's a fitting entrypointfor the record, and for the vividness of Malice K. The snarling andobsessive "You're My Girl" has a swaggering paranoia: "I got sohigh I thought my hand touching my hand was your hand." ButAVANTI exists in quieter moments too; "Radio," with itsfluttering morose cello, moves at an almost glacial pacecomparatively. The aching wistfulness of "The Old House" is analbum stand-out, anchored in an acoustic guitar, an uneasylullaby that never quite settles into itself: "I think to myself I gotthe things that I wanted, but I can't help think there'ssomething else that I forgot to do."A recent press interview called Malice K a shapeshifter, but he'snot amorphous in that way. He's decisive and intense, moreconcerned with carving his own path, and building his ownworld. Every part of Malice K is distinctly himself: from hissweaty high-octane shows to the high-flash high-contrastphotos;...

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LP | 1972 | DE | Original (Philips)

Release: 1972 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Grim Iconic ... (Sadistic Mantra) Clear Vinyl Ediiton

J.R.C.G.

LP | 2024 | EU | Original (Sub Pop)

LP | 2024 | US | Original (Riding Easy)

Release: 2024 / EU – Original

Genre: Rock & Indie

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To experience Justin R. Cruz Gallego's pulverizing Sub Pop debut is to get burned down to ashes and burst forth, born anew. Grim Iconic...(Sadistic Mantra), the Tacoma-based artist's second album, is driven by opposing forces: noisy abstractions and tightly structured beats, anguish and dissolution at the outside world and empowerment within, apathy and catharsis. Grim Iconic...(Sadistic Mantra) weds scouring electronics to hooky songs and Gallego's powerful drumming in a way that feels visceral and new. It's his most personal statement to date, at once playful and intent, driven and combustible, total fucking chaos mixed into glints of broken-glass beauty. Born in Tucson, Arizona, Gallego experienced culture shock as a child after relocating to the frigid climes of the Pacific Northwest. He found solace in the Seattle punk scene centered around Iron Lung Records and has since remained a fixture in the underground community. "I see this record as first and foremost a musical statement," Gallego says. "I grew up in punk and DIY subcultures, but before that I had Latin music playing in the background through my childhood and every phase of adolescence. It was surprisingly natural to incorporate. I realized I wanted to go deeper into these rhythms. I wanted to make a record that felt as experimental as much as it felt from the perspective of a Latino. When I got a glimmer of that possibility, it felt exciting." Lead single "Dogear" is a face-melting party starter that sounds like someone forced Talking Heads and Rudimentary Peni to share a practice space. "I wanted a song that felt playful in the way it attempted to be dissonant without taking itself too seriously," Gallego says. "Cholla Beat" is even more ambitious, an anthemic mix of WAR and Wire led by unruly synthesizers spiraling down a labyrinth of production. Gallego's influences for the album are vast, ranging from British documentary filmmaker Adam Curtis to electric Miles Davis to audio miscreants like Demdike Stare and Oneohtrix Point Never. But it's Gallego's assured sonic vision that resounds the loudest. And, while J.R.C.G. is a solo project, conceived and executed primarily in Gallego's home studio, he found strength in opening the project to others, starting with Seth Manchester as co-producer. Manchester's penchant for bone-rattling frequencies, as seen in his production work with The Body, Battles, and Mdou Moctar, made him a natural fit for Gallego. Together, they retained the intimacy of Gallego's home recordings while taking advantage of the hi-fi stylings of his Machines With Magnets Studio in Rhode Island. The closing song, "World i," offers a glimpse into the live experience of Grim Iconic...(Sadistic Mantra), with upwards of seven band members blasting off. The album features a fascinating mix of supporting players, many of whom cycle through J.R.C.G.'s live lineup: Morgan Henderson (The Blood Brothers, Fleet Foxes), Jason Clackley (Dreamdecay, The Exquisites), Jon Scheid (Dreamdecay, U Sco), Erica Miller (Casual Hex, Big Bite), Veronica Dye (Terminator) Phil Cleary (U Sco), and Alex Gaziano (Dreamdecay, Kidcrash, Science Amplification). Taken as a whole, G.I.S.M. is a whirlwind of sound, pummeling, and cleansing. It's a sweaty, thrilling aural adventure and, like a great basement show, it'll leave you breathless, exhausted, and wanting to repeat it all over again. As any good mantra should.

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Zig Zags

Strange Masters

LP | 2016 | EU | Original (Naive)

Release: 2024 / US – Original

Genre: Rock & Indie

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“The origin of this record is a weird one. In 2019, we had just returned from two long European tours when we decided to take a ‘little break’ from the road. You all know what happened next. That ‘little break’ turned into a couple of years and during that time Dane, our drummer, decided to quit the band and music in general (no hard feelings). Sean [Hoffman] and I had a discussion and thought about ending the band as a whole, but I knew I had to go out on my own terms. I had an ace in the hole, though. Jeff Murray, drummer from LA rippers The Shrine. I had been friends with Jeff and The Shrine’s founder, Josh Landau since our ‘Scavenger’ 7-inch came out, around 2012. We had run into them in Berlin a few months back and I knew they weren’t playing anymore. I called Josh first, ’cause asking a dude if you can take his drummer, is like asking your girlfriend’s dad if you can marry her. And Josh said ‘go for it.’ And Jeff was in.

“Honestly if he had said no, that would have been the end. I had written a ton of stuff since our last album but I had shelved most of it. I was trying too hard—basically. Eventually Sean, Jeff and I said, ‘Fuck it, let’s make a ‘Fake Live’ record—like Kiss or Slayer did. John Dwyer from Osees was opening his new studio, Discount Mirrors, and it seemed like the perfect place to record it. We settled on re-recording a bunch of old stuff while simultaneously demoing our new material, as the three of us were now starting to really get in the groove. The result is Strange Masters Vol. 1.

“These are not new songs. These are Zig Zags classics re-recorded with a ripping-ass band that’s old and angry and just wants to get on with it. We are already on to recording the next album of new songs. That one is coming soon, but in the meantime, enjoy this one…while you still can!” —Jed Maheu (guitars/vocals for Zig Zags)

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Jeanne Added

Be Sensational

Release: 2016 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 1969 | EU | Reissue (Music On Vinyl)

Jefferson Airplane

Volunteers

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Julie Driscoll, Brian Auger & The Trinity

Open

LP | 1967 | DE | Original (Polydor)

Release: 1967 / DE – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Confirm Yourself One-Sided Picture Disc Edition

Tom Vek

12" | 2024 | UK | Original (Tom Vek)

Release: 2024 / UK – Original

Genre: Rock & Indie

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LP | 1973 | EU | Reissue (Music On Vinyl)

Judee Sill

Heart Food

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

LP | 2019 | SE | Original (Razzia)

Joel Alme

Bort Bort Bort

Secret, Profane & Sugarcane

Release: 2019 / SE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Cover with small seam split! Record shows a few scuffs and hairlines!

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Elvis Costello

2LP | 2009 | US | Original (Hear Music)

Release: 2009 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

2LP | 2021 | Reissue (Matador)

Mary Timony

Mountains

Release: 2021 / Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

High Dive Record Store Day 2021 Edition

Maria McKee

2LP | 2021 | EU | Original (Afar)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Midnight Cowboy (Original Motion Picture Score)

V.A.

LP | 1999 | UK | Reissue (Simply Vinyl)

Release: 1999 / UK – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2012 | EU | Reissue (Columbia)

John Cale

Vintage Violence

LP | 2021 | US | Original (Hardly Art)

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Cover close to NM

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Marinero

Hella Love

Release: 2021 / US – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Anne If Black Vinyl Edition

Ghost Woman

LP | 2023 | UK | Reissue (Full Time Hobby)

Release: 2023 / UK – Reissue

Genre: Rock & Indie

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Drifts And Surfaces Clear Vinyl Edition

Elori Saxl

LP | 2024 | US | Original (Western Vinyl)

Release: 2024 / US – Original

Genre: Rock & Indie

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Oh Me Oh My Clear Blue Vinyl Edition

Lonnie Holley

LP | 2023 | US | Original (Jagjaguwar)

Release: 2023 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

This World Fucking Sucks Indie Exclusive Colored Vinyl Edition

Cassyette

LP | 2024 | EU | Original (ADA)

2LP | 2020 | EU | Original (Cooking Vinyl)

Release: 2024 / EU – Original

Genre: Rock & Indie

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"Cassyette is the future face of alternative” – Kerrang!

“Cassyette is not an artist anyone can hope to pin down and box up: she’s shown she can do it all” – NME

“A modern rock staple in the making” – GAY TIMES

“Unashamedly illicit and unapologetically raw, Cassyette is here to relight rock” – TMRW

Cassyette has had an incredible start to 2024 with the release of lead singles ‘Why Am I Like this?’ and ‘Ipecac’, and a huge support slot on Bring Me The Horizon’s UK arena tour. Ahead of her own UK and European headline tour, Cassyette has shared the raw and powerful new single ‘When She Told Me’. Pairing painfully beautiful lyrics with her signature screams and a heavy instrumental, the haunting track recalls the heartbreaking moment Cassyette learnt of her father’s passing and the grief that consumed her afterwards.

Cassyette has amassed a cult social following with over 134k Instagram followers, 550k monthly Spotify listeners, and over 1.2million followers on TikTok. Having achieved over 38 million streams on Spotify alone and ongoing editorial support from Spotify and Apple, Cassyette has received praise from the likes of Radio 1’s Jack Saunders and Clara Amfo (Hottest Record In The World), Kerrang!, NME, GAY TIMES, MTV and Amazon Music UK. Cassyette was also awarded ‘Best British Breakthrough’ artist at the 2022 Heavy Music Awards. 2023 highlights include gracing the cover of Kerrang!, becoming the first featured artist for TikTok’s Rock Hub and performing at Glastonbury

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The Psychedelic Furs

Made Of Rain

Release: 2020 / EU – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Popular Monster Silver Vinyl Edition

Falling In Reverse

LP | 2024 | EU | Original (Epitaph Europe)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Voyage To Innerspace Black Vinyl Edition

Deep Space Destructors

LP | 2024 | EU | Original (Space Rock Productions)

LP | 2024 | US | Original (Wrong)

Release: 2024 / EU – Original

Genre: Rock & Indie

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DSD was founded in the beginning of the Earth year 2011 in Oulu, Finland, on band members’ mutual love for 60’s and 70’s kraut, prog and psychedelic rock. This is the 6th full length album (4th on Space Rock Productions) by the Finnish Space Rock masters from the north! It features 6 high energy space rockers, originally released digitally in April 2023 but now it appears on Vinyl. It features several special guests including Dr Space from Øresund Space Collective. The album opens with the high energy track ‘Spaced and Confused’, with the classic DSD sound and vibe. ‘Beyond the Cosmic Wall’ has a bit of a Kingston Wall vibe and quite a psychedelic mix. ‘Void Oscillations’ is a very spacey and floating number. ‘Indigo Blue’ starts side B with a more mellow vibe for the first 3 mins and then rocks into a cool spaced out jam. ‘Matkalainen’ is sung in Finnish and features some nice flute playing on this great track. The album ends with ‘Nymphaea Tetragona (Forever Floating)’ a more relaxed track, but the end has this sort of heavy bluesy stoner vibe. Cool way to end the album. Another classic space rock record.

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Dead Bob

Life Like

Release: 2024 / US – Original

Genre: Rock & Indie

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Dead Bob is the solo incarnation of John Wright, drummer from long time and apparently legendary but now retired Punk rock band NoMeansNo. Life Like, a NMN cover actually, is the first album John has released on his own. Though primarily written and performed by John he can not take all the credit having engaged the help of several friends to get this thing done including—Byron Slack (Invasives), Kristy Lee Audette (Rong), Ford Pier (doa, Rheostatics), Selina Martin, and his son Aidan Wright, as well as two old collaborations with his brother Rob in the writer's chair Recorded and Produced by John in the wilds of British Columbia, this album's material spans several decades and there is lots more in the archives. As might be expected the songs roll out cohesively but defy the cookie cutters and pigeon holes hence "Genre" is a tough one to convey but one thing that is not unclear is it is not to be listened to quietly! Play loud and enjoy!

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Tia Rosa

Misterio Lounge 3000

Mummy What Are Flowers For?

Release: 2024 / US – Original

Genre: Rock & Indie

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There’s no stopping the froggies from hopping”. Tia Rosa’s psychic elevator goes up to Misterio Lounge 3000, the palace of their self described Electronic Frog Pop. In late 2021, Sam Ortiz (Cáustica Espástica), JJ (Vats) and Gabriel Guiterrez (Lysol, American Nudism, Vats) got together, adopting the popular brand of pre-packaged pan dulce Tia Rosa as their band name. Following a string of self released cassettes and domestic tours in 2022 they spent most of last year recording these eight tracks between their homes in colonia Asturias and colonia Navarte, Mexico City.

Misterio Lounge 3000 reaches behind the mirror, charming the sinister 80’s minimal electronic/post punk of Algebra Suicide onto programmed latin rhythms and experimental/new age soundscapes common in 70’s cosmic music. There’s lots of room to groove here and each track feels like a new stop down an expansive astral hallway. 'Kelly' drives close with its crunchy guitar and radio interference, “Elevador Síquico” captures the sway of joyous pixelated flowers. 'Glass Frog' begins with sampled frogs and ends in a delightful psychedelic freakout. 'La Oscuridad' and 'Floating Hour' build on the mysterious lounge feel with their respective smooth flute and sax solos.

From start to finish Misterio bounces softly like a Miró painting come to life. Mutant elevator music for obscure prophets, flute lovers and froggy dancers alike. A freakadelic electro oddity for the ages. It’s the new strange sensation and it’s happening now. Frog pop is here. Tia Rosa has delivered."

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Soup Activists

Release: 2024 / US – Original

Genre: Rock & Indie

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Must we bleed to buy a bridge? A life led punk takes a left turn to there and back again lane, and we find Soup Activists. This is St Louis’ new mutant pop, Martin Meyer’s solo studio project (and ensemble live band). Mummy What Are Flowers For?, the act’s new LP on Inscrutable Records, is punk’s gift back to pop. Friends, penpals, and mail order maniacs will all be told, a princely player with a heart of gold journeyed to Lawrence Kansas to record and rock. With Sweeping Promises, MM ignored the studio clock. SP’s Caufield Schnug behind the board and Lira Mondal in front of the mic, providing supporting vocals.

Songcraft has always been an essential part of Marty’s world (Lumpy and the Dumpers, the Wad, Cal and the Calories, Fried E/m) and special care is provided on Mummy. There’s the crackle and verve of Dolly Mixture, the slyness of Television Personalities, and the pure fun of the Freshies. The pogo is an apt dance for album openers 'Jeffrey Jarvis' and 'Boys With Plants.' Curiously dressed adolescents lay the groundwork for 'Matching Teens' and its swinging organ and crunching guitar. Lira’s singing is furiously focused and fulfilling on “The Times,” bottled fun. 'It’s a hit! It’s a hit!' These are the screams I hear each night in the Soup Activists concert audience. Let 'Some Doves Don’t' be your introduction to new wave. 'Chaos Girls' is an anthem for the apocalypse that dances dangerously in a zone of perilous joy.

Martin has worn many hats, and now we are closer to the dome than ever before with this guitar-pop project. Big, freaky-beefy, and beautiful, Soup Activists’ new LP is personal. It’s strange when you’re living the dream. We are lucky to live in this wonderful world and to have Martin Meyer making it more wonderful."—Reese Higgins (Gentle Reminder Records)

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Pleasant Mob

Release: 2024 / US – Original

Genre: Rock & Indie

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"What a genuine relief it is to know that for every monstrous blow the world delivers, musicians are able to create things of beauty in stark contrast to an oversaturation of ugliness. To be sensitive and soft during undeniably hard times is a brave act, and the music of Pleasant Mob is as defiant as it is endearing.

At a glance Pleasant Mob evokes a carefree spirit, but below the surface, their uncluttered compositions are a comforting utopia. Their judicious use of tone, color, and melody strike the perfect balance between masculine and feminine energy—take that Piet Mondrian. Their clarity and resolved tension has smoothed down the sharp edges of rock and roll into a joyous flower powered jangle.

In 2022, Chicago’s Raidy Hodges of Spread Joy adopted a new neo-psychedelic musical identity and released a two song cassingle via Feel It Records. Resetting once again, Hodges has a whole new supporting ensemble: Tessa Sebastian - Bass, Timothy Makowski - Guitar, Daniel Lynch - Keyboards, Hana Chew - Drums and all sharing vocal duties. Hodges and Chew’s vocal chemistry is undeniable, adopting indie pop art school charm and adding in ‘60s lite-psych romance.

'Are you scared to be happy?' was a mantra of sorts to the 1980s C86 scene. I honestly have no idea if anyone is truly happy in 2024, but I welcome Pleasant Mob’s ability to make me believe the answer could be yes.

Riyl: postcard-length vignettes, breezy tempos and pillow-soft harmonies flanked by 24 karat golden hooks."—Tracy Wilson (Courtesy Desk)

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Famous Mammals

LP | 2024 | US | Original (In The Red)

Release: 2024 / US – Original

Genre: Rock & Indie

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"Famous Mammals were already going to be fantastic the moment they decided to form as a pandemic avocation in 2020, considering they’d been birthed from the flames of recent Oakland, CA scene-definers Rays, The World and Andy Human & The Reptoids. Yet when their wonderfully sharp & confounding self-titled tape came out in 2021, they were better than that, even. Their initial sound clicked along, searched and then found oblique treasure in a deep DIY post-punk void one might associate with 39 Clocks or the Swell Maps - sometimes aggressively sharp and pointed, other times given to captivating and off-centered murky quaalude meandering in all the ways you love.

I’m a big fan of Stanley Martinez’ vocals and guitar, and have been since the first time I saw & heard Rays, and he transported his A-game to a recording session yet again. Likewise Amber Sermeno—we all swooned for her fronting The World, and while we only get one lone track w/her vocals, it might even be the best thing on here: the chugging & propulsive 'Unspoken Chair'. Andy Human—well, that guy just moves from strength to strength, excelling as a bass player here and general instrumental conductor of an echoey and wide-open sound partially transported from the hinterlands, moors and home studios of 1979 Northern England. To my ears, this was the first truly great set of recordings to emerge from a 'pandemic band', and now that they’ve gone on to be a full-fledged recording project and occasional touring band of some renown, it’s phenomenal to see it in the format it’s always deserved."—Jay Hinman (Dynamite Hemorrhage)

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Memo PST

Memo Pst

Rip City Bonerpunk Classics Vol 1

Release: 2024 / US – Original

Genre: Rock & Indie

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“Memo PST was formed in 2022 by longtime associates Orville Neeley and Chris Shaw.

“The band released a self recorded cassette demo and played a handful of shows in California before setting up shop at Discount Mirrors (the neighborhood studio owned by John Dwyer and Eric Bauer) to lay down an LP.

“Recorded the first five days in May of 2023, the debut album from Memo PST features twelve blasts of raw and primitive Los Angeles punk rock, with Orville Neeley (Bad Sports, OBN IIIs) handling songwriting duties and Chris Shaw (Ex-Cult, Vile Nation) handling vocals and lyrics.

“The debut long player from Memo PST is everything fans have come to expect from the two longtime fixtures in underground rock, but also features some of their most memorable songs yet, including ‘I Used To Be A Pretty Boy’ the debut single from the band that sold out in hours via record label In The Red.

“The black and white album cover photo (taken behind the iconic rocker shop Worship) and the stark presentation that Memo PST has thus far deployed is a clear statement that this is punk made for punks, and the band has little to no regard for current trends created and championed by those less informed.

“Written, recorded, and released in Los Angeles, this is the latest chapter in the LA transplants discography, and only the beginning of what we can expect to hear from the songwriting duo.

“Rounding out the live lineup is life long Los Angeles punk Danny Clodfelter on bass and San Clemente surf punk Jackson Todd on drums. Crumple up your scribblings, this is Memo PST.” —Johnny Dog Face

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Long Knife

LP | 2024 | US | Original (TKO)

Julie Driscoll, Brian Auger & The Trinity

Release: 2024 / US – Original

Genre: Rock & Indie

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Portland, OR's Long Knife have spent the last 10+ years turning out some of the most well-crafted and unrelenting hardcore punk in North America, fusing the speed and ferocity of first wave Ushc, the barely restrained chaos of Japanese hardcore, and the guitar heroism of classic Hard Rock to devastating effect. And with three albums, numerous 7"s and compilation appearances to their name, this is a band that's never been content to rest on their laurels. If you, woefully ignorant poseur that you are, somehow missed the memo, and are now desperately clamoring to own the band’s long out of print EPs, TKO Records has got you covered. Rip City Bonerpunk Classics Vol. 1 compiles all of Long Knife's 7” tracks, including 'Possession,' 'Sewers of Babylon,' and 'Night of the Hunter,' as well as songs from their split 7” with Japanese Hardcore legends Forward and several previously unreleased covers. The assembled material featured on Rip City is some of the most incisive, hard-hitting, and musically interesting Hardcore Punk available today. Whether you pine for the unhinged guitar wizardry of G.I.S.M., the pummeling neanderthal churn of Motörhead, or the frenetic lunacy of United Mutation, Long Knife delivers. Grab a copy while you can, or don’t and wish you did later.

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Open

LP | UK | Reissue (Soul Bank)

Release: UK – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

2LP | 2020 | NL | Original (Anti-)

Deradoorian

Find The Sun

Release: 2020 / NL – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 2024 | EU | Original (ADA)

Cassyette

This World Fucking Sucks

Release: 2024 / EU – Original

Genre: Rock & Indie

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2LP | 2021 | EU | Original (Weird World)

Richard Dawson & Circle

Henki

Red Fang 15th Anniversary Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Light green vinyl, Copy close to NM

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Red Fang

LP | 2008 | UK | Reissue (Sargent House)

Release: 2008 / UK – Reissue

Genre: Rock & Indie

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LP | 2024 | Original (Escape Music)

Atlantic

Another World

Release: 2024 / Original

Genre: Rock & Indie

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A Swing To Folk Splatter Record Store Day 2021 Edition

The Coterie

LP | 2021 | Original (Munster)

Light A Bigger Fire Black Vinyl Edition

Release: 2021 / Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Splattered vinyl.

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Ist Ist

LP | 2024 | UK | Original (Kind Violence)

Songs Of Our Native Daughters

Release: 2024 / UK – Original

Genre: Rock & Indie

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The first few months of 2024 has seen IST IST’s growing popularity expand further. Now a full-time band, they played to over 8,000 people across the UK and Europe including a first visit to Scandinavia and the sell-out signs going up at multiple German and Dutch shows including the 1,100 capacity Doornroosje in Nijmegen. ‘Light A Bigger Fire’ will be the follow-up to ‘Protagonists’, which reached number 41 in the Official Album Chart on release in March 2023 as well as securing them their third set of top ten positions in the vinyl, independent and physical charts as well as the number one download in the week of release.

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Our Native Daughters

LP | 2019 | US | Original (Smithsonian Folkways)

Release: 2019 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | US | Reissue (Demon)

Labi Siffre

LP | 2024 | Original (Skep Wax)

Release: US – Reissue

Genre: Rock & Indie

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Medium: Near Mint, Cover: Near Mint

Green vinyl!

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Marlody

I'm Not Sure At All

Release: 2024 / Original

Genre: Rock & Indie

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James Yorkston & The Second Hand Orchestra

The Wide, Wide River Green Vinyl Edition

LP | 2021 | UK | Original (Domino)

Release: 2021 / UK – Original

Genre: Rock & Indie

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Medium: Near Mint, Cover: VG+

Paint A Room Red Vinyl Edition

Chris Cohen

LP | 2024 | US | Original (Hardly Art)

Delta - Sleep Oddity Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Chris Cohen was always a quiet kid. In fact, this introversion was one reason he began playing music as a toddler-to communicate without speaking, to identify with others without the direct representation of words. It has worked, too, with Cohen's terrific stint in the mighty Deerhoof and his own captivating art-rock act The Curtains, preceding production and session work for the likes of Weyes Blood, Kurt Vile, Le Ren, and Marina Allen. Somewhere along that long way, Cohen started writing lyrics. He found that, though it didn't come naturally, the process offered a new sense of self-discovery and reckoning, a way to see himself and the world from unexpected angles. His three twilit albums of casually complicated pop during the last decade radiated these epiphanies: handling family strife, navigating advancing age, and understanding social woes. But Cohen has never had as much to sing so directly as he does on Paint a Room, his first album in five years and his debut for Hardly Art. If Cohen's meanings have previously lurked inside the tessellated musical layers he built alone, they are newly clear and resonant here, animated and underscored for the first time by a band playing in real time. There is the endless miasma of state violence on the subversively melodious opener "Damage," the existential exhaustion of modernity on the horn-traced jangle "Laughing": this is Cohen communicating with friends not only through his deep understanding of groove, harmony, and hook but also with his listeners through songs that croon of our uneasy little era. On Paint a Room, Cohen's music feels like a warm spring breeze, easy to love and gentle to feel. But it's often carrying something heavy, as if blowing in from some unseen storm cloud. Paint a Room both reckons with reality and conjures an alternate one, where nighttime walks and a neighbor's wind chimes offer endless escapes for the imagination, space for the mind to roam. Sublime and sun-lit, these 10 songs consider dreamy new ways out of old predicaments, clearly...

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Thot

LP | 2024 | EU | Original (Pelagic)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Merge)

The Mountain Goats

The Coroner's Gambit

The Talkies Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Originally released in October 2000, The C...

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Girl Band

LP | 2019 | EU | Original (Rough Trade)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2024 | GR | Original (Fabrika)

Selofan

Animal Mentality

LP | 2024 | EU | Original (Sublime Frequencies)

Release: 2024 / GR – Original

Genre: Rock & Indie

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Since forming in the cradle of Europe Athens, back in 2012, dark synth duo Selofan have paved their own perditious way, reinventing the modern Darkwave scene throughout the continent and worldwide with their prolific creativity and work ethic over the past decade.In the ever-evolving landscape of the underground music scene, few bands have made an impact quite like Selofan, has carved a niche for themselves within t...

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The Handover

Where The Good Times Are (the lost 1967 album)

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie

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In The Handover, Aly Eissa, Ayman Asfour and Jonas Cambien explore the common and uncommon senses of Egypt's ritual music. It is clear that Aly Eissa's original composition is deeply rooted in Egyptian and Arabic traditions. At the same time, this band is one of the most progressive coming out of Egypt today. This is in big part thanks to Eissa, who has proven time and again to be not only an extremely skillful composer, but also a real visionary, combining tradition with modern experimentation.

A performance by The Handover is typically one stretch without break: a long build-up that lasts for the duration of the concert. Towards the end of the performance, all the tension is released in an exuberant, joyful climax, when wild improvisations are driven forward on top of exciting dance-rhythms from rural Egypt. The Handover elegantly combines the delicacy of classical Arabic music, the raw expressiveness of Egypt's countryside music, and the spontaneity of free improvisation, carefully obliterating the artificial separation between acoustic and electronic instruments. Despite the remarkable absence of any percussion or drums, The Handover is an extremely groovy band, with an ability to slow down and accelerate the tempo in almost telepathic synchronization at exactly the right moments.

Alongside the tight ensemble playing there is plenty of room for individual expression as the oud, synthesizer and violin take turns playing solos on top of repetitive riffs. Throughout the album, native Alexandrian Ayman Asfour plays the violin with breathtaking beauty, while not being afraid to make the violin buzz, squeak and rattle at times. Belgian/Norwegian keyboardist Jonas Cambien makes the synthesizer a melodic instrument in its own right, at times evoking almost classical Maqam, while in other moments it seems like he comes straight out of an Egyptian wedding. The oud forms the backbone in the composition's structure, as Aly Eissa's solos guide the listener from minimalist, meditative drones, to a compelling climax, and back to earth.

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Beverley Martyn

LP | 2018 | US | Original (Fly)

The Fruit Of Errata 間違いの実

Release: 2018 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Limited edition for Record Store Day 2018 on clear vinyl!

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Yumbo

2LP | 2021 | DE | Original (Morr Music)

Release: 2021 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2022 | EU | Original (Fire)

50 Foot Wave

Black Pearl

LP | 2023 | EU | Original (Proper)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Turquoise Vinyl Limited edition. Still sealed with hype sticker.

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Fairport Convention

Release: 2023 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

The True Story Of Bananagun Clear Vinyl Editon

Bananagun

LP | 2020 | UK | Original (Full Time Hobby)

What A Beautiful Place Yellow Vinyl Edition

Release: 2020 / UK – Original

Genre: Rock & Indie

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Medium: VG+, Cover: Near Mint

Limited Edition.
Clear Vinyl.

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Catherine Howe

LP | 1971 | US | Reissue (Numero Group)

Xtc - As The Dukes Of Stratosphear

Release: 1971 / US – Reissue

Genre: Rock & Indie

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Medium: Near Mint, Cover: Near Mint

Original inner sleeve with small torn!

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Psonic Psunspot

LP | 1987 | UK | Reissue (DGM Panegyric)

Release: 1987 / UK – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Me First And The Gimme Gimmes

Blow It At Madison's Quinceanera Black Vinyl Edition

LP | 2024 | EU | Original (Fat Wreck)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Slowey And The Boats Slowey Goes West

Slowey And The Boats

LP | 2024 | EU | Original (Hi-Tide)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-01

LP | 2021 | UK | Original (Invada)

Divide And Dissolve

Gas Lit

Hurried Life: Lost Recordings 1965-1971 Record Store Day 2021 Edition

Release: 2021 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Red vinyl.

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Ruthann Friedman

LP | 2021 | US | Reissue (Tompkins Square)

LP | EU | Reissue (Get Back)

Release: 2021 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Blue vinyl!

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Veronique Chalot

J'ai Vu Le Loup

Release: EU – Reissue

Genre: Rock & Indie

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Medium: VG+, Cover: VG+

LP | 2015 | EU | Original (Bad Taste)

Danko Jones

Fire Music

LP | 2020 | UK | Original (O Genesis)

Release: 2015 / EU – Original

Genre: Rock & Indie

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Medium: Near Mint, Cover: Near Mint

Green vinyl version!

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Tim Koh

In Your Dreams

LP | 2014 | EU | Original (Rock Action)

Release: 2020 / UK – Original

Genre: Rock & Indie

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Medium: VG+, Cover: VG+

Limited Edition.
Green Vinyl.

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Mogwai

Rave Tapes

Always Tomorrow Turquoise Vinyl Edition

Release: 2014 / EU – Original

Genre: Rock & Indie

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Medium: Sealed, Cover: Sealed

Factory sealed !

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Best Coast

LP | 2022 | US | Reissue (Concord)

Release: 2022 / US – Reissue

Genre: Rock & Indie

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This Is A Sickness And Sickness Will End

Crusades

LP | 2017 | EU | Original (Anxious And Angry)

LP | 2019 | UK | Original (Big Scary Monsters)

Release: 2017 / EU – Original

Genre: Rock & Indie

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Medium: Near Mint, Cover: Near Mint

Bone With Red And Black Splatter vinyl

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Cultdreams

Things That Hurt

LP | 2016 | US | Original (6131)

Release: 2019 / UK – Original

Genre: Rock & Indie, Pop

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Medium: Near Mint, Cover: Near Mint

Blue With Yellow Stripe vinyl

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Culture Abuse

Peach

LP | 2012 | US | Original (Sub Pop)

Release: 2016 / US – Original

Genre: Rock & Indie

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Medium: Near Mint, Cover: Near Mint

Yellow and blue vinyl!

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Father John Misty

Fear Fun

Release: 2012 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

A Eulogy For Those Still Here

Counterparts

LP | 2022 | US | Original (Pure Noise)

Every Last Time Translucent Gold Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Medium: Near Mint, Cover: Near Mint

Yellow vinyl version!

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Gameface

LP | 1999 | US | Reissue (Revelation)

Release: 1999 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

The Sleepwalk Transmissions

We Never Learned To Live

LP | 2019 | DE | Original (Holy Roar)

A Paradoxical Theory Of Change Black Vinyl Edition

Release: 2019 / DE – Original

Genre: Rock & Indie

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Medium: Near Mint, Cover: Near Mint

Half/Half - Cream/Aquamarine vinyl

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Makewar

LP | 2024 | EU | Original (Fat Wreck)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Gerry Beckley Clear Vinyl Edition

Gerry Beckley

LP | 2024 | EU | Original (Blue Elan)

Release: 2024 / EU – Original

Genre: Rock & Indie

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In Search Of The Cosmic Tale: Crossing The Galactic Portal Yellow Vinyl Edition

Nebula / Black Rainbows

LP | 2024 | EU | Original (Heavy Psych Sounds)

LP | 2013 | DE | Original (Coffeebreath And Heartache)

Release: 2024 / EU – Original

Genre: Rock & Indie

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There’s not much to add, two of the greatest Heavy Psych bands of the scene join the forces to give birth to an incredible Split Album. Packed with 32 minutes of the highest quality heavy rock you can find out there; a joint venture which can happen only once every 100 years!! Heavy Psych king-pioneers Nebula bring to life three brand new songs, recorded expressly for this incredible project. Three new gems which follow their latest “Holy Shit” and “Transmission….”

Black Rainbows add in three songs of their own, handpicked from the recording session of their latest success “Superskull”, released back in 2023. Delivering two Stoner in-your-face Heavy Fuzz pieces and one Heavy Space tune to celebrate this awesome collaboration!! The cover art pairs perfectly with the vision and vibe of the album and is credited to the mighty Simon Berndt.

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Pentimento

2LP | 2008 | US | Reissue (PIAS America)

Release: 2013 / DE – Original

Genre: Rock & Indie

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Medium: VG+, Cover: Near Mint

Limited Edition.
Silver Vinyl.

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Mogwai

The Hawk Is Howling

Release: 2008 / US – Reissue

Genre: Rock & Indie

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Medium: VG+, Cover: Near Mint

LP | 2020 | DE | Original (Through Love)

Neander

eremit

Release: 2020 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Waterslide, Diving Board, Ladder To The Sky

Porridge Radio

LP | 2022 | Original (Secretly Canadian)

Release: 2022 / Original

Genre: Rock & Indie

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Medium: Near Mint, Cover: Near Mint

LP | 2024 | UK | Original (Anova Music)

Or Kantor

Sarda Sarda