Rock & Indie 55916 Items

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Mais 5)

José Afonso

Venham Mais Cinco

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (La Familia)

Alexis Hk

Bobo Playground

20,39 €* 23,99 € -15%

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (K&F)

John Blek

Thistle & Thorn

22,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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G.Rag /Zelig Implosion Deluxxe

Laut Los

LP | 2020 | EU | Original (Gutfeeling)

19,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Dackelton)

Jamie Clarke's Perfect

Monkey See, Monkey Do

19,54 €* 22,99 € -15%

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Comino Productions)

Sweet Alibi

Make A Scene

29,74 €* 34,99 € -15%

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2017 | EU | Original (Beste! Unterhaltung)

Gankino Circus

Die Letzten Ihrer Art

16,14 €* 18,99 € -15%

Release: 2017 / EU – Original

Genre: Rock & Indie

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The Country Side Of Harmonica Sam

True Lieslookout Heart

7" | 2016 | EU | Original (El Toro)

12,99 €*

Release: 2016 / EU – Original

Genre: Rock & Indie

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Philipp Hochmair & Die Elektrohand Gottes

Jedermann Reloaded

2LP | 2018 | EU | Original (Elektrohand Gottes)

Release: 2018 / EU – Original

Genre: Rock & Indie

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Where There's Life, There's A Dream

Meaning Of Tales

10" | 2022 | UK | Original (Violette)

7" | 2022 | EU | Original (YNFND)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Somewhere between Simon & Garfunkel and the Kings of Convenience, Meaning of Tales bring benevolent and empathetic music in their own style.

Music that will evoke memories of youth for some, without any nostalgia but with infinite tenderness, and will teleport others to nature at sunset. Music that proves Aristotle right: so much will it soften our morals and delight our hearts.

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Tofu Resistance

Thurídur

11,99 €*

I Bet You've Got Some Good Stories

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance, Classical Music

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Tofu Resistance returns with his new ep “Thorídur”, marking his 3rd release on Ynfnd after his full length debut “1//23“ in 2019.

This EP sits comfortably between both the world of beats and a more relaxed environment. Returning to his roots, Tofu Resistance aka Tobias Kleine remembers his early influences of sample based music and classy hip hop grooves.

The result is a sonorous sketch of deceleration, answering with bouncy rhythms to nod your head to. You can hear him playing the drums, guitars and various other instruments on this record. A beautiful blend of organic and electronic production, adding his unique Tofu flavor.

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The Lloyd Pack

LP | 2022 | UK | Original (Low Company)

16,19 €* 17,99 € -10%

2LP | 2006 | US | Original (Dangerbird)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Corrupt West loser Walker meets happiness undermine rock titan Melchior is useless album.

*

"Television star Martin Shaw last night said justice had been done after seeing his stalker convicted of a 5-year campaign of harassment. The Judge John Deed actor looked relieved as he left King's Lynn Magistrates Court and said he hoped Sandra Price would find peace following yesterday's guilty verdict. Shopkeeper Price, 66, also from Hingham, began writing to Mr Shaw after his marriage to TV presenter Vicky Kimm broke up in 2005. But the letters became increasingly offensive and Price began appearing outside the homes of Mr Shaw and his partner Karen da Silva. And delivering his verdict, district judge Tim Daber praised his onscreen counterpart's 'meticulous' evidence. Of Price, he added: 'I am not convinced that all these explanations are wholly truthful.'

"Price, who originally came from Settle, North Yorks, moved to the village in August 2006 and opened a craft shop. She hand delivered a 45-minute tape to the actor's house and left him a 120-page dossier detailing his movements, explaining her behaviour and threatening to kill herself in his garden. Yesterday she told the court that she wanted to help Mr Shaw by giving him 'healing'. When the trial opened on Tuesday she denied harassment but admitted causing criminal damage by pouring petrol through Ms da Silva's front door. But under cross examination, she admitted collecting and keeping personal information about the couple, including the Land Registry deed to Ms da Silva's house. And in the 120-page document, which she called The Chronicle, Price admitted she 'wanted to get under his skin enough for him to be curious about her'.

"In another extract read out in court, a person referred to in the third person as The Woman said she would drive to Hingham, go to Martin Shaw's Garden, wrap herself in a sleeping bag and take an overdose of painkillers. Price agreed she was The Woman. Robert Warner, prosecuting, told her: 'I suggest you have developed an unhealthy interest in Martin Shaw and his personal life and also the personal life of Ms da Silva.'

"Price was warned to stop contacting Mr Shaw after the actor complained to the police in November 2005. Police arrested her after petrol was poured through Ms da Silva's letterbox last July. PC Mark Bandrowski said when he searched her home in Chapel Street, Price showed him bottles which had contained petrol, oilskin clothing and a lighter. Price admitted pouring the petrol through the door. She told the court: 'Someone told me that she had been calling me a stalker, Martin's stalker. I've always complied with whatever I've been told to do and I thought my name was blackened in the village. I was angry. It's not a good thing to do I will admit but I became enraged.'

"Extracts from letters Price sent Mr Shaw were read out in court. One said: 'Please don't regard this letter as an invasion of your privacy (although it is).' She signed another from Sandra The Crackpot. Price said she had not deliberately set out to pass Mr Shaw's house or Ms da Silva's property, but she loved to walk long distances around the village."

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Silversun Pickups

Carnavas

Release: 2006 / US – Original

Genre: Rock & Indie

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Luigi Tenco Clear Yellow Vinyl Edition

Luigi Tenco

LP | 1965 | EU | Reissue (SAAR)

Release: 1965 / EU – Reissue

Genre: Rock & Indie

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LP | 2022 | US | Original (Mint)

Dumb

Pray 4 Tomorrow

LP | 2022 | US | Original (Centripetal Force)

Release: 2022 / US – Original

Genre: Rock & Indie

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Dumb had a classic start as a DIY outfit back in 2015, playing their first shows in the dining room of a tear-down in east Vancouver. The four band members, Franco Rossino, Shelby Vredik, Pipe Morelli, and Nick Short, were all part of a larger group of friends that jammed and partied together often. Seven years later, the band is set to release their third LP with Mint Records, Pray 4 Tomorrow—self-recorded at Choms, a studio co-owned by Nick Short and Franco Rossino. Dumb has toured extensively in North America and Europe, played with Wolf Parade and Dilly Dally, and are known for their catchy punk rhythms, squealing guitar feedback, and strongly spoken lyrics. Over the years Dumb’s songwriting has developed, and on Pray 4 Tomorrow their pop sensibilities manage to shine through the dissonant tones and syncopated rhythms borrowed from Yo La Tengo and Devo. Consider “Excuse me”, which finds a Beach Boys-esque melody placed gently atop the drop-tuned dissonance of Rossino and Short’s duelling guitars, or “Gibberish”—a heavy hitting post-punk bop that culminates in a melodic instrumental piano outro. Dumb is doing their best to balance their noisier tendencies with pretty melodies, in an approach similar to San Francisco’s Pardoner. Rossino’s vocals have matured from abstract rambling towards nuanced commentary, often poking fun at his own self-righteous attitude towards the stress of living in the information age. In “Out of Touch”, Rossino yells “I can see you talking but it sounds like simulations, I’m not sure I’ve got the patience, I’m already full of shit”. In “Gibberish” Rossino sings “thank you kindly but I think I’ll keep my eyes closed” on wanting to shut out the constant stream of targeted advertising. Pray 4 Tomorrow is Dumb’s most refined album to date, but also their most eclectic mix of influences. There’s something for everyone on the album, with two Specials-influenced Ska interpretations, a couple of folk tunes with vocals from bassist Shelby Vredik, and a series of Minor Threat style B-side rants, all enveloped in the unique post-punk sound that the band has honed over the years.

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Gold Dust

The Late Great Gold Dust

LP | 2022 | EU | Original (Meritorio)

Release: 2022 / US – Original

Genre: Rock & Indie

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Western Massachusetts musician Stephen Pierce has used Gold Dust as a means for exploring his next journey, slowly piecing together songs that held the fragile wonderment of the Grateful Dead, the weary beauty of Elliott Smith, the melancholic twang of the Byrds, and the otherworldly density of My Bloody Valentine while always reaching for hope and connectivity in a way that was universal. Neither the slow-to-form creative process of the first album nor the ambling pace often taken by Pierce’s thoughtful, dreamily damaged psychedelia points to rapid evolution, but that’s exactly what’s taking place on second album The Late Great Gold Dust.

The themes of isolation and self-doubt that floated on the first album have sharpened, and the language around these difficult feelings have taken on a new clarity. Pierce’s songwriting has always held a distant sadness, but with The Late Great Gold Dust, the melancholy cuts through, feels more present and alive within the songs. There’s a muddy narrative arc to these twelve songs, getting more harrowing throughout the album’s second half as screams echo in the void until an exhausted sigh that sounds something like acceptance rises out of the murk.

The Late Great Gold Dust steps into new dimensions musically as well. Pierce continues the layers of jangle, fuzz, and sunny vocal harmonies that made the first album equal parts tender and strange, but takes new risks with production, texture, and instrumentation.

Pierce played every instrument and sang every vocal on the first album, and while he still handles the lion’s share of the performances here, he brings in several friends to add new angles to the tunes: guest vocals, moody Fender Rhodes, Hammond organ, damaged synth, and J Mascis (dinosaur JR.) lending his instantly-recognizable guitar with a “Maggot Brain” level solo on “Larks Swarm a Hawk,” the track that closes out side one. Eloquent weirdo Sean Yeaton of Parquet Courts contributes a short story for the liner notes, narrated from somewhere between the natural world and all the psychedelic computerized kitchens of the future.

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The Smashing Times

Bloom

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Startracks)

Fireside

Bin Juice

Die Sonne Ist Ein Zwergstern Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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"Fireisde sweden"s supreme indierockers (back then it was called emo-core) are back with their first studioalbum since 2003. Kristofer Âström on vocals singing better then ever. Pelle Gunnerfeldt studiowizard and producer of (The Hives, Viagra Boys) here on guitar have written some of the very best Fireside songs. Guitardriven indierock with layers of sounds but still clean and melodic. There will be a digital single "Jungle Knuckle" released sep 9 but for now this is a vinyl only release, no digital release"

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Jupiter Jones

LP | 2022 | EU | Original (Mathildas Und Titus Tonträger)

25,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 1978 | EU | Reissue (Wah Wah)

COS

Babel

LP | 1976 | EU | Reissue (Wah Wah)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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The origins of Cos date back to the second half of the sixties when Daniel Schell joined forces with Jean-Paul Musette, Pascale Son and Robert Pernet to form Classroom. When Classroom split, Daniel Schell and Pascale Son moved ahead and formed Cos together with Charles Loos, Alain Goutier and Bob Dartsch. They produced an experimental jazz rock sound linked to the influences above mentioned, but without being mere copycats since they always managed to keep to their own personality.

Babel was Cos' third long playing release, issued in 1978. It represented a new step in the band's evolution with the addition of new influences that ranged from musique dodécaphonique, minimalist droning, or even a hint of disco, without turning their backs to their earlier love for Canterbury sounds or more conventional jazz-rock. Dirk Bogaert, Francis Cahen and Marc Moulin all played in its sessions, making this a superb sample of what was going on through the Belgian music scene in those days.

The Wah Wah reissue comes housed in a beautiful reproduction of the original sleeve. Limited edition of 500 copies, licensed from and with the collaboration of Daniel Schell.

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COS

Viva Boma

Nyati Mayi & The Astral Synth Transmitters

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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The origins of Cos date back to the second half of the sixties when Daniel Schell joined forces with Jean-Paul Musette, Pascale Son and Robert Pernet to form Classroom. When Classroom split, Daniel Schell and Pascale Son moved ahead and formed Cos together with Charles Loos, Alain Goutier and Bob Dartsch. They produced an experimental jazz rock sound linked to the influences above mentioned, but without being mere copycats since they always managed to keep to their own personality.

Viva Boma was their second LP, originally issued in November 1976, and added some African influences to the mix, including the cover which, designed by Alain Goutier upon a concept by Daniel Schell, depicted a trio of hipopotamus that made reference to Boma, a portuary city at the banks of the river Congo, and Bomma, Belgian word for grandmother (hence the title appearing either with one or two m's on different parts of the artwork).

The Wah Wah reissue comes housed in a beautiful reproduction of the original sleeve and an insert with photos and liner notes. Limited edition of 500 copies, licensed from and with the collaboration of Daniel Schell.

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Lulanga Tales

LP | 2022 | EU | Original (Les Disques Du Crepuscule)

LP | 1977 | EU | Reissue (Rhino)

Release: 2022 / EU – Original

Genre: Rock & Indie

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After a recent 7" single release, Bongo Joe Records follow the debut album from Nyati Mayi & The Astral Synth Transmitters. Nyati Mayi, a Belgo-Congolese multi-instrumentalist, singer and improv dancer has joined up with DJ & producer Sofa Elsewhere. After a performance at this year"s BBC Radio 3 After Dark Festival the duo have a busy live summer in Europe including a show a the Best Kept Secret Festival. Early support from Worldwide FM, Late Junction and AfroBase.

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Television

Marquee Moon

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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Evergreen 25 Year Anniversary Edition

Echo & The Bunnymen

LP | 1997 | EU | Reissue (London)

LP | 2022 | US | Original (Lame-O)

Release: 1997 / EU – Reissue

Genre: Rock & Indie

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In 1997, after a lengthy hiatus, Echo & The Bunnymen returned to the fore with 'Evergreen', revealing the brighter side of the band, and standing up with any of their earlier work.The self-produced album was recorded at The Doghouse in Henley-On-Thames with additional strings, horns and vocal arrangements recorded at Abbey Road.

The album saw the band rightfully return to the UK album charts at #8, with 3 singles ('Nothing Lasts Forever', 'I Want to Be There [When You Come]' and 'Don't Let It Get You Down') entering the UK top 50. 'Nothing Lasts Forever' (with backing vocals and tambourine by Liam Gallagher) has grown to become one of the band's most enduring and well-loved songs - a UK Top 10 and a fan favourite to this day.

To celebrate its 25 year anniversary, London Records releases 'Evergreen' on vinyl for the very first time, with a limited first pressing in solid white vinyl. There is also a new remastered and expanded 2 CD edition, taking in studio b-sides, live and acoustic sessions and previously unreleased versions across 33 tracks.

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Dazy

Outofbody

LP | 2022 | EU | Original (Billbrook)

Release: 2022 / US – Original

Genre: Rock & Indie

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One amp. One mic. One person. Countless hooks. That's the Dazy formula. Since first releasing the single "Bright Lights" in August 2020, Dazy mastermind James Goodson has been writing, recording, and releasing new music like a man on the hunt to find the best pop hook, and he won't stop until he's put all of them into his songs. Showcasing a unique set of influences, Dazy's sound marries thumping drum machine beats, blasts of feeding back guitar, and sugar-sweet hooks into something that sounds like Godflesh covering Oasis_or maybe the other way around. With lean songwriting that recalls Teenage Fanclub but a home-recorded production style better suited for Big Black, Goodson builds a constant churn of abrasive, consuming noise and then makes it catchier than anyone else would ever dare to. Dazy released two EPs, Revolving Door and The Crowded Mind, in 2021, the latter of which landed on Stereogum's `25 Great EPs From 2021' list.' Ever-prolific, all of those songs and more appeared on Dazy's August 2021 collection, "maximumblastsuperloud: The First 24 Songs" on Convulse Records, which was also included on multiple year-end lists in the USA. "...sticky, fuzzy, overwhelmingly catchy power-pop, and it's got hooks for days" - Stereogum

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Aboriginal Voices

Instant Music

Ritual Howls 10 Anniversary Deluxe Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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For a quarter of an hour, Zürich was the navel of the world. Let's look back: at New York's CBGB's, pre-punks were shredding away, Malcolm McLaren, as a man with a fine-tuned taste for the hip, imported the sound to London, where his sweetheart Vivienne Westwood dressed the test-tube band The Sex Pistols. A few pop magazines later (we are in an analog world!) punk bands sprouted everywhere, like shiny pimples on poorly fed teenagers. Contrary to legend, even back then, it was often those with a musical background who were the most successful. One such example, Henrich "Wüste" Zwahlen, who had learned the violin, attended a jazz school and went into prog-rock before joining the Nasal Boys, one of the first punk bands in Zürich. The scene included the female band Kleenex (cover: Fischli of art heroes Fischli/Weiss), whose minimalism was praised by the London music press, while the world's most important rock theorist, Greil Marcus, wrote an ode highlighting Zürich's role as the birthplace of Dadaism. A fertile ground for the militant youth movement that exploded in 1980 and stirred up the city of banks, protestantism and boredom with raw wit and expressive violence. Gathering at concerts of local bands and fueled by endogenous and artificial substances - they paid homage to exuberance and self-indulgence. The mantra of "everything-is-possible" was driven forward on the musical front by progress in terms of means of production: analog electronic instruments were no longer reserved for hippie nerds, who sat in front of large plug-in boards like autistic-psychedelic switchboard operators connecting cables for their sound carpets. Now snazzy stage personnel elicited fast-paced sounds from handy devices often made in Japan. Kraftwerk was fashionable, the Zurich duo Yello experimented with new synthetic sounds, and the groundbreaking album "Alles Ist Gut" by the Düsseldorf based duo D.A.F. (Deutsch Amerikanische Freundschaft) was released, which chanted its program of provocation times danceability with lines such as "Tanz den Jesus Christus, tanz the Mussolini, tanz the Adolf Hitler." In England meanwhile, electronically backed New Romantic bands were replacing New Wave. The Human League, Heaven 17, Duran Duran, OMD, Depeche Mode or Visage stormed the charts. In Zürich's underground, the duo Aboriginal Voices caused a stir at that time. A couple, good-looking, styled, looking cool into the cold neon light, with a danceable beat and sequenced electro sounds, to which Micheline gave a very unique touch when she sang in French and English. Micheline had a classical piano education, had left home early, worked as a lighting technician in a strip joint and at Booster, the hottest boutique in town (one of the relicts that still exists). Voilà: a musician who was as stylish as she was tough. She was already playing with Wüste in the band "Doobie Doos", a band where everyone played an instrument they didn't master. In 1980 the Aboriginal Voices were formed, initially with vocalist Magda Vogel (of later UnknownmiX fame), who was trained as a classical singer.

Frustrated by organizational friction and constant hassles with band lineups, Wüste and Misch decided to do everything as a twosome: self-mixed, self-styled, self-produced. With the top-of-the-line Linn drum machine clocking the beat, Wüste's guitar and Micheline on the Yamaha synthesizer created a unique sound of danceable electronic music. Whereby the Aboriginal Voices acted as a kind of proto-influencer, receiving the latest equipment to try out, especially since they made it a point not to work with tapes, but to design everything for live shows. They had an interface built for the legendary Roland Mc-4b, who sequenced the modular Roland System 100m but where one output controlled a light show synchronized with the sound. A pioneering act that fit well into the DIY spirit of punk, with its self-distributed tapes and fuck-you attitude towards the cretins of the music industry. Consequently only two cassettes and an EP were released. There was something futuristic about the sound, the vestiary style and the electronics, while the attitude remained rebellious. Of course something so deeped in the Zeitgeist wasn't meant to last. Wüste moved to New York, Micheline stayed in Zurich, both still active in the music scene to this day.

Sven Regener, head of the band Element of Crime and one of Germany's most successful pop writer said a few years ago when asked if he knew of any Swiss music: "Of course! In 1983, a Swiss band called Aboriginal Voices played with us at a festival in Zurich. Great, avant-garde electro-pop. That was my first encounter."

If you ever saw them live, you never forgot them, and so over the years you belonged to a teeny-tiny circle of insiders, happy to be joined after all these years by new aficionados who appreciate the sound of that quarter-hour, when Zurich was ravishing, creative and exciting.

- Thomas Haemmerli

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Ritual Howls

LP | 2012 | US | Reissue (Felte)

12" | 1987 | US | Original (A&M)

Release: 2012 / US – Reissue

Genre: Rock & Indie

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The story of Ritual Howls begins in a southwest Detroit basement in the early winter of 2012. Singer/guitarist Paul Bancell had been writing and performing solo as well as in several bands and was looking for collaborators for a new project. Ben Saginaw (bass) and Chris Samuels (synths, drums, drum machines) were acquatances that became natural fits. With the help of a friend (Jeff Navarre), they recorded their first full-length in Ben's art studio using a laptop. Paul tracked vocals at home in his bedroom and, not wanting to relinquish control, mixed and mastered the album himself. A formidable introduction to the band's haunting, cinematic blend of twangy industrial rock, their self-titled album established the band as a unique force in the landscape of dark music, both past and present. Separated by a decade, four LPs, two EPs later, Ritual Howls is an impressively cohesive first effort and testament to the band's vision that, even in its infancy, forged a distinct sound that has only matured with perfection over time.

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Thrashing Doves

Je$u$ On The Payroll

3,99 €*

Release: 1987 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Metal Never Rusts Curacao Vinyl Edition

White Skull

LP | 2022 | EU | Original (Roar!)

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 1985 | JP | Original (Warner)

Christopher Cross

Every Turn Of The World

14,99 €*

Mach Pelican Clear Vinyl Edition

Release: 1985 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI!

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Mach Pelican

LP | 1999 | EU (Hey Suburbia)

16,99 €*

Ois It Going Any Deeper Than This Colored Vinyl Edition

Release: 1999 / EU

Genre: Rock & Indie

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Originally out on CD only on the legendary 1+2 label from Tokyo, this is the first ever vinyl issue for the Australian-adopted Japanese punk band Mach Pelican. Ripped jeans, leather jackets, 14 short and sharp 3 chords tunes. PunkRock to the bone! Featuring the single "Dance in Chicago" and a cover of The Queers’ classic "Ursula Finally Has Tits". Cover art by Ray Ahn from the Hard Ons. Double-sided lyrics insert included. Limited to 300 only, on yellow vinyl!

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The Soft Pink Truth

2LP | 2022 | US | Original (Thrill Jockey)

Rolling Blackouts Coastlal Fever

Release: 2022 / US – Original

Genre: Rock & Indie

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Hot on the heels of the sold-out limited ep Was It Ever Real?, The Soft Pink Truth releases a super catchy, sexy contemporary disco banger Is It Going To Get Any Deeper Than This?, Throughout the ten songs of the album, the provocation to go "deeper" prompts promiscuous moves across the genres of disco, minimalism, ambient, and jazz, sliding onto and off of the dancefloor, sweeping higher and lower on the scale of frequencies, engaging both philosophical texts re-set as pop lyrics and wordless glossolalia. Throughout, Is It Going To Get Any Deeper Than This? aims for a kind of psychedelic poolside take on disco, using the steady 120 bpm rhythmic chassis of the music as a launchpad for reverie rather than big room EDM bluster. Sidestepping retro kitsch but paying homage to highly personal interpretations of disco such as Arthur Russell, Don Ray, Dr. Buzzard"s Original Savannah Band, and Mandré, or the jazz-funk of Creed Taylor and CTI Records. Its emphasis on slowly morphing deep house grooves will also appeal to fans of DJ Sprinkles, Moodymann, and Theo Parrish. At once catchy and spacey, poppy and perverse, Is It Going To Get Any Deeper Than This? shows a restless musician trying to square the circle of dance music and meditation, repetition, and change.

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Dsideways To New Italy Demos

12" | 2022 | US | Original (Sub Pop)

12,99 €*

The Rest Is Distraction Grey Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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4 track EP of Demos of tracks that ended up on RBCF's 2020 album "Sideways To New Italy". Previously available exclusively at the chain of Rough Trade shops.

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Girls In Synthesis

LP | 2022 | UK | Original (Own It)

30,99 €*

I Walked With You A Ways Clear Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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Experimental post-punk outfit Girls IN Synthesis are set to release the eagerly anticipated follow-up to 2020's incendiary debut, 'Now Here's An Echo From Your Future'. Entitled 'The Rest Is Distraction' and available this coming October 14th via the band's own label Own It/Cargo Records, its mix of fractured guitar, crushing drums and bass, intense vocals and lyrical content - create as challenging a record as you will hear this year. Formed in 2016, Girls IN Synthesis are John Linger (bass / vocals), Jim Cubitt (guitar / keys) and Nicole Pinto (drums). The trio's double a-sided debut single 'The Mound'/'Disappear' came out in the early part of 2017, and since then they have established themselves as the most forward thinking, viscerally challenging band around with unmissable live shows that continue to excite and astound in equal measure. Recorded last year amidst the uncertainty of continuous lockdowns as a result of the global Covid-19 pandemic, 'The Rest Is Distraction' is far darker in content than its predecessor. Mainly exploring internal and mental struggles as opposed to external current affairs, it focuses on the claustrophobia of emotional anguish and continues to bravely delve into previously un-ventured topics. Featuring frequent collaborators funkcutter and Stanley Bad on horns and violin, respectively, two songs also see Eleni Poulou, ex-The Fall, on keyboards. The album was mixed by long-term collaborator Max Walker and features stunning landscape photography by Bea Dewhurst. The album was mastered in France by Ayumu Matsuo. Sonically atramentous and less one dimensional than the band's debut, 'The Rest Is Distraction' takes its cues from 'Join Hands' era Siouxsie & The Banshees, Brainiac and Crass' 'Christ The Album', among others. From the first crackle of electricity on the opening track, to the heart wrenching taped voice-recording on the final outro, this LP triumphantly retains every ounce of intensity and vitality that makes Girls In Synthesis the most captivating band to emerge from the UK DIY underground in recent years. Listeners will find 'The Rest Is Distraction' a challenging, yet ultimately cathartic listen. Prepare yourselves for a sonic cleansing, Girls In Synthesis style.

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Plains

LP | 2022 | EU | Original (Anti)

LP | 2022 | UK | Original (Finders Keepers)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Hitting play on the debut album from Plains, the duo composed of Waxahatchee"s Katie Crutchfield and Jess Williamson, we"re immediately teleported into a world of Southern sunsets, wide open spaces, and the unapologetic nature of Country music. Plains began out of Crutchfield"s and Williamson"s mutual love for each other"s music and after trading albums (Saint Cloud and Sorceress, respectively) in early 2020. Feeling that it was time to have a separate project that could reflect a different side of her creative inspirations, Katie felt that Jess was the perfect fit for a collaboration, and they set off to create I Walked With You A Ways. Written between Kansas City, Los Angeles, and Marfa, the album was recorded in Durham, NC with collaborator and producer Brad Cook. The creative magic of only a few vocal takes, tracking with a band comprised of Spencer Tweedy and Phil Cook, gives the album a feel of fresh, on-the-spot conception. The trust and history of Crutchfield and Cook"s collaborations (Saint Cloud, Great Thunder EP) set the tone for this new container of spontaneity and experimentation. And that"s the thing about Country music, and what so much of this album nods to - from Waylon and Willie, to The Judds, The Chicks, Trio, and beyond - these are groups that are formed out of family and friendship, that lyrically take their listeners on a voyage of sorrow and hope. Crutchfield"s sharp, honest edge of truth telling paired with Williamson"s ability to paint the scene with candles, plains, sunsets, and small Texas towns is one of the strongest parts of this album. While Williamson sings "Texas in my rearview / Plains in my heart" and Crutchfield echoes "Got a heartbreak burn, take the quickest route / On this 4 lane highway I"ll trace it in the clouds," the true gift of this album emerges. We"re in the backseat with these two, truck windows open, wide open spaces in front of us. The feeling of being both a mess and unstoppable at our fingertips. May this album bring us all closer to ourselves and to each other.

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Miquela E Lei Chapacans

Intact And Smiling - The Weird & Wonderful World Of Tape Recordings Voluem 1

Release: 2022 / UK – Original

Genre: Rock & Indie

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The first progressive girl group of the French Occitan language pop scene bring you folk funk, sun-baked bossa, Coltrane jazz and their own brand of punky “Dizco Rural” against an untouched French Balearic backdrop spanning the late 70s and 80s. If even the most assiduous of European record collectors consider the Occitan language music scene to be France’s best-kept secret then it’s as fair to say that the incredible multifaceted recordings of langue d’oc prog girl group Lei Chapacans has spent the last four decades hiding in plain sight. In all fairness this overlooked treasure chest of minority language excursions into folk funk, Balearic, bossa, John Coltrane penned jazz, baroque psych, Palestinian poetry, comedic synth skits (and even the rawest form of femme-fronted multiingual punky disco) has been stowed away in inconspicuous photographic record sleeves, falsely evoking something closer to contemporary C&W while oft-misplaced in record shop cassette racks alongside “traditional” spoken-word and scholastic albums. So for the uninitiated, don’t be too hard on yourself. The fun starts here. For those who are familiar with the rare and sought-after one-off solo album by Occitan singer Miquela and have craved for more, then you’ve come to exactly the right place. Lei Chapacans (a name that roughly translates to The Vagabonds) is the all-girl vocal group assembled by Miquela herself just two years after her debut release, having toured the word and snubbed major label record deal offers with a steadfast allegiance to the protection of the Occitan language in which this album is primarily penned and performed (minus a small amount of German and sarcastic English in one rebellious instance). For European collectors with a penchant for French savoir faire, but have further yearnings for folkloric femme funk, then it’s time to look towards the Occitan sunset where you will meet Lolo, Miquela, Sophie, Irena and Denise. These amazing, and undeniably culturally important recordings might have taken some time to find a wider audience, but for music lovers, crate diggers and vinyl vultures alike there are still a lot of tasty morsels out there to be scavenged and devoured, ask any self-respecting Chapacan and they’ll concur wholeheartedly.

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V.A.

2LP | 2022 | EU | Original (Tapete)

LP | 2022 | EU | Original (Tomatenplatten)

Release: 2022 / EU – Original

Genre: Rock & Indie

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20 years of Tapete Records - Our first release, if memory serves, was in 2002. Damn, time flies so fast when you"re having fun. The world has changed a lot in the last 20 years but one detail has remained the same: We"re still putting out great music. That"s a bit reassuring, isn"t it? So we thought in our Tapete Building at Stahltwiete 10 in Hamburg-Altona: Let"s look back and start a series of good, old-fashioned, fantastic label compilations in the style of "Shadow Facory", "Tamla Motown Is Hot! Hot! Hot!" or "Wanna Buy A Bridge?"...something like that. And so here is "Intact & Smiling - The Weird & Wonderful World Of Tapete Records Vol.1". It wasn"t that easy to choose 28 out of about 5000 released songs, but what"s easy? Therefore a series. "Intact & Smiling Vol. 1" concentrates on the poppy side of Tapete Records, the basic tone is upbeat and uplifting. Can"t hurt these days. The title comes from the John Howard & The Night Mail song which says: "Intact and smiling, an independent soul, nobody"s slave". What could be more fitting? We would like to thank all the great artists who have released music with us over the last two decades, especially the bands and artists who have so kindly and unbureaucratically made available their great songs for this compilation. And of course a big thank you to you who listen to, buy and stream (well, yes) Tapete Records albums and songs. So close your eyes, open your ears, open your hearts, open up a bottle and step into The Weird & Wonderful World Of Tapete Records Vol. 1.

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13 Year Cicada

Ha Ha Gravity

Is It Going To Get Any Deeper Than This?

Release: 2022 / EU – Original

Genre: Rock & Indie

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While 13 YEAR CICADA rehearsed their first two albums to the letter and recorded them within a week, the third album HAHA GRAVITY allowed for a smoother creative process, switching back and forth between recording, writing, and rethinking. The writing of lyrics and themes on the album became a collective process centered around the redistribution of wealth and resistance to the concentration of power. GTA and class struggle, living in one place and being evicted, trickle-down ideology, and working in a restaurant are all connected. Staying home and reading during the pandemic has been good for them. 13YC want to be part of the big fight. There is...

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The Soft Pink Truth

2LP | 2022 | US | Original (Thrill Jockey)

33,99 €*

Don't Run From The Fire (Remix Edition)

Release: 2022 / US – Original

Genre: Rock & Indie

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Hot on the heels of the sold-out limited ep Was It Ever Real?, The Soft Pink Truth releases a super catchy, sexy contemporary disco banger Is It Going To Get Any Deeper Than This?, Throughout the ten songs of the album, the provocation to go "deeper" prompts promiscuous moves across the genres of disco, minimalism, ambient, and jazz, sliding onto and off of the dancefloor, sweeping higher and lower on the scale of frequencies, engaging both philosophical texts re-set as pop lyrics and wordless glossolalia.Throughout, Is It Going To Get Any Deeper Than This? aims for a kind of psychedelic poolside take on disco, using the steady 120 bpm rhythmic chassis of the music as a launchpad for reverie rather than big room EDM bluster. Sidestepping retro kitsch but paying homage to highly personal interpretations of disco such as Arthur Russell, Don Ray, Dr. Buzzard"s Original Savannah Band, and Mandré, or the jazz-funk of Creed Taylor and CTI Records. Its emphasis on slowly morphing deep house grooves will also appeal to fans of DJ Sprinkles, Moodymann, and Theo Parrish. At once catchy and spacey, poppy and perverse, Is It Going To Get Any Deeper Than This? shows a restless musician trying to square the circle of dance music and meditation, repetition, and change.

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Minuit Machine

LP | 2022 | EU | Original (Synth Religion)

21,59 €* 23,99 € -10%

LP | 2014 | US | Reissue (Sargent House)

Release: 2022 / EU – Original

Genre: Rock & Indie

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"Don't Run From The Fire" is Minuit Machine's 5th release. It's a four-track EP. One year and a half after coming back from a one-year hiatus, Minuit Machine keeps on transforming and evolving. From dark electronic, to EBM, the duo reasserts its hybrid identity, always dark wave, but with strong touches of techno and EBM.Don't Run From The Fire talks fear and desire. How love, and feelings in general affect us all as human beings. How we try to run away when we feel in danger. We run away, or we stand still, ready to attack, like a scorpio. We hide how much we're afraid, how much we'd like to hide.It's about control, trying to take control when everything is out of control. When the world around us is chaotic and dangerous.Don't Run From The Fire is about fighting, for who we are, who we want to become. It's about understanding what we truly want and embrace it.Don't Run From The Fire - Remix Edition is a new version of the original EP with 4 additional remixes from Rein, Parallx, Crystal Geometry and Maud Geffray.

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Boris

Noise

LP | 2022 | EU | Original (Post Present Medium)

Release: 2014 / US – Reissue

Genre: Rock & Indie

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Vinyl Packaging: 2LP in Gatefold jacket + download card.BORIS has always demolished expectations of what a band can do musically and aesthetically. In keeping with that tradition, they again flip the script for the band's first off...

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Non Plus Temps

Desire Choir

LP | 2022 | EU | Original (Own It)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Andy Human and Sam Lefebvre began writing and recording Desire Choir in 2021. They biked to a West Oakland rehearsal space and tracked drums and bass to an old tape machine. It was an accretive process, initially disoriented from live performance. Influenced by a "communist interpretation of collectivemusic" and the variable post-punk and dub combinations of the On-U Sound label, as they write in a pamphlet companion to the album, Non Plus Temps emerged as more singers and players sought affinity amid the pandemic-era social isolation and unrest. The result joins various instruments (sax and saz, synths and bells) and production techniques in a sound like the "broken headlight sky" mentioned in "Endless Jetty Night," the nervy, Residents-like meditation on coastal subduction zones closing the A-side. Album opener "Continuous Hinge," withvocalist Amber Sermeno, is a backbeat beaded with Stanley Martinez's electric viola, while "Facts Sound Like Myths" introduces pinballing dub paranoia. "Reversible Mesh," they write, suggests a "self-conscious Eno affinity surrendering to Chrome." Human and Lefebvre's companion text to the album also remarks on the title and band name: "`Non Plus Temps' is a garbled curse on time, which we mainly experience in relation to the wage, whether or not we're getting one. We're all racing and raging against meaningless gig work. `Desire Choir'refers to the production of wants and needs in capitalist society, which uses them against us, and the desire not to escape or avoid but to end this present state of things."The recording and live lineups of Non Plus Temps feature members of Naked Roommate, the World, Famous Mammals, and Preening, among other groups based in Oakland, California.RIYL - On-U Sound, Tuxedomoon, This Heat, Annie Anxiety

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Girls In Synthesis

The Rest Is Distraction

30,99 €*

Sow The Wind Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Experimental post-punk outfit GIRLS IN SYNTHESIS are set to release the eagerly anticipated follow-up to 2020's incendiary debut, 'Now Here's An Echo From Your Future'. Entitled 'The Rest Is Distraction' and available this coming October 14th via the band's own label Own It/Cargo Records, its mix of fractured guitar, crushing drums and bass, intense vocals and lyrical content - create as challenging a record as you will hear this year. Formed in 2016, GIRLS IN SYNTHESIS are John Linger (bass / vocals), Jim Cubitt (guitar / keys) and Nicole Pinto (drums). The trio's double a-sided debut single 'The Mound'/'Disappear' came out in the early part of 2017, and since then they have established themselves as the most forward thinking, viscerally challenging band around with unmissable live shows that continue to excite and astound in equal measure. Recorded last year amidst the uncertainty of continuous lockdowns as a result of the global Covid-19 pandemic, 'The Rest Is Distraction' is far darker in content than its predecessor. Mainly exploring internal and mental struggles as opposed to external current affairs, it focuses on the claustrophobia of emotional anguish and continues to bravely delve into previously un-ventured topics. Featuring frequent collaborators funkcutter and Stanley Bad on horns and violin, respectively, two songs also see Eleni Poulou, ex-The Fall, on keyboards. The album was mixed by long-term collaborator Max Walker and features stunning landscape photography by Bea Dewhurst. The album was mastered in France by Ayumu Matsuo. Sonically atramentous and less one dimensional than the band's debut, 'The Rest Is Distraction' takes its cues from 'Join Hands' era Siouxsie & The Banshees, Brainiac and Crass' 'Christ The Album', among others. From the first crackle of electricity on the opening track, to the heart wrenching taped voice-recording on the final outro, this LP triumphantly retains every ounce of intensity and vitality that makes Girls In Synthesis the most captivating band to emer...

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Wucan

LP | 2022 | EU | Original (MIG)

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (MIG)

Omega

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (MIG)

Omega

III

Release: 2022 / EU – Original

Genre: Rock & Indie

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Lucifer On The Moon - Spoon Vs. On-U-Sound

Spoon

LP | 2022 | EU | Original (Matador)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Something To Believe In Black Vinyl Edition

APB

LP | 2022 | US | Original (Liberation Hall)

The Sun Still Seems To Move Coke Bottle Clear Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Scottish post-punk trio's 11-track best-of collection of 1980s alternative radio and dance rock club hits:Formed in Scotland in 1979, APB were a post-punk trio blending edgy guitars with funk and new wave sounds. The band had many early '80s alternative radio and rock dance club hits including "Shoot You Down", "Rainy Day" and "Palace Filled with Love". Those tracks along with seven others were originally released on the collection Something To Believe In in 1985. This new revised LP adds the group's first single "Chain Reaction" to the set making this its vinyl re-release. The band has recently toured and will be promoting the set with a full publicity campaign. In Adam Horowitz "Beastie Boy Book" he described the APB song "I'd Like To Shoot You Down" as 'a punk dance-floor classic. I love it'- Single "Chain Reaction" was not available on the original release, included here.- Vinyl has been out of print for over 30 years- Opened for and toured with the Clash AND James Brown- Neil Innes (Bonzo Dog Doo-Dah Band & The Rutles) plays keyboard on the album- band has recently toured, is touring and will be promoting the set with a full publicity campaign.For fans of Red Hot Chili Peppers, Franz Ferdinand, The RaptureClassic Black vinyl LP!

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Shannen Moser

LP | 2022 | US | Original (Lame-O)

Tape | 1994 | US | Reissue (Joyful Noise)

Release: 2022 / US – Original

Genre: Rock & Indie

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Shannen Moser wants to have a conversation: with their pastselves, their present self, their undesignated, unfurling future selves; with the trees that adorn their old street, and the door they used to call home; with the shadows of lovers-turned-to-friends and the overwhelming cacophony of abrupt change. They're drawing a map but the port of call is cloudy and indistinct. It's while traveling along these nebulous contours that their latest album The Sun Still Seems To Move forms a kind of physicality, of outstretched giving hands, that offers a guide through the fog. Here, Moser examines the disorientating, challenging task of trying to hold onto ourselves - and everything else - all at once. But this isn't a fatalistic journey of melancholy or apprehension. Instead, Moser celebrates the small steps and the unwavering perseverance that makes it all worthwhile. Moser's previous albums Oh, My Heart (2017) and I'll Sing (2018) were praised for their careful, intimate arrangements that showcased their sharp, interpersonal narration and timeless lush vocals. On The Sun Still Seems To Move, their first release in four years, Moser takes the arresting simplicity of their past LPs to form a malleable foundation, and combines it with orchestral swells and poignantly-rich harmonies. The Sun Still Seems to Move is an album of reckoning with death and trauma, with all the shapes that love can take and all the people we've been and will become. It's a record of regret and relief, unlocking every facet of feeling with an unabashed yet tender vigor. It's watching the clouds bend to a new shape and still staying outside. It's cry-laughing on the phone to an old friend, and trying to trust yourself again. By leaning into-and being at the whim-of this kind of vulnerability, Moser is able to navigate the spaces between the losses to produce a truly honest and lustral work. "Holding space for all of these feelings is confusing, but I think that's what makes the world turn," they explain. "It's love and grief existing in tande...

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The Folk Implosion

Take A Look Inside

14,99 €*

LP | 2022 | US | Reissue (Captured Tracks)

Release: 1994 / US – Reissue

Genre: Rock & Indie

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Folk Implosion's fan favorite album is available on cassette for the first time!They say there's always something special about the first time and this record is that first time for the Folk Implosion. The band left the acoustic guitars and fragmentary sketch modus operandi of their earlier cassette behind to focus on an eccentric version of home studio craft, held together by a few cheap microphones (including a Radio Shack PZM) and a Tascam cassette 4-track recorder sequestered under the eaves of a 3rd floor, Cambridge Massachusetts double-decker house apartment. Wood floors and Christmas lights were as much a part of the vibe as an Ampeg VT 40 guitar amp and a small chord organ. The duo would wait until the downstairs neighbor went to work in the morning and then would play until the tunes snapped like a high-pitched snare drum. The setup would close down just before the neighbor came home from work, keeping the peace long enough to see the project through to completion.Once tracked, the band snuck into Fort Apache studios with Tim O'Heir (producer of Sebadoh's 'Bakesale' LP) early one morning, freeloading off the Sebadoh sessions that were set to get going that afternoon. Tim mixed the songs through a very hi-fi Neve board in a matter of hours with the Tascam sitting right on the giant board like a tugboat keeping time with an oil tanker. The duo hoped that the spirits of ancestors like The Troggs, Devo, Al Green, and The Bee Gees would be pleased with the scent of tribute that arose from the ashes of the pyre. Today, they are pleased to see the Slaps and the Sputniks on view again nearly 30 years later.

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Widowspeak

The Jacket

Release: 2022 / US – Reissue

Genre: Rock & Indie

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Takehisa Kosugi & Akio Suzuki

New Sense Of Hearing

LP | 2022 | EU | Original (Blank Forms Editions)

26,59 €* 27,99 € -5%

Tape | 2022 | EU | Original (Bayonet)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Available from Blank Forms for the first time since its original 1980 release on ALM-Uranoia, NewSense of Hearing documents a collaboration between Takehisa Kosugi and Akio Suzuki, twoluminaries of Japanese experimental music in the lineage of Fluxus. Blank Forms's high-qualityreissue of the sought-after, long out of print LP, is produced by musician-artist Aki Onda andmastered from the original tapes recorded on April 2, 1979, at Tokyo's Aeolian Hall.Described by Suzuki as the "culmination" of their sound,New Sense of Hearing features the twomusicians improvising together in that empty Tokyo theater, Kosugi on vocals, violin, and radiotransmitter and Suzuki on the Analapos, his namesake glass harmonica, spring cong, andkikkokikiriki, all apparatuses of his own invention.Suzuki and Kosugi first met at the city's Minami Gallery in 1976 on the occasion of "Sound Objectsand Sound Tools," an exhibition of Suzuki's homemade instruments. Two years later, at the Festivald'Automne in Paris, Suzuki invited Kosugi to join him for a suite of performances as part of theexhibition "MA: Espace - Temps au Japon," organized by architect Arata Isozaki andcomposer-writer Toru Takemitsu. Suzuki and Kosugi performed together at the Musée des ArtsDécoratifs, Paris, nearly fifty times, honing their approach to mutual improvisation, before travelingwith the exhibition to Stockholm and New York_critic Tom Johnson wrote in the Village Voice thathe had "seldom seen two performers so completely tuned in on the same types of sounds, the sameperformance attitude, the same philosophy, the same sense of what music ought to be."For NewSense of Hearing, the duo reunited in Japan and produced an extraordinary dispatch from theircollaboration of arioso violin, echoing vocals and bangs, and metallic twangs. As Johnson observedin 1979, Kosugi and Suzuki are "in a very subtle artistic world where there can be no directrelationships. . . . Only coincidence."Takehisa Kosugi (1938-2018) was a composer, ar...

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Smut

How The Light Felt

10,99 €*

How The Light Felt Orange Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Smut shines a spotlight on the sounds of the 90s acrossgenres - a record scratch, a spacey synth line, a breakcorebeat - all while maintaining freshness and originality. Thecollaborative project of vocalist Tay Roebuck, guitaristAndrew Min, bassist and synth-player Bell Cenower,guitarist and synth-player Sam Ruschman and drummerAidan O'Connor, Smut have conquered national tours withBully, Swirlies, Nothing, and WAVVES. Based in Chicago, IL,the band hits their stride in `How the Light Felt'. It is anexercise in coping, an electrifying statement of hope in thethick of resounding loss, and a love letter to the peoplethat keep us going. With their powers combined, Smutmeld the songwriting sensibilities of Oasis with the vocaldelivery of the Cocteau Twins - the percussive grooves of...

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Smut

LP | 2022 | EU | Original (Bayonet)

Third Eye Surgery Clear Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Baby Woodrose

LP | 2012 | EU | Reissue (Bad Afro)

20,99 €*

I Walked With You A Ways Black Vinyl Edition

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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10 year anniversary edition of the 6th Baby Woodrose album limited to 500 copies on clear vinyl. All Baby Woodrose albums have a different vibe and with Third Eye Surgery they have made their space rock album. For the first time Lorenzo Woodrose integrates the heavy psych of his side projects Dragontears and Spids Nogenhat with the fine song writing of Baby Woodrose. No matter how much the fuzz guitar is wailing or the echo machine is tripping, there's always a good song hiding beneath the rumble. Several of them clocks in at 6 minutes so there are only 9 songs on Third Eye Surgery. Songs like Nothing is Real and Love Like a Flower have an Eastern flavour thanks to the sitar of Vicki Singh while Just a Ride sounds like a trip to India in more than one way.Even though the central songs on Third Eye Surgery like Waiting for the War, Bullshit Detector and the title song are very spaced out there are also a few tunes that sticks out. Dandelion is a sweet and melancholic psychedelic pop song and is also a duet with Emma Acs while Honalie is a dreamy ballad that makes time stand still. Almost.Third Eye Surgery has been recorded in the Black Tornado studio in Copenhagen and is engineered by Anders "Evil Jebus" Onsberg and produced by Lorenzo Woodrose. The artwork is made by German artist Kiryk Drewinski who has worked with the band several times before and also did the artwork for the demo collection Mindblowing Seeds and Disconnected Flowers released in 2011.

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Plains

LP | 2022 | EU | Original (Anti)

LP | 2023 | CA | Original (37d03d)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Carm

Carm II

LP | 2022 | EU | Original (Wedge)

Release: 2023 / CA – Original

Genre: Rock & Indie

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Innovative horn player, producer and songwriter CJ Camerieri returns with his deeply collaborative CARM project. CARM II, the second album due out this fall with 37d03d, was produced in Minneapolis by Ryan Olson and features Edie Brickell, Sid Sriram, Kristian Matsson, Justin Vernon, Gabriella Smith, SeanCarey and others. It is a genre-defying, heartfelt exploration of the possibilities in provocative musicmaking and provides a homespace for a profound variety of voices. Where the first record used horns in place of other instruments, CARM II places them even more prominently in the musical texture. The experience of playing live shaped this approach. "Standing at the front of the stage was a new experience for me and I wanted to create a record of songs that justified my being there." On CARM II, there is no mistaking that the lead "singer" of this band is Camerieri's horn. CJ also wanted to feature bandmateTrever Hagen, who takes on both production and performance roles. The featured artists on CARM II have opinedon their various roles in this project. Brickell contactedCamerieri asking him to participate in her short-formsongwriting project that she introduced on social mediaduring the pandemic. Camerieri and Olson were in themiddle of writing songs for the record, and one stood outas perfect for Brickell's request. Sent as a work-inprogress,she quickly responded, writing the first verseand chorus to what would become "More and More."They knew it needed to be fully realized. Says Brickell,"CJ's trumpet melodies and phrases inspired `More andMore.' I just listened to him and followed his lead, trustedwhat came to mind and sang it. It all flowed from hismusic.""For `I Fall' Ryan and I created the basic track and I reallystruggled to write on it. It wasn't in song form, and Icouldn't find my way into making it a coherent thought."CJ thought of Gabriella Smith, one of the leadingcomposers of our day, and on a whim sent her the track.Smith sent fragments to experiment wi...

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Tinariwen

Kel Tinariwen

31,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Cedar Shakes Clear Vinyl Edition

Timber Timbre

LP | 2005 | UK | Reissue (Full Time Hobby)

Release: 2005 / UK – Reissue

Genre: Rock & Indie

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The Miraculous Silver / Black Marble Vinyl Edition

Anna von Hausswolff

2LP | 2015 | EU | Reissue (City Slang)

32,99 €*

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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Never Going Under Colored Vinyl Edtion

Circa Waves

LP | 2023 | EU | Original (Lower Third)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Never Going Under Black Vinyl Edition

Circa Waves

LP | 2023 | EU | Original (Lower Third)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Pxtxa (Psycho Thrash Adventure)

Final Lap / Stand Up!!

7" | 2022 | JP | Original (16studio)

8,54 €* 18,99 € -55%

LP | 2022 | EU | Original (Asociation R&D)

Release: 2022 / JP – Original

Genre: Rock & Indie

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PxTxA (Psycho Thrash Adventure) continues to lead the Kumamoto Mixture scene! PxTxA is releasing a 7" single with two tracks! The 7" contains two songs, one is a fast and furious hard rock tune and the other is a funky mixture tune, both of which could have been on the A-side!

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One Two, One Two

27,19 €* 31,99 € -15%

LP | 2022 | EU | Original (Association Sevves)

Release: 2022 / EU – Original

Genre: Rock & Indie

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“All in rut and struggle", ONE TWO ONE TWO is an electro-punk-dark-ambiant-quirky duo.Hybrid, powerful, a bit trashy but full of love. Retro but futuristic. The lyrics are in a more than doubtful English, so understandable. It talks about a distant but present future, feminism but love, about one, the other but about all.

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Bolidde

Chronicles Of An Altered Life

Release: 2022 / EU – Original

Genre: Rock & Indie

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Bolidde’s debut album is a set of rock songs and ballads with tasteful guitar lines and catchy choruses.It sounds like a mix of his vintage and modern influences.

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Coco Bans

LP | 2022 | EU | Original (Straight Up Nomad)

25,99 €*

LP | 2022 | EU | Original (Bernerie Hills Production)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Chronicles of an Altered Life is an intertwining of emotions in the face of loss and grief. At once intimate and sincere, generous and tender, this debut album from Coco Bans explores the depths of the soul, tracing a path of self-discovery and healing to the reconstruction of a new reality.

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Godo &

On Time

27,19 €* 31,99 € -15%

12" | 2022 | EU | Original (Resolution)

Release: 2022 / EU – Original

Genre: Rock & Indie

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ON Time is the debut Pop Rock album of Godo &, written and composed by french guitarist and lead singer Claude Gaudefroy, featuring 17 great musicians, such as Craig Blundell, Adam Holzman, Stuart Hamm, Simon Phillips, Keemta Kim, and many more, directed by Michel Taitinger for Bernerie Hills Production. Inspired by Californian and British rock, ON Time is an invitation to an exciting journey through the ten tracks that compose this original and warm album that is not without reminding us of the sounds and climate that still remain timeless.

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Who Parked The Car

Mad Weather Good Friends

2LP | 2022 | EU | Original (Foudrage)

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Press Release : https://mega.nz/folder/uXpDiSyY#zsnIZ1KTpRe6f0ZkTeKTaQ

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Freak It Out

Re:[Activate]

37,99 €*

12" | 2022 | EU | Original (Fincasud Productions)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Freak It Out's project is ambitious, hybrid, but also conceptual. It relates to the trip of a robot, who seeks humanization. The album is characterised by the will of expressing new emotions, by using complex and unique structures. It shows that music is like a succession of landscapes reffering to sounds while searching an unexpected mix.Intensity, contrast, nervousness, smoothness, rage, groove and noise: everything is thought with a view to an original musical discovery. The willingness being to propose an authentic adventure in order to inviting the audience to break the walls keeping them apart from the band.

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Helena Recalde

Karishina

25,99 €*

Love Is Selfish (Non-Album Acoustic Version)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Karishina is an album in which Helena Recalde and her musicians alternately perform original compositions, a traditional South American song “No Valentin” and a theme from the jazz repertoire “Afro Blue”. Within this musical universe, the nostalgia of Andean melodies mixes with the piquant joy of Afro Pacific rhythms, passing through jazz tones and dizzying improvisations, all embellished with textures of nature and committed titles.

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Jack White

7" | 2022 | US | Original (Third Man)

10,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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Nav Katze

Fragment Lilac

51,99 €*

Release: 2022 / JP – Original

Genre: Rock & Indie

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Nav Katze

Fragment Daisy

51,99 €*

Release: 2022 / JP – Original

Genre: Rock & Indie

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Girls Lovers Reggae Volume 1

Farewell My D.U.B

50,99 €*

Release: 2022 / JP – Original

Genre: Rock & Indie

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B.O.L.T

Weather

57,99 €*

Release: 2022 / JP – Original

Genre: Rock & Indie

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7" | 2022 | JP | Original (Jet Set)

Yusuke Tanaka

Ra Ra Long

Release: 2022 / JP – Original

Genre: Rock & Indie

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LP | 2022 | US | Original (Hex)

Wipes

Making Friends

23,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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Tape | 2022 | US | Original (The Flenser)

Drowse

Wane Into It

16,99 €*

LP | 2022 | US | Original (The Flenser)

Release: 2022 / US – Original

Genre: Rock & Indie, Electronic & Dance

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In 2019, Drowse’s Kyle Bates set out to produce a self-recorded new album. Marked by moving across state lines, long-distance relationships, and deaths in the family, the following years proved to be metamorphic. Now, three years later, he’s emerged with Wane Into It, continuing a distinctly Pacific Northwestern tradition of self-recording indie experimentalists (Grouper, The Microphones, Unwound’s Leaves Turn Inside You). One of the most impactful moments came during the looming passing of a family member. With death expected, the choice was made to conduct a bizarre “living-wake” gathering—with the soon-to-be-deceased in attendance. Shortly after, Bates found himself disturbed, preoccupied with the abstraction of memory. The experience led him to reassess the tool one uses to curate our selective memories: the internet. The internet, which creeped into even more aspects of life during the pandemic, serves as our self-made digital link to the past. Its uncaring presence layered over humbling thoughts of death and his own childhood memories of the Oregon Coast as he worked on Wane Into It; life’s hyperreal texture sank into the recordings as he felt his body age and wane. Big sounds were captured in bedrooms, hallways, practice spaces, forests, and on highways throughout West Coast—vibraphones chime over black metal guitars, a mellotron drones under degraded samples, violins splinter against granular field recordings. In the process of documenting these aural moments Bates completed an MFA at Mills College, coloring the album with shades of avant-electronic and minimalist composition (Pauline Oliveros, Terry Riley, Maryanne Amacher, Sarah Davachi etc…). To realize this scope Drowse collaborated with Madeline Johnston (Midwife), Alex Kent (Sprain), Lula Asplund, a chamber ensemble and more. Bates’s songwriting and production have never been more lucid; sounds flicker as he sings with fragile intensity. The record, Drowse’s third for The Flenser, impressionistically distills loss, distance, mystery, prescription drugs, the preservation of memory via recording, and ambient anxiety through its titular act: to Wane Into It, to disappear awaiting the next moon phase, water returning to sea before reemerging as a wave.

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Drowse

Wane Into It

10" | 2000 | UK | Reissue (Fire)

Release: 2022 / US – Original

Genre: Rock & Indie, Electronic & Dance

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Josephine Foster

There Are Eyes Above

2LP | 1980 | JP | Original (Ariola)

Release: 2000 / UK – Reissue

Genre: Rock & Indie

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10” black vinyl + DL card. Josephine Foster's peculiar 2000 home recorded debut There Are Eyes Above is an essential introduction to her music that’s unfolded now for over two decades. Released for the first time on vinyl, this limited edition 10-inch pressing comes packaged with brand new artwork and is adorned by one of Josephine’s illustrations. Lo-fi and unaffected by tradition or commercialism these initial recordings are sepia-tinted, folk-art music with powered by uke minimalism; it’s outsider music that still doesn't fit in. Just 30-minutes caught in time before her 2001 follow up Little Life - this humble first incarnation includes here for posterity super personal lullabies and a glimpse into her songwriting evolution. It’s music from an era that only exists in your mind, with a bow to Tin Pan Alley for good measure. This super rare collection, originally only released on CDR and sold at shows, remains an essential part of the curious oeuvre of this unique songwriter and singer. “A dissonant soprano and lyrics about benevolence and old-time faith, Foster expertly weaves ancient and modern” The Guardian

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Sky

Sky 2

9,99 €*

LP | 2022 | US | Original (Feeding Tube)

Release: 1980 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI!

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Elkhorn

Distances

Release: 2022 / US – Original

Genre: Rock & Indie

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2LP | 2016 | EU | Original (Peaceville)

Katatonia

The Fall Of Hearts

Ellen Arkbro & Johan Graden

Release: 2016 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Still in shrink but opened. 180gr vinyl is close to NM. Original inner sleeves.

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I Get Along Without You Very Well Light Blue Vinyl Edition

LP | 2022 | US | Original (Thrill Jockey)

LP | 2022 | US | Original (Carpark)

Release: 2022 / US – Original

Genre: Rock & Indie

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Ellen Arkbro & Johan Graden embody the limitless curiosity and fearless innovation of the Swedish and Berlin new music scenes they inhabit. Arkbro is a composer and musician whose work has been presented around the globe at prestigious institutions such as the Barbican in London, GRM in Paris and the Kölner Philharmonie in Köln, and has studied under legendary minimalists such as La Monte Young, Marian Zazeela, and Jung Hee Choi. Graden is one of Sweden"s most sought-after pianists, moving freely between classical music and the European contemporary jazz scene. Currently living in Amman Jordan, he is an active member of the Jordanian experimental pop scene. I get along without you very well is a daring statement from two of the most progressive voices in contemporary music. In allowing themselves to be at their most vulnerable - with each other, their collaborators and with listeners - they have created some of their most powerful work to date. Following their collaboration on the acclaimed For Organ and Brass released on Subtext, new album I get along without you very well expands on the duo"s intoxicating exploration of meditative, spiritual sonics in unexpected ways. It is a beautiful meeting of two friends and inventive musical minds, resulting in the most affecting and surprising of pop albums. From its opening notes, I get along without you very well delights in subtle tensions and contradictions. While no song lasts more than a few minutes, the album feels distinctly unhurried, its atmospheric textures and sparse rhythms seemingly distorting the flow of time. The duo"s arrangements conceal an incredible amount of compositional detail paired with a distinctive sonic pallet, of brass, woodwinds, upright bass and synthesizer. Timbres in a similar register create an incredible depth of sound while paradoxically giving the impression of sparseness with individual instruments blending with one another seamlessly. Arkbro"s ephemeral vocals, entirely absent from her solo works, provide a perfect counterpoint to the album"s rumbling low-end, magnifying the intimacy and vulnerability of the music. On the opening track, described by Arkbro as "the most naked song on the record", the composer"s breathy vocals curl in ribbons around murky brass, as delicate blue vapors evaporate, underpinned by featherlight percussion

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Hans Pucket

22,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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Wellington, New Zealand four-piece Hans Pucket writes nervy but effortlessly danceable rock songs about feeling bad. Their second full-length album, No Drama, which is out via Carpark Records, gleefully captures the all-too-common twenty-something anxieties of talking too much and then being unable to find the right words to say. When frontman Oliver Devlin sings, “I’m surfing a constant wave of alarm” on the title track, it’s a compass for the other nine tracks. This is inviting and relatable music for people who, despite their best efforts, feel uncomfortable about themselves, the state of the world, and their place in it.

Both lyrically and sonically, No Drama is a departure for Hans Pucket from their 2018 debut Eczema. “I realized I didn’t want to write any more real heartbreak songs,” says Oliver Devlin. “We were and still are a live band. We're still trying to make music that’s catchy and people can dance to, but also really interesting to us: songs about growing up and finding how you exist in the world.” Songs like “My Brain Is a Vacant Space” with its blistering guitars and ebullient hooks hone in on the feeling that you have nothing to offer while “Bankrupt,” a fuzzed-out punk track, boasts lines like “I don’t know if I’ll always feel like / I don’t know what I’m doing wrong.”

Recorded with the band’s good friend and former tour mate Jonathan Pearce of The Beths at his Auckland studio, No Drama is full of big leaps, immaculate arrangements, and a ton of immediate grooves. “We were very ambitious when we first started recording this,” says bassist Callum Devlin. “Intentionally we left heaps of space in the track so we could add strings and horns. Because we were very measured and quite deliberate with the parts we had. It was a really fun process filling in the gaps.”

No Drama came together over several years and during its creation, the band added multi-instrumentalist Callum Passels, who provided all the horn arrangements on the LP. With Pearce producing, his other Beths bandmates like Benjamin Sinclair added string arrangements while singer Elizabeth Stokes provided backing vocals.

Overall it’s a remarkably eclectic record where the smooth pop of a track like “Kiss the Moon” can coexist perfectly with the Abbey Road freakout of “Some Good News.” “We didn’t want to be afraid of our 15-year-old self's influences,” says Oliver Devlin.” We really wanted to make an album that teenage us would just be amazed by.”

The result is Hans Pucket’s most sparkling and confident collection yet. While it’s danceable and fun, it’s also a thoughtful exploration of anxiety, a call for empathy in a turbulent time, and a relatable reminder that it’s hard to figure things out.

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Use Your Illusion II Deluxe CD Edition

2CD | 1991 | EU | Reissue (Geffen)

Release: 1991 / EU – Reissue

Genre: Rock & Indie

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USE YOUR ILLUSION II 2CD Deluxe Edition presents the album remastered for first-time ever on CD1. CD2 features 13 unreleased live tracks from London, Paris, Rio de Janeiro, New York & Las Vegas on the UYI 1991/1992 tour all newly mixed. Special guest appearances by Steven Tyler & Joe Perry on two tracks. Expanded artwork with unreleased photos & images.

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Use Your Illusion I Deluxe CD Edition

2CD | 1991 | EU | Reissue (Geffen)

Release: 1991 / EU – Reissue

Genre: Rock & Indie

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USE YOUR ILLUSION I 2CD Deluxe Edition presents the album remastered for first-time ever on CD1. UYI I now features “November Rain” with a real 50-piece orchestra for the first-time ever – newly recorded, conducted & arranged by Grammy® Award winner & Emmy Award nominated composer Christopher Lennertz. CD2 features 13 unreleased live tracks from London, Paris, Rio de Janeiro, New York & Las Vegas on the UYI 1991/1992 tour all newly mixed. Expanded artwork with unreleased photos & images.

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Use Your Illusion I & II Super Deluxe Vinyl + Blu-Ray Box Edition

Box | 1991 | EU | Reissue (Geffen)

322,99 €*

Release: 1991 / EU – Reissue

Genre: Rock & Indie

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UYI Super Deluxe 12-LP box with 97 total tracks – 63 unreleased audio & video tracks. UYI I & II albums remastered for first-time ever. LIVE IN NEW YORK & LIVE IN LAS VEGAS albums are first-ever-released complete concerts for UYI-era GN’R. LIVE IN NEW YORK Blu-ray features full concert film in HD with Atmos, 5.1 & stereo audio. 100-page hardcover book with unreleased photos & images. Bonus items include replica Conspiracy Inc fan club kit, 10 double-design lithos, 4 backstage passes & much more

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Use Your Illusion I & II Super Deluxe CD & Blu-Ray Box Edition

Box | 1991 | EU | Reissue (Geffen)

312,99 €*