Rock & Indie 23644 Items

Oren Ambarchi / Johan Berthling / Andreas Werliin

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”

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Ghosted II

LP | 2024 | US | Original (Drag City)

Ozean White Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Missing out on that super-chill, uber-jittery minimal groove thing? Let"s get real, real Ghosted again.Oren Ambarchi has been collaborating with the Fire! trio (Mats Gustafsson, Johan Berthling and Andreas Werliin) for over a decade - and both Johan and Andreas played on Oren"s Live Hubris as well. Oren and Johan began music-making together back in the early aughts - but it wasn"t until 2021 that the three of them got together to record music. That became the first Ghosted album. When they were done, it was clear they had founded a new group. A music of sustained tension and deep atmosphere marked by subtle, shifting dynamics, Ghosted was released in May of 2022 to psyched response everywhere; the trio embarked upon an ongoing series of concert bookings around Europe, with loads of other people in the world still hoping to have the chance to be in the room at the next show. Two years on, Ghosted has gone through several represses, now it"s time for the "dreaded follow up album"! Rather than go back to the well, the guys decided to tear everything down and start all over again, reimagining themselves from scratch.Just kidding! As we"ve noted, Oren, Johan and Andreas have been playing together for years and years, developing an essential telepathy within their shared space. They get each other and feed each other"s music processes on an elemental level. Why change that? What made the most sense was to go back to Daneil Bengtsson at Studio Rymden in Stockholm for a couple days, then have Oren and Joe Talia mix and Joe master it at Good Mixture in Melbourne again, then get Pål Dybwik to do some well-distinctive cover art, and once more, call it a record.That"s just what they did - and it should be no surprise at all that the new Ambarchi/ Berthling/Werliin album looks and sounds as engrossing as their debut, if not more so! Ghosted II has a definitively fresh quality radiating throughout. The mutual feeling among the three players goes deep, allowing for lots more to say every time they get toge...

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Ozean

12" | 2024 | US | Original (Numero Group)

Middle Of Nowhere, Center Of Everywhere Record Store Day 2024 Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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White Vinyl. Set your shoes to gaze mode and rip into this king size cloud of ethereal dream pop. Inspired by the spate of Brits leaning into swirling distortion and punishing volume, San Jose's Ozean played just two shows in their brief existence, dissolving before the Scene That Celebrates Itself ever broke the silicon barrier. The quartet's 1991 self-titled demo cassette has been remastered and pressed at 45RPM, a timeless document of late adolescent wonder and experimentation.

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Acid King

2LP | 2015 | EU | Reissue (Blues Funeral)

36,99 €*

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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Blending Black Marble Vinyl Edition

High Vis

LP | 2022 | US | Reissue (Dais)

That's Amazing Grace / Siren's Echo Iron Lung

Release: 2022 / US – Reissue

Genre: Rock & Indie

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High Vis were formed in 2016 from the ashes of some of the UK's best hardcore bands. Gild-toothed frontman Graham Sayle's anguished lyrics about life in working class Britain were familiar to fans of Tremors' full-throttle thrash, but alongside his former bandmate Edward `Ski' Harper and veterans of Dirty Money, DiE and The Smear, High Vis sought to transform that energy and intensity into something entirely new.Like scene-mates Chubby and the Gang did by pulling in unlikely source material from classic doo-wop or Micromoon have by combining everything from psychedelia and metal into their high potency mix, High Vis' 2019 debut album, No Sense No Feeling showed the band were never going to be constrained by any sense of genre rules or regulations. Its claustrophobic rattle bore traces of Joy Division, Bauhaus, Crisis, The Cure and Gang Of Four lurking in the shadows. 2020's synth-driven EP, Society Exists, was further evidence of the band's restless creative MO.High Vis' second album Blending sees them open their viewfinder wider than ever before. Alongside longstanding favourites such as Fugazi and Echo and The Bunnymen; Ride and even Flock Of Seagulls were shared reference points as the band worked on the album together.From the anthemic sweep of opener "Talk For Hours", through the title track's psychedelic swirl and "Fever Dream"'s baggy groove, it sees High Vis' sound blossoming into something with an unlimited richness. The hazy drift of "Shame" or the melodic jangle of "Trauma Bonds" may take them until uncharted waters, but they still have all the power and bite that made No Sense No Feeling so remarkable.Lyrically, the album represents another leap forward too. Talking frankly about poverty, class politics, and the challenges of everyday life, Sayle's lyrics have always addressed the downtrodden and discarded communities across Britain slipping below the waterline. This time around, Sayle's lost not of that social consciousness, but he's looked at himself and his own emotional landscape, and in the process created something that feels more universal, that reaches a hand-out to people and ultimately gives a message of hope."To me, the lyrics are less selfish," reflects Sayle. "In the past, I couldn't see past whatever was going on with me. It's about accepting things and being open to conversations and learning to talk to people rather than just thinking that we're all doomed."The song "Talk for Hours" is a prime example of that. Born out of an afternoon meeting up with an old group of mates "repeating the same thing and not actually learning anything about each other" it offers to actually break the cycle and to listen and speak frankly about shared feelings and experiences. "Trauma Bonds", meanwhile, traces the broken lines of those living in lost communities, but ultimately realises that despite our shared scars, there's still hope to move on to a better future."The message of the album is you're not who you're told you are," Sayle summarises. "You're not your class background. Whatever it is, you're not that. Don't resign yourself to thinking you can't be this and you can't be that."It's a vitally important message right now, and one that could be the motto for not only Blending, but for High Vis themselves.

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All Seeing Dolls

10"+CD | 2024 | EU | Original (A)

23,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Flood Of Lies Yellow Ochre Vinyl Edition

UK Subs

LP | 2024 | Original (Jungle)

23,99 €*

LP | 2011 | US | Reissue (Bar None)

Release: 2024 / Original

Genre: Rock & Indie

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The fifth UK Subs studio album, from 1983, remastered - not available on CD for years. With extra tracks from singles; and now with bonus CD "Gross-Out USA" - plus three never-before released demo tracks, including an unheard song. Packaged in an all-card 6-panel sleeve with unseen band photos. Albums "F" and "G" in the UK Subs A-Z series of albums.The album was not available on vinyl for nine years. Now with a new inner bag featuring all the lyrics and unseen band photos. A limited edition, transparent yellow ochre vinyl with improved original sleeve art. Album "F" in the UK Subs A-Z series of albums.The album came at a crossroads for the UK Subs. Punk had become unfashionable, and the early line-ups had split leaving Charlie Harper to form a new band. He enlisted early Subs bassist Steve Slack (who"d left before their first recordings, replaced by his brother), drummer Steve Jones and guitarist Captain Scarlet. Navigating between the UK Subs punk ethos and wider accessible music, with many songs co-written by Slack and Scarlet, Charlie"s lyrics reflected the current political paranoia of an Orwellian future, alongside hedonistic punk tales of life lived and characters met along the road. The album successfully led the band to embark on decades of world tours and continue the now-legendary A-Z series of albums. Although the current band have given up lengthy tours, since Charlie"s 80th birthday they reconvene regularly for festivals and short tours - in the UK from October 4.

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The Front Bottoms

Sings Reign Rebuilder 20th Anniversary Edition

Release: 2011 / US – Reissue

Genre: Rock & Indie

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It's the 10 Year Anniversary of The Front Bottoms' self-titled debut, a beautiful alchemy of anthemic hooks andquotable confessions achievable only by the closest offriends, Brian Sella and Mat Uychich. Their songs are immediately recognizable, lyrics and riffs cleverly and effortlessly spun together into songs surprisingly real. LyricallyBrian Sella fires off scattershot images that the listener cangather up and make sense of like working puzzle pieces onthe floor. Romance, freedom, paranoia, partying and somehow getting clean all tumble together from song to song.The album includes fan favorites like "Flashlight," "Swimming Pool," and "The Beers," where Sella recalls beefingup for a Jersey Shore summer of steroids "because youlike a man with muscles and I like you."

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Set Fire To Flames

2LP | 2022 | UK | Original (FatCat)

45,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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Soul Jazz Records presents

Deutsche Elektronische Musik Volume 2 - Experimental German Rock And Electronic Music 1972-83 LP 1

2LP | 2013 | UK | Reissue (Soul Jazz)

LP | 2021 | UK | Original (Transgressive)

Release: 2013 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Soul Jazz Records Deutsche Elektronische Music Volume 2 is now available as two separate double LPs for the first time in over 10 years! Soul Jazz Records' 'Deutsche Elektronische Musik 2' is their second voyage into the world of Krautrock and German electronic music from the 1970s and early 1980s. Features a stunning line-up of seminal German groups, including Can, Faust, Popul Vuh, Neu!, Cluster, Amon Düül II, La Düsseldorf, as well as a host of lesser known and more obscure groups and artists such as Agitation Free, Bröselmaschine, Niagara and many more.

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Beverly Glenn-Copeland

Keyboard Fantasies

Release: 2021 / UK – Original

Genre: Rock & Indie

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Dance Of Love Black Vinyl Edition

Tucker Zimmerman

LP | 2024 | Original (4AD/Beggars Group)

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | UK | Original (Lightwell)

The Silver Abduction

LP | 2024 | EU | Original (Tapete)

Release: 2024 / UK – Original

Genre: Rock & Indie

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The Silver Abduction release their debut self-titled album. Following on from two singles, Quarter To Two and Castle Rock, the album is released on August 30th. The Silver Abduction is a collaboration between singer Allison Brice (The 18th Day Of May, Lake Ruth) and musician/producer Andy Dragazis (Blue States). The Silver Abduction's history dates back to 2006. Instantly taken by Brice's haunting voice a musical friendship blossomed - with Brice's sweet, haunting melodies and Dragazis's dense and lush orchestration.

To date The Silver Abduction have had radio play from John Kennedy on Radio X, BBC Radio Wales, RTE 2XM, Amazing Radio amongst others. They have press reviews confirmed for Mojo and four star review in Shindig.

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Levin Goes Lightly

Numb

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Voodoo Rhythm)

Oh Telephone

Kill Kill Kill

21,99 €*

Play With Fire Gold Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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OH TELEPHONE have their origins in the deep valleys of the Glarnerland (mountain region in switzerland) where thanks to the Veka Club they were well socialized and made resistant to any mainstream influences. Booking agencies and Labels are just shooting around with bands with Psych in the name who would like to be the next Oh-Sees and at the same time model their sound in a way that is horrible radio-friendly. OH TELEPHONE, on the other hand, is the real shit, garage-psych like no other band currently plays. Their screams never seem calculated but rather like a spontaneous outburst of passion, their guitars pierce every eard...

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L.A. Witch

LP | 2020 | US | Reissue (Suicide Squeeze)

The Other Side Of Life: Piano Ballads

Release: 2020 / US – Reissue

Genre: Rock & Indie

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Where L.A. Witch's self-titled album oozed with vibe and atmosphere, with the whole mix draped in reverb, sonically placing the band in some distant realm, broadcast across some unknown chasm of time, Play With Fire comes crashing out of the gate with a bold, brash, in-your-face rocker "Fire Starter." The authoritative opener is a deliberate mission statement. "Play With Fire is a suggestion to make things happen," says Sanchez. "Don't fear mistakes or the future. Take a chance. Say and do what you really feel, even if nobody agrees with your ideas. These are feelings that have stopped me in the past. I want to inspire others to be freethinkers even if it causes a little burn." And by that line of reasoning, "Fire Starter" becomes a call to action, an anthem against apathy. From there, the album segues into the similarly bodacious rocker "Motorcycle Boy"_a feisty love song inspired by classic cinema outlaws like Mickey Rourke, Marlon Brando, and Steve McQueen. At track three, we hear L.A. Witch expand into new territories as "Dark Horse" unfurls a mixture of dustbowl folk, psychedelic breakdowns, and fire-and-brimstone organ lines. And from there, the band only gets more adventurous. Play With Fire is a bold new journey that retains L.A. Witch's siren-song mystique, nostalgic spirit, and contemporary cool. Despite the stylistic breadth of the record, there is a unifying timbre across the album's nine tracks, as if the trio of young musicians is bound together as a collective of old souls tapping into the sounds of their previous youth.

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Beach Fossils

Tape | 2021 | US | Reissue (Bayonet)

10,99 €*

LP | 2022 | EU | Original (No Quarter)

Release: 2021 / US – Reissue

Genre: Rock & Indie

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Inspired by a love of artists such as Bill Evans, Lester Young, Chet Baker and Vince Guaraldi, Dustin Payseur reimagines some of his greatest hits from the Beach Fossils catalog alongside a group of formally trained jazz musicians. A rich and mellow mix of piano, saxophone, upright bass and brushed drums explore the contours of familiar songs, soaring Payseur's melancholic harmonies to new heights.

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Jana Horn

Optimism

Summerlong Clear With Teal & Orange Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Optimism is the debut album from Jana Horn of Austin, Texas. Originally self-released in a small vinyl edition, now widely available. Horn says the LP, "seemed to come about indirectly, almost in passing, a feeling of being in-between things. I was really mobile at that time, living wherever... I had just discovered, late, Raymond Carver Broadcast, Sybil Baier, Annette Peacock, Richard & Linda Thompson, a short story called "Car Crash While Hitchhiking" by Denis Johnson. I had "Heart Needs a Home" in mind, "The Great Valerio;" I was just really moving through the world, hanging in the shadows of the people I wanted to be. Hoping, looking out, this is Optimism. I was looking for anything."

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Rose City Band

LP | 2020 | US | Reissue (Thrill Jockey)

LP | 2021 | EU | Original (Subway)

Release: 2020 / US – Reissue

Genre: Rock & Indie

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It is impossible to talk about modern psychedelic music without mentioning Ripley Johnson. As bandleader of Wooden Shjips and half of Moon Duo, Johnson has continually charted new cosmic paths that expand on the language of the genre. With Rose City Band, Johnson's songwriting and beautiful guitar lines take center stage. While his vocal treatment would be recognizable to any Wooden Shjips fan, the sparseness of the instrumentation lays bare the beauty of his writing. Shimmering guitar lines are free to shine, buoyed by driving rhythms. New to the mix are arrangements and instruments drawn directly from classic country, resulting in songs with more than a hint of twang. Buoyant and joyous, Summerlong is a captivating listen that leaves the listener yearning for more. The record is an ode to freedom, born of a musician stepping out of all routines and whose own liberation is communicated so completely in his music. Summerlong is a record that, taken in its entirety, is an emphatic statement on the songwriting power of Ripley Johnson. Johnson's joy in every aspect of this album is delightfully infectious. Rose City Band started purely as a recording project, with Johnson's role mostly obscured for the self-titled debut album. Released with no promotion, in the style of private press records, it was a liberating, a focus on music without any expectations. With a chuckle, Johnson elaborates, "I always would threaten to my friends that I'm gonna start a country rock band so I can retire and just play down at the pub every Thursday night during happy hour. I love being able to tour and travel, but I also like the idea of having a local band ... more of a social music experience." Freedom from expectation and obligation gave Johnson the space to experiment. The introduction of lap steel, mandolin, and jaw harp enhance Johnson's lean guitar work with radiant overtones, placing Summerlong more overtly within the country tradition than its predecessor. Work on the album began at Johnson's home studio in Portland during the summer, but, interrupted by touring, was not be finished until winter. The dark isolation of winter and the pining for summer's easier days can be felt in the album's few quieter moments. Summerlong was mixed by John McEntire (Stereolab, Broken Social Scene, Tortoise) at his newly minted Portland Soma Studios and mastered by Amy Dragon at Telegraph Mastering, also based in Portland. The aptly named Summerlong, born of Johnson's own fondness for the season, delivers an emotional lift-an expression akin to the joy of getting out there on a warm day, be it gathering for a BBQ, hopping onto a bike, leaping into a swimming hole, or simply reading in a park.

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Carrera

15,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Tape | 2021 | US | Original (Keeled Scales)

Katy Kirby

Cool Dry Places

13,99 €*

Soul Jazz Records presents

Release: 2021 / US – Original

Genre: Rock & Indie

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Katy Kirby is a Texas-based songwriter and indie rock practitioner with an affinity for unspoken rules, misunderstanding and boredom. She was born, raised and homeschooled by two ex-cheerleaders in small-town Texas and started singing in church, amidst the pasteurised-pop choruses of evangelical worship. Like many bible belt late-millennials, Katy grew up on a strict diet of this dependably uncool genre and accordingly, Cool Dry Place finds her dismantling it. "I can hear myself fighting that deeply internalized impulse to make things that are super pleasant or approachable," she says. Though Katy hasn't fully overcome the itch to please, it's to a listener's benefit. Instead of eradicating the pop sensibilities of her past, she warps them, lacing sugary hooks with sneaky rage, twisting affectionate tones into matter-of-fact reproach, and planting seemingly serene melodies with sonic jabs. The fun is in the clash. The nine tracks that make up Cool Dry Place are miscellaneous in subject (motherhood, late capitalism, disintegrating relationships) but unified by the angle from which they're told: from a person re-learning to process life with intense attention. Each song is a catalogue of fragments, the number of segments in an orange or the cut of an obsessively-worn shirt, distilled into meditations on the bizarre and microscopic exchanges that make up modern life - a relationship splintering, an uncomfortable pause, an understanding finally found. These emotional dioramas are moderated by the angular storytelling that unites Gillian Welch and Phoebe Bridgers, a favour for the conventions of short fiction over confession.

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Deutsche Elektronische Musik Volume 4 - Experimental German Rock And Electronic Music 1971-83

3LP | 2020 | UK | Original (Soul Jazz)

36,99 €*

Come On Pilgrim-It's Surfer Rosa Gold Vinyl Edition

Release: 2020 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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This is the new instalment of Soul Jazz Records’ ground-breaking Deutsche Elektronische Musik series, ‘a near-definitive guide to some of the world's most extraordinary music’ (The Guardian).

This latest edition features many of the classic German electronic and Krautrock groups from the 1970s & 80s – including Can, Amon Duul II, Harmonia, Conrad Schnitzler, Agitiation Free, Roedelius – as well as a host of lesser known artists such as Dzyan, Klauss Weiss, Gruppe Between and many more.

Deutsche Elektronische rarities unearthed on the album include Kalacakra (whose fan-base included the great Moondog!) and their superb ‘Nearby Shiras,’ taken from their super-rare spiritual/psychedelic private press concept album Crawling to Lhasa, from 1972.

Deutsche Elektronische 4 includes a wealth of German electronic experimental artists – the seminal pioneering group Harmonia (Roedelius, Moebius and Michael Rother), avant-garde guru Conrad Schnitzler as well as lesser known synthetic artists such as Klauss Weiss, Deutsche Wertarbeit, E.M.A.K. (Electronische Musik Aus Koln), Gunter Schickert and others.

Finally, the album also features an array of heavy and progressive German cosmic rock groups – Dzyan, Virus and the amazing Turkish/German tripped out sound of Alex’s ‘Patella Black’, recorded at Can’s Inner Space in 1973, produced by Holger Czukay and Jackie Liebezeit.

Deutsche Elektronische 4 comes with extensive newly commissioned sleevenotes by David Stubbs, author of the seminal books ‘Future Days: Krautrock and the building of Modern Germany’, ‘Mars By 1980: The story of Electronic Music’, and ‘Krautrock: Cosmic Rock and its Legacy’.

This album comes as a heavyweight triple vinyl edition with full colour inner sleeves, as well as a deluxe double CD edition with outsize booklet and slipcase. Both formats include full liner notes and extensive rare photography.

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Pixies

3LP | 2018 | UK | Original (4AD)

43,99 €*

Release: 2018 / UK – Original

Genre: Rock & Indie

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Pure Cult: The Singles 1984-1995

The Cult

2LP | 2011 | US | Original (Beggars Banquet)

Release: 2011 / US – Original

Genre: Rock & Indie

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The 8th Cumming Neon Green Vinyl Edition

Cumgirl8

LP | 2024 | UK | Original (4AD/Beggars Group)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Zeitgeist Black Vinyl Edition

4 Promille

LP | 2024 | EU | Original (Vier Promille)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | CZ | Original (Universal)

Clairo

Charm Pink Vinyl Edition

68,99 €*

Release: 2024 / CZ – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Post Present Medium)

Callahan & Witscher

Think Differently

Leave Me To The Future Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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`Think Differently' is the debut LP by the duo of Callahan & Witscher. Jeff Witscher has been one of the most daring voices in underground American music for two decades, highlighted by releases on Pan and NNA Tapes. Jack Callahan's focused, uncompromising approach to sound caught the attention of both Demdike Stare's DDS label and Swiss composer Jürg Frey, who took Callahan on as his first composition student. Fans of their individual work might expect opacity, disruption, or rhythmic irregularity from their collaboration, but `Think Differently' sounds like a pitbull in a convertible, a sand-kicking beach party, the dopamine hit you get from 311 or Smash Mouth. It's a punchy, crunchy, highly infectious record. How did Callahan & Witscher cut the path from the ghostly margins of avant garde musics to the gutters of post-grunge American hard rock? In the words of Callahan, "at some point, you start to need a stronger drug." The most potent characteristic of this stronger drug is the guitar. And not just any guitar, but a sassy, contagious, blithe guitar. Its presence is a drastic shift for two guys who've combined to make dozens of records over the years, not a single one of which has a recognizable guitar sound on it. Alongside the cool breezes and hyperactive fretwork of Callahan's guitar playing, the songs are backboned by strutting, groove-happy vocals: all bark, all bite. Every song is a careful collage, light but dense, ornate with gang choruses, soulful femme vocals, autotune and whisper scratches. This accumulation almost manages to hide the record's potent undertow of dread. `Think Differently' unfolds carefully, a slow-motion demolition that reveals the anxiety of second guessing, the exhaustion of tour, creative bankruptcy, willful misunderstanding, the pain of caring. Setting this lyrical cynicism against such sonic glee isn't a spoonful of sugar, it isn't a bait-and-switch, it isn't a prank. After all, the dumb bliss of Sugar Ray's "Fly" shades a song about Mark McGrath's mom dying. "All Star" is about climate change. Most Sublime lyrics are a bummer. But there's still room for a raised beer, for a dumb grin. Like these ancestors, Callahan & Witscher aim at maximum uplift, at sounds that warm and dazzle like a sped-up sunrise. In spite of overdraft fees, in spite of bad art, in spite of self-doubt.

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Ischia

LP | 2024 | EU | Original (Siluh)

Name Your Sorrow Blue Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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"Sometimes you have to take sides"! That's what you call a statement. It doesn't hurt that `Sides' bursts in with a hypnotic, swirling guitar riff that could have come from Kevin Shields (Ischia is clearly a My Bloody Valentine fan, which is not the easiest thing for a guitarist to do). The krautroc...

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Pillow Queens

LP | 2024 | CZ | Original (Royal Mountain)

30,99 €*

Release: 2024 / CZ – Original

Genre: Rock & Indie

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Mary Lattimore And Walt Mcclements

Rain On The Road Blue Vinyl Edition

LP | 2024 | US | Original (Thrill Jockey)

A River Ain't Too Much To

Release: 2024 / US – Original

Genre: Rock & Indie

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Mary Lattimore and Walt McClements are two of contemporary music"s most renowned innovators. Each has managed to expand the perception of their instrument"s capabilities. Lattimore inventive harp processing and looping has brought the instrument to a new audience. Her prolific run of celestial solo albums and evocative film scores have redefined the instrument in the modern consciousness. Her genre-agnostic collaborations include work with Kurt Vile, Steve Gunn, Jeff Zeigler, Meg Baird, and Thurston Moore. McClements, who tours as a member of Weyes Blood, is an acclaimed composer in his own right, sculpting glacial atmospherics from the accordion. The Los Angeles based duo became quick friends on overlapping tours, sharing both a drive to push the sonic possibilities of their instruments and roots in North Carolina. Mary Lattimore and Walt McClements debut collaboration Rain on the Road blossomed out of that time spent on the road together, capturing the liminal existence of touring life in deeply cinematic compositions. Recorded in the cozy setting of McClements" apartment during a rainy December in LA, Rain on the Road unfurls as a series of sonic vignettes, rolling landscapes hewn from longform improvisations for harp and accordion. Embellished with additional instrumentation such as the shimmering constellations of hand bells on "Stolen Bells" that glisten like lights on wet pavement, or the stately piano figures on "The Top of Thomas Street"; their pastoral pieces manage to paint vivid images.

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Smog

LP | 2016 | US | Reissue (Drag City)

31,99 €*

Release: 2016 / US – Reissue

Genre: Rock & Indie

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Kingstonians & Barry York

Hold Down / Who Will She Be

7" | 2024 | UK | Original (Move & Groove / Dub Store)

7" | 2024 | JP | Original (Universal Music Japan)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Two classic rocksteady sides from Derrick Harriott's Move & Groove label.

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Asako Toki

A Night In New York

Release: 2024 / JP – Original

Genre: Rock & Indie

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Taifu13Gou / Tsumetaionna

Fumio Nunoya

7" | 2024 | JP | Original (Universal Music Japan)

Release: 2024 / JP – Original

Genre: Rock & Indie

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LP | 2022 | JP | Original (HMV Record Shop)

Sugar Plant

Headlights

Release: 2022 / JP – Original

Genre: Rock & Indie

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Singt Rio Reiser Ii - Live Auf Kampnagel

Jan Plewka

2LP+DVD | 2021 | EU | Original (Fleet Union)

Release: 2021 / EU – Original

Genre: Rock & Indie

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At Saint Thomas The Apostle Harlem

Diamanda Galás

2LP | 2018 | EU | Original (Intravenal Sound Operations)

30,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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Pocketrock Red Vinyl Edition

Donots

LP | 2024 | EU | Original (Solitary Man)

Release: 2024 / EU – Original

Genre: Rock & Indie

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King Gizzard & The Lizard Wizard

Live At Red Rocks '22

6Tape | 2022 | US | Original (Needlejuice)

42,99 €*

LP | 2024 | Original (BMG Rights Management)

Release: 2022 / US – Original

Genre: Rock & Indie

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King Gizzard’s epic 3-night run is now available as a deluxe box set! 86 songs, with no repeats across all 3 nights. This epic 12-LP set features the complete concerts uncut, new artwork by Echo Barrett, and a photo booklet. Live at Red Rocks Amphitheatre, Morrison, CO, USA, – Oct 10, Oct 11 and Nov 2 2022.

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Touche Amore

Spiral I A Straight Line

Release: 2024 / Original

Genre: Rock & Indie

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Once Upon A Time In The Desert

Brant Bjork

LP | 2024 | US | Original (Duna)

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2015 | US | Original (Nettwerk)

Paper Kites

Twelvefour

19,99 €*

Release: 2015 / US – Original

Genre: Rock & Indie

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Jordi Limited Violet Vinyl Edition

Maroon 5

LP | 2021 | EU | Original (Interscope)

12,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Joy As An Act Of Resistance Black Vinyl Edition

IDLES

LP | 2018 | UK | Original (Partisan)

25,99 €*

Hello, I'm Dolly Vinyl Me, Please Edition

Release: 2018 / UK – Original

Genre: Rock & Indie

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IDLES – bristol's punk quintet glorified by all the press – release their new album on August 31 on Partisan. On the 12 songs that make up "Joy as an Act of Resistance ." we find Joe Talbot and his acolytes who once again deliver a powerful, electric and effective record. Produced by Space and mixed by Adam Greenspan and Nick Launay (Arcade Fire, Yeah Yeah Yeahs, Kate Bush). "Joyas an Act of Resistance."puts into yoke everything related to machismo, nationalism, immigration, and class inequality all with a contagious and natural positive energy.

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Dolly Parton

LP | 2024 | US | Original (Vinyl Me, Please)

33,99 €*

What's Wrong With New York

Release: 2024 / US – Original

Genre: Rock & Indie

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Why you'll love it...
'Hello, I'm Dolly' is Dolly Parton's debut album and the Vinyl Me, Parton Record of the Month for October 2023. It's pressed on 180g Flame Galaxy vinyl with AAA lacquers cut from tapes by Ryan Smith at Sterling Sound.

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Dare

LP | 2024 | US | Original (Republic)

LP | 2024 | US | Original (Ripple Music)

Release: 2024 / US – Original

Genre: Rock & Indie

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Vinyl LP pressing. 2024 release. What's Wrong With New York? is the long awaited and highly anticipated debut album from The Dare. Recorded between The Dare's home and studio in New York, it features songwriting and production collabs with Dylan Brady (100 gecs), Emile Haynie (Lana Del Rey, FKA twigs, Dua Lipa), Romil Hemnani (Brockhampton), Chris Greatti (Yves Tumor, Yeule), Isaac Eiger of Strange Ranger and more. The Dare is the solo project of vocalist, songwriter and producer Harrison Patrick Smith.

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Hermano

When The Moon Was High

32,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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I Forget Where We Were 10 Year Anniversary Live Edition

Ben Howard

2LP | 2024 | Original (Island)

42,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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12" | 2020 | EU | Original (FKJ)

FKJ

Ylang Ylang

18,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2016 | UK | Reissue (Virgin)

The Kooks

Inside In, Inside Out

Release: 2016 / UK – Reissue

Genre: Rock & Indie

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Let The Ocean Take Me Redux

The Amity Affliction

LP | 2024 | EU | Original (Pure Noise)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Feel It)

Artificial Go

Hopscotch Fever

LP | 2024 | US | Original (Feel It)

Release: 2024 / US – Original

Genre: Rock & Indie

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Artificial Go is a new four piece hailing from the DIY post-punk scene of Cincinnati, Ohio. Local labels Feel It and Future Shock have teamed up to co-release Artificial Go's debut album, Hopscotch Fever. Consisting of eight tight tracks, this debut is just that: an introduction. A little bit mercurial, a little bit iconic. Artificial Go is operating out of their own genre - not quite post-punk, not quite pop. Hopscotch Fever seems to have been recorded just outside of the collective-genre-periphery to form some sort of extraterrestrial kind of music. With angular guitar breaks, bouncing rhythms, and jolting vocals, Artificial Go is truly here on their own terms."—Jacob Mouser

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Class

A Healthy Alternative

Orgy Of The Damned Purple Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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My mates went on holiday to the Isles for this one. Galactic romantic entropy three sheets to the 'Wind. Saxy glimmers, broken sunbeams, oil dancing in a puddle of water in a parking lot somewhere in St. Louis or Birmingham. And just as first-wave yankee punk was decidedly solipsistic, the Poms folded in a more civic bent to explain the zeitgeist of generational disaffection. Is 'Scared To Care' about spikey punks whose apartments are littered with Amazon boxes? Is 'Biggest Sale of The Year' an indictment of late-stage capitalism? Is 'The Milkman' an effective populist who wants you to sink so that he can swim? Is this record more political than those dystopian hardcore records you sold when a nice girl opened your eyes once? Merely conjecture...

It's an album dripping with clandestine musical intelligence, artisanal song-writing, great voices. The illegitimate son of Dinosaurs' bassist isn't in the mix this time, but I can assure you his spirit is there—I can almost hear the glass of side mirrors cascading to Richmond Ave on a drunken bike ride 15 years before Josh Allen and Conway The Machine made The City That Always Sleeps cool! (not recommended... you truly cannot cheat Carma).

What is soul? Soul is finding your own catalytic converter at the thrift store. Soul is trying out for the Harlem Globetrotters on your 37th birthday and it not going so well. Soul is wearing those attractive bygone eras on your sleeve without hesitation or embarrassment. Pentatonic rock didn't exactly bubble from a serious bog, and when adults who partake become artistically conservative, grow egos in a Petri dish somewhere in the well-adjusted hyper-capitalist cityslicker life they've created because they can seemingly play Vibrators riffs better than the actual kids, everything is lost! Class know this, resisting that spiritual deficit of our collective moment with the voice of honest men trying to have fun in this fuckin' wacky world, unafraid to rhyme words like 'narcissist' and 'anarchist'. I mean, how many songs wouldn't have a pinky toe to pirouette on if 'school' and 'fool' didn't rhyme?! Now get your ass to Class."—Brandon Gaffney

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Slash

LP | 2024 | EU | Original (Gibson)

42,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Reissue (Yotanka)

Zenzile

Electric Soul

25,99 €*

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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Never Let Me Go Black Vinyl Edition

Placebo

2LP | 2022 | Original (So)

22,99 €*

Release: 2022 / Original

Genre: Rock & Indie

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2LP | 2021 | EU | Original (Relapse)

Amenra

De Doorn

30,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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A Brief Inquiry Into Online Relationships

The 1975

2LP | 2018 | EU | Original (Polydor)

Release: 2018 / EU – Original

Genre: Rock & Indie

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The Beatles White Album 50th Anniversary Edition

The Beatles

2LP | 2018 | EU | Original (Apple)

50,99 €*

2LP | 2016 | US | Original (Castle Face)

Release: 2018 / EU – Original

Genre: Rock & Indie

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Standard 2LP Vinyl:
- The Beatles (‘White Album’) 2018 stereo mix
- 180-gram 2LP vinyl in gatefold sleeve with faithfully replicated original artwork

In November 1968, millions of double LPs were shipped to record stores worldwide ahead of that tumultuous year’s most anticipated music event: the November 22nd release of The BEATLES (soon to be better known as ‘The White Album’). With their ninth studio album, The Beatles took the world on a whole new trip, side one blasting off with the exhilarating rush of a screaming jet escorting Paul McCartney’s punchy, exuberant vocals on “Back In The U.S.S.R.” “Dear Prudence” came next, John Lennon warmly beckoning his friend and all of us to “look around.” George Harrison imparted timeless wisdom in “While My Guitar Gently Weeps,” singing, “With every mistake we must surely be learning.” Ringo Starr’s “Don’t Pass Me By” marked his first solo songwriting credit on a Beatles album. For 50 years, ‘The White Album’ has invited its listeners to venture forth and explore the breadth and ambition of its music, delighting and inspiring each new generation in turn.

On November 9, The Beatles will release a suite of lavishly presented ‘White Album’ packages (Apple Corps Ltd./Capitol/UMe). The album’s 30 tracks are newly mixed by producer Giles Martin and mix engineer Sam Okell in stereo and 5.1 surround audio, joined by 27 early acoustic demos and 50 session takes, most of which are previously unreleased in any form.

“We had left Sgt. Pepper’s band to play in his sunny Elysian Fields and were now striding out in new directions without a map,” says Paul McCartney in his written introduction for the new ‘White Album’ releases.

This is the first time The BEATLES (‘White Album’) has been remixed and presented with additional demos and session recordings. The album’s sweeping new edition follows 2017’s universally acclaimed Sgt. Pepper’s Lonely Hearts Club Band Anniversary Edition releases. To create the new stereo and 5.1 surround audio mixes for ‘The White Album,’ Martin and Okell worked with an expert team of engineers and audio restoration specialists at Abbey Road Studios in London. All the new ‘White Album’ releases include Martin’s new stereo album mix, sourced directly from the original four-track and eight-track session tapes. Martin’s new mix is guided by the album’s original stereo mix produced by his father, George Martin.

“In remixing ‘The White Album,’ we’ve tried to bring you as close as possible to The Beatles in the studio,” explains Giles Martin in his written introduction for the new edition. “We’ve peeled back the layers of the ‘Glass Onion’ with the hope of immersing old and new listeners into one of the most diverse and inspiring albums ever made.”

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Thee Oh Sees

A Weird Exits

LP | 2015 | US | Reissue (Capitol)

Release: 2016 / US – Original

Genre: Rock & Indie

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Emerging from the distant light is the new double-LP from John Dwyer’s Thee Oh Sees—the first studio recordings to capture the muscular rhythm section of twin drummers Ryan Moutinho and Dan Rincon with ringer bassist Tim Hellman cracking spines.

The groove and bludgeon one has come to expect from the band’s live shows is captured seamlessly here—they go from zero to head-splitter, and on the rare occasions they do let up on the gas a bit, you’re treated to some locked-in hypnotizers, too. The guitar sounds more colossal and ethereal at the same time, riding roughshod over the vacuum-sealed rhythm section, spiraling skywards, and diving into the emerald depths so quick your guts tingle. Synths, strings and smoke-soaked things crawl behind the scenes to make an extra far-out party platter, served on 45 RPM plates for most excellent listening quality.

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5 Seconds Of Summer

Sounds Good Feels Good

36,99 €*

Release: 2015 / US – Reissue

Genre: Rock & Indie

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LP | 2024 | US | Original (Universal)

Church

Blurred Crusade

62,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2013 | EU | Reissue (BMG)

HiM

Tears On Tape

37,99 €*

LP | 2024 | Original (Sweet Gee)

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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Tears on Tape (Clear Vinyl) - HiM

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Bellrays

Heavy Steady Go

31,99 €*

Rip City Bonerpunk Classics Vol 1

Release: 2024 / Original

Genre: Rock & Indie

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Originating from Riverside, California, the BellRays have been mixing punk, rock and soul with the unique authenticity that has made them who they are in today. "We created a band and music based on what we love." - explain Lisa Kekaula and Robert Vennum, the founding members of The BellRays. The tradition that the band continued over the last thirty years inspired them to infuse their influences. It's in their DNA. The sound can be described by one simple formula: Emotion + energy = excitement. Their latest album, Heavy Steady Go! Strictly follows this rule but also, provides new coloring and shades to the well-beloved formula. "We've heard ourselves described by some variation as 'Tina Turner fronting AC/DC' or 'Motorhead meets Aretha Franklin' which comes with an expectation to be that every time." - explains Robert Vennum. "We are expected to be something that does not exist." This recording is split by two cities, two years and two badass rhythm sections: Mark Cisneros (bass) and Ron Miller (drums) both from Kid Congo & The Pink Monkey Birds in Tucson, AZ and later the return of past drummer Craig Waters (Cody Chestnut, Andre Williams, the Countdowns) and newest arrival, Nico Miles on bass recording in Riverside, CA produced by Lisa and Robert. Heavy Steady Go! #is described by the two as 'a festival in album form'. It's contrasting style mashups and musical collaborations between each quartet is powerfully concentrated rock and roll." Robert and Lisa explain that with these songs "we pay homage to Tom Petty, Bon Scott, Fleetwood Mac, Howlin' Wolf, Cheap Trick, Betty Davis, and dozens of others that inspired this album. We wrote and crafted these songs looking at ourselves through the lens of the iconic sounds we heard growing up. Pressed on 180g vinyl / Gatefold jacket.

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Long Knife

LP | 2024 | US | Original (TKO)

Myopia Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Portland, OR's Long Knife have spent the last 10+ years turning out some of the most well-crafted and unrelenting hardcore punk in North America, fusing the speed and ferocity of first wave Ushc, the barely restrained chaos of Japanese hardcore, and the guitar heroism of classic Hard Rock to devastating effect. And with three albums, numerous 7"s and compilation appearances to their name, this is a band that's never been content to rest on their laurels. If you, woefully ignorant poseur that you are, somehow missed the memo, and are now desperately clamoring to own the band’s long out of print EPs, TKO Records has got you covered. Rip City Bonerpunk Classics Vol. 1 compiles all of Long Knife's 7” tracks, including 'Possession,' 'Sewers of Babylon,' and 'Night of the Hunter,' as well as songs from their split 7” with Japanese Hardcore legends Forward and several previously unreleased covers. The assembled material featured on Rip City is some of the most incisive, hard-hitting, and musically interesting Hardcore Punk available today. Whether you pine for the unhinged guitar wizardry of G.I.S.M., the pummeling neanderthal churn of Motörhead, or the frenetic lunacy of United Mutation, Long Knife delivers. Grab a copy while you can, or don’t and wish you did later.

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Mizmor & Thou

LP | 2024 | US | Original (Gilead Media)

43,99 €*

2LP | 2024 | EU | Original (Sony Music Catalog)

Release: 2024 / US – Original

Genre: Rock & Indie

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A collaborative studio album written and performed by Mizmor and Thou. Created and recorded entirely in secret and revealed for their surprise joint performance at Roadburn 2022. "I'm an insect who dreamt he was a man and loved it. But now the dream is over. And the insect is awake." Thou have released 5 full-lengths and dozens of collaborations, EPs, split releases. They’re regarded as one of the most beloved sludge/doom bands in the US over the last 15 years. They’ve released numerous albums with Gilead Media, Sacred Bones, Thrill Jockey, Deathwish Inc., Southern Lord and dozens of other DIY labels. Mizmor have released 4 full-lengths and a handful of collaborative and split releases. Most recently ‘Prosaic” for Profound Lore Records. Mizmor has built a fanatical fanbase since their founding in 2012.

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The Dead Weather

Horehound

35,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Rat Wars Black Vinyl Edition

Health

LP | 2024 | US | Original (Concord)

Release: 2024 / US – Original

Genre: Rock & Indie

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Noel Gallagher's High Flying Birds

Chasing Yesterday

LP | 2015 | UK | Original (Sour Mash)

Eisernet Lied - Vinylpostcard

Release: 2015 / UK – Original

Genre: Rock & Indie

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Second solo studio album from the legendary former Oasis frontman.

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Sporti

Postcard | 2024 | DE | Original

13,99 €*

LP | 2018 | EU | Reissue (Invada)

Release: 2024 / DE – Original

Genre: Rock & Indie

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Preorder shipping from 2024-10-25

This is the very first time a Vinylpostcard is used as fan merch for a soccer team.

And not just any soccer team, but the legendary Union Berlin!

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Beak>

>>>

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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LP | 2022 | EU | Original (Doc)

Polluted Inheritance

Betrayed

25,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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2LP | 2022 | EU | Original (May I)

Parker Dulany

Border State

32,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | US | Original (Perpetual Doom)

Ryan Sambol

Gestalt

31,99 €*

2LP | 2022 | EU | Original (Mute)

Release: 2022 / US – Original

Genre: Rock & Indie

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Gestalt is the newest album from Texas-based musician and poet Ryan Sambol. Following his work with THE Strange Boys, Living Grateful, and THE Interstate Group, this record refines the country-folk sound of previous solo releases Now Ritual (2015) and Rail Sing (2020) in a stark work of personal and musical pruning. Although written for the road and full accompaniment, these nine tracks were recorded in relative isolation, often tracked live, and reflect the sometimes painful, often bemusing process of self-examination. The result is a singular document of a songwriter honing his craft—observing, thinking, and creating. Received a 7.7 rating from Pitchfork.

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Angels Of Light

We Are Him

35,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Estrela Acesa Black Vinyl Edition

Sessa

LP | 2022 | EU | Original (Mexican Summer)

Release: 2022 / EU – Original

Genre: Rock & Indie

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True Power Limited Against The Wind Vinyl Edition

I Prevail

LP | 2022 | EU | Original (Fearless)

18,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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10" | 2022 | US | Original (Mt. St. Mtn.)

Flowertown

Half Yesterday

21,99 €*

12" | 2022 | UK | Original (ATO)

Release: 2022 / US – Original

Genre: Rock & Indie

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From a deckhand on a container ship idling in the bay, an excitable beachgoer, or a rubbernecker passing through an intersection: it’s as if you’re floating around the city, people-watching through a soft focus lens. Flowertown, the San Francisco duo of Karina Gill (cindy) and Mike Ramos, return with the dreamy, temperate, Half Yesterday. Flowertown’s previous album, Time Trials, focused on the slowing down of time, shutdowns, and a somber look at our day-to-day thoughts. But with over-the-shoulder observations, a ‘slice of life’ from one onlooker to the next, “Half Yesterday” seems to tell the story of the people in a living, thriving, city. Twangy lead guitar, high-neck bass notes, and percussion woven together in the decay of a warm reverb. The album contains the familiar vocal trade-offs between Mike and Karina; oftentimes coming up with two separate melodies for their respective vocals. One stark difference is the beautifully simple production across all of the tracks. Previous Flowertown recordings leaned on the “Portastudio as an instrument” production for many of the songs. On Half Yesterday the tape hiss is there, but it’s not altering the end result. With a fading pink and blue sky, the city’s lights begin to twinkle at sunset. Another onlooker gazes out and wonders if what they’re seeing is right.

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The Heavy Heavy

Life And Life Only

21,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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