Rock & Indie 24331 Items

LP | 2017 | US | Original (The Flenser)

Release: 2021 / US – Original

Genre: Rock & Indie

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All The Way West—SITKA SUN's sophomore release—is both a carefully composed instrumental jazz album and a spaced-out contemplation on the human condtion. It exists at the intersection of rhythmic prowess, psychedelic experimentation, & jazz sensibility, intentionally asking more questions than it's willing to answer throughout its 32 minute lifespan. In comparison to Sitka Sun's eponymous debut, All The Way West steps ever deeper into the intricacies of composition and the adventurous spirit of improvisation, and is anticipated to be well-received by jazz enthusiasts, rare groove collectors, beat makers, and record store clerks alike. All The Way West is music for right now, as we come out of 2020 and hopefullyinto a changing world: it encourges reflection, inspires movement, & welcomes new growth.

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Succumb

It's Inside You Neon Yellow Vinyl Edition

Release: 2017 / US – Original

Genre: Rock & Indie

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San Francisco’s Succumb plumbs the depths of modern death metal with primitive elegance, but what sets them apart from their peers is vocalist Cheri Musrasrik. The juxtaposition of death metal riffing and propulsive drums with Musrasrik’s cavernous howl and sophisticated lyrics make a unique listening experience in today’s crowded landscape.

The band was formed in 2014 by a group of friends with diverse musical backgrounds who share a common love for Canadian death metal, war metal, and 1990s Napalm Death. That same year they released a demo under the name Cloak and played a handful of local shows, attracting the attention of The Flenser. The following year they were joined by Harry Cantwell (Bosse-de-Nage, ex-Slough Feg) on drums and got to work writing their self-titled debut album, recorded by Bay Area luminary Jack Shirley (Deafheaven, Bosse-de-Nage, Botanist, Oathbreaker, etc.).

Musrasrik cites authors and poets like Yeats, Genet and Zola as her primary lyrical influences. Throughout the album she tackles themes such as human experimentation, autoerotic asphyxiation, BDSM, prostitution, opium dens and dystopias with a literary flair.

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Candy

LP | 2024 | Original (Relapse)

Release: 2024 / Original

Genre: Rock & Indie

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What Still Gets Me Yellow Vinyl Edition

Shit Present

LP | 2023 | EU | Original (Specialist Subject)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (RockStar Records)

Flop Machine

Machine Beat Rock & Roll

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | Original (Infine / Cry Baby)

Lucie Antunes

Carnaval

Release: 2023 / Original

Genre: Rock & Indie

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Coming Home White & Black Galaxy Vinyl Edition

Falling In Reverse

LP | 2017 | EU | Reissue (Epitaph Europe)

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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LP | 2023 | EU | Original (Not Now)

Elvis Presley

King Creole

Release: 2023 / EU – Original

Genre: Rock & Indie

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Tape | 2023 | EU (Radiation Reissues)

Agent Orange

Living In Darkness

Fresh Fruit For Rotting Vegetables

Release: 2023 / EU

Genre: Rock & Indie

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Adventurous southern California punk trio Agent Orange was the first band to mix surf rock with punk. The group was formed in 1979 in Placentia, a small town close to Fullerton and Anaheim, by frontman Mike Palm on guitar and lead vocals, Steve Soto on bass and Scott Miller on drums. That early line up recorded the classic version of "Bloodstains" in 1979 as a demo produced by Daniel R. van Patten (of the group Berlin). A year later it was included on the seminal Rodney On The Roq compilation album released by Posh Boy Records. Meanwhile James Levesque had replaced Steve Soto (Adolescents) and the new line up released their own self produced and self released 7" ep in 1980. A year later, the group signed with Robbie Fields' Posh Boy Records for their debut LP Living In Darkness, co-produced by Fields and former Simpletones guitarist Jay Lansford. The album was recorded at Brian Elliott’s store front studio in North Hollywood (a few years before Elliott struck gold writing Madonna’s “Papa Don’t Preach”).

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Dead Kennedys

Tape | 2023 | EU (Radiation Reissues)

Release: 2023 / EU

Genre: Rock & Indie

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Dead Kennedys’ incendiary debut still screams some of the most brilliant cynical songs the genre has ever seen. It’s not wholly consistent, but it’s manic, rapid-fire approach retains momentum throughout. It’s an absolute riot: the sound of true rebellion.

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Diggin' For Gold Volume 13

LP | 2023 | EU | Original (Busy Bee Production)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Tokyo Record Store Day 2023 Edition

NRBQ

12" | 2023 | JP | Original (Hayabusa Landings)

69,99 €*

Release: 2023 / JP – Original

Genre: Rock & Indie

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LP | 2023 | Original (Sounds Of Subterrania)

The 50 Kaitenz

The 50kaitenz No Bikkuri

Release: 2023 / Original

Genre: Rock & Indie

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LP | 2017 | EU | Reissue (Ninja Tune)

Iglooghost

Neo Wax Bloom

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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Gezan With Million Wish Collective

Anochi

LP | 2023 | JP | Original (Jusangatsu)

49,99 €*

Down In The Basement White w/ Red Splatter Edition

Release: 2023 / JP – Original

Genre: Rock & Indie

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Three years after "klue", the new album has finally been released!!! The new album "Achichi" under the name Gezan With Million Wish Collective made a strong debut at Fuji Rock Festival 2021. This is a cutting-edge form of tribal punk, created on the theme of the unchangeable human voice in an age of databasing and selection. The sixth full-length album in three years, with a cover illustration that flashes between the indigenous and the cosmic. The recording and mixing engineer is Naoyuki Uchida, a master of the DUB world who is also currently operating Gezan's live show, following on from the previous album, and it is a point of arrival of one of the current alternatives that shoots a counter to the confused times.

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Dahmers

LP | 2018 | UK | Reissue (Lovely)

Release: 2018 / UK – Reissue

Genre: Rock & Indie

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LP | 2023 | US | Original (Company)

Tanukichan

Gizmo

LP | 2023 | US | Original (Carpark)

Release: 2023 / US – Original

Genre: Rock & Indie

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When the pandemic hit, Hannah van Loon adopted a dog named Gizmo, who became a much-needed companion while the Bay Area musician wrote her second album as Tanukichan. Aptly named after her new four-legged friend, Gizmo is an exercise in release, whether from situational hindrances—a forced lockdown, for one—or from self-imposed hedonistic coping mechanisms.“ A theme I always had floating around was escape,” van Loon explains of her follow-up to 2018’s Sundays. “Escaping from myself, my problems, sadness and cycles.”

To channel the more uplifting spirit she wanted for Gizmo, van Loon turned to the radio pop-rock of her childhood: “I was struck by the in-your-face positivity of the lyrics,” she adds, referencing artists like 311, The Cranberries, and Tom Petty. “I wanted to bring that positivity while writing about the sad and helpless emotions I’d been grappling with.” But Gizmo’s lightheartedness doesn’t make it shallow: “I think that I could let it go, as beautiful as snow,” she murmurs on “Don’t Give Up,” a nu metal-meets-Cocteau Twins groove about the sudden awareness that all the relationships you depend on could vanish instantaneously. Van Loon’s main collaborator on Gizmo was Toro y Moi’s Chaz Bear, and the jangly pop earworm “Take Care” showcases the heavily distorted, in-your-face guitar work reminiscent of Bear’s own psych joints What For? And Mahal. On the hypnotic, wall-of-sound-rocker “Thin Air” featuring Enumclaw, van Loon channels the triumphant grit of The Smashing Pumpkins as she ponders the impermanence of even the most impactful relationships: “I’ll always have the memories/Of how you used to make me see/Until they fell in the ocean/They’re not swimming/They’re not floating.”

Existentialism aside, Gizmo also sees van Loon break out of her sonic comfort zone. “One of the main changes of how I’m approaching music now is that I want to have more fun in the process,” she says, and she walks the line between melodrama and whimsy gracefully: “I can learn something because I’ve been here before,” she sings on the soaring, bittersweet “Been Here Before.” Deftones-inspired thrash drums and screeching electric guitars are gracefully contrasted with van Loon’s hypnotic, almost deadpan vocal style and a crystal clear acoustic guitar she describes as “cute.” Gizmo the dog suddenly passed away right as van Loon finished the album, but he’s immortalized with his photo on the cover—a fitting emblem of this new era of Tanukichan.

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Mind Music Palace

LP | 2023 | US | Original (Alcopop!)

Release: 2023 / US – Original

Genre: Rock & Indie

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Originally released in April 2021, the album is getting a reissue from Carpark in February 2023. It’s fitting that Philadelphia guitarist Victoria Rose and Baltimore producer/musician Stone Filipczak named their band @— a symbol that calls to mind the detachment of an email exchange or a Twitter mention. The folk-pop duo created their debut album »Mind Palace Music« almost entirely remotely from, sending each other recordings over iMessage from their respective cities throughout fall/winter 2020. But although its creators were 100 miles away, the 11-track album gleams with a sense of closeness, tied together with @’s penchant for deeply personal and candid lyrics

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Ditz

The Great Regression

Hard Skool Limited 7'' Single

Release: 2023 / US – Original

Genre: Rock & Indie

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Ditz re-release their debut album, The Great Regression on eco vinyl after the first 1,500 copies sold out within a matter of weeks.

The 10-track album has been a long time coming – the five-piece first came together in Brighton at the end of 2015 and released their debut EP the following year. There have been a few line-up changes along the way, but they have been settled since their breakthrough tracks ‘Gayboy’, ‘Total 90’ and a cover of Peaches’ ‘Fuck The Pain Away’ in 2019, which prompted Joe Talbot from Idles to proclaim “Ditz are the best band in Brighton, if not the world”. Even though the various lockdowns slowed the band’s momentum for a while, they turned the situation to their advantage, using the downtime to fine-tune this incredible debut.

Abrasive but accessible, The Great Regression has been widely lauded as one of the most important British guitar debuts of 2022. Resident named it #4 best album of the year, Pitchfork gave it a 7.3, the likes of Steve Lamacq, John Kennedy, Jack Saunders, Joe Talbot and Tom Robinson all spun it merrily and Spiegel, Gigwise, Loud & Quiet, Upset, Flood, Under The Radar, Brooklyn Vegan, Pop Matters, Louder Than War and so many more fell in love.

Such themes of insecurity and gender pop up a lot over the course of the album, as well as lots of references to the human body breaking and being harmed in unnatural ways, although there’s no one overarching concept, simply because the songs have come together over such a long period of time. The title is not so much a reference to society going backwards, but more the band’s penchant for childish jokes. “Sitting in a van all day can get silly,” laughs Cal.

That’s not to say The Great Regression is in any way light-hearted. It’s full of anger, rage and despair. ‘Three’ takes some text from Stanislaw Lem’s 1961 sci-fi novel Solaris and applies it to the hollow activism of everyone from big corporations to middle class uni students.

Other literary touchstones include Sylvia Plath, William Burroughs and Hubert Selby Jr, but even more influential is the band’s ever-growing pile of equipment. “We spent a lot of time during the recording process just trying to make unusual sounds out of pedals, or whatever we could find,” says Cal.

The album concludes with a cacophonous new version of ‘No Thanks, I’m Full’, which originally closed their debut EP in 2016. “Over the years the live version has evolved so much that we just had to record it again to do it justice,” explains Cal. “The lyrics are so old that I can’t place whether they are about the hazards of drinking or not drinking.”

It’s proof of just how far Ditz have come on in that time and a reminder that, in order to progress, you need to regress. And we’ll drink to that. Or not.

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Guns N' Roses

7" | 2021 | EU | Original (Universal)

11,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Vertigo Days Yellow Vinyl Edition

The Notwist

2LP | 2021 | EU | Reissue (Morr Music)

36,99 €*

LP | 2018 | EU | Original (Mendeku Diskak)

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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On Vertigo Days, the first album in seven years for The Notwist, one of Germany’s most iconic independent groups are alive to the possibilities of the moment. Their music has long been open-minded and exploratory, but from its engrossing structure, through its combination of melancholy pop, clangorous electronics, hypnotic Krautrock and driftwork ballads, to its international musical guests, Vertigo Days is both a new step for The Notwist, and a reminder of just how singular they’ve always been. Most importantly, the core trio of Markus and Micha Acher and Cico Beck are reaching out: as Markus reflects, “we wanted to question the concept of a band by adding other voices and ideas, other languages, and also question or blur the idea of national identity.”

It’s been seven years since The Notwist’s last album, Close To The Glass, and in that time the various members of the group have been busy with side projects (Spirit Fest, Hochzeitskapelle, Alien Ensemble, Joasihno), guest appearances, a record label (Alien Transistor), movie scoring, helping organise the Minna Miteru compilation of Japanese indie pop & running a festival (Alien Disko). Those divergent paths feed back into Vertigo Days in surprising ways, from its structure, built from group improvisations, with songs flowing and melting into one another in a collective haze, to its spirit, which feels refreshed and alive. There’s something cinematic about Vertigo Days too, reflective of the group’s time working on soundtracks, and reflected in the rich, moody photographic artwork by Lieko Shiga that adorns the cover.

The first sign of this newfound openness was the album’s lead single, “Ship”, where the group were joined by Saya of Japanese pop duo Tenniscoats, her disarmingly hymnal voice sighing over a propulsive, Krautrocking beat. Elsewhere, American multi-instrumentalist Ben LaMar Gay sings on “Oh Sweet Fire”, also contributing “a love lyric for these times, imagining two lovers in an uprising hand in hand.” American jazz clarinettist and composer Angel Bat Dawid adds clarinet to the spaced-out dream-pop of “Into The Ice Age”, while Argentinian electronica songwriter Juana Molina gifts some gorgeous singing and electronics to “Al Sur”. Saya also reappears as a member of Japanese brass band Zayaendo, who guest on the album. Throughout, The Notwist also capture the openness of their live performances, too, where they mix and link their songs in unexpected ways.

Indeed, what’s most impressive about Vertigo Days is the way it sits together as one long, flowing suite, the album conceptualised as a whole entity – it’s perfect for the long-distance, dedicated listening experience. This is also captured by the album’s lyrics, which Markus states, “feel more like one long poem.” The dimensions of that poem are multi-faceted, something intensified by the geopolitical weirdness of its times: “As the situation changed so dramatically, while we were working on the record, the theme of ‘the impossible can happen anytime,’ more about personal relationships in the beginning, became a global and political story.” But it also works at a level of poetic abstraction, such that each song gestures in multiple directions – the deeply private pans out to the global. The one certainty is that there is no certainty. “It’s maybe mostly about learning and how you never arrive anywhere,” Markus concurs. To sit within uncertainty is brave, but it’s also where we feel most alive, and Vertigo Days is an album that is brimming with life, with enthusiasm and love for music and for community, all wide-eyed and dreaming.

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Orreaga 778

Bide Bakarra

Release: 2018 / EU – Original

Genre: Rock & Indie

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12" | 2017 | EU | Original (Mendeku Diskak)

Orreaga 778 / Grebol

Split

Release: 2017 / EU – Original

Genre: Rock & Indie

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2LP | 2012 | EU | Original (Consouling Sounds)

Amenra

Mass V

37,99 €*

Release: 2012 / EU – Original

Genre: Rock & Indie

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LP | 2012 | EU | Reissue (Urok)

Tribes

Baby

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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From Genesis To Revelation Mono Version

Genesis

LP | 2016 | EU | Original (Repertoire)

Release: 2016 / EU – Original

Genre: Rock & Indie

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LP | 2016 | EU | Original (Ruin Nation)

Oi Polloi

Saorsa

Release: 2016 / EU – Original

Genre: Rock & Indie

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The Curse Of The Hot Rods Colored Vinyl Edition

Eddie And The Hot Rods

LP | 2021 | US | Original (Tigers Archive)

Release: 2021 / US – Original

Genre: Rock & Indie

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CJ Ramone

Reconquista!!

LP | 2012 | EU (Pinhead)

Release: 2012 / EU

Genre: Rock & Indie

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Import From Argentina. CJ Ramone's Album From 2012 Reissues ON Limited AND Numbered 180gr Vinyl.

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LP | 2021 | US | Original (Riding Easy)

Scrap Metal Volume 1

The Night They Came Home Limited Orange Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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By now listeners are probably familiar with Riding Easy’s wildly popular Brown Acid series of rare, lost and unreleased proto-metal and stoner rock singles from the ’60s-’70s. In the endless pursuit of those glorious gems, the label often uncovers equally brilliant rarities from the late-’70s to late-’80s Golden Age of Heavy Metal that also just must be heard, but they don’t fit the series’ aesthetic. Scrap Metal Volume 1 collects some of the greatest unknown and lost heavy metal tracks, long buried beneath the avalanche of the era’s classic output. Everyone knows the old adage that history is told by the winners. But sometimes the losers tell the best stories. And while none of these bands found fame and fortune, this artifact and the volumes to come are testament to the enduring power of heavy music. One can hear the blood, sweat and beers that went into each of these singles. The recordings may be low budget, but the inspiration and talent is immutable. Not only are the amps turned up to 11, the boyish sexual innuendo is cranked to 69. One can hear the convergence of influences—NWOBHM, thrash, glam metal, doom, etc—colliding at once as the era birthed a wellspring of subgenres. Many of these singles are self-released and were thus limited to a small run of copies. Those that remain are hoarded by collectors and sold for exorbitant amounts. Riding Easy has collected the best of the best for the listener here. As with Brown Acid, all of these tracks are licensed legitimately and the artists all get paid. Because it’s the right thing to do.

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Mr. Bungle

2LP | 2021 | UK | Original (Ipecac)

Release: 2021 / UK – Original

Genre: Rock & Indie

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Disintegration In Leipzig August 4th 1990

The Cure

LP | 2021 | EU | Original (Planet Claire)

Charmed Life - The Best Of The Divine Comedy

Release: 2021 / EU – Original

Genre: Rock & Indie

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The Cure put on quite the formidable live show back in 1990—and following their massive “Prayer Tour” the year prior, Robert Smith and Co took a visit over to East Germany, to play a legendary and televised performance in Leipzig (Future home to the world’s largest Goth Festival, Wave Gotik Treffen). Speaking of Goth, Robert actually states, while segueing into the encore of Faith and Seventeen Seconds material that “this is the goth bit of the set”.

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The Divine Comedy

2LP | 2021 | Original (Divine Comedy)

Release: 2021 / Original

Genre: Rock & Indie

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LP | 2021 | US | Original (Beach Impediment)

Mujeres Podridas

Muerte En Paraiso

Release: 2021 / US – Original

Genre: Rock & Indie

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7" | 2021 | US | Original (Artifix)

Naughty Women

1979 Demos

14,99 €*

LP | 2021 | US | Original (Carpark)

Release: 2021 / US – Original

Genre: Rock & Indie

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Los Angeles’ Naughty Women started in 1977 and lasted until about 1983. They had a crazy stage show involving goats heads and lots of lingerie. They are credited with the only band Brendan Mullen ever had to have banned from the Masque! Two tracks—"Fuck Yourself" and "Put To Death." Full-color cardstock cover. Black vinyl. Limited to 500 copies.

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Ducks Ltd.

Modern Fiction

Love Made Me Do It Glow In The Dark Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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Toronto’s Ducks Ltd. (formerly Ducks Unlimited), the bright jangle-pop duo of Tom McGreevy (lead vocal, guitar, bass, keyboards) and Evan Lewis (guitar, bass, drum programming), accomplish the impossible. The pair craft songs that play to very specific inspirations without drowning underneath them—immediately evidenced on their critically acclaimed EP, Get Bleak, and sharpened on Modern Fiction, their debut LP. “The Servants, The Clean, The Chills, The Bats, Television Personalities, Felt,” Evan rattles off. “Look Blue Go Purple is one I reference a lot with our production.” Echoes of ‘80s indiepop abound, but they never overwhelm. This is not a nostalgic record, after all, nor is it a derivative one. Instead, across 10 cheery-sounding songs, Ducks Ltd. explore contemporary society in decline, examining large scale human disaster through personal turmoil (hence the title, taken from a university course called Gnosticism and Nihilism in Modern Fiction, influenced by Graham Greene novels. Bookish indie fans, look no further.)

Writing the album was intimate. Tom drafted the nucleus of a song on an unplugged electric guitar and brought it over to Evan’s apartment, where the pair sat in his bedroom, placing percussive beats from a drum machine under nascent melodies, passing a bass back and forth, adding organs and bridges where necessary. “It’s computer music trying extremely hard not to sound like computer music,” Tom jokes. Fearful that limited and expensive studio time would kneecap the project creatively, eroding their charming naivete, the pair re-recorded the album in a storage space owned by Evan’s boss. Ornamentation through collaboration followed: there’s Aaron Goldstein on Pedal Steel in the Go-Betweens’ “Cattle and Cane”-channeling interlude “Patience Wearing Thin,” Eliza Niemi on cello (“18 Cigarettes,” a song loosely inspired by a 1997 Oasis performance of “Don’t Go Away”), and backing harmonies from Carpark labelmates The Beths (on an ode to friendship at a distance, “How Lonely Are You?,” “Always There,” and on the sped-up Syd Barrett stylings of “Under The Rolling Moon.”) While in his native Australia due to covid-19, Evan worked closely with producer James Cecil (The Goon Sax, Architecture in Helsinki) on Modern Fiction’s finishing touches—at one point, in the mountains of the Macedon Ranges in Victoria, recorded a string quartet (featured on “Fit to Burst,” “Always There,” “Sullen Leering Hope,” “Twere Ever Thus,” “Grand Final Day.”)

It’s danceable, depressive fun, with some relief: in “Always There” and “Sullen Leering Hope,” Modern Fiction’s faithful heart. “There’s a tendency in my writing, because of my world view, to be very bleak.” Tom explains. “A quality I don’t always see in myself and really appreciate in others is the courage to go on.” And yet, the record manages resiliency—enough for pop fans to fall in love with.

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Kat Von D

LP | 2021 | EU | Original (Kat Von D)

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Sounds Of Subterrania)

The 50 Kaitenz

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Not Now)

Ink Spots

Best Of

18,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Soulsuckers On Parade

LP | 2021 (Minky)

LP | 2021 | US | Original (Riding Easy)

Release: 2021

Genre: Rock & Indie

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Record Store Day 2021 Release.

***Years in the making—The Lodger: A Story Of The London Fog was composed for a live scoring of Alfred Hitchcock's 1927 British silent film classic about the search for a "Jack the Ripper"-like serial killer on the loose in London. The score was first performed live at the Brooklyn Academy of Music on Halloween Night 2013 and recorded from 2016 to 2020. Pressed on orange vinyl.

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Deathchant

Waste

King Gizzard & The Lizard Wizard

Release: 2021 / US – Original

Genre: Rock & Indie

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Heavy music’s evolution has always been a murky swamp of sub-genres. So, combining Thin Lizzy’s glistening twin guitar harmonies with Melvins-grade sludge and a hearty dose of proto-metal psych probably shouldn’t sound so revolutionary as it does in the hands of L.A. quartet Deathchant. But theirs is a special, transcendent sound. Waste, the band’s sophomore album and first for Riding Easy Records, is anything but. The thirty three-minute, seven-song blast flows seamlessly from song to song, aided by droning segues, while simultaneously slithering between genres and moods. Rumbling noise, chiming guitar melodies, bluesy boogie, Nwobhm thrash, COC grunge and punk fury all rear their head at times, sometimes all at once. Though one wouldn’t be able to tell by the concise structures and well-crafted songs, a lot of Deathchant’s music is improvised, both in the studio and live. That’s not to suggest their songs are jammy— they’re very tightly organized compositions. But the four musicians have that special musical telepathy that allows them to keep the song structures open-ended. “Improv is a huge things for us and always has been,” singer / guitarist T.J. Lemieux says. “The musical freedom to look at the other dudes in the band and be able to take things wherever we want to go is magical. I like the feel of flying off the hinges.” Likewise, the band itself is similarly amorphous in its membership. “We run the band with an open door. No lineup is definitive,” Lemieux explains. On Waste, the lineup is: Lemieux, George Camacho on bass, Colin Fahrner on drums, and John Belino on second guitar. Waste was recorded live in a rented cabin in the mountains of Big Bear, CA. “We packed a big-ass van and set up in the living room and kitchen,” Lemieux says. “Tracked it live, with overdubs after.” The whole album was recorded over two separate weekends, engineered by Steve Schroeder, who also recorded the band’s 2019 self-titled debut album. “I’d say it has sort of a DIY LA punk aesthetic,” he adds. “Very ironically going hand in hand with a classic metal vibe: Thin Lizzy, Judas Priest, classic Deep Purple, Uriah Heep and other melodic heavy rock bands.”

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Polygondwanaland

Tape | 2017 | EU (Radiation Reissues)

Children Of Finland Fighting In Norway

Release: 2017 / EU

Genre: Rock & Indie

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Twelfth studio album by Australian psychedelic rock band King Gizzard & the Lizard Wizard, fourth of five albums released by the band in 2017. Amongst the 20 best rock albums of the same year. Polygondwanaland, is another stellar entry in King Gizzard near-flawless discography.

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C.O.F.F.I.N

LP | 2021 | EU | Original (Erste Theke)

LP | 2016 | EU | Reissue (Warner)

Release: 2021 / EU – Original

Genre: Rock & Indie

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C.O.F.F.I.N’s forthcoming album and proudest work so far since they first recorded as young teenagers.
The self titled record ‘Children Of Finland Fighting In Norway’ was recorded and produced by Frenzal Rhomb’s Jason Whalley at his studio The Pet Food Factory (NSW), mixed by Clem Bennett at Black Mountain Studios (ACT), and mastered by Mikey Young

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Biffy Clyro

Only Revolutions

Release: 2016 / EU – Reissue

Genre: Rock & Indie

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Mammoth Wvh Black Ice Translucent Vinyl Edition

Mammoth Wvh

2LP | 2021 | UK | Original (Ex1)

28,99 €*

LP | 2021 | US | Original (12XU)

Release: 2021 / UK – Original

Genre: Rock & Indie

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Mammoth WVH is the debut, self-titled album of Mammoth WVH – the band created by Wolfgang Van Halen. This collection includes the chart topping new single, "Distance” plus “Don’t Back Down,” “Epiphany,” “Mammoth” and more. At the beginning of 2015, Wolf broke ground on what would become Mammoth WVH with producer Michael “Elvis” Baskette [Alter Bridge, Slash] behind the board. Wolf began to embrace his voice, inspired by everyone from his father, to bands like Ac/dc, Foo Fighters, Nine Inch Nails, Tool, and Jimmy Eat World. In addition to writing and singing every song on the self-title debut album, remarkably Wolfgang plays every instrument. “The name Mammoth is really special to me.” says Wolf. “Not only was it the name of Van Halen before it became Van Halen, but my father was also the lead singer. Ever since my dad told me this, I always thought that when I grew up, I’d call my own band Mammoth, because I loved the name so much.”

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Chris Brokaw

Puritan

LP | 2019 | US | Original (Sentient Ruin Laboratories)

Release: 2021 / US – Original

Genre: Rock & Indie

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"chris Brokaw is the consummate underground rock musician. In a career spanning thirty-plus years he has been in countless bands (come, Charnel Ground, Codeine, and THE Lemonheads to name a few) has been a sideman with everyone from Thurston Moore to GG Allin, pounded countless stages on nonstop tours, and played on over seventy recordings. Puritan is his tenth solo album and it's a killer. From the hypnotic repetition on the extended instrumental outro of title-track opener 'Puritan', the wounded grace of 'Depending,' to the fragile beauty of the Velvets-esque duet with Claudia Groom, 'I'm the Only One for You,' and the ghost of Alex Chilton echoing through 'The Bragging Rights,' onto the GBV-like firestorm of 'Periscope Kids,' and ending with the On The Beach-era Neil Young minimal strum of his cover of Karl Hendricks’ 'The Night Has No Eyes,' Brokaw has crafted an understated masterpiece. Puritan is an album that is all heartache and rebirth, resignation and joy, the kind of record that is so needed but all too rare these days. A classic from front to back."—Mark Lanegan 2020

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Ruin Lust

Sacrifice

2LP | 2019 | UK | Original (Panegyric)

Release: 2019 / US – Original

Genre: Rock & Indie

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Sentient Ruin is proud to release RUIN LUST's incinerating sophomore LP Sacrifice for the first time ever on vinyl, after a self-released tape surfaced in early 2019 bringing back under the spotlight one of America's most elusive and feral extreme metal entities. Featuring current and past members of ANICON, TRENCHGRINDER, VORDE, VILKACIS, FELL VOICES, VANUM, and YELLOW EYES, the NYC black/death/war metal horde return six years after their debut album was released on Psychic Violence Records, with their darkest and most baneful compositions to date, blending the most pestilent strains of black and death metal with the blunt force trauma of grindcore to elevate the notion of sonic warfare at unseen new extremes. While remaining true to the genre's voluntarily involved and feral approach to aural barbarism, a careful ear will not fail to notice the modern and transformative approach taken by the band to assemble their sonic war zone, utilizing a dense and suffocating sense of atmosphere and an immanent sense of dynamics and unpredictability to mercilessly blindside and destroy the listener. By all means a pinnacle in this year's war metal output, Sacrifice is a modern and defiant spasm of extreme metal terror that will find loyal proselytes amongst fans of Diocletian, Knelt Rote, Heresiarch and other contemporary black/death bands who show to be more inclined to breaking new ground and paving the genre's future than living in the past.

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King Crimson

The Power To Believe

34,99 €*

Release: 2019 / UK – Original

Genre: Rock & Indie

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LP | 2013 | US | Reissue (Fat Wreck Chords)

Rise Against

Rpm 10

34,99 €*

Release: 2013 / US – Reissue

Genre: Rock & Indie

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LP | 2019 | EU | Original (Hammerheart)

Funebre

Children Of The Scorn

21,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Major Label)

Fliehende Stürme

Neun Leben

Release: 2019 / EU – Original

Genre: Rock & Indie

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Bring On The Music - Live... Volume 1 Purple Vinyl Edition

Gov't Mule

2LP | 2019 | EU | Original (Mascot Label Group)

12" | 2019 | US | Original (Carpark)

Release: 2019 / EU – Original

Genre: Rock & Indie

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No two Gov't Mule shows are alike, as the band draws on the more than 300 songs in their repertoire (and often a host of special guests) to create a unique experience each and every time. Warren Haynes [vocals, guitar], Matt Abts [drums], Danny Louis [keyboards, guitar, and backing vocals], and Jorgen Carlsson [bass] – have galvanised a global fan base with their improvisational virtuosity, leading them to be recognised as one of the most timeless and revered bands in the world.

"Twenty-five years... By the time you hear the performances from these two shows, Gov't Mule will have celebrated 25 years as a band -- something we never could have imagined. It's no easy task keeping a band together for 25 years. You don't get to do that without having built, nurtured, depended on, tested, damaged, and rebuilt important relationships. In fact, with any band that's stayed around that long, it's all about relationships. When we made the decision to document where the band is currently (musically speaking), it immediately occurred to us that this would be, among other things, a celebration of a lot of those relationships -- starting with the one between the four of us.

The title, Bring On The Music, is obviously taken from the song of the same name that deals not only with loss and the passing of time, but also with our relationship with our audience as well. Without our audience, there would be no chance or reason for us to be around 25 years later.

It was also obvious that we wanted to film and record at the Capitol Theatre in Port Chester, New York, which is one of our favorite venues. Since its re-opening in 2012, myself and Gov't Mule (together and separately) have played there many times and have had many magical shows there. To quote Jerry Garcia, 'There's only two theaters, man... The Fillmore and the Capitol Theatre.' " - Warren Haynes

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The Beths

Warm Blood

Release: 2019 / US – Original

Genre: Rock & Indie

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Brown Acid - The Eighth Trip

LP | 2019 | US | Original (Riding Easy)

Release: 2019 / US – Original

Genre: Rock & Indie

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Time Is A Machine Loam Colored Vinyl Edition

Listener

LP | 2013 | EU | Reissue (Sounds Of Subterrania)

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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2LP | 2019 | EU | Original (Geffen)

Nirvana

Live At The Paramount

Release: 2019 / EU – Original

Genre: Rock & Indie

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Beginning / Lena Willikens Remix

Mari Sekine

12" | 2018 | JP | Original (EM)

17,99 €*

Pat Thomas Introduces Marijata

Release: 2018 / JP – Original

Genre: Rock & Indie

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Composed and produced by Mari Sekina, Lena Willikens
Mastered by Takuto Kuratani (Ruv Bytes)
Publisher: Eel's Bed Music / Golfen & Reiten (c)＆(p) 2018 EM Records
Special thanks: Tomoe Ura, Thomas Venker / Slave To The Rythm Unlimited

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Marijata

LP | 2018 | EU | Original (Mr Bongo)

LP | 2018 | US | Original (Riding Easy)

Release: 2018 / EU – Original

Genre: Rock & Indie

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Limited Edition for Record Store Day 2018! ‘Pat Thomas Introduces Marijata’ is a seminal Ghanian album that fuses highlife, reggae, folk, funk and soul, from legendary vocalist Pat Thomas. Originally released in 1976 on Gapophone Records.
‘Marijata’ was a group made up of three members – Kofi ‘Electric’ Addison on drums, Bob Fischlan on organ and Nat Osmanu on guitar, hailing from Ghana. Pat Thomas career began in 1969 with the ‘Broadway Dance Band’, leaving a year later to join the ‘Uhuru Dance Band’. He then played with Ebo Taylor’s ‘Blue Monks’ and finally formed the ‘Sweet Beans’ in 1973 where he really made his name. The group released ‘False Lover’ in 1974, split and then reformed as Marijata, releasing ‘Marijata’ (also available on Mr Bongo) and this album, ‘Pat Thomas Introduces Marijata’. Thomas career spans more than 50 years and he still tours regularly across the world. Replica original artwork, official Mr Bongo reissue. Licensed from Gapophone Records courtesy of George Prah.

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Spiny Normen

LP | 2017 | US | Original (Riding Easy)

Release: 2018 / US – Original

Genre: Rock & Indie

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Spiny Normen were an incredible mid-’70s Houston hard rock, progressive, psychedelic rock band that featured mellotron, Vox Jaguar, crunchy, heavy guitars, flute with echo effects, and lots more. A totally lost relic, this self-titled album was recorded at a community college and never released. The recording is very English, dark, mysterious and proggy, but also very acid-drenched.

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Dunbarrow

LP | 2017 | EU | Original (Herzog)

Release: 2017 / US – Original

Genre: Rock & Indie

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Summoned to play it the old way in a new age, Trondheim, Norway quintet Dunbarrow draws inspiration from freezing winter nights, unpolished demo tapes from the 70s and the Swedish throwback rock from the beginning of the 21st century. The result is Norwegian proto-doom with a back-to-basics sound, from Pentagram and Witchfinder General to Quicksilver Messenger Service.

Dunbarrows clean, unadorned sound shares the unpretentious brilliance of classic heavy progenitors playing basements and bans, before the big budgets and bloated habits diluted hard rock into an echo chamber awash in reverb and layered in distant, screeching hobbits. The bands 9-track self-titled album is a classic in the sense that every song becomes instantly recognizable after just one listen.

With lyrics like the clever paean to a young witch mothers birth of Lucifers Child, Dunbarrow has a wealth of gloomy sentiments: Can you understand my young mothers plight / Away from the comforts that burn at the stake / She gave birth to a venomous snake / On her great pyre she smiled / For she carried Lucifers child.

Dunbarrow is based in the far northern Norwegian city Trondheim, but is originally from Haugesund on the west coast of Norway. The band has been playing together for over 8 years through different band names and genres. In 2014, vocalist Espen Andersen joined the band upon the departure of original singer/bassist Richard Chappell. Sondre Berge went from playing drums to playing bass. Kenneth Lnning and Eirik vregrd are still on the guitars, with Pl Gunnar Dale taking over the drums permanently in 2016. Espen Andersen recorded and mixed the debut album at Stoy Studios. Dunbarrow is hitting the studio for their second album this summer.

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Nighthawks

707

Release: 2017 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Chaz Bundick meets The Mattson 2

Star Stuff

LP | 2017 | US | Original (Company)

18,99 €*

Live In Cleveland August 22, 1977

Release: 2017 / US – Original

Genre: Rock & Indie

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Given the state of modern music and its fabricated pop icons, what Chaz Bundick Meets The Mattson 2 achieves is a collective music victory in a new era of progressive soundscapes. World-renowned composer/producer extraordinaire Chaz Bundick (Toro Y Moi, Les Sins) has teamed up with the psychedelic-jazz grooves of The Mattson 2 for an album that unifies a trio's creativity into a refreshing project of unhinged sonic originality.

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AC/DC

LP | 2017 | EU | Original (Dol)

Release: 2017 / EU – Original

Genre: Rock & Indie

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Velvet Underground & Nico

Velvet Underground And Nico Picture Disc Edition

LP | 2016 | EU | Original (Vinyl Lovers)

2LP | 2016 | DE | Original (A&M)

Release: 2016 / EU – Original

Genre: Rock & Indie

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The Velvets legendary debut album with the Warhol's Banana cover art printed on vinyl. Although Warhol, who was listed as producer on the album, allegedly gave the Velvets free reign over their sound, it was on his insistence that Nico performed on this album. However, this does not detract from the fact that when this album was made the Red Sea parted, and the Velvet Underground crossed into the Promised Land. 180 gram picture disc LP in deluxe sleeve, with 2 bonus tracks.

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Soundgarden

Down On The Upside

We Fucked A Flame Into Being

Release: 2016 / DE – Original

Genre: Rock & Indie

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The album “Down on the Upside” by the popular American rock band Soundgarden is now available again on vinyl. “Down on the Upside” is their fifth studio album, originally released on May 21, 1996. The album topped the New Zealand and Australian charts and debuted at number two on the United States' Billboard 200, selling 200,000 copies in its opening week and spawning the singles "Pretty Noose", "Burden in My Hand", "Blow Up the Outside World", and "Ty Cobb". All recordings were mastered from the original tapes and for the first time the vinyl is pressed to 180g double vinyl.

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Warhaus

LP | 2016 | EU | Original (Pias)

Release: 2016 / EU – Original

Genre: Rock & Indie

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LP | 2015 | US | Original (Alternative Tentacles)

Legendary Shack Shakers

The Southern Surreal

LP | 2014 | CZ | Reissue (Double Double Whammy)

Release: 2015 / US – Original

Genre: Rock & Indie

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The infamous, explosive Southern wrecking crew The Legendary Shack Shakers are back with a brand new full-length titled The Southern Surreal. Their first release in five years, the album lands on the band’s 20th anniversary and is their Alternative Tentacles debut. In conjunction with its release, the band will tour across much of the United States and Europe this Fall.

The Legendary Shack Shakers’ incendiary interpretations of the blues, punk, rock and country are all-at-once irreverent, revisionist, dangerous and fun. Built upon a haunting, Southern Gothic theme, The Southern Surreal is a fifteen-track set featuring regular band members Colonel JD Wilkes (vocals, harmonica, banjo), Rod Hamdallah (electric guitar), Mark Robertson (electric and upright bass) and Brett Whitacre (drums), with guest appearances by actor / musician and longtime Shack Shakers fan Billy Bob Thornton, and Jesus Lizard guitarist Duane Denison.

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Frankie Cosmos

Zentropy

LP | 2015 | US | Original (Side One Dummy)

Release: 2014 / CZ – Reissue

Genre: Rock & Indie

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Ready to melt your hearts & make you believe, Frankie Cosmos' (aka Greta Kline) songwriting captures everything great about a pop song - sadness, optimism & charm. Her 1st studio recording after 40 albums of anti-folk bedroom recordings, "Zentropy" is connected to your soul, revealing the flower you should grow.

Reissue.

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Jeff Rosenstock

We Cool

Release: 2015 / US – Original

Genre: Rock & Indie

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Me First And The Gimme Gimmes

Are We Not Men?

LP | 2014 | US | Original (Fat Wreck Chords)

Release: 2014 / US – Original

Genre: Rock & Indie

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First full-length studio album in 8 years. As the name of the album implies, their latest offering tackles the soaring refrains of 12 of the most beloved Divas in music. Celine, Cher, Madonna, Christina, Boy George. all the greats, done up in the way that only the punk rock prima donnas from the Gimmes can.

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Velvet Underground & Nico By Castle Face And Friends

LP | 2013 | US | Original (Castle Face)

The Metal Opera Pt. II Platinum Edition

Release: 2013 / US – Original

Genre: Rock & Indie

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With tracks from KELLEY STOLTZ, WARM SODA, TY SEGALL, BLASTED CANYONS (feat. JEREMY COX of ROYAL BATHS), WHITE FENCE, FRESH & ONLYS, BURNT ONES, THE MALLARD, K. DYLAN EDRICH AND THE BLACK ANGELS DEATHSONGSMEN, HERE COME THE HERE COMES, and THEE OH SEES. Packaged with artwork by DAVID SHRIGLEY.

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Avantasia

2LP | 2023 | EU | Original (Afm)

39,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2019 | Original (Department Musik)

Grizzly

Movement

Release: 2019 / Original

Genre: Rock & Indie

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Power Surge Purple Vinyl Edition

The Creation

LP | 2017 | Original (Demon / Edsel)

Release: 2017 / Original

Genre: Rock & Indie

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Tell Me Not Here Clear Vinyl Edition

Vanishing Twin

12" | 2024 | UK | Original (The state51 Conspiracy)

First London Gig, Live At The Music Machine October 28th 1980 Colored Vinyl Edition

Release: 2024 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Vanishing Twin’s expansive and magical psychedelic epic with lyrics adapted from A.E. Housman’s 1922 poem, ‘Tell Me Not Here, It Needs Not Saying’ was initially commissioned by The Quietus for Sound + Vision subscribers before being released as part of state51's ongoing Singularity series. Here it's presented in transparent vinyl, over two sides.

Vanishing Twin fly deeper into their sonic universe, blending elements from an improvisational session, raw recordings of the natural world, and early 20th century poetry to create sublime, cosmic pop.

This twenty-minute piece has embellishments of sparkling synth and lyrical vignettes that are reminiscent of English folk melodies.

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Discharge

LP | 2024 | EU (Radiation Reissues)

First London Gig, Live At The Music Machine October 28th 1980 Black Vinyl Edition

Release: 2024 / EU

Genre: Rock & Indie

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Formed in Stoke on Trent in 1977, northern band Discharge changed the British punk scene forever with a distinctive brand of hardcore, making minimalistic music with heavily distorted guitar, drone-like bass, shouted anarchic vocals and a style of propulsive drumming, known as D Beat. This new edition of the legendary London debut, unleashed at Camden’s Music Machine in October 1980, is a blistering set that captures our heroes at their freshest, the audience response so great that they revisit ‘Realities Of War,’ ‘Fight Back,’ ‘Tomorrow Belongs To Us’ and ‘They Declare It’ for the full-throttle encore. Essential Dischage!

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Discharge

LP | 2024 | EU (Radiation Reissues)

Tape | 2024 | EU (Radiation Reissues)

Release: 2024 / EU

Genre: Rock & Indie

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Hanoi Rocks

Oriental Beat

13,99 €*

12" | 2018 | US | Reissue (Rhymes Of An Hour)

Release: 2024 / EU

Genre: Rock & Indie

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Hanoi Rocks' "Oriental Beat" pulsates with a unique blend of glam rock and punk energy, capturing the band's rebellious spirit against the backdrop of 1980s Helsinki. With catchy hooks and raw intensity, it solidifies their status as pioneers of the Finnish rock scene.

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Mazzy Star

Still

Release: 2018 / US – Reissue

Genre: Rock & Indie

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LP | 2024 | Original (Border Town Sound)

Rob Lamothe

Gravity

40,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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A Nameless Grave: Live At Kemper Arena Kansas City 1986

Ozzy Osbourne

LP | 2024 | EU (Mind Control)

LP | 2024 | US | Original (Feel It)

Release: 2024 / EU

Genre: Rock & Indie

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Ozzy Osbourne, legendary Prince of Darkness, electrified Kemper Arena with his iconic presence on April 28, 1986. The roaring crowd bore witness to an unforgettable night of rock 'n' roll history.

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The Drin

Elude The Torch

Die Kemenaten Scharlachroter Lichter White Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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THE Drin forge further into their own captivating world of sound on their fourth album, Elude the Torch. Since 2021, the Cincinnati group has released one strikingly original album per year, crawling closer to the aether with a driving, reverberated rhythm. The Drin's current sextet lineup is at a new height—loose, yet focused and commanding. Deep layers of saxophone, synthesizer, percussion, strings and opaque environments stir with flickering emotion across Elude the Torch, while D MCCARTNEY's nebulous verbiage and grim auguries paint landscapes within the rock ‘n roll murk.

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Angizia

2LP | 2024 | US | Original (The Circle Music)

49,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Ernest Jenning)

Perennial

Art History

2x10" | 2024 | EU | Original (Stylus Groove)

Release: 2024 / US – Original

Genre: Rock & Indie

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Perennial is an art project: Mod pop, post-hardcore, 60s soul, ambient electronic music, midcentury design, abstract expressionism, French New Wave cinema; it’s all collage material for Perennial. The band—electric organist Chelsey Hahn, guitarist Chad Jewett and drummer Ceej Dioguardi—is equal parts manic basement show bombast and studio-as-instrument headphone listening. To see the New England three-piece in person is to experience a 20-minute burst of kinetic energy: dynamic, reckless, electrifying. To put on one of Perennial’s records is to spend almost the same amount of time with impeccably layered studio-as-instrument punk modernism. Art History, the band’s newest full-length album (out June 7 via Ernest Jenning Record Co.), finds Perennial further experimenting with their angular cut-and-glue aesthetic. An adventurous 20 minutes of impressionist punk energy, British Invasion guitar pop chic, and Mod-inflected rhythm and noise rave-ups, Art History is both Perennial’s most giddily accessible and most artistically daring record to date. Edition of 275 copies pressed on clear with black and green splatter vinyl.

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Aerosmith

Woodstock '94

41,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Unfasten Yerself: Live At The Olympiahalle Munich 1980 Black Vinyl Edition

Frank Zappa

LP | 2024 | EU (Dear Boss)

18,99 €*

LP | 2024 | EU | Original (Prosthetic)

Release: 2024 / EU

Genre: Rock & Indie

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Zappa zaps Munich! 1980 live set ignites with genre-bending jams ("City Of Tiny Lites"), scorching guitar, and satirical wit. Dive into musical mayhem - face melting guaranteed.

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Wraith

Fueled By Fear

29,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Derya Yildirim & Grup Simsek

Dost 1 & 2 Eastern Thrace Sunflower Vinyl Edition

LP | 2024 | EU | Original (Les Disques Bongo Joe)

32,99 €*

Neil Young with Crazy Horse

Release: 2024 / EU – Original

Genre: Rock & Indie

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Outernational pop group Derya Yildirim & Grup Simsek unveil the second and final part of their double album "Dost 1&2". Once again, their subtle and groovy Anatolian psych folk sound matches the powerful quality of the songs often led by Yildirim"s sublime vocals and baglama (Turkish lute). With "Dost 2", the band have broadened their songwriting horizons and refined their idiosyncratic arrangement skills.Most of "Dost 2""s material was composed by the band, with two notable tracks composed by guitarist flautist Antonin Voyant whose melodic work brings the music to an unnostalgic, yet deep and meaningful place. The lyrics were penned by Derya Yildirim in collaboration with Berlin based writer Duygu Agal, adding another string to Grup Simsek"s bow.

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Early Daze Black Vinyl Edition

LP | 2024 | EU | Original (Reprise)

33,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Handle With Care Green / Yellow Vinyl Edition

Love Fiend

LP | 2024 | US | Original (In The Red)

7" | 2024 | US | Original (Certified PR)

Release: 2024 / US – Original

Genre: Rock & Indie

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“A glorious dirty little gem in Los Angeles finally rears its four heads again. Love Fiend have been slaying sine waves and bashing bongos boldly for a while now in the dusty dens of the unkempt underground. Good news for you, you can get an injection in your own home soon enough, you Fiend! Hooks for days, these young humans are now leaning fast forward into the reverse-future with Handle With Care out soon on OG In The Red Records. Perhaps they can join the upper echelons of Tik Tok barf famous good feelin’ peddlers like some of their label mates or perhaps they can just wear you out on the dance floor. One can dream anyhow. Either way this is gonna get stuck in your ear hole eyes, thank heavens. Deffo some neon drizzled ’80s synth punk highway tunes here. Just the right amount of this and just a bit of that in the roux to make you forget that we are teetering on the edge of………..for 30 minutes or so at least. Whew close one. Really all you need to get on. All hail the medicinal extra strength over these counter pop pills. For fans of Nick Lowe, The Cars, Gary Numan, Blondie, The Nerves. I could go on but why reveal everything in the trailer. Twist! Enjoy.” —John Peter Dwyer

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CPC Gangbangs

Post / Changed Man

9,99 €*

LP | 2024 | US | Original (Many Hats)

Release: 2024 / US – Original

Genre: Rock & Indie

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CPC Gangbangs arose from the ashes of garage punk architects LES Sexareenos, Daylight Lovers and Spaceshits. These two tracks are part of the last batch of recordings from the scrapped final LP

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Good Kid

Good Kid 4 Black Vinyl M

Release: 2024 / US – Original

Genre: Rock & Indie

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Slipstream Silver Vinyl Edition

Romeo's Daughter

LP | 2024 | EU | Original (Renaissance)

Release: 2024 / EU – Original

Genre: Rock & Indie

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2LP | 2024 | US | Original (In The Red)

Redd Kross

39,99 €*

LP | 2024 | US | Original (Inscrutable)

Release: 2024 / US – Original

Genre: Rock & Indie

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In 1979, two school-kids all hopped-up on punk-rock started their own group in their hometown of Hawthorne, Los Angeles (birthplace of the Beach Boys) and soon found themselves opening shows for notorious scene pioneers Black Flag. Jeff McDonald was fifteen, his brother Steven McDonald only eleven. But that didn’t stop their group from becoming one of the most remarkable, enduring and unique outfits punk-rock ever belched up.

2024, then, marks Redd Kross’s forty-fifth birthday—an important anniversary for any group whose heart pulses at 45RPM—and the brothers are celebrating the event with a veritable multimedia extravaganza. There’s a memoir, Now You’re One Of Us, due in November, author Dan Epstein telling the group’s story in the McDonalds’ unmistakable (and occasionally contrary) voices. A brilliant rockumentary, Born Innocent, directed by Andrew Reich, will premiere later in the year. Most exciting of all, this new album—an eponymous double-album, no less, packed with eighteen of their sharpest, most addictive songs yet. These years of joyful service to rock’n’roll have seen Redd Kross evolve into a killer pop-rock concern, dealing in dayglo power-chords, choruses as tall as skyscrapers and a lyric sheet thick with acid couplets and arch pop-cultural references their loyal following will gobble up like quaaludes.

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Famous Mammals

29,99 €*

Compassion Yellow Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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"Famous Mammals were already going to be fantastic the moment they decided to form as a pandemic avocation in 2020, considering they’d been birthed from the flames of recent Oakland, CA scene-definers Rays, The World and Andy Human & The Reptoids. Yet when their wonderfully sharp & confounding self-titled tape came out in 2021, they were better than that, even. Their initial sound clicked along, searched and then found oblique treasure in a deep DIY post-punk void one might associate with 39 Clocks or the Swell Maps - sometimes aggressively sharp and pointed, other times given to captivating and off-centered murky quaalude meandering in all the ways you love.

I’m a big fan of Stanley Martinez’ vocals and guitar, and have been since the first time I saw & heard Rays, and he transported his A-game to a recording session yet again. Likewise Amber Sermeno—we all swooned for her fronting The World, and while we only get one lone track w/her vocals, it might even be the best thing on here: the chugging & propulsive 'Unspoken Chair'. Andy Human—well, that guy just moves from strength to strength, excelling as a bass player here and general instrumental conductor of an echoey and wide-open sound partially transported from the hinterlands, moors and home studios of 1979 Northern England. To my ears, this was the first truly great set of recordings to emerge from a 'pandemic band', and now that they’ve gone on to be a full-fledged recording project and occasional touring band of some renown, it’s phenomenal to see it in the format it’s always deserved."—Jay Hinman (Dynamite Hemorrhage)

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Rui Gabriel

LP | 2024 | US | Original (Carpark)