Rock & Indie 1643 Items

Genre: Rock & Indie

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Genre: Rock & Indie

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Genre: Rock & Indie

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2LP | UK | Reissue (Mobile Fidelity)

Elvis Presley

Blue Hawaii

99,99 €*

White Pony 20th Anniversary Box Edition

Release: UK – Reissue

Genre: Rock & Indie

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180g 2LP 45rpm Gatefold Sleeve

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Deftones

4LP+2CD | EU | Original (Warner)

131,99 €*

Release: EU – Original

Genre: Rock & Indie

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White Pony 20th Anniversary Box Edition

Deftones

4LP | EU | Original (Warner)

51,99 €*

Release: EU – Original

Genre: Rock & Indie

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Pixies

Head Carrier

2LP+CD (Pixies Music)

96,99 €*

Genre: Rock & Indie

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Head Carrier-Vinyl & CD Album & Artbook Box Set

slipped in a hardcase with a 24-panel accordion fold lyric book

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Arcade Fire

We Blue Vinyl Edition

LP (Columbia)

54,99 €*

Genre: Rock & Indie

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Tfcf (420 Estuary Angler Edition)

Liars

2LP (Mute)

60,99 €*

Genre: Rock & Indie

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Genre: Rock & Indie

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The Gun Club

Preaching The Blues

7x7" (The Flood Gallery)

100,99 €*

Genre: Rock & Indie

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A Paranormal Evening With The

Avantasia

2LP (Nuclear Blast)

52,99 €*

Genre: Rock & Indie

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Genre: Rock & Indie

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Omega Alive Green Vinyl Box

Epica

Box (Nuclear Blast)

64,99 €*

Genre: Rock & Indie

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Winterfylleth

The Reckoning Dawn

2LP Box (Candlelight)

100,99 €*

Genre: Rock & Indie

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Final Hours At Hammersmith

Funeral For A Friend

2LP (Catalogue Domestic)

Genre: Rock & Indie

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Genre: Rock & Indie

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Genre: Rock & Indie

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Genre: Rock & Indie

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Mastodon

Once More 'Round The Sun

2LP (Reprise)

62,99 €*

Genre: Rock & Indie

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Box (Silver Lining Music)

Morbid Angel

Kingdoms Disdained

125,99 €*

Genre: Rock & Indie

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Nimrod 25th Anniversary Edition

Green Day

5LP | EU (Warner)

157,99 €*

Release: EU

Genre: Rock & Indie

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Crosby, Stills, Nash And Young

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Deja Vu Atlantic 75 Series

2LP | US | Reissue (Analogue Productions Atlantic 75 Series)

86,99 €*

Crosby, Stills, Nash And Young

Release: US – Reissue

Genre: Rock & Indie

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180g 2LP 45rpm

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Deja Vu Atlantic 75 Series Sacd

CD | US | Reissue (Analogue Productions Atlantic 75 Series)

The Singles Collection - Box Set

Release: US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-10-18

Sacd

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The Gathering

7x12" | EU | Original (Alone)

119,99 €*

Release: EU – Original

Genre: Rock & Indie

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I / II / III Limited Clear White Cream Vinyl Edition

Paul McCartney

LP | EU | Original (Universal)

110,99 €*

Release: EU – Original

Genre: Rock & Indie

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Live At The El Mocambo Limited Neon Vinyl Edition

The Rolling Stones

4xLP | EU | Reissue (Universal)

110,99 €*

Release: EU – Reissue

Genre: Rock & Indie

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La Sone Des Pluies Et Des Tombes

Xavier Grall

LP | FR | Original (Disques Velia)

64,99 €*

2LP | US | Reissue (Mobile Fidelity)

Release: FR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Cover with light wear

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T. Rex

Electric Warrior

88,99 €*

Coups de Coeur Coups de Soleil

Release: US – Reissue

Genre: Rock & Indie

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180g 45rpm

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Réséda

LP | FR | Original (Not On Label)

79,99 €*

Release: FR – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

The Story Of The Who Record Store Day 2024 Pink & Green Vinyl Edition

The Who

2LP | Reissue (UMC)

55,99 €*

Feelings Are Good And Other Lies

Release: Reissue

Genre: Rock & Indie

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Sometimes regarded as the most complete Who Best Of, this version with a replica of the original 8-page booklet and pressed on Colored Vinyl (Pink and Green) was mastered by long time Who engineer Jon Astley and cut by Miles Showell at Abbey Road.

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John Taylor

| EU (Pegasus)

169,99 €*

Release: EU

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | DE | Original (Slowboy)

EA80

Reise

69,99 €*

LP | 1959 | US | Original (RCA Victor)

Release: DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

White wax!

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The Isley Brothers

Shout!

LP | 1962 | US | Original (ATCO)

Release: 1959 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: G+, Cover: G+

Spines are torn. Vinyl is Close to VG. Indianapolis pressing.

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The Coasters

Chris Farlowe & The Thunderbirds

Release: 1962 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines. Cover with shelf wear on the back, close to VG+

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Buzz With The Fuzz

7" | 1965 | UK | Original (Columbia)

199,99 €*

Alexis Korner's Blues Incorporated

Release: 1965 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with a few scratches! Close to VG+!

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Blues Incorporated

LP | 1965 | UK | Original (Ace Of Clubs)

69,99 €*

Album | 1965 | UK | Original (Transatlantic)

Release: 1965 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Original UK Mono pressing.
Writing on label.
Small light scuff on side 2.
Record is close to VG+.
Yellowed cover with faint ring wear on the back.

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Bert Jansch

70,99 €*

Release: 1965 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

7" | 1965 | FR | Original (RCA Victor)

Les Petites Souris

Joue/Ce N'est Pas Triste

79,99 €*

Release: 1965 / FR – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Revolver Special Edition Super Deluxe CD Box Set Edition

Box Set | 1966 | EU | Reissue (Apple)

138,99 €*

Release: 1966 / EU – Reissue

Genre: Rock & Indie, Pop

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Revolver Special Edition Super Deluxe Vinyl Box Set Edition

4LP+7" | 1966 | EU | Reissue (Apple)

193,99 €*

Release: 1966 / EU – Reissue

Genre: Rock & Indie, Pop

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7" | 1966 | UK | Original (Island)

Chris Farlowe

Stormy Monday

169,99 €*

Release: 1966 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1966 | US | Original (Cameo)

? & The Mysterians

96 Tears

LP | 1966 | UK | Original (Transatlantic)

Release: 1966 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs. Cover with punch hole

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John Renbourn

70,99 €*

Laissez Briller Le Soleil

Release: 1966 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Original UK mono pressing.

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Les Boots

7" | 1966 | FR | Original (Polydor)

89,99 €*

LP | 1966 | DE | Original (Star-Club)

Release: 1966 / FR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: Generic

Record with clean labels plays with faint surface noise which is especially audible in the run-ins but far from overpowering the music.

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V.A.

Sweet Beat

57,99 €*

Greatest Hits 45RPM, 200g Vinyl Edition

Release: 1966 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines. Cover with long open seam split on bottom spine and punch hole.

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Patsy Cline

2LP | 1967 | US | Reissue (Analogue Productions)

75,99 €*

2LP | 1967 | US | Reissue (Mobile Fidelity Sound Lab)

Release: 1967 / US – Reissue

Genre: Rock & Indie

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What praises haven't been lauded the immortal singing talent of the late, great Patsy Cline? She died at the height of her career, at age 30, with two other stars of the Grand Ole Opry, and her manager, in a private plane crash near Camden, Tennessee, on the group's return to Nashville from Kansas City. Before that ill-fated flight, though, she left a musical legacy as one of the most influential and successful female vocalists of the 20th Century.
In the late 1950s and the '60s, country music was essentially a singles medium. This album, first released in 1967, collects a dozen of Patsy's biggest hits — all of them from the country singles market — including "Walkin' After Midnight", "Sweet Dreams (Of You)", "Crazy", and "I Fall to Pieces".
Producer Owen Bradley surrounds Cline's full-throated, emotionally charged vocals with lush, sophisticated arrangements that set the standard for Nashville's 'countrypolitan' sound. And trust us, on this 200-gram QRP pressing, mastered by Sterling Sound, Cline's seductive vocals have never sounded clearer or richer.
Cline's life and career has been the subject of numerous books, movies, documentaries, articles and stage plays. She has sold millions of albums through the past 50 years, giving her an iconic fan status, similar to that of country artists such as Johnny Cash and Dolly Parton. In 1992, the U.S. Postal Service honored her, along with Hank Williams, on a U.S. postage stamp. And in 1995 she was honored with a Grammy Lifetime Achievement Award. Cline was also honored with a star on the Hollywood Walk of Fame in 1999.
Before Shania Twain found a new (though not necessarily improved) way to combine country and pop in the 1990s, this was the top-selling country album of all time by a female artist.

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Jefferson Airplane

Surrealistic Pillow

73,99 €*

John Mayall & The Bluesbreakers

Release: 1967 / US – Reissue

Genre: Rock & Indie

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180 Gram MONO 45RPM Audiophile Vinyl, limited/numbered

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A Hard Road

LP | 1967 | UK | Original (Decca)

80,99 €*

Release: 1967 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Sgt.Peppers´s Lonely Hearts Club Band

LP | 1967 | UK | Original (Parlophone)

55,99 €*

LP | 1967 | US | Reissue (International Artist)

Release: 1967 / UK – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Uk reissue from the 2000s.
Includes original inner sleeve.

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13th Floor Elevators

Easter Everywhere

57,99 €*

Release: 1967 / US – Reissue

Genre: Rock & Indie

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John Mayall & The Bluesbreakers

Bare Wires

LP | 1968 | UK | Original (Decca)

80,99 €*

The Kinks Are The Village Green Preservation Socie

Release: 1968 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Sticker residue on front cover. Mono, gatefold.

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The Kinks

Box | 1968 | EU | Reissue (BMG Rights Management)

106,99 €*

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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LP | 1968 | BE | Reissue (Elektra)

Nico

The Marble Index

75,99 €*

LP | 1968 | JP | Reissue (London)

Release: 1968 / BE – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

1972 reissue.

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The Rolling Stones

Beggars Banquet

60,99 €*

Big Brother & The Holding Company

Release: 1968 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing. close to NM. 1978 reissue.

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Cheap Thrills

LP | 1968 | JP | Original (CBS/Sony)

70,99 €*

2LP | 1968 | US | Reissue (Mobile Fidelity Sound Lab)

Release: 1968 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Taped spines. Japanese pressing. OBI is missing. Vinyl is close to NM.

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Johnny Cash

At Folsom Prison

74,99 €*

Release: 1968 / US – Reissue

Genre: Rock & Indie

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2LP | 1969 | US | Reissue (Pink Floyd)

Pink Floyd

Ummagumma

51,99 €*

Release: 1969 / US – Reissue

Genre: Rock & Indie

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LP | 1969 | US | Reissue (Now-Again)

Hunger

Strictly From Hunger

56,99 €*

2LP | 1969 | US | Reissue (Analogue Productions)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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The latest release in Now-Again’s Reserve Series is Hunger – Strictly From Hunger: the band’s preferred version of the album, unedited, fuzz-guitar heavy late 60s psych-rock, restored and remastered from a rare test press. Hunger arrived in L.A. from Portland in late 1967 as the Outcasts, a teenage cover band, but within a six months they had signed with a connected manager, played all over Los Angeles, embraced psychedelia and signed on to record an album of original music for the label their manager founded for them: Public! Records. They showed tremendous promise – and their producers invested heavily into a band that was going to be the next marquee act at the Whiskey A Go-Go, bringing in members of Strawberry Alarm Clock, including future Lynyrd Skynyrd star Ed King, to produce an album. But Hunger broke up before their album’s release and their entry in rock’s canon was shadowed for years. This is the definitive Reserve Edition reissue of a late ‘60s psych–rock classic, overseen by Hunger’s band members John Morton, Steve Hansen and Mike Lane: the band’s preferred, unedited, fuzz-guitar heavy version of the album, restored and remastered from a rare test press. This is the first time that band’s vision for the album has been issued in full on vinyl. Contains an extensive booklet by Jim Cherry, Eothen Alapatt and Clark Faville that corrects many factual inaccuracies told over the record’s celebrated past three decades as one of rock’s holy grails. The booklet is filled with never-published photos from lead guitarist John Morton’s archive. Here’s an example of what’s in store – the full version of “Open Your Eyes” featuring Ed King’s lead guitar lines – all but absent on the Public! Records issue – and nearly double the length of the issued version! Download card for WAV files and bonus tracks – including the full Public! Records version of the album and 7” single tracks – included.

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Jethro Tull

Stand Up

77,99 €*

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Crosby Stills & Nash SuperVinyl Edition

Crosby Stills & Nash

LP | 1969 | US | Reissue (Mobile Fidelity)

119,99 €*

LP Box | 1969 | US | Reissue (Mobile Fidelity)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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ULTIMATE-SOUNDING VERSION OF THE HARMONY-RICH LANDMARK: DELUXE AUDIOPHILE PRESSING LIMITED AND NUMBERED COPIES
1/4" / 15 IPS analogue master to DSD 256 to analogue console to lathe

The enduring charm, contemporary relevance, and harmonic convergence of Crosby, Stills & Nash's fabled self-titled debut owe not only to impeccably played songs and resonant lyrics, but to career-defining performances by music's first genuine supergroup. Crosby, Stills & Nash lingers as an example of the whole being greater than the sum of its parts. Factor in phenomenal studio production and acoustic-based architecture that served as guideposts for myriad albums that followed, and popular music would never be the same.

Limited and numbered, pressed on MoFi SuperVinyl at RTI, and mastered from the original master tapes, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP collector's edition enhances the incalculably influential work for the ages to come. Surpassing the sonics of any prior version, it peels away any limitations to provide a transparent, ultra-nuanced presentation of a record that birthed the Laurel Canyon movement and established a precedent for close harmony singing that has never been eclipsed. The organic presentation of the textures; expanse and depth of the soundstages; fullness of tones; natural extension of the acoustic guitar strings; realistic rise and decay of individual notes; seamless blending of the vocals – all those important sonic facets (and more) reach demonstration-grade levels.

The packaging features the same attention to detail. Housed in a deluxe box, the Crosby, Stills & Nash UD1S pressing features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendour of the recording and the reissue's premium quality. Aurally and visually, MoFi's UD1S copy exists as a curatorial artifact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art – and everything involved with the album, from the images to the finishes.

The backstory of how Crosby, Stills & Nash came to be nearly matches the import of its content. Already a renowned multi-instrumental virtuoso, Stephen Stills sought a fresh beginning after Buffalo Springfield splintered. Similarly, vocal powerhouse David Crosby arrived after leaving the Byrds and gaining a reputation for being difficult. Graham Nash drifted over after a frustrating stint in the Hollies. He met his new mates at a party. When the three sang together informally for the first time, their fate was sealed. To further tie their fortunes together, the singers used each of their surnames to identify the group to ensure the collective could not exist or continue on without all three members.

From the opening of the lead track, the multi-part "Suite: Judy Blue Eyes," written for Judy Collins, it's apparent the trio's dynamic cannot be replicated or substituted. Originally released in May 1969 on Atlantic, the eponymous debut cracked the Billboard Top 10 and spent almost two years on the charts. Such longevity can be credited to the distinctive traits each member lends to a record Rolling Stone cites as the 252nd Greatest Album of All Time. Stills trades in folk, country, and rock accents while handing a majority of the instrumental duties (organ, bass, and lead guitar included). Crosby paints with mood and atmosphere, as well as direct political commentary. Nash ties everything together with accessible pop melodies.

More than five decades later, the ensemble's mellifluous singing and homespun arrangements continue to soar. The evidence pervades Crosby, Stills & Nash, whose magnetism reflects in standards such as the breezy "Marrakesh Express," protesting "Long Time Gone," poignant "Helplessly Hoping," and poetic "Wooden Ships." No wonder the trio's chemistry – as well as the distinctive traits of each member's singing, interwoven guitar parts, and contrasting personalities – became a permanent part of an American culture dealing with conflicting themes of peace and war, love and violence, and change and status quo.

More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior
Mobile Fidelity Sound Lab's UltraDisc One-Step (UD1S) technique bypasses generational losses inherent to the traditional three-step plating process by removing two steps: the production of father and mother plates, which are created to yield numerous stampers from each lacquer that is cut. For UD1S plating, stampers (also called "converts") are made directly from the lacquers. Since each lacquer yields only one stamper, multiple lacquers need to be cut. Mobile Fidelity's UD1S process produces a final LP with the lowest-possible noise floor. The removal of two steps of the plating process also reveals musical details and dynamics that would otherwise be lost due to the standard multi-step process. With UD1S, every aspect of vinyl production is optimized to produce the best-sounding vinyl album available today.

MoFi SuperVinyl
Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.

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Elvis Presley

From Elvis In Memphis

119,99 €*

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Dusty In Memphis Atlantic 75 Series

Picture
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Dusty Springfield

2LP | 1969 | US | Reissue (Analogue Productions Atlantic 75 Series)

86,99 €*

LP | 1969 | UK | Reissue (Decca)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-10-18

180g 2LP 45rpm Gatefold Sleeve

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Them

The "Angry" Young Them!

75,99 €*

Release: 1969 / UK – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Chicago Transit Authority Red Vinyl Edition

Chicago

2LP | 1969 | US | Reissue (Friday Music)

82,99 €*

Release: 1969 / US – Reissue

Genre: Rock & Indie

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LP | 1969 | JP | Original (CBS/Sony)

Bob Dylan

Nashville Skyline

LP | 1969 | UK | Original (Pye)

Release: 1969 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing. Slight seam wear. vinyl is close to NM.

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Man

Revelation

78,99 €*

Stage Fright 50th Anniversary Limited Deluxe Boxset

Release: 1969 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Flipback cover has a tear on back cover.

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The Band

5LP | 1970 | EU | Reissue (Capitol)

148,99 €*

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Let It Be Limited 50th Anniversary Box Edition

Box | 1970 | UK | Reissue (Apple)

151,99 €*

LP | 1970 | JP | Reissue (Odeon)

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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Following on from the global success of ‘Abbey Road’, Apple Corps and USM are proud to present the next multi-format Beatles album reissue of ‘Let It Be’.

January 1969 – The Beatles planned to return to live performance, setting up in Twickenham Film Studios, London, for 21 days of rehearsals. They then decamped to their new studio in their Apple office building in Saville Row and on January 30th performed their last ever live group performance on the rooftop. All of this was filmed for a proposed documentary (eventually released in 1970). During the rehearsal process, they asked Glyn Johns, who had been hired to help with the live sound, to attempt a mix to create an album. This was never released, becoming known as one of the great ‘lost’ albums in rock history and is now included in this Super Deluxe Set. The album was delayed further and in fact became their 12th and final official album release on 8th May 1970 following additional production by American producer Phil Spector.

The Beatles iconic final studio album being released to coincide with the worldwide release of Peter Jackson’s 3 part documentary ‘The Beatles: Get Back’
New stereo mix of the original album by Giles Martin
Additional discs featuring a selection of outtakes from the recording sessions
Blu-ray contains Dolby Atmos mix, 5.1 surround mix, plus high-res stereo mix of the original album

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The Yardbirds

Five Live Yardbirds

84,99 €*

LP | 1970 | UK | Original (Track)

Release: 1970 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Red vinyl.

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The Who

Live At Leeds

77,99 €*

An Evening With Dando Shaft

Release: 1970 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

UK pressing with red writing on cover, blue on label sticker. With inserts.

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Dando Shaft

LP | 1970 | UK | Original (Young Blood)

170,99 €*

Release: 1970 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1970 | DE (Violet System)

Taste

7" | 1970 | UK | Original (Elektra)

Release: 1970 / DE

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

taped spine

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Love

I'm With You

52,99 €*

Release: 1970 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

LP | 1970 | DE | Reissue (Warner Bros.)

Van Morrison

Moondance

60,99 €*

LP | 1970 | EU | Reissue (Super Sonic Jazz)

Release: 1970 / DE – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

1997 reissue. Limited edition. With insert.

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Beverly Glenn-Copeland

66,99 €*

LP+LP+All Media | 1970 | EU | Reissue (Madfish)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

OBI is missing!

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The Pretty Things

Parachute

55,99 €*

Bridge Over Troubled Water

Release: 1970 / EU – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Still in shrink but opened with hype sticker. Tiny wear. 2020 reissue.

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Simon & Garfunkel

LP | 1970 | US | Reissue (Mobile Fidelity Sound Lab)

74,99 €*

Release: 1970 / US – Reissue

Genre: Rock & Indie

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Ladies Of The Canyon 180g 45RPM SuperVinyl Box Set

Joni Mitchell

2LP | 1970 | US | Reissue (Mobile Fidelity)

154,99 €*

LP | 1970 | UK | Original (Track)

Release: 1970 / US – Reissue

Genre: Rock & Indie

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SOURCED FROM THE ORIGINAL ANALOGUE MASTER TAPES
PRESSED AT RTI ON MOFI SUPERVINYL, AND STRICTLY LIMITED TO 5,000 NUMBERED COPIES
1/4” / 15 IPS / Dolby A analogue master to DSD 256 to analogue console to lathe

Ladies of the Canyon can be viewed as Joni Mitchell's coming-out party. Having recently moved to Lookout Mountain in Los Angeles' Laurel Canyon area — her house is depicted in a watercolour painting she made for the record's cover — the Canadian icon turned to her immediate surroundings for inspiration the while taking the pulse of national affairs, corporate enterprise, celebrity, and her relationship with Graham Nash. The 1970 album finds the singer-songwriter morphing into the groundbreaker who would shed folk music's constructs and wade into pop, jazz, soul, and poetry with a combination of depth, sophistication, self-examination, and acumen no one had ever heard.

Sourced from the original analogue master tapes, pressed on MoFi SuperVinyl at RTI on MoFi SuperVinyl, featuring new liner notes, and strictly limited to 5,000 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP box set delivers Ladies of the Canyon with bracing intimacy, detail, balance, and depth. Marking the first time the LP has received audiophile treatment, it's one of six iconic Mitchell records Mobile Fidelity is reissuing on definitive-sounding vinyl and SACD sets.

Playing with organic warmth, superb clarity, and ample spaciousness, this collectible UD1S edition benefits from the inherent properties of SuperVinyl — a virtually non-existent noise floor, reference-calibre groove definition, and ultra-silent surfaces among them. Primarily recorded solo, with spare accompaniment on select tracks, Mitchell practically takes up residence in your listening room. Her voice, piano, and guitar image with spot-on precision and three-dimensionality; the music is focused, emotional, natural. Auxiliary instrumentation — cello, clarinet, baritone saxophone, Milt Holland's deft percussion — is seamless, cohesive, steady. Notes bloom and decay as they do on a live stage; relatedly, the soundstage extends far and wide, with carbon-black backgrounds adding to the uncanny realism.

The deluxe packaging of the Ladies of the Canyon UD1S set complements its distinguished status. Housed in a deluxe slipcase, both LPs come in special foil-stamped jackets with faithful-to-the-original graphics that illuminate the splendour of the recording. This UD1S reissue is made for listeners who prize sound quality and production, and who desire to engage themselves in everything involved with the album, including Michell's illustrative painting that serves as the cover art.

Deemed "powerful and brilliant" upon release by The New York Times, Ladies of the Canyon followed Mitchell's first Grammy-winning effort (Clouds) and marked the first of six consecutive masterworks she made en route to becoming the most celebrated singer-songwriter of both her generation, and, arguably, all time. It's the first record on which the then-26-year-old featured the piano, a creative decision of immeasurable significance; first to attain platinum status, which transformed Mitchell into more than a folk figure; first to see her taking more chances with her singing; and the last on which she comes across upbeat, largely unencumbered by the complex themes and personal ache that would occupy her for the foreseeable future.

Mitchell radiates confidence and courage, producing Ladies of the Canyon herself after realizing she didn't need the services of an outsider when she already knew what she wanted. She just required a competent and collaborative engineer, who she landed in Henry Lewy. Fittingly, on the record's affectionate title track, she celebrates community and a trio of women — all real, all from her Laurel Canyon neighborhood — who, individually, as a visual artist, free-spirited mother, and circus-raised imagineer, respectively, were all reflected in Mitchell herself. Akin to Trina, Annie, and Estrella, Mitchell also had an affinity for wearing beautiful clothes, hosting friends, baking sweets, and weaving "a pattern all her own."

That pattern most famously materializes on the album's closing trio of songs — their unconventional placement on the record likely another sly acknowledgement of Mitchell's disdain for commercialism, or at the very least, catering to its demands — each, then and now, a classic. Within months of releasing Ladies of the Canyon Mitchell would find herself at the centre of the singer-songwriter movement — and preparing songs for another album whose impact is still felt today.

More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior

Mobile Fidelity Sound Lab's UltraDisc One-Step (UD1S) technique bypasses generational losses inherent to the traditional three-step plating process by removing two steps: the production of father and mother plates, which are created to yield numerous stampers from each lacquer that is cut. For UD1S plating, stampers (also called "converts") are made directly from the lacquers. Since each lacquer yields only one stamper, multiple lacquers need to be cut. Mobile Fidelity's UD1S process produces a final LP with the lowest-possible noise floor. The removal of two steps of the plating process also reveals musical details and dynamics that would otherwise be lost due to the standard multi-step process. With UD1S, every aspect of vinyl production is optimized to produce the best-sounding vinyl album available today.

MoFi SuperVinyl

Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analogue lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.

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Jimi Hendrix

Band Of Gypsys

125,99 €*

LP | 1971 | US | Reissue (Mobile Fidelity)

Release: 1970 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl is Close to VG+. Cover has slight wear. Puppet sleeve.

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Carole King

Tapestry

Release: 1971 / US – Reissue

Genre: Rock & Indie

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4LP | 1971 | US | Reissue (Future Days)

Grateful Dead

Three From The Vault

71,99 €*

2LP | 1971 | US | Reissue (Mobile Fidelity Sound Lab)

Release: 1971 / US – Reissue

Genre: Rock & Indie

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Following on the heels of Light In The Attic’s vinyl LP release of One and Two From The Vault comes the final release in the trilogy of From The Vault releases by the Grateful Dead. These releases are distinguished from the more abundant Dick’s Picks series in that Dick’s Picks are “direct from the soundboard” recordings, while the From The Vault series were professionally recorded on multi-track tape and then mixed down (decades) later for release.

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Love

Forever Changes

70,29 €* 73,99 € -5%

2LP | 1971 | US | Reissue (Mobile Fidelity Sound Lab)

Release: 1971 / US – Reissue

Genre: Rock & Indie

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Mastered from the Original Master Tapes for Unsurpassed Analog Sound: Mobile Fidelity's 180g 45RPM 2LP Set Opens Up Scale of Lush Orchestral Architecture and Elegant Baroque Textures.

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T.Rex

Electric Warrior

73,99 €*

Cahoots 50th Anniversary Box

Release: 1971 / US – Reissue

Genre: Rock & Indie

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T. Rex's Exotic Landmark Signals the Birth of Glam Rock, Features "Bang a Gong (Get It On)": Electric Warrior Swaggers with Libido, Flamboyance, Fantasy, Fun, Hooks, and Theatricality

Mastered on Mobile Fidelity's State-of-the-Art Mastering System: 180g 45RPM Vinyl 2LP Set Presents the 1971 Record's Reverb, Colors, Tones, and String Arrangements in Full-Tilt Glory

Bang a gong and get it on. At once sardonic, flamboyant, and trashy, T. Rex's uncommonly unique Electric Warrior catapulted leader Marc Bolan to stardom, triggered an ongoing fascination with glam rock, and launched a movement that soon involved David Bowie, Roxy Music, Mott the Hoople, and more. Yet none of those namesake artists ever released a record that out-glammed, out-innuendoed, out-thrusted, or out-camped Electric Warrior – named the 160th Greatest Album of All Time by Rolling Stone and included in the celebrated book 1001 Albums You Must Hear Before You Die.

Mastered on Mobile Fidelity's state-of-the-art mastering system, pressed on dead-quiet vinyl at RTI, and housed in a gatefold sleeve, the label's numbered-edition 180g 45RPM 2LP set gives the 1971 landmark the widescreen sound quality it has always deserved. Tony Visconti's warm, reverb-soaked production and Roy Thomas Baker's ace engineering remain two of the work's most famous and revered elements. Here, the production and music can be experienced in all its full-tilt glory, from the subtle albeit elegant classical touches to the instantly identifiable Les Paul guitar licks to Bolan's sensual, wispy, are-they-or-aren't-they-serious vocals.

As Sean Egan wrote in the liner notes of a long-out-of-print reissue: "The sound is recognizably rock, yet a previously unheard exotic variant, almost as if concocted by inhabitants of one of the Tolkien-esque worlds common in Bolan's lyrics. The strings are overt but discreet in shape and tone, injecting just the right amount of class." All these aspects and more come to life with a realism, vibrancy, detail, and textural palpability that surpass the presentation on any prior analog edition. If you can hear colors, this audiophile version of Electric Warrior will stimulate your inner synesthesia.

At the time of the album's creation, such cosmic-related phenomenon were well within Bolan's orbit. But the differences between Electric Warrior and the singer/guitarist's earlier works are as vast as those that divide high art and low-brow culture. Chief among them: Bolan's decision to channel his acoustic hippie-inspired visions into hyper-sexualized, metaphor-rich statements that benefit from amplified foundations. And still, part of the songs' charm relates to how they tread a fine line between rock and pop.

Save for the lashing out of "Rip Off," Electric Warrior retains a mellow core underlined by a gauzy tint, gossamer temperament, and crushed-velvet feel. The perception that he record contains blustery heaviness is furthered – and initiated – by the now-iconic album cover, which depicts a giant-sized Bolan standing in front of an equally giant amplifier stack, striking a rock-star pose and giving the impression everything within is designed to go to the proverbial 11 on the volume knob. Akin to a majority of the songs themselves, the visual functions as clever illusion, absurd humor, ostentatious simplicity, and playful pretense.

Bursting with excessive fun and unchecked libido, T. Rex's catchy boogies, shuffles, and vamps scoot by on a seemingly impossible blend of concise hooks, non-sequitur fantasies, and theatrical swagger. From the chart-topping "Bang a Gong (Get It On)" to the beautiful "Life's a Gas," the R&B-stoked hit "Jeepster" to the pout of "Motivator" and galactic soul of "Planet Queen," Bolan, percussionist Mickey Finn, and boards manipulator Visconti craft a rewardingly strange, parallel universe of sound, style, and sex that still has no equal.

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The Band

Box | 1971 | EU | Reissue (Capitol)

135,99 €*

Love Will Make A Better You

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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2021 marks the 50th anniversary of The Band’s fourth studio album, ‘Cahoots’. On December 3, Capitol/UMe will release the newly remixed and remastered album in variety of formats to celebrate this iconic and influential album.

‘Cahoots’ was the fourth studio album, and last album of original material for four years.
The front cover painted by New York artist/illustrator Gilbert Stone Back cover features a photograph portrait of the group by Richard Avedon.
Features guest vocals from Van Morrison (on “4% Pantomime”)
Super Deluxe Edition

Newly Remixed and Remastered in Hi-Resolution Surround Sound
Blu-Ray Audio
2 CD’s
180g LP, DMM, Half-Speed Master
“Life Is A Carnival” / “The Moon Struck One” 7” Single
Bonus Tracks, Alternate Versions & Instrumentals
Olympia Theatre, Paris,1971 Bootleg Performance Audio
Booklet
All-New Liner Notes by Rob Bowman
Collectable Lithographs

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Love Live Life + One

LP | 1971 | JP | Reissue (King)

69,99 €*