Rock & Indie 2096 Items

Speak Out Orange Vinyl Edition

Release: 1988 / US – Reissue

Genre: Rock & Indie

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Speak Out, originally released in 1988, has been remastered, pressed on color vinyl, and includes a bonus, full-color, 40-page booklet curated by the band, and has been returned to it’s original gatefold layout with an added embossing on the cover.

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Bold

LP | 1988 | US | Reissue (Revelation)

39,99 €*

L.A. Woman Yellow Vinyl Edition

Release: 1988 / US – Reissue

Genre: Rock & Indie

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The Doors

LP | 1971 | Reissue (Rhino International)

45,99 €*

Release: 1971 / Reissue

Genre: Rock & Indie

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2LP | 1973 | EU | Reissue (Ume)

Frank Zappa

Over-Nite Sensation

52,99 €*

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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12" | 1981 | EU | Reissue (Merge)

The Clean

Boodle Boodle Boodle

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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LP | 1971 | CA | Reissue (Return To Analog)

Smyle

LP | 1970 | EU (Endless Happiness)

Release: 1971 / CA – Reissue

Genre: Rock & Indie

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First reissue since 1971 of obscure Canadian melodic rock.Song Glory Glory scored a top-40 Canadian hit.Contains a fabulous cover of Joni Mitchell's Woodstock. Limited to 500 copies

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Nico

Desertshore

20,99 €*

Skid Row Colored Vinyl Edition

Release: 1970 / EU

Genre: Rock & Indie

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Desertshore is Nico's third solo album, recorded and released in 1970. It was co-produced by John Cale and Joe Boyd. Like its predecessor The Marble Index, it is an avant-garde album with chamber music elements. The back and front covers feature stills from the film La cicatrice interieure by Philippe Garrel, which starred Nico, Garrel and her son Ari Boulogne. A few of the songs from the album were included on the soundtrack of the film.

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Skid Row

LP | 1989 | EU | Reissue (BMG Rights Management)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Recognize No Authority Black Vinyl Edition

Detente

LP | 1986 | EU | Reissue (High Roller)

LP | 1978 | CA | Reissue (Return To Analog)

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, reissue 2023, black vinyl, ltd 480, 425gsm heavy cardboard cover, 2 inserts, poster, A5 photo card, mastered for vinyl by Patrick W. Engel at Temple of Disharmony. Cutting by SST Germany on Neumann machines for optimal quality on all levels

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Maneige

Libre Service

LP | 1977 | CA | Reissue (Return To Analog)

Release: 1978 / CA – Reissue

Genre: Rock & Indie

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Legendary prog band from Montreal,Qc.Reissue of theit famous third album.

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Maneige

Ni Vent Ni Nouvelles

Release: 1977 / CA – Reissue

Genre: Rock & Indie

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2LP | 1975 | Reissue (Knitting Factory)

Fela Kuti

He Miss Road

Release: 1975 / Reissue

Genre: Rock & Indie

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Self-Inflicted Aerial Nostalgia Black Vinyl Edition

Guided By Voices

LP | 1988 | US | Reissue (Scat)

Nobody Loves Me / Don't Want You Back

Release: 1988 / US – Reissue

Genre: Rock & Indie

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Self-Inflicted Aerial Nostalgia was Guided By Voices’ third album, self-released by the band in 1988 in a pressing of 500. While both of the band’s earlier albums exhibit strong songwriting and plenty of vision, it is here that the GBV sound really begins to coalesce. While Devil Between My Toes is rife with contrasts, variety, and dark psychedelia, and its follow up Sandbox is a cohesive ’60s-influenced affair, Self-Inflicted Aerial Nostalgia marries the two approaches to outstanding effect. Unsurprisingly, recording began before Sandbox was even done pressing. These sessions would yield an aborted LP titled Learning To Hunt, but after personnel changes and second thoughts, Robert Pollard shelved most of the tracks, dismissing them as too similar to those on Sandbox. Fair enough, as many of Pollard’s more recent songs were simply on another level than previously. Here are the first of the classic Pollard slow-burners, often built on a simple melodic or rhythmic figure that circles itself ever outward, accumulating heft, variation, and inevitability as the song evolves into something unexpected yet inevitable. It’s the aural equivalent to watching a butterfly grow out of its cocoon. A few things are unique to this particular LP. Original powerhouse drummer Peyton Eric returns for nearly half the tracks, while engineer and lead guitarist Steve Wilbur shines at his brightest, resulting in some of the most thoroughly rocking GBV songs to ever be cut to lacquer, such as “Earful o’ Wax,” which simply explodes out of the speakers when the solo section begins. On the other end of the spectrum, you get Pollard recording perfect pop gems at home with just voice and guitar, which would become a calling card on later GBV albums. There’s simply a tremendous variety of material, all strung together in such a way that the album is all of one piece, a mosaic.

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The Letters

7" | 1980 | EU | Reissue (You Are The Cosmos)

13,99 €*

The Line Of Time And The Plane Of Now Black Vinyl Edition

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Second pressing (only 300 copies) of this powerpop/punk gem, originally released in 1980.

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Shira Small

LP | 1974 | US | Reissue (Numero Group)

Daniel Schell & Dick Annegarn

Release: 1974 / US – Reissue

Genre: Rock & Indie

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Real people music recorded at a Quaker Boarding school in the mid-'70s. Mixing soft psych, vocal jazz, and sunshine soul, Shira Small and her high school music teacher Lars Clutterham created a peerless artifact of outsider magic. Imagination, wonder, the existential dread of Vietnam and math class and getting caught smoking weed in Nixon's America... it's all here. Is your life alright?

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Egmont And The FF Boom

LP | 1979 | UK | Reissue (Finders Keepers)

18,74 €* 24,99 € -25%

Fuchsia Black Vinyl Edition

Release: 1979 / UK – Reissue

Genre: Rock & Indie

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Part fantastical historic sonic biopic, part anthropologic journey into the deep roots of Belgium’s monstrous cosmic rock sound, this wholly individualistic concept album combines the lead members of the mighty COS (Daniel Schell and Pascale Son) with studio genius Alain Pierre (Ô Sidarta/Des Morts) and celebrated Dutch progressive rock singer Dick Annegarn, for what many consider to be both the overlooked hiding place of Belgium’s deepest psychedelic moment and European prog’s lost map to the ‘Franco-Flemish Boom’.

Emerging from the wider musical family that counted Marc Moulin, Placebo and Marc Hollander amongst its creative kin, Daniel Schell’s most profound conceptual project ambitiously combines the tale of the heroic historical figure of Count Egmont, while simultaneously tracing the evolution of the ud, or oud, (‘the grandfather of the guitar’) in this multifarious hallucinogenic epic. Featuring key members of other collectable groups such as drummer Felix Simtaine from Solis Lacus and bass player Jean-Louis Baudoin from the mythical Classroom (cos predecessor), this best-kept secret vinyl release also harbours the voices of Dirk Bogaert (of Belgian hard rockers Waterloo) as well as Catalan singer Ilona Chale (Marc Hollander/Aksak Maboul) before her later tenure as the COS front woman.

Initially released in 1978 via Zeuhl school distributors Free Bird alongside French pressings of Don Cherry, Jacques Thollot and CAN, it is plain to understand the niche nature of this maligned “lost Cos” LP as it finally blooms from between the cracked branches of European jazz-rock-synth-psych-prog-pop history… and beyond!

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Fuchsia

LP | 1971 | EU | Reissue (Guerssen)

Start Today Translucent Green Vinyl Edition

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Originally released in 1971, the Fuchsia album is one of the best examples of British progressive & psychedelic folk-rock, full on inventive arrangements and songwriting. Produced by David Hitchcock (Caravan, Mellow Candle…) Here’s a long overdue vinyl reissue. Fuchsia was formed by a group of Exeter University students. They were Tony Durant (previously of psych band Louise) on acoustic/electric guitars and vocals; Michael Day on bass and Michael Gregory on drums plus the three-piece classical ensemble of Vanessa Hall-Smith (violin, backing vocals); Janet Rogers (violin, backing vocals) and Madeleine Bland (cello, piano, harmonium, backing vocals). Signed to Pegasus Records (the “progressive” branch of B&C Records), Fuchsia recorded their self-titled album at Sound Techniques studio with producer David Hitchcock (Caravan, Mellow Candle, Genesis, Camel…) The main inspiration for the album was Tony Durant’s readings of Marvyn Peakes gothic novels such a Titus Groan and its fictional character Lady Fuchsia Groan. Like some of their contemporaries (Comus, Mellow Candle…) Fuchsia only started gaining recognition in the following decades, thanks to fans of obscure psychedelic folk. Today, Tony Durant leads a new version of Fuchsia, still playing and recording.

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Gorilla Biscuits

LP | 1989 | US | Reissue (Revelation)

LP | 1988 | EU | Reissue (Epitaph Europe)

Release: 1989 / US – Reissue

Genre: Rock & Indie

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Gorilla Biscuits' "Start Today" is one of the most influential records in hardcore. Hailing from NYC, Gorilla Biscuits carved a niche within the NY hardcore scene. Blending the aggression and energy of bands like Agnostic Front with a sense of melody likened to Dag Nasty, Gorilla Biscuits still stands as a unique reference point for many hardcore bands that have come after them.

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Operation Ivy

Hectic

LP | 1989 | EU | Reissue (Epitaph Europe)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Hectic is the debut EP by the American ska punk band Operation Ivy. Hectic was originally released in January 1988 and is credited as one of the first ska-core records. Now reissued on 12" black vinyl in a regular sleeve. Includes 8 page booklet with liner notes and lyrics.

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Operation Ivy

Energy

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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12" | 1983 | EU | Reissue (Miss You)

The Redhots

Redhot

9,74 €* 14,99 € -35%

LP | 1973 | EU | Reissue (Strut)

Release: 1983 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Powerful downtempo ballad with heavy emotions from Louisiana based guitarist Chris McCaa. Originally released as a 7” promo oriented record in 1983, the band had hopes of it leading to bigger projects but most of the pressing probably ended up in someone's basement with very few copies available online. 40 years later, “If I Had To Say Goodbye” is back again to bless your ears at the ending sets of special dancefloors. Featuring a sound that is highly reminiscent Chris Rea's aesthetic, both in terms of vocal and guitar use, yet still breaking new ground in the power ballad department. Now in 12” 45rpm format with an extended edit by Castro on the B-side, remastered at Berlin's finest manmade mastering.

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Ofege

Try And Love

Young, Loud And Snotty Black Vinyl Edition

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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New from Strut, a fresh reissue of the classic debut album "Try And Love" (1973) from one of Nigeria"s most celebrated Afro-rock bands, Ofege.The album caught the imagination of a young Nigerian crowd fascinated by the new teen band and Ofege joined a fresh wave of homegrown artists coming through in the wake of Fela"s towering influence and other Afro-rock bands like Monomono, Ofo The Black Company and Blo.

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Dead Boys

LP | 1977 | US | Reissue (Jackpot)

29,99 €*

Time Flies + Rats Black Vinyl Edition

Release: 1977 / US – Reissue

Genre: Rock & Indie

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The Dead boys hailed from Cleveland, Ohio and relocated to New York to become one of the first US punk bands. Originally signed to Sire Records, the Dead Boys were notorious for their edgy attitude and songs. After frequent shows at CBGB, the club owner of CBGB became their manager. The Dead Boys debut studio album - “Young, Loud and Snotty” was recorded and released in 1977 and quickly became one of the definitive US Punk Rock albums!

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Subhumans

LP | 1983 | US | Reissue (Pirates Press)

Release: 1983 / US – Reissue

Genre: Rock & Indie

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29:29 Split Vision Black Vinyl Edition

Subhumans

LP | 1986 | US | Reissue (Pirates Press)

Release: 1986 / US – Reissue

Genre: Rock & Indie

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LP | 1971 | Reissue (Rhino)

Nursery Cryme

Release: 1971 / Reissue

Genre: Rock & Indie

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LP | 1976 | Reissue (Rhino)

The Doobie Brothers

Takin' It To The Streets

34,99 €*

Release: 1976 / Reissue

Genre: Rock & Indie

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LP | 1989 | EU | Reissue (Pias Catalogue)

Great White

... Twice Shy

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Total Anarchoi Colored Vinyl Edition

Oi Polloi

LP | 1986 | UK | Reissue (Step 1)

Release: 1986 / UK – Reissue

Genre: Rock & Indie

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Re-release of the classic Oi Polloi compilation that features some of the band's best studio tracks from years past, as well as a live side recorded in their hometown of Edinburgh.

The whole album has been completely re-mastered, the "live" side now features the whole gig without any breaks between the tracks so is now one long recording.

Limited edition Color Vinyl with a printed inner bag including lots of new sleeve notes by Deek.

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4 Atlantic 75 Series Sacd

Foreigner

CD | 1981 | US | Reissue (Analogue Productions Atlantic 75 Series)

50,99 €*

A Holocaust In Your Head - The Original Holocaust Yellow Vinyl Edition

Release: 1981 / US – Reissue

Genre: Rock & Indie

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Sacd

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Extreme Noise Terror

LP | 1989 | EU (Radiation Reissues)

Release: 1989 / EU

Genre: Rock & Indie

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How many bands can say they had multiple debut albums? For crustcore sound terrorists Extreme Noise Terror, Holocaust In Your Head - The Original Holocaust, first recording version, continues to excuse itself in being reissued for what must be the last time before the last time. It’s no wonder why. We The Helpless is every bit as hopeless as it sounds - a blitzkrieg of wails and nightmarish sonics that tighten themselves around the temples until the eyes turn white. Statement will always stand on its own two feet as a perfect set opener and Innocence to Ignorance’s unhinged atmospheric armageddon as well as Use Your Mind’s sample-sprung assault on the senses are possible indications of where the band could’ve wound up had their line-up not been walking such a shaky tightrope. Rough as hell? Sure. But if you want to know what it feels like to have the signal input of your skull reflect a separation in the grounding circuit of the flesh from the neck down, then carry on screaming.

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LP | 1986 | US | Reissue (ORG Music)

Bad Brains

I Against I

32,99 €*

Release: 1986 / US – Reissue

Genre: Rock & Indie

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LP | 1970 | Reissue (Rhino)

Trespass 2007 Stereo Mix

33,99 €*

Release: 1970 / Reissue

Genre: Rock & Indie

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LP | 1974 | Reissue (Warner)

Neil Young

On The Beach

Release: 1974 / Reissue

Genre: Rock & Indie

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Iron Maiden 2015 Remaster

Iron Maiden

LP | 1980 | Reissue (Sanctuary)

Release: 1980 / Reissue

Genre: Rock & Indie

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Iron Maiden - Iron Maiden (2015 Remaster)

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Get It Away Trust Edition

SS Decontrol

LP | 1983 | EU | Reissue (Trust)

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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'70 Concert Recorded Live In Europe

Canned Heat

LP | 1970 | EU | Reissue (MIG)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1976 | US | Reissue (Drag City)

Dorothy Carter

Troubadour (Reissue)

34,99 €*

Don't Be Fooled By The Name

Release: 1976 / US – Reissue

Genre: Rock & Indie

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The first official reissue of Dorothy Carter"s folk-music exegesis comes 46 years after its original release, 20 years after Dorothy passed, and 11 years before the centennial of her birth. Yet it seems right on time for a new celebration of her music. Appalachian folk tunes, old and ancient psalms and hymns, Scottish, Irish, French and Israeli melodies, and original tunes flow together effortlessly in hypnotic gardens of eternal world musics. A highly energized, alternately meditative and proselytic recital whose vitality has only burgeoned in the decades since it appeared. As it should be: the music of Dorothy Carter is akin to a portal, linking her and us with the eternal.This edition of Troubadour reproduces the original album package, adding an insert adorned with additional photos of Dorothy and her collection of instruments, as well as notes from Eric Demby exploring the era - his childhood - from a vantage point of some 50 years. This reissue is a long-held family dream come true, and it is dedicated in loving memory to Bob Rutman, Constance Demby, David Demby and Dorothy Carter.

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Geordie

LP | 1974 | UK | Reissue (Demon)

38,99 €*

Release: 1974 / UK – Reissue

Genre: Rock & Indie

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Pappo's Blues Black Vinyl Edition

Pappo's Blues

LP | 1971 | EU | Reissue (Svart)

7" | 1974 | US | Reissue (Just Add Water)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Svart Records is proud to reissue the production of Argentinian blues rock legend Pappo's Blues as vinyl versions. Guitarist-singer Pappo aka Norberto Aníbal Napolitano (1950 – 2005) is one of his country's biggest rock legends, who also managed to make a career outside his home country. He was there right from the beginning of Argentine rock, as guitarist of the first version of Los Abuelos de la Nada, Conexión Nº 5, Engranaje and Los Gatos, the band that made Argentine rock a household name thanks to the success of their first single, “La Balsa”, which sold more than 200.000 copies in 1967.

Jorge Álvarez (co-founder of the first Argentinian independent rock label Mandioca) encouraged Pappo to develop his own music. What followed was the formation of the first version of Pappo’s Blues in 1971, a trio that had Pappo himself on guitar and vocals, David Lebón on bass and Black Amaya on drums. Their self-named debut album was an unqualified success among the ever-growing audience of Argentine rock. It contained a bundle of all-time classics such as “El hombre suburbano” (The suburban man), “El viejo” (The old man) and “Adónde está la Libertad” (Where is freedom?).

Pappo’s Blues (1971, also known as “Volume One”) introduced a new element to Argentine rock: a harder rock and blues sound, combined with intelligent and sensitive lyrics with centered on the vicissitudes of a typical young man trying to live life according to his own rules, surrounded by the mores of an intolerant society. The arabesques of Pappo’s guitar, complemented by a solid and yet elastic rhythm section, made for an exciting and daring sound, where his trademark rock and blues sound also extended to embrace blues ballads and even excursions into psychedelia.

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The Damned

Morning Bird / Theta

15,99 €*

New York City Salsa Coco Records Blue Vinyl Edition

Release: 1974 / US – Reissue

Genre: Rock & Indie

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Back in print for the first time in 50 years! This studio creation Junk Shop Glam grail was produced by Miki Dallon (The Sorrows, Boys Blue, Shakane, New York Dolls) for his Young Blood International label in 1974. This is Obviously not the later more famous UK punk group of the same name. This was a one-off studio project. We first heard this on our good friend Phil King's superb Velvet Tinmine comp yonks ago. Made to be played in the discotheques back before disco ruined said discotheques." 300 pressed.

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Orquesta Broadway

LP | 1978 | EU | Reissue (L.M.L.R.)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Chicago II Blue Vinyl Edition

Chicago

2LP | 1971 | US | Reissue (Friday Music)

84,99 €*

Release: 1971 / US – Reissue

Genre: Rock & Indie

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The Wild, The Innocent & The E Street Shuffle Sacd

Bruce Springsteen

CD | 1973 | US | Reissue (Mobile Fidelity Sound Lab)

44,99 €*

The Album Red Vinyl Edition

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Sacd: Mastered ON Mobile Fidelity's Renowned Mastering System: Numbered-edition Hybrid Sacd Plays With Expressive Clarity / Released only eight months after his exhilarating debut, Bruce Springsteen's The Wild, the Innocent & the E Street Shuffle contains rousing dispatches from the boardwalk, the street, the beach, and the bedroom. It explodes with energy, dares to dream, teases with humour, crackles with tragedy, clings to hope, and overflows with discovery, youthfulness, and personality. It features an unforgettable cast of characters — corner boys, teenage hustlers, doomed lovers, jazz men, junk men, factory girls, fortune tellers, alley cats, pimps, escorts, and more — illuminated by vivid colour, breathtaking detail, and poetic action.

Musically, the heartfelt 1973 record is inhabited by sympathetic vignettes and cinematic arrangements steeped in rock 'n' roll, soul, jazz, and R&B. It finds the New Jersey native looking beyond the parameters of his preceding record and seeking to move on from environments he knows well (and chronicles here) by rushing headlong toward unknown territories, adventures, and people. Underpinned by the singer-guitarist's ambitious poetic enterprise and will to succeed, The Wild, the Innocent & the E Street Shuffle is the album on which Springsteen becomes the Boss.

Mastered on Mobile Fidelity's renowned mastering system, pressed at RTI on MoFi SuperVinyl, and strictly limited to 7,500 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 33rpm LP set is the definitive-sounding version of Springsteen's sophomore record. Benefitting from SuperVinyl’s nearly non-existent noise floor, superb groove definition, and dead-quiet surfaces, The Wild, the Innocent & the E Street Shuffle plays with a clarity, energy, presence, and openness that complement the expressiveness, dynamics, and scope of the seven restless songs that comprise a work Rolling Stone ranked the 345th Greatest Album of All Time.

Beyond the audiophile sonics that practically place you behind the console at 914 Sound Studios — listen to the separation between the instruments, natural decay of the notes, interplay within the widescreen soundstaging, and nothing-to-lose youthfulness of Springsteen’s voice — this reissue takes seriously this record’s influential merit by presenting it in packaging that underlines its status. Tucked in a beautiful slipcase, the LP is housed in a special foil-stamped jacket with faithful-to-the-original graphics. This reissue is made for listeners who prize sound quality and who want to engage themselves in everything involved with the invigorating set that busted Springsteen loose from the club circuit and landed him on the radio

Determined to liberate anyone within earshot and unafraid to come on strong, The Wild, the Innocent & the E Street Shuffle serves as the debut of the E Street Band — not only heard but seen for the first time by most of the public courtesy of the back-cover photograph. This is where saxophonist Clarence Clemons, organist-accordionist Danny Federici, and pianist David Sancious step out of the shadows — and drummer Vini Lopez and bassist Garry Tallent again stoke a fiery rhythmic engine that helps drive the untamed, reimagined big-band swing of “Kitty’s Back,” breathless R&B thrust of “Rosalita (Come Out Tonight),” and carefree dance steps of the funky “The E Street Shuffle.”

Of course, the main attraction remains a then-24-year-old visionary on the precipice of becoming a sensation and turning a then-bloated rock scene on its head. Recorded over three months while Springsteen and company were busy touring his debut LP, The Wild, the Innocent & the E Street Shuffle reflects the high-octane approach the vocalist embraced onstage and drifts away from the label-dictated acoustic-based frameworks of his debut. The set also witnesses Springsteen deepening his observational skills, with narratives such as the romantically tinged “4th of July, Asbury Park (Sandy)” and redemptive epic “Incident on 57th Street” mirroring changes taking place in the singer’s own life, small towns, and America at large.

A thrilling collision of memories, reflections, and composites — Sandy, Rosalita, and the latter’s parents are all based on actual people Springsteen knew, as is the community depicted in the opening track — the aptly titled The Wild, the Innocent & the E Street Shuffle resonates decades on due to its truths, authenticity, and spirit. Those characteristics — as well as the fact that many of its lengthy songs come on as the equivalent of sweaty, feverish soul revue that won’t stop until you’ve been exhausted — also explain how this now-iconic album triumphed over the reservations of industry “experts” that both demanded Springsteen re-record it and instructed deejays not to play it. Yet there’d be no stopping a record that saw the past, present, and future, a band whose will would not be denied, and a phenomenon who was born to run. A never-ending invitation to act real cool and stay up all night, The Wild, the Innocent & the E Street Shuffle always feels alright.

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Eater

LP | 1977 | EU (Radiation Reissues)

19,99 €*

LP | 1974 | EU (Trading Places)

Release: 1977 / EU

Genre: Rock & Indie

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Formed in early stages of the British punk explosion by four high school mates in Finchley, north London, Eater quickly established themselves as one of the youngest and rawest bands on the scene. Inspired by a line in the T Rex song, “Suneye,” Eater was influenced by the classier side of glam rock but was very much a rapid-fire power-punk concern with their own output. Signing to Dave Goodman’s fledgling punk imprint, The Label, Eater issued three singles before their greatly anticipated debut album, which has since been hailed as an all-time classic; pointing their fingers at upper-class twits and taking the piss out of themselves and their fans on “No Brains,” the album also features two Velvet Underground covers and an unusual David Bowie adaptation, all delivered in no-holds-barred triple time. Poster included.

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Tramp

Put A Record On

20,99 €*

7" | 1983 | EU (Radiation Reissues)

Release: 1974 / EU

Genre: Organic Grooves, Rock & Indie

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English blues outfit Tramp had a fleeting existence in the late 60s and early 70s—here today, gone tomorrow. Based around former John Dummer Blues Band vocalist/ guitarist Dave Kelly and sister Jo Ann on harmonies and occasional lead, the group got a boost from Fleetwood Mac mainstays Mick Fleetwood, Danny Kirwan, and Bob Brunning, as well as former Savoy Blues keyboardist, Bob Hall. If not quite as compelling as their 1969 debut, this 1974 LP has the hallmark touches that made the Mac leaders of the British blues scene. Fleetwood Mac devotees and British blues lover, get stuck in!

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Vatican Commandos

Hit Squad For God

11,99 €*

LP | 1979 | EU (Plug Recordz)

Release: 1983 / EU

Genre: Rock & Indie

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First vinyl reissue for Darien, Connecticut hardcore punk legends Vatican Commandos’ 1983 debut, featuring Richard Hall (A.K.A. world famous pop star Moby) on guitar. Originally out on the Pregnant Nun label and now impossibile to find. Holy grail alert!

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Plugz

Electrify Me

17,99 €*

Release: 1979 / EU

Genre: Rock & Indie

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LP | 1986 | EU (Born Bad)

V.A.

Born Bad Volume 1

16,99 €*

Release: 1986 / EU

Genre: Rock & Indie

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12" | 1973 | US (East End)

The Doobie Brothers

Long Train Running

13,99 €*

Release: 1973 / US

Genre: Organic Grooves, Rock & Indie

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LP | 1981 | EU (Vinyl Lovers)

The Cure

Faith Grey Vinyl Edition

29,99 €*

LP | 1978 | EU (Radiation Reissues)

Release: 1981 / EU

Genre: Rock & Indie, Pop

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140 gram grey vinyl reissue!

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U.K. Black Vinyl Edition

20,99 €*

A Holocaust In Your Head Red Vinyl Edition

Release: 1978 / EU

Genre: Rock & Indie

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Formed in Lewisham, southeast London, punk band the Business joined the Oi! scene after supporting the Four Skins in 198l. Debut single ‘Harry May’ hit the Indie charts before the group disintegrated, leading frontman Micky Fitz to recruit new members. Then, in 1987, original guitarist Nick Kent joined Fitz for heavy metal side project UK, with former Tank drummer Mark Brabbs, channelling their love of Ac/dc, Motorhead and Rose Tattoo. As Kent goes all-out with the hard rock solos and Fitz aims for the melodic, this is a great slice of the new wave of British heavy metal, and a startling surprise for all Business fans!

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Extreme Noise Terror

LP | 1989 | EU (Radiation Reissues)

LP | 1970 | EU (Life Goes On)

Release: 1989 / EU

Genre: Rock & Indie

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Away from the grandeur, and although their line-up history is full of potholes - the key to unlock this classic release by Extreme Noise Terror, Holocaust in Your Head is the double-edged vocal prongs from ENT founders Phil Vane and Dean Jones and the black-avalanche guitars of Steve Hurley (not forgetting the drum stool occupied by Mick Harris, soon to be of Scorn during the recording of this album, and Doom’s Tony "Stick" Dickens). Statement is as good as any opening gambit for a band - a trail of sludge setting fire to itself consuming the raw, political ashtray mantras spewed into its thick, corrosive grip. Another Nail in the Coffin suitably devastating the senses as a wrecking ball swings from its chain into the side of a condemned building, brick by brick. Eaten. Buried.

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Blues Magoos

Gulf Coast Bound

Dedicated To The Bird We Love

Release: 1970 / EU

Genre: Rock & Indie

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A rare psychedelic selection from the Norwegian duo of Nina Johansen on vocals and guitar, and Runa Walle on sitar, guitar and vocals, with support from their Indian friend Satnam Singh on flute and tablas plus some local jazz and rock musicians rounding out the rhythm section. Originally released in 1970 in Norway only, and selling in ridiculously small numbers, this has been something of a legendary cut for lovers of all things psychedelic, just waiting for the right time for a re-release.

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Oriental Sunshine

LP | 1970 | EU (Life Goes On)

LP | 1985 | EU (Sand Blasters)

Release: 1970 / EU

Genre: Rock & Indie

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V.A.

Deep Six

27,99 €*

Release: 1985 / EU

Genre: Rock & Indie

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First vinyl reissue for this rare and sought after LP originally released by C/Z Records in 1985, featuring... well, have a look at the track list below... limited edition 500 copies!

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Release: 1986 / EU

Genre: Rock & Indie

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Behind The Realms Of Madness Black Vinyl Edition

Sacrilege

2LP | 1985 | EU (Radiation Reissues)

LP | 1986 | EU (Dynamite)

Release: 1985 / EU

Genre: Rock & Indie

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Having played with the likes of influential movers and shakers on the anarcho-punk scene Antisect and Icons of Filth, on their first full-length LP, Birmingham’s Sacrilege established themselves as a unique force to be reckoned with, wreaking havoc on what we could classify as sonic tropes belonging to a spectrum of subgenres dealing in the extremes: hardcore, doom, and thrash. Fronted by Lynda ‘Tam’ Simpson and her seizure-inducing spells injected with a fierce, sociopolitical-cum-mythopoeic banshee bite (but not wanting to understate the line-up of Damian Thompson on guillotine-quick/milkshake thick guitars) - the six-track onslaught is every bit as crushing as the title suggests. From depraved dungeon synth-scapes on opener Lifeline to the planet-flattening funeral toll of The Closing Irony, one question remains: One riff to rule them all? Yes.

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Lipcream

Kill Ugly Pop

16,99 €*

Release: 1986 / EU

Genre: Rock & Indie

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LP | 1974 | EU (Fata Morgana)

Bob Desper

New Sounds

18,99 €*

LP | 1981 | EU (Radiation Reissues)

Release: 1974 / EU

Genre: Rock & Indie

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Accidentally blinded at adolescence, the Portland-based Bob Desper released just one record-- in 1974, and limited to a 500-copy pressing on a local Christian imprint-- before fading into the woodwork, leaving only this tiny morsel of music behind for anyone to find and follow back to its source. New Sounds is a classic lost record, though whether it counts as a lost classic is pretty relative, considering that even folk heavy hitters Nick Drake or Bert Jansch were once tagged as totally obscure by all but the most ardent followers of the form. New Sounds isn't the sort of record that would appeal to casual toe-dippers, anyway. Rather, it's the kind of recording, like Gary Higgins' similarly recently unearthed Red Hash, pretty much designed to be lost and rediscovered decades later.

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Discharge

Why Red Vinyl Edtion

22,99 €*

Release: 1981 / EU

Genre: Rock & Indie

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"Why?" is the debut album by hardcore punk legends Discharge, originally released in 1981. Upon it's initial release it peaked at Number 1 in the UK indie album chart. When it comes to classic hardcore punk, Discharge are truly one of the all-time greats.

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Atlas

Bla Vardag

LP | 1979 | EU (Replica)

22,79 €* 23,99 € -5%

12" | 1970 | EU (Trading Places)

Release: 1979 / EU

Genre: Rock & Indie

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Originally published in 1979, the sole album from swedish band Atlas is combining playfulness with intricate, mellow melodies while infusing heavy organs, carefully refined guitar riffs and fantastic synthesized soundscapes. This album is indispensable when looking at the progressive instrumental music history and not to be overlooked !

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Mungo Jerry

In The Summertime

13,99 €*

12" | 1971 | EU (Trading Places)

Release: 1970 / EU

Genre: Rock & Indie

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After performing together in the skiffle-oriented band Good Earth, singer-songwriter Ray Dorset and keyboardist Colin Earl formed Mungo Jerry, whose breakthrough single, “In The Summertime,” remains a stone-cold anthem of the early 1970s. With Paul King on banjo and jug, Mike Cole on string bass, Earl on ragtime piano and with Dorset’s humorous vocals upfront, “In The Summertime” was skiffle-tinged rock at its best. The reissue of this uncommon 12-inch also features Dorset’s “Mighty Man,” with King’s kazoo and harp, as well as a great cover of Woodie Guthrie’s “Dust Pneumonia Blues.” A must-have!

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Comus

Diana

13,29 €* 13,99 € -5%

LP | 1971 | EU | Reissue (Warner Music International)

Release: 1971 / EU

Genre: Rock & Indie

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Progressive folk act Comus was a true one-off, their unique take on folk rock a spine-tinglingly shocking one, even as the music draws the listener into singalongs. Formed by singer-guitarist Roger Wootton with some art school mates, including guitarist Glen Goring, violinist Colin Pearson and oboist Rob Young, Comus began recording their debut LP for RCA, who dropped them halfway through, leading to further recordings for Dawn with Barry Murray. Every song on this single bears the hallmark of their exceptional take on folk rock, too far ahead of its time to gain favour on release, and all the more to savour now.

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Asterix

Asterix 2024 Remaster

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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LP | 1980 | Reissue (Rhino)

Duke

Release: 1980 / Reissue

Genre: Rock & Indie

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LP | 1976 | Reissue (Rhino)

A Trick Of The Tail

50,99 €*

Release: 1976 / Reissue

Genre: Rock & Indie

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LP | 1983 | Reissue (Touch & Go)

Negative Approach

Tied Down

Release: 1983 / Reissue

Genre: Rock & Indie

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LP | 1978 | Reissue (Rhino)

Grateful Dead

Shakedown Street

Release: 1978 / Reissue

Genre: Rock & Indie

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LP | 1980 | Reissue (Rhino)

Grateful Dead

Go To Heaven

Release: 1980 / Reissue

Genre: Rock & Indie

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LP | 1976 | Reissue (Geffen)

Jimmy Buffett

Havana Daydreamin'

LP | 1983 | EU | Reissue (Sony Music Catalog)

Release: 1976 / Reissue

Genre: Rock & Indie

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Vinyl LP pressing. 1976 album from the iconic singer-songwriter.

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Quiet Riot

Metal Health

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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You Get What You Deserve Black Vinyl Ediiton

The Scientists

LP | 1985 | US | Reissue (Numero Group)

Cool Kids White Vinyl Edition

Release: 1985 / US – Reissue

Genre: Rock & Indie

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Bad vibes, habits, and breath collide on this ten-song pile up on the freeway to nowhere. Melting neo-grunge, swamprock, and noise punk in a cauldron of drug-addled psychosis, 1985's You Get What You Deserve continues Australia's prison-as-country tradition of unhinged lunacy in the face of cultural isolation. Nuke nostalgia, femme fatale sharpshooters, demolition derbies, and a vacation at Hell Beach await.

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Kix

LP | 1983 | US | Reissue (Friday Music)

Release: 1983 / US – Reissue

Genre: Rock & Indie

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Zombi / In The Land Of The Zombi Black Vinyl Edition

The Zombies

12" | 1979 | EU | Reissue (Best Record Italy)

16,99 €*

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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Pappo's Blues Amber Black Smoke Vinyl Edition

Pappo's Blues

LP | 1971 | EU | Reissue (Svart)

Breaking The Chains Gold Vinyl Edition

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Dokken

LP | 1981 | US | Reissue (Friday Music Two)

Release: 1981 / US – Reissue

Genre: Rock & Indie

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Excitable Boy Red Vinyl Edition

Warren Zevon

LP | 1978 | US | Reissue (Friday Music)

Release: 1978 / US – Reissue

Genre: Rock & Indie

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A Wizard A True Star Magenta Vinyl Edition

Todd Rundgren

2LP | 1973 | US | Reissue (Friday Music)

78,99 €*

Release: 1973 / US – Reissue

Genre: Rock & Indie

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2LP | 1986 | UK | Reissue (Crass)

Crass

Best Before 1984

49,99 €*

LP | 1983 | UK | Reissue (Crass)

Release: 1986 / UK – Reissue

Genre: Rock & Indie

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Best Before 1984 is a compilation of Crass' singles and other tracks, released in 1986, including lyrics and a booklet ('...In Which Crass Voluntarily 'Blow Their Own'") which details the history of the band in their own words. The album was named in reference to the notion that 1984 was the band's 'sell by date', the year that they had often publicly stated that they would split up. Indeed, the band ceased gigging and recording in that year. For many years, there were plans to release an expanded edition of Best Before 1984, which will include currently unavailable material (such as the 'Merry Crassmas' and 'Whodunnit?' singles) and rarities, in the same vein as the 'Crassical Collection' re-releases of the band's albums. These plans finally came to fruition in 2019, with the announcement of an expanded two-disc version of the album."

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Crass

Yes Sir, I Will

39,99 €*

Release: 1983 / UK – Reissue

Genre: Rock & Indie

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Crass' fifth album comes in the original fold-out poster sleeve. Originally released in April of 1983, Yes Sir, I Will was a howl full of vicious rage and fury, a scream of sorrow, a bitter requiem of betrayal and disenfranchisement. It was a letter-bomb of accusations directed at the British establishment, with it's title taken from a conversation between the then Prince Charles and gruesomely wounded veteran Simon Weston. Musically the work is as diverse and challenging as Crass had yet delivered—a raging and almost free-form improvised backdrop over which Steve Ignorant, EVE Libertine & JOY DE Vivre trade off vocally throughout—veering from ferocious roars and rants to piano ballad interludes sung by Penny Rimbaud.

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Live At "Ex Mattatoio" In Roma

Friction

LP | 1985 | JP | Reissue (P-Vine)

LP | 1970 | EU | Reissue (Elemental Music)

Release: 1985 / JP – Reissue

Genre: Rock & Indie

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Friction is one of the first Japanese punk bands and formed by Reck, Chiko Hige and Lapis in Tokyo in March 1978, and now the band is still keeping active. Reck and Chiko Hige had previously been on the NY no wave scene as founding members of James Chance and the Contortions, and brought back the experience and influence to the Japanese music scene. It's no exaggeration to say that the band laid the foundation for alternative music in Japan. P-vine is proud of reissuing all of their albums on vinyl.

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Allman Brothers Band

Idlewild South

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1978 | EU | Reissue (Music On Vinyl)

Vibrators

30,99 €*

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Carlos Santana / Mahavishnu John

Love Devotion Surrender Supervinyl 180g

LP | 1973 | US | Reissue (Mobile Fidelity Sound Library)

88,99 €*

LP | 1970 | UK | Reissue (Charly / Byg)

Release: 1973 / US – Reissue

Genre: Rock & Indie

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1973 Meeting OF Santana AND John Mclaughlin Yields Spiritual Transcendence: Love Devotion Surrender IS Inspired BY John Coltrane AND A Quest FOR Enlightenment

Sourced from the Original Master Tapes: Tones, Textures, and Notes Float Amid a Large, Open Soundstage on Mobile Fidelity's Numbered-Edition 180g LP 1/4" / 15 IPS analogue master to DSD 64 to analogue console to lathe Two guitar giants. A band comprised of virtuosic instrumentalists. One shared goal. And one tremendous album. The only meeting of Santana and John McLaughlin on record, Love Devotion Surrender more than lives up to the promise offered by its principal creators. Based in divine faith, religious toleration, meditative intent, and the forward-thinking philosophy that music can take us closer to the truth, it is a spiritual journey. These enlightening concepts are reflected in the inspired playing of Santana and McLaughlin, who repeatedly hit a higher plane on this 1973 set.

Sourced from the original analogue master tapes and pressed at Fidelity Record Pressing in California, Mobile Fidelity’s numbered-edition 180g LP of Love Devotion Surrender benefits from the reissue label’s painstaking engineering efforts. The windows on the record’s give-and-take passages, sustained notes, and varied textures are thrown open with palpable transparency and detail. Laden with delicate acoustic touches and gentle piano touches, as well as powerful staccato bursts and fast-paced percussion, Love Devotion Surrender contains a dynamic mix of tempos, tones, and contrasts crucial to its optimal enjoyment. This collectible edition brings those aspects to the fore with extraordinary realism.

In addition, the pinpoint imaging — Santana primarily on the left, McLaughlin on the right — invites you to picture the musicians in the act. You’ll sense a newfound freedom and naturalism to the playback, as well as black backgrounds and an openness that allow the widespread array of textures, atmospherics, echoes, and neo-psychedelic shapes to float in the air. Call it jamming guided by a higher power or surreal art brought together by time, circumstance, and purpose; there really is no other album completely like it.

Having each become a follower of Indian guru Sri Chinmoy, who wrote the album’s extensive liner-note essay and is seen in several jacket photos, Santana and McLaughlin began playing together in 1972. Both legends found themselves in the midst of personal and creative transition. Santana was moving away from rock-based songs in favour of exploratory jazz-rock. A contemporary of Miles Davis, McLaughlin had already achieved fame with the Mahavishnu Orchestra, then on the brink of collapse due to internal disagreements.

On Love Devotion Surrender, the duo pools its interests in discovery and transcendence into gorgeous music steeped in improvisational lines, ecstatic chords, and sensitive organ accompaniment courtesy of the record’s best-kept secret, Larry Young. The former Blue Note recording artist had already connected with McLaughlin in the Tony Williams Lifeline, which began as a power trio and turned jazz on its head with its groundbreaking 1969 debut. Young’s ear for melody and fearless penchant for chasing down adventurous fusion leads — not to mention keeping pace with the headliners, no small feat — make him an ideal foil for the proto post-rock happening throughout.

Credited under his Muslim name, Khalid Yasin, Young isn’t the only standout. Several Santana contemporaries — bassist Doug Rauch, drummers Mike Shrieve and Billy Cobham, percussionists Mingo Lewis and Armando Peraza — play alongside Mahavishnu Orchestra member Jan Hammer and Tony Williams Lifeline drummer Don Alias, who already had credits on Davis’ seminal Bitches Brew and On the Corner. Complemented by Santana and McLaughlin, the ensemble sounds and feels unstoppable. In addition to the band’s search for sacred soulfulness, the common denominator throughout is John Coltrane, who engaged in similar pursuits during the 1960s. Two of the five compositions — “A Love Supreme,” “Naima” — are interpretations of Coltrane standards while the lynchpin, a nearly 16-minute investigation into the traditional “Let Us Go Into the House of the Lord,” integrates free-form structure, jazz phrasing, gospel mysticism, cross-cut dynamics, and tonal shaping into one of the most uplifting pieces of music you’ll ever hear. The same can be said for the entirety of Love Devotion Surrender. Bow down.

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Freedom

Freedom At Last

Hellish Crossfire Black Vinyl Edition

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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Freedom were one of many British groups that grew from that particularly fertile period that saw the likes of Alexis Korner, John Mayall, The Yardbirds and of course the Rolling Stones come to the fore. Comprising former members of the highly successful Procol Harum, the band recorded fresh original material that put them at the cutting edge of what became known as blues rock, all the while covering classics by their role models.

Freedom At Last is one of the best albums the group made in a relatively short life cycle. At times loud, hard and aggressive and at others mellow and introspective, the music showcases the compositional strengths of Bobby Harrison, Rogers Saunders and Walt Monaghan, while the reprises of anthems by the likes of Howlin’ Wolf, Willie Dixon and Junior Wells makes it clear the band knew where it was going because it did not forget where it came from.

This newly remastered version of Freedom At Last is a very timely reminder of the vibrant work of a British band that made premium blues rock with attitude.

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Iron Angel

LP | 1985 | EU | Reissue (High Roller)

27,99 €*

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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And Then There Were Three

LP | 1978 | Reissue (Rhino)

Release: 1978 / Reissue

Genre: Rock & Indie

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LP | 1983 | Reissue (Rhino)

Genesis 2007 Remaster

Release: 1983 / Reissue

Genre: Rock & Indie

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In My Own Time 8-Track Edition

Karen Dalton

Tape | 1971 | US | Reissue (Light In The Attic)

14,99 €*

Release: 1971 / US – Reissue

Genre: Rock & Indie

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White Sport Coat And A Pink Crustacean

Jimmy Buffett

LP | 1973 | Reissue (Geffen)

LP | 1981 | EU | Reissue (EMI)

Release: 1973 / Reissue

Genre: Rock & Indie

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Vinyl LP pressing. 1973 album from the iconic singer-songwriter. Jimmy Buffett's third studio album, A White Sport Coat and a Pink Crustacean, was released in 1973 and features "Why Don't We Get Drunk," and "He Went to Paris." Newly remastered and available for the first time on vinyl.

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Church

Of Skins & Heart

67,99 €*

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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LP | 1975 | Reissue (Polygram)

Labi Siffre

Remember My Song

40,99 €*

Release: 1975 / Reissue

Genre: Rock & Indie

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Bedside Manners Are Extra Remastered Edition

Greenslade

LP | 1973 | EU | Reissue (Esoteric)

43,99 €*

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Formed in 1972 by former Colosseum keyboard player Dave Greenslade, the band also featured former Web and Samurai member Dave Lawson (keyboards, vocals), former Colosseum bass player Tony Reeves and drummer Andrew McCulloch (formerly with King Crimson and Fields).The calibre of the members of Greenslade ensured that the group would be innovative, ground-breaking and dynamic in their musical approach and would also be notable due to the absence of a guitarist within their ranks. Originally issued in November 1973, 'Bedside Manners Are Extra' was a fine album and featured such classic compositions as the album title track, "Pilgrims Progress", "Time to Dream" and "Sunkissed You’re Not".This new vinyl edition of this classic album has been remastered from the original tapes and was cut at Abbey Road Studios. It fully restores the original LP artwork. SIDE ONE:1. Bedside Manners Are Extra2. Pilgrim’s Progress3. Time to DreamSIDE TWO:1. Drum Folk2. Sunkissed You’re Not3. Chalk Hill

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Kyoko Omiya & Orange Clear Orange Vinyl Edtion

Kyoko Omiya & Orange

LP | 1980 | JP | Reissue (Pony Canyon)

47,99 €*

Release: 1980 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

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LP | 1983 | US | Reissue (Toxic Shock)

V.A.

Barricated Suspects

34,99 €*