Rock & Indie 2260 Items

Release: 1974 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Intimidation Extended Clear Vinyl Edition

The Bruisers

LP | 1989 | EU | Reissue (Rebellion)

LP | 1989 | US | Reissue (Alternative Tentacles)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Proud to present you the extended edition of the classic and cult Intimidation EP on 12” vinyl including 3 bonus tracks that were recorded in that very same studio session back in June 1989 at the Bunkhouse Studio in Portsmouth. Lots of pictures straight out of the band members archive and some liner notes are included in the refreshed and updated artwork. To top it off, the whole session is carefully remastered for vinyl. The staccato beats, thriving bass, low crackling guitars and vocals skipping with youthful energy and aggression can not be imitated and can only sound the way they do like they did right then and right there. An anchor and milestone of US Oi! glory. We make sure this gem is preserved for the new generation as well as offering a fresh updated version for the old guard as a nice collectable piece of wax. Licensed directly from The Bruisers.

Go to Item

Nomeansno

Wrong Red Vinyl Edition

Skeletons In The Closet: The Best Of Oingo Boingo Brown Colored Vinyl Edition

Release: 1989 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

At last, one of the all-time bat legends, Nomeansno has returned to Alternative Tentacles Records. The entire catalog no less, starting with their most beloved album, Wrong. Using the original all-analog master, from the original mother, as engineered by George Horn, John Wright, and Jello Biafra.

Nomeansno formed in a vacuum, in Victoria, British Columbia in 1979 and honing their sounds for years before relocating to Vancouver and releasing eleven albums over an almost forty year career, including a collaborative album with Jello Biafra, and numerous EPs and singles. Originally formed as a two-piece by brothers John and Rob Wright, and later joined by monster guitarist, Andy Kerr. Mixing hardcore punk, dark lyrics, and sophisticated arrangements boarding on prog, Nomeansno was massively influential and widely regarded as the first band to be referred to as “math rock”.

Originally released on Alternative Tentacles in 1989, Wrong stands on its own and is still considered to be a much-loved classic. Allmusic called the album a masterpiece and a definitive jazz core album. In 2021, the album was voted by the public’s to win the Canadian Polaris Heritage Prize to honor classic Canadian albums released before the creation of the award.

In 2015, drummer John Wright described the album as their “most popular album by a country mile” and to the St. Louis Music Press of Wrong’s success to the rise of alternative music and the success of Nirvana:

“That’s where all the buzz about us came from. We were touring throughout the States in the mid-80s, and we’d get a little bit of an audience here and there, but after a couple of years in Europe, we started doing some big shows there, and all of a sudden, people in the States were coming out to our shows. And we went from getting paid $200 to getting paid $1000. It was just like that. You had to have the buzz, and then it all just kind of blew up.”

Getting Nomeansno vinyl into stores is long overdue, so it all starts here with Wrong. Expect all vintage Nomeansno vinyl to systematically return in the days ahead.

Go to Item

Oingo Boingo

LP | 1989 | Reissue (Rubellan Remasters)

Release: 1989 / Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Gelato Metropolitano Orange Vinyl Edtion

Camerini Alberto

LP | 1977 | EU | Reissue (The Saifam Group)

Release: 1977 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1986 | US | Reissue (Armageddon)

Hirax

Hate, Fear And Power

LP | 1985 | US | Reissue (Armageddon)

Release: 1986 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Hirax is back in print as it was meant to be. Hirax returned in 1986 to deliver us their second album Hate, Fear and Power. A faster, more intense, more relentless speed metal release than their debut. Raging Violence. Hirax, rejuvenated with the addition of the formidable Eric Brecht on drums, the speed and intensity was kicked up a notch across the board. Hirax's second full length drops 8 tracks of great thrash in under 20 minutes. Hate, Fear And Power starts of with furious short blast that touches on DRI or Repulsion territory, and it doesn't let up until the end of the final track. No time is wasted, this album is exactly what thrash should be: straight to the point and played to maximum intensity. Returning with tighter songwriting, relentless riffing. barbaric drumming, and KATON's vocal delivery standing strong, Only a minute or so longer than Slayer's Reign In Blood, this a Hirax condensed and dialed in to it's rawest, fastest form. True raging speed/thrash from beneath the streets of L.A. Original front cover art photographed and restored by Hillarie Jason. Audio has been freshly mastered and cut for vinyl by Nick Townsend. Pressed on colored vinyl and housed in heavy board jackets with printed inner sleeve

Go to Item

Hirax

Raging Violence

Nancy Sinatra & Lee Hazlewood

Release: 1985 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Hirax is back in print as it was meant to be. A blistering slab of crossover/thrash/speed metal that was able to bridge the gap between the straight up metal audience and the embryonic "Crossover" hardcore/punk era that was evolving in 1985. Hirax was always fast, rough and raw, they blasted forward with energy and relentless speed. Katon delivered traditional metal style singing with upper registers often only used by Mercyful Fate or Judas Priest. Unique and uncompromising in their attack, Hirax played with bands across the heavy music spectrum in the L.A. scene and cemented their legacy with fans worldwide with a prolific amount of interviews, correspondence and tape trading. They built a fan base with a true DIY style dedication. That legacy continues today. We're happy to have this record back on its original format for old heads and new fans alike. Play it loud! Original front cover art photographed and restored by Hillarie Jason. Audio has been freshly mastered and cut for vinyl by Nick Townsend. Pressed on colored vinyl and housed in heavy board jackets with printed inner sleeve.

Go to Item

Nancy & Lee Again Fanclub Edition pressed on Got It Together Again Gold Vinyl Edition

LP | 1972 | US | Reissue (Light In The Attic)

34,19 €* 35,99 € -5%

Nancy Sinatra & Lee Hazlewood

Release: 1972 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

* LP available on Standard Black Wax plus Special Limited Color Editions
* First ever reissue of Nancy & Leeâ€™s 1972 classic
* Includes bonus tracks â€œMachine Gun Kellyâ€ and the previously unreleased â€œThink Iâ€™m Coming Downâ€
* Newly remastered from the original analog tapes by GRAMMYÂ®-nominated engineer John Baldwin
* Vinyl pressed at RTI
* Beautifully packaged and expanded gatefold LP featuring a 20-page booklet
* Q&A with Nancy & GRAMMYÂ®-nominated reissue co-producer Hunter Lea
* Never-before-seen photos from Nancy Sinatraâ€™s personal archive
* CD housed in a digipak and featuring a 28-page booklet
* 8-track also available
* Actual LP pressing color may differ from mock-up image

Light in the Attic Records is proud to present the next installment of the _Nancy Sinatra Archival Series_ with the first ever reissue of the classic 1972 album _Nancy & Lee Again_. Recorded during a 1972 reunion between Nancy and the enigmatic Hazlewood, the album contains some of the pairâ€™s most enduring and ambitious duets including the epic â€Arkansas Coal (Suite),â€ the sensual â€œParis Summerâ€ and the incredibly powerful Dolly Parton-penned â€œDown From Dover.â€ Equal parts daring, psychedelic, cinematic, and sweet, _Nancy & Lee Again_ reveals with each track a timeless, natural chemistry between two artists who would remain influential for generations to come.

_Nancy & Lee Again_ is available in a variety of formats, including vinyl, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and is accompanied by a 20-page booklet, featuring an array of photos from the legendary singer, actress, and activistâ€™s personal collection, as well as in-depth Q&A with Nancy Sinatra, conducted by the reissueâ€™s Grammyâ®-nominated co-producer, Hunter Lea (also available in the CD package). All formats have been beautifully designed by Darryl Norsen of D. Norsen Design, and include two bonus tracks, â€œMachine Gun Kellyâ€ (first time on vinyl) and the previously unreleased â€œThink Iâ€™m Coming Down.â€

In addition to the black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

A limited-edition merchandise capsule, including a custom chain stitched denim jacket, embroidered pillow, canvas tote and apparel collaboration with LA-based Midnight Rider will accompany the release at Nancyâ€™s Bootique at *NancySinatra.com*.

Nancyâ€™s impact on fashion, music, and culture will also be celebrated at Modernism Week in Palm Springs this February with three events, including a roundtable discussion featuring Kii Arens (Visual Artist), Alison Martino (Vintage Los Angeles), Hunter Lea (Record Producer), Don Randi (The Wrecking Crew), and Amanda Erlinger (daughter of Nancy Sinatra, and co-author of the book _Nancy Sinatra: One For Your Dreams_), a double decker bus tour featuring audio commentary from Nancy at notable locations, and a Nancy Sinatra Tribute street party on Arenas to close out the weekâ€™s festivities.

*more About _nancy & LEE AGAIN_:*

The incongruous, yet glorious, creative partnership between Nancy Sinatra and Lee Hazlewood was well underway when the two singular artists reunited to record 1972â€™s _Nancy & Lee Again_, a follow-up to their bestselling duet debut, _Nancy & Lee_. Nancy, the eldest daughter of Frank Sinatra, had been working with the Oklahoma-born songwriter since 1965, when she topped the pop charts with â€œThese Boots Are Made For Walkinâ€™.â€ Over the next five years, the two artists forged a prolific relationship in the studio, with Hazlewood writing and producing many of Nancyâ€™s solo hits. Soon, the duo found success with a series of duets, including â€œSand,â€ â€œSummer Wine,â€ and â€œSome Velvet Morningâ€ â€“ all of which appeared on their highly-influential 1968 debut.

Not long after the critical acclaim and chart success of Nancy & Lee died down, however, Hazlewood unexpectedly relocated to Sweden, leaving his musical partner in the proverbial dust. America, meanwhile, was in the midst of a cultural shift, as the Vietnam War waged on. By the turn of the decade, the musical landscape had changed significantly. â€œTrivial music and not profound music became unimportant,â€ recalls Nancy, speaking to Hunter Lea. â€œIt was a tough time.â€ And yet, despite the circumstances, the stars somehow aligned for the duo to record some of their most magnificent music together.

Returning to Los Angeles for the project, Hazlewood â€“ who reprised his role as producer â€“ chose to take a new direction with the duoâ€™s sophomore album. Nancy recalls, â€œIt was more dramatic; it was more fun to do, more challenging to doâ€¦. It was more grandiose.â€ For the lush, orchestral arrangements, they collaborated with Larry Muhoberac (an original member of Elvis Presleyâ€™s TCB band, whose early â€˜70s credits also included Barbra Streisand, Neil Diamond, and Lalo Schifrin) and Clark Gassman, who had worked on Hazlewoodâ€™s 1970 LP, _Cowboy in Sweden_. Backing vocals from brothers John and Tom Bahler, who remain two of the most recorded singers in history, added additional texture to several songs.

The big sound that Nancy describes above is exemplified in the albumâ€™s cinematic opener, â€œArkansas Coal (Suite).â€ Clocking in at nearly six minutes long, the dynamic overture tells the tale of an ill-fated coal miner (sung by Hazlewood), while Nancy adjusts her vocals to sing as both the minerâ€™s daughter and his wife. Hazlewoodâ€™s knack for vivid, nuanced storytelling shines throughout _Nancy & Lee Again_, particularly in â€œParis Summer,â€ which details the conflict that a married woman faces, as she engages in a passionate affair. Another highlight is the country-inspired hit, â€œDid You Ever,â€ which was released as the albumâ€™s lead single. After it landed at No.2 on the U.K. pop charts, the song served as an alternate title track in several countries, including LP pressings in the U.K., Germany, and Canada.

One of the most emotionally-charged moments on _Nancy & Lee Again_ is a cover of Dolly Partonâ€™s â€œDown From Dover.â€ The heartbreaking tune tells the tale of a pregnant teenager, who has been abandoned by her lover and her family and ultimately gives birth to a stillborn baby. While Partonâ€™s 1970 version was sung from the teenagerâ€™s point of view, Hazlewood and Sinatra transformed the country song into a duet. Hazlewood, who offers the manâ€™s side of the story, sings in a notably deeper octave than his signature baritone.

Another poignant selection is â€œCongratulations,â€ which describes a soldier coming home from Vietnam. â€œHis face has grown old and his eyes have grown cold/And they tell you of where he has been/Congratulations, you sure made a man out of him,â€ Hazlewood sings, pointedly. Nancy, who performs as the vetâ€™s wife, argues that the song had a deeper meaning for her duet partner. â€œLee started out a hawk, he was an army guy, so he was all for the war in the beginning. We didnâ€™t talk about it, but at some point, he changed radically. â€˜Congratulationsâ€™ was almost like an apology from him. I donâ€™t want to put words in his mouth, but it was as though he was saying â€˜Iâ€™m really sorry.â€™â€

The song â€œFriendship Trainâ€ could also be interpreted as an apology of sorts â€“ this time to Nancy. â€œYou've been hurt and I've been hurt/Now we're living pain,â€ the tune opens. When Hazlewood moved to Sweden without telling his longtime musical partner, Sinatra was understandably upset. â€œI felt pretty betrayed. I mean, who does that? Who just up and disappears like that? Iâ€™ll never understand it,â€ she reveals. But the uplifting duet â€“ a slice of â€˜70s pop perfection â€“ offers reaffirming words of love between friends. â€œ[Lee] felt things very deeply and tended to express his feelings in song instead of in real life,â€ explains Nancy.

The 10-track album closes with the stripped-down â€œGot It Together.â€ Backed by an acoustic guitar, the song is equal parts playful and candid, as the duo has an impromptu, spoken-word conversation about their lives. â€œI wish that weâ€™d quit getting so old,â€ laments Nancy, who later shares her wish to have children (she would do so in the next few years). Hazlewood, meanwhile, attempts to remedy his past wrongdoings â€“ this time asking his partner, â€œCan I go back to Sweden?â€ With that, Nancy gives her blessing.

This definitive reissue of _Nancy & Lee Again_ also includes two bonus tracks. Both are stylistic departures for the duo â€“ but fit right in with the psychedelic pop of the era. The first one, â€œThink Iâ€™m Coming Down,â€ is a harmony-filled reflection on a toxic relationship. â€œI think that was one of [Leeâ€™s] drug things. I donâ€™t mean that he used drugs; I mean that he was trying to be part of that culture. Trying to be hip,â€ explains Nancy, who delivers an emotive vocal performance on the solo track. Also included is â€œMachine Gun Kelly,â€ penned by a staple of the 70s singer-songwriter movement, Danny Kortchmar (James Taylor, Carole King, Linda Ronstadt). Recorded several months after the release of the album, the song found Nancy reuniting with Billy Strange, who arranged many of her solo albums, as well as Nancy & Lee. Sinatra and Hazlewood first performed â€œMachine Gun Kellyâ€ during their residency at Las Vegasâ€™ Riviera Hotel in February 1972 (later released as a concert documentary on Swedish television). While the recording has long remained a career favorite of Nancyâ€™s, it would be decades before it was officially released.

_Nancy & Lee Again_ remains a creative high point in the careers of Sinatra and Hazlewood and, upon its release, garnered rave reviews from Billboard, _Record World_, and _Cash Box_, among others. Yet, _Nancy & Lee Again_ never received the spotlight it so utterly deserved. â€œWe didnâ€™t have label support at all in those days,â€ recalls Nancy. â€œWithout the strength of a label, records die. We were old. We were old-fashioned. We were just not what was happening. Itâ€™s a very ageist kind of business.â€ Nevertheless, she adds, â€œI think itâ€™s a very good album. I think itâ€™s timeless.â€ Now, after years of being a sought-after rarity, this gem in the Sinatra-Hazlewood canon can finally get its due.

Five decades later, Nancyâ€™s legacy only continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums â€“ her duets with Hazlewood among them â€“ and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when â€œThese Boots Are Made For Walkinâ€™â€ was inducted into the Grammyâ® Hall of Fame. That same year, Sinatra partnered with Light in the Attic for *Nancy Sinatra: Start Walkinâ€™ 1965-1976*, a definitive survey of her most prolific period. Lita has also reissued Sinatraâ€™s classic debut, *Boots*, and her iconic, 1968 album with Lee Hazlewood, *Nancy & Lee*. The label looks forward to celebrating Nancy over the coming years with a variety of special releases, exclusive merchandise, and more.

Go to Item

Nancy & Lee Again Nancy’s Bootique Edition pressed on Tippy Toes Teal & White Swirl Vinyl Edition

LP | 1972 | US | Reissue (Light In The Attic)

34,19 €* 35,99 € -5%

The Band That Would Be King Record Store Day 2023 Edition

Release: 1972 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

Half Japanese

LP | 1989 | US | Reissue (Fire)

Ghosts Of Princes In Towers Record Store Day 2023 Black Vinyl Edition

Release: 1989 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

1000 pressed. Ltd Orange Vinyl, DL card. The seminal album from Half Japanese featuring updated artwork and liner notes from Jad Fair and producer Kramer. This is the Zen of Half Japanese, of prolific songwriter Jad Fair; wide-eyed crooner, humorous raconteur and spontaneous storyteller. A genre-bending romp through the mind of the man, originally released in 1989 in a purple patch for the group, preceded by 'Music To Strip By' and 'Charmed Life'. "Half Japanese were a song machine," attested Pitchfork, while AllMusic saw this album as a collection of "humorous lo-fi rock 'n' roll hit singles." Previously released on black vinyl a decade ago.

Go to Item

Rich Kids

2LP | 1978 | Reissue (Parlophone Label Group)

LP | 1987 | EU | Reissue (Archives De La Zone Mondiale)

Release: 1978 / Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Limited to 2500 copies worldwide. RSD Exclusive Release.
Limited 1 x 140g 12" Black vinyl album. RSD 2023. Ghosts of Princes in Towers is the only studio album by British band Rich Kids, founded in 1977 by Glen Matlock (ex Sex Pistols) and Midge Ure (Ultravox) and Rusty Egan released in August 1978 and produced by ex-Bowie guitarist Mick Ronson. Exclusive for RSD 2023, the original album will be newly remastered. Release overseen by Rich Kids Rusty Egan. Tracklisting: Side A - Strange One, Hung on You, Ghosts of Princes in Towers, Cheap Emotions, Marching Men, Side B - Put You in the Picture, Young Girls, Bullet-Proof Lover, Rich Kids, Lovers and Fools, Burning Sounds

Go to Item

Berurier Noir

Abracadaboum

Release: 1987 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A Quiet Normal Life Grape Vinyl Edition

Warren Zevon

LP | 1986 | EU | Reissue (Warner)

Chicago Ix Picture Disc Edition

Release: 1986 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Reissue as a part of the Start Your Year Off Right Kampagne von Warner. A Quiet Normal Life highlights the best of Warren Zevon's Asylum albums. Includes "Werewolves of London" and "Desperados Under the Eaves." (Original RD: October 1986)

Go to Item

Chicago

LP | 1975 | EU | Reissue (Warner)

2LP | 1972 | EU | Reissue (Warner Music Poland)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Reissue as a part of the Start Your Year Off Right Kampagne von Warner. Gepresst als Picture Disc. Mit Syeor sticker. Chicago's 5X Platinum Greatest Hits collection, now on a picture disc. Includes the hits "25 or 6 to 4," "Make Me Smile, " "Saturday In The Park," "Colour My World," and "Feelin' Stronger Every Day." (Original RD: 1975)

Go to Item

Czeslaw Niemen

Volume 1 & Volume 2

Release: 1972 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 1989 | EU | Reissue (Music On Vinyl)

Elvis Costello

Spike

Release: 1989 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Money For Nothing Remastered 2022

2LP | 1985 | CZ | Reissue (Mercury)

Release: 1985 / CZ – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 1970 | Reissue (Music On Vinyl)

Corrosion Of Conformity

Wiseblood

Release: 1970 / Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1972 | EU | Reissue (Virgin)

Roxy Music

Release: 1972 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1973 | EU | Reissue (Virgin)

Roxy Music

For Your Pleasure

Release: 1973 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Behind The Realms Of Madness White / Black Splatter Vinyl Edition

Sacrilege

2LP | 1985 | EU | Reissue (Back On Black)

The Force White / Blue Splatter Vinyl Edition

Release: 1985 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Reissue of the legendary UK band Sacrilege's landmark debut - 'Behind The Realms Of Madness' on spectacular limited edition white and black splatter vinyl!

Originally released in 1985, Sacrilege were one of the first bands of the 80's that both punks and metalheads rallied behind. Propelled by singer Lynda 'Tam' Simpson's ferocious vocals and polticically charged lyrics, Behind The Realms Of Madness blended crust, thrash, hardcore, doom and death-metal to create a timeless album that has directly influenced scores of punks and heshers alike.

Go to Item

Onslaught

2LP | 1986 | EU | Reissue (Back On Black)

Let It Be 50th Anniversary Edition

Release: 1986 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"The Force" is the second studio album by English thrash metal pioneers Onslaught, originally released in 1986. More successful than their previous album, "Power From Hell", The Force is considered a thrash metal classic by fans and critics. Fast paced drumming, a huge variety of riffs from tremolo picked insanity to chugging heaviness, and a vocal performance that truly gives the genre a good name! Influencing bands such as Exodus, Slayer and Metallica, Onslaught played a big part in defining the death metal genre!

Go to Item

The Beatles

LP | 1970 | UK | Reissue (Apple)

LP | 1975 | EU | Reissue (Speakers Corner)

Release: 1970 / UK – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Following on from the global success of ‘Abbey Road’, Apple Corps and USM are proud to present the next multi-format Beatles album reissue of ‘Let It Be’.

January 1969 – The Beatles planned to return to live performance, setting up in Twickenham Film Studios, London, for 21 days of rehearsals. They then decamped to their new studio in their Apple office building in Saville Row and on January 30th performed their last ever live group performance on the rooftop. All of this was filmed for a proposed documentary (eventually released in 1970). During the rehearsal process, they asked Glyn Johns, who had been hired to help with the live sound, to attempt a mix to create an album. This was never released, becoming known as one of the great ‘lost’ albums in rock history and is now included in this Super Deluxe Set. The album was delayed further and in fact became their 12th and final official album release on 8th May 1970 following additional production by American producer Phil Spector.

The Beatles iconic final studio album being released to coincide with the worldwide release of Peter Jackson’s 3 part documentary ‘The Beatles: Get Back’
New stereo mix of the original album by Giles Martin

Go to Item

Michael Franks

The Art Of Tea

Makoto Kubota & The Sunset Gang

Release: 1975 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Michael Franks is a master of words. Not only did he study American Literature, he is also a song writer and a composer of film music, which he demonstrates in his début album with a major label, where music and language are on a par. Originally a jazz musician, Franks reached out to pop and rock fans with "The Art Of Tea". Sensually inspiring and playful numbers such as "Popsicle Toes" and "Eggplant" are full of crafty wordplay and almost Henry Mancini-like, airy jazz-pop. With a similar approach as Steely Dan, Franks’ singing and songwriting creates the basis for a sound that is founded on the support of top-notch musicians, many of whom are among the finest studio jazz musicians on the scene. The allstars line-up blazes with names such as Dave Sanborn and Michael Brecker on the saxophone. Guitar guru 'Mr. 335' Larry Carlton on the semi-acoustic guitar, Joe Sample at the keyboard, along with Wilton Felder on the bass contribute their Crusaders touch to the recording. Responsible for this impressively meticulous recording is, a.o. chief recording engineer Bruce Botnick, who also expertly taped the Doors and Beach Boys. The present production occupies the highest status in Franks’ discography, and has seldom been surpassed.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com. All royalties and mechanical rights have been paid.

Recording: May and June 1975 at Capitol Recording Studios, Los Angeles, by Al Schmitt, Bruce Botnick and Lee Hershberg Production: Tommy LiPuma

Go to Item

Dixie Fever

LP | 1977 | EU | Reissue (Wewantsounds)

Within The Prophecy Clear/Purple Splatter Vinyl Edition

Release: 1977 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Wewantsounds is closing its Makoto Kubota reissue series with the release of "Dixie Fever" recorded in Hawaii in 1976 and co-produced by Haruomi Hosono. Like its predecessors, 'Sunset Gang' and 'Hawaii Champroo', 'Dixie Fever' continues to explore American and Island music through a Japanese prism with a skilful mix of blues, swamp funk and America adding an exotic edge to the whole. It is the first time the album is released outside of Japan and the LP features original artwork with OBI and insert plus remastered audio by Makoto Kubota himself.

A year after the release of their highly-acclaimed album 'Hawaii Champroo' in 1975, Makoto Kubota and The Sunset Gang reunited at Sounds of Hawaii studios with co-producer Haruomi Hosono to record a new album, 'Dixie Fever'. They used pretty much the same ingredients that had made the success of Champroo - an effortless mix of Japanese folk and american roots music with some tropical influences. The same mix that Haruomi Hosono was applying to his own albums, especially ''Tropical Dandy which was experimenting with the same ideas - In fact the front cover of both 'Tropical Dandy' and 'Dixie Fever' are illustrated by Yasuo Yagi. ?As per 'Hawaii Champroo' and 'Sunset Gang', 'Dixie Fever' includes a mix of original compositions and covers. On the album, you spot The Lovin' Spoonful's 'Wild About My Lovin' and a funked up version of UK singer songwriter Ralph McTell's song 'When i Was a Cowboy'. They feature the Gang's usual musicians (Keni Inoue on guitar, Yosuke Fujita on slide guitar and Takashi Onzo on bass and keyboards) complemented by a handful of guests including Tin Pan Alley drummer Tatsuo Hayashi, Motoya Hamaguchi on percussion and New Orleans pianist and Dr. John friend, Ronnie Barron. Together they play a superb brew made of blues, soul, Hawaiian music and southern swamp rhythms. One of the highlights of the album is undoubtedly 'Hoshikuzu' (Stardust) which has become a cult classic over the years on the international City Pop scene and whose sunshine mid-tempo vibe is the perfect reflection of the group's musicianship. The track perfectly adds to the album's charm which Wewantsounds is happy to release for the first time internationally.

Go to Item

Sacrilege

2LP | 1987 | EU | Reissue (Back On Black)

A Muso Duro 40th Anniversary Edition

Release: 1987 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Legends of UK punk/metal Sacrileges sophomore effort titled "Within the Prophecy" released in 1987. Lets take a look at this underrated classic!

Go to Item

Pierangelo Bertoli

LP | 1979 | EU | Reissue (Atlantic)

Release: 1979 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Metamorphosis UK Green Record Store Day 2020 Edition

The Rolling Stones

LP | 1975 | EU | Reissue (Universal)

La Storia Di Sabazio Orange Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Record Store Day 2020 Release.

The first official Rolling Stones’ rarities collection originally released in June 1975 to try and outwit the bootleggers. The release combines some legendary out-takes and rarities as well as focusing on the wealth of demos that Jagger & Richards composed for other artists (produced by Andrew Loog Oldham or Jimmy Miller). Remastered by Bob Ludwig (Gateway Mastering) and Lacquer cutting by Sean Magee (Abbey Road Studios) Released exclusively on 180g Hunter Green vinyl Includes exclusive iron-on t-shirt transfer of the sleeve design, which alludes to Franz Kafka’s ‘The Metamorphosis’ (the story of a man who wakes up one morning to find himself inexplicably transformed into a huge insect!). This release replicates the U.K. version, with two extra songs, “Some Things Just Stick In Your Mind” and “We’re Wastin’ Time” that were not on the original U.S. release.

Go to Item

Triade

LP | 1973 | EU | Reissue (Vinylmagic)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1980 | EU | Reissue (Speakers Corner)

Warren Zevon

Stand In The Fire

LP | 1982 | EU | Reissue (Speakers Corner)

Release: 1980 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Warren Zevon had toured for quite some time as a songwriter in the rock scene, released a few singles and landed a flop with his debut LP in 1969 before the tide finally turned. Roughly ten years later, his live album – put together from a five-day residency at the Roxy Theater in West Hollywood – entered the annals of vinyl history as one of the best live albums of all time and was awarded four stars by the magazine Rolling Stone. Ambiguously entitled by the comprehensively educated Zevon, who had been confronted with the tough side of show business, "Stand In The Fire" delivers genial simple pure and straightforward rock right from the start, which hit the public with a vengeance. Full of vim and elation, the band pours out the significant, biting verses with fire ("Jeannie Needs A Shooter") and fuels the emotional inferno with high-speed bursts of rock ("Excitable Boy"). Zevon proves his skills as a singer and songwriter in the ballad-like yet powerful "Mohammed’s Radio". In a direct comparison to this number we have the forthright, no-nonsense hit "Werewolves Of London" with its close harmonies. Just how Zevon manages to succeed in getting his delicate voice and lyrics over to the public is shown in the powerful mix of heavy and honky-tonk ("I’ll Sleep When I’m Dead") and finally in the thunderous final number – "Bo Didley’s A Gunslinger" – with its percussive and metrically complicated antiphony.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

Recording: August 1980 live at The Roxy Theatre in West Hollywood, CA., by Billy Youdelman and Greg Ladanyi
Production: Greg Ladanyi & Warren Zevon

Go to Item

Toto

LP | 1977 | EU | Reissue (Speakers Corner)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Anyone who gives the dull name “Four” to their rock album must either be very sure of success or already have resigned. The group Toto may well have experienced such extremes as there was an enormous cleft between their amazing financial success and the crushing negative opinions voiced by the critics. Billboard criticised the superficial lyrics as being void of any sort of emotional weight while the Los Angeles Times aimed their fire at the musicians themselves, slamming them as dubious artists with a commercialised mentality.
To this Toto struck back with their fourth album, which was an unparalleled success and brought them six Grammy awards. For a whole ten months "Africa" reigned at Number 1 on the charts and together with the super-hit "Rosanna" the two smash hits were a constant presence, backed up by a collection of impressive rock classics. A trip to the record shop is all that is needed to prove that this is unlikely to change in the near future. The bright red cover with its depiction of a sword will catch your eye, as though saying: It’s got to be the Fourth!

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

Go to Item

Little Feat

Time Loves A Hero

LP | 1986 | DE | Reissue (Mercury)

Release: 1977 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

There are many dreamed-of and a number of dreamy records which reflect the American idea of freedom from a musical point of view. One of these was presented by frontman Lowell George and his superb group Little Feat in what the musical experts praised as a »symbiosis of anarchistic primitive folklore and rock finesse« (rororo Rocklexikon). The high standard which the musicians maintain over the two sides of the LP is established with "Hi Roller", a funky, energetic opening number. The multi-part title number "Times Loves A Hero" follows on with a more subdued tempo but with great dive and sophisticated percussion, which proves itself to be the most important element and governs the whole album.
Little Feat conjures with traditional forms, gets you on the dance floor with "Old Folks Boogie" and serves up a tasty mixture of honky-tonk and blues, which is refined with powerful guitar solos.
Just like a picture puzzle, rhythmic figures and figurettes dart hither and thither out of the background of this handcrafted and stalwart filigree rock ("Red Streamliner", "Keepin‘ Up With The Joneses"). But simplicity and softness is also possible: The message in "Missin‘ You" needs nothing more than chords on the acoustic guitar and men’s voices with a southern sound.

Go to Item

Metallica

Master Of Puppets

LP | 1988 | US | Reissue (Epic)

Release: 1986 / DE – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

THE classic Metallica album is back on vinyl!!

Go to Item

AC/DC

Blow up your video

LP | 1988 | EU | Reissue (Adasam Ltd)

Release: 1988 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

180g vinyl

Go to Item

Spacemen 3

Playing With Fire

At Budokan - The Complete Concert

Release: 1988 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Limited edition for Record Store Day 2017!

Go to Item

Cheap Trick

2LP | 1978 | EU | Reissue (Music On Vinyl)

LP | 1974 | US | Reissue (Epic)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Cheap Trick at Budokan is a live album by Cheap Trick from 1978 and their best-selling recording. The louder, harder-rocking versions of such Rick Nielsen classics as "I Want You to Want Me" and "Come On, Come On" connected to a wide audience. The music is terrific and it certainly is interesting to hear all of this the way it was actually performed. Any hardcore Trick fan will need this document of the band's most celebrated concert.

Go to Item

AC/DC

74 jailbreak

2LP | 1987 | UK | Reissue (Fire)

Release: 1974 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

180 gram vinyl

Go to Item

Pulp

Freaks

Release: 1987 / UK – Reissue

Genre: Rock & Indie, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 1982 | EU | Reissue (Vinyl Lovers)

The Cure

Pornography

2LP | 1983 | US | Reissue (Eternal Yip Eye)

Release: 1982 / EU – Reissue

Genre: Rock & Indie, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

180 gram gatefold cover double vinyl reissue incl. 8 bonus tracks!

Go to Item

Daniel Johnston

Yip / jump music

LP | 1970 | Reissue (Rhino)

Release: 1983 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

digitally remastered and for the first in 15 years on vinyl ... incl. free album download!

Go to Item

Genesis

Trespass 2007 Stereo Mix

Release: 1970 / Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-09-27

LP | 1987 | US | Reissue (Sorcerer)

Lubricated Goat

Plays The Devil's Music

LP | 1985 | Reissue (Universal)

Release: 1987 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Sorcerer Records present a reissue of Lubricated GOAT's debut LP Plays The Devil's Music, originally released in 1987. It's been out of circulation for over two decades, and Sorcerer Records presents this classic slice of underground Australiana in all its glory. Recorded over two recording sessions in mid-1986, one in Perth and one in Adelaide, Plays The Devil's Music wasn't really seen by LG founder/mainstay STU Spasm (ex-BEASTS OF Bourbon, Salamander JIM, et al.) as a part of any grand musical plan. He recorded these tracks with his friends Martin Bland, Brett Ford, and Pete Hartley and went back to Sydney with the tapes. John Foy of Black Eye Records loved the results and the band known as Lubricated Goat was born. Over the course of several more full-lengths and an EP or two, the band made themselves a reputation as one of Australia's finest purveyors of post-punk noise-rock before relocating to the US. The musical scene centered around the Black Eye label in Sydney at the time, with bands such as the 'Goat, Thug (featuring a young Tex Perkins), No More Bandicoots, Box The Jesuit, etc. remains one of Australia's richest, weirdest and most inventive conglomeration of musicians and artists, and Stu and company were right in the thick of it. Lubricated Goat were (perhaps correctly) often compared to the Butthole Surfers at the time, and their mix of punk, post-punk, noise, and a taste for the absurd puts them firmly in the same camp. Throw in a little bit of Stooges/Birthday Party-style grunt and a distinctly Australian sense of humor and you're getting close to the magic of early Lubricated Goat. This edition comes remastered c/o Mikey Young. Comes in original artwork and inner sleeve; Includes download card; Includes new liner notes from Stu Spasm detailing the history of the recording. Recommended for fans of: Butthole Surfers,Killdozer, Pere Ubu, Big Black, Birthday Party.

Go to Item

Pete Townshend

White City: A Novel Hsm

Release: 1985 / Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

All The Best Cowboys Have Chinese Eyes Hsm

Pete Townshend

LP | 1982 | Reissue (Universal)

Release: 1982 / Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Diamond Dogs 50th Anniversary Half-Speed Mastered Vinyl Edition

David Bowie

LP | 1974 | EU | Reissue (Parlophone Label Group)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Volume 3: My Heart (My Soul Is A Wasteland) Green Vinyl Edtion

Sanullim

LP | 1978 | EU | Reissue (Guerssen)

Gift Silver Vinyl Edition

Release: 1978 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Third album, originally released in 1978, by legendary Korean psychedelic band Sanullim. From heavy-fuzz psychedelic garage to slow burners, including the monster sidelong track “You Are Already Me”, the title track (which sounds like a Korean Blue Cheer) and more! *Original artwork in hard cardboard sleeve *Sourced from the original masters *Insert with liner notes and rare photos / memorabilia “This time, whilst the fuzz guitar and strangely basic bass and drum patterns are more familiar, it’s the frequently gruff, howling vocals that are the most noticeably different element of the sound” – Hugh Dellar (Shindig!)

Go to Item

The Sisterhood

LP | 1986 | EU | Reissue (Cadiz - Merciful Release)

Release: 1986 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1987 | EU | Reissue (Rhino)

Grateful Dead

In The Dark

Release: 1987 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Brazil Classics 1: Beleza Tropical

V.A.

2LP | 1989 | EU | Reissue (Luaka Bop)

Nina Hagen Band Black Friday Record Store Day 2023 Black & Red Vinyl Edition

Release: 1989 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

First released in 1989, these songs represent but a small sampling of the fruits of a flowering in Brazilian creativity. The innovations in structure, lyrics and arrangements, combined with a very restrained but heartfelt intensity, are unique to Brazilian pop music... and in their own way, are as radical, seductive and beautiful as the best english language pop

Go to Item

Nina Hagen

LP | 1978 | Reissue (Sony)

Release: 1978 / Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1975 | US | Reissue (Discos Fantastico)

Grupo Celeste

El Fabuloso

Release: 1975 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Open Your Eyes Yellow Vinyl Edition

Warzone

LP | 1988 | US | Reissue (Revelation)

2LP | 1985 | Reissue (Atomic Fire)

Release: 1988 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

There is no doubt Warzone is one of the most crucial and influential bands coming from the New York Hardcore scene. Fronted by the charismatic Ray “Raybeez” Barbieri, Warzone preached vehemently for scene unity and against racism while buzzsaw guitar riffs and wailing solos over speedy drums churned out a soundtrack found at Cbgb Sunday Matinees, The Pyramid, The Anthrax and the rest of the legendary clubs of the era. Their landmark debut LP Don’t Forget The Struggle, Don’t Forget The Streets is heralded as one of the most important Nyhc records of all time, with its 2016 reissue on Revelation Records selling thousands of copies and filling gaps in record collections all over the world. Two years later, Revelation Records proudly presents the reissue of Warzone’s second LP Open Your Eyes. This oft-overlooked record continues the sound from Don’t Forget The Struggle,... the last purely hardcore record before the band’s more metal third LP. This record featured Jerry Williams behind the board who was previously known for his work with Bad Brains, The Beastie Boys, and Reagan Youth among others, with production help from none other than Dr. Know, guitarist of Bad Brains!

Go to Item

Helloween

Release: 1985 / Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 1985 | Reissue (Atomic Fire)

Helloween

Release: 1985 / Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

In Search Of Sanity Grey/ Black Splatter Vinyl Edition

Onslaught

2LP | 1989 | UK | Reissue (Back On Black)

Moontan Black Vinyl Edition

Release: 1989 / UK – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"In Search of Sanity" is the third studio album by English thrash metal band Onslaught, originally released in 1989. With several changes in the band's line up, including the addition of legendary Grim Reaper vocalist Steve Grimmett and their longest song to date "Welcome to Dying", the album contains a more polished sound than previous Onslaught albums. "In Search of Sanity" was incredibly successful, peaking at #46 in the UK charts while the single "Let There Be Rock" peaked at #50, a great accomplishment for an underground thrash metal band!

Go to Item

Golden Earring

2LP | 1973 | EU | Reissue (Music On Vinyl)

Closing Time 2lp Half Speed Master 50th Anniversary Black Vinyl Edition

Release: 1973 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

180 GRAM AUDIOPHILE VINYL
GATEFOLD SLEEVE
INCLUDES 8-PAGE BOOKLET WITH AN ESSAY,
MEMORABILIA AND PHOTOS

REMASTERED & EXPANDED 2LP EDITION
FROM THE FIRST-GENERATION MASTER

TAPES

FEATURING 3 PREVIOUSLY UNRELEASED
MIXES AND 4 BONUS TRACKS

BLACK VINYL

Go to Item

Tom Waits

2LP | 1973 | EU | Reissue (Anti)

LP | 1988 | US | Reissue (Paradise Of Bachelors)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Closing Time foreshadows the distinctly lyrical storytelling and original blending of jazz, blues, and folk styles that would come to be associated with Waits. It is on this debut album that Waits performs enduring classics of his career “Ol’ 55” (famously covered by the Eagles), the heartbreaking “Martha” and the gentle acoustic folk of “I Hope That I Don’t Fall In Love With You”. Reissued for the first time as a double LP to commemorate the 50th anniversary of the landmark debut with newly half speed mastering at Abbey Road Studios.

Go to Item

Roxy Gordon

Crazy Horse Nver Died

Below The Waves Record Store Day 2023 Edition

Release: 1988 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Choctaw, Assiniboine, and Texan poet, journalist, visual artist, American Indian Movement activist, and musician Roxy Gordon (First Coyote Boy) (1945-2000) was above all a storyteller, known primarily as a writer of inimitable style and unvarnished candor, whose wide-ranging work encompassed poetry, short fiction, essays, memoirs, journalism, and criticism. Over the course of his career he recorded six albums, wrote six books, and published hundreds of shorter texts in outlets ranging from Rolling Stone and The Village Voice to the Coleman Chronicle and Democrat-Voice, in addition to founding and operating, with his wife Judy Gordon, Wowapi Press and the underground country music journal Picking Up the Tempo. Along the way he cultivated close friendships with fellow Texan songwriters such as Lubbockites Terry Allen, Butch Hancock, and Tommy X. Hancock, as well as Ray Wylie Hubbard, Billy Joe Shaver, and, most famously, Townes Van Zandt, whom he called his brother. Although his work covered a vast array of topics exploring strata personal, local, global, and cosmic alike, Gordon's primary subject as a writer, musician, and visual artist was always American Indian culture, specifically the ways it collided and coexisted with European American culture in the South and West-and within the context of his own life and braided identity. The ten songs on Crazy Horse Never Died, his first officially released and distributed album, were recorded in Dallas in 1988. "Songs" is perhaps an imprecise taxonomy for what Roxy captured on this and his other albums, all of which remain out of print or were released in instantly obscure limited editions of homebrew cassettes and CD-R's. (Paradise of Bachelors plans to reissue remastered, expanded editions of his catalog; Crazy Horse is the first.) He only occasionally attempted to sing, and his musical recordings are primarily corollaries of, and vehicles for, his poems. His sharp West Texan drawl, tinged by formative years of reservation living in Montana and unmistakable once you hear it-high, lonesome, flat, and cold-blooded as a bare rusty blade-instead patiently unfurls in skewed sheets of anecdotal verse and discursive narrative rants. Although Gordon's music at times incorporated powwow style drumming, fiddling, or unaccompanied ballad singing, the majority of it hews to an idiosyncratic spoken word style, accompanied by atmospheric, sometimes synth-damaged country-rock that skirts ambient textures and postpunk deconstructions. His songs are essentially recitations over backing tracks of finger picked guitars, rubbery washtub bass, and buzzing, oscillating keyboards. On the stark yellow and red jacket of Crazy Horse, which he designed himself, Gordon describes these recordings as innately ambivalent in terms of form, content, and identity: These are poems and/or songs about the American West, white and Indian. My life has been Indian and/or white. Maybe there's not a lot of difference-maybe. I guess that's mostly according to which white person or which Indian you're talking about. That's probably what this album's about. Crazy Horse Never Died comprises songs that span the personal and political arcs of his writing practice and the poles of his native and white ancestries.

Go to Item

Heidi Berry

LP | 1989 | US | Reissue (Glass Modern)

Release: 1989 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1978 | EU | Reissue (Power Station)

Sally Oldfield

Water Bearer

Release: 1978 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Oriental Beat - 40th Anniversary Re(Al)Mix Red Vinyl Edition

Hanoi Rocks

LP | 1982 | EU | Reissue (Svart)

Live Without Sense Picture Disc Edition

Release: 1982 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Oriental Beat by Hanoi Rocks gets the redux treatment, officially mixed and revived from the original sessions, and released on March 17th on deluxe vinyl, CD and digital formats. The CD and vinyl come with the song lyrics, checked and approved by Michael Monroe.

Dubbed the “re(al) mix”, this 40th anniversary edition was mixed by Petri Majuri at E-Studios in Finland in collaboration with the band. Vocalist Michael Monroe calls this release “the longest and slowest album project ever,” stating that “40 years in the making, it's not just a remix, but the Real MIX supervised and approved by Hanoi Rocks”.

Recorded in London, UK in 1981, for 200 pounds a day, Oriental Beat was made during the height of the British punk + New Wave movement, when the band was hanging out with everyone from Phil Lynott to the Damned. Hanoi Rocks’ original drummer Gyp Casino says of Oriental Beat that: “Back in the days we gave heart, soul and a bit of pain to make this record something else” but the sound of the album, originally released in 1982, did not match their efforts at the time. Bassist Sami Yaffa called it “the worst sounding album of our career” and Michael Monroe said that “the producer of the album didn’t have a clue what the band was about and his mix of the album was horribly wrong”.

Oriental Beat’s original engineer Peter Wooliscroft, was not a rock producer, and according to Hanoi Rocks’ manager Richard Bishop he “tried to mix the album to sound like Spandau Ballet”. Released before the band could remix or rerecord it, as the label had run out of money, and the master tapes had gone missing, the band has always considered the original mix of Oriental Beat to be a “disaster”. With the tapes mysteriously showing up in the Universal vault recently, the band was finally able to mix and resequence the album the way they wanted it to sound.

Oriental Beat is a defining masterpiece made when Hanoi Rocks was about to explode onto the world scene and written at the absolute peak of lead guitarist Andy McCoy’s creativity as a songwriter. Rhythm guitarist Nasty Suicide says “only now, with stripping it down to the bare essentials and tweaking it to bring out what was really laid down it became our dream come true! This is what it's all about” as this definitive edition of Oriental Beat now fully displays the ultimate arrogance and attitude which defined the band. Monroe says: “now, 40 years after its original release in 1982, we finally got the album sounding as great as it deserves, with no overdubs or samples,” and McCoy adds that: “It's better now than ever. This is what it was meant to sound like. So enjoy it...Another shot of Hanoi Rocks”.

Go to Item

Destruction

LP | 1989 | EU | Reissue (High Roller)

Don't Forget The Struggle, Don't Forget The Streets Colored Vinyl Edition

Release: 1989 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

High Roller Records, COMMEMORATIVE EDITION, 40 YEARS OF UNLIMITED THRASH 1982–2022, picture vinyl, ltd 500, individually numbered, gatefold cover, poster, picture vinyl bonus 7", A5 photo, mastered for vinyl by Patrick W. Engel at Temple of Disharmony, original 1989 sound

Go to Item

Warzone

LP | 1987 | US | Reissue (Revelation)

Groovy Things Colored Vinyl Edition

Release: 1987 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Warzone were a cornerstone of the Nyhc scene, sharing the stage with legends like Agnostic Front, Cro-mags, Murphy’s LAW, Youth OF Today, and many more. Led by the influential and charismatic Ray “Raybeez” Barbieri, Warzone entered the studio in 1987 and produced Don’t Forget The Struggle, Don’t Forget The Streets which went on to achieve legendary status. Often imitated but never duplicated, Warzone had a sound unique to the Nyhc scene. Coupled with vocalist Raybeez’ uplifting and often incisive lyrics, Warzone’s sound influenced generations of bands and kids across the world. Revelation is incredibly proud to present this newly remastered and repackaged version of this seminal NY hardcore record, including liner notes by “Lukie Luke” Abbey, and artwork by John “Omen.”

Go to Item

The Cosmic Dropouts

LP | 1989 | EU | Reissue (Apollon)

Groovy Things Black Vinyl Edition

Release: 1989 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Cosmic Dropouts was formed in 1988 by Arne Thelin (vocals) and Morten Henriksen (guitar), and was together with The Willy B Review in the forefront of Norwegian garage rock. In addition to Arne and Morten, the band consisted of Pål Andreassen on organ, Carsten Johansen on bass (later replaced by Lars Albrecht and Stig Jøraholmen) and Elvin Sjursen on drums (later replaced by Rune Johnsen). This line-up recorded the band’s first release that year, a four-track vinyl 7“ EP titled Crashed Cadillac and Broken Hearts. It got good reviews in Norway and landed the band their first gigs. Their next release, an 8-track mini-album titled Groovy Things released in 1989, got raving reviews in Norway and abroad, and paved way for gigs at bigger venues and landed them their first and only gigs outside Norway with this line-up. They played at the New Music Seminar in New York that year in addition to a gig at The Khyber Pass pub in Philadelphia. Previous remotely started discussions with Skyclad Records continued in New York and resulted in this album’s original release. The mini-album and the EP together with their first single Let’s Go To The Beach (also released in 1989), plus a handful of songs recorded separately, were released as a full length album with the title Groovy Things by Skyclad Records in the US in 1990. By that time Arne had left the band (September 1989) and started The Lust-O-Rama, but the band continued with a new singer (Morten Karlsen) and released another two albums after that - Hoolabaloo on That’s Entertainment Records (1991) and Sonic Circus on Kicksville Records (1993). This re-issue was remastered December 2021.

Go to Item

The Cosmic Dropouts

LP | 1989 | EU | Reissue (Apollon)

LP | 1970 | EU | Reissue (Charly)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

Alice

Nice To Meet Miss Christine Record Store Day 2022 Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Original 1970 BYG album facsimile edition. Newly mastered to vinyl from original BYG tapes. Lacquers cut by Alchemy Mastering at AIR STUDIOS. Exclusive liner notes by author, journalist and BYG-authority Kevin Le Gendre. Formed in the late 1960s Alice was French band that put their own spin on the blues rock scene born in Britain and America. Playing a gaggle of instruments, including woodwinds and vibes, the combo had a sound that often departed from guitar- led grooves to incorporate European classical music and South American folk.

Go to Item

Chris Harwood

12" | 1970 | EU | Reissue (Bonfire)

Head On Yellow Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Such an elusive British artist, Christine Harwood was sailing the sea of lone folk singers with a sole album of rare beauty. Released in 1970 on small british label Birth, Nice To Meet Miss Christine is still an exercise in pure beauty, a dramatic/magic affair that materialized into thin air and suddenly was gone. Featuring a who’s who of the british prog and psych-folk scene – the late King Crimson alumni Ian McDonald on sax and flute, drummer extraordinaire Pete York, Nucleus and Jody Grind bass player Roger Sutton, Strawbs guitar player Dave Lambert – the album is more than a miraculous rendition of the (acid) folk revival venturing on more audacious territories, as shown in the rare groove of standout track Wooden Ships. Blue eyed soul and yacht rock fanatics take note !

Go to Item

Samson

LP | 1980 | UK | Reissue (Culture Factory)

Dark Album Pink Vinyl Edition

Release: 1980 / UK – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Head On is the second studio album by this British Heavy Metal band. Released in 1980, the cover art features the band’s masked drummer, Thunderstick. This is the first album with future Iron Maiden-frontman Bruce Dickinson on vocal duties.

Go to Item

Wigwam

2LP | 1977 | EU | Reissue (Svart)

Release: 1977 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1975 | EU | Reissue (Gotta Groove)

Tom Wachunas

Spare Changes

Release: 1975 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Rock Hard Silver Vinyl Edition

The Rods

LP | 1980 | EU | Reissue (High Roller)

Release: 1980 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Showmen 2 (Napoli Centrale) White Transparent Record Store Day 2021 Edition

Showmen 2

LP | 1972 | EU | Reissue (Udp Disco Piu)

Force It Limited Clear Deluxe Edition

Release: 1972 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Record Store Day 2021

Go to Item

Ufo

2LP | 1975 | EU | Reissue (Chrysalis)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Product Red Vinyl Edition

De Press

LP | 1982 | EU | Reissue (Apollon)

Wipers (Aka Wipers Tour 84) Florescent Pink Vinyl Edition

Release: 1982 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A Product of the ‘80s “Product” (1982) was the sequel to “Block To Block”, the breakthrough album by DE Press (Andrej Nebb, Ola Snortheim and Jørn Christensen). Like its predecessor, “Product” was produced by John Leckie and De Press. Both albums are now being re-released by Apollon Records on vinyl and CD. What is it about these two records? They still sound like nothing else from the Norwegian music scene. Both albums were on par with anything from the wider world, and this in a time were international New Wave and Post Punk classics were being released on an almost weekly basis. They encapsulate the sound of an entire era and may mirror the contemporary zeitgeist of its time so brilliantly that we still see ourselves in them. If its predecessor was the party before the proverbial bomb goes off, their sophomore album was the sound of the seconds leading up to the explosion. It sounds exciting and full of vitality—and fascinatingly dangerous. Like a Polish-Norwegian Joy Division from the underground of some forsaken city. Just listen to the intensity of songs like “The Fatal Day”, “Passages”, “In A Crowded Room”, and the title cut.

Go to Item

Wipers

LP | 1984 | US | Reissue (Jackpot)

Release: 1984 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Wipers tour 1984 features tracks from the first three Wipers albums. Recorded live on Tour February - March ’84. Originally released on cassette by Greg Sage and on vinyl on Enigma Records in 1985.

Go to Item

LP | 1980 | US | Reissue (Rhino)

Making Movies

Release: 1980 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1979 | US | Reissue (Rhino)

Communique

Release: 1979 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1982 | US | Reissue (Rhino)

Love Over Gold

Release: 1982 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 1973 | EU | Reissue (O-Music)

Flower Travellin' Band

Make Up

Strangers In The Night 2020 Remaster

Release: 1973 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Make Up is the fourth album by Japanese rock band Flower Travellin' Band, released in 1973, featuring both live and studio recordings. After returning from Canada, Flower Travellin' Band began the recordings of a new effort. The mix of live and studio recordings was planned from the beginning. So they tried acoustic pieces and experimented with material that would be hard to reproduce live. Growing as a band and as individuals, more individual contributions were made. Tracks 1, 2, 5, 7 and 8 were recorded live at Yokosuka Bunka Kaikan in Yokosuka on September 16, 1972, while track 9 is a live studio recording. The band's founder and producer Yuya Uchida provides guest vocals on "Blue Suede Shoes"

Go to Item

UFO!

2LP | 1979 | EU | Reissue (Chrysalis)

Release: 1979 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1989 | EU | Reissue (Dancing Bear)

V.A.

Bombardiranje New Yorka

Release: 1989 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1978 | DE | Reissue (Rhino)

Ramones

Road To Ruin

Release: 1978 / DE – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Tom Waits & Crystal Gayle

One From The Heart

LP | 1982 | US | Reissue (8th)

LP | 1986 | DE | Reissue (Atlantic)

Release: 1982 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Tom Waits is a highly influential singer/songwriter,
noteworthy for delving into realms of noisy industrial blues
experimentation, blues jazz, and dust, rust-belt folk, as well
as for his distinct, heavily raspy vocal style. Crystal Gayle is
a Top 40 country artist, with more than fifteen #1 singles on
the Billboard US Country charts, including her #2 Billboard
Top 200 signature hit "Don't It Make My Brown Eyes Blue",
and a member of the Grand Ole Opry.
By all accounts there's little reason for these two vastly
different artists to come together and collaborate on an
album. Yet in 1982, the two were brought together to write
and perform on the soundtrack to Francis Ford Coppola's
1982 romantic musical film One From The Heart. The
soundtrack was written by Waits himself, who also sang and
played piano, while Gayle (Whom Waits had picked himself,
after Bette Midler was unavailable.) provided vocals on
several solo songs as well as duets with Waits, all backed by
a cavalcade of jazz session veterans, like Jack Sheldon on
trombone, Shelly Manne on percussion, Greg Cohen on
bass, Teddy Edwards on tenor saxophone, and more.
Though the film One From The Heart was a box office flop,
the Waits & Gayle-featured soundtrack was embraced by
critics, many of whom pointed to it as the best thing
associated with the film. Recorded just before Waits
abandoned jazz-blues for the junkyard clamor of his 1983
album Swordfishtrombones, Waits' ragged baritone is mixed
with Gayle's silky croon to perfect effect, and makes One
From The Heart's soundtrack a must-own for any fan of film
soundtracks, cinematic jazz, and certainly of Waits & Gayle

Go to Item

Genesis

Invisible Touch

Release: 1986 / DE – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1983 | DE | Reissue (Atlantic)

Genesis

Release: 1983 / DE – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1982 | DE | Reissue (Atlantic)

Crosby, Stills & Nash

Daylight Again

Release: 1982 / DE – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Eliminator Colored Vinyl Edition

ZZ Top

LP | 1983 | DE | Reissue (Rhino)

LP | 1970 | US | Reissue (Rhino / Warner)

Release: 1983 / DE – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Eliminator is the eighth studio album by ZZ Top. It was released on March 23, 1983. Recorded in Tennessee during 1982, the album was produced by the band's manager Bill Ham and peaked at the top of the charts in many countries. "Gimme All Your Lovin'", "Got Me Under Pressure", "Sharp Dressed Man", "TV Dinners" and "Legs" were released as singles. A Diamond certified album, Eliminator is ZZ Top's most successful release with sales of over 10 million copies in the United States. The band wanted to expand on the synthesizer sound of their 1981 record El Loco. Influenced by new wave, Eliminator′s tracks were recorded with a combination of the synthesizer, drum machine and sequencer. Often considered ZZ Top's most popular release, the record was ranked at #398 in Rolling Stone magazine's 500 Greatest Albums of All Time and was listed at #39 in The 100 Greatest Albums of the 80s.

Go to Item

Black Sabbath

Black Sabbath Opaque

Release: 1970 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1973 | US | Reissue (Rhino / Warner)

Black Sabbath

Sabbath Bloody Sabbath

LP | 1978 | EU | Reissue (Radiation Reissues)

Release: 1973 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Sabbath Bloody Sabbath is the fifth studio album by English heavy metal band Black Sabbath, originally released in December 1973. It was produced by the band and Tom Allom and recorded at Morgan Studios in London in September 1973.
For the first time in their career, the band began to receive favourable reviews in the mainstream press, with Rolling Stone calling the album ''an extraordinarily gripping affair,'' and ''nothing less than a complete success.'' Later reviewers such as AllMusic's Eduardo Rivadavia cite the album as ''a masterpiece, essential to any heavy metal collection,'' while also displaying ''a newfound sense of finesse and maturity''. The album marked the band's fifth consecutive platinum selling album in the United States.

Go to Item

the Image Has Cracked

The Image Has Cracked