Rock & Indie 335 Items

The definitive vinyl reissue of V3Nancy’s third album - Contains the hits “Summer Wine” and “Friday’s Child” - Features audio freshly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin - Includes four bonus tracks: The complete 1969 Mickie Most sessions with the previously unreleased “Colors Are Changing” - Vinyl pressed at RTI on black, "Summer Wine" red, & "Little Bird Blue w/ Peach" splatter wax - Beautifully packaged and expanded gatefold LP with 20 page booklet features Q&A with Nancy & GRAMMY®-nominated co-producer Hunter Lea Plus never-before-seen photos from Nancy Sinatra’s personal archive “Strawberries, cherries, and an angel’s kiss in spring…” were the immortal words sung by a twenty-five-year-old Nancy Sinatra on a frigid spring day in a London recording studio during the sessions for her third LP in four months! The 1966 album was cut in three days at Pye Studios where The Kinks, Petula Clark, and David Bowie recorded their songs in the mid-1960s. By going directly to the source and choosing songs like “On Broadway,” “Wishin’ and Hopin’,” and “This Little Bird,” the album has an unequivocally British feel. The LP includes the timeless Nancy & Lee Hazlewood duet “Summer Wine.”

Five Live Yardbirds – 1964, their first live album contains some of Eric Clapton's earliest recordings. It was recorded at the legendary Marquee club in London. This lineup features Eric Clapton/lead guitar, Keith Relf/ lead vocals & harmonica, Chris Dreja/ rhythm guitar, Paul Samwell-Smith/bass and Jim McCarty/drums. This deluxe package includes color vinyl, an OBI side spine and printed inner sleeve.

Vinyl with a couple of scuffs and hairlines. Cover with creasing

Japanese pressing. OBI is missing. close to NM. 1982 reissue.

Why you'll love it...
“Released on June 20, 1966, Blonde on Blonde is the third entry in Bob Dylan’s so-called ‘rock trilogy’ of the mid-1960s. Following half an electric album (Bringing It All Back Home) and a romping raw rocker (Highway 61 Revisited), Dylan renewed the sound he was seeking with number three. But words can’t fully describe the music on this double LP. It’s simultaneously wiry and mercurial, skirting the border of out-of-control – too fresh to pin down with record store bin titles.”

Vinyl with many scuffs and hairlines

Vinyl is close to NM. 1980 reissue.

Clear vinyl!

Numbered 1973 reissue: A151010. Japanese pressing without OBI. No pin-ups, with folded poster. Vinyl has a bit of foxing on the matrx runout and the cover has yellowing. Overall copy close to VG+.

Vinyl with a couple of marks and scuffs. Cover with yellowing

Sleeve has wear and scuffs.
LP has surface marks.

Record has some hairlines and a few superficial scratches.
Sticker on label.

Vinyl with scuffs and hairlines. Cover with long open seam split on bottom spine and punch hole.

Vinyl with a couple of light scuffs. Cover with punch hole

Japanese pressing. OBI is missing. close to NM. 1978 reissue.

Original UK Mono pressing.
Writing on label.
Small light scuff on side 2.
Record is close to VG+.
Yellowed cover with faint ring wear on the back.

Taped spines. Japanese pressing. OBI is missing. Vinyl is close to NM.

Original UK mono pressing.

US first pressing. Strong VG copy!

1972 reissue.

Sticker residue on front cover. Mono, gatefold.

Record with clean labels plays with faint surface noise which is especially audible in the run-ins but far from overpowering the music.

Vinyl with a few scratches! Close to VG+!

1972 reissue. Gatefold cover.