Rock & Indie 2228 Items

Release: 1973 / EU

Genre: Rock & Indie

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Living In Darkness Black Vinyl Edition

Agent Orange

LP | 1981 | EU (Radiation Reissues)

LP | 1987 | EU | Reissue (V2)

Release: 1981 / EU

Genre: Rock & Indie

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Adventurous southern California punk trio Agent Orange was the first band to mix surf rock with punk. The group was formed in1l979 in Placentia, a small town close to Fullerton and Anaheim, by frontman Mike Palm on guitar and lead vocals, Steve Soto on bass and Scott Miller on drums. That early line up recorded the classic version of "Bloodstains" in 1979 as a demo produced by Daniel R. van Patten (of the group Berlin). A year later it was included on the seminal Rodney On The Roq compilation album released by Posh Boy Records. Meanwhile James Levesque had replaced Steve Soto (Adolescents) and the new line up released their own self produced and self released 7" ep in 1980. A year later, the group signed with Robbie Fields' Posh Boy Records for their debut LP Living In Darkness, co-produced by Fields and former Simpletones guitarist Jay Lansford. The album was recorded at Brian Elliott’s store front studio in North Hollywood (a few years before Elliott struck gold writing Madonna’s “Papa Don’t Preach”). A milestone in California Punk Rock history. Limited to 800 handnumbered copies RSD 2020 edition, on Purple Vinyl with 5 bonus tracks, with double sided lyric insert!

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Bruut! & Anton Goudsmit

Go Surfing

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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Alejandro Medina Y La Pesada

LP | 1974 | EU | Reissue (Svart)

LP | 1970 | EU | Reissue (Wah Wah)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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A Svart Mondo release. Black vinyl, 500 copies.
Alejandro Medina Y La Pesada was recorded in 1974 and is the only solo vinyl album released by Alejandro Medina. Born on 1 November 1949 in Buenos Aires, Medina had been in big bands since he was a young teenager, joining Le Pasada del Pock and Roll who included some of Argentina’s finest musicians, such as Billy Bond (who handles the production on this album), Jorge Pinchevsky (who plays Violin on this record) and Pappo, among others. Medina recorded four albums with Le Pasada del Pock and Roll who also played at the third Buenos Aires Rock Festival in November 1972, which was recorded in the movie ‘Rock until the sun goes down’. On this, his solo album, he mixes delta style blues, progressive rock and bluesy style experimental ballads that feature sublime guitar work. Eclectic hard-rock guitar journeys with lush violins and powerful vocals. A deep collectors bounty, Alejandro Medina Y La Pesada is a rare Argentinian heavy rock milestone. La Pesada (which means “The Heavy” in English) gives us a good idea of what to expect with this exceptional heavy jewel.

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Wynder K. Frog

Into The Fire

Ptooff! Clear Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

INTO THE FIRE
The third Wynder K Frog album was released only in the USA in 1970, once Weaver had already abandoned the project and started his session musician career. Out Of The Frying Pan was doing well in the States, copies still selling steadily since it had appeared, and United Artists thought it'd be a good idea to release it under the Into The Fire title in order to present it as kind of a sequel to Frying Pan. The material, mostly written by Weaver and his side men for the sessions, takes the sound one step further adding heavier sounds and funkier rhythms, not far from what was being done in USA studios like Muscle Shoals at that time.

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Deviants

LP | 1986 | EU | Reissue (Tiger Bay)

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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LP | 1975 | EU | Reissue (Wah Wah)

Long Orme

LP | 1970 | EU | Reissue (Wah Wah)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Ultra rare, sought after French acid folk psychedelic masterpiece, Long Orme is the work of singer-guitarist-songwriter Yves Fajnberg, his girlfriend singer Anne Marie Butel plus a full cohort of musician friends. The LP was laid down to a 2 track Revox Reel To Reel recorder between late 1974 and early 1975 and originally released in 1975 by Sonart Disques to such a limited run that an original copy sells nowadays for no less than 400 euros.

Together with Yves Chauvet, Fajnberg had worked on Dominique Droin’s Wave On LP issued by Le Kiosque d’Orphée, all done on a small home studio set by Chauvet. They used the same facilities, mainly two 2-track Revox reel-to-reel magnetophones and an 8-track mixer, to produce a delightful peace of poetry and acoustic guitar acid folk sounds which will appeal to fans of artists such as Season, Jeff, Beautiful Losers, Yves, Serge & Victor, Manu Lannhuel, Denis, Jean Yves Tourbin, a.o.

Never reissued before, the Wah Wah edition features original sleeve artwork plus an insert with liner notes & interviews by Quentin Orléan. Limited edition, 500 copies only.

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Siloah

Ya No Quedan Mas Cojones, Eskorbuto A Las Ele

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Coming out of the boiling Munich scene of the sixties that also gave us the original Amon Düül (Thom Argauer had played in a dixieland band with Chris Karrer in the late 60s, actually), Siloah are one of the best kept secrets of the krautrock production. Siloah had a hard core including Thom Argauer, Manuela von Perfall, Heinrich 'Tiny' Stricker and Wolfgang Görner, plus a host of guests coming and going, everybody was free to join and play at any time, guest members often joining from the Baumstassen commune around which the band was living before they eventually moved to an abandoned farm on the outskirts of town.

Their first LP is a trippy acid psychmasterpiece recorded in 1970 and privately issued on German Blues and Undergrund. It showed a strong influence from US West Coast psychedelic music and has a lovely acoustic approach. It's sound is free, full of improvisation and with a charming amateurish feel all through it. It will appeal to lovers of free spirits like Amon Düül themselves, Kalacakra or even Música Dispersa.

The Wah Wah reissue is made in cooperation with Thom Argauer family, it has been cut from the original master tapes, has original artwork (improved by printing it over a mirror finish silver cardboard), has two bonus track not on the original LP added, features an insert with photos and liner notes and comes in a strictly limited edition of 500 copies only.

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Eskorbuto

LP | 1986 | EU | Reissue (Munster)

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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LP | 1973 | EU | Reissue (Wah Wah)

Ralf Nowy

Lucifer's Dream

LP | 1978 | EU (Radiation Reissues)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Born in 1940 in Berlin, Ralf Nowy's musical interest was first exposed to an audience during his school years, when he formed his first rock'n'roll band in the late fifties. After graduation from the Konservatorium, he joined the German jazz scene and also worked for the Saaerland radio station. His recording career began recording exploitation albums designed for dance parties, following the path opened in Germany by artists like Paul Nero (a.k.a. Klaus Doldinger). But with the rise of the krautrock scene he became interested in new, more experimental sounds and joined forces with Paul Vincent (who had played in Klaus Doldinger's Motherhood, from which he would go on to form Hallellujah) and Keith Forsey (also from Hallellujah) - the three, under the name The Ralf Nowy Group, became on of the hottest acts of the Munich scene.

Lucifer's Deram was issued on Global in 1973 and offered an interesting mixture of instrumental sounds which moved freely from psychedelic pop to jazz, progressive rock, and ethnic touches... even some funky guitar is present! In addition to Ralf Nowy (flutes, alto saxophone, oboe), Paul Vincent (guitars) and Keith Forsey (drums) the recording sessions counted on the faboulous work of Al Gromer (Amon Düül, Popol Vuh, etc.) and Liz van Nienhoff on sitar, Gary Unwin and Lothar Meid on bass, Sylvester Levay and Don Anderson on pianos, Andy Marx on guitar, Bernie Prock on percussion and Sankha Chatterjee on tablas.

Ralf Nowy has also contributed on works by Drosselbart, Improved Sound Limited, Tender Aggression, a.o.

First time reissued on vinyl, comes in remastered sound, housed in a fantastic glossy laminated gatefold sleeve reproducing the original artwork, insert with liner notes and the attractive of being an exclusive 500 copies only edition!

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U.K. Black Vinyl Edition

A Holocaust In Your Head Black Vinyl Edition

Release: 1978 / EU

Genre: Rock & Indie

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Formed in Lewisham, southeast London, punk band the Business joined the Oi! scene after supporting the Four Skins in 198l. Debut single ‘Harry May’ hit the Indie charts before the group disintegrated, leading frontman Micky Fitz to recruit new members. Then, in 1987, original guitarist Nick Kent joined Fitz for heavy metal side project UK, with former Tank drummer Mark Brabbs, channelling their love of Ac/dc, Motorhead and Rose Tattoo. As Kent goes all-out with the hard rock solos and Fitz aims for the melodic, this is a great slice of the new wave of British heavy metal, and a startling surprise for all Business fans!

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Extreme Noise Terror

LP | 1989 | EU (Radiation Reissues)

A Holocaust In Your Head - The Original Holocaust Black Vinyl Edition

Release: 1989 / EU

Genre: Rock & Indie

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Away from the grandeur, and although their line-up history is full of potholes - the key to unlock this classic release by Extreme Noise Terror, Holocaust in Your Head is the double-edged vocal prongs from ENT founders Phil Vane and Dean Jones and the black-avalanche guitars of Steve Hurley (not forgetting the drum stool occupied by Mick Harris, soon to be of Scorn during the recording of this album, and Doom’s Tony "Stick" Dickens). Statement is as good as any opening gambit for a band - a trail of sludge setting fire to itself consuming the raw, political ashtray mantras spewed into its thick, corrosive grip. Another Nail in the Coffin suitably devastating the senses as a wrecking ball swings from its chain into the side of a condemned building, brick by brick. Eaten. Buried.

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Extreme Noise Terror

LP | 1989 | EU (Radiation Reissues)

Tu, Forse Non Essenzialmente Tu / I Tuoi Occhi Sono Pieni Di Sale 50th Anniversary Edition

Release: 1989 / EU

Genre: Rock & Indie

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How many bands can say they had multiple debut albums? For crustcore sound terrorists Extreme Noise Terror, Holocaust In Your Head - The Original Holocaust, first recording version, continues to excuse itself in being reissued for what must be the last time before the last time. It’s no wonder why. We The Helpless is every bit as hopeless as it sounds - a blitzkrieg of wails and nightmarish sonics that tighten themselves around the temples until the eyes turn white. Statement will always stand on its own two feet as a perfect set opener and Innocence to Ignorance’s unhinged atmospheric armageddon as well as Use Your Mind’s sample-sprung assault on the senses are possible indications of where the band could’ve wound up had their line-up not been walking such a shaky tightrope. Rough as hell? Sure. But if you want to know what it feels like to have the signal input of your skull reflect a separation in the grounding circuit of the flesh from the neck down, then carry on screaming.

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Rino Gaetano

7" | 1974 | EU | Reissue (RCA)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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LP | 1982 | EU (Radiation Reissues)

Lydia Lunch

13.13 Red Vinyl Edtion

The Image Has Cracked Red Vinyl Edtion

Release: 1982 / EU

Genre: Rock & Indie

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Recorded in Los Angeles in 1982, 13.13 exists as document to the pandemonium of specters and potential serial killers who twisted the California Dream into a waking nightmare as they snaked through the boulevards, back yards and basements of a sun stroked paradise turning into a blood soaked inferno of fear, paranoia, panic and lust killings. Lush musical textures provided by members of seminal art punks The Weirdos - Dix Denney, Cliff Martinez and Greg Williams create a hypnotic backdrop to Lunch’s evocative vocals and terrifying lyrics

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Alternative TV

LP | 1978 | EU (Radiation Reissues)

Release: 1978 / EU

Genre: Rock & Indie

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Formed in London in 1977 by Mark Perry and Alex Fergusson, then editors of the punk fanzine Sniffin' Glue, Alternative TV was a post-punk group known for incorporating reggae rhythms and pushing the boundaries of the definition of punk toward the experimental and avant-garde. Their first album, The Image Has Cracked, came out originally in 1978 and is a wholly unique piece of British post-punk. Beloved by John Peel, and close confidantes of Throbbing Gristle, Alternative TV is one of the most original and beguiling groups of the era.

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LP | 1986 | EU (Dr. Strange)

Mission Accomplished...But The Beat Goes On

Release: 1986 / EU

Genre: Rock & Indie

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Originally released on Fountain Of Youth Records in 1986. You can thank the Doc for bringing it back to life! A more mature sounding G.I. on this one that still pleases the diehard fan as well as those leaning toward Fugazi or later Dischord label releases. “Excellent production and melodic punk tunes are the hallmark here, and while you can still pick out that DC sound, they’ve broadened to reach back to punk roots, as well as even earlier, all without losing that oomph or character of their presentation.” – Tim Yohannan, MAXIMUM ROCKANDROLL

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The Rezillos

LP | 1979 | EU (Drastic Plastic)

Release: 1979 / EU

Genre: Rock & Indie

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12" | 1984 | EU | Reissue (Matador/Beggars Group)

Butthole Surfers

Pcppep EP

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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City Baby Attacked By Rats Orange Vinyl Edtion

G.B.H.

LP | 1982 | EU (Radiation Reissues)

CD | 1974 | EU | Reissue (Repertoire)

Release: 1982 / EU

Genre: Rock & Indie

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Street punk pioneers Charged G.B.H. formed in Birmingham in 1978, the name referencing original bassist Sean McCarthy’s trial for grievous bodily harm. The in-your-face hardcore of EP “Leather, Bristles, Studs And Acne,” paved the way for super-charged debut LP, City Baby Attacked By Rats, which hit the number two position on the British indie charts on release in 1982, as well as the mainstream top 20, despite being released by tiny independent, Clay Records. With a touch of Motorhead and Sabbath beneath their straight-up hardcore, City Baby is where the legend begins, capturing G.B.H. at their bloodiest.

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Judas Priest

Rocka Rolla

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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LP | 1987 | EU | Reissue (Audioplatter)

You Clear Vinyl Edition

Suburban Rebels Yellow Vinyl Edtion

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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A welcome re-issue of Government Issue's sixth studio album 'You'. Originally released in 1987 on Giant Records and hot off the heels of the previous year's self-titled album, 'You' was a turning point that saw the band moving in a more mature, melodic direction. Now, some 35 years later, 'You' is considered one of the scene's best albums - a game-changer that paved the way for a style that many bands would copy in subsequent years.

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Red Alert

LP | 1983 | EU (Radiation Reissues)

LP | 1980 | EU (Radiation Reissues)

Release: 1983 / EU

Genre: Rock & Indie

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Released 20 years ago yet still retaining much of its Oi! impact intact, the debut album and last before a split that would last a number of years by No Future luminaries, Sunderland’s Red Alert is a lesser-known classic in punk history. The locomotive chug and chant of unification in We’ve Got The Power, the metallic burn of Crisis, the acoustic-driven, kitchen-sink bristle of Industrial Slide or the caustic, hypnotic stomp of Rebels in Society exploding with fierce, powder keg intensity. With that in mind, and now pressed on color vinyl, as a prescient feature of not just English culture, but a culture that cuts deep, that stretches far, the art of brutality still lingers loud and clear.

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The Yobs

Christmas Album

LP | 1980 | EU (Radiation Reissues)

Release: 1980 / EU

Genre: Rock & Indie

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Power-pop punks the Boys signed to Nems in 1976, which led to a following in Europe, but disagreements with Nems spawned alter-ego the Yobs, who specialised in tasteless adaptations. The 1980 release The Yobs Christmas Album finds the Yobs at their most puerile and profane, a collection of deliciously vile Xmas-themed singalongs, offering rude alternate renditions of holiday favourites such as ‘Twelve Days Of Christmas’ and a druggy take of ‘Auld Lang Syne,’ alongside equally shocking originals such as ‘Ballad Of The Warrington.’ Make sure the kids & granny are out of earshot – this is the Yobs at their sickest!

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Lydia Lunch

Queen Of Siam

Not Christmas Album Colored Vinyl Edition

Release: 1980 / EU

Genre: Rock & Indie

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After the demise of Teenage Jesus and the Jerks, Lydia Lunch launched her solo career with Queen Of Siam, arguably her greatest LP. In true No Wave style, the album is a mishmash of irritants, but her palette is far broader here, lurching from slow dirges, excessive feminist exhortations, and raucous personal purges to a touch of disco and lounge music exoticism, as conjured by Voidoids/Lou Reed guitarist Robert Quine, Contortions bassist Jack Ruby, and John Cale’s drummer, Douglas Browne. Spirited, surprisingly broad and defiantly dissonant, Queen Of Siam’s dense layers were designed to provoke and inflame; listen closely to fully decode.

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Frantic Flinstones

LP | 1989 | EU (Radiation Reissues)

LP | 1970 | EU (Endless Happiness)

Release: 1989 / EU

Genre: Rock & Indie

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Arising in the mid-1980s during the second wave of British psychobilly, the Frantic Flintstones was formed in Didcot, outside Oxford, by singer Chuck Harvey and former Meteors drummer Toby Griffin, who soon left. Following a debut EP on Raucous and the chart-topping A Nightmare On Nervous, with drummer Andy Celbo, the group signed to Links just as guitarist Pug Pete joined the fold. Not Christmas, their fourth for Links, is one of their most popular LPs, and rightly so, with ‘Frantic’ mutating Prince Buster’s ‘Madness’ and ‘Blue Christmas’ one of several Xmas-themed numbers. British psychobilly at its best!

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Nico

Desertshore

LP | 1982 | UK | Reissue (Ace)

Release: 1970 / EU

Genre: Rock & Indie

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Desertshore is Nico's third solo album, recorded and released in 1970. It was co-produced by John Cale and Joe Boyd. Like its predecessor The Marble Index, it is an avant-garde album with chamber music elements. The back and front covers feature stills from the film La cicatrice interieure by Philippe Garrel, which starred Nico, Garrel and her son Ari Boulogne. A few of the songs from the album were included on the soundtrack of the film.

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Screaming Lord Sutch

Rock And Horror

Release: 1982 / UK – Reissue

Genre: Rock & Indie

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LP | 1978 | UK | Reissue (Ace)

Link Wray

Early Recordings

Release: 1978 / UK – Reissue

Genre: Rock & Indie

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Live Kicks Orange Vinyl Edition

UK Subs

LP | 1980 | EU | Reissue (Audioplatter)

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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The first ever U.K. Subs live album, recorded at the seminal Roxy Club back in 1977, reissued on Stunning Orange Vinyl and with the track list and between song banter all restored to its original glory. Added as a bonus is the 4 track demo the band recorded in 1977 in a search for a record deal. A must for all Subs completists!

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LP | 1988 | EU | Reissue (Audio Platter)

Crash Red Vinyl Editoin

Jiri Schelinger & Skupina Frantiska R. Cecha

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Colored Vinyl re-issue of the DC Hardcore band's seventh and last studio album 'Crash'. Originally released in 1988 on Giant Records, 'Crash' continued Government Issue's evolution into greater musical variety.

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...Nam Se Libi...

LP | 1978 | EU | Reissue (Supraphon)

21,24 €* 24,99 € -15%

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Powiedz Stary Gdzies Ty Byl

Krzysztof Klenczon

LP | 1978 | EU | Reissue (Warner)

21,59 €* 26,99 € -20%

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Crash I Grazyna Lobaszewska

Senna Opowiesc Jana B.

LP | 1979 | EU | Reissue (Warner)

21,59 €* 26,99 € -20%

Release: 1979 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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LP | 1989 | TR | Reissue (Mega Müzik)

Erkin Koray

Fesuphanallah

21,84 €* 22,99 € -5%

LP | 1980 | EU | Reissue (Universal)

Release: 1989 / TR – Reissue

Genre: Rock & Indie

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This is the compilation of singles during the first half of 1970s. Erkin Koray is one of the greatest musician (singer, songwriter and electric guitar master) of Turkish Rock Scene in 1970s. The album has totally psychedelic, acid Rock sound. You will never remain unconcerned when you first hear the killer and groovy guitar sound of him.

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INXS

INXS (2011 Remaster)

21,84 €* 22,99 € -5%

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Slam Record Store Day 2024 White Vinyl Edition

Suburban Studs

LP | 1978 | EU (Radiation Reissues)

21,84 €* 22,99 € -5%

Youths Of Age Red Vinyl Edtion

Release: 1978 / EU

Genre: Rock & Indie

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Formed in Birmingham in 1976, English punk quartet Suburban Studs built their reputation through fearsome early live gigs, supporting the Pistols and the Clash at the 100 Club, and having the Clash return the favour at a gig the Studs headlined in their home town; they later supported Ac/dc and Judas Priest, among many others. Signing to the independent Pogo label in l977, debut album Slam had 16 brisk originals and a double-time take of the Who’s ‘My Generation’; this edition comes with four bonus tracks taken from their unfinished in-progress second album, which was never released. A must-have for all original punk fans.

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Pariah

LP | 1983 | EU (Radiation Reissues)

LP | 1975 | EU (Trading Places)

Release: 1983 / EU

Genre: Rock & Indie

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Formed in 1981 in suburban Martinez, east of San Francisco, second-wave punk act Pariah struggled to find acceptance until future Green Day engineer Kevin Army produced a demo, placing ‘Up To Us’ on the Rodney On The Roq Vol. 3 compilation. Their sought-after debut album for Posh Boy, Youths of Today, was the breakthrough that saw them backing the Ramones, UK Subs and Suicidal Tendencies, the hit ‘White Line’ an anti-cocaine anthem; this edition includes the great ‘Learning Process’ from esteemed compilation Not So Quiet On The Western Front.

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John L. Watson

Let's Straighten It Out

LP | 1970 | EU (Trading Places)

Release: 1975 / EU

Genre: Organic Grooves, Rock & Indie

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Following his tenure fronting British psychedelic rock act The Web, who cut a couple of likeable albums featuring his bluesy, soulful lead, US-born vocalist Mississippi John L. Watson went solo, working with Pete Wingfield on his 1970 debut, White Hot Blue Black. Superior sophomore set Let’s Straighten It Out was released on Bob Kingston’s Spark label in 1975 and credited to John L. Watson and White Mouse, with Watson headed in a funk direction; along with the potent title track, there’s a fine cut of Gwen McCrae’s ‘Rockin’ Chair,’ making the set a sure-fire winner for Watson fans and lovers of British funk and soul.

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Black Velvet

This Is Black Velvet

It's Time To See Who's Who Orange Vinyl Edtion

Release: 1970 / EU

Genre: Rock & Indie

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Initially formed in southeast London in the mid-1960s as the Coloured Raisins, obscure black rock quartet Black Velvet infused their sound with soul and reggae undercurrents, a testament to the Caribbean origins of the group members, and the pervasive styles inspiring the black communities that inhabited London’s marginal outskirts. Produced by Don Lawson for the Beacon label, which was launched by the Antiguan businessman and future politician Milton Samuel, Black Velvet’s powerful debut is a snapshot in time of London’s black underground that will appeal to anyone interested in the black British music scene of the early 1970s.

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Conflict

LP | 1983 | EU (Radiation Reissues)

Creedence Clearwater Revival

Release: 1983 / EU

Genre: Rock & Indie

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Released in 1983 on London's Legendary Mortarhate label, Conflict's debut broke all rules in punk rock, setting new standards and storming independent charts, reaching and retaining position number 1 for several weeks. Formed in 1981 and led by vocalist Colin Jerwood, who would remain one of the group's few constants throughout its 30 years of existence, and fueled by hatred for the media, the military and the general status quo of late century Thatcher's England, Conflict has been a stainless model for three generation of peace punkers, activists and anarchists from all over the world.

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Pendulum

LP | 1970 | EU | Reissue (Fantasy)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Intermusic)

Johnny Cash

Sings I Walk The Line

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Out Of The Mist Black Vinyl Editoin

Illusion

LP | 1977 | UK | Reissue (Demon)

Release: 1977 / UK – Reissue

Genre: Rock & Indie

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The Musikladen Concert 1981 Colored Vinyl Edition

The Tubes

2LP | 1981 | EU | Reissue (Sireena)

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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Boycott Stabb Complete Session Pink Vinyl Edition

LP | 1983 | US | Reissue (Dischord)

Release: 1983 / US – Reissue

Genre: Rock & Indie

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Abstract Reality Clear/Silver/Green Splatter Vinyl Edition

Nasty Savage

LP | 1988 | UK | Reissue (Alone)

LP | 1988 | UK | Reissue (Neon)

Release: 1988 / UK – Reissue

Genre: Rock & Indie

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Third release from this Florida band of mayhem metal mongrels led by the maniac Nasty Ronnie. This is a one-sided 4-song Ep, with "Unchained Angel", which first appeared on their classic demo

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Television

Double Exposure

Release: 1988 / UK – Reissue

Genre: Rock & Indie

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Fury In The Slaughterhouse

LP | 1988 | EU | Reissue (..In Myself)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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LP | 1988 | EU (Trading Places)

Kingdom Come

LP | 1984 | EU | Reissue (Metal Blade)

Release: 1988 / EU

Genre: Rock & Indie

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God of Hellfire’ Arthur Brown made an indelible impact in The Crazy World Of Arthur Brown, performing outlandish theatrics with a burning helmet and being deported from Italy after a naked appearance at the Palermo Pop Festival in 1970. When his bandmates quit to form Atomic Rooster, Brown formed Kingdom Come to cut three esoteric albums for Polydor, this self-titled sophomore set inspired by the element of water. It’s a deep dive into prog concept territory, with churning organ, pounding bass and drums, wah-wah excursions and Brown’s internal conversations drifting between the speakers. Fantastic stuff!

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Slayer

Haunting The Chapel

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Wayne County & The Electric Chairs

Things Your Mother Never Told You

LP | 1978 | EU | Reissue (Spittle)

Wayne County & The Electric Chairs

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Jayne/Wayne County's most audacious album is also possibly among the most important albums of its age. Released in 1979 just as the new wave was teetering on the brink of some kind of bold step forward, Things Your Mother Never Told You was one of the sudden shoves which sent it sprawling into its destiny. Electro-punk starts here. Producer David Cunningham takes only a portion of the credit; in years to come he would lead the Flying Lizards into the realm of heavily stylized electronica. But County's songs match his ambitions all the way, from the harsh, grating soundscapes behind "C3"'s muttered imprecations to the soft-spoken paranoia of "Waiting for the Marines," and onto "Berlin," the song that put into words everything David Bowie (among others) tried to convey about that city via image and insinuation. It's not all electro-art smarts, of course. "Boy With the Stolen Face" and the pouting, punishing "Wonder Woman" are archetypal Electric Chairs - a reminder of how, at the band's very best, they could run the Rolling Stones close in the swaggering rock & roller stakes - and the murder mystery "Wall City Girl" could have fallen off a forgotten volume of Nuggets or Pebbles. The title track, meanwhile, doesn't simply seethe with all the promise -- sexual, social, and societal -- which made County the superstar (s)he so very nearly was, it also lets listeners know why no one has ever truly snatched that crown away. (All Music)

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Storm The Gates Of Heaven

LP | 1978 | EU | Reissue (Spittle)

Let It Be 50th Anniversary Edition

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Prior to his release this record was simply ‘labeled’ as Punk-Rock but this one comes from the New York Dolls side of Glam Punk. Storm the Gates of Heaven reveals unusual aspects of County's work: serious, reflective and profound. The monologue introducing the title track is the only part that may be considered offensive. The sound is a blend of bass, lead & rhythm guitar, drums & percussion by the versatile Electric Chairs. Embellished by Hammond organ, the title track rages against and laments the suffering caused by religious wars. Cry Of Angels is an eloquent, even anthemic defense of Enlightenment values on which the guitar textures and the hook around the chorus superbly complement one another. An artful blend of County's characteristic outrage and the pure pop genius that lay behind the garish accoutrements, Storm the Gates of Heaven jams its eight tracks between two undisguised classics, the anthemic title track and a so-optimistic reading of "Tomorrow Is Another Day, not to mention a stunning cover-version of the Electric Prune´s "I had too much to dream last Night"

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The Beatles

CD | 1970 | UK | Reissue (Apple)

LP | 1973 | EU | Reissue (Sommor)

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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Following on from the global success of ‘Abbey Road’, Apple Corps and USM are proud to present the next multi-format Beatles album reissue of ‘Let It Be’.

January 1969 – The Beatles planned to return to live performance, setting up in Twickenham Film Studios, London, for 21 days of rehearsals. They then decamped to their new studio in their Apple office building in Saville Row and on January 30th performed their last ever live group performance on the rooftop. All of this was filmed for a proposed documentary (eventually released in 1970). During the rehearsal process, they asked Glyn Johns, who had been hired to help with the live sound, to attempt a mix to create an album. This was never released, becoming known as one of the great ‘lost’ albums in rock history and is now included in this Super Deluxe Set. The album was delayed further and in fact became their 12th and final official album release on 8th May 1970 following additional production by American producer Phil Spector.

The Beatles iconic final studio album being released to coincide with the worldwide release of Peter Jackson’s 3 part documentary ‘The Beatles: Get Back’
New stereo mix of the original album by Giles Martin

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Barrabas

Power

2LP | 1986 | EU | Reissue (Golden Core)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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“Power” was the second Barrabás album, originally released in 1973. As well as their first album, this is another great example of funk-rock, but this time with glam, hard & psych touches, including some of their most celebrated songs: “Casanova”, “The Horse”, “Children”... After reaching international success with their first album, the line-up of Barrabas experienced some major changes: Fernando Arbex, more and more involved as songwriter and producer for other artists, leaves the drum kit, being replaced by drummer José María Moll (from Juan & Junior’s backing band). From now on, Fernando will focus on songwriting & production duties for Barrabas. Also, due to an accident, bass player / lead singer Iñaki Egaña is forced to leave the band. A new powerful singer is found: José Luis Tejada (from Los No, a legendary beat band from Barcelona). And finally original guitar player Miguel Morales switched to bass. For the album recording, Arbex decided to use the same studio where they recorded the first Barrabas album: RCA in Madrid. J. Cobos was again the sound engineer and Fernando was the producer and main songwriter. “Power” was the result, released in 1973 housed in a glam-tastic gatefold sleeve. Highlights are “Mr. Money” (pure funk-rock which entered the US charts); the atmospheric “The Horse”, the psych-funk of “Time To Love” or the catchy “Children”, which was a big hit in South America, especially in Venezuela.

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Griffin

Protectors Of The Lair

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Beverly Copeland Clear Vinyl Edition

Beverly Copeland

LP | 1970 | US | Reissue (Return To Analog)

Release: 1970 / US – Reissue

Genre: Rock & Indie

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Thank You And Goodbye Black Vinyl Edition

National Flag

LP | 1977 | EU | Reissue (Sommor)

Turn Back Trilobite Clear/Red Splatter Vinyl Edition

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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“Defined by their good time guitar licks and blazing rhythms, this delight from the UK seemed poised to hit the big time, yet never did. They’re a riveting combination of Grand Funk meets Lynyrd Skynyrd, combined with the sensibilities and smart lyrics of The Doobie Brothers, along with the swagger of Neil Young & Crazy Horse…” – Jenell Kessler National Flag formed in Kingston in 1973 and they were a big noise for brief period around London in 1975/76. They quickly developed a strong following especially at the Marquee club where they were resident band in summer 1975. Such was their live reputation they were invited to Tokyo and toured Japan in summer 1975 appearing on TV & Radio, headlining the infant Fuji Rock Festival & opening the World Rock Festival in Kyoto with the New York Dolls & Jeff Beck. “Thank You & Goodnight” was recorded between 1974/76 at EMI Manchester Square, Decca Hampstead with Nick Tauber (Thin Lizzy) & Fulhams Milner Sound with a soon to be famous Julien Mendlesohn (Elton John, McCartney). Aprox. 100 copies were pressed as a homemade edition in 1977 and the album became a myth. Its reputation and rarity value has grown over the years and is now sought after by keen rock fans, Marquee fans and 70s record collectors AND its actually a real gem...Glorious. That same year, band members Danny Edwardson and Seamus Sell were also responsible for the KPM library album "Rock On", for which they used and recycled some riffs of National Flag songs. National Flag should have been huge, but somehow they escaped a record deal, the anecdotes are endless but times were changing, the punk wave swept in and the band broke up playing their last gig in June 1977. Here’s the first ever vinyl reissue of their only album.

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Sacrilege

2LP+12" | 1989 | EU | Reissue (Back On Black)

Heaven Is Waiting 2021 Remastered Edition

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Legends of UK punk/metal Sacrileges third album Turn Back Trilobite including 12" with Demo and live sessions re-issued!

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Danse Society

LP | 1984 | EU | Reissue (Spittle)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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LP | 1979 | EU | Reissue (Spittle)

Alternative TV

Vibing Up The Senile Man

One Afternoon In A Hot Air Baloon

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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Possibly one of the weirdest experiment in the post-punk realm, Vibing Up the Senile Man (Part One) is the second studio album by English anti-heroes Alternative TV, released in March 1979 on small indie label Deptford Fun City. Forget about the influential 1978 debut - The Image Has Cracked – frontman Mark Perry is literally leaving the planet in this effort. ‘There are free jazz influences; I'd got into the Art Ensemble of Chicago, Sun Ra ..) I'd moved into this house with an amazing music room – pianos, clarinets, you name it – and we'd always be picking up stuff from junk shops.’ The description set the pace for a unique performance, not only the afro-american heritage , traces of the Canterbury school are almost evident as the early experiment of the BBC Radiophonic workshop. Is it safe to consider Vibing up The Senile Man on the same time-line as Robert Wyatt ‘The End Of An Ear’ and Throbbing Gristle ’20 Jazz Funk Greats’ (Genesis P-Orridge is on board on two tracks, playing assorted percussion) ? Judge by yourself and don’t be scared.

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Artery

LP | 1983 | EU | Reissue (Spittle)

Surf Nicaragua 180g Black Vinyl Edition

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Brilliant second album from the wholly original cult Sheffield post punk band. Released in 1983 on Red Flame ‘One Afternoon In A Hot Air Balloon’ is an adventure on its own. Artery somehow replaced the somber post-punk of the debut with a stream of melancholic pop paeans influenced by british folk and certain ballroom dances, with a spectral keyboard sound worth killing for. The secret weapon - when compared to the rest of their discography - is largely explained by the presence of keyboard player and (by now) main composer Christopher Hendrick. The band was in fact reduced to a trio with former members Mark Gouldthorpe (guitar) and Garry Wilson (drums) now supported by the singular effort of Hendrick (also on bass and xylophone). At the same time Garry Wilson was playing in an early incarnation of Pulp. Despite the early Joy Division influence - which the band firmly dismissed – Artery is moving forward into the so-called new romantic era. A vaudeville scenario light years ahead from the streets and the aggro-culture, a way to some pleasant and revealing experience.

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Sacred Reich

LP | 1988 | EU | Reissue (Metal Blade)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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LP | 1974 | EU | Reissue (Svart)

Virtanen

Hal-00

Claire Lepage & Compagnie

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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Svart Mondo presents a limited edition of 500 copies on black vinyl. Highly influential debut album of raunchy and energetic psychedelic early garage punk by Finnish legend Virtanen, originally released on the infamous Love Records label in 1974 and now presented as a first ever vinyl reissue. With a reputation of having wild stage shows, Virtanen’s Hal-00 was touted as the first Finnish punk rock album not only for the raw music but also for the band’s scruffy, outsider image. If Virtanen’s music needs classification, it is a brand of early garage rock, with proto-punk influences, inspired by Bowie, The Who, T-Rex and The Kinks. Ahead of their time in sound and style, Virtanen’s showmanship was unseen for a rock group at the time in Finland, and Hal-00 is nothing short of a timeless classic. Revitalised for a new era, with photo and lyric booklet with extensive liner notes.

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LP | 1970 | EU | Reissue (Return To Analog)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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On The Way To Eden White Vinyl Edition

Eden Rose

LP | 1970 | EU | Reissue (Guerssen)

Clear Memory Black Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Limited to 200 copies on white vinyl!

Proto-progressive, groovy instrumental psychedelia, recorded in France in 1969 by this pre-Sandrose band and released on the tiny Katema label. Swirling Hammond grooves by keyboard virtuoso Henri Garella, top guitar playing by Jean-Pierre Alacen and a tight, funky rhythm section create one of the best early prog/psych French albums ever. First reissued on Guerssen back in 2016 and out of print for many years, here's a repress in hard cardboard sleeve + OBI - resealable outer sleeve.

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Bomis Prendin

LP | 1984 | EU | Reissue (Mental Experience)

LP | 1981 | EU | Reissue (Universal)

Release: 1984 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Formed in 1978, Bomis Prendin is a collective of experimental “noisicians” from Washington DC, pioneers within the DIY, Industrial, cassette culture and experimental electronics scene. Using cassette recorders, mutated musical toys, electric guitars, bass, rewired circuitry, analog pedal effects & cheap keyboards, they recorded and released in the late 70s a couple of astounding flexi-discs (Test and Phantom Limb) which led to them being included on the infamous Nurse With Wound list. “Clear Memory” was originally released in 1984 only on cassette (50 copies) and it’s an incredible example of DIY mutant psychedelic pop and homemade electronic weirdness which sounds years ahead of its time. Here’s the first ever reissue.

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Kiss

Music From The Elder

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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LP | 1977 | CA | Reissue (Return To Analog)

Morse Code

Je Suis Le Temps

Release: 1977 / CA – Reissue

Genre: Rock & Indie

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LP | 1988 | EU | Reissue (Metal Blade)

Cannibal Corpse

The Wretched Spawn

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Turkish Delight Black Vinyl Edition

Matao With Atilla Engin

LP | 1979 | EU | Reissue (Arsivplak)

Kath Bloom & Loren Connors

Release: 1979 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Some hard-hitting rhythm section blending into a prime example of the swingin' sound of the cool influences of Jazz, Funk and Folk music, with a Turkish flavor.
It's fantastic funk jazz groove built on a titanium synth bassline!
An instrumental library of traditional Turkish Jazz session reaching a great climax in drums and percussion sets + electro-bass break with moog and synthesizers from the beginning to the end.
Traditional Turkish songs are based on drums and synth bass over moody 5/8 fuzz guitars...
Album recorded & released in Denmark, 1979, and it has never been released in Turkey.

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Sand In My Shoe Black Vinyl Edition

LP | 1983 | EU | Reissue (Chapter Music)

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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LP | 1984 | US | Reissue (Return To Analog)

Genetic Control

First Impressions

LP | 1975 | EU | Reissue (Sommor)

Release: 1984 / US – Reissue

Genre: Rock & Indie

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We are glad to announce the first official reissue of Genetic Control's 1984 first impressions EP.This 35th anniversary edition will be released as a full length vinyl with loads of never before released tracks from the Genetic Control vaults. Limited to 500 numbered copies.

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Second Sign

LP | 1973 | EU | Reissue (Sommor)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Mid-70s UK hard/progressive/psychedelic band in the vein of Narnia, Saturnalia or Fruupp with connections to doom outfit Warlord. Featuring female vocalist Irene Menasche. This is the first ever vinyl release of their 1975 studio recordings. Music ranges from ultra-raw hard-rock to folk-rock, culminating in the 9-minute epic psych-prog masterpiece “Golden Age”.

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Three-Headed Dog

Hound Of Hades

Revolucion Electronica En Musica Venezolana

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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A mysterious three-piece from Birmingham, Three-Headed Dog played underground hard-rock, clearly influenced by early Judas Priest and Wishbone Ash. Before disappearing in the mist of time, they left behind an ultra rare demo tape - recorded in 1973 - which included a couple of cover versions from Wild Turkey and Edgar Broughton Band along with self-penned material. This demo was handled to Norman Hood, manager of other Brum bands such as Necromandus and Flying Hat Band, who was involved in promoting Three-Headed Dog at the time.

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Chelique Sarabia

LP | 1973 | EU | Reissue (Pharaway Sounds)

LP | 1978 | US | Reissue (Return To Analog)

Release: 1973 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Ultimate space-age exotica trip from Venezuela.
In the early 70s, well-known composer and arranger Chelique Sarabia (who penned the famous “Ansiedad” when he was just a kid) decided to register an album of traditional & folkloric songs from Venezuela but giving them a modern touch, using especially developed equipment (M.R.A.A.), based off of the principles of the Moog.
Chelique, helped by a team of gifted musicians, employed traditional instruments like the cuatro and the bandola llanera, filtering them through oscillators, playing with feedback, tape delay, synthesized frequencies, echoing sounds… The result was “Revolución Electrónica en Música Venezolana”, an album with a truly exotic, psychedelic, and ahead of its time sound.
Originally, the album was sponsored by the Shell Company in Venezuela, given away to customers, employees and friends of the company as a Christmas gift in 1973. It was titled “4 Fases del Cuatro - Música Venezolana desarrollada Electrónicamente por Chelique Sarabia” (“4 Phases of Four – Venezuelan Music Electronically Developed by Chelique Sarabia”). Once the exclusivity period with the petrol company was over, Chelique did a commercial release, this time under the name of “Revolución Electrónica en Música Venezolana” (“Electronic Revolution in Venezuelan Music”). Thanks to this, Chelique and his team were considered electronic music pioneers in Latin America.
“In the past five decades, there have been many attempts at modernizing the vast folkloric tradition of Venezuela, but nobody has reached the level of depth that CHELIQUE SARABIA did when he put his impeccable reputation as a composer and arranger at risk with this out-of-the-blue revolutionary musical manifesto in 1971. 47 years later, an album that remains ahead of its time.” - Alex Figueira (Fumaça Preta)

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Eden

Release: 1978 / US – Reissue

Genre: Rock & Indie

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LP | 1984 | US | Reissue (Return To Analog)

D.D.T.

Let The Screw

Release: 1984 / US – Reissue

Genre: Rock & Indie

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LP | 1981 | US | Reissue (Return To Analog)

Gilles Rivard

En Couleurs

Release: 1981 / US – Reissue

Genre: Rock & Indie

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LP | 1989 | EU | Reissue (Nuclear Blast)

Meshuggah

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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I Don't Want To Die In Your War

Anti

LP | 1982 | EU | Reissue (Radiation Reissues)

Whistling Jigs To The Moon

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Part of the late '70s/early '80s HC/punk explosion out of the Los Angeles area, where bands like Black Flag, Circle Jerks, Minutemen, and Bad Religion originated from, ANTI formed in 1979 by a then teenage Danny Phillips, better known as Danny Dean, who was the bassist / guitarist and first original vocalist, primary songwriter, and sole continuous member throughout multiple lineup changes during the past 40 years. Their 1982 debut album,I Don't Want To Die In Your War, was recorded and mixed by legendary producer and sound engineer for Black Flag and Descendents, SPOT. It is a major example of California Hardcore from the early 80's. Despite having been completely underrated, ANTI's 1982 debut paved the way for a lot of California punk to come. Available again for the first time after almost four decades on its original format, with its original artwork and complete with insert thanks to Radiation Records.

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Flibbertigibbet

LP | 1974 | EU | Reissue (Sommor)

LP | 1978 | EU | Reissue (Vinyl Magic / AMS)

Release: 1974 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Originally released in South Africa in 1978, “Whistling Jigs To The Moon” is not only a very rare and sought-after album but also a wonderful collection of traditional and original folk tunes with a strong Celtic influence. Featuring Alison O’ Donnell and David Williams from psych-folk legends MELLOW CANDLE.
In 1974, following the break-up of Mellow Candle, Alison and David arrived to South Africa. Once there, they met a couple of fellow expat musicians, Barrie Glenn and Jo Dudding, forming Flibbertigibbet in a niche folk and traditional circle of immigrant and local musicians, building up a repertoire of tunes and songs both original and traditional. They appeared at evenings held in communal houses, at folk nights and the Boksburg Folk Club.
Producer David Marks offered to release their album and launch it in a series of concerts at the renowned Market Theatre. They enlisted the help of a number of fine musicians on the recording, namely classical first violinist Francesco Cignoli, jazz bassist Denis Lalouette, Nippy Cripwell on string bass, Colin Shapiro on flute and Dave Lambert on fiddle.
“Whistling Jigs To The Moon” saw the light in 1978.
First ever legit vinyl reissue, master tape sound and insert with lyrics, liner notes and photos

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Il Baricentro

Trusciant

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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LP | 1978 | EU | Reissue (Espacial Discos)

Hot Pepper

Spanish Movement

LP | 1989 | US | Reissue (Boner)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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First ever legit vinyl reissue of this obscure Cosmic Disco / Balearic / Afro gem from Mexico, originally released as a private pressing in 1978 and featuring famous drummer Jesús Muñoz “Tilico”, a giant musician who appeared on countless recordings and accompanied famous figures like Paul Mauriat and Carl Tjader among many others.
Four superb long tracks including the Cosmic underground club classic “Ritual Song”.
Hot Pepper was a studio project created by Mexican drummer / producer /arranger Jesús Muñoz “Tilico” who in the late 70s decided to record an album in a disco-funk vein, helped by some of his friends who were top session musicians. “Spanglish Movement” was the result, written and produced by “Tilico”, released in 1978 as a tiny private edition housed in a fabulous Afro cover. Being “Tilico” an enormous drummer, you can expect here lots of heavy drums, congas and percussion, surrounded by crazy space synths, male-female vocals, Latin horns, Afro touches and occasional fuzz guitar.

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Melvins

Ozma

LP | 1977 | EU | Reissue (Mental Experience)

Release: 1989 / US – Reissue

Genre: Rock & Indie

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Available again with updated artwork and a new gatefold sleeve!

Ozma was recorded soon after Melvins made the move from Washington to San Francisco, and was their first release to include the diminutive yet mighty Lorax (Lori Temple Black) on bass. In fact, the first sound one hears at the album’s opening is Lori standing on her tiptoes to switch on her amp, thereby warning the listener of the onslaught to come. Distorted, down-tuned doom riffs start, stop, lurch sideways with no warning, and seem to end before they start. Buzz Osborne adds extraneous guitar static and vocal squeals. Drummer Dale Crover plays as if he’s inside a barrel going over Niagara Falls; the long, slow fall allows the space between beats to grow and grow until he crashes into the water with the vessel blasting apart in an explosion of drum rolls. The classic Melvins heavy grind is set up and broken up by assorted odd sidetracks: “Revulsion / We Reach” flows forward slower and slower until it eventually melts into a gooey feedback drone. “Raise a Paw” is a superball paddled against one’s head by a grinning village idiot. “Love Thing” enlists in the Kiss Army before getting dishonorably discharged.

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Wild Havana

LP | 1986 | EU | Reissue (Brain)

Release: 1977 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Obscure Dutch private pressing from 1977. Laid-back instrumental psychedelic / progressive sounds with jazz-funk-groove and abstract / experimental / Latin-indigenous touches. Stoned homemade atmosphere with treated / distorted electric & acoustic guitars, flute, electric piano, primitive drum machines / homemade electronics...Much in the vein of the experimental-underground scene of France & Germany during the early 70s but actually recorded and released in Holland.
Wild Havana was the project of guitar player Johan Smith, helped by his brother Cor on flute. Influenced by artists like Zappa and Herbie Hancock, Johan recorded the “Wild Havana” album at his home studio on a 4-track, using effect devices developed by himself, like a modified proto-drum machine taken from a Hammond organ. He also used effects like phase shifter, chorus, etc and experimented with putting wool on the guitar strings and electric effects on the mandolin. The result sounded like nothing else at the time.
Buried for many years, we’re excited to bring to life this unique album.

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Klaus Schulze

Dreams (2017 Remaster)

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Roberto Musci / Giovanni Venosta

Water Messages on Desert Sand

LP | 1987 | EU | Reissue (Rer Vinyl)

The Miracles Of The Seven Dances

Release: 1987 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Another great release in the prestigious ReR Recommended vinyl reissue series.
Water Messages on Desert Sand was the very first sound creation from the Italian avantgarde duo of Roberto Musci and Giovanni Venosta. A classic work in the genre, released by Chris Cutler's Recommended Records in 1987.
Back in the mid Eighties, Musci & Venosta, both on sampler, synthesizer, guitar, piano, effects and tapes were masters in overlaying and constructing rhythmic and harmonic pictures of transparent sound from electronic, acoustic and documentary source, taking ethnic field recordings (from Africa, Indonesia, Asia, India) as their thematic centre. "Water Messages" finds place In the realm of Eno-Byrne "My Life in the Bush of Ghosts" but far more accomplished and developed. A rich moving and still very stimulating work and an essential purchase for anyone interested in adventurous modern art informed by ethnic music and sound explorations. In two words: Highly Recommended!

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Hany Mehanna

LP | 1975 | EU | Reissue (Radio Martiko)

LP | 1987 | US | Reissue (Relapse)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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A download code is included.

Reissue of the belly dance holy grail from the organ king of Cairo, combining traditional rhythms with spaced out modern sounds. Hany Mehanna, beloved musician and composer of the greatest artists from the Arab world such as Oum Kalthoum and Abdel Halim Hafez, shows himself from a more experimental side on his solo albums. Originally released in 1973, ‘The Miracles of the Seven Dances’ is a pure work of genius: hypnotic organ grooves, psychedelic guitars, mystic strings and haunting percussion. Belly dance as good as it gets! High quality pressing. Artwork and label design by Pieter Heytens.

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Death

Scream Bloody Gore

Release: 1987 / US – Reissue

Genre: Rock & Indie

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LP | 1976 | EU | Reissue (Mental Experience)

Golem

Orion Awakes

LP | 1984 | EU | Reissue (Rhino)

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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A glorious blend of Space-Rock, Kraut and Psychedelia courtesy of the mysterious Golem. Plenty of Hammond organ, analogue synths, ripping guitar, effects, trippy jams…“Orion Awakes” was recorded and produced circa 1976 by Toby Robinson a.k.a. Genius P. Orridge, while he worked as second engineer at the famous Dierks Studio in Cologne. Memories from those hazy times are sketchy but all leads to believe that the musicians featured here were well-known names from the Kraut scene under pseudonyms, recording 100% underground, non-commercial music under Toby’s guidance, just for fun.

Apparently, “Orion Awakes” was released as a very limited hand-made pressing housed in a silver foil sleeve on the Pyramid label, which was ran by Toby and his friend Robin Page, the Fluxus artist. No original copies have ever been found. The fascinating liner notes by Kraut expert Alan Freeman talk about seeing an original copy of Golem at a record shop in Germany many years ago and he also sheds some light on who could be the real musicians involved, as well as discussing the controversial story of the Pyramid label and the accusations of Golem being a manufactured 90s “fake” instead of a real vintage 70s recording.

“Legitimately tripped out, fans of the Cosmic Jokers could certainly get behind this one.”
- Angela Sawyer (Weirdo Records)

RIYL: Gila, Mythos, Guru Guru, Cosmic Jokers, Novalis, Neu!, Hawkwind, Brainticket, My Solid Ground, Pink Floyd…

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The Replacements

Let It Be

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Abbiamo Tutti Un Blues Da Piangere

Perigeo

LP+CD | 1973 | EU | Reissue (BTF / Schema)

LP | 1981 | EU | Reissue (Wah Wah)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Perigeo were founded in Rome in 1971: five professional musicians, all of them already largely active in the jazz and rock circuits of those years, who gathered in the studio to wisely blend together the two aforementioned music genres: this is probably the first example of jazz-rock music in Italy, admittedly influenced by Miles Davis and that legendary “Bitches Brew” that just two years earlier had shocked the jazz scene worldwide.

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Hardy Kukuk

Atemnot

LP | 1983 | EU | Reissue (Suippenkazper)

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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One of the biggest rarities from the cosmische kraut underground scene has to be Hardy Kukuk’s lost 1981 top Berlin School electronic masterpiece Atemnot. Kukuk’s synth explorations take the adventures of masters of the genre like Tangerine Dream or Klaus Schulze one step further into the early eighties. Kukuk is joined on these recordings by Andreas Schneider on guitar and congas and Klaus Bloch (of A La Ping Pong fame) on guitar and tape effects.

After Atemnot Kukuk recorded a second LP, Timeless, before joining forces with Matthias Culmey in the early 2000’s to form the electronic duo Beatboys 2000.

The Wah Wah reissue comes with remastered sound and housed in a faithful reproduction of original private pressing sleeve. It also includes an insert with cool photos and liner notes.

First ever vinyl reissue limited to 500 copies only!

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Canal Terror

Zu Spät

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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LP | 1976 | EU | Reissue (Wah Wah)

Blat Brut