Rock & Indie 2323 Items

LP | 1987 | EU (Trading Places)

Release: 1984 / EU

Genre: Rock & Indie

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The Swedish hardcore punk scene of the early 1980s was vibrant and wide, with underground movements yielding surprising extremities. This ultra-scarce cassette-only release, limited to 300 copies in 1984, was the first of the legendary Uproar label, pitting the blast-beat proto-grindcore of Asocial, from the small town of Hedemora, against the classical thrash of Bedrövlers, from the equally small town of Fagersta, whose name roughly translates to Miserablerz, a term assigned them by a bus driver that disliked their discordant noise. Subverting Bad Religion’s How Could Hell Be Any Worse for their own purposes, Asocial’s tracks are blindingly fast and Bedrövlers’ down and dirty-rare Swedish hardcore, at its best!

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J.P. Sunshine

Scenes From The Dreams Of Angels

Release: 1987 / EU

Genre: Rock & Indie

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In 1967, the English poet George Duffell, alias Jorgy Porgy, decided to set his verses to music, birthing J.P. Sunshine with guitarist/vocalist Rod Goodway of pop act the Pack (later with the Crazy World of Arthur Brown), the line-up expanding with a bassist and bongo player, Duffell’s girlfriend on percussion, and former Pack guitarist Andy Rickell on electric lead. These resultant recordings, cut on basic gear in Duffell’s flat, evidence an individual psychedelic sound, marked by the incestuous claustrophobia of the group’s romantic rivalries, the meandering lyrics and disjointed melodies pointing to the pervasive drug use that ultimately squashed the project. This is psych with a difference: rare, rough, and freaky!

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Outskirts Of Infinity

LP | 1989 | EU (Trading Places)

Break Bottle / Countries / Jungle Beat

Release: 1989 / EU

Genre: Rock & Indie

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After debut LP Lord Of The Dark Skies, London-based acid psych trio Outskirts Of Infinity released Scenes From The Dreams Of Angels on their own Infinity imprint. Heading deeper into space rock, the album had bassist Nick Saloman on keyboards in places and front man Bari Watts on synth, but his ripping is really spectacular throughout and there’s a nod to the Hendrix influence on a killer cover of ‘Spanish Castle Magic.’ Arguably their best album, it has style, grace, and hallucinogenic power, this edition reproducing the inner gatefold lyrics.

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Jungle's

7" | 1981 | JP | Reissue (P-Vine)

LP | 1978 | EU (Trading Places)

Release: 1981 / JP – Reissue

Genre: Rock & Indie

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Take a step into the abrasive live venues of 80s Japan with this 7” edition single reissue for gritty post-punk wranglers Jungle’s. Originally released in 1981, the three track EP titled simply “Jungle’s” was a revelation to those it reached. “Break Bottle” is an adrenaline rush, and the guitars hammer home the punk spirit at the heart of their sound. P-vine is excited to be reissuing the first single the group put together for this limited release.

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Gilli Smyth

Mother

Leather, Bristles, No Survivors And Sick Boys Black Vinyl Edition

Release: 1978 / EU

Genre: Rock & Indie

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The London-born vocalist and former Sorbonne lecturer Gilli Smyth became known as the ‘space whisperer’ for the poems she performed in Gong, formed in Paris in 1967 with her Australian-born partner, Daevid Allen of Soft Machine, with whom she also performed. Debut solo album Mother, released by French label Charly in 1978, featured her breathy suppositions on motherhood, the cosmic lifeforce, and the powers of Mother Earth, cut with fellow Gong members such as bassist Christian Trisch, saxophonist Didier Malherbe, drummer Pip Pyle, and Allen himself, as well as their children. A must for all Gong fans!

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GBH

LP | 1981 | EU (Radiation Reissues)

LP | 1983 | EU | Reissue (Metal Mind Productions)

Release: 1981 / EU

Genre: Rock & Indie

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In between the charting debut LP City Baby Attacked By Rats and the acclaimed follow-up, City Baby’s Revenge, the independent Clay Records gathered all their Charged G.B.H. singles for the shocking compilation, Leather Bristles No Survivors And Sick Boys, capturing their versatility, as well as their shit-on-you attitude. The anti-war ‘Generals’ is an early classic, ‘Necrophilia’ tests the limits via an ironic salute to copulating with corpses and there are plenty of other shock-value moments, all delivered with their trademark blend of hardcore, metal, angst, rage and humour. Essential!

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Turbo

Dorosle Dzieci

Heavy Metal / Little White Lies Record Store Day 2021 Edition

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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180 gram vinyl

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Sammy Hagar & The Circle

12" | 1973 | EU | Reissue (BMG)

LP | 1973 | EU (Trading Places)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Record Store Day 2021 Release. Picture Disc
Strut’s new release features the original album reissued for the first time in the original artwork used by independent Egyptian label Prism Music Unit along with 10 extra tracks recorded at the studio during the same period (second disc exclusive to RSD release). The package includes a replica of the original booklet produced for the first release by the Egyptian Ministry of Culture in 1973, of which only one original copy exists.

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Ithaca

A Game For All Who Know

Release: 1973 / EU

Genre: Rock & Indie

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LP | 1971 | EU | Reissue (Elektra)

Love

Forever Changes

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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LP | 1971 | EU (Trading Places)

Ben

Living In Darkness Black Vinyl Edition

Release: 1971 / EU

Genre: Rock & Indie

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Canterbury-based progressive jazz-rock act Ben only released one obscure album, issued on Philips’ prog subsidiary Vertigo in 1971, but it’s a lovely collective of extended instrumental jams, worthy of discovery for those that missed it the first time around. Peter Davey’s saxophone and clarinet melodies push the material to high peaks, against an understated backing from future Nashville Teens bassist, Len Surtees and former Graham Bond drummer, David Sheen, keyboardist Alex Macleery and guitarist Gerry Reid adding flourishes at key moments. The songs “The Wooing Of The Child” and “The Wooing Of The Man” credit a certain K Jarrett as songwriter, making this rare beast all the more intriguing.

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Agent Orange

LP | 1981 | EU (Radiation Reissues)

LP | 1987 | EU | Reissue (V2)

Release: 1981 / EU

Genre: Rock & Indie

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Adventurous southern California punk trio Agent Orange was the first band to mix surf rock with punk. The group was formed in1l979 in Placentia, a small town close to Fullerton and Anaheim, by frontman Mike Palm on guitar and lead vocals, Steve Soto on bass and Scott Miller on drums. That early line up recorded the classic version of "Bloodstains" in 1979 as a demo produced by Daniel R. van Patten (of the group Berlin). A year later it was included on the seminal Rodney On The Roq compilation album released by Posh Boy Records. Meanwhile James Levesque had replaced Steve Soto (Adolescents) and the new line up released their own self produced and self released 7" ep in 1980. A year later, the group signed with Robbie Fields' Posh Boy Records for their debut LP Living In Darkness, co-produced by Fields and former Simpletones guitarist Jay Lansford. The album was recorded at Brian Elliott’s store front studio in North Hollywood (a few years before Elliott struck gold writing Madonna’s “Papa Don’t Preach”). A milestone in California Punk Rock history. Limited to 800 handnumbered copies RSD 2020 edition, on Purple Vinyl with 5 bonus tracks, with double sided lyric insert!

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Bruut! & Anton Goudsmit

Go Surfing

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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Alejandro Medina Y La Pesada

LP | 1974 | EU | Reissue (Svart)

LP | 1970 | EU | Reissue (Wah Wah)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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A Svart Mondo release. Black vinyl, 500 copies.
Alejandro Medina Y La Pesada was recorded in 1974 and is the only solo vinyl album released by Alejandro Medina. Born on 1 November 1949 in Buenos Aires, Medina had been in big bands since he was a young teenager, joining Le Pasada del Pock and Roll who included some of Argentina’s finest musicians, such as Billy Bond (who handles the production on this album), Jorge Pinchevsky (who plays Violin on this record) and Pappo, among others. Medina recorded four albums with Le Pasada del Pock and Roll who also played at the third Buenos Aires Rock Festival in November 1972, which was recorded in the movie ‘Rock until the sun goes down’. On this, his solo album, he mixes delta style blues, progressive rock and bluesy style experimental ballads that feature sublime guitar work. Eclectic hard-rock guitar journeys with lush violins and powerful vocals. A deep collectors bounty, Alejandro Medina Y La Pesada is a rare Argentinian heavy rock milestone. La Pesada (which means “The Heavy” in English) gives us a good idea of what to expect with this exceptional heavy jewel.

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Wynder K. Frog

Into The Fire

Ptooff! Clear Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

INTO THE FIRE
The third Wynder K Frog album was released only in the USA in 1970, once Weaver had already abandoned the project and started his session musician career. Out Of The Frying Pan was doing well in the States, copies still selling steadily since it had appeared, and United Artists thought it'd be a good idea to release it under the Into The Fire title in order to present it as kind of a sequel to Frying Pan. The material, mostly written by Weaver and his side men for the sessions, takes the sound one step further adding heavier sounds and funkier rhythms, not far from what was being done in USA studios like Muscle Shoals at that time.

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Deviants

LP | 1986 | EU | Reissue (Tiger Bay)

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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LP | 1975 | EU | Reissue (Wah Wah)

Long Orme

LP | 1972 | EU | Reissue (Wah Wah)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Ultra rare, sought after French acid folk psychedelic masterpiece, Long Orme is the work of singer-guitarist-songwriter Yves Fajnberg, his girlfriend singer Anne Marie Butel plus a full cohort of musician friends. The LP was laid down to a 2 track Revox Reel To Reel recorder between late 1974 and early 1975 and originally released in 1975 by Sonart Disques to such a limited run that an original copy sells nowadays for no less than 400 euros.

Together with Yves Chauvet, Fajnberg had worked on Dominique Droin’s Wave On LP issued by Le Kiosque d’Orphée, all done on a small home studio set by Chauvet. They used the same facilities, mainly two 2-track Revox reel-to-reel magnetophones and an 8-track mixer, to produce a delightful peace of poetry and acoustic guitar acid folk sounds which will appeal to fans of artists such as Season, Jeff, Beautiful Losers, Yves, Serge & Victor, Manu Lannhuel, Denis, Jean Yves Tourbin, a.o.

Never reissued before, the Wah Wah edition features original sleeve artwork plus an insert with liner notes & interviews by Quentin Orléan. Limited edition, 500 copies only.

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Siloah

Sukram Gurk

LP | 1970 | EU | Reissue (Wah Wah)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Coming out of the boiling Munich scene of the sixties that also gave us the original Amon Düül (Thom Argauer had played in a dixieland band with Chris Karrer in the late 60s, actually), Siloah are one of the best kept secrets of the krautrock production. In 1972 Siloah had suffered a certain number of changes. Thom Argauer was still leading the project, but since his coleagues had left the farm in which they were all leaving he had to start again with new members Markus Krug and Florian Laber. He also looked for a more electric approach, himself moving from acoustic guitar to electric organ.

'Sukram Gurk' was the title chosen for their second LP. It was the name of Markus Krug spelled backwards. Markus' name was chosen because it was the one that sounded better phonetically to the ears of the trio. The sound of the album takes it all one step further, turning into an electric storm, yet retaining the free psychedelic improvisation feel of its predecessor.

The Wah Wah reissue is made in cooperation with Thom Argauer family, it has been cut from the original master tapes, has one bonus track not on the original LP added, features an insert with photos and liner notes and comes in a strictly limited edition of 500 copies only.

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Siloah

LP | 1971 | EU | Reissue (Out-Sider)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Coming out of the boiling Munich scene of the sixties that also gave us the original Amon Düül (Thom Argauer had played in a dixieland band with Chris Karrer in the late 60s, actually), Siloah are one of the best kept secrets of the krautrock production. Siloah had a hard core including Thom Argauer, Manuela von Perfall, Heinrich 'Tiny' Stricker and Wolfgang Görner, plus a host of guests coming and going, everybody was free to join and play at any time, guest members often joining from the Baumstassen commune around which the band was living before they eventually moved to an abandoned farm on the outskirts of town.

Their first LP is a trippy acid psychmasterpiece recorded in 1970 and privately issued on German Blues and Undergrund. It showed a strong influence from US West Coast psychedelic music and has a lovely acoustic approach. It's sound is free, full of improvisation and with a charming amateurish feel all through it. It will appeal to lovers of free spirits like Amon Düül themselves, Kalacakra or even Música Dispersa.

The Wah Wah reissue is made in cooperation with Thom Argauer family, it has been cut from the original master tapes, has original artwork (improved by printing it over a mirror finish silver cardboard), has two bonus track not on the original LP added, features an insert with photos and liner notes and comes in a strictly limited edition of 500 copies only.

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Daybreak

LP | 1972 | EU | Reissue (Wah Wah)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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First ever vinyl reissue of this elusive US private pressing from 1971, originally released on the legendary RPC custom label.
Intense & crude garage-psych with echoing vocals, loud distorted guitar, fuzz bass and organ. Three killer band originals plus some insane cover versions (Steppenwolf, Neil Young…) with a basement sound not unlike Mystic Siva!

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9:30 Fly

Ya No Quedan Mas Cojones, Eskorbuto A Las Ele

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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9.30 Fly formed in Cheltenham, UK, in 1971 with Michael Wainwright (vocals), Barbara Wainwright (vocals, piano), Lyn Oakey (guitar), Gary Charman (bass) and Mike Clark (Drums). They soon gathered local popularity, even opening for The Velvet Underground at Malver Winter Gardens in 1972. That same year they released their eponymous LP on Ember, offering in it a fantastic selection of original tunes in the finest UK prog rock style, mixing in some folkie melodies and keeping a psychedelic air all through the grooves.

Their original Ember LP has since become a rare collectors' piece that gets now it's first legit vinyl reissue since 1972, with remastered sound and respecting the original textured gatefold sleeve and artwork, in a strictly limited edition of only 500 copies.

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Eskorbuto

LP | 1986 | EU | Reissue (Munster)

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Impressions On Reading Aldous Huxley

Brave New World

LP | 1972 | EU | Reissue (Wah Wah)

LP | 1973 | EU | Reissue (Wah Wah)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Conceived as a studio project and conceptually inspired by the world of sci-fi novelist Aldous Huxley, Brave New World was created by Reinhart Firchow (recorders, flutes, ocarina, Stylophone, percussion, vocals), John O'Brien-Docker (guitars, organ, percussion, vocals, wind chimes) and Herb Geller (flutes, cor anglais, saxophones, organ). They where aided by Dicky Tarrach (drums, percussion), Lucas Lindholm (bass, bass fiddle, organ, piano) and Esther Daniels (voice). Irishman John O'Brien-Docker had previously played on Die City Preachers and Marcel, and also recorded as Inga & John - Inga was, of course, Inga Rumpf of Frumpy fame. He also played with Dagmar Krause and Anthony Moore, who would later be known as Slap Happy. Reinhart Firchow had also been around for a while and would later form Kaarst. Herb Geller was an accomplished jazz musician who had been playing and recording in several jazz outfits since 1954. Their album, originally released on Vertigo in 1972, featured an eclectic mixture of styles, blending medieval music, folk, electronics, jazz and rock in pure krautrock eclectic lore in the line of Annexus Quam, Achim Reichel or Tomorrow's Gift.

First ever reissue, housed in a glossy laminated gatefold cover reproducing the phenomenal original artwork and an insert with notes, and it's limited to only 500 copies!

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Ralf Nowy

Lucifer's Dream

The Magic Spell Of Mother's Wrath

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Born in 1940 in Berlin, Ralf Nowy's musical interest was first exposed to an audience during his school years, when he formed his first rock'n'roll band in the late fifties. After graduation from the Konservatorium, he joined the German jazz scene and also worked for the Saaerland radio station. His recording career began recording exploitation albums designed for dance parties, following the path opened in Germany by artists like Paul Nero (a.k.a. Klaus Doldinger). But with the rise of the krautrock scene he became interested in new, more experimental sounds and joined forces with Paul Vincent (who had played in Klaus Doldinger's Motherhood, from which he would go on to form Hallellujah) and Keith Forsey (also from Hallellujah) - the three, under the name The Ralf Nowy Group, became on of the hottest acts of the Munich scene.

Lucifer's Deram was issued on Global in 1973 and offered an interesting mixture of instrumental sounds which moved freely from psychedelic pop to jazz, progressive rock, and ethnic touches... even some funky guitar is present! In addition to Ralf Nowy (flutes, alto saxophone, oboe), Paul Vincent (guitars) and Keith Forsey (drums) the recording sessions counted on the faboulous work of Al Gromer (Amon Düül, Popol Vuh, etc.) and Liz van Nienhoff on sitar, Gary Unwin and Lothar Meid on bass, Sylvester Levay and Don Anderson on pianos, Andy Marx on guitar, Bernie Prock on percussion and Sankha Chatterjee on tablas.

Ralf Nowy has also contributed on works by Drosselbart, Improved Sound Limited, Tender Aggression, a.o.

First time reissued on vinyl, comes in remastered sound, housed in a fantastic glossy laminated gatefold sleeve reproducing the original artwork, insert with liner notes and the attractive of being an exclusive 500 copies only edition!

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Mormos

LP+7" | 1972 | EU | Reissue (Wah Wah)

LP | 1975 | EU | Reissue (Life Goes On)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Originally issued in French CBS in 1972, the Wah Wah reissue reproduces the original glossy laminated sleeve and will come with an insert with photos and text by Jim Cuomo himself. As a bonus, a 7" p/s EP will be added featuring the band's second CBS 45 plus two previously unreleased songs from the era. Remastered from the original tapes by Roger Prades, this edition will be limited to 500 copies only. Get yours before it's too late!

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Brast Burn

Debon

LP | 1978 | EU (Radiation Reissues)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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This extremely rare psychedelic album contains two long tracks, which provide an interesting forty-seven minutes long surreal experience for willing listeners. Led by Japanese guru Karuna Khyal, the band literally shows a narcotic and hypnotic groovy feel heading to massive bluesy tribal section. A cult in its own !

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U.K. Black Vinyl Edition

A Holocaust In Your Head Black Vinyl Edition

Release: 1978 / EU

Genre: Rock & Indie

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Formed in Lewisham, southeast London, punk band the Business joined the Oi! scene after supporting the Four Skins in 198l. Debut single ‘Harry May’ hit the Indie charts before the group disintegrated, leading frontman Micky Fitz to recruit new members. Then, in 1987, original guitarist Nick Kent joined Fitz for heavy metal side project UK, with former Tank drummer Mark Brabbs, channelling their love of Ac/dc, Motorhead and Rose Tattoo. As Kent goes all-out with the hard rock solos and Fitz aims for the melodic, this is a great slice of the new wave of British heavy metal, and a startling surprise for all Business fans!

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Extreme Noise Terror

LP | 1989 | EU (Radiation Reissues)

A Holocaust In Your Head - The Original Holocaust Black Vinyl Edition

Release: 1989 / EU

Genre: Rock & Indie

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Away from the grandeur, and although their line-up history is full of potholes - the key to unlock this classic release by Extreme Noise Terror, Holocaust in Your Head is the double-edged vocal prongs from ENT founders Phil Vane and Dean Jones and the black-avalanche guitars of Steve Hurley (not forgetting the drum stool occupied by Mick Harris, soon to be of Scorn during the recording of this album, and Doom’s Tony "Stick" Dickens). Statement is as good as any opening gambit for a band - a trail of sludge setting fire to itself consuming the raw, political ashtray mantras spewed into its thick, corrosive grip. Another Nail in the Coffin suitably devastating the senses as a wrecking ball swings from its chain into the side of a condemned building, brick by brick. Eaten. Buried.

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Extreme Noise Terror

LP | 1989 | EU (Radiation Reissues)

Tu, Forse Non Essenzialmente Tu / I Tuoi Occhi Sono Pieni Di Sale 50th Anniversary Edition

Release: 1989 / EU

Genre: Rock & Indie

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How many bands can say they had multiple debut albums? For crustcore sound terrorists Extreme Noise Terror, Holocaust In Your Head - The Original Holocaust, first recording version, continues to excuse itself in being reissued for what must be the last time before the last time. It’s no wonder why. We The Helpless is every bit as hopeless as it sounds - a blitzkrieg of wails and nightmarish sonics that tighten themselves around the temples until the eyes turn white. Statement will always stand on its own two feet as a perfect set opener and Innocence to Ignorance’s unhinged atmospheric armageddon as well as Use Your Mind’s sample-sprung assault on the senses are possible indications of where the band could’ve wound up had their line-up not been walking such a shaky tightrope. Rough as hell? Sure. But if you want to know what it feels like to have the signal input of your skull reflect a separation in the grounding circuit of the flesh from the neck down, then carry on screaming.

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Rino Gaetano

7" | 1974 | EU | Reissue (RCA)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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LP | 1982 | EU (Radiation Reissues)

Lydia Lunch

13.13 Red Vinyl Edtion

The Image Has Cracked Red Vinyl Edtion

Release: 1982 / EU

Genre: Rock & Indie

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Recorded in Los Angeles in 1982, 13.13 exists as document to the pandemonium of specters and potential serial killers who twisted the California Dream into a waking nightmare as they snaked through the boulevards, back yards and basements of a sun stroked paradise turning into a blood soaked inferno of fear, paranoia, panic and lust killings. Lush musical textures provided by members of seminal art punks The Weirdos - Dix Denney, Cliff Martinez and Greg Williams create a hypnotic backdrop to Lunch’s evocative vocals and terrifying lyrics

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Alternative TV

LP | 1978 | EU (Radiation Reissues)

Release: 1978 / EU

Genre: Rock & Indie

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Formed in London in 1977 by Mark Perry and Alex Fergusson, then editors of the punk fanzine Sniffin' Glue, Alternative TV was a post-punk group known for incorporating reggae rhythms and pushing the boundaries of the definition of punk toward the experimental and avant-garde. Their first album, The Image Has Cracked, came out originally in 1978 and is a wholly unique piece of British post-punk. Beloved by John Peel, and close confidantes of Throbbing Gristle, Alternative TV is one of the most original and beguiling groups of the era.

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LP | 1986 | EU (Dr. Strange)

12" | 1984 | EU | Reissue (Matador/Beggars Group)

Release: 1986 / EU

Genre: Rock & Indie

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Originally released on Fountain Of Youth Records in 1986. You can thank the Doc for bringing it back to life! A more mature sounding G.I. on this one that still pleases the diehard fan as well as those leaning toward Fugazi or later Dischord label releases. “Excellent production and melodic punk tunes are the hallmark here, and while you can still pick out that DC sound, they’ve broadened to reach back to punk roots, as well as even earlier, all without losing that oomph or character of their presentation.” – Tim Yohannan, MAXIMUM ROCKANDROLL

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Butthole Surfers

Pcppep EP

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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City Baby Attacked By Rats Orange Vinyl Edtion

G.B.H.

LP | 1982 | EU (Radiation Reissues)

CD | 1974 | EU | Reissue (Repertoire)

Release: 1982 / EU

Genre: Rock & Indie

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Street punk pioneers Charged G.B.H. formed in Birmingham in 1978, the name referencing original bassist Sean McCarthy’s trial for grievous bodily harm. The in-your-face hardcore of EP “Leather, Bristles, Studs And Acne,” paved the way for super-charged debut LP, City Baby Attacked By Rats, which hit the number two position on the British indie charts on release in 1982, as well as the mainstream top 20, despite being released by tiny independent, Clay Records. With a touch of Motorhead and Sabbath beneath their straight-up hardcore, City Baby is where the legend begins, capturing G.B.H. at their bloodiest.

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Judas Priest

Rocka Rolla

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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LP | 1987 | EU | Reissue (Audioplatter)

You Clear Vinyl Edition

Suburban Rebels Yellow Vinyl Edtion

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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A welcome re-issue of Government Issue's sixth studio album 'You'. Originally released in 1987 on Giant Records and hot off the heels of the previous year's self-titled album, 'You' was a turning point that saw the band moving in a more mature, melodic direction. Now, some 35 years later, 'You' is considered one of the scene's best albums - a game-changer that paved the way for a style that many bands would copy in subsequent years.

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Red Alert

LP | 1983 | EU (Radiation Reissues)

LP | 1980 | EU (Radiation Reissues)

Release: 1983 / EU

Genre: Rock & Indie

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Released 20 years ago yet still retaining much of its Oi! impact intact, the debut album and last before a split that would last a number of years by No Future luminaries, Sunderland’s Red Alert is a lesser-known classic in punk history. The locomotive chug and chant of unification in We’ve Got The Power, the metallic burn of Crisis, the acoustic-driven, kitchen-sink bristle of Industrial Slide or the caustic, hypnotic stomp of Rebels in Society exploding with fierce, powder keg intensity. With that in mind, and now pressed on color vinyl, as a prescient feature of not just English culture, but a culture that cuts deep, that stretches far, the art of brutality still lingers loud and clear.

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The Yobs

Christmas Album

Not Christmas Album Colored Vinyl Edition

Release: 1980 / EU

Genre: Rock & Indie

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Power-pop punks the Boys signed to Nems in 1976, which led to a following in Europe, but disagreements with Nems spawned alter-ego the Yobs, who specialised in tasteless adaptations. The 1980 release The Yobs Christmas Album finds the Yobs at their most puerile and profane, a collection of deliciously vile Xmas-themed singalongs, offering rude alternate renditions of holiday favourites such as ‘Twelve Days Of Christmas’ and a druggy take of ‘Auld Lang Syne,’ alongside equally shocking originals such as ‘Ballad Of The Warrington.’ Make sure the kids & granny are out of earshot – this is the Yobs at their sickest!

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Frantic Flinstones

LP | 1989 | EU (Radiation Reissues)

LP | 1970 | EU (Endless Happiness)

Release: 1989 / EU

Genre: Rock & Indie

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Arising in the mid-1980s during the second wave of British psychobilly, the Frantic Flintstones was formed in Didcot, outside Oxford, by singer Chuck Harvey and former Meteors drummer Toby Griffin, who soon left. Following a debut EP on Raucous and the chart-topping A Nightmare On Nervous, with drummer Andy Celbo, the group signed to Links just as guitarist Pug Pete joined the fold. Not Christmas, their fourth for Links, is one of their most popular LPs, and rightly so, with ‘Frantic’ mutating Prince Buster’s ‘Madness’ and ‘Blue Christmas’ one of several Xmas-themed numbers. British psychobilly at its best!

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Nico

Desertshore

LP | 1982 | UK | Reissue (Ace)

Release: 1970 / EU

Genre: Rock & Indie

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Desertshore is Nico's third solo album, recorded and released in 1970. It was co-produced by John Cale and Joe Boyd. Like its predecessor The Marble Index, it is an avant-garde album with chamber music elements. The back and front covers feature stills from the film La cicatrice interieure by Philippe Garrel, which starred Nico, Garrel and her son Ari Boulogne. A few of the songs from the album were included on the soundtrack of the film.

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Screaming Lord Sutch

Rock And Horror

Release: 1982 / UK – Reissue

Genre: Rock & Indie

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LP | 1978 | UK | Reissue (Ace)

Link Wray

Early Recordings

Release: 1978 / UK – Reissue

Genre: Rock & Indie

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Live Kicks Orange Vinyl Edition

UK Subs

LP | 1980 | EU | Reissue (Audioplatter)

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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The first ever U.K. Subs live album, recorded at the seminal Roxy Club back in 1977, reissued on Stunning Orange Vinyl and with the track list and between song banter all restored to its original glory. Added as a bonus is the 4 track demo the band recorded in 1977 in a search for a record deal. A must for all Subs completists!

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LP | 1988 | EU | Reissue (Audio Platter)

Crash Red Vinyl Editoin

A Vulture Is Not A Bird You Can Trust

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Colored Vinyl re-issue of the DC Hardcore band's seventh and last studio album 'Crash'. Originally released in 1988 on Giant Records, 'Crash' continued Government Issue's evolution into greater musical variety.

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Ian A. Anderson

LP | 1971 | EU | Reissue (Bonfire)

LP | 1982 | EU | Reissue (Pharaway Sounds)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Another underground folk masterpiece back on the map. Forerunner of the british revival Ian A. Anderson licensed the album on his own The Village Thing on December 1971. Besides a couple of excellent cover- Black Uncle Remus penned by Loudon Wainwright III and a minor Bob Dylan classic as One Too Many Mornings – the album shows a more forward thinking production, with several bucolic progressive arrangements.

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Edip Akbayram & Dostlar

Nice Yillara Gülüm

21,84 €* 22,99 € -5%

Youths Of Age Red Vinyl Edtion

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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The third album by Turkish psychedelic singer Edip Akbayram, originally released in 1982. This later album really ramps up the silly synthesizers. You'll hear whooshy '80s Rolands, vocals run through a harmonizer and tons of totally tubular bass popping, and it all makes it darned easy to hear just where the western intros and breaks stop. Ever wish Knight Rider's Kitt could drive to Istanbul? Take a ride on cheesy synthesizers with Edip at the wheel! This reissue comes with remastered sound and an insert.

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Pariah

LP | 1983 | EU (Radiation Reissues)

LP | 1975 | EU (Trading Places)

Release: 1983 / EU

Genre: Rock & Indie

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Formed in 1981 in suburban Martinez, east of San Francisco, second-wave punk act Pariah struggled to find acceptance until future Green Day engineer Kevin Army produced a demo, placing ‘Up To Us’ on the Rodney On The Roq Vol. 3 compilation. Their sought-after debut album for Posh Boy, Youths of Today, was the breakthrough that saw them backing the Ramones, UK Subs and Suicidal Tendencies, the hit ‘White Line’ an anti-cocaine anthem; this edition includes the great ‘Learning Process’ from esteemed compilation Not So Quiet On The Western Front.

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John L. Watson

Let's Straighten It Out

LP | 1970 | EU (Trading Places)

Release: 1975 / EU

Genre: Organic Grooves, Rock & Indie

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Following his tenure fronting British psychedelic rock act The Web, who cut a couple of likeable albums featuring his bluesy, soulful lead, US-born vocalist Mississippi John L. Watson went solo, working with Pete Wingfield on his 1970 debut, White Hot Blue Black. Superior sophomore set Let’s Straighten It Out was released on Bob Kingston’s Spark label in 1975 and credited to John L. Watson and White Mouse, with Watson headed in a funk direction; along with the potent title track, there’s a fine cut of Gwen McCrae’s ‘Rockin’ Chair,’ making the set a sure-fire winner for Watson fans and lovers of British funk and soul.

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Black Velvet

This Is Black Velvet

It's Time To See Who's Who Orange Vinyl Edtion

Release: 1970 / EU

Genre: Rock & Indie

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Initially formed in southeast London in the mid-1960s as the Coloured Raisins, obscure black rock quartet Black Velvet infused their sound with soul and reggae undercurrents, a testament to the Caribbean origins of the group members, and the pervasive styles inspiring the black communities that inhabited London’s marginal outskirts. Produced by Don Lawson for the Beacon label, which was launched by the Antiguan businessman and future politician Milton Samuel, Black Velvet’s powerful debut is a snapshot in time of London’s black underground that will appeal to anyone interested in the black British music scene of the early 1970s.

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Conflict

LP | 1983 | EU (Radiation Reissues)

Creedence Clearwater Revival

Release: 1983 / EU

Genre: Rock & Indie

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Released in 1983 on London's Legendary Mortarhate label, Conflict's debut broke all rules in punk rock, setting new standards and storming independent charts, reaching and retaining position number 1 for several weeks. Formed in 1981 and led by vocalist Colin Jerwood, who would remain one of the group's few constants throughout its 30 years of existence, and fueled by hatred for the media, the military and the general status quo of late century Thatcher's England, Conflict has been a stainless model for three generation of peace punkers, activists and anarchists from all over the world.

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Pendulum

LP | 1970 | EU | Reissue (Fantasy)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Intermusic)

Johnny Cash

Sings I Walk The Line

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Out Of The Mist Black Vinyl Editoin

Illusion

LP | 1977 | UK | Reissue (Demon)

Release: 1977 / UK – Reissue

Genre: Rock & Indie

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The Musikladen Concert 1981 Colored Vinyl Edition

The Tubes

2LP | 1981 | EU | Reissue (Sireena)

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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Universe Turquoise Vinyl Edition

Universe

LP | 1971 | EU | Reissue (Future Shock)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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The intriguing story of Universe is that the little-known British band were driving through Norway and after breaking down were offered assistance by a gent living near-by who happened to have a recording studio in his house. True or not the resulting collection of songs is a great slice of often hard, blue-collar blues rock, with some harmonica, piano and organ.

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Boycott Stabb Complete Session Pink Vinyl Edition

LP | 1983 | US | Reissue (Dischord)

Release: 1983 / US – Reissue

Genre: Rock & Indie

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Abstract Reality Clear/Silver/Green Splatter Vinyl Edition

Nasty Savage

LP | 1988 | UK | Reissue (Alone)

LP | 1972 | EU | Reissue (Cinedelic)

Release: 1988 / UK – Reissue

Genre: Rock & Indie

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Third release from this Florida band of mayhem metal mongrels led by the maniac Nasty Ronnie. This is a one-sided 4-song Ep, with "Unchained Angel", which first appeared on their classic demo

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Capricorn College

Orfeo 2000

Fury In The Slaughterhouse

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Capricorn College was a sextet created by composer / musician Mario Barigazzi known as Barimar and very active since the 1960s. Orfeo 2000 from 1972 is the first of the 2 LPs they produced (both on Kansas) and certainly the most interesting with jazz and prog cues especially in the instrumental tracks and a melodic sang typical of those years in Italy. Masterfully recorded by Maestro Vittorio Paltrinieri at his Fono-Play Studio. A hidden gem of extreme rarity to be rediscovered. First reissue ever in a limited edition.

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LP | 1988 | EU | Reissue (..In Myself)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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LP | 1988 | EU (Trading Places)

Kingdom Come

LP | 1984 | EU | Reissue (Metal Blade)

Release: 1988 / EU

Genre: Rock & Indie

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God of Hellfire’ Arthur Brown made an indelible impact in The Crazy World Of Arthur Brown, performing outlandish theatrics with a burning helmet and being deported from Italy after a naked appearance at the Palermo Pop Festival in 1970. When his bandmates quit to form Atomic Rooster, Brown formed Kingdom Come to cut three esoteric albums for Polydor, this self-titled sophomore set inspired by the element of water. It’s a deep dive into prog concept territory, with churning organ, pounding bass and drums, wah-wah excursions and Brown’s internal conversations drifting between the speakers. Fantastic stuff!

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Slayer

Haunting The Chapel

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Wayne County & The Electric Chairs

Things Your Mother Never Told You

LP | 1978 | EU | Reissue (Spittle)

Wayne County & The Electric Chairs

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Jayne/Wayne County's most audacious album is also possibly among the most important albums of its age. Released in 1979 just as the new wave was teetering on the brink of some kind of bold step forward, Things Your Mother Never Told You was one of the sudden shoves which sent it sprawling into its destiny. Electro-punk starts here. Producer David Cunningham takes only a portion of the credit; in years to come he would lead the Flying Lizards into the realm of heavily stylized electronica. But County's songs match his ambitions all the way, from the harsh, grating soundscapes behind "C3"'s muttered imprecations to the soft-spoken paranoia of "Waiting for the Marines," and onto "Berlin," the song that put into words everything David Bowie (among others) tried to convey about that city via image and insinuation. It's not all electro-art smarts, of course. "Boy With the Stolen Face" and the pouting, punishing "Wonder Woman" are archetypal Electric Chairs - a reminder of how, at the band's very best, they could run the Rolling Stones close in the swaggering rock & roller stakes - and the murder mystery "Wall City Girl" could have fallen off a forgotten volume of Nuggets or Pebbles. The title track, meanwhile, doesn't simply seethe with all the promise -- sexual, social, and societal -- which made County the superstar (s)he so very nearly was, it also lets listeners know why no one has ever truly snatched that crown away. (All Music)

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Storm The Gates Of Heaven

LP | 1978 | EU | Reissue (Spittle)

Let It Be 50th Anniversary Edition

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Prior to his release this record was simply ‘labeled’ as Punk-Rock but this one comes from the New York Dolls side of Glam Punk. Storm the Gates of Heaven reveals unusual aspects of County's work: serious, reflective and profound. The monologue introducing the title track is the only part that may be considered offensive. The sound is a blend of bass, lead & rhythm guitar, drums & percussion by the versatile Electric Chairs. Embellished by Hammond organ, the title track rages against and laments the suffering caused by religious wars. Cry Of Angels is an eloquent, even anthemic defense of Enlightenment values on which the guitar textures and the hook around the chorus superbly complement one another. An artful blend of County's characteristic outrage and the pure pop genius that lay behind the garish accoutrements, Storm the Gates of Heaven jams its eight tracks between two undisguised classics, the anthemic title track and a so-optimistic reading of "Tomorrow Is Another Day, not to mention a stunning cover-version of the Electric Prune´s "I had too much to dream last Night"

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The Beatles

CD | 1970 | UK | Reissue (Apple)

LP | 1973 | EU | Reissue (Sommor)

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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Following on from the global success of ‘Abbey Road’, Apple Corps and USM are proud to present the next multi-format Beatles album reissue of ‘Let It Be’.

January 1969 – The Beatles planned to return to live performance, setting up in Twickenham Film Studios, London, for 21 days of rehearsals. They then decamped to their new studio in their Apple office building in Saville Row and on January 30th performed their last ever live group performance on the rooftop. All of this was filmed for a proposed documentary (eventually released in 1970). During the rehearsal process, they asked Glyn Johns, who had been hired to help with the live sound, to attempt a mix to create an album. This was never released, becoming known as one of the great ‘lost’ albums in rock history and is now included in this Super Deluxe Set. The album was delayed further and in fact became their 12th and final official album release on 8th May 1970 following additional production by American producer Phil Spector.

The Beatles iconic final studio album being released to coincide with the worldwide release of Peter Jackson’s 3 part documentary ‘The Beatles: Get Back’
New stereo mix of the original album by Giles Martin

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Barrabas

Power

2LP | 1986 | EU | Reissue (Golden Core)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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“Power” was the second Barrabás album, originally released in 1973. As well as their first album, this is another great example of funk-rock, but this time with glam, hard & psych touches, including some of their most celebrated songs: “Casanova”, “The Horse”, “Children”... After reaching international success with their first album, the line-up of Barrabas experienced some major changes: Fernando Arbex, more and more involved as songwriter and producer for other artists, leaves the drum kit, being replaced by drummer José María Moll (from Juan & Junior’s backing band). From now on, Fernando will focus on songwriting & production duties for Barrabas. Also, due to an accident, bass player / lead singer Iñaki Egaña is forced to leave the band. A new powerful singer is found: José Luis Tejada (from Los No, a legendary beat band from Barcelona). And finally original guitar player Miguel Morales switched to bass. For the album recording, Arbex decided to use the same studio where they recorded the first Barrabas album: RCA in Madrid. J. Cobos was again the sound engineer and Fernando was the producer and main songwriter. “Power” was the result, released in 1973 housed in a glam-tastic gatefold sleeve. Highlights are “Mr. Money” (pure funk-rock which entered the US charts); the atmospheric “The Horse”, the psych-funk of “Time To Love” or the catchy “Children”, which was a big hit in South America, especially in Venezuela.

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Griffin

Protectors Of The Lair

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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LP | 1986 | UK | Reissue (Fire)

Spacemen 3

Sound Of Confusion

Beverly Copeland Clear Vinyl Edition

Release: 1986 / UK – Reissue

Genre: Rock & Indie

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Now(Repress 2021) As Classic Blacklp, 140 Gr.Spacemen 3's Debut Album "Sound Of Confusion", Released In 1986, Was A Blistering Affair - Establishing Their Love Of The Two-Chord Song And Also Expressing Their Admiration For The Likes Of Mc5, The 13th Floor Elevators And The Stooges. Sound Of Confusion Was 7 Tracks Of Overdriven Assault, With A Strange Bleakness And Despair Creeping Through The Hypnotic Sprawl. R Hunter Gibson Would Later Say: "It Boosts The Value Of Unlit Rooms, Unpaid Debts And Unfeigned Terror And It Would Rather Tackle The Gradients Than Settle For Level Best

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Beverly Copeland

LP | 1970 | US | Reissue (Return To Analog)

Release: 1970 / US – Reissue

Genre: Rock & Indie

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LP | 1989 | EU | Reissue (Goodfellas / Blackbeard)

Omen

Teeth Of The Hydra

Thank You And Goodbye Black Vinyl Edition

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Omen from Los Angeles, formed in 1983 should be considered as founders of Us epic heavy metal together with Warlord, Manilla Road, (early) Manowar, Savatage, Virgin Steele and Armored Saint, choosing to worship the genre in its purest and truest tradition, detaching from US thrash/speed metal that was the “king” of that decade. Their 80’s albums, debut “Battle Cry” and following “Warning of Danger” became, rightly, HM classics. “Teeth of the Hydra”, a compilation album originally released in 1989 by Metal Blade, featuring 11 highlights drawn from the four albums and one Ep released during Omen's five-year tenure with the Us label, is such an ideal career wrap-up for anyone looking to sample the band's wares. All the Omen's classics are here, and even if some tracks follow the thrash-way ("Termination", "The Curse"), it's the old-school heavy metal of standouts like "Teeth of the Hydra," "Bounty Hunter," the very Iron Maiden-like "Die by the Blade" (exposing the band's New Wave of British Heavy Metal influences), “Dragon’s Breath,” “Teeth of the Hydra”, “Battle Cry” that find Omen in their true element, an exciting epic heavy metal sound embellished by the unique and rough voice of J.D. Kimball (passed away in 2003). Not to surprise so to find just 1 track from "Escape to Nowhere" ("Thorn in Your Flesh" - 1988) featuring future Annihilator singer Coburn Pharr, who replaced original vocalist on the band's final Metal Blade album.

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National Flag

LP | 1977 | EU | Reissue (Sommor)

Turn Back Trilobite Clear/Red Splatter Vinyl Edition

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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“Defined by their good time guitar licks and blazing rhythms, this delight from the UK seemed poised to hit the big time, yet never did. They’re a riveting combination of Grand Funk meets Lynyrd Skynyrd, combined with the sensibilities and smart lyrics of The Doobie Brothers, along with the swagger of Neil Young & Crazy Horse…” – Jenell Kessler National Flag formed in Kingston in 1973 and they were a big noise for brief period around London in 1975/76. They quickly developed a strong following especially at the Marquee club where they were resident band in summer 1975. Such was their live reputation they were invited to Tokyo and toured Japan in summer 1975 appearing on TV & Radio, headlining the infant Fuji Rock Festival & opening the World Rock Festival in Kyoto with the New York Dolls & Jeff Beck. “Thank You & Goodnight” was recorded between 1974/76 at EMI Manchester Square, Decca Hampstead with Nick Tauber (Thin Lizzy) & Fulhams Milner Sound with a soon to be famous Julien Mendlesohn (Elton John, McCartney). Aprox. 100 copies were pressed as a homemade edition in 1977 and the album became a myth. Its reputation and rarity value has grown over the years and is now sought after by keen rock fans, Marquee fans and 70s record collectors AND its actually a real gem...Glorious. That same year, band members Danny Edwardson and Seamus Sell were also responsible for the KPM library album "Rock On", for which they used and recycled some riffs of National Flag songs. National Flag should have been huge, but somehow they escaped a record deal, the anecdotes are endless but times were changing, the punk wave swept in and the band broke up playing their last gig in June 1977. Here’s the first ever vinyl reissue of their only album.

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Sacrilege

2LP+12" | 1989 | EU | Reissue (Back On Black)

Heaven Is Waiting 2021 Remastered Edition

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Legends of UK punk/metal Sacrileges third album Turn Back Trilobite including 12" with Demo and live sessions re-issued!

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Danse Society

LP | 1984 | EU | Reissue (Spittle)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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One Afternoon In A Hot Air Baloon

Artery

LP | 1983 | EU | Reissue (Spittle)

Witch Burning Black Vinyl Edition

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Brilliant second album from the wholly original cult Sheffield post punk band. Released in 1983 on Red Flame ‘One Afternoon In A Hot Air Balloon’ is an adventure on its own. Artery somehow replaced the somber post-punk of the debut with a stream of melancholic pop paeans influenced by british folk and certain ballroom dances, with a spectral keyboard sound worth killing for. The secret weapon - when compared to the rest of their discography - is largely explained by the presence of keyboard player and (by now) main composer Christopher Hendrick. The band was in fact reduced to a trio with former members Mark Gouldthorpe (guitar) and Garry Wilson (drums) now supported by the singular effort of Hendrick (also on bass and xylophone). At the same time Garry Wilson was playing in an early incarnation of Pulp. Despite the early Joy Division influence - which the band firmly dismissed – Artery is moving forward into the so-called new romantic era. A vaudeville scenario light years ahead from the streets and the aggro-culture, a way to some pleasant and revealing experience.

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Salem Mass

LP | 1971 | EU | Reissue (Guerssen)

Surf Nicaragua 180g Black Vinyl Edition

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Ultimate US hard-psychedelic / proto-prog burner from 1971!! Obscure Sabbath-esque hard-rock band Salem Mass self-released their only album in 1971. Recorded at a beer bar converted studio, “Witch Burning” consists of seven tracks full of ripping guitar, crazy Moog attacks, heavy keyboards, demented vocals and Satanic / Occult related lyrics, especially in the mindblowing ten minute long title track.

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Sacred Reich

LP | 1988 | EU | Reissue (Metal Blade)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Claire Lepage & Compagnie

LP | 1970 | EU | Reissue (Return To Analog)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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On The Way To Eden White Vinyl Edition

Eden Rose

LP | 1970 | EU | Reissue (Guerssen)

Clear Memory Black Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Limited to 200 copies on white vinyl!

Proto-progressive, groovy instrumental psychedelia, recorded in France in 1969 by this pre-Sandrose band and released on the tiny Katema label. Swirling Hammond grooves by keyboard virtuoso Henri Garella, top guitar playing by Jean-Pierre Alacen and a tight, funky rhythm section create one of the best early prog/psych French albums ever. First reissued on Guerssen back in 2016 and out of print for many years, here's a repress in hard cardboard sleeve + OBI - resealable outer sleeve.

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Bomis Prendin

LP | 1984 | EU | Reissue (Mental Experience)

LP | 1981 | EU | Reissue (Universal)

Release: 1984 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Formed in 1978, Bomis Prendin is a collective of experimental “noisicians” from Washington DC, pioneers within the DIY, Industrial, cassette culture and experimental electronics scene. Using cassette recorders, mutated musical toys, electric guitars, bass, rewired circuitry, analog pedal effects & cheap keyboards, they recorded and released in the late 70s a couple of astounding flexi-discs (Test and Phantom Limb) which led to them being included on the infamous Nurse With Wound list. “Clear Memory” was originally released in 1984 only on cassette (50 copies) and it’s an incredible example of DIY mutant psychedelic pop and homemade electronic weirdness which sounds years ahead of its time. Here’s the first ever reissue.

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Kiss

Music From The Elder

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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LP | 1977 | CA | Reissue (Return To Analog)

Morse Code

Je Suis Le Temps

Release: 1977 / CA – Reissue

Genre: Rock & Indie

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LP | 1988 | EU | Reissue (Metal Blade)

Cannibal Corpse

The Wretched Spawn

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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LP | 1972 | UK (Trading Places)

Stack Waddy

Bugger Off!

Kath Bloom & Loren Connors

Release: 1972 / UK

Genre: Rock & Indie

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Bugger Off! picked up where its predecessor left off, and rampaged on from there. Covers
of Zappa’s “Willy the Pimp” and the Kinks’ “You Really Got Me” might have seemed a little obvious, but both are battered down
with such a glorious lack of finesse that it’s impossible to object — anybody familiar with, respectively, Juicy Lucy and the
Hammersmith Gorillas’ versions of the same songs will come in with at least a vague idea of what to expect, but that’s about
it. “Hoochie Coochie Man” is even more disheveled, and when John Peel’s liner notes reminisce on the group’s insistence
on recording live, you can tell he’s not necessarily looking back with any fondness.
On one occasion, he suggested they do a little overdubbing. The band’s response to his words would become the album’s title.
Including “Mama Keep Your Big Mouth Shut” as bonus track taken from the 1972 John Peel Session.

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Sand In My Shoe Black Vinyl Edition

LP | 1983 | EU | Reissue (Chapter Music)

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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LP | 1971 | EU | Reissue (Guerssen)

Salamander

The Ten Comandments

LP | 1971 | US | Reissue (Return To Analog)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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UK 1971 album released on the Youngblood label.
Based in The Ten Commandments, though not proved to be Christian rock itself, the album is a nice progressive pop-rock disc showing influence of Deep Purple and The Moody Blues, with good dose of organ, guitar and brass.
Fantastic reissue in a four-way foldout poster-type picture cover, housed in deluxe PVC outer sleeve.
180 gram vinyl, remastered sound from master tapes, and insert with liner notes by Andy Morten.

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Morse Code Transmission

Release: 1971 / US – Reissue

Genre: Rock & Indie

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LP | 1984 | US | Reissue (Return To Analog)

Genetic Control

First Impressions

LP | 1975 | EU | Reissue (Sommor)

Release: 1984 / US – Reissue

Genre: Rock & Indie

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We are glad to announce the first official reissue of Genetic Control's 1984 first impressions EP.This 35th anniversary edition will be released as a full length vinyl with loads of never before released tracks from the Genetic Control vaults. Limited to 500 numbered copies.

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Second Sign

Revolucion Electronica En Musica Venezolana

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Mid-70s UK hard/progressive/psychedelic band in the vein of Narnia, Saturnalia or Fruupp with connections to doom outfit Warlord. Featuring female vocalist Irene Menasche. This is the first ever vinyl release of their 1975 studio recordings. Music ranges from ultra-raw hard-rock to folk-rock, culminating in the 9-minute epic psych-prog masterpiece “Golden Age”.

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Chelique Sarabia

LP | 1973 | EU | Reissue (Pharaway Sounds)

LP | 1978 | US | Reissue (Return To Analog)

Release: 1973 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Ultimate space-age exotica trip from Venezuela.
In the early 70s, well-known composer and arranger Chelique Sarabia (who penned the famous “Ansiedad” when he was just a kid) decided to register an album of traditional & folkloric songs from Venezuela but giving them a modern touch, using especially developed equipment (M.R.A.A.), based off of the principles of the Moog.
Chelique, helped by a team of gifted musicians, employed traditional instruments like the cuatro and the bandola llanera, filtering them through oscillators, playing with feedback, tape delay, synthesized frequencies, echoing sounds… The result was “Revolución Electrónica en Música Venezolana”, an album with a truly exotic, psychedelic, and ahead of its time sound.
Originally, the album was sponsored by the Shell Company in Venezuela, given away to customers, employees and friends of the company as a Christmas gift in 1973. It was titled “4 Fases del Cuatro - Música Venezolana desarrollada Electrónicamente por Chelique Sarabia” (“4 Phases of Four – Venezuelan Music Electronically Developed by Chelique Sarabia”). Once the exclusivity period with the petrol company was over, Chelique did a commercial release, this time under the name of “Revolución Electrónica en Música Venezolana” (“Electronic Revolution in Venezuelan Music”). Thanks to this, Chelique and his team were considered electronic music pioneers in Latin America.
“In the past five decades, there have been many attempts at modernizing the vast folkloric tradition of Venezuela, but nobody has reached the level of depth that CHELIQUE SARABIA did when he put his impeccable reputation as a composer and arranger at risk with this out-of-the-blue revolutionary musical manifesto in 1971. 47 years later, an album that remains ahead of its time.” - Alex Figueira (Fumaça Preta)

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Eden

Release: 1978 / US – Reissue

Genre: Rock & Indie

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LP | 1984 | US | Reissue (Return To Analog)

D.D.T.

Let The Screw

Release: 1984 / US – Reissue

Genre: Rock & Indie

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LP | 1981 | US | Reissue (Return To Analog)

Gilles Rivard

En Couleurs

Release: 1981 / US – Reissue

Genre: Rock & Indie

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LP | 1989 | EU | Reissue (Nuclear Blast)

Meshuggah

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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I Don't Want To Die In Your War

Anti

LP | 1982 | EU | Reissue (Radiation Reissues)

Whistling Jigs To The Moon

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Part of the late '70s/early '80s HC/punk explosion out of the Los Angeles area, where bands like Black Flag, Circle Jerks, Minutemen, and Bad Religion originated from, ANTI formed in 1979 by a then teenage Danny Phillips, better known as Danny Dean, who was the bassist / guitarist and first original vocalist, primary songwriter, and sole continuous member throughout multiple lineup changes during the past 40 years. Their 1982 debut album,I Don't Want To Die In Your War, was recorded and mixed by legendary producer and sound engineer for Black Flag and Descendents, SPOT. It is a major example of California Hardcore from the early 80's. Despite having been completely underrated, ANTI's 1982 debut paved the way for a lot of California punk to come. Available again for the first time after almost four decades on its original format, with its original artwork and complete with insert thanks to Radiation Records.

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Flibbertigibbet

LP | 1974 | EU | Reissue (Sommor)