Rock & Indie 2521 Items

Release: 1971 / UK – Reissue

Genre: Rock & Indie

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Pappo's Blues Black Vinyl Edition

Pappo's Blues

LP | 1971 | EU | Reissue (Svart)

Pappo's Blues Amber Black Smoke Vinyl Edition

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Svart Records is proud to reissue the production of Argentinian blues rock legend Pappo's Blues as vinyl versions. Guitarist-singer Pappo aka Norberto Aníbal Napolitano (1950 – 2005) is one of his country's biggest rock legends, who also managed to make a career outside his home country. He was there right from the beginning of Argentine rock, as guitarist of the first version of Los Abuelos de la Nada, Conexión Nº 5, Engranaje and Los Gatos, the band that made Argentine rock a household name thanks to the success of their first single, “La Balsa”, which sold more than 200.000 copies in 1967.

Jorge Álvarez (co-founder of the first Argentinian independent rock label Mandioca) encouraged Pappo to develop his own music. What followed was the formation of the first version of Pappo’s Blues in 1971, a trio that had Pappo himself on guitar and vocals, David Lebón on bass and Black Amaya on drums. Their self-named debut album was an unqualified success among the ever-growing audience of Argentine rock. It contained a bundle of all-time classics such as “El hombre suburbano” (The suburban man), “El viejo” (The old man) and “Adónde está la Libertad” (Where is freedom?).

Pappo’s Blues (1971, also known as “Volume One”) introduced a new element to Argentine rock: a harder rock and blues sound, combined with intelligent and sensitive lyrics with centered on the vicissitudes of a typical young man trying to live life according to his own rules, surrounded by the mores of an intolerant society. The arabesques of Pappo’s guitar, complemented by a solid and yet elastic rhythm section, made for an exciting and daring sound, where his trademark rock and blues sound also extended to embrace blues ballads and even excursions into psychedelia.

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Pappo's Blues

LP | 1971 | EU | Reissue (Svart)

Smash Your Head Against The Wall Green Vinyl Edition

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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John Entwistle

LP | 1971 | UK | Reissue (Demon)

Release: 1971 / UK – Reissue

Genre: Rock & Indie

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LP | 1971 | EU | Reissue (Wiseraven)

Trifle

First Meeting

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Camenbert Electrique Black Vinyl Edition

Gong

LP | 1971 | UK | Reissue (Charly)

Release: 1971 / UK – Reissue

Genre: Rock & Indie

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Camenbert Electrique Marbled Vinyl Edition

Gong

LP | 1971 | UK | Reissue (Charly)

33,99 €*

Release: 1971 / UK – Reissue

Genre: Rock & Indie

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No Secrets Pink Vinyl Edition

Carly Simon

LP | 1971 | US | Reissue (Friday Music)

42,99 €*

Release: 1971 / US – Reissue

Genre: Rock & Indie

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LP | 1971 | EU | Reissue (Endless Happiness)

John Mayall

Thru The Years

22,99 €*

A Tribute To Jack Johnson

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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“Thru The Years” is a compilation album of music by John Mayall released in October 1971 by Decca Records in the U.K. and London Records in the U.S.A. The album was the second compilation to be issued by Decca/London with Mayall's blessing and it features a mixture of previously unissued songs or non-album tracks that had only been released as singles. A grab bag of rare tracks from the '60s, some of which stand among Mayall's finest. His debut 1964 single "Crawling Up a Hill" is one of his best originals. The eight songs featuring Peter Green include some top-notch material that outpaces much of the only album recorded by the Green lineup (A Hard Road), particularly the Green originals "Missing You" and "Out of Reach," a great B-side with devastating, icy guitar lines and downbeat lyrics that ranks as one of the great lost blues-rock cuts of the '60s. The set is filled out with a few songs from the Mick Taylor era, the highlight being the vicious instrumental "Knockers Step Forward."

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Miles Davis

LP | 1971 | US | Reissue (Mobile Fidelity Sound Lab)

84,99 €*

Release: 1971 / US – Reissue

Genre: Rock & Indie

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LP | 1971 | EU | Reissue (Soulgramma)

Milt Matthews Inc.

For The People

LP | 1971 | JP | Reissue (Warner Music Japan)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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A key funk release from 1971, For The People was the 2nd album by interracial soul-rock band led by vocalist Milt Matthews. All the way from Wilson, North Carolina, Milton Ray Matthews was an inspired songwriter in the vein of master Curtis Mayfield and follower Lou Bond. With a series of excellent cover version – BB King ‘The Thrill Is Gone’, The Beatles ‘A Hard Days’ Night’ (stylistically related to the acid r&b Stax records was in charge at the time) and Blind Faith ‘Presence Of The Lord’ - the record is full of acid-blues chops and sensuous numbers. Filling the gap between modern psychedelia and afro-american consciousness, 'For The People' literally ascend to the title of black tinged rock opera.

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Flower Travellin' Band

Satori

2LP | 1972 | DE | Reissue (David Volksmund)

Release: 1971 / JP – Reissue

Genre: Rock & Indie

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Released in 1971, this was the first album produced by a Japanese artist with the overseas market in mind. It was released simultaneously in the United States, Canada, and Japan, and the single ""satori Part 2"" reached number 8 in Canada. Due to the trend of Oriental thought in Europe and America, his works are characterized by incorporating more Eastern and Japanese sounds. Japan at this time was also in the transition period from GS to folk, and there were still few people who accepted rock, but they continue to be supported by their advanced sound. Of course, it is very popular overseas and its popularity is still undiminished.

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Ton Steine Scherben

Keine Macht Für Niemand

Release: 1972 / DE – Reissue

Genre: Rock & Indie

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LP | 1972 | EU | Reissue (Vinyl Lovers)

Caetano Veloso

Transa

27,99 €*

LP | 1972 | EU | Reissue (Wah Wah)

Release: 1972 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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remastered reissue of the 1972 album on 180g vinyl

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Ibliss

Supernova

Release: 1972 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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In The Court Of The Crimson King

King Crimson

LP | 1972 | UK | Reissue (Panegyric)

LP | 1972 | US | Reissue (RCA)

Release: 1972 / UK – Reissue

Genre: Rock & Indie

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classic prog-rock masterpiece gets the reissue on 200 gram vinyl!

- "21st Century Schizoid Man" sampled by Aesop Rock for "Kill 'em All" and
Kanye West for "Power"

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Highway Robbery

For Love Or Money

19,99 €*

Release: 1972 / US – Reissue

Genre: Rock & Indie

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LP | 1972 | UK | Reissue (Atlantic)

Yes

Close To The Edge

Release: 1972 / UK – Reissue

Genre: Rock & Indie

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LP | 1972 | EU | Reissue (Music On Vinyl)

Mott The Hoople

All The Young Dudes

The Magic Spell Of Mother's Wrath

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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180 gram vinyl!

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Mormos

LP+7" | 1972 | EU | Reissue (Wah Wah)

20,99 €*

Weird Scenes Inside The Gold Mine

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Originally issued in French CBS in 1972, the Wah Wah reissue reproduces the original glossy laminated sleeve and will come with an insert with photos and text by Jim Cuomo himself. As a bonus, a 7" p/s EP will be added featuring the band's second CBS 45 plus two previously unreleased songs from the era. Remastered from the original tapes by Roger Prades, this edition will be limited to 500 copies only. Get yours before it's too late!

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The Doors

2LP | 1972 | UK | Reissue (Warner)

29,99 €*

Release: 1972 / UK – Reissue

Genre: Rock & Indie

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Analogy Black Vinyl Edition

Analogy

LP | 1972 | EU | Reissue (AMS)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Raccomandata Ricevuta Ritorno

Per Un Mondo Di Cristallo

LP | 1972 | EU | Reissue (Vinyl Magic-Warner)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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LP | 1972 | DE | Reissue (Universal)

Nick Drake

Pink Moon

Release: 1972 / DE – Reissue

Genre: Rock & Indie

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LP | 1972 | DE | Reissue (Atlantic)

Genesis

Foxtrot

32,99 €*

Release: 1972 / DE – Reissue

Genre: Rock & Indie

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LP | 1972 | EU | Reissue (Subliminal Sounds)

Nature

39,99 €*

LP | 1972 | EU | Reissue (Music On Vinyl)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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The first ever vinyl reissue of a rare and sought after Swedish underground hardrock/psych treasure from 1972. The band consisted of some real heavy weight musicians and they managed to create the ultimate so called 'brass och ol' (pot and beer) album. The LP includes a booklet with previously unpublished photos and in-depth liner notes by Reine Fiske. Limited edition of 600 copies.

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Babe Ruth

First Base

2LP | 1972 | EU | Reissue (Parlophone)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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First Base is an album by British rock music group Babe Ruth. It was released in September 1972 and went gold in Canada, and sold very well in the US. It was their biggest success, both in terms of popular and critical acclaim. This LP defined an interesting junction between hard rock and progressive rock.

180g vinyl.

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Jethro Tull

Live In the Past

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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LP | 1972 | EU | Reissue (Warner)

Udo Lindenberg

Daumen Im Wind

29,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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LP | 1972 | EU | Reissue (HiD)

Agitation Free

Malesch

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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LP | 1972 | UY | Reissue (Little Butterfly)

Dias De Blues

LP | 1972 | EU | Reissue (Wah Wah)

Release: 1972 / UY – Reissue

Genre: Rock & Indie

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Dias De Blues (from Montevideo, Uruguay) was formed in 1972 by Jorge Barral (bass), Daniel Bertolone (guitar) and Jorge Graf (drums). They developed a blues and heavy rock style that was characterized by the virtuosity of the musicians, a straight ahead rhythmic base and lots of energy and aggression. With all these elements the band created mind bending, extensive improvisations. This is a reissue of the band's 1972 album.

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9:30 Fly

20,99 €*

LP | 1972 | EU | Reissue (Bacillus)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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9.30 Fly formed in Cheltenham, UK, in 1971 with Michael Wainwright (vocals), Barbara Wainwright (vocals, piano), Lyn Oakey (guitar), Gary Charman (bass) and Mike Clark (Drums). They soon gathered local popularity, even opening for The Velvet Underground at Malver Winter Gardens in 1972. That same year they released their eponymous LP on Ember, offering in it a fantastic selection of original tunes in the finest UK prog rock style, mixing in some folkie melodies and keeping a psychedelic air all through the grooves.

Their original Ember LP has since become a rare collectors' piece that gets now it's first legit vinyl reissue since 1972, with remastered sound and respecting the original textured gatefold sleeve and artwork, in a strictly limited edition of only 500 copies.

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Epsilon

Move On

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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LP | 1972 | US | Reissue (Sony Legacy)

Santana

Caravanserai

Release: 1972 / US – Reissue

Genre: Rock & Indie

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LP | 1972 | EU | Reissue (Sony Legacy)

Simon & Garfunkel

Greatest Hits

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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LP | 1972 | EU | Reissue (Warner Music Poland)

Skaldowie

Krywan, Krywan

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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LP | 1972 | EU | Reissue (Wah Wah)

Siloah

Sukram Gurk

20,99 €*

Doug Clifford (Creedence Clearwater Revival)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Coming out of the boiling Munich scene of the sixties that also gave us the original Amon Düül (Thom Argauer had played in a dixieland band with Chris Karrer in the late 60s, actually), Siloah are one of the best kept secrets of the krautrock production. In 1972 Siloah had suffered a certain number of changes. Thom Argauer was still leading the project, but since his coleagues had left the farm in which they were all leaving he had to start again with new members Markus Krug and Florian Laber. He also looked for a more electric approach, himself moving from acoustic guitar to electric organ.

'Sukram Gurk' was the title chosen for their second LP. It was the name of Markus Krug spelled backwards. Markus' name was chosen because it was the one that sounded better phonetically to the ears of the trio. The sound of the album takes it all one step further, turning into an electric storm, yet retaining the free psychedelic improvisation feel of its predecessor.

The Wah Wah reissue is made in cooperation with Thom Argauer family, it has been cut from the original master tapes, has one bonus track not on the original LP added, features an insert with photos and liner notes and comes in a strictly limited edition of 500 copies only.

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Doug "Cosmo" Clifford

LP | 1972 | EU | Reissue (Craft)

2LP | 1972 | EU | Reissue (BMG)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Originally released in 1972, Cosmo - the only solo effort from Creedence Clearwater Revival’s drummer Doug “Cosmo” Clifford - was recorded not long after the breakup of the legendary Bay Area band. Encompassing elements of country and R&B, plus plenty of up-tempo hooks, Cosmo includes eight original compositions, plus covers of tracks from the Spencer Davis Group (“I’m a Man”), John Sebastian’s “Daydream” and Doug Sahm’s “She’s About a Mover.” The album features CCR’s bassist Stu Cook on rhythm guitar, legendary sideman and Stax session musician Donald “Duck” Dunn on bass, plus members of Tower of Power on horns. Available for the first time in 45 years, the album is newly remastered by Clifford, pressed on 180-gram vinyl and housed in an old-school-style, tip-on jacket. An essential addition to every CCR or Grateful Dead aficionado’s record collection.

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Amon Düül

Carnival In Babylon

32,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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LP | 1972 | US | Reissue (Manufactured)

Nitai Dasgupta

Songs Of India

24,29 €* 26,99 € -10%

Folkal Point Black Vinyl Edition

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Manufactured Recordings reissues two Indian Classical LPs, Songs Of India from prominent vocalist Nitai Dasgupta and Three Sitar Pieces by trained instrumentalist Pandit Kanwar Sain Trikha, both originally released on Vic Keary’s underground label, Mushroom Records, in the early 70s.

While Vic Keary’s background was in reggae, Mushroom Records dabbled in recording a bit of everything. Mostly known for hyper-rare Psych, Prog and Acid Folk, Nitai Dasgupta and Pandit Kanwar Sain Trikha’s diverse LPs fit in perfectly with their British Psych and Prog label mates like Simon Finn, Magic Carpet, and Chillum.

Nitai Dasgupta was one of the most talented Indian classical singers in Great Britain. His sweetness and flexibility created a unique style complemented by his melodious voice and composing abilities. Songs Of India pleases the lovers of Indian classical and semi-classical music while enticing pop and folk lovers. This LP even caught the ears of acclaimed electronic artist, Four Tet, who featured track “Cham Cham Cham Cham” on his NTS Radio show.

I inherited the Nital Dasgupta LP from my grandfather. I’ve no idea how he came to have it and after he died it sat on a shelf for many years before I found it and gave it a listen. – Kieran Hebden aka Four Tet

Both LPs are fascinatingly diverse pieces of work that dive into the intersection of folk, classical, and psychedelic music.

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Folkal Point

LP | 1972 | US | Reissue (Beat Ball Music)

34,99 €*

LP | 1972 | UK (Trading Places)

Release: 1972 / US – Reissue

Genre: Rock & Indie

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* Faithfully restored artwork from the original vinyl
* 180 gram heavy weight vinyl
* Laminated old style tip-on gate folded jacket
* Obi strip / Includes 8 page insert with rare photos
* Limited edition

In 2015, a successful bid of £3,560 (some ₩5 million) was made on a single album on eBay – this was the 1972 original UK press of Folkal Point’s album. This album had remained shrouded in mystery for more than 4 decades without ever being officially reissued, after most of the original material and master tapes were lost to fire and flooding. So how did it come to pass that this album, which featured unassuming music that reflected the trends of its time – modern and traditional folk – became so sought-after?

In the early 1970s, there were three teenagers from Bristol, a port city in south-western England, who played American modern folk songs. The boys – Stuart Amesbury, Mark Steed, and Paul Cook – were offered to play at a school concert. Realizing that none of them could sing properly, they began looking for a singer. They recruited Cherie Musialik, who was recommended to them by a music teacher. After making a successful debut by performing tunes by Tom Paxton, the Seekers, and Bob Dylan, word of the band soon spread to London. A radio appearance by Alan Green of the Midas label led to his producing the band’s album. A total of 500 copies were pressed, with 250 copies going to the band’s members and 250 copies kept in storage by Midas. However, due to the lack of any real promotion, the records had to be sold by the members themselves at concerts. Because of this, they had trouble breaking even, let alone covering the production costs. To make matters worse, the copies that were being stored by Midas were lost forever to fire and flooding, after which the band eventually disappeared from the public eye. However, as word of the album’s beauty gradually spread among collectors, it soon came to be praised as one of the masterpieces of British folk. In addition to traditional British folk songs, this album featured covers of five tunes – Dylan’s ‘You Ain’t Going Nowhere’, Paxton’s ‘Victoria Dines Alone’, Baez’s ‘Sweet Sir Galahad’, Mitchell’s ‘Circle Games’, and ‘Anathea’ by Judy Collins – which have been elegantly arranged without encroaching on the source material. However, what really set this album apart was the million-dollar voice of Cherie Musialik, which has a deeply moving and enchanting quality to rival any of the greats of her time. It’s no exaggeration to say that what could have been an unremarkable work was elevated to greatness by virtue of Musialik’s voice. As the first installation in the British Rare Folk series from Merry Go Round Records, this is the first official reissue to fully recreate the cover design of the original version, including an 8-page insert that is lavishly laid out with lyrics and photos of the band members. Through its reissue, this album has crossed over from the realm of the unknowable to become a welcome part of our lives. How rare it is, to finally regard a legend under a plain light to end up cherishing it even more rather than being disappointed – but this is precisely what this album by Folkal Point achieves.

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Stack Waddy

Bugger Off!

21,99 €*

LP | 1972 | CA | Reissue (Return To Analog)

Release: 1972 / UK

Genre: Rock & Indie

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Bugger Off! picked up where its predecessor left off, and rampaged on from there. Covers
of Zappa’s “Willy the Pimp” and the Kinks’ “You Really Got Me” might have seemed a little obvious, but both are battered down
with such a glorious lack of finesse that it’s impossible to object — anybody familiar with, respectively, Juicy Lucy and the
Hammersmith Gorillas’ versions of the same songs will come in with at least a vague idea of what to expect, but that’s about
it. “Hoochie Coochie Man” is even more disheveled, and when John Peel’s liner notes reminisce on the group’s insistence
on recording live, you can tell he’s not necessarily looking back with any fondness.
On one occasion, he suggested they do a little overdubbing. The band’s response to his words would become the album’s title.
Including “Mama Keep Your Big Mouth Shut” as bonus track taken from the 1972 John Peel Session.

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Franck Dervieux

Dimension M

Release: 1972 / CA – Reissue

Genre: Rock & Indie

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LP | 1972 | EU | Reissue (Alucard)

Gentle Giant

Octopus

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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LP | 1972 | EU | Reissue (RCA)

Lou Reed

Transformer

Exile On Main Street Half Speed Remastered Edition

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Legendary second solo studio album by American recording artist Lou Reed. Produced by David Bowie and arranged by Mick Ronson, the album was released in November 1972 by RCA Records. Pressed on standard black vinyl.

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The Rolling Stones

2LP | 1972 | EU | Reissue (Polydor)

38,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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LP | 1972 | CA | Reissue (Return To Analog)

Dionysos

Le Prince Croule

21,99 €*

Release: 1972 / CA – Reissue

Genre: Rock & Indie

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Prosperous Record Store Day 2020 Edition

Christy Moore

LP | 1972 | UK | Reissue (Tara)

LP | 1972 | EU | Reissue (Universal)

Release: 1972 / UK – Reissue

Genre: Rock & Indie

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Record Store Day 2020 Release. Limitation: 1000. Numbered. Prosperous was originally released in 1972, and was the first release on the iconic Irish music label 'Tara Music', which was also home to early Clannad records, Planxty, Moving Hearts & Stockton'

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Balletto Di Bronzo

63,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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LP | 1972 | EU | Reissue (Green Tree)

Abacus

Everything You Need

You Don't Mess Around With Jim / Operator (That's Not The Way It Feels) Record Store Day 2021 Edition

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Studio Album, released in 1972. CD reissue 2012 New Music-Green Tree + 2 exclusive bonus tracks. 8-page booklet, digitally remastered

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Jim Croce

12" | 1972 | EU | Reissue (BMG)

17,99 €*

Preserve Wildlife Orange Vinyl Edition

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Record Store Day 2021 Release. Color: Tangerine.

Limited edition double A-side on 12” Tangerine vinyl, featuring the first two singles from Jim Croce’s 1972 album, You Don’t Mess Around with Jim, which hit #1 in the US and Canada is RIAA Certified GOLD

Also included are the original B-sides “Photographs and Memories” and “New York’s Not
My Home”

The release also includes replicated original front cover art from both singles, one on each side.

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Mama Lion

LP | 1972 | EU (Future Shock)

24,69 €* 25,99 € -5%

Showmen 2 (Napoli Centrale) White Transparent Record Store Day 2021 Edition

Release: 1972 / EU

Genre: Rock & Indie

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Debut album for Lynn Carey's band, Mama Lion. The ten song blues rock recording, which opens with a three-minute remake of Bill Withers' "Ain't No Sunshine", showcases curvaceous Carey competently backed by bassist Neil Merryweather, guitarist Rick Gaxiola and drummer Coffi Hall. Has to be one of the best album covers of all time.

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Showmen 2

LP | 1972 | EU | Reissue (Udp Disco Piu)

32,99 €*

Radius Colored Record Store Day 2021 Edition

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Record Store Day 2021

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Alberto Radius

LP | 1972 | EU | Reissue (Numero Uno)

Daddy's Dream / Since You've Been Gone Colored Record Store Day 2021 Edition

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Record Store Day 2021 Drop 2 release.

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Stratos Demetrio

7" | 1972 | EU | Reissue (Numero Uno)

12,59 €* 13,99 € -10%

LP | 1972 | EU | Reissue (Vampisoul)

Release: 1972 / EU – Reissue

Genre: Rock & Indie, Pop

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Record Store Day Italia 2021 Drop 2 release.

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Manduka

17,99 €*

Slayed? Colored Vinyl Edition

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Progressive Psych Folk At Its Best Featuring Members Of Los Jaivas, Amerindios And Congregación.First Album By Brazilian Musician, Poet And Plastic Artist Manduka. Originally Released In 1972 On Irt, The Album Is A Sought-After Collectors Item, Especially Among Those Who Seek In Its Cultural Richness, Fundamental Episodes Of Chilean Popular Musical History.An Essential Record Almost Entirely Written By Manduka During His Exile Years In Chile, Away From His Home In Brazil. It Includes Improvised Jams And Songs About Brazilian History, His Own Exile And The New Cultures He Got Exposed To.A Sublime Combination Of Acoustic Guitar Sounds, Percussions And Delicate Songwriting That May Remind You Of Some Other Brazilian Artists Like Os Novos Baianos Or Even Caetano.It Includes A Special Cover Version Of Violeta Parra's 'Qué Dirá El Santo Padre' And Features Guest Artists Like Soledad Bravo, Patricio Castillo, Baltasar Villaseca -From Congregación-, Brothers Gabriel And Eduardo Parra, Members Of Los Jaivas, And Numhauser Himself.Limited!

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Slade

LP | 1972 | EU | Reissue (BMG Rights Management)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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DNA Clear Red Vinyl Edition

Jumbo

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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2LP | 1972 | EU | Reissue (Reprise)

Neil Young

Harvest

43,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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It Became Crystal Clear Blue Vinyl Edition

Blue Sharks

LP | 1972 | EU | Reissue (Redi / Btf)

27,54 €* 28,99 € -5%

Ethiopian Modern Instrumentals Hits

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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“It Became Crystal” by Blue Sharks is an exclusive release by Redi Edizioni Musicali, an historical company from Milan that, in addition to curating the digital catalogue of Edizioni Leonardi’s library music and sonorizzazioni, is also re-printing faithful vinyl reproductions of the most prestigious titles from Leonardi’s catalogue. These records were originally released in very limited editions, often as not-for-sale promotional material, and many of the original LP’s are now very rare and collectibles almost impossible to find!

The library music LP re-release series by Redi Edizioni Musicali starts off with a true colossus in the genre. The record was written by maestros Giorgio Zinzi (under the pseudonymous “Ipcress” in the record’s credits) and Carmelo Carucci, who managed to involve composer and songwriter Stelvio Cipriani to collaborate with them in 1972: under the name “Blue Sharks” the trio created a perfect mix of rock, funk and soul, together with elements borrowed from their previous soundtrack works. The Moog synthesizer contributes to making this album unique and captivating from its first to last note. An evergreen classic!

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V.A.

LP | 1972 | JP | Reissue (Groove Diggers)

CD | 1972 | UK | Reissue (Mobile Fidelity Sound Lab)

Release: 1972 / JP – Reissue

Genre: Rock & Indie

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Seminal compilation of instrumental tracks, originally released in Ethiopia in 1972. Features tracks from Tèsfa-Maryam Kidané, Bahta Gèbrè-Heywèt and Mulatu Astatké including the hit “Yégélé Tezeta”

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Eagles

Eagles SACD Edition

50,99 €*

Release: 1972 / UK – Reissue

Genre: Rock & Indie

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LP | 1972 | EU | Reissue (Elkar)

William S. Fischer

Akelarre Sorta

LP | 1972 | EU | Reissue (Cinedelic)

Release: 1972 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Pello Joxepe is in the bar, but this time he's moving his hips to the sound of Curtis Mayfield's Superfly funk-soul groove. These are the kind of psychedelic visions created by this esoteric "Akelarre Sorta", an unparalleled gem. The African-American saxophonist, pianist and composer William S. Fischer, who worked in the 1950s with stars of the stature of Ray Charles, Muddy Waters, Joe Zawinul and Roberta Flack, in 1972 made an album of catchy, funky versions of popular tunes. And that's it, as simple as it is mysterious and surprising. Little more has ever been known about this recording or about the reasons behind William's visit to the Basque Country. So here it is, ready to attract a new audience to join the cult following it has gradually built up over nearly 50 years.

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Flashmen

Pensando

LP | 1972 | EU | Reissue (Cinedelic)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Finally (after 50 years!) the LP reissue of one of the most loved albums by Italian progressive rock connoisseurs in a limited edition with gatefold cover like the 1972 original released for Kansas (the same label that produced Capricorn College 'Orfeo 2000' and EA Poe ‘Generazioni’). The Flashmen, a quartet from Cremona formed in 1967, have a wide and interesting discography but “Pensando” is at an absolutely superior level as regards creativity and maturity. A remarkable record worthy of the best groups of their contemporaries and aligned with that 'thirst for new' that pervaded the period in which it was made. With the superb organ of Silver Scivoli in the foreground, the distorted guitar of Luciano Spotti and the powerful drumming of Roberto Caroli which in the record demonstrates all its caliber the Flashmen (whose name derives from the Italian film 'Flashman' of 1966) give their best blending Rock Prog, Hard Blues, Psych and Gothic. A limpid and vigorous execution, an over the top recording, scratchy and modern lyrics as well as solid and original in its song structure enclosed between an "Ingresso (Entrance)” and a “Sortita (Sortie)" just like in the best concept albums make " Pensando” an essential album in the genre.

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Capricorn College

Orfeo 2000

21,99 €*

In My Own Time 50th Anniversary Edition 8-Track Cartridge Edition / 8-Spur-Kassette

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Capricorn College was a sextet created by composer / musician Mario Barigazzi known as Barimar and very active since the 1960s. Orfeo 2000 from 1972 is the first of the 2 LPs they produced (both on Kansas) and certainly the most interesting with jazz and prog cues especially in the instrumental tracks and a melodic sang typical of those years in Italy. Masterfully recorded by Maestro Vittorio Paltrinieri at his Fono-Play Studio. A hidden gem of extreme rarity to be rediscovered. First reissue ever in a limited edition.

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Karen Dalton

8Track | 1972 | US | Reissue (Light In The Attic)

48,99 €*

LP | 1972 | EU | Reissue (Virgin)

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Karen Dalton’s 1971 album, In My Own Time, stands as a true masterpiece by one of music’s most mysterious, enigmatic, and enduringly influential artists. Celebrating the album’s 50th anniversary, Light in the Attic is honored to present a newly remastered (2021) edition of the album on LP, CD, cassette, and 8-Track.

All audio has been newly remastered by Dave Cooley, while lacquers were cut by Phil Rodriguez at Elysian Masters.

The Oklahoma-raised Karen Dalton (1937-1993) brought a range of influences to her work. As Lenny Kaye writes in the liner notes, one can hear “the jazz of Ella Fitzgerald and Billie Holiday, the immersion of Nina Simone, the Appalachian keen of Jean Ritchie, [and] the R&B and country that had to seep in as she made her way to New York."

Armed with a long-necked banjo and a 12-stringed guitar, Dalton set herself apart from her peers with her distinctive, world-weary vocals. In the early ‘60s, she became a fixture in the Greenwich Village folk scene, interpreting traditional material, blues standards, and the songs of her contemporaries, including Tim Hardin, Fred Neil, and Richard Tucker, whom she later married. Bob Dylan, meanwhile, was instantly taken with her artistry. “My favorite singer in the place was Karen Dalton,” he recalled in Chronicles: Volume One (Simon & Schuster, 2004). “Karen had a voice like Billie Holiday and played the guitar like Jimmy Reed.”

Those who knew Dalton understood that she was not interested in bowing to the whims of the record industry. On stage, she rarely interacted with audience members. In the studio, she was equally as uncomfortable with the recording process. Her 1969 debut, It’s So Hard to Tell Who’s Going To Love You The Best, reissued by Light in the Attic in 2009, was captured on the sly when Dalton assumed that she was rehearsing songs. When Woodstock co-promoter Michael Lang approached Dalton about recording a follow-up for his new imprint, Just Sunshine, she was dubious, to say the least. The album would have to be made on her own terms, in her own time. That turned out to be a six-month period at Bearsville Studios in Woodstock, NY.

Producing the album was bassist Harvey Brooks, who played alongside Dalton on It’s So Hard to Tell Who’s Going To Love You The Best. Brooks, who prided himself on being “simple, solid and supportive,” understood Dalton’s process, but was also willing to offer gentle encouragement, and challenge the artist to push her creative bounds. “I tried to present her with a flexible situation,” he told Kaye. “I left the decisions to her, to determine the tempo, feel. She was very quiet, and I brought all of it to her; if she needed more, I’d present options. Everyone was sensitive to her. She was the leader.”

Dalton, who rarely performed her own compositions, selected a range of material to interpret—from traditionals like “Katie Cruel” and “Same Old Man” to Paul Butterfield’s “In My Own Dream” and Richard Tucker’s “Are You Leaving For The Country.” She also expanded upon her typical repertoire, peppering in such R&B hits as “When a Man Loves a Woman” and “How Sweet It Is.” In a departure from her previous LP, Dalton’s new recording offered fuller, more pop-forward arrangements, featuring a slew of talented studio musicians.

While ‘70s audiences may not have been ready for Dalton’s music, a new generation was about to discover her work. In the decades following her death, a slew of artists would name Karen Dalton as an influence, including Lucinda Williams, Joanna Newsom, Nick Cave, Angel Olsen, Devendra Banhart, Sharon Van Etten, Courtney Barnett, and Adele. In the recent acclaimed film documentary Karen Dalton: In My Own Time, Cave muses on Dalton’s unique appeal: “There’s a sort of demand made upon the listener,” he explains. “Whether you like it or not, you have to enter her world. And it’s a despairing world.” Peter Walker, who also appears in the film, elaborates on this idea: “If she can feel a certain way in her music and play it in such a way that you feel that way, then that’s really the most magical thing [one] can do.” He adds, “She had a deep and profound and loving soul…you can hear it in her music.”

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Roxy Music

33,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Foetus Green Vinyl Editition

Franco Battiato

Uomo Di Pezza Clear Red Vinyl Edition

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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An internationally known artist, Franco Battiato has been everything in his long career, from beat singer to avantgarde performer, producer, contemporary music composer. His beginnings lay in the mid 60's, with many singles released with no particular success, the first two under his real name of Francesco. He had left the native Sicily (he was born in Jonia, near Catania in 1945) moving to Milan around 1965.

In 1970 after his collaboration with Osage Tribe (that he quit before their only album Arrowhead) he had a record deal with Bla Bla, releasing his first solo album in 1972. Fetus, housed in a outrageous cover (reproducing a foetus) was definitely a prog album, but a very original one, with a minimalist sound mainly based on the use of a Vcs3 synth, unusual lyrics, complex arrangements. Two tracks, Energia and Una cellula were also released as single. (source: www.italianprog.com)

Produced by Pino Massara in the '70s, "Foetus" remained unreleased until 1999, when Vinyl Magic finally released it on CD (VM CD 065).

Limited clear green vinyl edition / Argent laminated cover.

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Le Orme

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Illusion Of The Maintenance Man

Virgin Insanity

LP | 1972 | EU | Reissue (P-Vine)

38,99 €*

More Hot Rocks (Big Hits & Fazed Cookies) Record Store Day 2022 Colored Vinyl Edition

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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In an active internet age that has collectively dug up a wealth of lost and hidden classics in recent times, it's easy to become cynical about the possibility of valuable discoveries still to be made. Illusions Of The Maintenance Man by Virgin Insanity, however, is a stunning record of 70s acid folk and assures us that there will always be a wealth of lost great records as long as there artists who veer off the beaten path. Bob Long formed the band in the 70s in the backdrop of Texas, and there is an eerie, timeless quality to the acoustics of these tracks that spread out and breath life as much today as they did when this album was originally released in 1972. On an earlier version of the album, the late great writer of psychedelic culture Patrick Lundborg wrote glowing liner notes for the album which were sadly never used, but exist in various forms online for those wishing to read more about the album's background. This is the first release for the band since P-vine released a CD containing Long's previously unreleased 2nd and 3rd album in 2006. Modern-day fans of Mount Eerie and Cat Power will surely find something to love in the dream-like rooms and space of Virgin Insanity's world. All tracks are remastered by frontman Bob Long himself and the jacket will be reproduced from specifications of the original version which is now trading at more than $1,800!

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The Rolling Stones

2LP | 1972 | Reissue (ABKCO)

39,99 €*

Reale Accademia Di Musica

Release: 1972 / Reissue

Genre: Rock & Indie

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Limited to 7200 copies.

Exclusive limited edition package for Record Store Day, celebrating the 50th anniversary of this landmark double album release. This iconic collection is a must-have release by the ‘world’s greatest rock and roll band’…!! More Hot Rocks…offers hits, some of the best deeper cuts, and a whole LP side’s worth of rarities that hadn’t yet been available in the United States when this compilation was released.Originally released in 1972, this indispensable 25-track, collection features Not Fade Away, It’s All Over Now, The Last Time, Lady Jane, Dandelion, She’s a Rainbow, Have You Seen Your Mother Baby, Standing in the Shadow?, Out of Time, Tell Me, and We Love You. The rarities include their 1963 debut single Come On, early R&B covers of Fortune Teller and Bye Bye Johnnie, great slide guitar on Muddy Waters’ I Can’t Be Satisfied, (recorded at Chess Studios and in stereo here) and the soulful 1966 U.K. B-side Long Long While. Also included is the stereo version of the psychedelic non-LP B-side Child Of The Moon, previous to the 1972 release, was only heard in mono. This iconic collection is a must-have release by the ‘world’s greatest rock and roll band’…!!

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Reale Accademia Di Musica Record Store Day 2022 Blue Vinyl Edition

LP | 1972 | EU | Reissue (RCA)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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In My Own Time 50th Anniversary Edition

Karen Dalton

Tape | 1972 | US | Reissue (Light In The Attic)

11,99 €*

Il Paese Dei Balocchi Clear Vinyl Edition

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Karen Dalton’s 1971 album, In My Own Time, stands as a true masterpiece by one of music’s most mysterious, enigmatic, and enduringly influential artists. Celebrating the album’s 50th anniversary, Light in the Attic is honored to present a newly remastered (2021) edition of the album on LP, CD, cassette, and 8-Track.

Both the CD and cassette editions feature 9 bonus tracks, including 3 alternate takes from the In My Own Time album sessions, along with 6 previously unreleased tracks captured during Karen’s 1971 European tour, including live at The Montreux Golden Rose Pop Festival and Germany’s Beat Club.

All audio has been newly remastered by Dave Cooley, while lacquers were cut by Phil Rodriguez at Elysian Masters.

The Oklahoma-raised Karen Dalton (1937-1993) brought a range of influences to her work. As Lenny Kaye writes in the liner notes, one can hear “the jazz of Ella Fitzgerald and Billie Holiday, the immersion of Nina Simone, the Appalachian keen of Jean Ritchie, [and] the R&B and country that had to seep in as she made her way to New York."

Armed with a long-necked banjo and a 12-stringed guitar, Dalton set herself apart from her peers with her distinctive, world-weary vocals. In the early ‘60s, she became a fixture in the Greenwich Village folk scene, interpreting traditional material, blues standards, and the songs of her contemporaries, including Tim Hardin, Fred Neil, and Richard Tucker, whom she later married. Bob Dylan, meanwhile, was instantly taken with her artistry. “My favorite singer in the place was Karen Dalton,” he recalled in Chronicles: Volume One (Simon & Schuster, 2004). “Karen had a voice like Billie Holiday and played the guitar like Jimmy Reed.”

Those who knew Dalton understood that she was not interested in bowing to the whims of the record industry. On stage, she rarely interacted with audience members. In the studio, she was equally as uncomfortable with the recording process. Her 1969 debut, It’s So Hard to Tell Who’s Going To Love You The Best, reissued by Light in the Attic in 2009, was captured on the sly when Dalton assumed that she was rehearsing songs. When Woodstock co-promoter Michael Lang approached Dalton about recording a follow-up for his new imprint, Just Sunshine, she was dubious, to say the least. The album would have to be made on her own terms, in her own time. That turned out to be a six-month period at Bearsville Studios in Woodstock, NY.

Producing the album was bassist Harvey Brooks, who played alongside Dalton on It’s So Hard to Tell Who’s Going To Love You The Best. Brooks, who prided himself on being “simple, solid and supportive,” understood Dalton’s process, but was also willing to offer gentle encouragement, and challenge the artist to push her creative bounds. “I tried to present her with a flexible situation,” he told Kaye. “I left the decisions to her, to determine the tempo, feel. She was very quiet, and I brought all of it to her; if she needed more, I’d present options. Everyone was sensitive to her. She was the leader.”

Dalton, who rarely performed her own compositions, selected a range of material to interpret—from traditionals like “Katie Cruel” and “Same Old Man” to Paul Butterfield’s “In My Own Dream” and Richard Tucker’s “Are You Leaving For The Country.” She also expanded upon her typical repertoire, peppering in such R&B hits as “When a Man Loves a Woman” and “How Sweet It Is.” In a departure from her previous LP, Dalton’s new recording offered fuller, more pop-forward arrangements, featuring a slew of talented studio musicians.

While ‘70s audiences may not have been ready for Dalton’s music, a new generation was about to discover her work. In the decades following her death, a slew of artists would name Karen Dalton as an influence, including Lucinda Williams, Joanna Newsom, Nick Cave, Angel Olsen, Devendra Banhart, Sharon Van Etten, Courtney Barnett, and Adele. In the recent acclaimed film documentary Karen Dalton: In My Own Time, Cave muses on Dalton’s unique appeal: “There’s a sort of demand made upon the listener,” he explains. “Whether you like it or not, you have to enter her world. And it’s a despairing world.” Peter Walker, who also appears in the film, elaborates on this idea: “If she can feel a certain way in her music and play it in such a way that you feel that way, then that’s really the most magical thing [one] can do.” He adds, “She had a deep and profound and loving soul…you can hear it in her music.”

1–10: Originally released as Just Sunshine – PAS 6008, 1971 11–13: Alternate Takes from album sessions, 1970/71 14–15: Recorded live at Beat Club, Germany, April 21, 1971 16–19: Recorded live at The Montreux Golden Rose Pop Festival, May 1, 1972

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Il Paese Dei Balocchi

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Fede Speranza Carita Clear Purple Vinyl Edition

J.E.T.

LP | 1972 | EU | Reissue (AMS)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Scolopendra Clear Vinyl Edition

Alluminogeni

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Raccomandata Ricevuta Di Ritorno

Per Un Mondo Di Cristallo Clear Vinyl Edition

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Tape | 1972 | EU | Reissue (Grönland)

Neu!

19,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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2LP | 1972 | EU | Reissue (Warner Music Poland)

Czeslaw Niemen

Volume 1 & Volume 2

33,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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LP | 1972 | EU | Reissue (Supraphon)

Vera Spinarova

Andromeda

LP | 1972 | EU | Reissue (Croatia)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Long-playing Prague debut of a great Ostrava singer

Vera spinarova had to wait until 1972 for her first album. The little lady with the big voice had already had a few hits, but as was the custom at the time, without a strict genre focus, the turn of the sixties and seventies sounded like this. Her energetic delivery was given some excellent opportunities, but it also helped the songs she covered to be at times more vital than the original.

This album is similarly conceived. In her search for the best, spinarova retained Ivo Pavlik’s band, but she was suitably supported by radio big bands at some of the recordings. Among the authors are D. Volejnicek, P. Hannig, B. Ondracek, V. Popelka or Olympic P. Janda. Lyricists V. cort, E. Krecmar, Z. Borovec, M. Prostejovsky, V. Postulka, Z. Rytir or the exceptional J. Werich (“Summertime”) undoubtedly benefited.

The opening medley, led by Music-box, was joined by songs from domestic sources of the quality of “My adie”, but also by the imports “Mame maj” (Wight Is Wight), Den a noc (She’s not there) and Volej, volej (Soley, soley). There was a considerable stylistic range from fine pop to rock pieces to insistent bubble-gum. It is a lasting testament to the singer’s vocal sovereignty. She would have been only 70 in December...

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Time

27,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Quella Vecchia Locanda Clear Green Vinyl Edition

Quella Vecchia Locanda

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Laissez-Nous Vous Embrassez Ou Vous Avez Mal

Peloquin Sauvageau

LP | 1972 | US | Reissue (Return To Analog)

Release: 1972 / US – Reissue

Genre: Rock & Indie

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LP | 1972 | EU | Reissue (Life Goes On)

Flower Travellin' Band

Made In Japan

Europe '72 (Live) (50th Anniversary Edition)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Made In Japan is the third album by Japanese rock band Flower Travellin' Band, released in 1972. After meeting Lighthouse at the Expo '70 festival in Osaka, Flower Travellin' Band were invited to visit Canada. While there, the group recorded Made in Japan with Lighthouse keyboardist Paul Hoffert helping produce. Due to George Wada becoming ill with tuberculosis, Canadian drummer Paul DeLong plays on some tracks on this album. The lyrics were written by Yoko Nomura, the wife of the band's manager, who translated conversations she had with the group and their ideas into English. "Heaven and Hell" was written by Yamanaka in Japanese and she translated it. The song "Hiroshima" is a re-imagining of "Satori Part Iii" from their previous album Satori. The introductory first track is an advertisement for a concert at Stanley Park Stadium by Flower Travellin' Band, Emerson, Lake & Palmer, Bob Seger and Teegarden & Van Winkle, with a clip of "Lucky Man" playing in the background.

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Grateful Dead

3LP | 1972 | EU | Reissue (Rhino)

54,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Thick As A Brick (50th Anniversary Edition)

Jethro Tull

LP | 1972 | EU | Reissue (Parlophone Label Group)

41,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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LP | 1972 | EU | Reissue (Sommor)

The Running Man

Sognando E Risognando Pink Vinyl Edition

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Top notch hard progressive album with blues/jazz influences, originally released in 1972 on the collectable RCA-Neon label. Featuring the legendary Ray Russell (John Barry Seven, Graham Bond, Georgie Fame…) on devastating fuzz guitar plus Alan Greed (Harsh Reality) on bass, Alan Rushton (Mouse) on drums and Gary Windo (Centipede) on sax.

Bootlegged many times on vinyl, here’s an official reissue with fantastic remastered sound by Ray Russell, original artwork in gatefold sleeve plus color insert with liner notes and rare photos / memorabilia.

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Formula 3

LP | 1972 | EU | Reissue (Numero Uno)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Rocky Mountain High 50th Anniversary Edition

John Denver

LP | 1972 | EU | Reissue (Windstar)

LP | 1972 | EU | Reissue (Life Goes On)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Celebrating the 50th Anniversary of the Rocky Mountain High album and song, John Denver's Windstar Records is reissuing the album on limited edition Transparent Blue Vinyl. Originally released September 15, 1972, Rocky Mountain High was Denver's first Top 10 album, propelled by the self-titled single. In 2007, the title track was made a state song of Colorado. The album has gone on to earn 2x Platinum status and the title track certified Gold. In the early 1970s, Denver was one of the first artists to share an environmental message through his music, and fans responded. John understood that responsibility came with having a public voice. The album's iconic namesake Rocky Mountain High was written while Denver was camping in the Rocky Mountains during the Perseid Meteor Shower, with lyrics expressing the love and wonder John Denver felt for his adopted state of Colorado, and speaking of environmental sustainability. Released while war was raging in Vietnam, the album's second single "Prisoners" tells a story of prisoners of war. The album also features Denver's take on songs by The Beatles and John Prine, and the five-part Season Suite finds reflection through the seasons.

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East

12,99 €*

Akira Ishikawa & Count Buffaloes

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Possibly one of the most fascinating psychedelic album coming out of Japan in the early seventies. Published in 1972 on Capitol Records eastern brand, the album was then fully licensed to both the UK and American market, due to his fascinating and lysergic moments. The opener 'Beautiful Morning' soon became a classic on its own, showing the western influences of the band all along the spirit of the rising sun counterculture. A revolutionary effort in the end, coming from a different perspective and giving birth to a faint psych/folk/blues scenario.

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Uganda (Dawn Of Rock)

Box Set | 1972 | UK | Reissue (Mr Bongo)

39,99 €*

Orlando: Le Forme Dell'amore

Release: 1972 / UK – Reissue

Genre: Organic Grooves, Rock & Indie

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The respected Japanese jazz drummer Akira Ishikawa was not messing around when he recorded the 'Uganda (Dawn of Rock)' album with his band the Count Buffaloes. For this offering, originally released in 1972 on Toshiba Records, Akira Ishikawa takes us on a deep tripped-out journey. 'Uganda (Dawn of Rock)' is a fusion of progressive and psych rock with African percussion workouts, dergy-wah wah blues-funk, and jazzy sensibilities; with different genres morphing and uniting as they progress. A long way from his funk and afrobeat album 'Back To Rhythm’, re-issued on Mr Bongo in 2019, this record has a darker, deeper, abstract and experimental stoned tone with the listener being pulled into its vortex for the ride. This record doesn’t pull any punches. For this album, Akira is joined by Hideaki Chihara on bass, guitarist Kimio Mizutani, sounding at times like an early 70s Peter Green, percussionist Larry Sunaga and composer Takeru Muraoka. The album has become highly sought-after amongst psych, prog and acid rock collectors and due to the rare nature of original copies they come at a hefty price tag. We are delighted to present an officially licensed re-issue of this underground Japanese rock rarity.

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Banco Del Mutuo Soccorso

2LP+CD | 1972 | EU | Reissue (Insideoutmusic)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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LP | 1972 | EU | Reissue (Ohr)

Mythos

LP | 1972 | EU | Reissue (Life Goes On)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Mythos was formed in 1969 on the initiative of Stephan Kaske (flute, keyboards, vocals, guitar), who found two comrades-in-arms in Harald Weisse (bass) and Thomas Hildebrand (drums). Various performances impressed label boss and talent scout Rolf-Ulrich Kaiser so much that the band was able to release their debut album on the Ohr label in 1972. This album was also re-recorded and remastered from the original analog tapes. Best sound!

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Music Box

Songs Of Sunshine

LP | 1972 | EU | Reissue (Tres Selos / Eaeo)

Release: 1972 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Here we have another magical achievement of the early 70’s counterculture. Officially released in 1972 on the small imprint Westwood Recordings, the album has an intimate, predominantly acoustic flavor. Flutes, chimes and gentle organ sounds all over the place. Tales of faraway lands, sand, sea, castles, kings, queens and even Peter Pan dominates the scene, imposing a sort of ancestral feel. Rob Armstrong, the leader of the group, became a renowned luthier and you can hear the care and love of the acoustic guitar in his music. The short lived british folk trio released just this single before vanishiong. The album consists of nine acoustic folk tracks of their own material and the Bob Dylan's classic Tom Thumb Blues.

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Tom Ze

Tom Zé

Dr. Siegel's Fried Egg Shooting Machine

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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After a few "strategic mistakes" in his career, Tom Ze? found a new home at Continental label. It was there that he made four albums for the remaining 1970s, beginning with this one. When this LP was released, in 1972, Tom Ze? had a relentless interest in the unexplored, in the experiments, and in the unusual. These songs revealed a more mature Tom Ze?, addressing social issues, outdated concepts, false traditions, and the hypocrisy from Brazil's military government.

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Flied Egg

LP | 1972 | EU | Reissue (Cosmic Rock)