Rock & Indie 2276 Items

The Wild, The Innocent & The E Street Shuffle Sacd

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Strictly Limited TO 7,500 Numbered Copies: Ultradisc One-step 180g 33pm LP SET Presents 1973 Album IN Audiophile Sound 1/4" / 15 IPS / DBX analogue copy to DSD 256 to analogue console to lathe / Released only eight months after his exhilarating debut, Bruce Springsteen's The Wild, the Innocent & the E Street Shuffle contains rousing dispatches from the boardwalk, the street, the beach, and the bedroom. It explodes with energy, dares to dream, teases with humour, crackles with tragedy, clings to hope, and overflows with discovery, youthfulness, and personality. It features an unforgettable cast of characters — corner boys, teenage hustlers, doomed lovers, jazz men, junk men, factory girls, fortune tellers, alley cats, pimps, escorts, and more — illuminated by vivid colour, breathtaking detail, and poetic action.

Musically, the heartfelt 1973 record is inhabited by sympathetic vignettes and cinematic arrangements steeped in rock 'n' roll, soul, jazz, and R&B. It finds the New Jersey native looking beyond the parameters of his preceding record and seeking to move on from environments he knows well (and chronicles here) by rushing headlong toward unknown territories, adventures, and people. Underpinned by the singer-guitarist's ambitious poetic enterprise and will to succeed, The Wild, the Innocent & the E Street Shuffle is the album on which Springsteen becomes the Boss.

Mastered on Mobile Fidelity's renowned mastering system, pressed at RTI on MoFi SuperVinyl, and strictly limited to 7,500 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 33rpm LP set is the definitive-sounding version of Springsteen's sophomore record. Benefitting from SuperVinyl’s nearly non-existent noise floor, superb groove definition, and dead-quiet surfaces, The Wild, the Innocent & the E Street Shuffle plays with a clarity, energy, presence, and openness that complement the expressiveness, dynamics, and scope of the seven restless songs that comprise a work Rolling Stone ranked the 345th Greatest Album of All Time.

Beyond the audiophile sonics that practically place you behind the console at 914 Sound Studios — listen to the separation between the instruments, natural decay of the notes, interplay within the widescreen soundstaging, and nothing-to-lose youthfulness of Springsteen’s voice — this reissue takes seriously this record’s influential merit by presenting it in packaging that underlines its status. Tucked in a beautiful slipcase, the LP is housed in a special foil-stamped jacket with faithful-to-the-original graphics. This reissue is made for listeners who prize sound quality and who want to engage themselves in everything involved with the invigorating set that busted Springsteen loose from the club circuit and landed him on the radio

Determined to liberate anyone within earshot and unafraid to come on strong, The Wild, the Innocent & the E Street Shuffle serves as the debut of the E Street Band — not only heard but seen for the first time by most of the public courtesy of the back-cover photograph. This is where saxophonist Clarence Clemons, organist-accordionist Danny Federici, and pianist David Sancious step out of the shadows — and drummer Vini Lopez and bassist Garry Tallent again stoke a fiery rhythmic engine that helps drive the untamed, reimagined big-band swing of “Kitty’s Back,” breathless R&B thrust of “Rosalita (Come Out Tonight),” and carefree dance steps of the funky “The E Street Shuffle.”

Of course, the main attraction remains a then-24-year-old visionary on the precipice of becoming a sensation and turning a then-bloated rock scene on its head. Recorded over three months while Springsteen and company were busy touring his debut LP, The Wild, the Innocent & the E Street Shuffle reflects the high-octane approach the vocalist embraced onstage and drifts away from the label-dictated acoustic-based frameworks of his debut. The set also witnesses Springsteen deepening his observational skills, with narratives such as the romantically tinged “4th of July, Asbury Park (Sandy)” and redemptive epic “Incident on 57th Street” mirroring changes taking place in the singer’s own life, small towns, and America at large.

A thrilling collision of memories, reflections, and composites — Sandy, Rosalita, and the latter’s parents are all based on actual people Springsteen knew, as is the community depicted in the opening track — the aptly titled The Wild, the Innocent & the E Street Shuffle resonates decades on due to its truths, authenticity, and spirit. Those characteristics — as well as the fact that many of its lengthy songs come on as the equivalent of sweaty, feverish soul revue that won’t stop until you’ve been exhausted — also explain how this now-iconic album triumphed over the reservations of industry “experts” that both demanded Springsteen re-record it and instructed deejays not to play it. Yet there’d be no stopping a record that saw the past, present, and future, a band whose will would not be denied, and a phenomenon who was born to run. A never-ending invitation to act real cool and stay up all night, The Wild, the Innocent & the E Street Shuffle always feels alright.

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Bruce Springsteen

CD | 1973 | US | Reissue (Mobile Fidelity Sound Lab)

44,99 €*

Buck Owens And His Buckaroos

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Sacd: Mastered ON Mobile Fidelity's Renowned Mastering System: Numbered-edition Hybrid Sacd Plays With Expressive Clarity / Released only eight months after his exhilarating debut, Bruce Springsteen's The Wild, the Innocent & the E Street Shuffle contains rousing dispatches from the boardwalk, the street, the beach, and the bedroom. It explodes with energy, dares to dream, teases with humour, crackles with tragedy, clings to hope, and overflows with discovery, youthfulness, and personality. It features an unforgettable cast of characters — corner boys, teenage hustlers, doomed lovers, jazz men, junk men, factory girls, fortune tellers, alley cats, pimps, escorts, and more — illuminated by vivid colour, breathtaking detail, and poetic action.

Musically, the heartfelt 1973 record is inhabited by sympathetic vignettes and cinematic arrangements steeped in rock 'n' roll, soul, jazz, and R&B. It finds the New Jersey native looking beyond the parameters of his preceding record and seeking to move on from environments he knows well (and chronicles here) by rushing headlong toward unknown territories, adventures, and people. Underpinned by the singer-guitarist's ambitious poetic enterprise and will to succeed, The Wild, the Innocent & the E Street Shuffle is the album on which Springsteen becomes the Boss.

Mastered on Mobile Fidelity's renowned mastering system, pressed at RTI on MoFi SuperVinyl, and strictly limited to 7,500 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 33rpm LP set is the definitive-sounding version of Springsteen's sophomore record. Benefitting from SuperVinyl’s nearly non-existent noise floor, superb groove definition, and dead-quiet surfaces, The Wild, the Innocent & the E Street Shuffle plays with a clarity, energy, presence, and openness that complement the expressiveness, dynamics, and scope of the seven restless songs that comprise a work Rolling Stone ranked the 345th Greatest Album of All Time.

Beyond the audiophile sonics that practically place you behind the console at 914 Sound Studios — listen to the separation between the instruments, natural decay of the notes, interplay within the widescreen soundstaging, and nothing-to-lose youthfulness of Springsteen’s voice — this reissue takes seriously this record’s influential merit by presenting it in packaging that underlines its status. Tucked in a beautiful slipcase, the LP is housed in a special foil-stamped jacket with faithful-to-the-original graphics. This reissue is made for listeners who prize sound quality and who want to engage themselves in everything involved with the invigorating set that busted Springsteen loose from the club circuit and landed him on the radio

Determined to liberate anyone within earshot and unafraid to come on strong, The Wild, the Innocent & the E Street Shuffle serves as the debut of the E Street Band — not only heard but seen for the first time by most of the public courtesy of the back-cover photograph. This is where saxophonist Clarence Clemons, organist-accordionist Danny Federici, and pianist David Sancious step out of the shadows — and drummer Vini Lopez and bassist Garry Tallent again stoke a fiery rhythmic engine that helps drive the untamed, reimagined big-band swing of “Kitty’s Back,” breathless R&B thrust of “Rosalita (Come Out Tonight),” and carefree dance steps of the funky “The E Street Shuffle.”

Of course, the main attraction remains a then-24-year-old visionary on the precipice of becoming a sensation and turning a then-bloated rock scene on its head. Recorded over three months while Springsteen and company were busy touring his debut LP, The Wild, the Innocent & the E Street Shuffle reflects the high-octane approach the vocalist embraced onstage and drifts away from the label-dictated acoustic-based frameworks of his debut. The set also witnesses Springsteen deepening his observational skills, with narratives such as the romantically tinged “4th of July, Asbury Park (Sandy)” and redemptive epic “Incident on 57th Street” mirroring changes taking place in the singer’s own life, small towns, and America at large.

A thrilling collision of memories, reflections, and composites — Sandy, Rosalita, and the latter’s parents are all based on actual people Springsteen knew, as is the community depicted in the opening track — the aptly titled The Wild, the Innocent & the E Street Shuffle resonates decades on due to its truths, authenticity, and spirit. Those characteristics — as well as the fact that many of its lengthy songs come on as the equivalent of sweaty, feverish soul revue that won’t stop until you’ve been exhausted — also explain how this now-iconic album triumphed over the reservations of industry “experts” that both demanded Springsteen re-record it and instructed deejays not to play it. Yet there’d be no stopping a record that saw the past, present, and future, a band whose will would not be denied, and a phenomenon who was born to run. A never-ending invitation to act real cool and stay up all night, The Wild, the Innocent & the E Street Shuffle always feels alright.

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Live In Scandinavia

LP | 1970 | US | Reissue (Sundazed Music)

30,99 €*

Buck Owens & His Buckaroos

Release: 1970 / US – Reissue

Genre: Rock & Indie

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The first ever LP reissue of this prime Buck that was available only in Norway for a brief time in 1970. At that time in the States, with the in-person London and Vegas albums released in such close proximity, Buck hardly needed any more live concert sets. Besides, Capitol, noting his rising status with Hee Haw, had flooded the U.S. market with a total of nine Buck albums from December 1969 to February 1971, including new studio albums and reissues of earlier albums. And that doesn’t even count the three Buckaroos solo albums that appeared in that same period.

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Bridge Over Troubled Water Black Friday Record Store Day 2021 Edition

LP | 1971 | US | Reissue (Sundazed)

LP | 1971 | EU | Reissue (Waxtime)

Release: 1971 / US – Reissue

Genre: Rock & Indie

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In celebration of the 50th anniversary of the the- controversial album of Buck Owens, Don Rich and the rest of the Buckaroos doing countrified covers of Simon & Garfunkel, Donovon, and Dylan along with some originals. We shipped the original reels to Kevin Gray to do an all analog thing of sonic beauty. This is known as Buck's big thumbs-up to the folk-rock sound and it's time we celebrate it. All analog and on clear vinyl.

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Buddy Holly

Good Rockin' - The Hits

16,99 €*

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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LP | 1971 | EU | Reissue (Noteworthy)

Budgie

30,99 €*

LP | 1981 | EU | Reissue (Warner Music Poland)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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A remastered reissue of Budgie's debut album from 1971. This edition is pressed on 180-gram vinyl and presented in a heavy sleeve with polylined inners.

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Budka Suflera

Za Ostatni Grosz

LP | 1974 | TR | Reissue (Rainbow 45)

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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The release comes on 180g vinyl.

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Bülent Octacgil

Benimle Oynar Misin

Release: 1974 / TR – Reissue

Genre: Rock & Indie

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LP | 1974 | EU | Reissue (Rainbow45)

Bülent Ortacgil

Benimle Oynar Misin

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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LP | 1988 | EU | Reissue (Hammerheart Rec.)

Bulldozer

Neurodeliri

25,99 €*

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-08-16

Miley Smile / Stage Recall

Burnin Red Ivanhoe

LP | 1972 | EU | Reissue (Long Hair)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Cream Corn For The Socket Of Davis

EP | 1985 | EU | Reissue (Matador)

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-09-20

LP | 1988 | EU | Reissue (Matador)

Hairway To Steven

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-09-20

12" | 1984 | EU | Reissue (Matador/Beggars Group)

Pcppep EP

20,99 €*

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Psychic.... Powerless....Another Man's Sac

LP | 1984 | EU | Reissue (Matador/Beggars Group)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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LP | 1986 | EU | Reissue (Matador/Beggars Group)

Rembrandt Pussyhorse

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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A Different Kind Of Tension Black Vinyl Edition

LP | 1979 | UK | Reissue (Domino)

Release: 1979 / UK – Reissue

Genre: Rock & Indie

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Another Music In A Different Kitchen Black Vinyl Edition

LP | 1978 | UK | Reissue (Domino)

Release: 1978 / UK – Reissue

Genre: Rock & Indie

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Love Bites Black Vinyl Edition

LP | 1978 | UK | Reissue (Domino)

Release: 1978 / UK – Reissue

Genre: Rock & Indie

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LP | 1976 | UK | Reissue (Domino)

Time's Up

Release: 1976 / UK – Reissue

Genre: Rock & Indie

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Spirit Of Love Black Vinyl

C.O.B.

LP | 1971 | EU | Reissue (Creature Music Ltd.)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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LP | 1972 | EU | Reissue (Vinyl Lovers)

Caetano Veloso

Transa

Gelato Metropolitano Orange Vinyl Edtion

Release: 1972 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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remastered reissue of the 1972 album on 180g vinyl

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Camerini Alberto

LP | 1977 | EU | Reissue (The Saifam Group)

34,99 €*

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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Campo Di Marte Clear Vinyl Ediition

Campo Di Marte

LP | 1973 | EU | Reissue (AMS)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Campo di Marte self-titled album is considered to be one of the best italian progressive records of the Seventies. This Italian prog classic is now available from AMS Records in a new limited deluxe LP reissue on 180gr. crystal vinyl.

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LP | 1978 | UK | Reissue (Spoon)

23,99 €*

Release: 1978 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Remastered from the original tapes, 180g vinyl!

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LP | 1972 | EU | Reissue (Mute)

Ege Bamyasi

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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LP | 1978 | UK | Reissue (Spoon)

Out Of Reach

23,99 €*

Release: 1978 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Remastered from the original tapes, 180g vinyl!

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LP | 1977 | Reissue (Mute)

Saw Delight

Release: 1977 / Reissue

Genre: Rock & Indie

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LP | 1974 | UK | Reissue (Spoon)

Soon Over Babaluma

Release: 1974 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Remastered from the original tapes, 180g vinyl!

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LP | 1970 | Reissue (Mute)

Soundtracks

Release: 1970 / Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Spoon)

Soundtracks

Release: 1970 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Remastered from the original tapes, 180g vinyl!

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LP | 1976 | Reissue (Mute)

Unlimited Edition

Release: 1976 / Reissue

Genre: Rock & Indie

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2LP | 1974 | UK | Reissue (Spoon)

Unlimited Edition

LP | 1988 | Reissue (Peaceville)

Release: 1974 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Remastered from the original tapes, 180g vinyl!

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Candlemass

Ancient Dreams

32,99 €*

Release: 1988 / Reissue

Genre: Rock & Indie

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Ancient Dreams Black Friday Record Store Day 2023 Green Marbled Vinyl Edition

Candlemass

LP | 1988 | EU | Reissue (Metal Blade)

30,99 €*

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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LP | 1972 | EU | Reissue (Survival Research)

Cannabis

Joint Effort

'70 Concert Recorded Live In Europe

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Rhode Island rock band Cannabis are another of those fabled groups that were gone in the blink of an eye. With only an album and a single to their name, issued on the short-lived Amphion Seahorse label, the band’s particular brand of harmonic psychedelia and keyboard-driven rock deserved a wider audience, as attested by the high prices afforded original copies of this excellent LP. They’re at their best on songs like “See You In The Morning” and “Sleeping Bride,” both of which display a strong late-period Beatles influence. Another lost gem that is ripe for rediscovery, of interest to all fans of melodic, early ‘70s psych rock.

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Canned Heat

LP | 1970 | EU | Reissue (MIG)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | Reissue (Moosicus)

Canned Heat

Future Blues

Release: 1970 / Reissue

Genre: Rock & Indie

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LP | 1988 | EU | Reissue (Metal Blade)

Cannibal Corpse

The Wretched Spawn

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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LP | 1972 | EU | Reissue (Cinedelic)

Capricorn College

Orfeo 2000

Appunti Per Un'idea Fissa Clear Yellow Vinyl Edition

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Capricorn College was a sextet created by composer / musician Mario Barigazzi known as Barimar and very active since the 1960s. Orfeo 2000 from 1972 is the first of the 2 LPs they produced (both on Kansas) and certainly the most interesting with jazz and prog cues especially in the instrumental tracks and a melodic sang typical of those years in Italy. Masterfully recorded by Maestro Vittorio Paltrinieri at his Fono-Play Studio. A hidden gem of extreme rarity to be rediscovered. First reissue ever in a limited edition.

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Capsicum Red

LP | 1972 | EU | Reissue (BTF)

Clear Spot Black Friday Record Store Day 2022 Clear Vinyl Edition

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Many italian music fans only know Capsicum Red by name because their singer and guitarist Red Canzian had a very successful career (until now!) with pop band Pooh, and this four-piece from Treviso didn’t catch so much interest in their short career.

The name Capsicum Red was chosen by the producer Pino Massara when he discovered Canzian, singer and guitarist with I Prototipi, and took him to his newly-born label Bla Bla in 1970. After assembling a proper group with keyboardist Mauro Bolzan, bassist Walter Gasparini and drummer Paolo Podda (later replaced by Paolo Steffan and Roberto Balocco, the latter from Panna Fredda), Canzian strongly moved with “Appunti per un’idea fissa” towards progressive music with classical influences.

Side A contains the long Beethoven-derived “Patetica” suite, a very interesting piece of classical prog with keyboards to the fore, while side B is interesting too, with three shorter songs.

Clear yellow vinyl edition.

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Captain Beefheart

2LP | 1972 | EU | Reissue (Rhino)

50,99 €*

LP | 1980 | EU | Reissue (Tapete)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Black Friday Record Store Day 2022 Reissue. Color: Clear. Limitation: 4500 copies. 50th anniversary deluxe edition of the classic 1972 album from Captain Beefheart and The Magic Band. This limited edition 2LP crystal clear vinyl set features the original album recut from the original master tapes at Bernie Grundman Mastering plus an additional LP of rare studio outtakes, alternate versions and previously unreleased instrumental rough mixes from the Clear Spot sessions. Featuring “Big Eyed Beans from Venus”, “Her Eyes Are a Blue Million Miles”, “My Head Is My Only House Unless It Rains” and more.

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Carambolage

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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LP | 1982 | EU | Reissue (Tapete)

Carambolage

Eilzustellung-Exprès

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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LP | 1985 | EU | Reissue (Morning Trip)

Carl Erdman

Bizzarrophytes

18,99 €* 19,99 € -5%

Carlos Santana / Mahavishnu John

Release: 1985 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Carl Erdmann’s Bizzarrophytes was recorded in Roswell, New Mexico, during the final years of the 70’s. A desert-fried haze of buzzing sitar raga, shimmering guitar soli, and lonesome instrumental psych. Erdmann had been galvanized several years prior by witnessing an intimate performance by Ravi Shankar at Austin’s University of Texas. Erdmann spent the next several years with a sitar in the back of his pickup truck - teaching himself the instrument between stints working on an oil field as a geologist.

After settling in Roswell, Erdmann procured a Tascam 4-track reel to reel tape machine and began to experiment with recording. He played most of the instruments himself, and followed a fresh muse each day. One day his recordings would mine the same instrumental guitar territory as Leo Kottke and John Renbourn, like on Bizzarrophytes’ opening track, Majesty. The next day Erdmann might multi-track some bass and drums and end up landing in the same hazy psych-folk territory as Relatively Clean Rivers, as evidenced on album standouts Turritella Flats, and Portugal. And then, perhaps his Ravi Shankar influence would shine through, and he’d deliver a stirring sitar raga like Dhun. Erdmann explored all of these sounds without ever considering releasing them into the world. He was simply experimenting with his equipment and his instruments, and flexing his muscles with whatever kind of inspiration happened to strike. It wasn’t until 1980 that a friend convinced Carl to assemble some of these recordings into an album and self-release it.

Bizarrophytes was released in a miniscule private press run, financed and distributed by Erdmann himself. Most copies didn’t make it out of the southwest. And it has remained woefully hard to find until now. The disparate sounds of Erdmann’s experimentation hang together as a beautifully cohesive tapestry of home-brewed psychedelic folk. A menagerie of eclectic instrumental experimentation, baked in the desert sun, and captured to tape. Morning Trip Records is proud to present Bizzarrophytes.

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Love Devotion Surrender Supervinyl 180g

LP | 1973 | US | Reissue (Mobile Fidelity Sound Library)

88,99 €*

No Secrets Pink Vinyl Edition

Release: 1973 / US – Reissue

Genre: Rock & Indie

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1973 Meeting OF Santana AND John Mclaughlin Yields Spiritual Transcendence: Love Devotion Surrender IS Inspired BY John Coltrane AND A Quest FOR Enlightenment

Sourced from the Original Master Tapes: Tones, Textures, and Notes Float Amid a Large, Open Soundstage on Mobile Fidelity's Numbered-Edition 180g LP 1/4" / 15 IPS analogue master to DSD 64 to analogue console to lathe Two guitar giants. A band comprised of virtuosic instrumentalists. One shared goal. And one tremendous album. The only meeting of Santana and John McLaughlin on record, Love Devotion Surrender more than lives up to the promise offered by its principal creators. Based in divine faith, religious toleration, meditative intent, and the forward-thinking philosophy that music can take us closer to the truth, it is a spiritual journey. These enlightening concepts are reflected in the inspired playing of Santana and McLaughlin, who repeatedly hit a higher plane on this 1973 set.

Sourced from the original analogue master tapes and pressed at Fidelity Record Pressing in California, Mobile Fidelity’s numbered-edition 180g LP of Love Devotion Surrender benefits from the reissue label’s painstaking engineering efforts. The windows on the record’s give-and-take passages, sustained notes, and varied textures are thrown open with palpable transparency and detail. Laden with delicate acoustic touches and gentle piano touches, as well as powerful staccato bursts and fast-paced percussion, Love Devotion Surrender contains a dynamic mix of tempos, tones, and contrasts crucial to its optimal enjoyment. This collectible edition brings those aspects to the fore with extraordinary realism.

In addition, the pinpoint imaging — Santana primarily on the left, McLaughlin on the right — invites you to picture the musicians in the act. You’ll sense a newfound freedom and naturalism to the playback, as well as black backgrounds and an openness that allow the widespread array of textures, atmospherics, echoes, and neo-psychedelic shapes to float in the air. Call it jamming guided by a higher power or surreal art brought together by time, circumstance, and purpose; there really is no other album completely like it.

Having each become a follower of Indian guru Sri Chinmoy, who wrote the album’s extensive liner-note essay and is seen in several jacket photos, Santana and McLaughlin began playing together in 1972. Both legends found themselves in the midst of personal and creative transition. Santana was moving away from rock-based songs in favour of exploratory jazz-rock. A contemporary of Miles Davis, McLaughlin had already achieved fame with the Mahavishnu Orchestra, then on the brink of collapse due to internal disagreements.

On Love Devotion Surrender, the duo pools its interests in discovery and transcendence into gorgeous music steeped in improvisational lines, ecstatic chords, and sensitive organ accompaniment courtesy of the record’s best-kept secret, Larry Young. The former Blue Note recording artist had already connected with McLaughlin in the Tony Williams Lifeline, which began as a power trio and turned jazz on its head with its groundbreaking 1969 debut. Young’s ear for melody and fearless penchant for chasing down adventurous fusion leads — not to mention keeping pace with the headliners, no small feat — make him an ideal foil for the proto post-rock happening throughout.

Credited under his Muslim name, Khalid Yasin, Young isn’t the only standout. Several Santana contemporaries — bassist Doug Rauch, drummers Mike Shrieve and Billy Cobham, percussionists Mingo Lewis and Armando Peraza — play alongside Mahavishnu Orchestra member Jan Hammer and Tony Williams Lifeline drummer Don Alias, who already had credits on Davis’ seminal Bitches Brew and On the Corner. Complemented by Santana and McLaughlin, the ensemble sounds and feels unstoppable. In addition to the band’s search for sacred soulfulness, the common denominator throughout is John Coltrane, who engaged in similar pursuits during the 1960s. Two of the five compositions — “A Love Supreme,” “Naima” — are interpretations of Coltrane standards while the lynchpin, a nearly 16-minute investigation into the traditional “Let Us Go Into the House of the Lord,” integrates free-form structure, jazz phrasing, gospel mysticism, cross-cut dynamics, and tonal shaping into one of the most uplifting pieces of music you’ll ever hear. The same can be said for the entirety of Love Devotion Surrender. Bow down.

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Carly Simon

LP | 1971 | US | Reissue (Friday Music)

42,99 €*

Release: 1971 / US – Reissue

Genre: Rock & Indie

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Carmen Maki Blues Creation

LP | 1971 | JP | Reissue (Nippon Columbia)

43,99 €*

LP | 1978 | EU | Reissue (Sony Legacy)

Release: 1971 / JP – Reissue

Genre: Rock & Indie

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Folk singer-turned-rock singer Carmen Maki collaborated with Blues Creation on this album ('71).

Immediately after the release of her masterpiece 'The Devil and the Eleven Children', Carmen Maki's youthful voice, which was influenced by Janis Joplin, fused with a sturdy sound reminiscent of Bruce Creation's LED Zeppelin, and it was a miracle of the early days of Japanese rock music.

Later on, Kazuo Takeda's Blues Creation was active as Creation, and Carmen Maki formed OZ. This is a monumental album that can be said to be a milestone for both artists to dominate the Japanese rock scene.

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Carole King

Her Greatest Hits

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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LP | 1971 | FR | Reissue (Sony Legacy)

Carole King

Tapestry

But I Might Die Tonight Light Blue Record Store Day 2020 Edition

Release: 1971 / FR – Reissue

Genre: Rock & Indie

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Originally releaed in 1971 the album is a milestone in modern Pop and Rock music and decorated with four Grammys.

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Cat Stevens

7" | 1970 | US | Reissue (Island)

13,99 €*

LP | 1970 | US | Reissue (Epic)

Release: 1970 / US – Reissue

Genre: Rock & Indie

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Record Store Day 2020 Release.
Limitation: 5000 copies.

7″ single of Cat Stevens songBut I Might Die Tonightfrom the album Tea For The Tillerman. Side A will feature the alternative version of the song from the film Deep End. The A-side was reworked specifically for the film (which starred Jane Asher and somewhat a UK cult classic) and is a previously unreleased in any form! Colour of the 7″ Single is Light Blue.

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Catfish

Get Down

Release: 1970 / US – Reissue

Genre: Rock & Indie

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What A Beautiful Place Black Vinyl Edition

Catherine Howe

LP | 1971 | US | Reissue (Numero Group)

1964-1985 Affinita-Divergenze Fra Il Compagno Togliatti E Noi

Release: 1971 / US – Reissue

Genre: Rock & Indie

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This recorded autobiography of Catherine Howe, age 20, briefly appeared in 1971. Too young for memoirs, most artists have barely established any sort of musical competence by the age of legal adulthood, let alone compositions matching the maturity and complexity of Howe's. What A Beautiful Place, however, is a prodigious effort wrought from the melancholy ruminations of post-adolescence. The album's twelve songs unfold like a classic bildungsroman, beginning in the smoke-stained industrial county of Yorkshire, transformed by the electrified creative landscape of mid-century London, and retiring to the warm pastoral bliss of the county of Dorset on England's southern coast. Produced by noted jazz pianist Bobby Scott, the LP_oft-mistaken for a concept album_was available for only a month in the summer of 1971, disappearing after Reflection Records' shuttering in 1971.

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CCCP - Fedeli Alla Linea

LP | 1986 | EU | Reissue (Universal)

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Compagni, Cittadini, Fratelli, Partigiani Picture Disc Edition

CCCP - Fedeli Alla Linea

LP | 1985 | EU | Reissue (Universal)

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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LP | 1985 | EU | Reissue (Universal)

CCCP - Fedeli Alla Linea

Ortodossia II

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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LP | 1979 | US | Reissue (Ashanty Congo)

Cedric Myton & Congo

Image Of Africa

20,99 €*

Apaslar, Kardaslar, Mogollar Picture Disc Vinyl Edition

Release: 1979 / US – Reissue

Genre: Rock & Indie

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2022 restock. Cedric Myton: lead vocal; Watty Burnett & Dedric Myton: background vocals; Fabian Cooke: drums; Tony Allen: bass; Roy Johnson & Little David: rhythm guitar; Lennox Gordon & Little David: lead guitar; Harold Butler & Owen Stewart: organ, piano; Congo, Jones, Ras Melineck, Br. Joe: percussion; Phillipe Quilchini: bass "food for the day." Originally released in 1979.

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Cem Karaca

LP | 1974 | EU | Reissue (Pharaway)

25,99 €*

LP | 1973 | TR | Reissue (Universal Music Taxim Edition)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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Sophisticated & passionate, with flamboyant taste in sunglasses, Cem Karaca once led Istanbul’s music fans through a period of violent political turmoil. Karaca reworked traditional folk lyrics with molten electric bass lines that played up both a poet’s broiling righteousness and also his listeners’ common ground with their elders in Turkey’s history. This is the second album from Karaca, released in 1974, reissued for the first time in Picture Disc with remastered sound. It leads the listener through Karaca’s own musical history, skipping across various collaborations and bands up to his then-current project Dervisan. Can throbbing Anatolian guitars take on the assassins of the Grey Wolves? Imagine a hairy pied piper with R Kelly’s flair for drama, wailing into a microphone over an electric baglama, and you’re ready to enter the bohemian world of Papa Cem.

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Cem Karaca & Mogollar

Ankara 1973

LP | 1982 | EU (Radiation Reissues)

Release: 1973 / TR – Reissue

Genre: Rock & Indie

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2021 Reissue, recorded in 1973. studio live session, 180g black vinyl in gatefold cover with 6 posters describing each track.

What a fantastic recording from a man and his band which is a real gem, haunting your soul in the first seconds (especially first track of B side “Alageyik Destani”). Cem Karaca is one of the leading vocal man and songwriter of Anatolian Rock scene, Mogollar (founded in 1967) is the first band which is the inventor of Anatolian Rock in Turkish rock music history. It offers amazing musical taste inspired by the traditional folk heritage of Turkiye. Strictly recommended.

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Ch 3

Fear Of Life

18,99 €*

Day Doult / Get Out Of My Pocket

Release: 1982 / EU

Genre: Rock & Indie

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Channel 3, aka CH3, was formed in 1980 in suburban Cerritos, about 20 miles southeast of Los Angeles, with frontman Mike Magrann, guitarist Kimm Gardener, bassist Larry Kelly and drummer Mike Burton. Signing to Posh Boy in 1981, their eponymous EP had the hit ‘Manzanar,’ which was championed by John Peel on the BBC. Posh Boy founder Robbie Fields was in the producer’s chair for their excellent debut, Fear of Life, a blistering punk assault on American values. Free from the heavy metal leanings of their later work, this no-holds-barred debut is a must for all fans of So-Cal hardcore.

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Chaos

7" | 1979 | AT | Reissue (Bachelor Archives)

12,99 €*

Short Sharp Shock White Vinyl Edition

Release: 1979 / AT – Reissue

Genre: Rock & Indie

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Second press with different design poster and extra German liner notes by Lurker Grand. Chaos was one of Austria's first punk bands, connected closely to the Swiss scene. originally
released as a split 12" with The Sick from Switzerland in 1979.

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Chaos UK

LP | 1984 | EU (Radiation Reissues)

Release: 1984 / EU

Genre: Rock & Indie

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Originally released on the small “Children Of The Revolution” label back in 1984, Short Sharp Shock is Chaos UK's own undiscussed masterpiece, and their first 12” recorded with the classic Mower/Chuck/Gabba /Chaos line up. Up there along with Discharge’s Hear Nothing,See Nothing, Say Nothing and Disorder’s 1984 Under the Scalpel Blade, straight out of the holy trinity of British 80's Punk: angry, pissed and out of tune like it always should have sounded.

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Release: 1986 / EU

Genre: Rock & Indie

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Jungle Fever / Jewel Here On Earth

Charlie Feathers

7" | 1981 | US | Reissue (Feathers)

12,99 €*

Release: 1981 / US – Reissue

Genre: Rock & Indie

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Stolen Property Record Store Day 2024 White Marbled Vinyl Edition

Charlie Harper

LP | 1981 | EU (Radiation Reissues)

Yakusoku Wa Dekinai (I Can't Promise)

Release: 1981 / EU

Genre: Rock & Indie

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Before embracing punk through the influence of bands like the Damned, UK Subs frontman Charlie Harper was active in pub rock groups, so when he decided to cut his debut solo album for Flicknife Records in 1981, he returned to classic rock ‘n’ roll and R&B, cutting an enjoyable covers album with fellow Subs Steve Slack and Pete Davies in tow. Tune in to this long lost gem to catch the other side of Charlie, who delivers one-off takes of Hendrix’s ‘Hey Joe,’ the Doors’ Light My Fire, the Velvets’ ‘Femme Fatale’ and Muddy Waters’ ‘Hoochie Coochie Man,’ among others. All UK Subs fans take note: your hero’s alter-ego awaits!

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Che-Shizu

LP | 1984 | JP | Reissue (Alchemy)

36,99 €*

At Budokan - The Complete Concert

Release: 1984 / JP – Reissue

Genre: Rock & Indie

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Formed in 1984 by bassist Takuya Nishimura and erhu player and singer Chie Mukai is Che-SHIZU. Their debut on the indie record label Zero records (also known for producing acts such as Shonen Knife, and Luna Park Ensemble) “Yakusoku wa Dekinai” (I Can’t Promise) drew attention for its uncompromising approach to simply making ‘songs’. With Tori Kudo (who’s recent analog release, Tangerine with Reiko Kudo, is making waves across the world) on guitar, ‘Yakusoku wa Dekinai’ is filled with songs that are simultaneously experimental and catchy. P-vine is proud to be reissuing this historic album for the first time ever on vinyl.

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Cheap Trick

2LP | 1978 | EU | Reissue (Music On Vinyl)

33,99 €*

LP | 1981 | Reissue (Schneeball)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Cheap Trick at Budokan is a live album by Cheap Trick from 1978 and their best-selling recording. The louder, harder-rocking versions of such Rick Nielsen classics as "I Want You to Want Me" and "Come On, Come On" connected to a wide audience. The music is terrific and it certainly is interesting to hear all of this the way it was actually performed. Any hardcore Trick fan will need this document of the band's most celebrated concert.

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Checkpoint Charlie

Krawall Im Schweinestall

12,99 €*

Release: 1981 / Reissue

Genre: Rock & Indie

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Revolucion Electronica En Musica Venezolana

Chelique Sarabia

LP | 1973 | EU | Reissue (Pharaway Sounds)

Chelsea Black Vinyl Edition

Release: 1973 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Ultimate space-age exotica trip from Venezuela.
In the early 70s, well-known composer and arranger Chelique Sarabia (who penned the famous “Ansiedad” when he was just a kid) decided to register an album of traditional & folkloric songs from Venezuela but giving them a modern touch, using especially developed equipment (M.R.A.A.), based off of the principles of the Moog.
Chelique, helped by a team of gifted musicians, employed traditional instruments like the cuatro and the bandola llanera, filtering them through oscillators, playing with feedback, tape delay, synthesized frequencies, echoing sounds… The result was “Revolución Electrónica en Música Venezolana”, an album with a truly exotic, psychedelic, and ahead of its time sound.
Originally, the album was sponsored by the Shell Company in Venezuela, given away to customers, employees and friends of the company as a Christmas gift in 1973. It was titled “4 Fases del Cuatro - Música Venezolana desarrollada Electrónicamente por Chelique Sarabia” (“4 Phases of Four – Venezuelan Music Electronically Developed by Chelique Sarabia”). Once the exclusivity period with the petrol company was over, Chelique did a commercial release, this time under the name of “Revolución Electrónica en Música Venezolana” (“Electronic Revolution in Venezuelan Music”). Thanks to this, Chelique and his team were considered electronic music pioneers in Latin America.
“In the past five decades, there have been many attempts at modernizing the vast folkloric tradition of Venezuela, but nobody has reached the level of depth that CHELIQUE SARABIA did when he put his impeccable reputation as a composer and arranger at risk with this out-of-the-blue revolutionary musical manifesto in 1971. 47 years later, an album that remains ahead of its time.” - Alex Figueira (Fumaça Preta)

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Chelsea

LP | 1979 | EU (Radiation Reissues)

18,99 €*

Chelsea Red Vinyl Edition

Release: 1979 / EU

Genre: Rock & Indie

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Formed in 1976, legendary punk outfit Chelsea was assembled by the owners of the Acme Attractions boutique with Gene October as frontman; guitarist Billy Idol, bassist Tony James and drummer John Towe soon split to form Generation X, but their loss was Chelsea’s gain, with debut single ‘Right To Work’ rated one of the best punk songs of all time. Though their self-titled debut LP didn’t surface until 1979, when punk was waning, there is plenty to savour in October’s forceful vocals and James Stevenson’s powerful guitar licks, plus a plausible take of Jimmy Cliff’s ‘Many Rivers To Cross.’ A punk classic, ripe for rediscovery!

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Chelsea

LP | 1979 | EU (Radiation Reissues)

Cherry Five Clear Purple Vinyl Edition

Release: 1979 / EU

Genre: Rock & Indie

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Cherry Five

LP | 1975 | EU | Reissue (Ams Cinevox)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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LP | 1976 | US | Reissue (Shady Brook)

Cheyenne's Comin

16,99 €*

Release: 1976 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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Chicago II Blue Vinyl Edition

2LP | 1971 | US | Reissue (Friday Music)

84,99 €*

Release: 1971 / US – Reissue

Genre: Rock & Indie

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Chicago Ix Picture Disc Edition

LP | 1975 | EU | Reissue (Warner)

33,99 €*

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Reissue as a part of the Start Your Year Off Right Kampagne von Warner. Gepresst als Picture Disc. Mit Syeor sticker. Chicago's 5X Platinum Greatest Hits collection, now on a picture disc. Includes the hits "25 or 6 to 4," "Make Me Smile, " "Saturday In The Park," "Colour My World," and "Feelin' Stronger Every Day." (Original RD: 1975)

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Chicago VI Black Vinyl Edition

LP | 1973 | US | Reissue (Friday Music)

41,99 €*

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Chicago VI Blue / Turquoise Vinyl Edition

LP | 1973 | US | Reissue (Friday Music)

41,99 €*

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Chicago X Gold Vinyl Edition

LP | 1976 | US | Reissue (Friday Music)

42,99 €*

Release: 1976 / US – Reissue

Genre: Rock & Indie

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Unlucky Boy Yellow Vinyl Edition

Chicken Shack

LP | 1973 | EU | Reissue (Klimt)

LP | 1971 | EU | Reissue (Bonfire)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Unlucky Boy is the sixth studio album by the blues band Chicken Shack, released in 1973. Unlucky Boy finds guitarist/vocalist/songwriter and band founder Stan Webb in fine form. Only drummer Paul Hancox remains from the uneven Imagination Lady, and indeed the horn-oriented approach here is much different than the plodding Led Zeppelin-isms of the previous disc. Webb contributes six originals, and even though they are derivative of Savoy Brown (a band he joined for the Boogie Brothers album just a year later), his approach here is much more subtle and controlled than on his last effort. Chris Mercer's saxes, often double tracked to sound like a horn section, bring a tough R&B to the mix, and drummer Hancox is a controlled powerhouse.

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Chillum

20,99 €*

Suite Nihonkai Black Vinyl Edition

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Fully licensed, ltd to 500 copies The sole self-titled album by English progsters Chillum was in fact an offshoot project of famous psychedelic icon Second Hand. They shared three members - George Hart, Ken Elliott, Kieran O'Connor – with the former band, giving birth to a more experimental act. The record originally saw the light of day in 1971. The lp was supposed to be the third Second Hand album, but apparently the members decided to change the band's name. Their heavy swinging approach was in the end similar to such contemporary luminaries like Atomic Rooster, Leaf Hound, and Arthur Brown's Kingdom Come. A jam album with lots of roaring percussion and an impressive organ to make big sound. Ken Elliott (Keyboards, Mellotron, Organ, Vocals), Kieran O'Connor (Drums), Tony McGill (Guitar) and George Hart (Bass)

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Chisato Yamada

LP | 1981 | EU | Reissue (Cinedelic)

Release: 1981 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Suite Nihonkai Transparent Red Vinyl Edition

Chisato Yamada

LP | 1981 | EU | Reissue (Cinedelic)

28,49 €* 29,99 € -5%

Nice To Meet Miss Christine Record Store Day 2022 Edition

Release: 1981 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Limited edtion of 200 copies on transparent red vinyl.

From the meeting of the legendary Tsugaru Jamisen Maestro Chisato Yamada with volcanic mind of the composer Tasheshi Terauchi and his Oriental Fantastic Orchestra, a collaboration and a unique record, a conceptual work, is born in which innovative songs transcend the boundaries of traditional music by mixing modernity, rural and electronic atmospheres, local arias and contemporary music.
A record with strongly evocative and cinematic sounds.
Comes with OBI and a two-panel fold out sheet with original liner notes of the time translated in English that explains in an exhaustive way the inspirations from tradition and popular music and the very accurate digital recording techniques of the time that make it a record sought after by audiophiles looking for sounds unedited in the Western tradition.

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Chris Harwood

12" | 1970 | EU | Reissue (Bonfire)

32,99 €*

LP | 1984 | EU | Reissue (Rhino)

Release: 1970 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Such an elusive British artist, Christine Harwood was sailing the sea of lone folk singers with a sole album of rare beauty. Released in 1970 on small british label Birth, Nice To Meet Miss Christine is still an exercise in pure beauty, a dramatic/magic affair that materialized into thin air and suddenly was gone. Featuring a who’s who of the british prog and psych-folk scene – the late King Crimson alumni Ian McDonald on sax and flute, drummer extraordinaire Pete York, Nucleus and Jody Grind bass player Roger Sutton, Strawbs guitar player Dave Lambert – the album is more than a miraculous rendition of the (acid) folk revival venturing on more audacious territories, as shown in the rare groove of standout track Wooden Ships. Blue eyed soul and yacht rock fanatics take note !

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Christine McVie

Christine Mcvie

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Christine McVie Cola Bottle Green Clear Vinyl Edition

Christine McVie

LP | 1984 | EU | Reissue (Warner)

31,99 €*

Prosperous Record Store Day 2020 Edition

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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„Christine McVie“ ist das zweite Soloalbum von Fleetwood Macs Christine McVie, das 1984 erschien. Es war McVies erstes Soloalbum seit ihrer selbstbetitelten Veröffentlichung von 1970 (unter ihrem Mädchennamen). Das Album enthält zwei Singles, die die Top 40 der Billboard Hot 100 erreichten, "Got a Hold on Me" und "Love Will Show Us How", die die Plätze 10 bzw. 30 erreichten. Das Album erreichte in den USA Platz 26 und hielt sich 23 Wochen in den Billboard 200.

Das Album wurde zuletzt 1984 auf LP gepresst.

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Christy Moore

LP | 1972 | UK | Reissue (Tara)

25,99 €*

The Visitation Silver Vinyl Edition

Release: 1972 / UK – Reissue

Genre: Rock & Indie

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Record Store Day 2020 Release. Limitation: 1000. Numbered. Prosperous was originally released in 1972, and was the first release on the iconic Irish music label 'Tara Music', which was also home to early Clannad records, Planxty, Moving Hearts & Stockton'

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Chrome

LP | 1976 | CA | Reissue (Cleopatra)

23,99 €*

Release: 1976 / CA – Reissue

Genre: Rock & Indie

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Dreamin' Black Vinyl Edition

Chuck Senrick

LP | 1977 | US | Reissue (Numero Group)

Dreamin' Gray Vinyl Edition

Release: 1977 / US – Reissue

Genre: Rock & Indie

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The only album to soundtrack both late-'70s Minneapolis lounges and a Travis Scott x Dior fashion show. Recorded in a host of living rooms with only a Fender Rhodes piano, a Donca Matic Mini Pops drum machine, and Senrick's wide-eyed, 20-year-old voice, the 1977 LP disappeared into the wild and joined the Wendigo in Minnesota lore. A provocative mix of marina soul, easy listening, and loner folk, Dreamin' is a sanguine sliver of the American private mind garden. Harsh winters coupled with a relative lack of interest amongst siblings allowed Chuck Senrick years of unfettered access to the family piano in their Farmington, Minnesota, home. Learning both by ear and by instruction, Senrick began gigging professionally at age 15, joining John Zimmer and the CR4 for a weekly rundown of Allman Brothers, Blind Faith, and Cream covers at the Sea Girt Inn in Lake Orchard. Tapping into James Taylor's pop-chart achievements in songwriting and enunciation, Senrick composed the bulk of the songs featured on Dreamin' before graduating from Farmington High School. At 20, Senrick migrated 30 miles north to the Twin Cities to pursue music full-time. Using borrowed equipment and borrowed living rooms, a string of informal recording sessions generated the quarter-inch tape for Dreamin'. "I didn't know how to do it," Senrick says about producing an album. "I just knew it could be done." Constructed with vocals, Fender Rhodes, and an assortment of rhythm presets on his Donca Matic Mini Pops drum machine, a mere 200 copies of the private-press masterpiece were stamped and sleeved and sold hand-to-hand at performances. Chuck's wife Lesli illustrated the album cover_a pen-to-paper portrait of her husband against the backdrop of the Minneapolis Skyline, she and their newborn son situated on a nearby knoll. Any plans for a re-press were quashed when producer Bruce W. Hansen lost the reels during a messy divorce. "I was a kid with big ideas and not much hope to do anything but play," Senrick said of the Dreamin' era. "It still amazes me that people are interested in it."

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Chuck Senrick

LP | 1977 | US | Reissue (Numero Group)

LP | 1981 | EU | Reissue (EMI)

Release: 1977 / US – Reissue

Genre: Rock & Indie

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Church

Of Skins & Heart

67,99 €*

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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Wild In The Streets Yellow Vinyl Edition

Circle Jerks

LP | 1982 | EU | Reissue (Trust)

37,99 €*

LP | 1985 | EU | Reissue (Supraphon)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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After 40 years, CIRCLE JERKS are proud to announce the vinyl reissue of their iconic full-length album Wild In The Streets, a landmark of the punk and hardcore genre. This deluxe 40th-Anniversary Edition release includes remastered audio by Pete Lyman with three live bonus tracks from the band’s 1982 show at the Elite Club in San Francisco, a 20-page booklet that features rare photos, flyers, testimonials, and a very detailed history of Wild In The Streets by writer/journalist Chris Morris. It’s a must-have release for die-hard collectors, old fans, or new fans looking for a blueprint behind this iconic release. Wild In The Streets 40th Anniversary Edition sees its release from Trust Records, who used their immaculate touch and care to give this seminal record the home it deserves.

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Citron

Plni Energie

25,64 €* 26,99 € -5%

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Am Fenster Yellow Vinyl Edition

City

LP | 1978 | EU | Reissue (Sony Music Catalog)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Claire Lepage & Compagnie

LP | 1970 | EU | Reissue (Return To Analog)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Climax Featuring Sonny Geraci Coconut Cream Vinyl Edition

Climax

LP | 1972 | UK | Reissue (Goodtime)

23,24 €* 30,99 € -25%