Rock & Indie 723 Items

7" | 1968 | EU | Reissue (Arsivplak)

Release: 1966 / US – Reissue

Genre: Rock & Indie

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Blue White Marble.

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Beybonlar

Gelin Aysem / Nenni

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Here is Beybonlar Orkestrasi. Ultra rare Turkish heavy psychedelic single by Beybonlar from 1969.

Amazing stuff from the teenagers band that the drummer was only 12 years old when they recorded the tunes Side A is Gelin Ayse (Bride Ayse) which is very sad traditional Turkish folk song that arranged by the psych form Side B is Nenni (Lullaby) that is a traditional tune, but what a traditional tune by the teenagers!!! Enjoy it..!

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LP | 1966 | JP | Reissue (Arista)

Falling In Love Is Wonderful

Release: 1966 / JP – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing. 1980 reissue. Few paper scuffs. OBI is missing. Sticker on front cover.

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Jimmy Scott

LP | 1963 | US | Reissue (Honeypie)

7" | 1965 | EU | Reissue (You Are The Cosmos)

Release: 1963 / US – Reissue

Genre: Rock & Indie

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Originally released on Ray Charles' Tangerine label, and for too long considered a collector’s item, "Falling in Love is Wonderful" can be easily considered as one of Jimmy Scott's essential albums. Perfectly backed by Marty Paich and Gerald Wilson sophisticated arrangements Jimmy Scott lays some of the best vocal performances in his entire career. Classic standards such as "There Is No Greater Love" and "How Deep Is The Ocean" reach new heights and flourish through his unique voice.

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David John & The Mood

Bring It To Jerome + 3

7" | 1967 | EU | Reissue (Guerssen)

Release: 1965 / EU – Reissue

Genre: Rock & Indie

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This EP contains their second & third singles. Both were originally released in 1965 by Parlophone. Produced by Joe Meek.

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William Penn Fyve

Swami / Blow My Mind

14,24 €* 14,99 € -5%

LP | 1969 | EU | Reissue (Elektra)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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First ever band-sanctioned reissue of this legendary ‘Pebbles’ garage-psych 45 from 1967. William Penn Fyve aka William Penn & His Pals were a regular presence on the early Bay Area scene, opening for the likes of Jefferson Airplane, Paul Revere & the Raiders and Them. Their line–up included lead singer / organist Gregg Rolie, later of Santana / Journey. In 1966 they recorded their lone single, "Swami" / “Blow My Mind”, for the Thunderbird label. The A-side (written by guitar player Mike Shapiro and famous for being included on “Pebbles-The Acid Gallery”) is early acid-punk with fuzzed-out raga guitars and hilarious lyrics about a guru. The flipside is an energetic garage-punk number with swirling Vox organ and a fuzz rave up á la Yardbirds.

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The Doors

The Soft Parade

Release: 1969 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Mike Bloomfield And Al Kooper

The Live Adventures Of Mike Bloomfield And Al Kooper

2LP | 1969 | US | Original (Columbia)

Release: 1969 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

Santa Maria Pressing.
Ships in a brand new plain sleeve.

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LP | 1969 | UK | Original (Island)

This Is Sue!

Release: 1969 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1966 | EU | Reissue (4 Men With Beards)

Contemporary Guitar

LP | 1969 | US | Reissue (Elektra)

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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180 gram gatefold LP. Originally released in 1966 on the Takoma label, Contemporary Guitar is a beautiful compilation of solo acoustic guitar instrumentals from folk and blues legends such as Bukka White, John Fahey, and Robbie Basho as well as lesser known-s like Max Ochs and Harry Taussig.

An essential compilation of American guitar soli.

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Earth Opera

American Eagle Tragedy

Release: 1969 / US – Reissue

Genre: Rock & Indie

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LP | 1969 | JP | Original (A&M)

Burt Bacharach

Make It Easy On Yourself

Release: 1969 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1967 | JP | Original (Victor)

Headquarters

LP | 1969 | JP | Original (CBS/Sony)

Release: 1967 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: G+

Japanese pressing, no Obi.
Sleeve has seam-split.

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Simon & Garfunkel

Sounds Of Silence

Release: 1969 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1966 | US | Reissue (Colgems)

LP | 1969 | US | Original (ATCO)

Release: 1966 / US – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Record has some hairlines and a few superficial scratches.

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Vanilla Fudge

Near The Beginning

Release: 1969 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

A Bell Ringing In The Empty Sky: Japanese Shakuhachi Music

Goro Yamaguchi

LP | 1969 | US | Original (Nonesuch)

Release: 1969 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Fun In Acapulco Green Vinyl Edition

Elvis Presley

LP | 1963 | EU | Reissue (Dol)

Release: 1963 / EU – Reissue

Genre: Rock & Indie

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LP | 1969 | GR | Original (Regal)

Trio Bel Canto

Τρίο Μπελκάντο

Release: 1969 / GR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

7" | 1966 | JP | Original (Victor)

(Theme From) The Monkees

Release: 1966 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Austrian Folk Music Volume 1 - The Eastern Provinces (Upper Austria, Styria, Lower Austria, Vienna, Burgenland)

LP | 1967 | AT | Reissue (Roots)

7" | 1967 | UK | Original (Immediate)

Release: 1967 / AT – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Small writing on cover.
Includes booklet.

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Chris Farlowe

My Way Of Giving

LP | 1967 | US | Original (Stax)

Release: 1967 / UK – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Ships in a label sleeve.

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Booker T & The MG's

Hip Hug-Her

LP | 1969 | UK | Original (Polydor)

Release: 1967 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: G+, Cover: VG

Monarch pressing.

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Cream

Goodbye

Release: 1969 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

2CD | 1967 | EU | Reissue (Polydor)

The Who

The Who Sell Out

LP | 1967 | US | Reissue (Verve)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Following recent super-deluxe editions and multi-format releases of classic Who albums – ‘My Generation’, ‘Tommy’ and ‘Quadrophenia’, and the success of ‘Live at Fillmore’, we follow with The Who Sell Out – this set shaping up to be the most superlative of all…!! Released in December 1967 – the album reflected a remarkable year in popular culture. As well as being forever immortalised as the moment when the counterculture and the ‘Love Generation’ went global, 1967 produced tremendous musical upheavals as “pop” metamorphosed to “rock”.

Originally planned by Pete Townshend and the band’s managers, as a loose concept album including jingles and commercials linking the songs styled as a Radio London broadcast – born out of necessity as the band’s managers wanted a new album and there weren’t enough songs.

The original plan was to sell advertising space on the album – Jaguar cars, Coca-Cola etc. The jingles pay tribute to the pirate radio stations and expose the myths of ‘pop-culture’ and mock consumer society – way ahead of their time…

The homage to pop-art is evident in both the advertising jingles and the iconic sleeve design – created by David King (art director at the Sunday Times) and Roger Law (who invented Spitting Image) producing four giant images for each band member – Odorono deodorant, Medac spot cream, Charles Atlas and Heinz baked beans (Roger apparently caught pneumonia from sitting in the cold beans for too long).

Photography by renowned portrait photographer David Montgomery (rare out-takes included)

The album is a bold depiction of the period in which it was made – the tail-end of the ‘swinging-60s’ meets pop-art mixed with psychedelia and straight-ahead pop craft. It’s glorious blend of classic powerful Who instrumentation, melodic harmonies, satirical lyrical imagery crystallised for what was only the group’s third album – the ambition and scope is unrivalled by the Who, or any others from that period.

Within the bold concept, were a batch of fabulous and diverse songs – I Can See for Miles (a Top Ten hit) is a Who classic, Rael, a Townshend ‘mini-opera’ with musical motifs that reappeared in Tommy and the psychedelic blast of Armenia City in the Sky and Relax are among the very best material of the 1960s.

One of the most extraordinary albums of any era – it’s The Who’s last ‘pop’ album. Two years later came Tommy – a double concept album about a deaf, dumb and blind kid…

“We were hoping to get free Jaguars. We got fifty tins of free Baked Beans”

Pete Townshend

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The Blues Project

Projections

Londra Sokaklarında Ağlar Gezerim / Zindan Oldu Sensiz Geçen Günlerim

Release: 1967 / US – Reissue

Genre: Rock & Indie

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incl. 'flute thing' sampled by Beastie Boys for 'flute loop'

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Yüksel Özkasap

7" | 1969 | TR | Original (Türküola)

Release: 1969 / TR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: Generic

Pot Luck Red Vinyledition

Elvis Presley

LP | 1962 | EU | Reissue (Dol)

Release: 1962 / EU – Reissue

Genre: Rock & Indie

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It Happened At The World's Fair Orange Vinyledition

Elvis Presley

LP | 1963 | EU | Reissue (Dol)

Release: 1963 / EU – Reissue

Genre: Rock & Indie

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It's Not Unusual Record Store Day 2024 Amber Vinyl Edition

Tom Jones

7" | 1965 | Reissue (Decca)

Modern Sounds In Country And Western Music Volume Two

Release: 1965 / Reissue

Genre: Rock & Indie

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Sir Tom Jones UK No.1 single It’s Not Unusual, first released in 1965, is an international megahit. Written by Les Reed and Gordon Mills, the song also made waves in the US reaching No. 10 in the charts paving the way for Sir Tom’s global success. Released for the first time on 7” vinyl since 1965, this limited edition amber record is key to any fans collection.

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Ray Charles

LP | 1962 | US | Original (ABC-Paramount)

Release: 1962 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: G+, Cover: VG+

RJ & The Riots Black Vinyl Edition

RJ & The Riots

LP | 1964 | EU | Reissue (Guerssen)

16,89 €* 25,99 € -35%

LP | 1966 | EU | Reissue (Not Now)

Release: 1964 / EU – Reissue

Genre: Rock & Indie

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Cool Rock&roll, Surf, Beat AND Garage-rock From Philippines IN THE 60s!! Led by teen guitar wizard Ramon “rj” Jacinto, RJ & THE Riots was one of the first rock&roll /beat bands from the Philippines and certainly the first to release original rock n’ roll songs with lyrics in their own country. This is the first ever reissue of their second album, originally released in 1964 and now impossible to find (four stars rating in Hans Pokora’s 1001 Record Collector Dreams book). Including original songs like the monster instrumental “Fuzzed”, the garage sounding “Advertising Man”, “Girl Nice”, the surf rock of “Trip To Manila” and more plus a few rad covers (Beach Boys, Buddy Holly…). The album was recorded at the home studio built by whizz kid Ramón Jacinto, who also operated his own record label (RJ Productions), magazine (Teenstone) and radio station (from his parent’s backyard!) RJ and the Riots started as a high school band of classmates composed of Ramon “rj” Jacinto (lead guitar), Alan Austria (bass guitar), Jimmy Colayco (rhythm guitar) and Bernie Evangelista (drums) with ages ranging from 15-17 years old. They were one of the first bands with electric instruments in the Philippines and this album marked the transition from instrumental rock to vocals. Today, RJ is a well-known businessman (founder of a TV and radio network), Pinoy rock&roll icon and continues his musical journey performing rock n’ roll hits of the 50’s – 80’s at his own Bistro “rj” music lounge, where the top of Philippine society, movers and shakers, go to dance and sing to RJ’s rock n’ roll classics. *Remastered sound and color insert with liner notes & rare photos. *Download card with the album plus one bonus track from a rare 45 Riyl: Ventures, Beach Boys, Buddy Holly, Stones, JAN & Dean, BeatLES…

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Del Shannon

Runaway The Best Of

LP | 1969 | GDR | Original (AMIGA)

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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Del Shannon did not fit the typical teen-idol mould other pop singers of the early Sixties were shoehorned into. Although he certainly had the required good looks, his songs had a brooding intensity to them, with recurring themes of loss and rejection that didn't sit well with the typical pop-star image of the time. In many respects he was similar to the UK's John Leyton and did a lot to pave the way for the British Invasion and the huge expansion to the boundaries of what could be considered pop music.

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Theo Schumann Combo

Release: 1969 / GDR – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Dick Dale & His Del-Tones

Surfers' Choice

LP | 1962 | EU | Reissue (Waxtime)

Release: 1962 / EU – Reissue

Genre: Rock & Indie

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LP | 1968 | US | Reissue (ATCO)

Bo Grumpus

Before The War

LP | 1968 | US | Reissue (International Artists)

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Signed By Simeon

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Lost And Found

Everybody's here

Release: 1968 / US – Reissue

Genre: Rock & Indie

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CD | 1966 | US | Reissue (Light In The Attic)

Nancy Sinatra

Nancy In London

LP | 1967 | JP | Original (Liberty)

Release: 1966 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-09-06

The definitive vinyl reissue of V3Nancy’s third album - Contains the hits “Summer Wine” and “Friday’s Child” - Features audio freshly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin - Includes four bonus tracks: The complete 1969 Mickie Most sessions with the previously unreleased “Colors Are Changing” - Vinyl pressed at RTI on black, "Summer Wine" red, & "Little Bird Blue w/ Peach" splatter wax - Beautifully packaged and expanded gatefold LP with 20 page booklet features Q&A with Nancy & GRAMMY®-nominated co-producer Hunter Lea Plus never-before-seen photos from Nancy Sinatra’s personal archive “Strawberries, cherries, and an angel’s kiss in spring…” were the immortal words sung by a twenty-five-year-old Nancy Sinatra on a frigid spring day in a London recording studio during the sessions for her third LP in four months! The 1966 album was cut in three days at Pye Studios where The Kinks, Petula Clark, and David Bowie recorded their songs in the mid-1960s. By going directly to the source and choosing songs like “On Broadway,” “Wishin’ and Hopin’,” and “This Little Bird,” the album has an unequivocally British feel. The LP includes the timeless Nancy & Lee Hazlewood duet “Summer Wine.”

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The Ventures

On Stage, Encore!

Release: 1967 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Red vinyl. Japanese pressing.

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LP | 1969 | CS | Original (Supraphon)

Night Club 68

Release: 1969 / CS – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1968 | US | Reissue (Reprise)

Jethro Tull

This Was

LP | 1969 | US | Original (Reprise)

Release: 1968 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

1970 reissue. Terre Haute pessing.

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Jethro Tull

Stand Up

LP | 1969 | US | Original (Immediate)

Release: 1969 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: G+, Cover: G+

Pop up cover. Terre Haute pressing. torn spines

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The Nice

Ars Longa Vita Brevis

Dick Dale And His Del-Tones

Release: 1969 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Record shows quite a few surface marks, but plays nicely VG.

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Surfers' Choice Clear Vinyl Edtion

LP | 1962 | EU (Destination Moon)

Gary Puckett & The Union Gap

Release: 1962 / EU

Genre: Rock & Indie

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Surfers’ Choice is a true landmark of surf rock, being the album that established the genre more than any other release. First issued in 1962 and mostly recorded at the Rendezvous Ballroom in Balboa Beach, midway between Los Angeles and San Diego, it has rollicking surf anthems like ‘Surf Beat,’ ‘Shake ‘N Stomp,’ ‘Surfing Drums’ and ‘Take It Off,’ as well as Dale’s adaptations of ‘Night Owl,’ ‘Fanny Mae’ and a strangely orchestrated take of ‘Sloop John B.’ With a soaring guitar that’s drenched in reverb at centre stage and Dale’s gritty vocals varying the action, this is the enduring start of surf rock and a blistering start at that!

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The New Gary Puckett And The Union Gap Album

LP | 1969 | US | Original (Columbia)

John Mayall And The Bluesbreakers

Release: 1969 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Cut corner. Original US Santa Maria pressing.

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A Hard Road

LP | 1967 | EU (Decca)

Release: 1967 / EU

Genre: Organic Grooves, Rock & Indie

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Pisces, Aquarius, Capricorn & Jones Ltd.

LP | 1968 | JP | Original (Victor)

Surfer's Choice-Original Album+Bonus Tracks

Release: 1968 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing. OBI is missing. Cracked corner.

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Dick Dale & Deltones

LP | 1962 | Reissue (Vinyl Passion)

Release: 1962 / Reissue

Genre: Rock & Indie

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The Jimi Hendrix Experience

Smash Hits

LP | 1968 | EU | Reissue (Experience Hendrix)

LP | 1965 | US | Original (RCA Victor)

Release: 1968 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

2016 reissue. Record Store Day edition

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The Astronauts

For You From Us

A Collection Of Beatles Oldies

Release: 1965 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines. Cover with edge wear

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The Beatles

LP | 1966 | JP | Reissue (Apple)

The Brothers Four Sing Lennon-McCartney

Release: 1966 / JP – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing. OBI is missing. 1972 reissue. Vinyl is close to NM. Torn spine.

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A Beatles Songbook

LP | 1966 | JP | Original (CBS)

Release: 1966 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Cover close to VG+

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Riot On Sunset Strip

LP | 1967 | EU (Sparton)

Release: 1967 / EU

Genre: Rock & Indie, Soundtracks

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Brian Poole & The Tremeloes

Twist & Shout Record Store Day 2024 Edition

7" | 1963 | EU | Reissue (Analogue October)

18,04 €* 18,99 € -5%

Release: 1963 / EU – Reissue

Genre: Rock & Indie

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LP | 1967 | EU | Reissue (Wah Wah)

Wynder K. Frog

Sunshine Super Frog

18,89 €* 20,99 € -10%

LP | 1967 | EU | Reissue (Musik Für Dich)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

SUNSHINE SUPER FROG
Recorded mostly in 1966 and issued in 1967, Wynder K Frog's first LP came out of sessions produced by Chris Blackwell, Jimmy Miller and Syd Dale. Weaver was assuming more and more the identity of Wynder K Frog and was backed by session musicians rather than by his live band. It consisted in organ led instrumental covers of songs from the Island catalogue, some built over rejected backing tracks for other artists of the label like Jimmy Cliff, Jackie Edwards and Owen Gray and some new recordings of hits like Spencer Davis Group's "Somebody Help Me", plus some covers of american R&B hits by the likes of Sam & Dave, Willie Mitchell or Wilson Pickett. The end result gave an idea of the Wynder K Frog sound, resulting in a top mix of dance club go-go sounds, perfect for any allnighter at the Tiles or any Swingin' London venue of the 1960s. First ever vinyl reissue. Limited edition to 500 copies only. Bonus tracks not on the original LP. Remastered sound. Insert with liner notes by Nick Rossi and photos. Beautifully housed in three back-flapped 1960s UK style picture sleeve

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The Beathovens

Happy To Be Happy

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Alexis Korner's Blues Incorporated

Blues Incorporated

LP | 1969 | DE | Reissue (Decca)

LP | 1966 | UK | Reissue (The state51 Conspiracy)

Release: 1969 / DE – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Writing on back cover.

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Donovan

Sunshine Superman

LP | 1967 | EU | Reissue (ABKCO)

Release: 1966 / UK – Reissue

Genre: Rock & Indie

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Donovan Philips Leitch is a Scottish singer-songwriter and guitarist who in the 1960s developed an eclectic and distinctive style that blended folk, jazz, pop, psychedelia, and world music. He emerged from the British folk scene and reached fame in the UK in early 1965 before replicating this in the US the following year, baring the fruits of the blossoming, successful, and eventually long collaboration with record producer Mickie Most.

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The Rolling Stones

Between The Buttons

LP | 1965 | US | Original (Imperial)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cracked corner. 2003 reissue.

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Sandy Nelson

Boss Beat

Time Out! Time In For Them

Release: 1965 / US – Original

Genre: Organic Grooves, Rock & Indie, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

Mono All Disc Pressing.

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Them

LP | 1968 | US | Reissue (Tower)

Release: 1968 / US – Reissue

Genre: Rock & Indie

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LP | 1969 | US | Reissue (Tower)

Scorpion

LP | 1969 | US | Reissue (Mainstream)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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180 Gram Vinyl

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Lacewing

LP | 1968 | US | Reissue (Mainstream)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Colored Vinyl

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The Art Of Lovin'

LP | 1963 | JP | Original (Vanguard)

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Colored Vinyl

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Odetta

The Art Of Odetta

Release: 1963 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1964 | NL | Original (Funckler)

Chuck Berry

Chuck Berry On Stage

The Best Of Peter, Paul And Mary

Release: 1964 / NL – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Copy closer to VG+

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Peter, Paul & Mary

LP | 1966 | JP | Original (Warner Bros.)

LP | 1969 | UK | Reissue (Trunk)

Release: 1966 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Red vinyl. Japanese pressing.

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David Cain

The Seasons

The Anders & Poncia Album

Release: 1969 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

clear vinyl. 2012 reissue. With insert

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Anders & Poncia

LP | 1969 | EU | Reissue (Hanky Panky)

Christopher's Movie Matinee

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Copy close to NM

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3's A Crowd

LP | 1968 | US | Original (Dunhill)

LP | 1963 | UK | Reissue (Liberty)

Release: 1968 / US – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

US original. Small tears in spines. Tiny drill hole.

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Monty Norman

OST Dr. No

LP | 1969 | EU | Reissue (Himalaya)

Release: 1963 / UK – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

1987 reissue.

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Bokaj Retsiem

Psychedelic Underground

The Wondrous World Of Sonny & Cher

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Credited as one of the best late 60's German psych-rock albums, Bokaj Retsiem's ("meister Jakob" with reversed letters!) "Psychedelic Underground" is an eccentric, soulful, acid and fuzzy rockin' essay that clearly prefigures a part of the Krautrock movement. Featuring Rainer Deigner, former guitar for the sixties beat German group Former Bonds, as the only credited musician and composer on this album (although other musicians assisted him on bass, keyboards, and that B3 Hammond and Leslie sound), this is basically Rainer's freaked-out tribute to his favorite children's song, "Meister Jakob", consisting in trippy instrumental sections, furiously savage e-guitar crescendos, amazing psych-rock improvisation, with just a hint of 60's US psych-garage. A real enthusiastic Psych-Kraut trip for fans of Vanilla Fudge, Hendrix, and Iron Butterfly.

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Sonny & Cher

LP | 1966 | RU (Audio Clarity)

LP | 1968 | EU (Survival Research)

Release: 1966 / RU

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed. Tiny corner wear. 2020 reissue.

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Apryl Fool

LP | 1969 | EU | Reissue (Discos Quilombo)

Release: 1968 / EU

Genre: Rock & Indie

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The story of Japanese psychedelic band Apryl Fool and their eponymous debut album is simply extraordinary. It was the vehicle by which bassist Haroumi Hosono first came to prominence, years before he became known as the “Godfather of Japanese electronica” as the founding member and leader of Yellow Magic Orchestra, though this musical titan had work released prior to the group’s 1968 founding, such as the song “The Sea Of Summer Day,” recorded with Yuko Okuyama and released by King Records the year before. Drummer Takashi “Rei” Matsumoto was a Beatles maniac that had covered songs by Them and Sam & Dave in his earlier group, Burns, while pioneering prog-rock keyboardist Hiroyoshi Yanagida and guitarists Chu Kosaka and Eiji Kikuchi had all been part of a group called The Floral, formed in 1967 through the Japanese wing of the official fan club of The Monkees (whom they supported during a Japanese tour enacted in October 1968). In September 1969, Apryl Fool played behind musical theatre group Tokyo Kid Brothers, the recording issued in minute quantity as the Love & Banana EP, issued on Columbia Japan’s Musicolor subsidiary; Apryl Fool’s own LP, also issued on Musicolor that year, had extended spacey psychedelic freak jams in the form of “Tanger” and “Pledging My Time,” marathon blues-rock tracks such as “April Blues” and “Honky Tonk Jam,” with the employed English sounding fairly credible, though both parts of epic opus “The Last Mother Land” feature Japanese lyrics. Of course, the day that the LP was actually released is reportedly the day that Apryl Fool announced their termination, giving this scarce release another level of legend for connoisseurs.

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Grupo 606

LP | 1968 | US | Reissue (International Artists)

Release: 1969 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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New Discos Quilombo release, now time for Grupo 606 out of Cochabamba, Bolivia!!! Formed in 1967, in 1969 they released a great EP and we've now pressed this 7" with the best two songs out of that record. A true fine example of the "Nueva Onda Boliviana" sound, with a killer cover of the Blues Magoos' "Gotta Get Away" and the self-penned "No, no puede ser", kind of beat number with taquirari influence.

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13th Floor Elevators

Live

19,79 €* 21,99 € -10%

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Nancy Sinatra & Lee Hazlewood

Nancy & Lee 8Track Edition

8Track | 1968 | US | Reissue (Light In The Attic)

Release: 1968 / US – Reissue

Genre: Rock & Indie

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This is an 8track-cartridge, not a music cassette

First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.

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Release: 1967 / EU

Genre: Rock & Indie

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LP | 1969 | US | Reissue (Metromedia)

Sugar Creek

Please Tell A Friend

Release: 1969 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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LP | 1968 | US | Reissue (Mainstream)

Tiffany Shade

The Tiffany Shade

LP | 1967 | US | Reissue (Mainstream)

Release: 1968 / US – Reissue

Genre: Rock & Indie

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180 Gram Vinyl

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A Pot Of Flowers

With love

LP | 1967 | EU | Reissue (Cosmic Rock)

Release: 1967 / US – Reissue

Genre: Rock & Indie

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180 gram vinyl

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The Free Spirits

Out Of Sight And Sound

2LP | 1969 | US | Original (Decca)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Possibly one of the first crossover jazz-rock album ever, ‘Out of Sight and Sound’ was released in 1967 by ABC Records. The album was recorded by Rudy Van Gelder and produced by Bob Thiele. Featuring a stellar line up comprised of young talented guitar player Larry Coryell (soon to be a proficient solo artist on Vanguard) the record was a true expression of the musicians lifestyle and artist heritage. With drummer Bob Moses (Compost, Steve Kuhn) on board, second guitarist Columbus "Chip" Baker, saxophonist Jim Pepper (a native American who’s debut on Herbie Mann Embryo is still regarded as a masterpiece) and bassist Chris Hills, Free Spirits were possible the first fusion group around !

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The Who

Tommy

All The News That's Fit To Sing

Release: 1969 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Indianapolis Pressing.
Cover with ring wear.

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Phil Ochs

LP | 1964 | RU (Audio Clarity)

7" | 1967 | FR | Original (Impact)

Release: 1964 / RU

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

2019 reissue.

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The Smoke

Have Some More Tea

7" | 1964 | UK | Original (Columbia)

Release: 1967 / FR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: G+, Cover: Generic

Record has some hairlines and a few superficial scratches,
but is close to VG.

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Downliners Sect

Little Egypt

LP | 1968 | EU (Trading Places)

Release: 1964 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Record has some hairlines and a few superficial scratches.
Ships in a label sleeve.

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Dr. K's Blues Band

Rock And Roll Queen / Road To Birmingham

Release: 1968 / EU

Genre: Rock & Indie

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After briefly replacing Eric Clapton in John Mayall’s Bluesbreakers, guitarist/bassist Geoff Krivit formed Doctor K’s Blue Band with pianist Richard Kay and singer/harmonica player Mick Hasse, the lineup completed by bassist Harold Vickers, slide guitarist Roger Rolt and future Steve Hillage drummer Eric Peachey. Their self-titled debut had top-notch renditions of blues classics such as ‘I Can’t Lose,’ ‘Key To The Highway’ and ‘Pet Cream Man,’ as well as spirited originals such as ‘Strobe Lemming’s Lament’ and the piano stomp ‘Crippled Clarence,’ but the album failed to break through. Grab a copy of this rarity to be blown away!

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Mott The Hoople

7" | 1969 | DE | Original (Island)

Release: 1969 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1966 | EU | Reissue (4 Men With Beards)

Contemporary Guitar

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

The Best Of Herman's Hermits

Herman's Hermits

LP | 1966 | JP | Original (Odeon)

Release: 1966 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Record has scuffs and hairlines.
Splits in seams.

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Tramp

Release: 1969 / EU

Genre: Organic Grooves, Rock & Indie

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English blues outfit Tramp was a fleeting affair, active in the late 1960s and early 1970s on an on again, off again basis. Centred on former John Dummer Blues Band guitarist/vocalist Dave Kelly and his singing sister Jo Ann, the group benefitted from Fleetwood Mac mainstays Mick Fleetwood, Danny Kirwan, Bob Brunning and former Savoy Blues Band keyboardist, Bob Hall. Produced for Spark in 1969 by Donovan’s manager, Peter Eden, their sole LP featured tough blues originals, written by members of the group. This is a must-have for all Fleetwood Mac devotees, andfor lovers of British blues albums.

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Jasper

Liberation

Federal Duck Orange Vinyl Edition

Release: 1969 / EU

Genre: Rock & Indie

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Before joining Dick Cuthell in jazz fusion act Trifle, keyboardist Alan Fealdman and drummer Chico Greenwood formed Jasper with bassist Jon Taylor, guitarist Steve Radford and singer/harmonica player, Nick Payne. On sole LP Liberation, released by Spark in 1969, Jasper skirts psychedelia, proto-prog and blues rock, the unusual hybrid a fluid sound that’s difficult to place. Along with unusual arrangements of ‘Baby Please Don’t Go,’ ‘St Louis Blues’ and Donovan’s ‘Cuttin’ Out,’ there are baroque motifs of the title track, repeated at varying intervals. For fans of multidimensional prog and cutting edge blues-rock.

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Federal Duck

LP | 1968 | EU | Reissue (Reel Music)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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LP | 1962 | Reissue (No Frills)

Booker T & The MG's

Green Onions

Release: 1962 / Reissue

Genre: Rock & Indie

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Beau

Release: 1969 / EU

Genre: Rock & Indie

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Leeds-born folk-rocker John Trevor Midgely, alias Beau, was known for his deft twelve-string guitar work, his poignant voice and distinctive song-writing, which brought him onto the roster of John Peel’s Dandelion label in 1969. His self-titled debut album is arguably his best and includes the outstanding single ‘1917 Revolution,’ said to have inspired America’s smash, ‘Horse With No Name,’ the LP ably demonstrating that all the artist needed was his voice, his guitar, and his individual approach to song writing, the work bearing his haunting hallmarks throughout. In short, an unjustly obscure release that is ripe for current reappraisal. Including 2 Bonus Tracks

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Head Machine

Orgasm