Rock & Indie 688 Items

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1969 | EU (Trading Places)

Beau

LP | 1969 | US | Reissue (Columbia)

Release: 1969 / EU

Genre: Rock & Indie

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Leeds-born folk-rocker John Trevor Midgely, alias Beau, was known for his deft twelve-string guitar work, his poignant voice and distinctive song-writing, which brought him onto the roster of John Peel’s Dandelion label in 1969. His self-titled debut album is arguably his best and includes the outstanding single ‘1917 Revolution,’ said to have inspired America’s smash, ‘Horse With No Name,’ the LP ably demonstrating that all the artist needed was his voice, his guitar, and his individual approach to song writing, the work bearing his haunting hallmarks throughout. In short, an unjustly obscure release that is ripe for current reappraisal. Including 2 Bonus Tracks

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Santana

6,99 €*

Magic Lantern Black Vinyl Edition

Release: 1969 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: G+, Cover: Generic

Original sleeve is missing.

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Haymarket Square

LP | 1968 | EU | Reissue (Guerssen)

23,99 €*

LP | 1967 | NL | Reissue (CBS)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Originally from Chicago, Haymarket Square released in 1968 one of the rarest vinyl artifacts from the US underground psychedelic scene: the “Magic Lantern” album. Originally conceived as the soundtrack to a psychedelic lightshow art installation, the album offers crude, dark, psychedelic rock featuring trippy fuzzed out / wah guitars, male-female vocals and long tracks. Newly remastered sound, insert with liner notes, repro of the ultra-rare Baron & Bailey Lightshow poster.

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Moby Grape

The Best Of Moby Grape

33,99 €*

LP | 1966 | EU | Reissue (Music On Vinyl)

Release: 1967 / NL – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

1973 reissue.

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Ro-D-Ys

Earnest Vocation

30,99 €*

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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LP | 1969 | EU | Reissue (Wah Wah)

Sage And Seer

24,99 €*

Li'l Ol' Me / Jealous Fool

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Although this amazing U.S. popsike gem seems to have remained under the radar since it was first released in 1969, copies of an original pressing of this LP fetch several hundreds of dollars among the small circle of collectors that have managed to discover the amazing works of Don Beckmann and David Rea.

Their only LP was originally released on their hometown Denver’s Stylist Records label back in 1969. The production is amazing: to the strength of the duo’s compositions and their guitar and vocal talents, a complete band is added, plus impressive orchestrated arrangements with scores provided by Dan Goodman and Mark Schuster and conducted by Ben Kaufman, the result being a deliciously beautiful album that could be a missing link between the works of Simon & Garfunkel and those of soft pop maestros like The Free Design or Harper's Bizarre or baroque pop legends The Left Banke.

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Jimmy Breedlove

7" | 1962 | UK | Reissue (Diamond)

12,99 €*

Release: 1962 / UK – Reissue

Genre: Rock & Indie

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Le Idee Di Oggi Per La Musica Di Domani

Stormy Six

LP | 1969 | EU | Reissue (On Sale Music)

35,99 €*

LP | 1968 | EU | Reissue (Bonfire)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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The Stormy Six debut album is, in some ways, the mirror of an era with simple atmospheres and an almost like ‘messa beat’ feel. The harmonies are kinda elementary and the general setting is strongly influenced by the Beat origins of the group. The "Stormy Six" formed as a sextet in Milan in 1965, right along that student environment that had already given birth to Maurizio Arcieri's "New Dada". The album is an eccentric mixture of Beat, Psychedelia and proto-prog in the vein of Moody Blues "In the search of the lost chord" or even early Genesis. The songs are almost written by the Rocchi-Fabbri duo even if, in retrospect, it was assumed that three of them belonged to Rocchi alone: ‘Ramo’, with a mystical indian flavor, ‘I Tuoi Occhi Sono Tristi’ – much in the vein of Brian Auger- and the poignant ‘Sotto I Portici Di Marmo’.

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Siren

Heaven / Earth Black Vinyl Edition

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Siren was the debut album by Kevin Coyne with Siren, the band he founded with former Bonzo Dog Band bassist Dave Clague and pianist/guitarist Nick Cudworth. The album was originally issued on John Peel’s Dandelion label in 1969. An artist who would later inspire John Lydon, Sting, Ben Watt and Will Oldham and would collaborate with Robert Wyatt, Andy Summers, Dagmar Krause, Brendan Croker, Gary Lucas and The Mekons’ Jon Langford, Kevin Coyne deserves a royal place between the likes of Syd Barrett, Peter Hammill and Daevid Allen. Standing on the verge of british blues, folk and rawk’n’roll Siren could have been easily labeled as the british answer to Canned Heat, but there’s even more. ‘And I Wonder’ is clearly an anticipation of what would happen next, with the solo career of Coyne, more focused on acid folk songwriting. “Most of the album is good time rock-on-out-music a la the Flamin’ Groovies… one of those (albums) you keep coming back to when the night gets cold and the wine is almost out. I play it a lot, and that’s the nicest thing I can say about an album.” Ed Ward – Rolling Stone “Siren just came as a breath of fresh air really, in the same way that like a generation later The Ramones did. When you just thought ‘Thank God for that!’ You hadn’t realised how bored you’d become…” John Peel.

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The Free Design

LP | 1969 | EU | Reissue (Bonfire)

LP | 1968 | EU (Endless Happiness)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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A vocal band that made it through, the Free Design have been more than an exception in the glittering world of the psychedelic circus. That was the Age of Aquarius in the end, but in the long run the 4-piece had an enormous impact on the younger generation. Released in 1969 “Heaven/earth” is a cornerstone on its own and 30 years later the band had a sort of epiphany, thanks to the spanning interest of artists such as Cornelius, Beck, Stereolab and crate digger master Madlib. By now the Free Design are considered in the same league of The Beach Boys and The Carpenters. Under the influence of the Hi-Lo’s and Peter, Paul and Mary, The Free Design rose through the folk scene of the Greenwich Village coffee houses, achieving national prominence with the enchanting ‘Kites Are Fun’. They would prove to be at least the artistic equals of such popular contemporaries as The Association, The Mamas and the Papas, The Fifth Dimension and Harper’s Bizarre, but without quite matching their commercial success. Rather than be dictated to and diluted by the majors, they chose to commit to the artistic freedom and potential to develop offered them by the producer Enoch Light through his independent set up Project 3 Total Sound.

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The Boston Tea Party

LP | 1968 | UK | Reissue (Island)

Release: 1968 / EU

Genre: Rock & Indie

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A lecture in 60's psych pop (almost power pop with flashes of hard rock) with consistently solid melodical, up-tempo, organ driven songs, soaring vocal harmonies, anthemic choruses. Psyched, poppy & fun. Not an album that you would listen to regularly, but more like an old friend to go back when you are in that 60s mood.

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Traffic

25,99 €*

LP | 1967 | UK | Reissue (Island)

Release: 1968 / UK – Reissue

Genre: Rock & Indie

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The second offering from Traffic, October 1968 would be their self titled Album, achieving a strong balance between Dave Mason’s simple and straightforward folk-rock songs and Steve Winwood’s complex and often haunting rock jams would see the album peak in the UK charts at No’9 and No’16 in the US Billboard Chart. Re-Issued individually from the phenomenal 2019 Traffic – The Studio Albums 1967-74 Boxset. Remastered from the original tapes, pressed on 180g heavy weight vinyl and artwork caringly overseen and interpreted, this album is a must for any newcomer or indeed, seasoned Traffic fan.

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Traffic

Mr Fantasy

25,99 €*

2LP | 1969 | EU | Reissue (Parlophone Label Group)

Release: 1967 / UK – Reissue

Genre: Rock & Indie

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After Steve Winwood jumped ship from chart toppers The Spencer Davis Group and quit the bright lights in favour of the countryside and jam sessions with Jim Capaldi, Dave Mason and Chris Wood, in wake of these events Traffic were formed, it was Birmingham, April ,1967. Traffic began as a psychedelic rock group and diversified their sound through the use of instruments such as keyboards like the Mellotron and harpsichord, sitar, and various reed instruments, and by incorporating jazz and improvisational techniques in their music. Soon after in December 1967 Traffic would release Mr. Fantasy their debut Album on Island records. Rolling Stone called the album “one of the best from any contemporary group” and has become a staple on almost any best album poll from the 20th and 21st centuries!

Re-Issued individually from the phenomenal 2019 Traffic – The Studio Albums 1967-74 Boxset. Remastered from the original tapes, pressed on 180g heavy weight vinyl and artwork caringly overseen and interpreted, this album is a must for any newcomer or indeed, seasoned Traffic fan.

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Dr. Feelgood

The UA Years

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Klaus Kinski Spricht François Villon Und Arthur Rimbaud

Kinski Spricht Villon Und Rimbaud 1

LP | 1969 | DE | Reissue (Amadeo)

7,99 €*

Release: 1969 / DE – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Searchers' Smash Hits Vol. 2

The Searchers

LP | 1967 | UK | Original (Marble Arch)

5,99 €*

Release: 1967 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: G+

Release: 1967 / EU

Genre: Rock & Indie

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2CD | 1967 | EU | Reissue (Polydor)

The Who

The Who Sell Out

15,99 €*

2LP | 1967 | EU | Reissue (Polydor)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Following recent super-deluxe editions and multi-format releases of classic Who albums – ‘My Generation’, ‘Tommy’ and ‘Quadrophenia’, and the success of ‘Live at Fillmore’, we follow with The Who Sell Out – this set shaping up to be the most superlative of all…!! Released in December 1967 – the album reflected a remarkable year in popular culture. As well as being forever immortalised as the moment when the counterculture and the ‘Love Generation’ went global, 1967 produced tremendous musical upheavals as “pop” metamorphosed to “rock”.

Originally planned by Pete Townshend and the band’s managers, as a loose concept album including jingles and commercials linking the songs styled as a Radio London broadcast – born out of necessity as the band’s managers wanted a new album and there weren’t enough songs.

The original plan was to sell advertising space on the album – Jaguar cars, Coca-Cola etc. The jingles pay tribute to the pirate radio stations and expose the myths of ‘pop-culture’ and mock consumer society – way ahead of their time…

The homage to pop-art is evident in both the advertising jingles and the iconic sleeve design – created by David King (art director at the Sunday Times) and Roger Law (who invented Spitting Image) producing four giant images for each band member – Odorono deodorant, Medac spot cream, Charles Atlas and Heinz baked beans (Roger apparently caught pneumonia from sitting in the cold beans for too long).

Photography by renowned portrait photographer David Montgomery (rare out-takes included)

The album is a bold depiction of the period in which it was made – the tail-end of the ‘swinging-60s’ meets pop-art mixed with psychedelia and straight-ahead pop craft. It’s glorious blend of classic powerful Who instrumentation, melodic harmonies, satirical lyrical imagery crystallised for what was only the group’s third album – the ambition and scope is unrivalled by the Who, or any others from that period.

Within the bold concept, were a batch of fabulous and diverse songs – I Can See for Miles (a Top Ten hit) is a Who classic, Rael, a Townshend ‘mini-opera’ with musical motifs that reappeared in Tommy and the psychedelic blast of Armenia City in the Sky and Relax are among the very best material of the 1960s.

One of the most extraordinary albums of any era – it’s The Who’s last ‘pop’ album. Two years later came Tommy – a double concept album about a deaf, dumb and blind kid…

“We were hoping to get free Jaguars. We got fifty tins of free Baked Beans”

Pete Townshend

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The Who

The Who Sell Out

32,99 €*

The Anders & Poncia Album

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Anders & Poncia

LP | 1969 | EU | Reissue (Hanky Panky)

LP | 1965 | FR | Original (London)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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First ever reissue of this bona fide “buried treasure” produced by Richard Perry and featuring Ry Cooder and the Wrecking Crew. Includes 4 page insert with notes by music historian Stephen J McParland and Vini Poncia, and many rare pictures and ephemera. Like the other more familiar and phenomenally successful duos Goffin/King, Barry/Greenwich or Mann/Weil, Peter Anders and Vini Poncia also graduated from the Brill Building era school of songwriting. Friends since high school, Anders and Poncia debuted as members of the Providence, Rhode Island vocal group The Videls whose second single Mister Lonely (written by Anders-Poncia) proved to be a moderate national hit (#73 on Cash Box and Billboard) in early 1960. It would be five more years before the duo’s pièce de résistance, The Trade Winds’ New York’s A Lonely Town, would appear on the legendary Red Bird label (started by George Goldner and songwriters Jerry Leiber and Mike Stoller in 1964). An East Coast (though California molded) surf music anthem, New York’s A Lonely Town had impressed both Phil Spector (with whom Anders and Poncia had enjoyed a brief working association, writing songs for The Ronettes, The Crystals or Darlene Love) and Beach Boys leader Brian Wilson. They also worked on an Elvis Presley film score – “Harum Scarum”. After releasing albums as The Trade Winds and The Innocence, as well writing and releasing a bunch of songs under various guises for Kama Sutra and Buddah Records, Anders & Poncia signed to Warner Bros in 1969. Produced by Richard Perry (Captain Beefheart, Fats Domino, Tiny Tim…), and featuring the Los Angeles A-Team of sessioneers (later known as “The Wrecking Crew”), their only album features ten original compositions and a version of Leiber & Stoller’s “Smokey Joe’s Cafe” (with some great bottleneck guitar by Ry Cooder). Reissued here for the first time these eleven brilliant and extraordinarily powerful tracks are ripe for rediscovery. As the liner notes state: “listen to Anders & Poncia … and you have found your poets.”

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Jerry Lee Lewis

Album N°3

27,99 €*

Mutantes Bottle Green Vinyl Edition

Release: 1965 / FR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl with a couple of light scuffs. Cover with a bit of damage on the back.

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Os Mutantes

LP | 1969 | EU | Reissue (Vinyl Lovers)

Release: 1969 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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One album into their career in 1969, Mutantes showed few signs of musical burnout after turning in one of the oddest LPs released in the '60s. Similar to its predecessor, Mutantes relies on an atmosphere of experimentation and continual musical collisions, walking a fine line between innovation and pointless genre exercises. The lead track ("Dom Quixote") has the same focus on stylistic cut-and-paste as their debut LP's first track ("Panis et Circenses"). Among the band's musical contemporaries, Mutantes sounds similar only to songs like the Who's miniature suite "A Quick One While He's Away" -- though done in three minutes instead of nine, and much more confusing given the language barrier. The album highlights ("Nao Va Se Perder por Ai") and ("Dois Mil e Um") come with what sounds like a typically twisted take on roots music (both Brazilian and American), complete with banjo, accordion, and twangy vocals. Though there are several other enjoyable tracks, including "Magica" and a slap-happy stomp called "Rita Lee," there's a palpable sense that the experimentation here isn't serving much more than its own ends. If the first album's relentless eclecticism did in fact occasionally result in dry passages, it's especially true here

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Highway 61 Revisited Transparent Vinyl Edition

LP | 1965 | EU | Reissue (Sony)

Release: 1965 / EU – Reissue

Genre: Rock & Indie

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Music From Big Pink 50th Anniversary Deluxe Edition

The Band

2LP | 1968 | EU | Reissue (Capitol)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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LP | 1966 | DE | Reissue (RCA International (Camden))

Duane Eddy

The Guitar Man

Release: 1966 / DE – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

1973 reissue

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LP | 1969 | EU | Reissue (Sony)

Nashville Skyline

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1969 | EU (Trading Places)

Head Machine

Orgasm

Generation Pink Vinyl Edition

Release: 1969 / EU

Genre: Rock & Indie

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Before Uriah Heep there was Fat Toe, and before Fat Toe there was The Gods, who recorded this risqué hard prog album, Orgasm, as Head Machine. Singer/keyboardist/guitarist Ken Hensley takes centre stage under the alias Ken Leslie, his lyrics alluding to the undeniable allure of human coitus and aspects of its management, the climax eventually coming in audible groans, though the guitar really drives most of the songs forward, with stereo panning. Produced by David Paramour, who had worked with Garnett Mimms and The Nocturnes, it was recorded in late 1969 and released in small number by Major Minor; this reissue spins at 45 RPM for improved fidelity.

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Rare Earth

LP | 1969 | US | Reissue (Culture Factory)

32,99 €*

LP | 1960 | EU | Reissue (Not Now)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Limited to 2000 copies.

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John Lee Hooker

That's My Story

LP | 1966 | EU | Reissue (Not Now)

Release: 1960 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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There is little doubt that John Lee Hooker was one of the most commercially successful blues artists that ever lived. He rose above his contemporaries with worldwide hit records and a particularly long series of albums, and a career that lasted for over sixty years. He was always prolific and attracted other artists to collaborate with him without ever losing his own highly distinctive style. One of the real and lasting strengths of "That's My Story" as an album is in its immediacy. Orrin Keepnews knew just how to use studio microphone placement to make the listener feel right in the middle of the session. Nothing extraneous is used to move John Lee away from you, making it evident that the producer's original intention with the album has certainly been fulfilled. No wonder that this laid-back work, so quickly recorded, has stood the test of time as one of John Lee Hooker's most revered records.

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Del Shannon

Runaway The Best Of

16,99 €*

Quicksilver Messenger Service

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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Del Shannon did not fit the typical teen-idol mould other pop singers of the early Sixties were shoehorned into. Although he certainly had the required good looks, his songs had a brooding intensity to them, with recurring themes of loss and rejection that didn't sit well with the typical pop-star image of the time. In many respects he was similar to the UK's John Leyton and did a lot to pave the way for the British Invasion and the huge expansion to the boundaries of what could be considered pop music.

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Happy Trails

LP | 1969 | EU | Reissue (Endless Happiness)

La Conferencia Secreta Del Toto's Bar

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Reissue for the 1969 live album for Quicksilver Messenger Service, recorded live in 1968 at the Fillmore in San Francisco.

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Los Shakers

LP | 1968 | EU | Reissue (Guerssen)

LP | 1966 | EU | Reissue (Guerssen)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Originally released in late 1968, La Conferencia Secreta del Toto’s Bar was Los Shaker’s psychedelic masterpiece. Inspired by Sgt. Pepper's Lonely Hearts Club Band - a milestone that would change the face of pop music forever back in 1967 – Los Shakers created a fundamental album in the history of South American rock music, a seminal record for many artists to come, full of pleasant surprises, magic sounds and sense of humour. It offers a complex fusion of styles, with elements from both rock and jazz, plus the use of exotic instruments like the bandoneon–widely used in tango music but unprecedented until then in pop/rock adventures. It all makes the last album by Los Shakers an essential, innovative record for any collector and aficionado. Sounding as fresh and original today as it did back in the late sixties, here’s the first ever vinyl reissue.

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Los Shakers

Shakers For You

Alexis Korner's Blues Incorporated

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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Originally released in 1966, Shakers For You was the second LP by Los Shakers, the legendary beat/pop band from Uruguay. An album clearly influenced by Help!, Rubber Soul and Revolver, but showing a band that were more than mere copycats, offering some revolutionary compositions and influences such as bossa-nova. The songs on Shakers For You take us through incredible musical mixtures that, while keeping a strong early/mid Beatles feel, give us clues of what would come later in pop music with psychedelia just around the corner. This is the first ever vinyl reissue of one of the greatest beat LPs from the 1960s.

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Blues Incorporated

LP | 1969 | DE | Reissue (Decca)

18,99 €*

John Mayall / John Mayall & The Bluesbreakers

Release: 1969 / DE – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Writing on back cover.

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The Diary Of A Band Volume Two

LP | 1968 | DE | Original (Decca)

30,99 €*

Release: 1968 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1968 | US | Original (Blue Rock)

Junior Wells

You're Tuff Enough

The (St. Thomas) Pepper Smelter

Release: 1968 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: G+

Sleeve is taped on top seam, bottom seam and at opening. Sleeve also has writing and punch hole. Record has some scuffs and hairlines, but is close to vg+.

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Soul & Pepper

LP | 1969 | EU | Reissue (Discos Monterey)

The Velvet Underground & Nico

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Once The Shain´s had disbanded a new project was born, St Thomas Pepper Smelter. Recorded in 1969, with practically the same band members as The Shain´s, the band explored darker and psychedelic sounds with covers from Vanilla Fudge, Cream, Hendrix and Music Machine, as well as various amazing songs of their own. This album was to be the transition towards their new projects more progressive and 70s style than before and lead to Gerardo Manuel y Humo!

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LP | 1967 | DE | Reissue (Polydor)

Release: 1967 / DE – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: G+, Cover: VG

Vinyl is dense with light surface scratches and scuffs--will likely cause pop, clicks, and/or background noise. Water stain on cover.

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LP | 1962 | EU | Reissue (Columbia)

Release: 1962 / EU – Reissue

Genre: Rock & Indie

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Let's Have A Bonnie & Clyde Party

The Lipsticks

LP | 1968 | DE | Original (Europa)

3,99 €*

Release: 1968 / DE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: G+

LP | 1967 | DE | Reissue (Sunset)

Sandy Nelson

Drums, Drums, Drums!

LP | 1969 | EU | Reissue (Parlophone)

Release: 1967 / DE – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG+

1972 reissue.

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David Bowie

Ike & Tina's Greatest Hits

Release: 1969 / EU – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM. 2016 reissue.

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Ike & Tina Turner

LP | 1967 | US | Original (Unart)

10,99 €*

Bless It's Pointed Little Head

Release: 1967 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Writing and sticker on back cover.

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Jefferson Airplane

LP | 1969 | EU | Reissue (Music On Vinyl)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1968 | EU | Reissue (Wah Wah)

The Underdogs

Blues Band

24,99 €*

LP | 1966 | UK | Reissue (Big Beat)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Wah Wah is proud to release the first ever legit vinyl reissue from master tape of New Zealand's legendary Underdogs' first LP from 1968. Lovers of John Mayall and his Bluesbreakers (note the Eric Clapton tribute paid on the sleeve of this album) will love this album. The Underdogs formed in 1964 and shared the scene with other greats from the country like The La De Da's, The Action (NZ band, not to be confused with the UK mod godfathers) and The Pleazers. They spread the rhythm and blues word from their native Auckland through several 45s on the Zodiac label and went through a series of line-up changes prior to the release of their fabulous first long player. The Underdogs Blues Band LP was recorded by Murray Grindlay on vocals, Lou Rawnsley on guitars, Neil Edwards on bass and Tony Walton on drums, and shows the group’s appreciation for Mayall's combo - just like The Bluesbreakers' Crusade LP the Underdogs open their album with a cover of Albert King's "Oh, Pretty Woman," one of three "Bluesbreakers" songs covered on the LP. On this first long player the band storm into a world of guitar led rave-ups a la Yardbirds, organ blues grinders and even give a sight to what's to come next with some incipient heavier sounds a la Cream.

This is a 500 copies only reissue, housed in its original artwork in a vintage styled backflaps sleeve and insert

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The Sonics

Boom

24,99 €*

Release: 1966 / UK – Reissue

Genre: Rock & Indie

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New Masters Remastered Edition

Cat Stevens

LP | 1967 | EU | Reissue (Decca)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Matthew & Son Remastered Edition

Cat Stevens

LP | 1967 | EU | Reissue (Decca)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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LP | 1969 | US | Original (Epic)

Sly & The Family Stone

Stand!

LP | 1969 | EU | Reissue (Supraphon)

Release: 1969 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: G+, Cover: VG

Vinyl is Close to VG. Original US Pitman pressing. Unipak has a seam wear.

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Olympic

Ptak Rosomak

27,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1968 | US | Reissue (International Artists)

13th Floor Elevators

Live

19,79 €* 21,99 € -10%

Release: 1968 / US – Reissue

Genre: Rock & Indie

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LP | 1969 | EU | Reissue (Elektra)

The Doors

The Soft Parade

14,99 €*

Release: 1969 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1968 | US | Original (Smash)

Jay & The Techniques

Love, Lost & Found

9,99 €*

Release: 1968 / US – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG+

The Jimi Hendrix Experience

Electric Ladyland

2LP | 1968 | DE | Reissue (Polydor)

110,99 €*

Another Day, Another Lifetime

Release: 1968 / DE – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Beginning seam splits. 1980 reissue.

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The David

LP | 1967 | US | Reissue (Vance)

25,99 €*

Release: 1967 / US – Reissue

Genre: Rock & Indie

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Let It Bleed 50th Anniversary

The Rolling Stones

LP | 1969 | EU | Reissue (Universal)

LP | 1969 | EU | Reissue (Out-Sider)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Remastered

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Locksley Hall

LP | 1969 | EU | Reissue (Atlantic)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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In 1969, Locksley Hall, a psychedelic band from Washington, recorded a full album at Audio Recorders in Seattle produced by Sonics Engineer Kearney Barton and long time Northwest guitarist Ned Neltner (Mark Five, Gas Company…).
Never released at the time, this is a great example of West Coast styled psychedelia / acid-rock, featuring female vocals, prominent organ, hard guitar, excellent songs…

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Boz Scaggs

42,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1968 | EU (Survival Research)

Apryl Fool

LP | 1969 | EU | Reissue (Apple)

Release: 1968 / EU

Genre: Rock & Indie

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Preorder shipping from 2024-08-16

The story of Japanese psychedelic band Apryl Fool and their eponymous debut album is simply extraordinary. It was the vehicle by which bassist Haroumi Hosono first came to prominence, years before he became known as the “Godfather of Japanese electronica” as the founding member and leader of Yellow Magic Orchestra, though this musical titan had work released prior to the group’s 1968 founding, such as the song “The Sea Of Summer Day,” recorded with Yuko Okuyama and released by King Records the year before. Drummer Takashi “Rei” Matsumoto was a Beatles maniac that had covered songs by Them and Sam & Dave in his earlier group, Burns, while pioneering prog-rock keyboardist Hiroyoshi Yanagida and guitarists Chu Kosaka and Eiji Kikuchi had all been part of a group called The Floral, formed in 1967 through the Japanese wing of the official fan club of The Monkees (whom they supported during a Japanese tour enacted in October 1968). In September 1969, Apryl Fool played behind musical theatre group Tokyo Kid Brothers, the recording issued in minute quantity as the Love & Banana EP, issued on Columbia Japan’s Musicolor subsidiary; Apryl Fool’s own LP, also issued on Musicolor that year, had extended spacey psychedelic freak jams in the form of “Tanger” and “Pledging My Time,” marathon blues-rock tracks such as “April Blues” and “Honky Tonk Jam,” with the employed English sounding fairly credible, though both parts of epic opus “The Last Mother Land” feature Japanese lyrics. Of course, the day that the LP was actually released is reportedly the day that Apryl Fool announced their termination, giving this scarce release another level of legend for connoisseurs.

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The Beatles

Yellow Submarine

LP | 1965 | EU | Reissue (Apple)

Release: 1969 / EU – Reissue

Genre: Rock & Indie, Pop, Classical Music, Soundtracks

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Used Vinyl

Medium: Sealed, Cover: Sealed

2012 reissue. Still sealed with hype sticker.

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The Beatles

Help!

30,99 €*

I Want Candy Red Vinyl Edition

Release: 1965 / EU – Reissue

Genre: Rock & Indie, Pop, Soundtracks

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Used Vinyl

Medium: Sealed, Cover: Sealed

2012 reissue on 180gr vinyl. Still sealed with hype sticker.

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Strangeloves

LP | 1965 | US | Reissue (Real Gone Music)

Release: 1965 / US – Reissue

Genre: Rock & Indie

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Blue Marble Colored Vinyl Edition

Sagittarius

LP | 1969 | EU | Reissue (Sundazed)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1968 | US | Reissue (Return To Analog)

Les Lutins

En Orbite

Release: 1968 / US – Reissue

Genre: Rock & Indie

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LP | 1967 | US | Reissue (Return To Analog)

Les Differents

Release: 1967 / US – Reissue

Genre: Rock & Indie

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Nazz Nazz Purple Vinyl Edition

Nazz

LP | 1969 | US | Reissue (Cleopatra)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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LP | 1968 | FR | Reissue (Elektra)

The Doors

Waiting For The Sun

32,99 €*

Release: 1968 / FR – Reissue

Genre: Rock & Indie

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LP | 1968 | US | Reissue (Sundazed)

Ten Years After

Release: 1968 / US – Reissue

Genre: Rock & Indie

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LP | 1966 | UK | Reissue (The state51 Conspiracy)

Donovan

Sunshine Superman

18,99 €*

LP | 1968 | EU | Reissue (Columbia)

Release: 1966 / UK – Reissue

Genre: Rock & Indie

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Donovan Philips Leitch is a Scottish singer-songwriter and guitarist who in the 1960s developed an eclectic and distinctive style that blended folk, jazz, pop, psychedelia, and world music. He emerged from the British folk scene and reached fame in the UK in early 1965 before replicating this in the US the following year, baring the fruits of the blossoming, successful, and eventually long collaboration with record producer Mickie Most.

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Simon & Garfunkel

Bookends

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Parsley, Sage, Rosemary And Thyme

Simon & Garfunkel

LP | 1966 | EU | Reissue (Columbia)

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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LP | 1968 | EU | Reissue (Wah Wah)

Wynder K. Frog

Out Of The Frying Pan

LP | 1967 | EU | Reissue (Wah Wah)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

OUT OF THE FRYING PAN
Released at the end of the summer of 1968, and with a host of session musicians that included the brass section of John Mayall's Bluesbreakers, producer Gus Dudgeon helped Weaver / Wynder K Frog to improve the results obtained on the debut LP and get one step closer to the live action. The formula was more or less the same, instrumental hammond a go go covers of hits from the era, including The Rolling Stones' "Jumping Jack Flash", a funked up version of the classic Tommy Tucker blues number "Hi Heel Sneakers", an exploding cover of "Tequila" or the standard "Green Door", but it also included the sensational Weaver-penned "Harpsichord Shuffle".

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Wynder K. Frog

Sunshine Super Frog

18,89 €* 20,99 € -10%

LP | 1969 | US | Reissue (Chrysalis)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

SUNSHINE SUPER FROG
Recorded mostly in 1966 and issued in 1967, Wynder K Frog's first LP came out of sessions produced by Chris Blackwell, Jimmy Miller and Syd Dale. Weaver was assuming more and more the identity of Wynder K Frog and was backed by session musicians rather than by his live band. It consisted in organ led instrumental covers of songs from the Island catalogue, some built over rejected backing tracks for other artists of the label like Jimmy Cliff, Jackie Edwards and Owen Gray and some new recordings of hits like Spencer Davis Group's "Somebody Help Me", plus some covers of american R&B hits by the likes of Sam & Dave, Willie Mitchell or Wilson Pickett. The end result gave an idea of the Wynder K Frog sound, resulting in a top mix of dance club go-go sounds, perfect for any allnighter at the Tiles or any Swingin' London venue of the 1960s. First ever vinyl reissue. Limited edition to 500 copies only. Bonus tracks not on the original LP. Remastered sound. Insert with liner notes by Nick Rossi and photos. Beautifully housed in three back-flapped 1960s UK style picture sleeve

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Blodwyn Pig

Ahead Rings Out

Release: 1969 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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LP | 1968 | EU | Reissue (Tiger Bay)

The Deviants

Disposable

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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7" | 1966 | EU | Reissue (Wah Wah)

Brenner's Folk

Daurat Oest +3

12,99 €*

LP | 1968 | US | Reissue (Capitol)

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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The most elusive Edigsa 7" gets its first ever vinyl reissue on Wah Wah. An unsung moody garage folk-rock act, Brenner's Folk where the embryonic Pic-Nic (of "Cállate niña" fame) and featured a very young Jordi 'Toti' Soler right after he had gone through Els Xerracs (who also had released an EP on Edigsa), drummer Jordi Barangé (also from Els Xerracs) and brothers Vytas and Haakon Brenner. The Brenner brothers were born in Germany but grew up in Venezuela, where their family had emigrated after the devastation of World War II. The Brenner family would return several years later to establish in Europe, first in Italy and later in Barcelona. The new band started to rehearse under the name of The Vytas Brenner Quartet, and their main influences came from american modern folk acts like Peter Paul and Mary or The Mamas & The Papas, a.o. Not long after they started rehearsing, a very young Jeanette joined them thus becoming Brenner's Folk. Edigsa approached them and offered a contract for the recording of their only EP, sung in catalan and issued in 1966. A showcase of their folk and folk rock influences, the Brenner's Folk 7" is a lo fi garagey jewel that has become an elusive piece due to the importance that its band members would gather in years to come. Toti Soler became the biggest master of guitar, he went to psychedelic and progressive / jazz rock with Om prior to trading in his electric for a Spanish guitar and pioneering instrumental flamenco jazz rock fussion sound on his early solo albums. He is still active nowadays, he is one the biggest Catalan geniuses of modern guitar. The Brenner brothers returned to Venezuela where Vytas became a big solo act, recording the sought after LPs "La Ofrenda de Vytas" and "Hermanos" with his brother Haakon on production duties. Vytas continued a solo carrer that would last until his premature death in 2004 at only 57 due to a heart attack. Jeanette, of course, went on to lead the successful Pic-Nic along with Toti Soler and later enjoyed a successful solo career in the 1970s and 1980s, plus a come back in the early 2000s.

The 4 original Catalan sung tunes will appeal to lovers of Catalan sixties aborigen sounds, Euro & Nederbiet or American teen moody folk rock garage a la Rising Storm, Dovers, Nightcrawlers, Tormentors and the likes.

A facsimile reproduction of this mega rare EP, originally released on Edigsa in 1966, coming with remastered sound and an insert with lyrics, photos and notes.

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Steve Miller Band

Sailor

36,99 €*

Release: 1968 / US – Reissue

Genre: Rock & Indie

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LP | 1968 | US | Reissue (Capitol)

Steve Miller Band

Children Of The Future

36,99 €*

Release: 1968 / US – Reissue

Genre: Rock & Indie

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LP | 1969 | US | Reissue (Now-Again)

Hunger

Strictly From Hunger

57,99 €*

Release: 1969 / US – Reissue

Genre: Rock & Indie

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The latest release in Now-Again’s Reserve Series is Hunger – Strictly From Hunger: the band’s preferred version of the album, unedited, fuzz-guitar heavy late 60s psych-rock, restored and remastered from a rare test press. Hunger arrived in L.A. from Portland in late 1967 as the Outcasts, a teenage cover band, but within a six months they had signed with a connected manager, played all over Los Angeles, embraced psychedelia and signed on to record an album of original music for the label their manager founded for them: Public! Records. They showed tremendous promise – and their producers invested heavily into a band that was going to be the next marquee act at the Whiskey A Go-Go, bringing in members of Strawberry Alarm Clock, including future Lynyrd Skynyrd star Ed King, to produce an album. But Hunger broke up before their album’s release and their entry in rock’s canon was shadowed for years. This is the definitive Reserve Edition reissue of a late ‘60s psych–rock classic, overseen by Hunger’s band members John Morton, Steve Hansen and Mike Lane: the band’s preferred, unedited, fuzz-guitar heavy version of the album, restored and remastered from a rare test press. This is the first time that band’s vision for the album has been issued in full on vinyl. Contains an extensive booklet by Jim Cherry, Eothen Alapatt and Clark Faville that corrects many factual inaccuracies told over the record’s celebrated past three decades as one of rock’s holy grails. The booklet is filled with never-published photos from lead guitarist John Morton’s archive. Here’s an example of what’s in store – the full version of “Open Your Eyes” featuring Ed King’s lead guitar lines – all but absent on the Public! Records issue – and nearly double the length of the issued version! Download card for WAV files and bonus tracks – including the full Public! Records version of the album and 7” single tracks – included.

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LP | 1967 | EU | Reissue (Sony Legacy)

Greatest Hits

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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LP | 1967 | EU | Reissue (Universal)

Nico

Chelsea Girl

27,54 €* 28,99 € -5%

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Hits like "Let You Down" started success for NF in the States for two years and internationally. With over 180 million YouTube views the 26-year-old rapper from Michigan is also the first address for many, because he describes real problems - torn families, various traumas, abuse, addiction, overdose of the mother. His language so eloquent plain text talks like no other representative of his guild.

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LP | 1967 | EU | Reissue (Sony)

John Wesley Harding

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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LP | 1967 | US | Reissue (Verve)

The Blues Project

Projections

15,99 €*

Sgt. Pepper's Lonely Hearts Club Band

Release: 1967 / US – Reissue

Genre: Rock & Indie

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incl. 'flute thing' sampled by Beastie Boys for 'flute loop'

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The Beatles

LP | 1967 | DE | Reissue (Odeon)

48,99 €*

Mike Bloomfield And Al Kooper

Release: 1967 / DE – Reissue

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Early German reissue. Cover is close to NM. Vinyl seems unplayed.

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The Live Adventures Of Mike Bloomfield And Al Kooper

2LP | 1969 | US | Original (Columbia)

14,99 €*

LP | 1969 | US | Reissue (Intervention)

Release: 1969 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

Santa Maria Pressing.
Ships in a brand new plain sleeve.

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The Flying Burrito Bros

The Gilded Palace Of Sin

49,99 €*

Release: 1969 / US – Reissue

Genre: Rock & Indie

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LP | 1967 | EU | Reissue (RCA)

Jefferson Airplane

Surrealistic Pillow

LP | 1969 | DE | Original (Decca)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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The release comes on 180g Vinyl.

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V.A.

The World Of Blues Power

LP | 1965 | GDR | Original (AMIGA)

Release: 1969 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with many scuffs and hairlines

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V.A.

Big Beat II

39,99 €*

Natural Born Bugie / Wrist Job

Release: 1965 / GDR – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with a couple of scuffs and hairlines. Cover with creasing

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Humble Pie

7" | 1969 | DE | Original (Immediate)

LP | 1969 | EU | Reissue (Out-Sider)

Release: 1969 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Cover has slight ring wear.

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Soft Soul Transition

SST