Rock & Indie 495 Items

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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2LP | 1969 | EU | Reissue (Rhino)

Grateful Dead

Live dead

34,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Luigi Tenco Clear Yellow Vinyl Edition

Luigi Tenco

LP | 1965 | EU | Reissue (SAAR)

Release: 1965 / EU – Reissue

Genre: Rock & Indie

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Markley (West Coast Pop Art Experimental Band)

Markley, A Group

LP | 1969 | EU | Reissue (Life Goes On)

LP | 1965 | EU | Reissue (BMG/Sanctuary)

Release: 1969 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Markley, A Group is the sixth and final album by the American psychedelic rock group, the West Coast Pop Art Experimental Band, and was released in 1970 on Forward Records, owned by Mike Curb. The album was released under another group name, Markley A Group, as decided by the group owner, Bob Markley. It features compositions by Danny Harris, Michael Lloyd and Shaun Harris with lyrics by Bob himself. The content is simple and soft, reminiscent of the band's earlier work. A gently pop-psych stroke of genius.

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The Kinks

Kinda Kinks

LP | 1967 | EU | Reissue (Bonfire)

Release: 1965 / EU – Reissue

Genre: Rock & Indie

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The Kinks - Kinda Kinks Kinda Kinks is the second album by English rock band the Kinks, otiginally released in 1965. Recorded and released within two weeks after returning from a tour in Asia, Ray Davies and the band were not satisfied with the production. The big single was "Tired of Waiting for You".

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Free Design

Kites Are Fun

Kites Are Fun Red Vinyl Edition

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Fully licensed, ltd to 500 copies, 180 gr. 1967, just like it was yesterday, pre Vietnam war scenario, high hopes and a new bright horizon, soon to be fall. Meanwhile, the music and - in this case - the celestial vocal harmonies of the East Coast unit formally known as Free Design Their 1967 debut 'Kites Are Fun' is still a case in point and a major influence on today's alternative pop. Often referred as the East Coast answer to Mamas & the Papas, the band had a more ethereal and eclectic approach. From the gentle orchestral accompaniment of 'Make the Madness Stop' to the folkish bossa of 'When Love Was Young' through the sensational arrangements of 'Proper Ornaments' - a number eventually championed by Madlib in the stunning tribute The Now Sound Redesigned (released on Light In The Attic in 2005) - you'll find more than a singular approach. Produced by none other than Enoch Light the album is still an astonishing piece of heavenly art-pop with such a lysergic counterpoint.

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The Free Design

LP | 1967 | EU | Reissue (Bonfire)

26,99 €* 29,99 € -10%

LP | 1964 | EU | Reissue (BMG/Sanctuary)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Limited edition of 100 copies!

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The Kinks

Kinks

Release: 1964 / EU – Reissue

Genre: Rock & Indie

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LP | 1967 | EU | Reissue (Musik Für Dich)

The Beathovens

Happy To Be Happy

18,99 €*

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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LP | 1967 | EU | Reissue (Cosmic Rock)

Goldenrod

24,99 €*

LP | 1964 | Reissue (Real Gone Music)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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The Vietnam war, the excruciating motto ‘turn on, tune in, drop out’, all of a sudden we were in a new era, just across the lysergic exploitation and the political turmoil. The self-titled album by American trio Goldenrod was released on a small run in 1969 on the enigmatic Chartmaker. An instrumental album full of extended and improvised jam recorded in their hometown of Los Angeles. It comprises of just four tracks, enough for an essential trip. Titles such as "Karmic Dream Sequence" and "Descent Of The Cyclopeans" offers a new exploratory vision, between the past and the future. Goldenrod was a rare metaphysical drug experience you wouldn’t miss again! All three band members met while playing behind The Fifth Dimension and they had earlier played with Ballroom who were a pre- The Millennium-Sagittarius band. After all the three members became all of a sudden top LA session men. Jerry Scheff went on to play with The Millennium (the Californian super group led by Curt Boettcher, basically consisting of psychedelic rock musicians) while Ben Benay appeared in the blues-rock outfit Funzone in the seventies.

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Three Man Army

Two

38,99 €*

Release: 1964 / Reissue

Genre: Rock & Indie

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Fapardokly Record Store Day 2022 Vinyl Edition

Fapardokly

LP | 1967 | EU | Reissue (Bonfire)

My Generation Half-Speed Remastered 2021 Vinyl Edition

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Fully remastered and licensed ltd to 500 copies, 180 gr. Fapardokly was an American band from the West Coast. They’re sole self-titled album was effectively a 12 tracks developed by leader Merrell Fankhauser accompanied by a rotation of musicians. Originally released in 1967 on the small imprint UIP, the album is a perfectly fitting lost nugget from the psychedelic era, collecting a series of lysergic pop numbers with solemn orchestration and strong choral vocal efforts. One of the leading tracks – ‘Gone To Pot’ – has an aurea similar to the classic Byrds ‘Eight Miles High’, promoting an extra-sensorial experience all the way.

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The Who

LP | 1965 | EU | Reissue (Polydor)

33,99 €*

Release: 1965 / EU – Reissue

Genre: Rock & Indie

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LP | 1967 | EU | Reissue (Discos Monterey)

Los Shain's

Segundo Volumen

24,99 €*

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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After consecutive reissues of Peruvian garage and psychedelic rock from the sixties and seventies, Discos Monterey couldn't miss the chance to resurface two of the most emblematic records of the period: "Segundo Volumen" (1967) and "Docena 3" (1968) by Los Shain's, the "conjunto de conjuntos" (the band among bands), as they were called back then. Those fifteen-year-olds started in mid-1964 and would go on to make an impressive musical career that would make history with just four records for the Iempsa label.

They recorded their first LP "El Ritmo De Los Shain's" (1966), halfway between instro rock and garage. Its main architects - Enrique "Pico" Ego Aguirre, on guitar, and Gerardo Manuel Rojas, on lead vocals - introduced psychedelia in their second work called "Volumen 2" (1967). They were accompanied by Beto Tataje on second guitar, Juan Carlos Barreda on bass, and Carlos Manuel Barreda on drums. The album contains, for the most part, their own songs, standing out their luminous melodies and a certain beat they themselves considered to be a product of the "enfermedad" (sickness), immersed as they were in "la onda", the groove of the era. An impressive album that also stood out for its sound and for the pioneering presence of the "fuzz tone" among other effects such as the tape echo or a harmonic distorter that were revolutionary in their day and that today still have an impact due to their enormous power.

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Highway 61 Revisited Black Vinyl Edition

LP | 1965 | EU | Reissue (Sony)

Release: 1965 / EU – Reissue

Genre: Rock & Indie

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Bringing It All Back Home

LP | 1965 | EU | Reissue (Sony)

Release: 1965 / EU – Reissue

Genre: Rock & Indie

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Waterloo Sunset Record Store Day 2022 Yelow Vinyl Edition

The Kinks

LP | 1967 | US | Reissue (Sanctuary)

21,84 €* 22,99 € -5%

I Got Dem Ol' Kozmic Blues Again Mama!

Release: 1967 / US – Reissue

Genre: Rock & Indie

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Limited to 1350 copies.

On the 55th anniversary of the infamous single “Waterloo Sunset,” THE Kinks are releasing the “Waterloo Sunset” EP featuring 6 of the bands biggest cult tracks including the unforgettable summer anthem ‘“Waterloo Sunset.” Also included are the fan favourites, “Act Nice And Gentl,” “Mr. Pleasant,” “Holiday In Waikiki,” “Little Miss Queen Of Darkness” and “This Is Where I Belong.” Released for the first time on 140g 12” Yellow Colored Vinyl. This release has been skillfully remastered by Tony Cousins at Metropolis and the artwork from the original 1967 French EP has been masterfully retouched for this Record Store Day 2022 release.

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Janis Joplin

LP | 1969 | EU | Reissue (Music On Vinyl)

Surfer's Choice-Original Album+Bonus Tracks

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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In 1968, Janis Joplin decided to go solo while her album 'Cheap Thrills' with Big Brother & the Holding Company was still on top of the charts. 'I Got Them Ol' Kozmic Blues Again Mama!' was her first effort. She leans more towards Soul/Rock than on her previous work, with heavy horn arrangements from her accompanying band. The album contains the lead hit single 'Try (Just A Little Bit Harder)'. The audio is sourced from the original masters and features the original artwork.

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Dick Dale & Deltones

LP | 1962 | Reissue (Vinyl Passion)

17,99 €*

Release: 1962 / Reissue

Genre: Rock & Indie

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LP | 1962 | Reissue (No Frills)

Booker T & The MG's

Green Onions

Release: 1962 / Reissue

Genre: Rock & Indie

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Rationals Record Store Day 2022 Vinyl Edition

Rationals

LP | 1969 | US | Reissue (Rouge)

27,99 €*

Western Union Gold Record Store Day 2022 Vinyl Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Limited to 1000 copies.

The Rationals are one of the cornerstone bands of Detroit’s ever-storied rock history. Artists such as Bob Seger, Ted Nugent and Brownsville Station were influenced by The Rationals. Coming out of Ann Arbor in 1964, The Rationals gave an authentic R&B twist to the new rock ‘n roll styles of the British Invasion. They broke through on Jeep Holland’s A2 label in 1965 and found a hit with a cover of Otis Redding’s “Respect” on the Cameo Parkway label in 1966—reaching a spot on the Billboard Hot 100. By 1967 The Rationals were firmly embedded in the Detroit music scene alongside such contemporaries as MC5, The Stooges, Bob Seger System and the Amboy Dukes. They were frequently featured on bills at the legendary Grande Ballroom, and acted as supporting act for Cream, Jimi He ndrix, and Pi nk Floyd around the Detroit area. Their sole studio LP was self-titled and released by Crewe Records in 1970. Their matured sound included touches of soul, hard rock, psychedelia, and the blues which spawned originals like “Guitar Army,” and showcased their soulful talents on covers such as “Temptation ‘Bout To Get Me”.

This Record Store Day 2022 reissue of the 1970 LP has been newly remastered and pressed on orange and yellow splatter vinyl at Third Man Pressing in Detroit.

Barefootin' Temptation 'Bout To Get Me Guitar Army Something's Gotta Hold On Me Deep Red Sunset Glowin' Handbags and Gladrags Ha Ha Zip-A-Dee Doo-Dah (Bonus Track)

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Five Americans

LP | 1967 | US | Reissue (Sundazed)

30,99 €*

Sgt.Peppers´s Lonely Hearts Club Band

Release: 1967 / US – Reissue

Genre: Rock & Indie

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Limited to 1200 copies. While overshadowed by its euphonic earworm, this is a remarkably deep and diverse album. With saccharin-saturated jangly pop that verges on bubblegum ('If I Could'), infectious Vox organ propelled grooves ('Sound Of Love'), fuzz-driven garage ('Reality') and the splendid and inventive sonic atlas 'Big Cities'! Come for the single, stay for the album! All analog, pressed on Abnak gold vinyl!

1. Western Union 2. Gimme Some Lovin’ 3. Husbands & Wives 4. If I Could 5. Sympathy 6. Big Cities 7. Sound Of Love 8. I Put A Spell On You 9. Tell Ann I Love Her 10. Reality 11. Now That It’s Over 12. See-Saw-Man

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The Beatles

LP | 1967 | UK | Original (Parlophone)

55,99 €*

7" | 1969 | UK | Original (Immediate)

Release: 1967 / UK – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Uk reissue from the 2000s.
Includes original inner sleeve.

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Humble Pie

Natural Born Bugie

5,99 €*

Release: 1969 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: G+, Cover: Generic

Little Willie John / Hank Ballard & The Midnighters

Sleep / Let's Go, Let's Go, Let's Go

7" | 1960 | DE | Original (Odeon)

9,99 €*

Release: 1960 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: G+, Cover: Generic

Chris Farlowe & The Thunderbirds

Buzz With The Fuzz

7" | 1965 | UK | Original (Columbia)

199,99 €*

Crosby Stills & Nash SuperVinyl Edition

Release: 1965 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with a few scratches! Close to VG+!

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Crosby Stills & Nash

LP | 1969 | US | Reissue (Mobile Fidelity)

119,99 €*

I Quelli Red Vinyl Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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ULTIMATE-SOUNDING VERSION OF THE HARMONY-RICH LANDMARK: DELUXE AUDIOPHILE PRESSING LIMITED AND NUMBERED COPIES
1/4" / 15 IPS analogue master to DSD 256 to analogue console to lathe

The enduring charm, contemporary relevance, and harmonic convergence of Crosby, Stills & Nash's fabled self-titled debut owe not only to impeccably played songs and resonant lyrics, but to career-defining performances by music's first genuine supergroup. Crosby, Stills & Nash lingers as an example of the whole being greater than the sum of its parts. Factor in phenomenal studio production and acoustic-based architecture that served as guideposts for myriad albums that followed, and popular music would never be the same.

Limited and numbered, pressed on MoFi SuperVinyl at RTI, and mastered from the original master tapes, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP collector's edition enhances the incalculably influential work for the ages to come. Surpassing the sonics of any prior version, it peels away any limitations to provide a transparent, ultra-nuanced presentation of a record that birthed the Laurel Canyon movement and established a precedent for close harmony singing that has never been eclipsed. The organic presentation of the textures; expanse and depth of the soundstages; fullness of tones; natural extension of the acoustic guitar strings; realistic rise and decay of individual notes; seamless blending of the vocals – all those important sonic facets (and more) reach demonstration-grade levels.

The packaging features the same attention to detail. Housed in a deluxe box, the Crosby, Stills & Nash UD1S pressing features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendour of the recording and the reissue's premium quality. Aurally and visually, MoFi's UD1S copy exists as a curatorial artifact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art – and everything involved with the album, from the images to the finishes.

The backstory of how Crosby, Stills & Nash came to be nearly matches the import of its content. Already a renowned multi-instrumental virtuoso, Stephen Stills sought a fresh beginning after Buffalo Springfield splintered. Similarly, vocal powerhouse David Crosby arrived after leaving the Byrds and gaining a reputation for being difficult. Graham Nash drifted over after a frustrating stint in the Hollies. He met his new mates at a party. When the three sang together informally for the first time, their fate was sealed. To further tie their fortunes together, the singers used each of their surnames to identify the group to ensure the collective could not exist or continue on without all three members.

From the opening of the lead track, the multi-part "Suite: Judy Blue Eyes," written for Judy Collins, it's apparent the trio's dynamic cannot be replicated or substituted. Originally released in May 1969 on Atlantic, the eponymous debut cracked the Billboard Top 10 and spent almost two years on the charts. Such longevity can be credited to the distinctive traits each member lends to a record Rolling Stone cites as the 252nd Greatest Album of All Time. Stills trades in folk, country, and rock accents while handing a majority of the instrumental duties (organ, bass, and lead guitar included). Crosby paints with mood and atmosphere, as well as direct political commentary. Nash ties everything together with accessible pop melodies.

More than five decades later, the ensemble's mellifluous singing and homespun arrangements continue to soar. The evidence pervades Crosby, Stills & Nash, whose magnetism reflects in standards such as the breezy "Marrakesh Express," protesting "Long Time Gone," poignant "Helplessly Hoping," and poetic "Wooden Ships." No wonder the trio's chemistry – as well as the distinctive traits of each member's singing, interwoven guitar parts, and contrasting personalities – became a permanent part of an American culture dealing with conflicting themes of peace and war, love and violence, and change and status quo.

More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior
Mobile Fidelity Sound Lab's UltraDisc One-Step (UD1S) technique bypasses generational losses inherent to the traditional three-step plating process by removing two steps: the production of father and mother plates, which are created to yield numerous stampers from each lacquer that is cut. For UD1S plating, stampers (also called "converts") are made directly from the lacquers. Since each lacquer yields only one stamper, multiple lacquers need to be cut. Mobile Fidelity's UD1S process produces a final LP with the lowest-possible noise floor. The removal of two steps of the plating process also reveals musical details and dynamics that would otherwise be lost due to the standard multi-step process. With UD1S, every aspect of vinyl production is optimized to produce the best-sounding vinyl album available today.

MoFi SuperVinyl
Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.

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Quelli

LP | 1969 | EU | Reissue (RCA)

23,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1969 | US | Original (Elektra)

Rhinoceros

Satin Chickens

9,99 €*

LP | 1967 | EU | Reissue (Republic)

Release: 1969 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Original US Pressing.

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Nico

Chelsea Girl

John Berberian And The Rock East Ensemble

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

2018 reissue on 180gr vinyl. Tiny wear.

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Middle Eastern Rock Orange Vinyl Edition

LP | 1969 | US | Reissue (Modern Harmonic)

La Fine Del Mondo / Marylou Blue Vinyl Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Crazed time signatures abound as musicians from the West look East for inspiration, infusing their rock and jazz sounds with vibes looted from India and the Far East. A true marriage of Western and (Middle) Eastern music with a fuzzed-out psychedelic edge. Released originally in 1969, Middle Eastern Rock is a unique, compelling fusion record from Armenian-American oud player John Berberian. The Rock East Ensemble, Beberian's backing band, consists of the artist's standard group, which specializes in traditional Armenian music with a jazz edge, and American session musicians who bring more of a rock sound. The results, which blend elements of psychedelia, free jazz, surf music, and various klezmer, African, and Middle Eastern textures, are dazzling, and are sure to thrill anyone with a taste for rare "outside" albums. ' AllMusic Review by Anthony Tognazzini

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Edoardo Bennato

7" | 1969 | EU | Reissue (Numero Uno)

21,59 €* 23,99 € -10%

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1969 | EU (Trading Places)

Beau

LP | 1969 | US | Reissue (Columbia)

Release: 1969 / EU

Genre: Rock & Indie

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Leeds-born folk-rocker John Trevor Midgely, alias Beau, was known for his deft twelve-string guitar work, his poignant voice and distinctive song-writing, which brought him onto the roster of John Peel’s Dandelion label in 1969. His self-titled debut album is arguably his best and includes the outstanding single ‘1917 Revolution,’ said to have inspired America’s smash, ‘Horse With No Name,’ the LP ably demonstrating that all the artist needed was his voice, his guitar, and his individual approach to song writing, the work bearing his haunting hallmarks throughout. In short, an unjustly obscure release that is ripe for current reappraisal. Including 2 Bonus Tracks

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Santana

6,99 €*

LP | 1967 | NL | Reissue (CBS)

Release: 1969 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: G+, Cover: Generic

Original sleeve is missing.

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Moby Grape

The Best Of Moby Grape

33,99 €*

LP | 1969 | EU | Reissue (Wah Wah)

Release: 1967 / NL – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

1973 reissue.

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Sage And Seer

24,99 €*

Li'l Ol' Me / Jealous Fool

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Although this amazing U.S. popsike gem seems to have remained under the radar since it was first released in 1969, copies of an original pressing of this LP fetch several hundreds of dollars among the small circle of collectors that have managed to discover the amazing works of Don Beckmann and David Rea.

Their only LP was originally released on their hometown Denver’s Stylist Records label back in 1969. The production is amazing: to the strength of the duo’s compositions and their guitar and vocal talents, a complete band is added, plus impressive orchestrated arrangements with scores provided by Dan Goodman and Mark Schuster and conducted by Ben Kaufman, the result being a deliciously beautiful album that could be a missing link between the works of Simon & Garfunkel and those of soft pop maestros like The Free Design or Harper's Bizarre or baroque pop legends The Left Banke.

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Jimmy Breedlove

7" | 1962 | UK | Reissue (Diamond)

12,99 €*

Release: 1962 / UK – Reissue

Genre: Rock & Indie

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Le Idee Di Oggi Per La Musica Di Domani

Stormy Six

LP | 1969 | EU | Reissue (On Sale Music)

35,99 €*

Heaven / Earth Black Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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The Stormy Six debut album is, in some ways, the mirror of an era with simple atmospheres and an almost like ‘messa beat’ feel. The harmonies are kinda elementary and the general setting is strongly influenced by the Beat origins of the group. The "Stormy Six" formed as a sextet in Milan in 1965, right along that student environment that had already given birth to Maurizio Arcieri's "New Dada". The album is an eccentric mixture of Beat, Psychedelia and proto-prog in the vein of Moody Blues "In the search of the lost chord" or even early Genesis. The songs are almost written by the Rocchi-Fabbri duo even if, in retrospect, it was assumed that three of them belonged to Rocchi alone: ‘Ramo’, with a mystical indian flavor, ‘I Tuoi Occhi Sono Tristi’ – much in the vein of Brian Auger- and the poignant ‘Sotto I Portici Di Marmo’.

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The Free Design

LP | 1969 | EU | Reissue (Bonfire)

LP | 1967 | UK | Reissue (Island)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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A vocal band that made it through, the Free Design have been more than an exception in the glittering world of the psychedelic circus. That was the Age of Aquarius in the end, but in the long run the 4-piece had an enormous impact on the younger generation. Released in 1969 “Heaven/earth” is a cornerstone on its own and 30 years later the band had a sort of epiphany, thanks to the spanning interest of artists such as Cornelius, Beck, Stereolab and crate digger master Madlib. By now the Free Design are considered in the same league of The Beach Boys and The Carpenters. Under the influence of the Hi-Lo’s and Peter, Paul and Mary, The Free Design rose through the folk scene of the Greenwich Village coffee houses, achieving national prominence with the enchanting ‘Kites Are Fun’. They would prove to be at least the artistic equals of such popular contemporaries as The Association, The Mamas and the Papas, The Fifth Dimension and Harper’s Bizarre, but without quite matching their commercial success. Rather than be dictated to and diluted by the majors, they chose to commit to the artistic freedom and potential to develop offered them by the producer Enoch Light through his independent set up Project 3 Total Sound.

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Traffic

Mr Fantasy

2LP | 1969 | EU | Reissue (Parlophone Label Group)

Release: 1967 / UK – Reissue

Genre: Rock & Indie

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After Steve Winwood jumped ship from chart toppers The Spencer Davis Group and quit the bright lights in favour of the countryside and jam sessions with Jim Capaldi, Dave Mason and Chris Wood, in wake of these events Traffic were formed, it was Birmingham, April ,1967. Traffic began as a psychedelic rock group and diversified their sound through the use of instruments such as keyboards like the Mellotron and harpsichord, sitar, and various reed instruments, and by incorporating jazz and improvisational techniques in their music. Soon after in December 1967 Traffic would release Mr. Fantasy their debut Album on Island records. Rolling Stone called the album “one of the best from any contemporary group” and has become a staple on almost any best album poll from the 20th and 21st centuries!

Re-Issued individually from the phenomenal 2019 Traffic – The Studio Albums 1967-74 Boxset. Remastered from the original tapes, pressed on 180g heavy weight vinyl and artwork caringly overseen and interpreted, this album is a must for any newcomer or indeed, seasoned Traffic fan.

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Dr. Feelgood

The UA Years

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Klaus Kinski Spricht François Villon Und Arthur Rimbaud

Kinski Spricht Villon Und Rimbaud 1

LP | 1969 | DE | Reissue (Amadeo)

7,99 €*

Release: 1969 / DE – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Searchers' Smash Hits Vol. 2

The Searchers

LP | 1967 | UK | Original (Marble Arch)

5,99 €*

Release: 1967 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: G+

Release: 1967 / EU

Genre: Rock & Indie

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2CD | 1967 | EU | Reissue (Polydor)

The Who

The Who Sell Out

15,99 €*

2LP | 1967 | EU | Reissue (Polydor)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Following recent super-deluxe editions and multi-format releases of classic Who albums – ‘My Generation’, ‘Tommy’ and ‘Quadrophenia’, and the success of ‘Live at Fillmore’, we follow with The Who Sell Out – this set shaping up to be the most superlative of all…!! Released in December 1967 – the album reflected a remarkable year in popular culture. As well as being forever immortalised as the moment when the counterculture and the ‘Love Generation’ went global, 1967 produced tremendous musical upheavals as “pop” metamorphosed to “rock”.

Originally planned by Pete Townshend and the band’s managers, as a loose concept album including jingles and commercials linking the songs styled as a Radio London broadcast – born out of necessity as the band’s managers wanted a new album and there weren’t enough songs.

The original plan was to sell advertising space on the album – Jaguar cars, Coca-Cola etc. The jingles pay tribute to the pirate radio stations and expose the myths of ‘pop-culture’ and mock consumer society – way ahead of their time…

The homage to pop-art is evident in both the advertising jingles and the iconic sleeve design – created by David King (art director at the Sunday Times) and Roger Law (who invented Spitting Image) producing four giant images for each band member – Odorono deodorant, Medac spot cream, Charles Atlas and Heinz baked beans (Roger apparently caught pneumonia from sitting in the cold beans for too long).

Photography by renowned portrait photographer David Montgomery (rare out-takes included)

The album is a bold depiction of the period in which it was made – the tail-end of the ‘swinging-60s’ meets pop-art mixed with psychedelia and straight-ahead pop craft. It’s glorious blend of classic powerful Who instrumentation, melodic harmonies, satirical lyrical imagery crystallised for what was only the group’s third album – the ambition and scope is unrivalled by the Who, or any others from that period.

Within the bold concept, were a batch of fabulous and diverse songs – I Can See for Miles (a Top Ten hit) is a Who classic, Rael, a Townshend ‘mini-opera’ with musical motifs that reappeared in Tommy and the psychedelic blast of Armenia City in the Sky and Relax are among the very best material of the 1960s.

One of the most extraordinary albums of any era – it’s The Who’s last ‘pop’ album. Two years later came Tommy – a double concept album about a deaf, dumb and blind kid…

“We were hoping to get free Jaguars. We got fifty tins of free Baked Beans”

Pete Townshend

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The Who

The Who Sell Out

32,99 €*

The Anders & Poncia Album

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Anders & Poncia

LP | 1969 | EU | Reissue (Hanky Panky)

LP | 1965 | FR | Original (London)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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First ever reissue of this bona fide “buried treasure” produced by Richard Perry and featuring Ry Cooder and the Wrecking Crew. Includes 4 page insert with notes by music historian Stephen J McParland and Vini Poncia, and many rare pictures and ephemera. Like the other more familiar and phenomenally successful duos Goffin/King, Barry/Greenwich or Mann/Weil, Peter Anders and Vini Poncia also graduated from the Brill Building era school of songwriting. Friends since high school, Anders and Poncia debuted as members of the Providence, Rhode Island vocal group The Videls whose second single Mister Lonely (written by Anders-Poncia) proved to be a moderate national hit (#73 on Cash Box and Billboard) in early 1960. It would be five more years before the duo’s pièce de résistance, The Trade Winds’ New York’s A Lonely Town, would appear on the legendary Red Bird label (started by George Goldner and songwriters Jerry Leiber and Mike Stoller in 1964). An East Coast (though California molded) surf music anthem, New York’s A Lonely Town had impressed both Phil Spector (with whom Anders and Poncia had enjoyed a brief working association, writing songs for The Ronettes, The Crystals or Darlene Love) and Beach Boys leader Brian Wilson. They also worked on an Elvis Presley film score – “Harum Scarum”. After releasing albums as The Trade Winds and The Innocence, as well writing and releasing a bunch of songs under various guises for Kama Sutra and Buddah Records, Anders & Poncia signed to Warner Bros in 1969. Produced by Richard Perry (Captain Beefheart, Fats Domino, Tiny Tim…), and featuring the Los Angeles A-Team of sessioneers (later known as “The Wrecking Crew”), their only album features ten original compositions and a version of Leiber & Stoller’s “Smokey Joe’s Cafe” (with some great bottleneck guitar by Ry Cooder). Reissued here for the first time these eleven brilliant and extraordinarily powerful tracks are ripe for rediscovery. As the liner notes state: “listen to Anders & Poncia … and you have found your poets.”

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Jerry Lee Lewis

Album N°3

27,99 €*

Mutantes Bottle Green Vinyl Edition

Release: 1965 / FR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl with a couple of light scuffs. Cover with a bit of damage on the back.

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Os Mutantes

LP | 1969 | EU | Reissue (Vinyl Lovers)

21,99 €*

Release: 1969 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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One album into their career in 1969, Mutantes showed few signs of musical burnout after turning in one of the oddest LPs released in the '60s. Similar to its predecessor, Mutantes relies on an atmosphere of experimentation and continual musical collisions, walking a fine line between innovation and pointless genre exercises. The lead track ("Dom Quixote") has the same focus on stylistic cut-and-paste as their debut LP's first track ("Panis et Circenses"). Among the band's musical contemporaries, Mutantes sounds similar only to songs like the Who's miniature suite "A Quick One While He's Away" -- though done in three minutes instead of nine, and much more confusing given the language barrier. The album highlights ("Nao Va Se Perder por Ai") and ("Dois Mil e Um") come with what sounds like a typically twisted take on roots music (both Brazilian and American), complete with banjo, accordion, and twangy vocals. Though there are several other enjoyable tracks, including "Magica" and a slap-happy stomp called "Rita Lee," there's a palpable sense that the experimentation here isn't serving much more than its own ends. If the first album's relentless eclecticism did in fact occasionally result in dry passages, it's especially true here

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Highway 61 Revisited Transparent Vinyl Edition

LP | 1965 | EU | Reissue (Sony)

Release: 1965 / EU – Reissue

Genre: Rock & Indie

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Orkes Angklung Padaeng, Daeng Soetigna

Angklung

LP | 1963 | ID | Original (Lokananta)

9,95 €*

Release: 1963 / ID – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: G+, Cover: VG

Record has many scuffs and some superficial scratches, an audible one on A2. Sleeve is splitting on top and bottom seam.

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LP | 1969 | EU | Reissue (Sony)

Nashville Skyline

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1969 | EU (Trading Places)

Head Machine

Orgasm

Generation Pink Vinyl Edition

Release: 1969 / EU

Genre: Rock & Indie

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Before Uriah Heep there was Fat Toe, and before Fat Toe there was The Gods, who recorded this risqué hard prog album, Orgasm, as Head Machine. Singer/keyboardist/guitarist Ken Hensley takes centre stage under the alias Ken Leslie, his lyrics alluding to the undeniable allure of human coitus and aspects of its management, the climax eventually coming in audible groans, though the guitar really drives most of the songs forward, with stereo panning. Produced by David Paramour, who had worked with Garnett Mimms and The Nocturnes, it was recorded in late 1969 and released in small number by Major Minor; this reissue spins at 45 RPM for improved fidelity.

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Rare Earth

LP | 1969 | US | Reissue (Culture Factory)

32,99 €*

LP | 1960 | EU | Reissue (Not Now)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Limited to 2000 copies.

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John Lee Hooker

That's My Story

Quicksilver Messenger Service

Release: 1960 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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There is little doubt that John Lee Hooker was one of the most commercially successful blues artists that ever lived. He rose above his contemporaries with worldwide hit records and a particularly long series of albums, and a career that lasted for over sixty years. He was always prolific and attracted other artists to collaborate with him without ever losing his own highly distinctive style. One of the real and lasting strengths of "That's My Story" as an album is in its immediacy. Orrin Keepnews knew just how to use studio microphone placement to make the listener feel right in the middle of the session. Nothing extraneous is used to move John Lee away from you, making it evident that the producer's original intention with the album has certainly been fulfilled. No wonder that this laid-back work, so quickly recorded, has stood the test of time as one of John Lee Hooker's most revered records.

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Happy Trails

LP | 1969 | EU | Reissue (Endless Happiness)

Alexis Korner's Blues Incorporated

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Reissue for the 1969 live album for Quicksilver Messenger Service, recorded live in 1968 at the Fillmore in San Francisco.

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Blues Incorporated

LP | 1969 | DE | Reissue (Decca)

18,99 €*

The (St. Thomas) Pepper Smelter

Release: 1969 / DE – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Writing on back cover.

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Soul & Pepper

LP | 1969 | EU | Reissue (Discos Monterey)

The Velvet Underground & Nico

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Once The Shain´s had disbanded a new project was born, St Thomas Pepper Smelter. Recorded in 1969, with practically the same band members as The Shain´s, the band explored darker and psychedelic sounds with covers from Vanilla Fudge, Cream, Hendrix and Music Machine, as well as various amazing songs of their own. This album was to be the transition towards their new projects more progressive and 70s style than before and lead to Gerardo Manuel y Humo!

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LP | 1967 | DE | Reissue (Polydor)

Release: 1967 / DE – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: G+, Cover: VG

Vinyl is dense with light surface scratches and scuffs--will likely cause pop, clicks, and/or background noise. Water stain on cover.

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LP | 1962 | EU | Reissue (Columbia)

Release: 1962 / EU – Reissue

Genre: Rock & Indie

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Another Side Of Bob Dylan

LP | 1964 | EU | Reissue (Columbia)

Release: 1964 / EU – Reissue

Genre: Rock & Indie

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LP | 1967 | DE | Reissue (Sunset)

Sandy Nelson

Drums, Drums, Drums!

4,99 €*

LP | 1969 | EU | Reissue (Parlophone)

Release: 1967 / DE – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG+

1972 reissue.

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David Bowie

Ike & Tina's Greatest Hits

Release: 1969 / EU – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM. 2016 reissue.

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Ike & Tina Turner

LP | 1967 | US | Original (Unart)

10,99 €*

Bless It's Pointed Little Head

Release: 1967 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Writing and sticker on back cover.

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Jefferson Airplane

LP | 1969 | EU | Reissue (Music On Vinyl)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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New Masters Remastered Edition

Cat Stevens

LP | 1967 | EU | Reissue (Decca)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Matthew & Son Remastered Edition

Cat Stevens

LP | 1967 | EU | Reissue (Decca)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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LP | 1969 | US | Original (Epic)

Sly & The Family Stone

Stand!

LP | 1969 | EU | Reissue (Supraphon)

Release: 1969 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: G+, Cover: VG

Vinyl is Close to VG. Original US Pitman pressing. Unipak has a seam wear.

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Olympic

Ptak Rosomak

27,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1969 | EU | Reissue (Elektra)

The Doors

The Soft Parade

14,99 €*

Release: 1969 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Another Day, Another Lifetime

The David

LP | 1967 | US | Reissue (Vance)

Release: 1967 / US – Reissue

Genre: Rock & Indie

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Let It Bleed 50th Anniversary

The Rolling Stones

LP | 1969 | EU | Reissue (Universal)

LP | 1969 | EU | Reissue (Out-Sider)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Remastered

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Locksley Hall

21,99 €*

LP | 1969 | EU | Reissue (Atlantic)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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In 1969, Locksley Hall, a psychedelic band from Washington, recorded a full album at Audio Recorders in Seattle produced by Sonics Engineer Kearney Barton and long time Northwest guitarist Ned Neltner (Mark Five, Gas Company…).
Never released at the time, this is a great example of West Coast styled psychedelia / acid-rock, featuring female vocals, prominent organ, hard guitar, excellent songs…

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Boz Scaggs

42,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1969 | EU | Reissue (Apple)

The Beatles

Yellow Submarine

LP | 1965 | EU | Reissue (Apple)

Release: 1969 / EU – Reissue

Genre: Rock & Indie, Pop, Classical Music, Soundtracks

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Used Vinyl

Medium: Sealed, Cover: Sealed

2012 reissue. Still sealed with hype sticker.

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The Beatles

Help!

30,99 €*

I Want Candy Red Vinyl Edition

Release: 1965 / EU – Reissue

Genre: Rock & Indie, Pop, Soundtracks

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Used Vinyl

Medium: Sealed, Cover: Sealed

2012 reissue on 180gr vinyl. Still sealed with hype sticker.

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Strangeloves

LP | 1965 | US | Reissue (Real Gone Music)

Release: 1965 / US – Reissue

Genre: Rock & Indie

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Blue Marble Colored Vinyl Edition

Sagittarius

LP | 1969 | EU | Reissue (Sundazed)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1967 | US | Reissue (Return To Analog)

Les Differents

21,99 €*

Release: 1967 / US – Reissue

Genre: Rock & Indie

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LP | 1964 | EU | Reissue (Right Track)

Fairuz

Bayaa El Khawatem

LP | 1964 | EU | Reissue (Sundazed)

Release: 1964 / EU – Reissue

Genre: Rock & Indie

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This reissue comes on 180g. Right Track is a specialized music label based in Beirut - Lebanon. As an IFPI certified member they are the exclusive Licensee and distributor of multiple international and regional labels in addition to a range of Lebanese Artists. From Omar Khorshid’s arabian-funk to Fairuz’s eerie songs, from Ziad Rabani’s proto-disco to lebanese traditional Wadih Al Safi compositions, Right Track is committed to re-releasing the Immortal Arabic music repertoire on 180 g vinyls, delivering the highest possible quality from remastered audio to satisfy the demanding audiophile connoisseurs.

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The Debutantes

Release: 1964 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Nazz Nazz Purple Vinyl Edition

Nazz

LP | 1969 | US | Reissue (Cleopatra)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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LP | 1967 | EU | Reissue (Wah Wah)

Wynder K. Frog

Sunshine Super Frog

18,89 €* 20,99 € -10%

LP | 1969 | US | Reissue (Chrysalis)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

SUNSHINE SUPER FROG
Recorded mostly in 1966 and issued in 1967, Wynder K Frog's first LP came out of sessions produced by Chris Blackwell, Jimmy Miller and Syd Dale. Weaver was assuming more and more the identity of Wynder K Frog and was backed by session musicians rather than by his live band. It consisted in organ led instrumental covers of songs from the Island catalogue, some built over rejected backing tracks for other artists of the label like Jimmy Cliff, Jackie Edwards and Owen Gray and some new recordings of hits like Spencer Davis Group's "Somebody Help Me", plus some covers of american R&B hits by the likes of Sam & Dave, Willie Mitchell or Wilson Pickett. The end result gave an idea of the Wynder K Frog sound, resulting in a top mix of dance club go-go sounds, perfect for any allnighter at the Tiles or any Swingin' London venue of the 1960s. First ever vinyl reissue. Limited edition to 500 copies only. Bonus tracks not on the original LP. Remastered sound. Insert with liner notes by Nick Rossi and photos. Beautifully housed in three back-flapped 1960s UK style picture sleeve

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Blodwyn Pig

Ahead Rings Out

Release: 1969 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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LP | 1969 | US | Reissue (Now-Again)

Hunger

Strictly From Hunger

57,99 €*

Release: 1969 / US – Reissue

Genre: Rock & Indie

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The latest release in Now-Again’s Reserve Series is Hunger – Strictly From Hunger: the band’s preferred version of the album, unedited, fuzz-guitar heavy late 60s psych-rock, restored and remastered from a rare test press. Hunger arrived in L.A. from Portland in late 1967 as the Outcasts, a teenage cover band, but within a six months they had signed with a connected manager, played all over Los Angeles, embraced psychedelia and signed on to record an album of original music for the label their manager founded for them: Public! Records. They showed tremendous promise – and their producers invested heavily into a band that was going to be the next marquee act at the Whiskey A Go-Go, bringing in members of Strawberry Alarm Clock, including future Lynyrd Skynyrd star Ed King, to produce an album. But Hunger broke up before their album’s release and their entry in rock’s canon was shadowed for years. This is the definitive Reserve Edition reissue of a late ‘60s psych–rock classic, overseen by Hunger’s band members John Morton, Steve Hansen and Mike Lane: the band’s preferred, unedited, fuzz-guitar heavy version of the album, restored and remastered from a rare test press. This is the first time that band’s vision for the album has been issued in full on vinyl. Contains an extensive booklet by Jim Cherry, Eothen Alapatt and Clark Faville that corrects many factual inaccuracies told over the record’s celebrated past three decades as one of rock’s holy grails. The booklet is filled with never-published photos from lead guitarist John Morton’s archive. Here’s an example of what’s in store – the full version of “Open Your Eyes” featuring Ed King’s lead guitar lines – all but absent on the Public! Records issue – and nearly double the length of the issued version! Download card for WAV files and bonus tracks – including the full Public! Records version of the album and 7” single tracks – included.

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LP | 1967 | EU | Reissue (Sony Legacy)

Greatest Hits

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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LP | 1967 | EU | Reissue (Universal)

Nico

Chelsea Girl

27,54 €* 28,99 € -5%