Rock & Indie 2308 Items

Rock Joint Biwa - Kumikyoku Fulukotofumi HHV Exclusive Transparent Red Vinyl Edition

Release: 1980 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

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Soul Media is led by Jiro Inagaki, who played a part in the development of jazz rock in Japan. This album “Memory Lane” was recorded in 1980.

Regarding this work, Inagaki said, “We made this work while anticipating the fate of fusion music.”

This album contains the mellow and emotional track “Memory Lane”, the stormy and refreshing “I Will Give You Samba”, and the groovy and edgy “Take My Hand”

The sound that Jiro created with his sworn friend Norio Maeda while looking ahead to the future of Jazz has an extraordinary degree of perfection in terms of song, arrangement, and performance. Listening to this album years later, it’s still vivid and fresh.

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Hiromasa Suzuki

LP | 1972 | EU | Reissue (Cinedelic Orient Series)

30,99 €*

LP | 1979 | EU | Reissue (Sundazed)

Release: 1972 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Limited to 200 copies pressed on transparent red wax exclusively available at HHV.

The Fulukotofumi is the most important and ancient historical chronicle of Japan. The content of this work becomes an inspiration for the creation of a sound transposition of the legends and myths that most marked the spirit and inspiration of Hiromasa Suzuki, as a musician and as a high-level composer. The music that is concentrated on these grooves is a representation of the best that moved in the early seventies in the jazz-rock orbit at an international level; in addition, very strong infiltrations of tradition, characterized above all by the extremely calibrated and perfectly ad hoc interventions of the Biwa (lute of the Japanese tradition once used by blind monks to recite poems) and the Wadaiko drum. From its entirety, a highly evocative and magical sketch in nine suites emerges, a viaticum towards the most ancestral past of Japan, but at the same time also immersed in the modernity and expressive relevance of the land of the rising sun. A masterpiece that, buried for too long in the archives, is finally back reissued on vinyl with original graphics on its gatefold cover and enriched by an insert with the translations of the precious introductory essay contained in its original edition. Accompanying Suzuki's acoustic and electric piano is the crème of Japanese jazz that gives free rein to one's primordial instincts. Some passages come close to progressive, especially thanks to Kiyoshi Sugimoto's Allan Holdsworth style guitar.

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Annette Peacock

Perfect Release

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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Paul Di'anno's Battlezone

Fighting Back Clear Vinyl Edition

LP | 1986 | EU | Reissue (Back On Black)

17,99 €*

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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2LP | 1981 | EU | Reissue (Spittle)

Eyeless In Gaza

Caught In Flux

Roberto Musci / Giovanni Venosta

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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Inspired by a weird mixture between Aldous Huxley's visionary work and some biblical myths, Eyeless in Gaza, (formed in 1980) are one of the most original and creative bands emerging from the early 80's British post-punk scene. An intimate duo line up featuring Martyn Bates - vocals, guitar, organ, and Peter Becker - drums, bass, synth. "Caught in Flux" originally released in 1981 on Cherry Red and reissued here in its original format LP + 12" is their second album. The result of a one-take studio session with no overdubs. A perfectly balanced combination of various elements arising from post-punk, art rock, ambient music, and psychedelia. This was an important step towards a form of music where all these influences were organically integrated into a highly purified sound experience.

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Water Messages on Desert Sand

LP | 1987 | EU | Reissue (Rer Vinyl)

21,99 €*

Within The Realm Of A Dying Sun

Release: 1987 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Another great release in the prestigious ReR Recommended vinyl reissue series.
Water Messages on Desert Sand was the very first sound creation from the Italian avantgarde duo of Roberto Musci and Giovanni Venosta. A classic work in the genre, released by Chris Cutler's Recommended Records in 1987.
Back in the mid Eighties, Musci & Venosta, both on sampler, synthesizer, guitar, piano, effects and tapes were masters in overlaying and constructing rhythmic and harmonic pictures of transparent sound from electronic, acoustic and documentary source, taking ethnic field recordings (from Africa, Indonesia, Asia, India) as their thematic centre. "Water Messages" finds place In the realm of Eno-Byrne "My Life in the Bush of Ghosts" but far more accomplished and developed. A rich moving and still very stimulating work and an essential purchase for anyone interested in adventurous modern art informed by ethnic music and sound explorations. In two words: Highly Recommended!

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Dead Can Dance

LP | 1987 | EU | Reissue (4AD)

LP | 1978 | EU | Reissue (Music On Vinyl)

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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Dead Can Dance's third album. Within The Realm Of A Dying Sun, was originally released in the Summer of 1987. Recorded during an intense period of musical and personal growth for the band, the album’s eight songs are split equally between the duo with the first half being sung by Brendan and the second Lisa.

The album’s cover only adds to the album’s aura of mystery with a haunting photograph of the family grave at the Père-Lachaise cemetery in Paris of famed French biologist François-Vincent Raspail.

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Warren Zevon

Excitable Boy

LP | 1979 | US | Reissue (Alive)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Excitable Boy is the third album by Warren Zevon, released in 1978. It includes the top 40 success "Werewolves of London", featuring Mick Fleetwood on drums and John McVie on bass. The album brought Warren to commercial attention and remains the best-selling album of his career.

180g vinyl.

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Swell Maps

International rescue

Release: 1979 / US – Reissue

Genre: Rock & Indie

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LP | 1981 | EU (Vinyl Lovers)

The Cure

Faith Grey Vinyl Edition

Leather Boyz With Electric Toyz

Release: 1981 / EU

Genre: Rock & Indie, Pop

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140 gram grey vinyl reissue!

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Pretty Boy Floyd

LP | 1989 | EU | Reissue (Music On Vinyl)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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LP | 1989 | US | Reissue (Fire)

Pere Ubu

Cloudland

Release: 1989 / US – Reissue

Genre: Rock & Indie

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The Wild, The Innocent & The E Street Shuffle Sacd

Bruce Springsteen

CD | 1973 | US | Reissue (Mobile Fidelity Sound Lab)

44,99 €*

The Wild, The Innocent & The E Street Shuffle Limited Edition Ultradisc One-Step 33rpm Supervinyl Edition

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Sacd: Mastered ON Mobile Fidelity's Renowned Mastering System: Numbered-edition Hybrid Sacd Plays With Expressive Clarity / Released only eight months after his exhilarating debut, Bruce Springsteen's The Wild, the Innocent & the E Street Shuffle contains rousing dispatches from the boardwalk, the street, the beach, and the bedroom. It explodes with energy, dares to dream, teases with humour, crackles with tragedy, clings to hope, and overflows with discovery, youthfulness, and personality. It features an unforgettable cast of characters — corner boys, teenage hustlers, doomed lovers, jazz men, junk men, factory girls, fortune tellers, alley cats, pimps, escorts, and more — illuminated by vivid colour, breathtaking detail, and poetic action.

Musically, the heartfelt 1973 record is inhabited by sympathetic vignettes and cinematic arrangements steeped in rock 'n' roll, soul, jazz, and R&B. It finds the New Jersey native looking beyond the parameters of his preceding record and seeking to move on from environments he knows well (and chronicles here) by rushing headlong toward unknown territories, adventures, and people. Underpinned by the singer-guitarist's ambitious poetic enterprise and will to succeed, The Wild, the Innocent & the E Street Shuffle is the album on which Springsteen becomes the Boss.

Mastered on Mobile Fidelity's renowned mastering system, pressed at RTI on MoFi SuperVinyl, and strictly limited to 7,500 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 33rpm LP set is the definitive-sounding version of Springsteen's sophomore record. Benefitting from SuperVinyl’s nearly non-existent noise floor, superb groove definition, and dead-quiet surfaces, The Wild, the Innocent & the E Street Shuffle plays with a clarity, energy, presence, and openness that complement the expressiveness, dynamics, and scope of the seven restless songs that comprise a work Rolling Stone ranked the 345th Greatest Album of All Time.

Beyond the audiophile sonics that practically place you behind the console at 914 Sound Studios — listen to the separation between the instruments, natural decay of the notes, interplay within the widescreen soundstaging, and nothing-to-lose youthfulness of Springsteen’s voice — this reissue takes seriously this record’s influential merit by presenting it in packaging that underlines its status. Tucked in a beautiful slipcase, the LP is housed in a special foil-stamped jacket with faithful-to-the-original graphics. This reissue is made for listeners who prize sound quality and who want to engage themselves in everything involved with the invigorating set that busted Springsteen loose from the club circuit and landed him on the radio

Determined to liberate anyone within earshot and unafraid to come on strong, The Wild, the Innocent & the E Street Shuffle serves as the debut of the E Street Band — not only heard but seen for the first time by most of the public courtesy of the back-cover photograph. This is where saxophonist Clarence Clemons, organist-accordionist Danny Federici, and pianist David Sancious step out of the shadows — and drummer Vini Lopez and bassist Garry Tallent again stoke a fiery rhythmic engine that helps drive the untamed, reimagined big-band swing of “Kitty’s Back,” breathless R&B thrust of “Rosalita (Come Out Tonight),” and carefree dance steps of the funky “The E Street Shuffle.”

Of course, the main attraction remains a then-24-year-old visionary on the precipice of becoming a sensation and turning a then-bloated rock scene on its head. Recorded over three months while Springsteen and company were busy touring his debut LP, The Wild, the Innocent & the E Street Shuffle reflects the high-octane approach the vocalist embraced onstage and drifts away from the label-dictated acoustic-based frameworks of his debut. The set also witnesses Springsteen deepening his observational skills, with narratives such as the romantically tinged “4th of July, Asbury Park (Sandy)” and redemptive epic “Incident on 57th Street” mirroring changes taking place in the singer’s own life, small towns, and America at large.

A thrilling collision of memories, reflections, and composites — Sandy, Rosalita, and the latter’s parents are all based on actual people Springsteen knew, as is the community depicted in the opening track — the aptly titled The Wild, the Innocent & the E Street Shuffle resonates decades on due to its truths, authenticity, and spirit. Those characteristics — as well as the fact that many of its lengthy songs come on as the equivalent of sweaty, feverish soul revue that won’t stop until you’ve been exhausted — also explain how this now-iconic album triumphed over the reservations of industry “experts” that both demanded Springsteen re-record it and instructed deejays not to play it. Yet there’d be no stopping a record that saw the past, present, and future, a band whose will would not be denied, and a phenomenon who was born to run. A never-ending invitation to act real cool and stay up all night, The Wild, the Innocent & the E Street Shuffle always feels alright.

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Bruce Springsteen

LP | 1973 | US | Reissue (Mobile Fidelity Sound Lab)

139,99 €*

Jack The Ripper Red Vinyl Edition

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Strictly Limited TO 7,500 Numbered Copies: Ultradisc One-step 180g 33pm LP SET Presents 1973 Album IN Audiophile Sound 1/4" / 15 IPS / DBX analogue copy to DSD 256 to analogue console to lathe / Released only eight months after his exhilarating debut, Bruce Springsteen's The Wild, the Innocent & the E Street Shuffle contains rousing dispatches from the boardwalk, the street, the beach, and the bedroom. It explodes with energy, dares to dream, teases with humour, crackles with tragedy, clings to hope, and overflows with discovery, youthfulness, and personality. It features an unforgettable cast of characters — corner boys, teenage hustlers, doomed lovers, jazz men, junk men, factory girls, fortune tellers, alley cats, pimps, escorts, and more — illuminated by vivid colour, breathtaking detail, and poetic action.

Musically, the heartfelt 1973 record is inhabited by sympathetic vignettes and cinematic arrangements steeped in rock 'n' roll, soul, jazz, and R&B. It finds the New Jersey native looking beyond the parameters of his preceding record and seeking to move on from environments he knows well (and chronicles here) by rushing headlong toward unknown territories, adventures, and people. Underpinned by the singer-guitarist's ambitious poetic enterprise and will to succeed, The Wild, the Innocent & the E Street Shuffle is the album on which Springsteen becomes the Boss.

Mastered on Mobile Fidelity's renowned mastering system, pressed at RTI on MoFi SuperVinyl, and strictly limited to 7,500 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 33rpm LP set is the definitive-sounding version of Springsteen's sophomore record. Benefitting from SuperVinyl’s nearly non-existent noise floor, superb groove definition, and dead-quiet surfaces, The Wild, the Innocent & the E Street Shuffle plays with a clarity, energy, presence, and openness that complement the expressiveness, dynamics, and scope of the seven restless songs that comprise a work Rolling Stone ranked the 345th Greatest Album of All Time.

Beyond the audiophile sonics that practically place you behind the console at 914 Sound Studios — listen to the separation between the instruments, natural decay of the notes, interplay within the widescreen soundstaging, and nothing-to-lose youthfulness of Springsteen’s voice — this reissue takes seriously this record’s influential merit by presenting it in packaging that underlines its status. Tucked in a beautiful slipcase, the LP is housed in a special foil-stamped jacket with faithful-to-the-original graphics. This reissue is made for listeners who prize sound quality and who want to engage themselves in everything involved with the invigorating set that busted Springsteen loose from the club circuit and landed him on the radio

Determined to liberate anyone within earshot and unafraid to come on strong, The Wild, the Innocent & the E Street Shuffle serves as the debut of the E Street Band — not only heard but seen for the first time by most of the public courtesy of the back-cover photograph. This is where saxophonist Clarence Clemons, organist-accordionist Danny Federici, and pianist David Sancious step out of the shadows — and drummer Vini Lopez and bassist Garry Tallent again stoke a fiery rhythmic engine that helps drive the untamed, reimagined big-band swing of “Kitty’s Back,” breathless R&B thrust of “Rosalita (Come Out Tonight),” and carefree dance steps of the funky “The E Street Shuffle.”

Of course, the main attraction remains a then-24-year-old visionary on the precipice of becoming a sensation and turning a then-bloated rock scene on its head. Recorded over three months while Springsteen and company were busy touring his debut LP, The Wild, the Innocent & the E Street Shuffle reflects the high-octane approach the vocalist embraced onstage and drifts away from the label-dictated acoustic-based frameworks of his debut. The set also witnesses Springsteen deepening his observational skills, with narratives such as the romantically tinged “4th of July, Asbury Park (Sandy)” and redemptive epic “Incident on 57th Street” mirroring changes taking place in the singer’s own life, small towns, and America at large.

A thrilling collision of memories, reflections, and composites — Sandy, Rosalita, and the latter’s parents are all based on actual people Springsteen knew, as is the community depicted in the opening track — the aptly titled The Wild, the Innocent & the E Street Shuffle resonates decades on due to its truths, authenticity, and spirit. Those characteristics — as well as the fact that many of its lengthy songs come on as the equivalent of sweaty, feverish soul revue that won’t stop until you’ve been exhausted — also explain how this now-iconic album triumphed over the reservations of industry “experts” that both demanded Springsteen re-record it and instructed deejays not to play it. Yet there’d be no stopping a record that saw the past, present, and future, a band whose will would not be denied, and a phenomenon who was born to run. A never-ending invitation to act real cool and stay up all night, The Wild, the Innocent & the E Street Shuffle always feels alright.

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Link Wray

LP | 1982 | US | Reissue (Sundazed)

Skid Row Colored Vinyl Edition

Release: 1982 / US – Reissue

Genre: Rock & Indie

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With his rawboned and ravaged instrumentals from the early ’60s, Link Wray single-handedly made the guitar the ultimately cool instrument of choice for a whole new generation. Wielding a Danelectro Longhorn, Link Wray—who created the blueprint for everyone from the Kingsmen to the Cramps with his flame-throwing sound—proceeded to outdo himself with this rare LP from 1963, now corralled on this Sundazed exact-repro, in crunchily perfect sound courtesy of the original Swan mono master tapes!

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Skid Row

LP | 1989 | EU | Reissue (BMG Rights Management)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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LP | 1973 | EU | Reissue (Strut)

Ofege

Try And Love

Master Control 35th Anniversary Edition

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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New from Strut, a fresh reissue of the classic debut album "Try And Love" (1973) from one of Nigeria"s most celebrated Afro-rock bands, Ofege.The album caught the imagination of a young Nigerian crowd fascinated by the new teen band and Ofege joined a fresh wave of homegrown artists coming through in the wake of Fela"s towering influence and other Afro-rock bands like Monomono, Ofo The Black Company and Blo.

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Liege Lord

LP | 1987 | EU | Reissue (Sony Music/Metal Blade)

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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Kiss Me, Kiss Me, Kiss Me

The Cure

2LP | 1987 | EU | Reissue (Polydor)

LP | 1986 | JP | Reissue (XXX)

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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Finally this classic album is available again. All recordings have been mastered by Robert Smith himself.

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Gauze

Equalizing Distort

LP | 1971 | EU | Reissue (Rhino)

Release: 1986 / JP – Reissue

Genre: Rock & Indie

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GAUZE's 2nd album, originally released in 1986. The album is full of great songs and is popular both domestically and internationally.

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The Doors

L.A.Woman

41,99 €*

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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LP | 1973 | EU | Reissue (MIG)

Agitation Free

2nd

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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LP | 1989 | EU | Reissue (Sony Music Catalog)

Martin L. Gore

Counterfeit EP

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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LP | 1971 | EU | Reissue (Rhino)

John Prine

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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LP | 1978 | EU | Reissue (Epic)

Powerage

Every Good Boy Deserves Favour

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Digitally remastered European vinyl LP pressing of this 1978 release from the Australian Hard Rockers, reissued to coincide with their 2008 studio release and world tour. Nine tracks.

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The Moody Blues

LP | 1971 | EU | Reissue (Universal)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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LP | 1974 | US | Reissue (Anti)

Tom Waits

Heart Of Saturday Night

34,99 €*

Release: 1974 / US – Reissue

Genre: Rock & Indie

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LP | 1983 | EU | Reissue (Capitol)

Billy Idol

Rebel Yell

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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LP | 1982 | EU | Reissue (Columbia)

The Clash

Combat Rock

LP | 1971 | US | Reissue (Capitol)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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The release comes on 180g Vinyl.

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Don McLean

American Pie

35,99 €*

Release: 1971 / US – Reissue

Genre: Rock & Indie

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2LP | 1979 | US | Reissue (Zappa)

Frank Zappa

Sheik Yerbouti

50,99 €*

Release: 1979 / US – Reissue

Genre: Rock & Indie

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2LP | 1974 | UK | Reissue (Spoon)

Can

Unlimited Edition

2LP | 1983 | DE | Reissue (Slime)

Release: 1974 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Remastered from the original tapes, 180g vinyl!

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Slime

Alle Gegen Alle

Release: 1983 / DE – Reissue

Genre: Rock & Indie

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LP | 1983 | EU | Reissue (Bureau B)

Moebius

Tonspuren

Release: 1983 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Earth A.D. / Wolfs Blood Purple Swirl Vinyl Edition

Misfits

LP | 1983 | CZ | Reissue (Capitol)

LP | 1978 | Reissue (Rhino)

Release: 1983 / CZ – Reissue

Genre: Rock & Indie

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Earth A.D./Wolfs Blood is the last album released by American horror punk band Misfits to feature founding member and lead vocalist, Glenn Danzig. Danzig released it on his Plan 9 label in December 1983, two months after he played his last concert with the band. It was noticeably harder and faster than their previous releases, showing more of a hardcore punk sound. Since its release it has often been referred to as simply "Earth A.D." amongst fans. Originally released as a 9 song LP, it was later issued with the three tracks of the Die, Die My Darling EP incorporated into the track listing: "Die, Die My Darling", "Mommy, Can I Go Out and Kill Tonight?" and "We Bite". Glenn Danzig has said that the tracks "Bloodfeast" and "Death Comes Ripping" were originally intended for Samhain's first release but were added to what would be the Misfits' final record in a last-ditch effort to save the band.

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Grateful Dead

Shakedown Street

Release: 1978 / Reissue

Genre: Rock & Indie

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LP | 1980 | Reissue (Rhino)

Grateful Dead

Go To Heaven

Release: 1980 / Reissue

Genre: Rock & Indie

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In My Own Time 8-Track Edition

Karen Dalton

Tape | 1971 | US | Reissue (Light In The Attic)

14,99 €*

Release: 1971 / US – Reissue

Genre: Rock & Indie

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4LP | 1983 | Reissue (Universal)

The Police

Synchronicity Box

138,99 €*

Release: 1983 / Reissue

Genre: Rock & Indie

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LP | 1973 | JP | Reissue (Universal Music Japan)

Motoaki Masuo

First

34,99 €*

LP | 1974 | EU | Reissue (BMG Rights Management)

Release: 1973 / JP – Reissue

Genre: Rock & Indie

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Motoaki Masuo, known for his active role as a guitarist in the 1970s and 1980s, debuted his album on Polydor in 1973. This album, a hidden gem of Japanese soft rock, showcases his talent as a songwriter, arranger, and singer. Notable guests on the album include Masami Tsuchiya, who later formed Ippudo, as well as Takeru Sato and Tetsuji Hayashi.

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George Harrison

Dark Horse

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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2LP | 1973 | EU | Reissue (Ume)

Frank Zappa

Over-Nite Sensation

52,99 €*

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Ecstasy And Danger Blue Vinyl Edition

Ostrogoth

LP | 1984 | EU | Reissue (High Roller)

30,99 €*

Separate Oceans Blue Vinyl Edition

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, reissue 2023, blue vinyl, ltd 450, 425gsm heavy cardboard cover with 5mm spine, 8 page booklet, poster, A5 photo card, Transfer, mastering and audio restoration by Patrick W. Engel at TEMPLE OF DISHARMONY in April 2022. Cutting by SST Germany on Neumann machines for optimal quality on all levels

ide A: 1. Queen Of Desire 2. Ecstasy And Danger 3. A Bitch Again 4. Stormbringer Side B: 5. Scream Out 6. Lords Of Thunder (Instrumental) 7. The New Generation 8. Do It Right

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Ned Doheny

2LP | 1976 | EU | Reissue (Numero Group)

35,99 €*

LP | 1974 | EU | Reissue (Kosmische Kuriere)

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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Sea Splash Blue Vinyl.With no less than a mansion, a state beach, and a three-milestretch of road bearing his fabled family's name, Ned Dohenyeasy-glided into the 1970s on a crest of wealth and privilege.Signposting Ned's sojourn through the LA recording industrywere Jackson Browne, Glenn Frey, Don Henley, Chaka Khan,Graham Nash, "Mama" Cass Elliot, Bonnie Raitt, and DavidGeffen_each a household name both inside and far fromsouthern California. And while no bust of Ned Dohenyappears alongside those of his Laurel Canyon brethren in thepantheon of classic rock, it's not for lack of songwriting abilitiesor recording chops.Over the last three decades, Doheny's albums have slid in andout of print on LP and CD, budget jobs without any involvementfrom the self-described "avatar for casual vulgarity." SeparateOceans examines Ned Doheny's first ten years adrift in song,pulling together choice album cuts and 11 previously unissueddemos. An 8000 word essay is illustrated by images from thearchives of noted rock photographers Henry Diltz, MosheBrahka, Clive Arrowsmith, and Gary Heery, creating the firstever overview of this unheralded marina rocker.

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Cosmic Jokers

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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If I Could Only Remember My Name

David Crosby

LP | 1971 | EU | Reissue (Rhino)

24,99 €*

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Jim Sullivan Mystery Blue Vinyl Edition

Jim Sullivan

LP | 1972 | US | Reissue (Light In The Attic)

35,99 €*

Revolucion Electronica En Musica Venezolana

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Mastered from the original analog tapes
Deluxe Stoughton “tip-on” jacket with debossing
Vinyl pressed at RTI
All tracks previously unreleased
Booklet with liner notes and rare archive photos

On March 4, 1975, Jim Sullivan mysteriously disappeared outside Santa Rosa, New Mexico. His VW bug was found abandoned, his motel room untouched. Some think he got lost. Some think the mafia bumped him. Some even think he was abducted by aliens.

By coincidence–or perhaps not–Jim’s 1969 debut album was titled U.F.O.. Released in tiny numbers on a private label, it too was truly lost until Light In The Attic Records began a years-long quest to re-release it–and to solve the mystery of Sullivan’s disappearance. Only one of those things happened, and you can guess which…

Light In The Attic’s reissue of U.F.O. introduced the world to an overlooked masterwork and won Sullivan, posthumously (presumably), legions of new fans. Those new admirers are in for a real treat: a lavish, first-time release of a previously unheard 1969 studio session.

If The Evening Were Dawn contains 10 acoustic solo recordings that have never seen the light of day. Whereas U.F.O. was bolstered by legendary sessioneers The Wrecking Crew, this is Jim Sullivan on his own terms, stripped down and soulful as ever. Recorded at a Los Angeles studio circa 1969, the session contains acoustic versions of a handful of U.F.O. tracks alongside a half dozen previously unheard songs. This, then, is the closest thing to those fabled Malibu bar performances at which Sullivan was first noticed.

According to his widow, Barbara, this was the album Jim always hoped to record. It serves as an unprecedented glimpse into the mysterious, larger-than-life figure who’s become the stuff of legends.

While Sullivan’s disappearance remains unsolved, his music endures and is finally gaining him the recognition he deserves, albeit long overdue. This recording serves as an unexpected missing piece of the puzzle; this is Jim Sullivan’s true swan song.

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Chelique Sarabia

LP | 1973 | EU | Reissue (Pharaway Sounds)

21,99 €*

LP | 1978 | US | Reissue (Mehum)

Release: 1973 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Ultimate space-age exotica trip from Venezuela.
In the early 70s, well-known composer and arranger Chelique Sarabia (who penned the famous “Ansiedad” when he was just a kid) decided to register an album of traditional & folkloric songs from Venezuela but giving them a modern touch, using especially developed equipment (M.R.A.A.), based off of the principles of the Moog.
Chelique, helped by a team of gifted musicians, employed traditional instruments like the cuatro and the bandola llanera, filtering them through oscillators, playing with feedback, tape delay, synthesized frequencies, echoing sounds… The result was “Revolución Electrónica en Música Venezolana”, an album with a truly exotic, psychedelic, and ahead of its time sound.
Originally, the album was sponsored by the Shell Company in Venezuela, given away to customers, employees and friends of the company as a Christmas gift in 1973. It was titled “4 Fases del Cuatro - Música Venezolana desarrollada Electrónicamente por Chelique Sarabia” (“4 Phases of Four – Venezuelan Music Electronically Developed by Chelique Sarabia”). Once the exclusivity period with the petrol company was over, Chelique did a commercial release, this time under the name of “Revolución Electrónica en Música Venezolana” (“Electronic Revolution in Venezuelan Music”). Thanks to this, Chelique and his team were considered electronic music pioneers in Latin America.
“In the past five decades, there have been many attempts at modernizing the vast folkloric tradition of Venezuela, but nobody has reached the level of depth that CHELIQUE SARABIA did when he put his impeccable reputation as a composer and arranger at risk with this out-of-the-blue revolutionary musical manifesto in 1971. 47 years later, an album that remains ahead of its time.” - Alex Figueira (Fumaça Preta)

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Babylon

19,99 €*

Release: 1978 / US – Reissue

Genre: Rock & Indie

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LP | 1979 | EU | Reissue (Rhino)

Led Zeppelin

In Through The Out Door

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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2LP | 1971 | US | Reissue (Acoustic Sound)

The Doors

L.A. Woman

80,99 €*

LP | 1983 | Reissue (Touch & Go)

Release: 1971 / US – Reissue

Genre: Rock & Indie

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45RPM, 200g Vinyl Edition!

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Negative Approach

Tied Down

Release: 1983 / Reissue

Genre: Rock & Indie

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We're The Meatmen And You Suck

The Meatmen

LP | 1983 | Reissue (Touch & Go)

Nr. 1 Black Vinyl Edition

Release: 1983 / Reissue

Genre: Rock & Indie

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...AND YOU STILL SUCK. Recorded "live" in 1988, this was thee Meatmen album at the time of its release (also in 1988). Incredibly well recorded for a live punk album (cough, cough), this is the one that catches the 'men as they always should have sounded. Full on, over the top punk/metal recorded with a crack band and the manliest Meat himself, Tesco Vee as master of ceremonies of the apocalypse. The material is all top notch, the cream of the crop of their originals like "Tooling For Anus," "One Down Three To Go," "Lesbian Death Dirge" and so on plus crazy covers of "Razamanaz" (Nazareth) and "Rebel Rowser" (Sweet). 5 bonus tracks round out this incredible release, including some material recorded in 1986 with Minor Threat's Lyle Preslar on guitar.

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Grave

LP | 1975 | EU | Reissue (Sommor)

LP | 1982 | EU (Radiation Reissues)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Ultimate Kraut basement hard-rock garage monster, originally released as a small private pressing edition of 100 copies in 1975. Originally from Brinkum (near Bremen), Grave was formed in a basement in 1975. Using a primitive tape recorder and just two mics, six tracks were recorded live at a makeshift studio located at the Brinkum Jugendhaus (Youth Center) in summer 1975, resulting in the Grave Nr. 1 album. Grave’s music is raw, sincere, melancholic and unadulterated.

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Lydia Lunch

13.13 Red Vinyl Edtion

20,99 €*

Poder Del Alma II Black Vinyl Edition

Release: 1982 / EU

Genre: Rock & Indie

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Recorded in Los Angeles in 1982, 13.13 exists as document to the pandemonium of specters and potential serial killers who twisted the California Dream into a waking nightmare as they snaked through the boulevards, back yards and basements of a sun stroked paradise turning into a blood soaked inferno of fear, paranoia, panic and lust killings. Lush musical textures provided by members of seminal art punks The Weirdos - Dix Denney, Cliff Martinez and Greg Williams create a hypnotic backdrop to Lunch’s evocative vocals and terrifying lyrics

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Poder Del Alma

LP | 1974 | EU | Reissue (Pharaway Sounds)

LP | 1974 | EU | Reissue (Guerssen)

Release: 1974 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Impossible to find second album by this band from Nicaragua, 1975. A cool mix of Latin funk, jazz, salsa and psychedelic grooves. Including some of their most sought after tracks like ”Bacanal’ 76”, “Mimo” or the antiracist statement “La Conga de las Dos Razas”. After recording their first LP in Guatemala, Nica supergroup Poder del Alma travelled to Costa Rica to register their second album. This time the recording studio and equipment (including Mini-Moog) were better and the band featured a new line-up. The result was a powerful album which is now one of the holy grails of Latin funk worldwide.

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Spriguns Of Tolgus

Rowdy, Dowdy Day

LP | 1978 | PL | Reissue (Universal)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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Originally released as a private cassette only release in 1974, this is the debut album of progressive folk-rock band Spriguns.

Homemade, charming folk-rock with the lovely voice of Mandy Morton, 12-string guitars, dulcimer, mandolin, fiddle… Fabulous covers of “Let No Man Steal Your Thyme”, “Matty Groves” and more!

Formed in the early 70s, Spriguns of Tolgus evolved from the folk duo of Mandy & Mike Morton and the scene centered around their Anchor Folk Club in Cambridge. In 1974, the band (Mike and Mandy plus Rick Thomas and Chris Russon) decided to produce a recording to raise funds for new equipment. Using a small tape recorder and mixing desk, “Rowdy Dowdy Day” was recorded live in the dining room at the band’s rented house. A small number of cassettes were produced and subsequently sold at the Anchor Folk Club.

With the original cassette impossible to find now, we’re glad to present a new vinyl edition.

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Dire Straits

Release: 1978 / PL – Reissue

Genre: Rock & Indie

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Universe Turquoise Vinyl Edition

Universe

LP | 1971 | EU | Reissue (Future Shock)

21,99 €*

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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The intriguing story of Universe is that the little-known British band were driving through Norway and after breaking down were offered assistance by a gent living near-by who happened to have a recording studio in his house. True or not the resulting collection of songs is a great slice of often hard, blue-collar blues rock, with some harmonica, piano and organ.

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LP | 1988 | EU | Reissue (Sony)

Blow Up Your Video

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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LP | 1974 | EU | Reissue (Sony)

'74 Jailbreak

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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Son Of Schmilsson 2lp 180g 45rpm

Harry Nilsson

2LP | 1972 | UK | Reissue (Mobile Fidelity Sound Lab)

85,99 €*

Release: 1972 / UK – Reissue

Genre: Rock & Indie

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LP | 1979 | EU (Plug Recordz)

Plugz

Electrify Me

17,99 €*

Release: 1979 / EU

Genre: Rock & Indie

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LP | 1986 | EU (Born Bad)

V.A.

Born Bad Volume 1

16,99 €*

Release: 1986 / EU

Genre: Rock & Indie

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For Those About To Rock We Salute You

LP | 1981 | EU | Reissue (Epic)

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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Dirty Deeds Done Dirt Cheap

LP | 1976 | EU | Reissue (Epic)

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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Digitally remastered European vinyl LP pressing of this 1976 release from the Australian Hard Rockers, reissued to coincide with their 2008 studio release and world tour. Nine tracks.

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LP | 1983 | EU | Reissue (Epic)

Flick Of The Switch

A Holocaust In Your Head - The Original Holocaust Yellow Vinyl Edition

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Digitally remastered European vinyl LP pressing of this 1983 release from the Australian Hard Rockers, reissued to coincide with their 2008 studio release and world tour. Eight tracks.

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Extreme Noise Terror

LP | 1989 | EU (Radiation Reissues)

A Holocaust In Your Head - The Original Holocaust Black Vinyl Edition

Release: 1989 / EU

Genre: Rock & Indie

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How many bands can say they had multiple debut albums? For crustcore sound terrorists Extreme Noise Terror, Holocaust In Your Head - The Original Holocaust, first recording version, continues to excuse itself in being reissued for what must be the last time before the last time. It’s no wonder why. We The Helpless is every bit as hopeless as it sounds - a blitzkrieg of wails and nightmarish sonics that tighten themselves around the temples until the eyes turn white. Statement will always stand on its own two feet as a perfect set opener and Innocence to Ignorance’s unhinged atmospheric armageddon as well as Use Your Mind’s sample-sprung assault on the senses are possible indications of where the band could’ve wound up had their line-up not been walking such a shaky tightrope. Rough as hell? Sure. But if you want to know what it feels like to have the signal input of your skull reflect a separation in the grounding circuit of the flesh from the neck down, then carry on screaming.

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Extreme Noise Terror

LP | 1989 | EU (Radiation Reissues)

20,99 €*

LP | 1974 | UK | Reissue (Time Capsule)

Release: 1989 / EU

Genre: Rock & Indie

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Niningashi

Heavy Way

LP | 1983 | Reissue (Universal)

Release: 1974 / UK – Reissue

Genre: Rock & Indie

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A long-lost Japanese acid folk gem, Niningashi’s 1974 private press debut Heavy Way shimmers with originality, deft song writing and a dream-like groove.

Although he was training as a pharmacist, Kazuhisa Okubo was much more interested in prescribing musical medicine.

A coming-of-age album, Heavy Way captured a turning point in Okubo’s life, and Japanese society more widely as a nostalgia for the pastoral calm of the traditional life, met the cosmopolitan thrill of coffee, sex and cigarettes in the big city.

Intoxicated by Tokyo, driven by a passion for music and surrounded by a thriving acid folk scene, the young student filtered his experiences through a psychedelic cocktail of soulful influences from the US and Japan.

Niningashi was his first band, and Heavy Way was their only album. It was honest and raw, deep and strangely funky, in an off-beat kind of way. Across nine tracks, Okubo and the 6-piece band put their own spin on the new folk sound of Japan, combining witty lyrics with electric guitar-driven solos and crisp, understated grooves.

Melancholy and profound, opening track ‘Ameagari’ feels like a synthesis of Harvest-era Neil Young and Haruomi Hosono’s Happy End. Then there’s the whimsical washboard country sound of ‘Semai Boku No Heyade’; the moody, low-lit charm of ‘Restaurant’; and ‘Hitoribotchi’, a sensitive portrayal of childhood, steeped in memories of rainfall that will resonate with fans of Woo and Mac Demarco.

While Okubo would go on to taste success with psychedelic folk bands Neko and Kaze, the latter of which scored three #1 albums, little is known about his mysterious debut with Niningashi.

Self-released by Okubo in 1974, and featuring album artwork by his brother, it has slowly generated a cult following online, intrigued by its soft and enchanting sound. So few records were ultimately pressed that those remaining have fetched up to £1,500 online.

Featured on Time Capsule’s era-spanning collection Nippon Acid Folk, Niningashi’s Heavy Way is a deep-cut grail of a vibrant time in Japan’s musical history, where even the pharmacists were making jams.

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Billy Idol

Rebel Yell

36,99 €*

Release: 1983 / Reissue

Genre: Rock & Indie

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Moontan Black Vinyl Edition

Golden Earring

2LP | 1973 | EU | Reissue (Music On Vinyl)

33,99 €*

Courts Or Wars Red Vinyl Edition

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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180 GRAM AUDIOPHILE VINYL
GATEFOLD SLEEVE
INCLUDES 8-PAGE BOOKLET WITH AN ESSAY,
MEMORABILIA AND PHOTOS

REMASTERED & EXPANDED 2LP EDITION
FROM THE FIRST-GENERATION MASTER

TAPES

FEATURING 3 PREVIOUSLY UNRELEASED
MIXES AND 4 BONUS TRACKS

BLACK VINYL

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Second Layer

LP | 1987 | US | Reissue (1972)

The Sinking Of The Titanic

Release: 1987 / US – Reissue

Genre: Rock & Indie

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Adrian Borland and Graham Bailey might be better known as members of legendary post-punk group The Sound, but the two were childhood friends and had been playing together even earlier in The Outsiders, and continued their deep musical rapport as a duo, creating these intense and engaging songs as Second Layer at the same time as their higher profile band output. Combining their early recordings, including the 1979 Flesh As Property EP and 1980 State Of Emergency EP, Courts Or Wars takes its title from the first song that served as the pair’s introduction to listeners. Right from the beginning you are enveloped in what The Quietus described as, “a monochrome worldview morbidly obsessed with the dehumanizing effect of war, nuclear weapon annihilation, and the fracturing and negation of the self within an increasingly d istorted and technologically mediated society.” Where The Sound fit snugly next to Echo And The Bunnymen, Second Layer had far more in common with the pulsing menace of Suicide. Borland’s familiar vocals and sense of melody hold a connection to his other songwriting, but within these songs he takes far more risks in his guitar work to suit the subject matter. What really drives everything is Bailey’s propulsive bedrock, formed by his homemade pre-drum machine rhythm generators, creating an innovative mechanical approach that somehow inserts a jittery neurotic touch that merges perfectly with his electronic layers driven by the wasp synth, various unique effects boxes or tape loops. Adding in Bailey’s own distinctive bass playing, the results feel personal and experimental, pointed and harsh, while also bracingly accessible and covered in dark manic energy. Over forty years later, these recordings feel shockingly appropriate. In painting a bleak reality and frightening future, there is real desperate beauty here.

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Gavin Bryars

LP | 1975 | EU | Reissue (Superior Viaduct)

38,99 €*

LP | 1981 | US | Reissue (Superior Viaduct)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Inaugural release on the seminal Obscure Records, Produced by Brian Eno in 1975. Featuring Derek Bailey, Michael Nyman and John White, First-time vinyl reissue.

Gavin Bryars was born in Yorkshire, England in 1943. His first musical forays were as a jazz bassist working in the early 1960s with improvisors Derek Bailey and Tony Oxley. Bryars later worked with composers John Cage and Cornelius Cardew, founded the Portsmouth Sinfonia and collaborated with Brian Eno on his famed Obscure imprint. The Sinking of the Titanic, Bryars' first major composition, was inspired by the tragic event of the British passenger liner's cross-Atlantic maiden voyage. Bryars eloquently reconstructs the passengers' experience – at once forlorn and eerily calming – through assemblages of understated strings and indeterminate elements. A core principle of the piece is that the ship's band continued to play as the vessel went down. One of the most sublime works in the modern classical canon, Titanic remains Bryars' magnum opus. Jesus' Blood Never Failed Me Yet, the album's second sidelong track, is based on a tape loop of a London street singer captured in the early 1970s. Featuring Derek Bailey, Michael Nyman and John White, Bryars' composition gradually builds around the cripplingly poignant voice until its emotional force is almost too much to bare. It's no surprise that Jesus' Blood is known as Tom Waits' all-time favorite piece of music. Produced by Brian Eno in 1975 as the inaugural release on Obscure, The Sinking of the Titanic draws the listener in to a majestic world. While these exquisite, hymn-like recordings have not changed in nearly 50 years, their deeply personal nature and the audience's attention to their subtlety have only strengthened over time.

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Suburban Lawns

LP | 1976 | EU | Reissue (BMG/Sanctuary)

Release: 1981 / US – Reissue

Genre: Rock & Indie

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If your brain has a shortlist of bands that instantly evoke New Wave, Suburban Lawns deserve a slot right next to the likes of Devo, Talking Heads and the B-52’s. After putting out two singles on their own Suburban Industrial imprint, the Lawns signed to I.R.S. Records and released their debut LP in 1981. While the band gained cult status thanks in part to a Jonathan Demme-produced music video which aired on Saturday Night Live, their self-titled album would sadly be the five-piece’s only full-length statement. Suburban Lawns’ asymmetrical aesthetic is personified by co-vocalist SuTissue, whose mesmerizing stage persona was at once childlike and terrifying. Her unique style embodies the awkward/arty female singer of the Reagan era, while the group’s male vocals—courtesy of Frankie Ennui, Vex Billingsgate and John McBurney—maintain the satirical themes of Southern California’s postwar mirage of limitless sprawl. Suburban Lawns’ catchiness can be attributed to their drum-tight performance and taut songwriting. Listen to the vocal trade-offs on “Anything,” which could have easily come out on any purely Punk label from LA at the time, while Tissue’s deadpan delivery on “Janitor” glides into the best art-warble this side of Lene Lovich, broaching the possibility of nuclear annihilation with a murmured “Boom, Boom, Boom, Boom.” From aWest Coast scene dominated by 7-inch singles and EPs, the Suburban Lawns’ lone LP remains in a class with precious few. It’s not surprising that they found acceptance in the Hollywood punk scene, despite their Long Beach roots, and would influence other bands such as Minutemen. This is not a disc that will get parked in your collection hoping to get pulled once in a while; this is a record you will play.

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Black Sabbath

Technical Ecstacy

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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LP | 1978 | US | Reissue (Arista)

Lou Reed

Street Hassle

Release: 1978 / US – Reissue

Genre: Rock & Indie

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LP | 1978 | EU | Reissue (Epic)

Judas Priest

Killing Machine

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Teen Babes From Monsanto Limited Peak Edition

Redd Kross

LP | 1984 | EU | Reissue (Merge)

19,99 €*

Heart Of Saturday Nigh Remastered Edition

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Translucent Pink Vinyl! A little drums, a little atmosphere, and it wails like this! Hotter than anything printed by a Hearst daily, the 12-song Version Especial of Redd Kross' Teen Babes from Monsanto - all art, no filler, direct from the source, pure from the tap - reissued by Merge Records. The album features specially designed packaging that allows you to choose between two different front covers with just a flip of the wrist! Experience vintage teenaged Redd Kross as presented by Monsanto: 100% genuine, chemically inspired brilliance fueled by processed junk food.

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Tom Waits

LP | 1974 | EU | Reissue (Anti)

24,99 €*

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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LP | 1978 | UK | Reissue (Pink Flag)

Wire

Chairs Missing

Release: 1978 / UK – Reissue

Genre: Rock & Indie

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LP | 1981 | EU | Reissue (Sony)

Bob Dylan

Shot Of Love

2LP | 1979 | EU | Reissue (Reprise)

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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Shot of Love is the twenty-first studio album by American singer-songwriter Bob Dylan, originally released in 1981.

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Neil Young & Crazy Horse

Live Rust

34,99 €*

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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LP | 1971 | EU | Reissue (RCA)

Harry Nilsson

Nilsson Schmilsson

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Nick Cave & The Bad Seeds

Kicking Against The Pricks

LP | 1986 | EU | Reissue (Mute)

30,99 €*

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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LP | 1987 | US | Reissue (Sorcerer)

Lubricated Goat

Plays The Devil's Music

33,99 €*

Convicted Black Ice With Red White And Cyan Blue Vinyl Edition

Release: 1987 / US – Reissue

Genre: Rock & Indie

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Sorcerer Records present a reissue of Lubricated GOAT's debut LP Plays The Devil's Music, originally released in 1987. It's been out of circulation for over two decades, and Sorcerer Records presents this classic slice of underground Australiana in all its glory. Recorded over two recording sessions in mid-1986, one in Perth and one in Adelaide, Plays The Devil's Music wasn't really seen by LG founder/mainstay STU Spasm (ex-BEASTS OF Bourbon, Salamander JIM, et al.) as a part of any grand musical plan. He recorded these tracks with his friends Martin Bland, Brett Ford, and Pete Hartley and went back to Sydney with the tapes. John Foy of Black Eye Records loved the results and the band known as Lubricated Goat was born. Over the course of several more full-lengths and an EP or two, the band made themselves a reputation as one of Australia's finest purveyors of post-punk noise-rock before relocating to the US. The musical scene centered around the Black Eye label in Sydney at the time, with bands such as the 'Goat, Thug (featuring a young Tex Perkins), No More Bandicoots, Box The Jesuit, etc. remains one of Australia's richest, weirdest and most inventive conglomeration of musicians and artists, and Stu and company were right in the thick of it. Lubricated Goat were (perhaps correctly) often compared to the Butthole Surfers at the time, and their mix of punk, post-punk, noise, and a taste for the absurd puts them firmly in the same camp. Throw in a little bit of Stooges/Birthday Party-style grunt and a distinctly Australian sense of humor and you're getting close to the magic of early Lubricated Goat. This edition comes remastered c/o Mikey Young. Comes in original artwork and inner sleeve; Includes download card; Includes new liner notes from Stu Spasm detailing the history of the recording. Recommended for fans of: Butthole Surfers,Killdozer, Pere Ubu, Big Black, Birthday Party.

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Cryptic Slaughter

LP | 1986 | Reissue (Relapse)

Release: 1986 / Reissue

Genre: Rock & Indie

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LP | 1981 | US | Reissue (1972)

Second Layer

World Of Rubber

2LP | 1982 | EU | Reissue (Croatia)

Release: 1981 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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Bijelo Dugme

Singl Ploce 1974 - 1980

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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LP | 1974 | EU | Reissue (Warner Music Poland)

Breakout

Kamienie

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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Tape | 1989 | US | Reissue (ORG Music)

Bad Brains

Quickness

15,99 €*

LP | 1975 | EU | Reissue (Dialogo)

Release: 1989 / US – Reissue

Genre: Rock & Indie

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"Quickness" is the fourth full-length studio album by Bad Brains, originally released by Caroline Records in 1989. At the time of it's release, it was the band's best selling album and also landed them a featured MTV music video for the opening track, "Soul Craft." This reissue marks the fifth release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing.

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Piero Umiliani

Continente Nero

LP | 1974 | EU | Reissue (Dialogo)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Released in 1975, “Continente Nero” is the perfect flip side of “Africa” (1972), an album that significantly expanded Piero Umiliani’s music perspectives, incorporating partially explored rhythmic variations already used in “Percussioni ed Effetti Speciali” and “To-Day’s Sound”. It does so by taking inspiration from a tradition that starts from the divine Fela Kuti and reaches the amateur and field recordings by musicologists such as David Toop, but also from the Afro-American jazz history of Art Ensemble of Chicago, John Coltrane, Max Roach and hundreds of others.

Continente Nero (1975) Released via the Omicron label in 1975, three years after Africa, Continente Nero is the perfect flip side of an album that significantly expanded Piero Umiliani’s music perspectives, incorporating partially explored rhythmic variations already used in records such as Percussioni ed Effetti Speciali and To-Day’s Sound or experimenting new solutions that drew from a musical heritage little known at the time such as the African one. Without bothering with the usual alias M. Zalla, Umiliani reveal his birth name and surname for a second foray into a territory that pays homage to an entire continent. And it does so by taking inspiration not only from a tradition that starts from the divine Fela Kuti and reaches the amateur and field recordings by musicologists such as David Toop, invaluable documents of an artistic heritage still today almost impossible to map in its complexity, but also from the Afro-American jazz history by Art Ensemble of Chicago, John Coltrane, Max Roach and hundreds of others. It sounds clear in tracks such as Nuovi Fermenti, Rivoluzionari, Riscossa or Ultimo Stregone that show Umiliani’s extraordinary ability to grab a distant tradition essential traits and put them effortlessly into a personal imaginary world, as much exciting as the original one.

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Spirale