Rock & Indie 10811 Items

Even The Forest Hums: Ukrainian Sonic Archives 1971-1996

2LP | 2024 | US | Original (Light In The Attic)

55,99 €*

Machine Head 2024 Remix Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”

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Deep Purple

LP | 2024 | Original (Universal)

Release: 2024 / Original

Genre: Rock & Indie

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Hard Believer 10 Year Anniversary Edition

Fink

LP | 2024 | Original (R'COUP'D)

47,99 €*

Tweez 35th Anniversary Deluxe Edition

Release: 2024 / Original

Genre: Rock & Indie

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The 3LP reissue includes session & live versions of album tracks available on vinyl for the very first time. It also includes an expanded booklet featuring additional photos & "writing off” extract about the album.

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Slint

2LP | 2024 | EU | Original (Touch & Go)

49,99 €*

Chameleon Mint Green Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Limited edition 2xlp of 3138 copies on opaque white 180 gram vinyl

LP1 original album remastered by Bob Weston LP2 full album remixed from original multi-track almasters liner notes by Steve Albini and Ethan Buckler gatefold jacket with full color inner sleeves hand numbered 1 through 3138 SLINT is a band from Louisville, Kentucky. tweez was its first recording. LP1: Originally recorded by Steve Albini and released in 1989, tweez has been remastered by Bob Weston at Chicago Mastering Studio from the original analog master tapes. LP2: tweethan mix. Per Ethan Buckler (Slint bassist on tweez), "Finally - after thirty-five long years - the other guys in Slint decided to be nice to me and let me have my Tweez remix. I complained incessantly back in the day about how the Albini production style ruined our first recording." In 2023, Ethan took the original multi-track recordings to a local studio in Louisville. Upon handing the engineer a copy of a pre-tweez Slint practice tape, he said "Make it sound like this." LP2 of this tweez (35th anniversary edition) is the result. Mastered by Bob Weston at Chicago Mastering Studio.

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Trauma Ray

LP | 2024 | US | Original (Dais)

LP | 1986 | EU | Reissue (Virgin EMI)

Release: 2024 / US – Original

Genre: Rock & Indie

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Since first bonding over Slowdive at a Texas karaoke bar six years ago, musicians Uriel Avila and Jonathan Perez have grown trauma ray into Fort Worth's foremost flag bearer of crushing shoegaze. A five-piece rounded out by bassist Darren Baun, drummer Nicholas Bobotas, and guitarist Coleman Pruitt, the band's debut album, Chameleon, captures their evolving sound at an apex of majestic devastation. A fusion of downer hooks, gauzy melancholia, and bulldozer riffs, the album heaves and crashes across 50 minutes of stacked amplifier alchemy. Lyrically the songs trace similarly lofty and brooding terrain; Avila says "The theme is death. And a chameleon, like death, can shape-shift in and out our lives in different forms." Chameleon opens with "Ember," dreamy and distant, alternately anthemic and apocalyptic, defeated and deafening. Lead single "Bishop" perfectly encapsulates trauma ray's depth and dimension, ripping out of the gate with "the biggest, baddest, saddest wall of sound." Lyrics about being burnt at the stake and "tossed in the flame" float above a stop-start assault of precision distortion, eventually expanding into a lush, heavy, sorrowful end coda. "Spectre" is a mysterious, introspective dirge, envisioned as a "mellow, slowcore, Duster-thing," all feeling and heavy fuzz chords (with no lead guitar). Avila wrote it, "to be a hymnal" from the perspective of someone who won't let go - a ghost, an ex, a shadow self. Although the album is rich with subtleties, graceful lulls, and "breaths of air," the band's three guitar attack is its defining force, a power flexed to its peak on "Bardo." Perez's intentions were blunt: "I wanted to write a riff that was hard as fuck." The result is alternately mean and eerie, veering between noisy one string bends and surging headbang, mapping a middle ground between Unwound and early-Deftones. One of trauma ray's greatest gifts is their ability to make doomy, sledgehammer heaviness sound like an earworm, without production tricks or gimmicks: "Riff, verse, chorus, three guitar parts - that's all you need." This quality is particularly apparent on the title track, a churning slab of amplifier worship, swirling chords, and heavenly, defeated vocals about not belonging, shape-shifting, and death ("A twisted face / Void of attention / An empty space / In your reflection"). "U.S.D.D.O.S" closes the album, swaying across seven minutes of grey skied guitar and haunted voice, subtly thickening as it deepens. Feedback and shrapnel gradually begin raining down, like a satellite disintegrating in the atmosphere. Titled as an acronym after a poem by Chilean writer Roberto Bolaño that loosely translates to "a dream within a dream," the melody softens, smears, and then disappears, slowly swallowed by the gravity of eternal descent. Chameleon is a masterpiece of craft, balance, melody, lyricism, and gravity, flexing a fresh vision of loud-quiet-loud architectures and the vertigo depths of blasted harmonics. From Slowdive to Nothing, to Hum and beyond, the band absorb and expand on their influences into a rare and dedicated alchemy. trauma ray's cinematic tempest is a gathering storm only just taking flight.

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Queen

A Kind Of Magic

Release: 1986 / EU – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Abhorrence Gilded Abyss Colored Vinyl Edition

Cognitive

LP | 2024 | EU | Original (Metal Blade)

30,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Ceremony Buddha Meet Rock

People

LP | 1971 | EU | Reissue (Teichiku)

40,99 €*

Cool World Black Vinyl Edition

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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People's only work in 1971 featuring Outkast's organist Yusuke Hoguchi and guitarist Kimio Mizutani, Adams's Hideaki Takebe, and percussionist Larry Sunaga. Produced by Naoki Tachikawa, it was created with the concept of Buddha + Rock.

It is full of unique psychedelia sounds, such as the sutra chanting "Nam-myoho-renge-kyo" backed by a fuzz guitar, the sound of monk's geta, bells, wooden fish, sitar, etc.

Although it uses a lot of sound effects reminiscent of Buddhism, it doesn't feel like a religious idea, and the work is overall easy to listen to.

In recent years, this album has been highly desired by DJs as a breakbeat material and as a spiritual record.

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Chat Pile

LP | 2024 | US | Original (The Flenser)

Daryl Hall & John Oates = Daryl Hall & John Oates

Release: 2024 / US – Original

Genre: Rock & Indie

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Like the towering mounds of toxic waste from which it gets its namesake, the music of Oklahoma City noise rock quartet Chat Pile is a suffocating, grotesque embodiment of the existential anguish that has defined the 21st Century. It figures that a band with this abrasive, unrelenting, and outlandish of a sound has stuck as strong of a chord as it has. Dread has replaced the American dream, and Chat Pile’s music is a poignant reminder of that shift—a portrait of an American rock band molded by a society defined by its cold and cruel power systems.

Though very much on-brand with Chat Pile’s signature flavor of cacophonous, sludgy noise rock, the band’s shift to a global thematic focus on Cool World not only compliments the broader experimentations it employs with their songwriting but also how they dissect the album’s core theme of violence. Melded into the band’s twisted foundational sound are traces of other eclectic genre stylings, with examples of gazy, goth-tinged dirges to abrasive yet anthemic alt/indie-esque hooks and off-kilter metal grooves only scratching the surface of what can be heard in the album’s ten tracks.

Besides stylistically stretching the boundaries of the Chat Pile sound, Cool World is also the band’s first record to have someone else handle mixing duties, with Ben Greenberg (Uniform) capturing and further amplifying the quartet’s unmistakably outsider and folk-art edge.

While Chat Pile’s debut album was plenty disturbing with its B-movie-inspired interpretation of a “real American horror story”, what the band depicts on Cool World is unsettling not just from its visceral noise rock onslaught, but from depicting how all sorts of atrocities are pretty much standard parts of modern existence. In film terms, think something like a Criterion arthouse film by way of schlocky grindhouse splatterfest: undeniably gratuitous and thrilling in the moment but leaving a looming dread in the back of one’s mind for how close the horrors depicted mirror reality.

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Private Eyes = プライベート・アイズ

LP | 1981 | JP | Original (RCA)

14,99 €*

Clouds In The Sky Will Always Be There For Me Black Vinyl Edition

Release: 1981 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI!

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Porridge Radio

LP | 2024 | US | Original (Secretly Canadian)

Release: 2024 / US – Original

Genre: Rock & Indie

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Wasteland Baby Sea Blue And Apple Red Mix Vinyl Edition

Kal Marks

LP | 2024 | US | Original (Exploding In Sound)

Release: 2024 / US – Original

Genre: Rock & Indie

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Kal Marks have never made a record as personal as Wasteland Baby. Though Carl Shane, the band’s vocalist-guitarist, has made a career off of exploring blunt, uncomfortable truths through song, with Wasteland Baby, he steered Kal Marks toward something utterly new. Shane looked inward to stare down a fear that had long plagued him: What would it look like to have a child in a world that looks like this? “The album was driven by the fears I’m having about being a father,” says Shane. “The initial spark was this fear, and I thought that maybe if I could express it, I could overcome it.”

What started out with this simple premise slowly grew into a sprawling, borderline-concept record. It’s no surprise, then, that Kal Marks went deeper and darker than ever before when writing Wasteland Baby. Though, in order to reach that final product, it required the band—bassist-vocalist John Russell, drummer Adam Berkowitz, and guitarist-vocalist Christina Puerto, who is also Shane’s partner—to interrogate every decision they made with exacting detail. ”We were really all on the same page in that we wanted to make something really, really special and that was going to require us putting a lot of ego aside and just trying to serve the songs as best as possible.”

“In an ideal world, Kal Marks will go on forever. But it may be the end of a chapter for a while. I don’t want it to be the end, but there was an element running through the album that maybe could be the end,” says Shane. No matter what the future holds, Wasteland Baby is an emphatic reminder to brush off the things that keep you from truly living and venture into the unknown.

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The Art Of Pretending To Swim Purple Vinyl Edition

LP | 2018 | UK | Reissue (Domino)

Release: 2018 / UK – Reissue

Genre: Rock & Indie

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Dead Magick Clear Vinyl Edition

Dead Skeletons

2LP | 2011 | UK | Reissue (Fuzz Club)

Release: 2011 / UK – Reissue

Genre: Rock & Indie

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WOOF. Black Vinyl Edition

Fat Dog

LP | 2024 | UK | Original (Domino)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Darling Arithmetic Red Vinyl Edition

LP | 2015 | UK | Reissue (Domino)

Release: 2015 / UK – Reissue

Genre: Rock & Indie

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LP | 1968 | EU | Reissue (Wiseraven)

Tim Hollier

Message To A Harlequin

Exactly As It Seems Mustard Vinyl Edition

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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An acid-folk masterpiece finally revealed ! When two worlds collide here’s where the legacy of Tim Hollier begins, his first album was released on United Artists in 1968 and this long overdue re-issue is a definitive statement of the master genius. Guest on the opening night of a Beckenham folk club run by his friend David Bowie, Hollier recorded ‘Message To A Harlequin’ with the assistance of Donovan arranger John Cameron. Hollier was also a regular on London's folk club circuit for several years alongside the likes of Paul Simon, Al Stewart and Nick Drake. Here’s your chance to finally grab his visionary songwriting.

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Home Counties

LP | 2024 | EU | Original (Submarine Cat)

33,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2018 | US | Original (Captured Tracks)

Chastity

Death Lust

19,99 €*

Release: 2018 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

The Day Of Wrath Green & Magenta Splatter Vinyl Edition

Bulldozer

LP | 2022 | Original (Shadow Kingdom)

LP | 2004 | Reissue (Warner)

Release: 2022 / Original

Genre: Rock & Indie

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SHADOW KINGDOM RECORDS is proud to reissue the classic debut album of Italy’s BULLDOZER, The Day of Wrath. 1.The Exorcism 02:502.Cut-Throat 03:553.Insurrection of the Living Damned 05:404.Fallen Angel 03:585.The Great Deceiver 04:306.Mad Man 04:427.Whiskey Time 04:178.Welcome Death 06:09

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Jay-Z / Linkin Park

Collision Course

LP | 2024 | EU | Original (Century Media)

Release: 2004 / Reissue

Genre: Hip Hop, Rock & Indie

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Collision Course is a collaborative EP by Jay-Z and Linkin Park, released on November 30, 2004. The project was an experimental mash-up album that combined elements of hip-hop and nu-metal, blending Jay-Z's raps with Linkin Park's rock sound. Produced by Mike Shinoda (of Linkin Park) and Jay-Z, Collision Course merges some of the biggest hits from both artists into new, hybrid tracks that fuse their distinct genres.

Collision Course was the result of MTV’s "Mash-Up" series, where artists from different genres collaborated to create new music by combining their songs. The project quickly gained attention because it featured two hugely popular artists from vastly different musical backgrounds.
The EP features six tracks, each a combination of Jay-Z’s iconic verses and Linkin Park’s hard-hitting rock instrumentals and vocals. It brings together Jay-Z's hip-hop classics with Linkin Park’s emotionally charged, alternative rock anthems.
The release was accompanied by a DVD, which included behind-the-scenes footage of the making of the album and a live performance of the mash-up tracks.

The mash-ups blend hip-hop beats with rock instrumentation, creating a genre-bending sound. Jay-Z’s verses, which are typically supported by hip-hop production, are now backed by guitar riffs, drums, and electronic elements from Linkin Park’s catalog.
Linkin Park’s co-lead vocalists, Chester Bennington and Mike Shinoda, intertwine their vocals with Jay-Z’s raps, adding a dynamic contrast between Chester’s melodic hooks and Mike's rap-style verses.

Key Tracks and Highlights:
"Numb/Encore" – This is arguably the most well-known track from the EP and became a major hit. It combines Jay-Z’s "Encore" from The Black Album with Linkin Park’s "Numb" from Meteora. The song blends Jay-Z's braggadocious lyrics about legacy and success with the emotional weight of "Numb," creating a powerful contrast. The track won a Grammy Award for Best Rap/Sung Collaboration in 2006.
"Dirt Off Your Shoulder/Lying from You" – This track combines Jay-Z’s "Dirt Off Your Shoulder" from The Black Album with Linkin Park’s "Lying from You" from Meteora. The mix of Jay-Z’s swaggering, confident lyrics with the angsty tone of "Lying from You" creates an intense, high-energy track.
"Big Pimpin'/Papercut" – In this mash-up, Jay-Z’s party anthem "Big Pimpin’" from Vol. 3... Life and Times of S. Carter is combined with "Papercut", one of Linkin Park’s hard-hitting tracks from Hybrid Theory. The contrast between Jay-Z’s carefree lyrics and the darker themes of "Papercut" makes for a unique and striking combination.
"Jigga What/Faint" – This high-energy mash-up blends Jay-Z’s "Jigga What" from Vol. 2... Hard Knock Life with Linkin Park’s "Faint" from Meteora. The aggressive guitar riffs and fast-paced production of "Faint" complement Jay-Z’s rapid-fire rhyming, making this one of the more intense tracks on the album.
"Izzo/In the End" – This track mashes up Jay-Z’s hit "Izzo (H.O.V.A.)" from The Blueprint with Linkin Park’s massive hit "In the End" from Hybrid Theory. The combination of Jay-Z’s celebratory lyrics with the reflective, melancholic tone of "In the End" creates a unique emotional balance.
"Points of Authority/99 Problems/One Step Closer" – This mash-up brings together Jay-Z’s "99 Problems" from The Black Album with Linkin Park’s "Points of Authority" and "One Step Closer" from Hybrid Theory. It’s one of the hardest-hitting tracks on the EP, with aggressive beats and heavy guitars, paired with Jay-Z’s defiant lyrics.

Contrast between genres: One of the major themes in Collision Course is the juxtaposition of hip-hop bravado and rock’s emotional intensity. Jay-Z’s confident, self-assured lyrics are often paired with Linkin Park’s more vulnerable and introspective lyrics, creating a dramatic tension in the songs.

Jay-Z’s lyrics in tracks like "Encore" and "Big Pimpin’" focus on his rise to fame, success, and the challenges he’s overcome, while Linkin Park’s contributions often explore themes of alienation, frustration, and personal struggle.
Critical Reception:
Collision Course received mixed reviews from critics but was praised for its creativity and for bridging the gap between two different musical genres. While some critics felt that the mash-ups were too formulaic, others admired the seamless blending of two very different musical styles.
The EP performed well commercially, debuting at #1 on the Billboard 200 chart. "Numb/Encore" was particularly successful, becoming a mainstream hit and one of the most recognizable tracks from the project.

Collision Course is seen as a significant experiment in genre fusion, helping to bridge the gap between hip-hop and rock audiences. It contributed to the growing trend of genre-blending that would become more prominent in the 2000s.
The success of the EP demonstrated that collaborations across genres could be commercially viable, paving the way for future projects that mixed hip-hop with rock, pop, and other genres.
The live performance of the EP’s tracks, particularly the "Numb/Encore" mash-up at events like the Grammys and MTV Music Awards, helped to cement its place in pop culture, with fans of both Jay-Z and Linkin Park embracing the crossover.

Collision Course stands as a unique collaboration in music history, bringing together two icons from different genres and creating a blend that resonated with both rock and hip-hop fans. Though brief, the EP’s six tracks showcased the possibilities of genre fusion and delivered some of the most memorable mash-ups of the 2000s. The project continues to be celebrated for its innovation and the seamless combination of Jay-Z’s iconic flows with Linkin Park’s powerful instrumentals and emotive vocals.

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Allt

From The New World

Release: 2024 / EU – Original

Genre: Rock & Indie

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Strike Gold, Strike Back, Strike Out

Thine Retail Simps

LP | 2024 | US | Original (Total Punk)

Coming Up To Consciousness

Release: 2024 / US – Original

Genre: Rock & Indie

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The long playing record splayed out in front of you is the third strike of the Retail Simps’ iron claw. In baseball a strike out is a loathsome outcome, in bowling it’s gold. I ask you, dear listener to sift through these delicate poles of meaning and experience these 16 toons free from the qualitative chains that burden your ear in favour of the openness and exploratory liberation of a child. This one landed the Simps in W.B.A. (world builders anonymous) after total and utter detachment from reality ensued. After copious amounts of blind encouragement from their label boss and his peers (all victims of half-Zheimers) and trace amounts of measurable success (money? no sir), the groups’ egos were operating at a loss, or at least a state of confusion. Faced with the pitfalls of modern drudgery and the music industry’s impending and unrelenting judgement, their perseverance was yet again tested. Through the magical transportive inspiration of rock n roll, our unequivocally handsome protagonists found salvation thrice. R n B stimulation, ponk agitation and slop rock demonstration saved them from themselves, from the downcast stares of detractors, from the cruelness of the everyday. Art as therapy for the clinically insane. A functional state of illness is the bottom line of this cultural achievement. Herein, the band exercises the democratic tools they learnt in their formative years as craftsmen and apply them broadly to a new swath of material. The crucial pin prick guitar, exasperated (ing) vocal maelstrom and beatific pounding of the previous 2 slabs carry over, but new strategies in expounding are implicated for varied and freewheeling results. The spotlight has been flayed, with every simp performing dutifully on the microphone, every simp sitting behind the drumthrone, every simp penning refrains, every simp trading high end for low and visa versa. They have triggered an uncanny singularity. If you have followed the band up to this point, or even happened upon them begrudgingly, with the raw and open ear these savants require, this will truly be Your version of the band. With their service weapons cocked, Total Punk brings you, Thine Retail SIMPS!" —someone who cares

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Pure Reason Revolution

LP | 2024 | Original (Insideoutmusic)

Release: 2024 / Original

Genre: Rock & Indie

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Sheltering Skies Live In Fréjus August 27th 1982

King Crimson

2LP | 2024 | Original (Panegyric)

41,99 €*

Warlords Black Vinyl Edition

Release: 2024 / Original

Genre: Rock & Indie

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There’s a palpable sense of energy and enthusiasm from the audience captured on the tapes at this concert as
King Crimson (sharing a European tour with then label band mates Roxy Music)
take to the stage in Fréjus, France, in late Summer, 1982.
With two albums’ worth of material to draw upon (Discipline, Oct 1981& Beat, June 1982) & extensive touring that had already seen the band play concerts
in the UK, Europe, USA & Japan, the live shows - as often with King Crimson –
had a dynamism & punch that simply couldn’t be replicated
in a recording studio. Add a pair of classic KC instrumentals, (Red & Larks’ Tongues in Aspic Part Two),
to that mix & all the ingredients were there for a very special performance.
Recorded initially for a video release, the audio from the concert has, inexplicably, never been issued as a standalone release
Nor has a live album from the 1980s line-up previously appeared on vinyl.
Sheltering Skies presents the complete King Crimson performance across
2LPs pressed on 200gram vinyl or a single CD, both completed with the addition of the recording of ‘The Sheltering Sky’
from the previous night’s concert at Cap d’Agde
The 1980s King Crimson was, in terms of concert performances/ album releases,
still less than a year old when this album was recorded.
The collective decades’ of experience of the individual musicians is funnelled through the enthusiasm & freshness of the
line-up & the newness of the material to produce a special concert recording.
While King Crimson material from this period is always in demand, with the forthcoming US tour by Beat (King Crimson’s
Adrian Belew & Tony Levin, joined by guitarist Steve Vai & Tool drummer Danny Carey), performing the materia
l from that period, there is increased interest in hearing this material as it was originally performed.
Robert Fripp: Guitar Tony Levin: Stick, Bass Guitar and Support Vocal
Adrian Belew: Guitar, Lead Vocal Bill Bruford: Drums and Percussion

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Helvetets Port

LP | 2024 | EU | Original (High Roller)

Release: 2024 / EU – Original

Genre: Rock & Indie

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2LP | 1981 | US | Reissue (Analogue Productions Atlantic 75 Series)

Foreigner

4 Atlantic 75 Series

86,99 €*

Plague Harvest Clear Black Smoke Vinyl Edition

Release: 1981 / US – Reissue

Genre: Rock & Indie

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180g 2LP 45rpm Gatefold Sleeve

Analogue Productions (Atlantic 75 Series)
Celebrating the 75th Anniversary of Atlantic Records!
Foreigner's No. 1-selling fourth studio album!
Featuring "Urgent," "Waiting for Girl Like You," and "Juke Box Hero"
180-gram 45 RPM double LP
Pressed at Quality Record Pressings
Tip-on old style gatefold double pocket jacket by Stoughton Printing

Throughout the course of three late-70s albums, Foreigner (along with Journey and Styx) was recognized as one of the top AOR bands of the era. But the band was still looking for that grand slam of a record that would push them to the very top of the heap. Released in 1981, 4 would be that album, writes AllMusic.

In producer Robert John "Mutt" Lange — fresh off his massive success with AC/DC's Back in Black — guitarist and all-around mastermind Mick Jones found both the catalyst to achieve this and his perfect musical soulmate. Lange's legendary obsessive attention to detail and Jones' highly disciplined guitar heroics (which he never allowed to get in the way of a great song) resulted in a collaboration of unprecedented, sparkling efficiency where not a single note is wasted.

"Nightlife" kicks off a series of energetic and nearly flawless melodic rock songs on the album. Within this collection, you'll find tracks like "Woman in Black," "Don't Let Go," and the '50s-inspired "Luanne." However, the standout gem in this album is "Juke Box Hero." This song manages to be both a mainstream hit and exceptionally unique. It blends heavy metal guitar riffs, harmonized vocals, and lyrics that capture the desire to become a rock star.

But there's more to this album. It also includes the essential power ballad, "Waiting for a Girl Like You." This emotional song transcended genres, becoming one of the most successful tearjerkers of the decade. It's a constant presence on soft rock radio and has overshadowed another beautiful ballad from the album called "Girl on the Moon."

And let's not forget the surprising and funky "Urgent." This track stands out as one of the band's most memorable and uncharacteristic smash hits, thanks to Junior Walker's signature saxophone solo.

As awesome as the music is this definitive deluxe 180-gram 45 RPM 2LP package. Foreigner 4 has never sounded better!

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Old Tower

2LP | 2021 | Original (Hospital Productions)

39,99 €*

Dunya Ghaba Green Vinyl Edition

Release: 2021 / Original

Genre: Rock & Indie

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Originally issued as a cassette EP, 'Plague Harvest' encrypts the further transformation into pure dark ambience. Field recordings yanked from the trees like dead leaves mix with streams of electronics running beneath the soil. Included also is a bonus 10” of ‘Ruination, a New Dawn Cometh,' which was previously only available digitally, exposing again a precursor and foreshadowing of this cautionary tale that what sustains life can easily grow to smother it. Presented in a special yellow paper jacket to invoke the spirit of the original dead cassette. 12” + 10” set. includes digital download code. LP Side A:1. Plague Harvest ILP Side B:2. Plague Harvest II 10" side A:1. ruination, the new dawn cometh I 10" side B:2. ruination, the new dawn cometh II

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Mustafa

LP | 2024 | US | Original (Jagjaguwar)

30,99 €*

Shackleton & Six Organs Of Admittance

Release: 2024 / US – Original

Genre: Rock & Indie

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Dunya, the title of Mustafa's masterfully crafted andbreathtakingly tender full-length debut, roughly translates fromArabic to "the world in all its flaws." It's a lofty subject for a youngsongwriter, but as with every theme at the heart of theSudanese-Canadia...

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Jinxed By Being

2LP | 2024 | US | Original (Drag City)

42,99 €*

One Of A Kind Silver Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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What might appear to be the most unlikely collaboration of 2024 proves also to be one of the most invigorating listens of the year! Shackleton & Six Organs of Admittance are in full aural/metaphysical alignment in their mutual effort to become Jinxed By Being.On first listen, it becomes immediately clear that this fusion of Shackleton"s bass heavy cosmic dread and Six Organs" ritual folksong makes total sense. Longtime listeners know that both Shackleton and Six Organs of Admittance have been unafraid to pursue their muse into any and all encroaching depth of darkness or outer boundary of potential dissonance - in fact, that has always been their default mode, finding more of resonance way out there in the process.They also share that ol" maverick psychedelic ritual transcendental music vibe, don"t they? And a fascination with repetition and cycles. And a mutual inspiration drawn from alternative tunings and literature...all this considered, it"s been basically inevitable that Ben Chasny and Sam Shackleton would work together.It took a while for them to find each other-and once they did, it was almost eerie, how preordained it felt. When the music started coming, though-that"s when it got really eerie. The mood rises from the music like smoke, a sure signal of total integration. Jinxed by Being finds Shackleton & Six Organs of Admittance delighting in their synthesis. Reveling in the unique sonic textures found in the collage, they launch small details that unfold into a massive space and often multiply into lines of dimensional space, crossing the stereo spectrum with enervating motility.Here lies all the proof you need against the danger of categorizing by perceived genre rather than intention-encounters like Shackleton & Six Organs of Admittance might never have found the linear space in which they sit next to each other, beyond alphabets and other institutional organizing principles. Rearrange your libraries-or you might miss getting Jinxed By Being.

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The Heavy Heavy

LP | 2024 | UK | Original (ATO)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Keb Darge Presents The Best Of Ace Sixties Garage Punk

LP | 2024 | UK | Original (Ace)

21,99 €*

Viva Hinds Black Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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After the success of Keb Darge’s 2023 Ace Rockabilly compilation (chd 1637) the legend returns with another collection of music close to his heart.

On “Keb Darge Presents The Best Of Ace Sixties Garage Punk” the smooth-headed maestro pulls open his curtains to reveal a selection of US garage stompers from the 60s. “Though there are a couple of “never before on vinyl” tunes here for serious collectors, this compilation is aimed at those folk who are just getting into it,” states Keb “I have picked a selection of my favourites from the nice cheap and easy to find stuff up to the four figure and bloody hard to find stuff.” Artists like the Hooterville Trolley, the Litter, the Music Machine, the Venturie 5, the Lyrics and the Nightcrawers reflect back light towards British invasion bands like the Who, the Kinks and the Rolling Stones, home-grown garage flowers and the dark end of the psychedelic street. Laced with fuzzed guitar, enthusiasm, a driving beat and an attitude that was proto-punk this music remains fresh and is already being embraced by a new generation.

With liner notes from Keb and housed in a sleeve by Robin Banks −who also did the artwork for Keb’s Rockabilly compilation − this is an essential purchase.

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Hinds

LP | 2024 | UK | Original (Lucky Number)

Release: 2024 / UK – Original

Genre: Rock & Indie

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2LP | 2024 | Original (Insideoutmusic)

Jordan Rudess

Permission To Fly

36,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Awayland Blue Vinyl Edition

LP | 2012 | UK | Reissue (Domino)

Release: 2012 / UK – Reissue

Genre: Rock & Indie

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LP | 2024 | Original (Relapse)

Ripped To Shreds

Sanshi

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | UK | Original (Domino)

Fat Dog

WOOF. Red Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Roof)

Sophie Chassée

Attachment Theory

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | Original (Cherry Red)

Hawkwind

In Search Of Space

44,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Chris Corsano & Bill Orcutt

Made Out Of Sound

LP | 2021 | US | Reissue (Palilalia)

One Of A Kind Black Vinyl Edition

Release: 2021 / US – Reissue

Genre: Rock & Indie

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Received an 8.1 rating from Pitchfork. "Sadly, many will hear Chris Corsano & Bill Orcutt's latest LP, Made Out of Sound, as 'not-jazz,' though it would be more aptly described as 'not-not-jazz.' In a better world, it would warrant above-the-fold reviews in Downbeat, or an appearance on David Sanborn's late-night show (if someone would only give it back to him). More likely, we can hope for a haiku review on Byron Coley's Twitter timeline to sufficiently connect the various improvised terrains trodden by this long-time duo—but if you've been able to listen past the overmodulated icepick fidelity of Harry Pussy, it should surprise you not an iota that Orcutt's style is rooted as much in the fractal melodies of Trane and Taylor as it is in Delta syrup or Tin Pan Alley glitz. As for Corsano, well, it may seem daft to call this particular record 'jazz' (because duh, it has a drummer), but to me Corsano is beyond jazz, almost beyond music, his ambidextrous, octopoid technique grappling many stylistic levers and spraying a torrent of light from every direction. Corsano's ferocity has elevated many 'mere' improv records to transcendence, but here he's crafted his polyrhythms within more narrative channels, bringing to mind his 'mannered' playing in the lamented Flower-Corsano duo. It's not 'groove' playing precisely, but it follows many grooves simultaneously, much like Orcutt's own melodic musings—which is why they're so naturally lock-in-key here. Which maybe makes it all the more surprising that Made Out of Sound was in fact recorded in different rooms on different coasts at different times, and stitched together by Orcutt on his desktop. Corsano recorded the drums in Ithaca, NY, and (as Orcutt states), 'I didn't edit them at all. I overdubbed two guitar tracks, panned left/right. I'd listen to the drums a couple times, pick a tuning, then improvise a part, thinking of the first track as backing and the second as the 'lead', though those are pretty fluid terms. I was watching the waveforms as I was recording, so I could see when a crescendo was coming or when to bring it down.' Fluidity ties the tracks together. With a little more groove and a little less around-the-beat maneuvering, one could almost hear the boiling harmonic layers as Miles-oid in 'Man Carrying Thing,' but with new-found Sharrockian modalities, Corsano accentuating the tumbling nature of the falling notes. The Sharrock vein continues with 'How to Cook a Wolf,' its Blind Willie-esque melodic simplicity and repetition extrapolated 360-style in a repetitive descending riff that falls into Cippolina-isms (by way of Verlaine ) until the end crashes upon the shore. Much like Orcutt's last solo album, Odds Against Tomorrow, there's a gentler, almost pastoral flow to some tracks ('Some Tennessee Jar,' 'A Port in Air,' 'Thirteen Ways of Looking') that calls to mind the mixolydian swamplands of Lonnie Liston Smith—but unlike Odds , other tracks ('The Thing Itself') smash that same lyricism into overdriven, multi-dimensional melodic clumps that push several vector envelopes at once in an Interstellar Space vein. With the help of Corsano, Orcutt has managed to slither even further out of the noise/improv pigeonhole lazy listeners/writers keep trying to shove him into. Looking at the back cover of Made Out of Sound , we should not see Orcutt hurling a guitar into the air with post-punk bravado, Corsano toiling behind him in the engine room—we should witness an instrument levitating from his hands, rising on invisible major-key tendrils of melody, fired by percussion, spiraling into an invisible event horizon..."—Tom Carter

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The Heavy Heavy

LP | 2024 | UK | Original (ATO)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Live 1984 Ahoy Hallen Rotterdam Blue Vinyl Edition

Sade

2LP | 2024 | EU (Whp)

Release: 2024 / EU

Genre: Rock & Indie

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This is the one and only Sade caught live for Veronica's Rock Night TV broadcast on September 21, 1984 in the Netherlands, just a few months after the release of her first single "Your Love Is King". Sade is backed here by her original group, an elegant, super tight line- up featuring all four members appearing on her outstanding debut album "Diamond Life" plus a two piece brass section and percussion. Needless to add that 1984 was a crucial year in Sade's career. That was when the world suddenly discovered her highly sophisticated, soulful sound world. Now, if you want to catch the whole energy of such discovery, these high quality live recordings are the right stuff to start with.

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Als Die Welt Noch Unterging (German Post Punk Underground 1979-1984) Black Vinyl Edition

LP | 2024 | EU | Original (Tapete)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Release: EU

Genre: Rock & Indie

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Age Of Doubt Colored Vinyl Edition

Bridge City Sinners

LP | 2024 | Original (Sbäm)

29,44 €* 30,99 € -5%

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | UK | Original (Bella Union)

Mercury Rev

Born Horses

Release: 2024 / UK – Original

Genre: Rock & Indie

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Englemaker Blood Splatter Vinyl Edition

Englemaker

10" | 2013 | US | Original (PHD)

15,99 €*

LP | 2024 | EU | Original (Wicked Cool)

Release: 2013 / US – Original

Genre: Rock & Indie

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ENGLEMAKER is a raging hardcore / punk / metal band from Oslo city east, where the moon is cold and riding the subway is fucking terrifying. Formed by four old, jaded assholes on the onset of the seemingly endless winter of 2012/13, hell-bent on being the heaviest, least jocular hardcore / punk / metal band in Europe and wiping the floor with a continent of haircut enthusiasts, scenester wimps and snot-nosed Internet forum dildos. Past and present engagements of the members include Summon the Crows, Eskatol, Betongbarn, Ungeromimizu, Mine, Cataract, Arma Gathas, just to name a few. The name ENGLEMAKER (angelmaker) comes from a dark chapter in Norwegian history and stands for a person who received children in need against payment, and intentionally neglected them so they died – hence the term "angelmaker". Since no floor boards in Norway could handle their power and might, ENGLEMAKER stumbled into the dusty forests of Karlstad, Sweden to record their self titled debut record at Leon Music with Rikard Løfgren and Gustav Ydenius. The end result is five tracks of double hard bad attitude in just below eleven minutes, to be released as a one-sided 10" on the band's in-house label DISIPLIN MEDIA. ENGLEMAKER tune their guitars to C# like "Master of Reality", listen exclusively to BOLT THROWER and the ZZ TOP "Eliminator" album, and are currently planning to come and lay waste to your town. Future endeavors for 2013 will bring ENGLEMAKER to Sweden, Portugal, UK amongst other countries. 1. Disiplin 2. Selvdestruktiv 3. Byrakrat#1 4. Byrakrat#2 5. Redd

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Soraia

Shed The Skin

Release: 2024 / EU – Original

Genre: Rock & Indie

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They're Only Chasing Safety Sea Blue In Grey Vinyl Editoin

Underoath

LP | 2024 | US | Original (Many Hats)

Release: 2024 / US – Original

Genre: Rock & Indie

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Grand Morbid Funeral 10th Anniversary Marble Vinyl Edition Edition

Bloodbath

LP | 2024 | Original (Peaceville)

Release: 2024 / Original

Genre: Rock & Indie

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It Beckons Us All New Grey Marble Vinyl Edition

Darkthrone

LP | 2024 | Original (Peaceville)

41,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Magic Of Vinyl)

Atomic Rooster

The Avian

Release: 2020 / EU – Original

Genre: Rock & Indie

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12" | 2024 | EU | Original (Pulverised)

Doldrey

Only Death Is Eternal

2LP | 2024 | EU | Original (Avantgarde)

Release: 2024 / EU – Original

Genre: Rock & Indie

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The absolute vile-force of Deathpunks DOLDREY is encroached in the group’s latest pièce de résistance “Only Death Is Eternal”, an EP featuring five tracks of cruel, glacial-piercing riffs akin to a rusty knife clutched deep into an infected stabwound. “Only Death Is Eternal” is a true manifestation of nefarious, show-no-mercy Death/Thrash Metal with the sensibilities of streetpunk, intricate but brilliantly arranged song structures further elevate the wicked and twisted DNA of DOLDREY; “Only Death Is Eternal” is the sublime transition and a flawless emulsifier of the unadulterated lawless nature of Punk and the precision musicianship of traditional Metal. Recorded and mixed once again by Izzad Radzali Shah at Dungeon 416 and mastered by Will Killingsworth at Dead Air Studios, Western Massachusetts, USA (Full Of Hell, Iron Lung, The Body, Glue, etc), with macabre cover artwork and illustrations conceptualized by Alexander L. Brown (Bølzer, Cruciamentum, Horrendous, etc). 1. Moral Decay2. Only Death Is Eternal3. All Is Hell4. Societal Machine5. Keres

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Spite Extreme Wing

Vltra 2024 Redux

39,99 €*

LP | 2024 | EU | Original (Laser Media)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Vltra was the swansong of the leading Italian late 90's black metal movement. After 2 albums and an handful of demos released on domestic labels, SEW found international recognition with their third and most complete, mature album, Vltra. This was recorded with analog equipment and features some wonderful symbolist/futuristic art by Russian Konstantin Yuon (1920). 1 I2 II3 III4 IVVocals – Il Colonnello5 V6 VI7 VII8 VIII9 IX10 X

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Def Leppard

Rock Rock 'Till You Drop

32,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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All Is Dust Dark Vanilla Marbled Vinyl Edition

Neaera

LP | 2024 | EU | Original (Metal Blade)

30,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Petrina, Ota & Super-Robot

Super-Robot & Pečeť

2LP | 2024 | EU | Original (Supraphon)

39,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Supraphon)

Michael Kocáb

Povídali, že mu hráli

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | Original (Sfa Distribution)

Mobile Ethnic Minority

In The Beau Jardin

Release: 2024 / Original

Genre: Rock & Indie

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Grown In U.S.A. Black Vinyl Edition

Homer

LP | 1972 | EU | Reissue (Guerssen)

Excessive Guilt Special Splatter Vinyl Edition

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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With their roots traced in two legendary 60s garage bands, The Outcasts and The Stoics, Homer were without doubt one the best psychedelic / hard-rock outfits coming out from Texas. “Grown in U.S.A” was their only album, released as a private pressing in 1970. Rural psychedelic rock with early prog hints fueled by stunning lead / dual guitar, melodic vocals and occasional mellotron.

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Thrown

LP | 2024 | EU | Original (Arising Empire)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Plastic Bullets Pink Vinyl Edition

Peawees

7" | 2024 | EU (Wild Honey)

11,99 €*

La Vie Des Mauvais Garçons

Release: 2024 / EU

Genre: Rock & Indie

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"Plastic Bullets" is an in your face instant punk classic. Its catchy melody, groovy tempo, singalong lyrics and pop sensibilities fit right in with the best the late seventies had to offer. The song comments on authenticity, the importance of staying true to yourself, and trusting your instincts: when you live life trying to be something you're not, you're just like a little kid playing cowboys with toy guns and plastic bullets.

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Warrior Kids

LP | EU (Randale)

13,99 €*

Release: EU

Genre: Rock & Indie

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Tape | 2024 | EU (Radiation Reissues)

Hanoi Rocks

Back To Mystery City

13,99 €*

Tape | 2024 | EU (Radiation Reissues)

Release: 2024 / EU

Genre: Rock & Indie

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"Back to Mystery City" by Hanoi Rocks channels the grit and glamour of the urban underground, intertwining sleazy rock riffs with poetic lyricism. It's a sonic journey through the shadows of city streets, showcasing the band's distinct fusion of punk attitude and rock 'n' roll swagger.

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Hanoi Rocks

Oriental Beat

13,99 €*

Horror Vacui Purple Vinyl Edtion

Release: 2024 / EU

Genre: Rock & Indie

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Hanoi Rocks' "Oriental Beat" pulsates with a unique blend of glam rock and punk energy, capturing the band's rebellious spirit against the backdrop of 1980s Helsinki. With catchy hooks and raw intensity, it solidifies their status as pioneers of the Finnish rock scene.

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Horror Vacui

7" | EU (Agipunk)

10,99 €*

Release: EU

Genre: Rock & Indie

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Horror Vacui are back with a long awaited new release. Their unique blend of death rock and post punk needs no further introduction: with 4 records, countless releases and tours worldwide, the unstoppable 5 pieces painted the underground world in dark shadows during their decade of existence. A recent line up change (that now sees former guitar player Marzia on drums) and two brand new songs that will make you ask for more. A tasty prelude to the long awaited new full length due soon in 2024.

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Genre: Rock & Indie

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LP | 2023 | UK | Reissue (Specialist Subject)

Jeff Rosenstock

Hellmode

Release: 2023 / UK – Reissue

Genre: Rock & Indie

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Purple Atlantic 75 Series

Stone Temple Pilots

2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

69,99 €*

Viva Hinds Magenta-In-Transparent Clear Vinyl Edition

Release: 2023 / US – Reissue

Genre: Rock & Indie

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Analogue Productions (Atlantic 75 Series)

Celebrating the 75th Anniversary of Atlantic Records!

Stone Temple Pilot's No. 1 charting second album

Includes "Interstate Love Song," "Vasoline" and "Big Empty"

180-gram 45 RPM double LP

Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound

Pressed at Quality Record Pressings

Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing

Purple, the second studio album released in 1994 by the Stone Temple Pilots, stands as a monumental achievement in the band's career and a defining moment in the grunge and alternative rock music scene of the 1990s. With a potent blend of raw energy, introspective lyrics and masterful musicianship, Purple not only catapulted Stone Temple Pilots to superstardom, but it also marked a significant evolution in the band's sound.

The album, building on the foundations laid by the band's debut album Core, was a huge success for the band, debuting at No. 1 on the Billboard 200 chart and quickly achieving multi-platinum status, worldwide.

Its chart-topping single, "Interstate Love Song," became an anthem for a generation, and the album as a whole showcased the band's artistic prowess.

Lyrically, "Purple" also revealed a more introspective and mature side of Stone Temple Pilots. Scott Weiland's songwriting delved into personal struggles and emotions, addressing themes of addiction, love, and self-discovery. This depth added a layer of authenticity to the album, allowing listeners to connect with the band on a profound level.

Purple also demonstrated that Stone Temple Pilots were more than just another grunge act; they were a force to be reckoned with, capable of delivering powerful and emotionally resonant music. Purple remains a crucial chapter in the band's history and an essential listen for any fan of rock music.

Analogue Productions has given the showstopping Purple the full reissue treatment: Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound and cut at 45 RPM. Pressed on 180-gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.

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Hinds

LP | 2024 | UK | Original (Lucky Number)

36,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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Warlords Oxblood Vinyl Edition

Helvetets Port

LP | 2024 | EU | Original (High Roller)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Theia Clear / White / Green Marble Anniversary Vinyl Edition

Elephant Tree

LP | 2014 | EU | Reissue (Magnetic Eye)

35,99 €*

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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Fever Dreams Orange Vinyl Edition

LP | 2021 | UK | Reissue (Domino)

Release: 2021 / UK – Reissue

Genre: Rock & Indie

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Becoming A Jackal Clear Vinyl Edition

2LP | 2010 | UK | Reissue (Domino)

Release: 2010 / UK – Reissue

Genre: Rock & Indie

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12" | 2024 | DE | Original (Spinefarm)

Black Veil Brides

Bleeders

Release: 2024 / DE – Original

Genre: Rock & Indie

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Dave&Rsquo;S Doors Of Perception

Major Door Arcana

LP | 2024 | EU | Original (Well Suspect)

Release: 2024 / EU – Original

Genre: Rock & Indie

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7" | 2024 | EU | Original (El Toro)

Chuck Berry

Alternatively Chess

14,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Seayou)

Celestial Guard

Ruinous Powers

Release: 2024 / EU – Original

Genre: Rock & Indie

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Mochari Dirty Pink Vinyl Edition

Machukha

LP | 2024 | EU | Original (Consouling Sounds)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | DE | Original (Concord)

Jon Muq

Flying Away

Release: 2024 / DE – Original

Genre: Rock & Indie

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LP | 1984 | EU | Reissue (Parlophone Label Group)

Iron Maiden

Powerslave

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Lyceum Theatre, London, England Digipak Edition

Grateful Dead

4CD | 2024 | EU | Original (Warner)

34,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Divisive Purple Vinyl Edition

Disturbed

LP | 2023 | EU | Original (Warner)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Gods Of Metal: Year Of The Dragon

All For Metal

LP | 2024 | Original (Reigning Phoenix Music)

Release: 2024 / Original

Genre: Rock & Indie

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A Night At The Opera Picture Vinyl Edition

Blind Guardian

2LP | 2019 | EU | Original (Nuclear Blast)

32,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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New Horizons Marbled Vinyl Edition

Skyeye

2LP | 2024 | EU | Original (Reaper Entertainment Europe)

Release: 2024 / EU – Original

Genre: Rock & Indie

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4LP | 2024 | EU | Original (Big Scary Monsters)

Three Trapped Tigers

Route One Or Die / Ep1-3

68,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Radio Broadcast 1994 Honolulu

Depeche Mode

LP | 2024 | EU (Radio Broadcast)

Janis Joplin & Kozmic Band

Release: 2024 / EU

Genre: Rock & Indie

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The second of two consecutive concerts in Honolulu during the 1994 Exotic Tour. This is the last concert of this tour to have Andrew Fletcher on keyboards; the remainder of the tour has Daryl Bamonte in his place due to Fletcher suffering from a nervous breakdown and not continuing with the remainder of the tour.

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Live In Amsterdam 1969 / Us Radio Shows 69- 70

LP | 2024 | EU (DBQP)

21,99 €*

Creedence Clearwater Revival

Release: 2024 / EU

Genre: Rock & Indie

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Janis Lyn Joplin (January 19, 1943 – October 4, 1970) was an American singer and songwriter. One of the most successful and widely known rock performers of her era, she was noted for her powerful mezzo-soprano vocals, as well as her "electric" stage presence.

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Live At Filmore West 1971

LP | 2024 | EU (DBQP)

21,99 €*

LP | 1967 | EU | Reissue (Cosmic Rock)

Release: 2024 / EU

Genre: Rock & Indie

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Promoter Bill Graham announced the lineup for the final week of San Francisco's Fillmore West one day after he closed New York's Fillmore East. He ended three years of historic shows with five nights of music billed as "the bands that built the Fillmore." The final night, July 4, 1971, featured Santana, Creedence Clearwater Revival and Tower of Power. Camera crews recorded the week's events for the documentary Last Days of the Fillmore.

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Jameson

Color Him In

LP | 1984 | EU | Reissue (Rocka Tapes)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Another lost gem from the non-jazz Verve catalogue, Color Him In is a daydream experience from loner singer/songwriter Bobby Jameson. Released in 1967 the album is an orchestrated psychedelic trip, no surprise then Jameson had a part in the cult film Mondo Hollywood. Produced by Curt Boettcher the album had several psych-pop numbers with rare female vocals harmonization.

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Declino / Negazione

Mucchio Selvaggio

Hidden Marbled Purple And Black Vinyl Edition

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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To celebrate 40 years of Mucchio Selvaggio, the split-tape of two of the most seminal bands of European hardcore punk returns for the first time on Italian vinyl, LP. Decline/negazione, a musical combo that has become legend and has defined the aesthetics and sound of a genre. Graphics of the new edition by DeeMo. Remastered audio. Inner slave with reproduction of the original tape materials and 1985 European tour flyer. 27 minutes of hardcore punk that made history.

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Ufomammut

LP | 2024 | EU | Original (Supernatural Cat)

37,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Hidden is the 10th album of Ufomammut and it marks a shift in the band's musical composition, aiming for a more intense and heavy sound, and it’s the third release featuring Levre as the band’s new drummer. The title reflects the concept of the presence of everything in our existence and the ability to bring to light what lies within us. With Hidden, Ufomammut delves into a sonic journey that traverses vast expanses of space and time. From the crushing heaviness to the hauntingly melodies, from the textured compositions to the otherworldly atmospheres, Hidden testify the neverending evolution of Ufomammut and their mastery of creating immersive sonic experiences: a fitting celebration of their 25 years of sonic exploration and experimentation.

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Jerk Boom Bam Volume 2 - Greasy Rhythm & Soul Party

LP | 2011 | EU | Reissue (Jerk!boom!bam!)

22,99 €*

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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Fu30 Volume I-III Bonustrack - Limited Silver Vinyl Edition

Fu Manchu

LP | 2023 | US | Original (At The Dojo)

37,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

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7" | 2024 | EU | Original (Munster)

Melcochita Y Los York's

El Sicodélico

15,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (K)

The Softies

Winter Pageant

Menschenfresser Red-Black Yolk Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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On their second album, Winter Pageant, The Softies move forward with focused delight. It's the combination of Jen Sbragia (All Girl Summer Fun Band) and Rose Melberg (Tiger Trap, Gaze, Go Sailor) that molds The Softies' panoply: feathers and thorns, fawn and fearless, fable and friction.Originally released in 1997, Winter Pageant is the drama of utter melancholia documenting the broken promises, missed phone calls, conversations stalled, love lost. Colossal tasks recorded two guitars deep, forming a new Iliad, chapters on brave deeds and the power of love on the move. You can live for love, or you could live for the splendid cascade of guitar on guitar, voice over voice: The Softies.Winter Pageant was recorded by Stuart Hallerman (Soundgarden, KARP) at his Avast! recording studio in Seattle, Washington.

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Rawside

LP | 2024 | Original (Fettfleck)

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2005 | UK | Reissue (4AD)

Cass McCombs

Prefection

Release: 2005 / UK – Reissue

Genre: Rock & Indie

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The Telescopic Aulor Of Atlas

Lukas De Clerck

LP | 2024 | EU | Original (Ideologic Organ)