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Rock & Indie 54365 Items

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Nancy Sinatra & Lee Hazlewood - Nancy & Lee
Nancy Sinatra & Lee Hazlewood
Nancy & Lee
Tape | 1968 | US | Reissue (Light In The Attic)
10,99 €*
Incl. VAT plus Shipping Costs
Release: 1968 / US – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.
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Nancy Sinatra & Lee Hazlewood - Nancy & Lee Black Vinyl Edition
Nancy Sinatra & Lee Hazlewood
Nancy & Lee Black Vinyl Edition
LP | 1968 | US | Reissue (Light In The Attic)
30,99 €*
Incl. VAT plus Shipping Costs
Release: 1968 / US – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive
Beautifully packaged and expanded gatefold LP featuring a 20-page booklet

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.
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Los Shain's - Docena 3
Los Shain's
Docena 3
LP | 1968 | EU | Reissue (Discos Monterey)
24,99 €*
Incl. VAT plus Shipping Costs
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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The following year, 1968, "Docena 3" would see the light of day, highlighting the LSD world on the cover, in which they added more accentuated lysergic moments, the use of the Indian zither, plus Jorge Pomar on rhythm, and other technical novelties such as reverse tape effects, including anti-war and love messages. The album brings together some captivating songs of their own, plus surprising covers with surrounding sound arrangements.

Shortly thereafter, the band would break up, but not before leaving us with another album to fulfill their contract, entitled "Instrumental's" (1968). The members would go on to separate careers with Pico's Los Nuevos Shain's, and Gerardo Manuel's The (St. Thomas) Pepper Smelter. They would reunite again in 2007, but it was not until this year 2021 that, thanks to Discos Monterey, these two late sixties Peruvian rock summits are once again available with excellent sound and respecting the original artwork.
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New Trolls - Senza Orario Senza Bandiera Clear Green Vinyl Edition
New Trolls
Senza Orario Senza Bandiera Clear Green Vinyl Edition
LP | 1968 | EU | Reissue (Vinyl Magic)
28,99 €*
Incl. VAT plus Shipping Costs
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Go to Item
Nancy Sinatra & Lee Hazlewood - Nancy & Lee 8Track Edition
Nancy Sinatra & Lee Hazlewood
Nancy & Lee 8Track Edition
8Track | 1968 | US | Reissue (Light In The Attic)
23,99 €*
Incl. VAT plus Shipping Costs
Release: 1968 / US – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
This is an 8track-cartridge, not a music cassette

First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.
Go to Item
H.P. Lovecraft - H.P. Lovecraft II
H.P. Lovecraft
H.P. Lovecraft II
LP | 1968 | EU | Reissue (Cosmic Rock)
24,99 €*
Incl. VAT plus Shipping Costs
Release: 1968 / EU – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
The 2nd chapter, yet a revelation. Released on Philips in 1968, right after their ’67 self titled album this iconic psych-folk masterpiece still detain a refreshing and revelatory approach. The Chicago band, named after American supernatural fiction writer, is on the verge of some weird songwriting experience, as suggested by some explicit titles as Mobius Trip or At The Mountains Of Madness. Celestial electro-acoustic harmonies and spacey keyboards gave way to mystical show, still entertaining nowadays.
Go to Item
Ill Wind - Flashes Black Vinyl Edition
Ill Wind
Flashes Black Vinyl Edition
LP | 1968 | EU | Reissue (Out-Sider Music)
23,99 €*
Incl. VAT plus Shipping Costs
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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“Flashes”, the sole album by Boston based band ILL Wind, was produced by Tom Wilson (Simon & Garfunkel, Mothers Of Invention, Velvet Underground…) and originally released on ABC Records. Terrific West Coast styled sound with male/female vocals, strong guitar interplay and inventive songwriting, featuring titles like “Dark World”, “People Of The Night”, “Hung Up Chick”… and wait till you hear their cover of “High Flying Bird”! *Hard cardboard sleeve + OBI *Includes insert with liner notes and photos

* Includes digital download card
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The Ventures - Live Again!
The Ventures
Live Again!
LP | 1968 | JP | Original (Liberty)
23,99 €*
Incl. VAT plus Shipping Costs
Release: 1968 / JP – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG
Vinyl with minimal wear
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Ultimate Spinach - Ultimate Spinach
Ultimate Spinach
Ultimate Spinach
LP | 1968 | EU | Reissue (Akarma)
25,99 €*
Incl. VAT plus Shipping Costs
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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American psychedelic band from Boston, Massachusetts. Active 1967 to 1969. Their second album was originally released in 1968. Recorded in September 18th, 19th, 26th, 27th and October 26th, 29th 1967 at Bell Sound Studios, New York City
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Van Morrison - Astral Weeks
Van Morrison
Astral Weeks
LP | 1968 | EU | Reissue (Rhino)
24,99 €*
Incl. VAT plus Shipping Costs
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Federal Duck - Federal Duck Orange Vinyl Edition
Federal Duck
Federal Duck Orange Vinyl Edition
LP | 1968 | EU | Reissue (Reel Music)
20,99 €*
Incl. VAT plus Shipping Costs
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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The Zoo - Presents Chocolate Moose Spearmint Green Vinyl Edition
The Zoo
Presents Chocolate Moose Spearmint Green Vinyl Edition
LP | 1968 | EU | Reissue (Reel Music)
22,99 €*
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Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Orphan Egg - Orphan Egg
Orphan Egg
Orphan Egg
LP | 1968 | EU | Reissue (Cosmic Rock)
24,99 €*
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Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Orphan Egg were a short lived group who were formed in 1967 in San Jose California. Their sole self-titled album was released in 1968 on the small independent company Carole Records. Essentially a garage-psych album – in the tradition of future iconic compilation like Nuggets or Pebbles – Orphan Egg was recorded by a bunch of students at Saratoga High School in Saratoga. Occasionally they won the Vox Battle of the Bands, a nationwide competition. They also appeared on the soundtrack of the classic bike-movie ‘Cycle Savages’ with 3 tracks.
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Ars Nova - Ars Nova
Ars Nova
Ars Nova
LP | 1968 | EU | Reissue (Long Hair)
28,99 €*
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Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Ten Years After - Undead
Ten Years After
Undead
LP | 1968 | EU | Reissue (Proper)
31,99 €*
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Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Creedence Clearwater Revival - Creedence Clearwater Revival
Creedence Clearwater Revival
Creedence Clearwater Revival
LP | 1968 | EU | Reissue (Fantasy)
22,99 €*
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Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Go to Item
Bobby Callender - Rainbow
Bobby Callender
Rainbow
2LP | 1968 | EU | Reissue (Akarma)
40,99 €*
Incl. VAT plus Shipping Costs
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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T his bizarre, Alan Lorber-produced psychedelic album appeared originally in 1969 on Boston Sound. Bobby Callendar was an incredibly gifted poet and lyricist whose complex texts could only be compared to Scott Walker; the concepts of a U.K. artist of Indian heritage post-psychedelia were augmented by the lush arrangements of Paul Harris and Bob Gallo. The cast of musicians on this album included some of the highest-caliber sidemen of the time, most notably Richard Davis, the master bassist of Van Morrison's Astral weeks fame (not to mention a jazz musician in his own right), the guitars of Eric Gale and Hugh McCracken, and the astonishingly subtle Burnard Purdie on drums. The album is a rich and complex exploration of Eastern-inspired psychedelic rock and folk centered on the incredibly complex texts and vocals of Bobby Callendar. When reading the lyric sheet, it is most astonishing how such elaborate poetic evocations were somehow made to fit popular song forms. Sure, at these highly conscious times of the late '60s it was not uncommon for deeply poetic, socially conscious, or hallucinogenic themes to appear in the lyrics of pop music, yet this is album is absolutely brilliant for being one of the most ostentatious animations of the written word, yet absolutely vital and musical throughout. Fans of Scott Walker's solo material, Colin Blundstone, and Duncan Browne should give this album a few hours -- if not a week -- of their attention. This excellent Italian reissue from Akarma is packaged and remastered exquisitely. (All Music)
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Nova Local - Nova 1
Nova Local
Nova 1
LP | 1968 | EU | Reissue (Cosmic Rock)
24,99 €*
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Release: 1968 / EU – Reissue
Genre: Rock & Indie
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The sole album by cultish psychedelic pop band from Chapel Hill, North Carolina. They formed in 1964 and split up after their debut, which appeared on prestigious label Decca in 1968. The lines "Is it much too much to ask / Not to hide behind the mask?" from "If You Only Had the Time" weree sampled on MF Doom's 2005 song "The Mask". All along with classic blues standard ‘Tobacco Road‘ (covered by anyone from The Animals to Brother Jack McDuff via Jefferson Airplane) and contemporary folk number ‘Morning Dew’ (originally penned by Bonnie Dobson) the record shows a series of original numbers verging on the happiest side of jangle-rock with a ‘nuggets’ feel all in all.
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Summerhill - Summerhill
Summerhill
Summerhill
LP | 1968 | EU | Reissue (Cosmic Rock)
24,99 €*
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Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Produced by David Briggs (Neil Young, Alice Cooper) and recoreded at famous Wally Heider Studio 3 in Hollywood, CA during 1969, their self-titled album features ten original compositions, with essential contributions from the four members of the band. Summerhill certainly spotted a late-1960s West Coast vibe, including Hendrix-Rock style ("Bring Me Around"), sunshine pop ("Soft Voice") and even a touch of ‘flower-jazz’ ("What Can I Say").
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Los Walkers - Walkin' Up Con Los Walkers 53rd Anniversary Edition
Los Walkers
Walkin' Up Con Los Walkers 53rd Anniversary Edition
LP | 1968 | US | Reissue (Noseso)
34,99 €*
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Release: 1968 / US – Reissue
Genre: Rock & Indie, Pop
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After 53 years of oblivion, Walkin Up con Los Walkers, the fundamental work of Argentinian garage-psych is being reissued again in Argentina from the original mono master tape. An iconic LP from “the other” youngster music—the one that was known as “beat music"—it was originally released in 1969 and has never been reissued in its original format until now. The band had previously released two LPs and several 45s which contained an exquisite selection of covers, from The Rolling Stones material to songs by Astor Piazzola, but with Walkin’ Up they entered history as excellent songwriters and conceptual artists. With a great use of studio production, unseen before in Argentina, they laid down a wide range of psychedelic sounds and structures that decades later are be considered as the Buenos Aires version of Los Shakers’ La Conferencia Secreta del Toto’s Bar—both albums under a huge influence from The Beatles’ Sgt. Pepper’s. Limited edition of 300 copies on 180-gram vinyl with the careful restoration and printing of the original artwork. Includes a printed postcard and a lavish 4-page booklet with photos and liner notes by journalist Víctor Tapia.
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Dennis Olivieri - Come To The Party Record Store Day 2023 Sky Blue Vinyl Edition
Dennis Olivieri
Come To The Party Record Store Day 2023 Sky Blue Vinyl Edition
LP | 1968 | UK | Reissue (Jamie)
33,99 €*
Incl. VAT plus Shipping Costs
Release: 1968 / UK – Reissue
Genre: Rock & Indie
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"First re-issue since it original pressing in 1969, and this time on a very limited edition Sky Blue vinyl The highly sought after record Come To The Party is very much a homage to the end of the 60’s and was produced at the Hollywood Sound Recorders by the songwriter Tandyn Almer (""Along Comes Mary""). Musicians included Dennis on piano, Jack Elliott on guitar, Ronnie Brown bass, Eddie Greene percussion. Tommy Scott sax, and Tandyn Almer on Rocksichord. Sampled by Dj Shadow on Six Day War on the Private Press album bringing new interest to Dennis's musical career. "
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Silver Apples - Silver Apples Smoke Colored Vinyl Edition
Silver Apples
Silver Apples Smoke Colored Vinyl Edition
LP | 1968 | US | Reissue (Jackpot)
29,99 €*
Incl. VAT plus Shipping Costs
Release: 1968 / US – Reissue
Genre: Rock & Indie, Electronic & Dance
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New 24 bit /96 kHz transfer taken from the original master tapes. Limited Smoke Colored Vinyl w/ Deluxe Silver Foil Jacket.

Formed in 1967 as a psychedelic electronic duo featuring Dan Taylor on drums and Simeon on a homemade synthesizer consisting of 12 oscillators (and an assortment of sound filters, telegraph keys, radio parts, lab gear and a variety of second hand electronic junk), SILVER APPLES quickly gained a reputation as New York’s leading underground musical expression. Their pulsating rhythmic beats with the use of electronics laid the groundwork for what would become“Krautrock” Silver Apples was released in 1968 and still remains an innovative and revolutionary album. Their highly influential sound has influenced countless bands from Stereolab, Beastie Boys, Blur and more. Edition of 500 copies.
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The Kinks - Kinks
The Kinks
Kinks
LP | 1968 | EU | Reissue (BMG/Sanctuary)
25,99 €*
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Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Soft Machine - Soft Machine
Soft Machine
Soft Machine
LP | 1968 | EU | Reissue (Abc Command)
30,99 €*
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Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Debut album by the English rock band The Soft Machine (named after William S. Burroughs' novel), one of the best known exponents, along with Caravan, of the "Canterbury Sound". This masterpiece was released in 1968 and features the trio of Robert Wyatt (drums & vocals), Mike Ratledge (organ & piano), and Kevin Ayers (bass, vocals & piano). This was the only album by the band showcasing Ayers. Additional personnel includes bassist Hugh Hopper (who would later become a permanent member after Ayer's departure), and the NYC vocal group The Cake. The Soft Machine was one of the first albums recorded at the legendary Manhattan studios The Record Plant, which had been inaugurated with Jimi Hendrix's Electric Ladyland that same year. The album was given a 5-star rating on AllMusic by reviewer Richie Unterberger. The group is considered one of the most influential underground bands of their era.
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The Pentangle - Pentangle White Vinyl Edition
The Pentangle
Pentangle White Vinyl Edition
LP | 1968 | UK | Reissue (Renaissance)
22,99 €*
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Release: 1968 / UK – Reissue
Genre: Rock & Indie
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The Pentangle - Pentangle Marble Vinyl Edition
The Pentangle
Pentangle Marble Vinyl Edition
LP | 1968 | UK | Reissue (Renaissance)
33,99 €*
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Release: 1968 / UK – Reissue
Genre: Rock & Indie
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Gianni Morandi - Gianni Morandi Blue Vinyl Edition
Gianni Morandi
Gianni Morandi Blue Vinyl Edition
LP | 1968 | EU | Reissue (RCA)
34,99 €*
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Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Folklords - Release The Sunshine
Folklords
Release The Sunshine
LP | 1968 | CA | Reissue (Return To Analog)
26,99 €*
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Release: 1968 / CA – Reissue
Genre: Rock & Indie
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George Harrison - Wonderwall Music
George Harrison
Wonderwall Music
LP | 1968 | EU | Reissue (BMG Rights Management)
25,99 €*
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Release: 1968 / EU – Reissue
Genre: Rock & Indie
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The Wind In The Willows - The Wind In The Willows
The Wind In The Willows
The Wind In The Willows
LP | 1968 | EU | Reissue (Cosmic Rock)
24,99 €*
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Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Reissue of the band sole album, originally released in 1968 on Capitol Records. The record is a mixture of light psychedelic pop and folk. The band broke up shortly after failing to achieve commercial success or critical acclaim. The following year Artie Kornfeld, the record engineer of the album, went on to be the music producer of the Woodstock festival in 1969. Debbie Harry went on to join The Stillettos in 1974 and other bands until subsequently achieving success in 1976 fronting the new wave band Blondie.
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The Rolling Stones - Beggars Banquet
The Rolling Stones
Beggars Banquet
LP | 1968 | EU | Reissue (Universal)
28,99 €*
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Release: 1968 / EU – Reissue
Genre: Rock & Indie
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The Rolling Stones returned to their blues roots on 1968's Beggars Banquet, which was immediately acclaimed as one of their landmark achievements. A strong, acoustic Delta Blues flavor colors much of the album, particularly "Prodigal Son" and Jagger/Richards' "No Expectations." Basic rock 'n' roll is not forgotten with "Street Fighting Man" and "Sympathy for the Devil." The lyrical bite of the material ensured it's place as one of the best blues-based rock albums of all time. 180-gram vinyl.
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Blood, Sweat And Tears - Blood, Sweat And Tears
Blood, Sweat And Tears
Blood, Sweat And Tears
LP | 1968 | JP | Reissue (CBS/Sony)
24,99 €*
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Release: 1968 / JP – Reissue
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG
Japanese pressing without obi, includes lyric sheet | Foxing on cover
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The Monkees - Golden Album
The Monkees
Golden Album
LP | 1968 | JP | Original (Victor)
6,99 €*
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Release: 1968 / JP – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG, Cover: VG
Japanese pressing, no Obi.
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V.A. - An Anthology Of British Blues
V.A.
An Anthology Of British Blues
LP | 1968 | US | Original (Immediate)
6,99 €*
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Release: 1968 / US – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
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The Jimi Hendrix Experience - Electric Ladyland
The Jimi Hendrix Experience
Electric Ladyland
2LP | 1968 | UK | Reissue (Track)
330,99 €*
Incl. VAT plus Shipping Costs
Release: 1968 / UK – Reissue
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
1972 reissue. Gatefold cover.
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MC5 - Kick Out The Jams
MC5
Kick Out The Jams
LP | 1968 | EU | Reissue (Rhino)
26,99 €*
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Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
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Robert And Iain - Alliance
Robert And Iain
Alliance
LP | 1968 | DK | Original (Metronome)
33,99 €*
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Release: 1968 / DK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
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The Electric Prunes - Mass In F Minor Highlighter Yellow Vinyl Edition
The Electric Prunes
Mass In F Minor Highlighter Yellow Vinyl Edition
LP | 1968 | US | Reissue (Jackpot)
28,89 €* 33,99 € -15%
Incl. VAT plus Shipping Costs
Release: 1968 / US – Reissue
Genre: Rock & Indie
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1968 Psychedelic Concept Record Arranged By David Axelrod
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John Mayall & The Bluesbreakers - Bare Wires
John Mayall & The Bluesbreakers
Bare Wires
LP | 1968 | UK | Original (Decca)
80,99 €*
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Release: 1968 / UK – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Sticker residue on front cover. Mono, gatefold.
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The Insect Trust - The Insect Trust
The Insect Trust
The Insect Trust
LP | 1968 | EU | Reissue (Life Goes On)
18,99 €*
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Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Insect Trust were an American jazz-based rock band that formed in New York in 1967. The members of the band were Nancy Jeffries on vocals, Bill Barth on guitar, Luke Faust - formerly of the Holy Modal Rounders - on guitar, banjo, fiddle, and harmonica, Trevor Koehler on saxophone, and Robert Palmer (1945–1997) on clarinet and alto saxophone. Elvin Jones and Bernard Purdie both drummed with the group at times. Bill Folwell, who had played with Albert Ayler (and later an original member of The Mystic Knights of the Oingo Boingo), on bass and trumpet; as well as Warren Gardner on trumpet and clarinet, were part of the band by the time they recorded their second album. The band probably took its name from William S. Burroughs's novel Naked Lunch. The music ranges from surreal folk-rock (in the vein of such local heroes like Holy Modal Rounders and Fugs), to Booker T.-like pop-soul, to flat-out free jazz. Never intended to be a traditional pop act, the Insect Trust should be best remembered for extending rock's boundaries and taking the genre to a much hipper level without resorting to a lot of banal technique.
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The Magic Mixture - This Is The Magic Mixture
The Magic Mixture
This Is The Magic Mixture
LP | 1968 | UK | Reissue (Morgan Blue Town)
25,99 €*
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Release: 1968 / UK – Reissue
Genre: Rock & Indie
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Small Faces - Ogdens' Nut Gone Flake
Small Faces
Ogdens' Nut Gone Flake
LP | 1968 | Reissue (Sanctuary)
25,99 €*
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Release: 1968 / Reissue
Genre: Rock & Indie
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Apryl Fool - Apryl Fool
Apryl Fool
Apryl Fool
LP | 1968 | EU (Survival Research)
17,09 €* 18,99 € -10%
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Release: 1968 / EU
Genre: Rock & Indie
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The story of Japanese psychedelic band Apryl Fool and their eponymous debut album is simply extraordinary. It was the vehicle by which bassist Haroumi Hosono first came to prominence, years before he became known as the “Godfather of Japanese electronica” as the founding member and leader of Yellow Magic Orchestra, though this musical titan had work released prior to the group’s 1968 founding, such as the song “The Sea Of Summer Day,” recorded with Yuko Okuyama and released by King Records the year before. Drummer Takashi “Rei” Matsumoto was a Beatles maniac that had covered songs by Them and Sam & Dave in his earlier group, Burns, while pioneering prog-rock keyboardist Hiroyoshi Yanagida and guitarists Chu Kosaka and Eiji Kikuchi had all been part of a group called The Floral, formed in 1967 through the Japanese wing of the official fan club of The Monkees (whom they supported during a Japanese tour enacted in October 1968). In September 1969, Apryl Fool played behind musical theatre group Tokyo Kid Brothers, the recording issued in minute quantity as the Love & Banana EP, issued on Columbia Japan’s Musicolor subsidiary; Apryl Fool’s own LP, also issued on Musicolor that year, had extended spacey psychedelic freak jams in the form of “Tanger” and “Pledging My Time,” marathon blues-rock tracks such as “April Blues” and “Honky Tonk Jam,” with the employed English sounding fairly credible, though both parts of epic opus “The Last Mother Land” feature Japanese lyrics. Of course, the day that the LP was actually released is reportedly the day that Apryl Fool announced their termination, giving this scarce release another level of legend for connoisseurs.
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Dr. K's Blues Band - Dr. K's Blues Band
Dr. K's Blues Band
Dr. K's Blues Band
LP | 1968 | EU (Trading Places)
19,99 €*
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Release: 1968 / EU
Genre: Rock & Indie
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After briefly replacing Eric Clapton in John Mayall’s Bluesbreakers, guitarist/bassist Geoff Krivit formed Doctor K’s Blue Band with pianist Richard Kay and singer/harmonica player Mick Hasse, the lineup completed by bassist Harold Vickers, slide guitarist Roger Rolt and future Steve Hillage drummer Eric Peachey. Their self-titled debut had top-notch renditions of blues classics such as ‘I Can’t Lose,’ ‘Key To The Highway’ and ‘Pet Cream Man,’ as well as spirited originals such as ‘Strobe Lemming’s Lament’ and the piano stomp ‘Crippled Clarence,’ but the album failed to break through. Grab a copy of this rarity to be blown away!
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V.A. - The Super Hits Vol. 2
V.A.
The Super Hits Vol. 2
LP | 1968 | US | Original (Atlantic)
9,99 €*
Incl. VAT plus Shipping Costs
Release: 1968 / US – Original
Genre: Organic Grooves, Rock & Indie, Pop
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Used Vinyl
Medium: VG, Cover: VG+
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Fabrizio De Andre' - Volume 3 Black Vinyl Edition
Fabrizio De Andre'
Volume 3 Black Vinyl Edition
LP | 1968 | EU | Reissue (RCA)
37,99 €*
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Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Fabrizio De Andre' - Tutti Morimmo A Stento Black Vinyl Edition
Fabrizio De Andre'
Tutti Morimmo A Stento Black Vinyl Edition
LP | 1968 | EU | Reissue (RCA)
37,99 €*
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Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Antoine - Bonjour Salut
Antoine
Bonjour Salut
7" | 1968 | FR | Original (Disques Vogue)
4,99 €*
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Release: 1968 / FR – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
Back cover with faint ring wear.
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The Fugs - It Crawled Into My Hand, Honest
The Fugs
It Crawled Into My Hand, Honest
LP | 1968 | US | Original (Reprise)
33,99 €*
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Release: 1968 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG+
Writing on cover. Pitman pressing.
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Grapefruit - Around Grapefruit Plus London Session
Grapefruit
Around Grapefruit Plus London Session
LP | 1968 | EU | Reissue (Bonfire)
29,99 €*
Incl. VAT plus Shipping Costs
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Officially reissued for the first time on vinyl here's a definitive pop psych masterpiece, originally released in 1968 on Dunhill Records. It's not a legend that John Lennon named the band after an art book by Yoko Ono. The Beatles were closely involved in their early career, signing them to Apple Publishing. Lennon and McCartney produced their single "Lullaby". Here's their debut album with extra tracks taken from their 1967-1968 London Session Apple.
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Paul Simon, Simon & Garfunkel, Dave Grusin - OST The Graduate
Paul Simon, Simon & Garfunkel, Dave Grusin
OST The Graduate
LP | 1968 | JP | Original (CBS/Sony)
24,99 €*
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Release: 1968 / JP – Original
Genre: Rock & Indie, Soundtracks
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Used Vinyl
Medium: VG, Cover: VG
Japanese pressing, no Obi.
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Eden's Children - Eden's Children
Eden's Children
Eden's Children
LP | 1968 | EU | Reissue (Cosmic Rock)
24,99 €*
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Release: 1968 / EU – Reissue
Genre: Rock & Indie
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The debut album by the Boston psychedelic power trio, originally released in 1968 on ABC Records. The album consists of a rather awkward mix of Jimi Hendrix inspired heavy guitar rockers, peppered with smoother, jazzy crooners. The standout track on the record is the epic "Just Let Go", with her jazzy nightclub feel, turning soon into a guitar laden Eastern psychedelic jam. An authentic cult finally unleashed!
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The Beatles - The Beatles
The Beatles
The Beatles
2LP | 1968 | JP | Reissue (Apple)
46,99 €*
Incl. VAT plus Shipping Costs
Release: 1968 / JP – Reissue
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG, Cover: VG
Numbered 1973 reissue: A151010. Japanese pressing without OBI. No pin-ups, with folded poster. Vinyl has a bit of foxing on the matrx runout and the cover has yellowing. Overall copy close to VG+.
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Bobby Vee And The Strangers - Maybe Just Today / You're A Big Girl Now
Bobby Vee And The Strangers
Maybe Just Today / You're A Big Girl Now
7" | 1968 | JP | Original (Liberty)
3,99 €*
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Release: 1968 / JP – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG
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Traffic - No Face, No Name And No Number / Berkshire Poppies
Traffic
No Face, No Name And No Number / Berkshire Poppies
7" | 1968 | FR | Original (Fontana)
5,99 €*
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Release: 1968 / FR – Original
Genre: Rock & Indie
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Used Vinyl
Medium: G+, Cover: Generic
Record has hairlines and a few superficial scratches.
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Chris Eden - Monsieur Le Magicien / On S'était Promis
Chris Eden
Monsieur Le Magicien / On S'était Promis
7" | 1968 | BE | Original (New Music Corporation)
3,99 €*
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Release: 1968 / BE – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: G+, Cover: Generic
Record has some hairlines and a few superficial scratches,
but is close to VG.
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Procol Harum = Procol Harum - A Whiter Shade Of Pale = 青い影
Procol Harum = Procol Harum
A Whiter Shade Of Pale = 青い影
7" | 1968 | JP | Reissue (Deram)
7,99 €*
Incl. VAT plus Shipping Costs
Release: 1968 / JP – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Japanese pressing.
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Dragonfly - Dragonfly Black Vinyl Edition
Dragonfly
Dragonfly Black Vinyl Edition
LP | 1968 | EU | Reissue (Guerssen)
26,99 €*
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Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Ultra loud heavy psychedelic rock from Colorado, late 60s, with loads of fuzz guitar all over.

Dragonfly were actually a band called The Legend, who changed their name just when they were recording their self-titled album. Originally released by the Megaphone label in 1968, Dragonfly is a hard-psych classic, highly sought-after by collectors since day one. Back in 2012 we did the first official vinyl reissue and we now present a new, improved repress with expanded liner notes and newly sourced / remastered audio, sounding better than ever.

*Official reissue with original artwork in gatefold sleeve *Newly audiophile restoration / remastering *Insert with liner notes and rare photos *Repro of the elusive original sticker

“This album is sure to share space at the top of your shelf with Plastic Cloud, Savage Resurrection and SRC for those special moments when you want to teach a young, unsuspecting psych convert just what that acid rock guitar thing was all about” - Aaron Milenski
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OC Smith - Hickory Holler Revisited
OC Smith
Hickory Holler Revisited
LP | 1968 | US | Original (Columbia)
5,99 €*
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Release: 1968 / US – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Original US Pitman pressing.
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V.A. - Oldies But Goodies Vol 9
V.A.
Oldies But Goodies Vol 9
LP | 1968 | US | Original (Original Sound)
8,99 €*
Incl. VAT plus Shipping Costs
Release: 1968 / US – Original
Genre: Organic Grooves, Rock & Indie, Pop
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Used Vinyl
Medium: VG, Cover: VG
Sticker on label.
Record is close to VG+.
Cover with faint ring wear and seam split.
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The Beatles - The Beatles
The Beatles
The Beatles
2LP | 1968 | US | Original (Apple)
8,99 €*
Incl. VAT plus Shipping Costs
Release: 1968 / US – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: G+, Cover: Generic
Scranton Pressing.

Note: INCOMPLETE!
Disc 2 Side C&D only.
Record has some hairlines and a few superficial scratches.
Writing on label.
Ships in a brand new plain sleeve.
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George Harrison - Wonderwall Music Record Store Day 2024 Vinyl Edition
George Harrison
Wonderwall Music Record Store Day 2024 Vinyl Edition
LP | 1968 | Reissue (Dark Horse)
35,99 €*
Incl. VAT plus Shipping Costs
Release: 1968 / Reissue
Genre: Rock & Indie
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Dark Horse Records and Record Store Day are excited to announce a multi-year partnership to release limited Zoetrope picture disc pressings of George Harrison’s entire studio album catalog. The first two titles in the RSD exclusive series — Wonderwall Music and Electronic Sound — will be available on Record Store Day in April 2024. Limited to 8,000 units globally and exclusive to Record Store Day, each unit is individually numbered in silver foil and includes an insert reproducing the original artwork. Released in November 1968, George Harrison’s Wonderwall Music was the first solo album released by a member of The Beatles and the first LP to be released by Apple Records. The soundtrack music for director Joe Massot’s debut feature-length film, Wonderwall, the predominantly instrumental album is an intricate, vibrant tapestry of Western rock music and compositions in an Indian classical style.
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3's A Crowd - Christopher's Movie Matinee
3's A Crowd
Christopher's Movie Matinee
LP | 1968 | US | Original (Dunhill)
18,99 €*
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Release: 1968 / US – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
US original. Small tears in spines. Tiny drill hole.
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Leonard Schaeffer - A Boy And His Dog
Leonard Schaeffer
A Boy And His Dog
LP | 1968 | US | Original (Warner Bros. - Seven Arts)
11,99 €*
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Release: 1968 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Vinyl close to VG+
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Far Cry - Far Cry
Far Cry
Far Cry
LP | 1968 | EU | Reissue (Life Goes On)
18,99 €*
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Release: 1968 / EU – Reissue
Genre: Rock & Indie
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"Their music reaches from blues to jazz into space", proclaimed the original liner notes to this highly collectible record, just released in 1968. Hailing from Boston, the Far Cry were a talented seven-piece blending psych rock and r&b, in the vein of Blood, Sweat & Tears and Rare Earth, with a further look into the realms of Beefheart Magic Band and John Cipollina Quicksilver Messenger Service. Their sole album still maintain a distinctive sound, melting acid guitar, sax and even vibraphone, organ and conga.
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Silver Apples - Silver Apples
Silver Apples
Silver Apples
LP | 1968 | EU | Reissue (Rotorelief)
25,99 €*
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Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Spirit - Spirit
Spirit
Spirit
LP | 1968 | EU | Reissue (Music On Vinyl)
44,99 €*
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Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: VG+
Clear vinyl!
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Simon & Garfunkel - Bookends
Simon & Garfunkel
Bookends
LP | 1968 | EU | Reissue (Columbia)
21,99 €*
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Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
2018 reissue.
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Nico - The Marble Index
Nico
The Marble Index
LP | 1968 | BE | Reissue (Elektra)
75,99 €*
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Release: 1968 / BE – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
1972 reissue.
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Spanky & Our Gang - Like To Get To Know You
Spanky & Our Gang
Like To Get To Know You
LP | 1968 | US | Original (Mercury)
8,99 €*
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Release: 1968 / US – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG, Cover: G+
Taped spine. Santa Maria Pressing.
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Archie Fisher - Archie Fisher
Archie Fisher
Archie Fisher
LP | 1968 | UK | Original (Xtra)
37,99 €*
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Release: 1968 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Vinyl is close to NM.
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Ars Nova - Ars Nova Black Vinyl Edition
Ars Nova
Ars Nova Black Vinyl Edition
LP | 1968 | US | Reissue (Sundazed)
30,99 €*
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Release: 1968 / US – Reissue
Genre: Rock & Indie
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Classical infused psych from NY groovers Ars Nova! Through their creative use of medieval modes, hook-driven pop, & trombone, Ars Nova delivers psychedelia within a classical & prog rock lens, a style that’s their own, yet recalls bands like Left Banke, Honeybus, and Aphrodite’s Child - all who were experimenting with the short-lived baroque pop craze. Pressed on green vinyl! Ars Nova was something totally different for the musical ears of 1968, and still sounds fresh and exciting today, when you think of the great albums of ‘68, like Abbey Road, White Light/White Heat, The Hangman’s Beautiful Daughter, The Move, Electric Ladyland, This Was or Wonderwall Music shows how influential the year was and yet, Ars Nova with its wide sphere of influences has nothing in common with the trends of the year. The only albums that it can be vaguely compared to is either the Velvet Underground or United States of America, both bands that, like Ars Nova, bucked against existing trends and the end of psychedelia, instead preferring to go their own unique way. This is American progressive music, and takes the art of music making into a different genre, an alternative alleyway. The intelligence and musical nous that spans [this album] is really worth diving into and enjoying. It’s always great to get to hear albums like this, as it provides a counterpoint to the contemporary of the time and gives a real insight into the underground and alternative scene of that era. The beauty of being underground and away from the mainstream is that something that is not of its time ends up being timeless.
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Ars Nova - Ars Nova Green Vinyl Edition
Ars Nova
Ars Nova Green Vinyl Edition
LP | 1968 | US | Reissue (Sundazed)
30,99 €*
Incl. VAT plus Shipping Costs
Release: 1968 / US – Reissue
Genre: Rock & Indie
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Classical infused psych from NY groovers Ars Nova! Through their creative use of medieval modes, hook-driven pop, & trombone, Ars Nova delivers psychedelia within a classical & prog rock lens, a style that’s their own, yet recalls bands like Left Banke, Honeybus, and Aphrodite’s Child - all who were experimenting with the short-lived baroque pop craze. Pressed on green vinyl! Ars Nova was something totally different for the musical ears of 1968, and still sounds fresh and exciting today, when you think of the great albums of ‘68, like Abbey Road, White Light/White Heat, The Hangman’s Beautiful Daughter, The Move, Electric Ladyland, This Was or Wonderwall Music shows how influential the year was and yet, Ars Nova with its wide sphere of influences has nothing in common with the trends of the year. The only albums that it can be vaguely compared to is either the Velvet Underground or United States of America, both bands that, like Ars Nova, bucked against existing trends and the end of psychedelia, instead preferring to go their own unique way. This is American progressive music, and takes the art of music making into a different genre, an alternative alleyway. The intelligence and musical nous that spans [this album] is really worth diving into and enjoying. It’s always great to get to hear albums like this, as it provides a counterpoint to the contemporary of the time and gives a real insight into the underground and alternative scene of that era. The beauty of being underground and away from the mainstream is that something that is not of its time ends up being timeless.
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The Moody Blues - In Search Of The Lost Chord
The Moody Blues
In Search Of The Lost Chord
LP | 1968 | US | Original (Deram)
7,99 €*
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Release: 1968 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: G+
Pitman Pressing.
Record has some hairlines and a few superficial scratches.
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The Jimmy Velvet Five - Good, Good Lovin'
The Jimmy Velvet Five
Good, Good Lovin'
7" | 1968 | US | Original (Velvet Tone Record Corp.)
9,99 €*
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Release: 1968 / US – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG+, Cover: Generic
Vinyl with a couple of light scuffs
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Renate Thormelen - Im Banne Einer Blassen Stunde
Renate Thormelen
Im Banne Einer Blassen Stunde
LP | 1968 | GDR | Original (LITERA)
3,99 €*
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Release: 1968 / GDR – Original
Genre: Rock & Indie, Pop, Comics, Soundtracks
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Used Vinyl
Medium: VG+, Cover: VG
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Josef Laufer - Josef Laufer's Many Faces
Josef Laufer
Josef Laufer's Many Faces
LP | 1968 | CS | Original (Panton)
3,99 €*
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Release: 1968 / CS – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: Generic
Cover is missing.
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Karl-Heinz Hocke - Beliebte Russische Lieder
Karl-Heinz Hocke
Beliebte Russische Lieder
LP | 1968 | DE | Original (Metronome)
11,99 €*
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Release: 1968 / DE – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG
Cover close to VG+
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Faron Young - All-Time Greatest Hits
Faron Young
All-Time Greatest Hits
LP | 1968 | US | Reissue (Curb)
25,99 €*
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Release: 1968 / US – Reissue
Genre: Rock & Indie
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Preorder shipping from 2024-11-29
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The Rolling Stones - Beggars Banquet
The Rolling Stones
Beggars Banquet
LP | 1968 | JP | Reissue (London)
60,99 €*
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Release: 1968 / JP – Reissue
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Japanese pressing. OBI is missing. close to NM. 1978 reissue.
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Big Brother & The Holding Company - Cheap Thrills
Big Brother & The Holding Company
Cheap Thrills
LP | 1968 | JP | Original (CBS/Sony)
70,99 €*
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Release: 1968 / JP – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG
Taped spines. Japanese pressing. OBI is missing. Vinyl is close to NM.
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MC5 - Kick Out The Jams
MC5
Kick Out The Jams
LP | 1968 | EU | Reissue (Rhino)
41,99 €*
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Release: 1968 / EU – Reissue
Genre: Rock & Indie
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The Monkees - The Monkees' Golden Story
The Monkees
The Monkees' Golden Story
2LP | 1968 | JP | Original (Victor)
33,99 €*
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Release: 1968 / JP – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG
Japanese pressing without obi | Faint foxing inside gatefold otherwise VG+, no seam splits, tears ...
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The Spotnicks - The Spotnicks Deluxe
The Spotnicks
The Spotnicks Deluxe
LP | 1968 | JP | Original (Polydor)
9,99 €*
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Release: 1968 / JP – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
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Listening - Listening
Listening
Listening
LP | 1968 | Reissue (Real Gone Music)
41,99 €*
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Release: 1968 / Reissue
Genre: Rock & Indie
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Tyrannosaurus Rex - My People Were Fair And Had Sky In Their Hair ...
Tyrannosaurus Rex
My People Were Fair And Had Sky In Their Hair ...
LP | 1968 | EU (Vinyl Lovers)
24,99 €*
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Release: 1968 / EU
Genre: Rock & Indie, Pop
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Johnny Cash - At Folsom Prison
Johnny Cash
At Folsom Prison
2LP | 1968 | US | Reissue (Mobile Fidelity Sound Lab)
74,99 €*
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Release: 1968 / US – Reissue
Genre: Rock & Indie
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Van Morrison - Astral Weeks Limited Olive-Green Vinyl Edition
Van Morrison
Astral Weeks Limited Olive-Green Vinyl Edition
LP | 1968 | EU | Reissue (Warner)
22,99 €*
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Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Tim Hollier - Message To A Harlequin
Tim Hollier
Message To A Harlequin
LP | 1968 | EU | Reissue (Wiseraven)
28,99 €*
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Release: 1968 / EU – Reissue
Genre: Rock & Indie
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An acid-folk masterpiece finally revealed ! When two worlds collide here’s where the legacy of Tim Hollier begins, his first album was released on United Artists in 1968 and this long overdue re-issue is a definitive statement of the master genius. Guest on the opening night of a Beckenham folk club run by his friend David Bowie, Hollier recorded ‘Message To A Harlequin’ with the assistance of Donovan arranger John Cameron. Hollier was also a regular on London's folk club circuit for several years alongside the likes of Paul Simon, Al Stewart and Nick Drake. Here’s your chance to finally grab his visionary songwriting.
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Van Morrison - Astral Weeks Limited Olive-Green Vinyl Edition w/ Obi
Van Morrison
Astral Weeks Limited Olive-Green Vinyl Edition w/ Obi
LP | 1968 | EU | Reissue (Warner)
31,99 €*
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Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Twentieth Century Zoo - Thunder On A Clear Day
Twentieth Century Zoo
Thunder On A Clear Day
LP | 1968 | EU | Reissue (Bonfire)
28,99 €*
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Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Strictly limited vinyl reissue of the Arizona rock band's only album, originally released on Vault Records in 1968. A relatively obscure masterpiece, combining psych rock with distinctive elements of acid blues and jazz. Wild jams sensibly influenced by the West Coast sound and much closer to the Nuggets manifesto. Rising from the ashes of the folk-rock outfit The Bittersweets in 1967, the Phoenix musicians were born to take you on an endless journey. Drifting from acid rock to melancholic blues, this fuzzed out gem from the earliest days of the Phoenix Valley rock and roll scene stands as one of the rarest and purest slices of mid-'60s psychedelia around.
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Association - Assocation's Greatest Hits Yellow Vinyl Edition
Association
Assocation's Greatest Hits Yellow Vinyl Edition
LP | 1968 | US | Reissue (Friday Music)
44,99 €*
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Release: 1968 / US – Reissue
Genre: Rock & Indie
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Donovan - The Hurdy Gurdy Man Transparent Green Vinyl Edition
Donovan
The Hurdy Gurdy Man Transparent Green Vinyl Edition
LP | 1968 | EU (Klimt)
24,99 €*
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Release: 1968 / EU
Genre: Rock & Indie
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Fabrizio De André - Fabrizio De Andrè Volume 3
Fabrizio De André
Fabrizio De Andrè Volume 3
LP | 1968 | EU (Sony Music)
22,99 €*
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Release: 1968 / EU
Genre: Rock & Indie
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The Groundhogs - Scratching The Surface Golden Vinyl Edition
The Groundhogs
Scratching The Surface Golden Vinyl Edition
LP | 1968 | UK | Reissue (Fire)
25,99 €*
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Release: 1968 / UK – Reissue
Genre: Rock & Indie
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Dolly Parton - Just Because I'm A Woman Vinyl Me, Please Edition
Dolly Parton
Just Because I'm A Woman Vinyl Me, Please Edition
LP | 1968 | US | Reissue (Vinyl Me, Please)
33,99 €*
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Release: 1968 / US – Reissue
Genre: Rock & Indie
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Paul Simon, Simon & Garfunkel, Dave Grusin - OST The Graduate
Paul Simon, Simon & Garfunkel, Dave Grusin
OST The Graduate
LP | 1968 | JP | Original (CBS/Sony)
28,99 €*
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Release: 1968 / JP – Original
Genre: Rock & Indie, Soundtracks
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Used Vinyl
Medium: VG+, Cover: VG+
Japanese pressing, no Obi. Close to NM
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Townes Van Zandt - For The Sake Of The Song Vinyl Me, Please Edition
Townes Van Zandt
For The Sake Of The Song Vinyl Me, Please Edition
LP | 1968 | US | Reissue (Vinyl Me, Please)
35,99 €*
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Release: 1968 / US – Reissue
Genre: Rock & Indie
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Why you'll love it...
Townes Van Zandt’s work, as far-reaching and as universal as it has become, begs for possessorship. It’s a love language understood by all who find it, yet one that remains acutely difficult to translate to those who haven’t.



No one understood this better than his earliest fans. It’s perhaps why his first studio album, For the Sake of the Song, remains a point of controversy among anyone who discovered Townes Van Zandt outside of these LP’s grooves. Townes Van Zandt the songwriter was the antithesis of bells and whistles, and so an album with such accoutrements, as this album has in spades, rings false — however unfairly — among purists. Taken in context, though, For the Sake of the Song is a gorgeous study in polarity. Each anchor is an artist from wildly different backgrounds, united under the profound effect of songcraft.
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The Turtles - Sound Asleep
The Turtles
Sound Asleep
7" | 1968 | US | Original (White Whale)
8,99 €*
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Release: 1968 / US – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG
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Gary Puckett & The Union Gap - Young Girl
Gary Puckett & The Union Gap
Young Girl
7" | 1968 | DE | Original (CBS)
5,99 €*
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Release: 1968 / DE – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
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