Rock & Indie 56302 Items

LP | 2023 | EU | Original (Prosthetic)

Release: 2014 / US – Reissue

Genre: Rock & Indie

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I Shall Die Here / Earth Triumphant is an expanded edition of the fourth full-length album by The Body, first released to widespread acclaim, and terror, in 2014. Sharing their moribund vision with Bobby Krlic, aka The Haxan Cloak, the tried and true sound of The Body is shred to pieces on I Shall Die Here, mutilated by process and re-animated in a spectral state by the collaboration. This double album set is expanded with the previously unreleased Earth Triumphant, a full-length companion album that would become I Shall Die Here, showcasing The Body's brutality in its most primal form. With both albums revisited by The Body and Seth Manchester at Machines With Magnets and remastered by Matt Colton at Metropolis Studios, this is the definitive edition of a shocking classic of unbridled bleakness and innovation. Formed by drummer Lee Buford and guitarist Chip King in Little Rock, Arkansas in 1999, The Body soon relocated to Providence, Rhode Island. The duo remained in Providence for a decade before moving west to their current home of Portland, Oregon. Their debut self-titled album (Moganano, 2003) and on the widely-acclaimed, classification curtailing of All the Waters of the Earth Turn to Blood (At A Loss, 2011) readied the band for even more experimentations. The employment of the Assembly of Light Choir's classical chorales on All the Waters, alongside more industrial music techniques such as vocal sampling and drum programming, prompted RVNG to inquire with King and Buford which darker corners of the electronic universe they were presumably interested in exploring. The undertaking of I Shall Die Here was aided by Seth Manchester and Keith Souza, The Body's long standing engineer and creative collaborator, and noted producer Bobby Krlic. Krlic's own work as The Haxan Cloak struck a similarly despairing chord to The Body with the celebrated Excavation (Tri Angle, 2013), itself a minimalist evocation of the afterlife. I Shall Die Here shares similar nether space with the morbidly deviating darkness of Excavation, but remains sculpturally frozen in a sort of earthen purgatory. The Body's musical approach, engraved by Buford's colossal beats and King's mad howl and bass-bladed guitar dirge, became something even more terrifying with Krlic's post-mortem ambiences serving as both baseline and outer limit. I Shall Die Here sonically serrates the remains of metal's already unidentifiable corpse and splays it amid tormented voices in shadow. This expanded edition gives us a window into the creation of a classic with the inclusion of its in utero twin, Earth Triumphant. Recorded as a nearly finished album by Buford and King before The Haxan Cloak's transformation, it stands as a raw statement of intent, the original DNA for what would soon mutate into something wholly new. Fans of I Shall Die Here will find familiar sonic fragments in a more primitive state - like seeing an out-of-context photograph of a family member taken well before you knew them - but the album stands on its own in its minimalist brutality, a natural bridge to what The Body was soon to become. The Body's I Shall Die Here / Earth Triumphant will be released in digital and vinyl formats on June 30, 2023. On behalf of The Body, The Haxan Cloak, and RVNG Intl., a portion of the proceeds from this release will benefit Intransitive, an organization that works to advance the cause of Trans liberation in Arkansas through art, education, advocacy, organizing and culture in order to create effective systemic change and on-the-ground impact.

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Stormo

Endocannibalismo

10" | 2012 | EU | Reissue (Tapete)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Limited "Bloody Kuru" Colored Vinyl.Formed in 2007 in the Dolomite Alps region of Italy with a deep admiration for their native country's hardcore punk luminaries in La Quiete and Raein, as well as eighties and nineties cult heroes in Negazione, Wretched and Indigesti. STORMO's steady rise from unassuming beginnings has been one of consistently stirring song writing.Having amassed over 400 shows across Europe and the UK - including support slots to Converge, Full of Hell and La Dispute, as well as appearances at Fluff Fest - STORMO's next chapter sees the band fully come of age.Lyrically, Endocannibalismo was written entirely in the band's native tongue; partly as a byproduct of the albums nocturnal and instinctive writing process and partly in honour of their history as a band. Recorded and mixed by Giulio Favero (Zu) for mixing before being placed in the hands of Giovanni Versari at La Maesta for mastering,Endocannibalismo's 11 tracks possess a crystalline clarity to service STORMO's surging blastbeats, spiralling rhythms and noise punk cacophony, whilst staying true to the each songs deep seated primal nature.Seeking to tie together the whole process visually, STORMO took to artificialintelligence when creating Endocannibalismo's art. Utilising specific prompts, the AI render was put through stages of mutation before culminating in its final form. A haunting graphic representation of living beings in a state of constant death and rebirth.

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Die Höchste Eisenbahn

Unzufrieden EP

Dancing Is Depressing Expanded Red Vinyl Edition

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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Zum 10-jährigen Jubiläum erstmals auf Vinyl Irgendwann vielleicht 2010 sind sich Moritz Krämer und Francesco Wilking zum ersten Mal in Berlin Prenzlauer Berg über den Weg gelaufen, nachdem sie einen (weiten) Steinwurf voneinander aufgewachsen waren und ein paar Jahre in Freiburg nebeneinander hergelebt hatten. Wahrscheinlich machte es sowas wie Zoom, Klick oder Klonk, denn es genügte ein sanfter Schubs von ihren Konzertagenturen und die beiden standen gemeinsam auf der Bühne, begleiteten sich gegenseitig und sangen zweistimmig. Das war 2011 im Societaetstheater Dresden und Francesco und Moritz fassten auf der Rückfahrt von dort schon viele zukünftige Auftritte und eine dystopische Rockoper ins Auge. Die Konzerte wollten sie mit Freund*innen spielen, das erste mit Gisbert zu Knyphausen in Halle, das zweite mit Judith Holofernes in Berlin. Danach ließen sie die Gastsänger*innen weg, spielten aber weitere Shows mit den anderen Livemusikern der ersten Shows: Max Schröder am Schlagzeug, der damals noch mit einem Bein bei Tomte war und Felix Weigt am Bass, der für Spaceman Spiff alle Instrumente spielte und bei den tollen Kid Kopphausen mitmachte. Wir wissen nicht mehr wann die Frage fiel: "Sind wir jetzt eine Band?", aber es muss irgendwann im Prozess der Aufnahmen zur EP "Unzufrieden" gewesen sein. Dort hört man zwar noch den Feature-Ansatz - Gisbert und Judith singen auf "Vergangenheit" - aber vor allem hört man zum ersten Mal den Sound der Höchsten Eisenbahn: Ein-Finger-Casio, Chorus Gitarren, Pluckerbass, Rasseln und Handtuch auf der Snare. Dazu Geschichten von Losern namens Jan und anderen Leuten die zwischen jung und alt und Nacht und Tag ihre Anschlusszüge verpassten. Es ist 10 Jahre her, aber ein paar Sachen vergisst man nicht. Wie, dass sie eine ganze Nacht Chöre aufgenommen haben für "Die Uhren am Hauptbahnhof", nur um sie morgens aus Versehen zu löschen. Oder dass Felix einige signature Keyboard-Lines im Liegen eingespielt hat. Das Schreiben der Songs und Aufnehmen ging ziemlich schnell, wie das Coverfoto mit dem Handy im Hof vom Proberaum. Die vier wussten, dass sie auf jeden Fall mehr Platten machen und Konzerte spielen wollten. Es folgten drei bunte Alben mit großen kleinen Songs und award winning live-Shows, aber so leicht ging ihnen nie wieder etwas von der Hand wie diese erste EP.

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Attic Abasement

LP | 2022 | US | Original (Father / Daughter)

Full Circle Sliver / Black Splatter Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Over the past decade, many of the best songwriters have come to the fore without explicitly trying to. They've written and recorded records in their homes, posted them on the internet, and all but avoided self-promotion. Yet, somehow, those songs have caught on. And in the case of Attic Abasement's Mike Rheinheimer, even as his band's profile has been raised, he still follows that approach, creating work that speaks entirely for itself. Having been the driving force of Attic Abasement for over a decade now, Rheinheimer, a Rochester, New York native has amassed a back catalog of lo-fi albums and EPs. Each one was distributed via Bandcamp and short-run CD-Rs, and it was through those means that Attic Abasement's name spread. In 2016, the band would release Dream News with Father/Daughter Records, giving Attic Abasement a home for the band's music without trying to change the ethos Rheinheimer had developed. And now, Father/Daughter is proud to reissue Attic Abasement's cult classic sophomore album, Dancing Is Depressing, on vinyl for the first and only time. Not only that, Dancing Is Depressing (Expanded Edition) will feature a pair of songs that originally appeared on local Rochester compilation albums.Dancing Is Depressing (Expanded Edition) takes Rheinheimer's work and offers more insight into the moment in which it was created. Written and recorded by himself in 2009, the songs contained on Dancing Is Depressing are both plainspoken and complex, allowing Rheinheimer to not only reflect on his own personal experiences, but encourage intimate reflection within his listeners. There's a reason why Dancing Is Depressing would routinely see people cite the likes of Stephen Malkmus, Bill Callahan, and David Berman when discussing the record, but even with those influences present, what Rheinheimer created was singular.

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Pennywise

LP | 1997 | EU | Reissue (Epitaph)

The King Transparent Yellow Vinyl Edition

Release: 1997 / EU – Reissue

Genre: Rock & Indie

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Full Circle is the emotional and pivotal album that followed the tragic death of founding member and bassist Jason Mathew Thirsk. Dedicated to the memory of Thirsk, Full Circle is hard as nails, reflective and ultimately redemptive. Despite the somber task at hand, the record is exhilarating and uplifting . With the help of long time friend Randy Bradbury on bass, Pennywise was able to look inward and work through the issues that would have torn a lesser band apart. Full Circle also features a moving re-recording of "Bro Hymn" and a special hidden piano instrumental of Unknown Road.

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Atrio

LP | 2024 | EU | Original (My Redemption)

28,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Tape | 2017 | Original (Zeitstrafe)

Belgrad

11,99 €*

Release: 2017 / Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (S'more)

More Halloween Nuggets

28,99 €*

LP | 1971 | EU | Reissue (Wewantsounds)

Release: 2023 / EU – Original

Genre: Rock & Indie

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The ultimate Halloween-themed novelty rock 'n' roll soundtrack featuring vintage sides from the 1960s and audio of 3 horror movie trailersThe perfect soundtrack for celebrating Halloween with novelty rock 'n' roll. For fans of deep1960s vintage Halloween themed novelty rock 'n' roll: witches, teenage monsters, graveyards, haunted houses, devils, ghosts and zombies. While the track are mostly from the 1960s, there is a sampling from the late 1950s. Features 18 deep crate digger classics pressed on limited edition-colored vinyl.For fans of garage rock and horror movie, the ideal soundtrack for Halloween parties and festivities, features 18 scary themed underground crate digging tracks and cover illustration art by NYC cartoonist Cliff MottLimited edition LP pressed on orange vinyl!

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Abdel Halim Hafez

Mawood

CD | 2022 | EU | Original (Epitaph)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Born in Lower Egypt in 1929, Abdel Halim Hafez became, during a relatively short career that ended with his death in 1977 aged 48, one of the giants of Egyptian Music and his legend has never stopped growing since. Alongside Oum Kalthoum, Warda, Farid el Atrache and Mohammed Abdel Wahab, Hafez revolutionised Egyptian music and became a hugely popular star across the whole Arab world. Blessed with stricking good looks, Abdel Halim Hafez started his career in the early 50s and quickly attracted the attention of one of the Egyptian radio's A&Rs who took him under his wing and invited him to perform on the radio. His career went from strength to strength and from 1953, he was associated with the Egyptian revolution led by Nasser. His music mixing tradition and modernity made him one of the most loved singers of the 1950s as he developed a romantic edge that became his signature style (he was dubbed "the dark-skinned nightingale"). In the mid 50s, hot on the heels of his success in music, he launched his acting career in the thriving Egyptian film industry and also became a hugely popular actor. Hafez worked with the greatest composers of their time including Mohammed Abdel Wahab and Baligh Hamdy who composed ‘Mawood’ ("Promised.") Recorded live in 1971 (as it was the norm at the time. Singer would rarely record studio albums), 'Mawood' is one of the singer's most recognisable standards. The song stretches over the two sides of the album and consists of several sections alternating instrumental parts and sung ones. The song, written by Egyptian poet Mohamed Hamza, sees Hafez talking to his heart, apologizing for driving it from failure to failure and concluding that, to find solace, one must keep love at bay. He's backed by his full orchestra featuring traditional instrumentation and those powerful strings that influenced the likes of Jean-Claude Vannier, together with modern instrumentation including organ and electric guitar by Omar Khorshid adding his unmissable twang to the ensemble. 'Mawood' mixes tradition and modernity and develops into a hypnotic epic full of groove with a superb soulful performance by one of the greatest singers of the 20th century. An undisputed Arabic Music classic which Wewantsounds it delighted to reissue on vinyl for the first time since the 1970s.

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Parkway Drive

Darker Still

15,99 €*

Es Lebe Der Zentralfriedhof Remastered Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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In the kitchen of the Byron Bay home of Winston McCall stands a refrigerator, adorned on one side by a quote from Tom Waits: “I want beautiful melodies telling me terrible things.” This, the Parkway Drive vocalist says, is a pretty good summation of himself. It holds true, too, as one of the guiding principles behind Darker Still, the seventh full-length album to be born of this picturesque and serene corner of north-eastern NSW, Australia, and the defining musical statement to date from one of modern metal’s most revered bands. Darker Still, McCall says, is the vision he and his bandmates – guitarists Jeff Ling and Luke Kilpatrick, bassist Jia O’Connor and drummer Ben Gordon – have held in their mind’s eye since a misfit group of friends first convened in their parents’ basements and backyards in 2003. The journey to reach this moment has seen Parkway evolve from metal underdogs to festival-headlining behemoth, off the back of close to 20 gruelling years, six critically and commercially acclaimed studio albums (all of which achieving Gold status in their home nation), three documentaries, one live album, and many, many thousands of shows. While Darker Still remains irrefutably Parkway Drive, it finds the band sonically standing shoulder to shoulder with rock and metal’s greats – Metallica, Pantera, Machine Head, Guns N’ Roses – as much as it does their metalcore contemporaries. “I wanted a classic guitar tone for this record,” explains Ling, who credits much of his inspiration to the connection his riffs have with a crowd in a live setting Emerging from the darkness of the past few years, this is the true face of Parkway Drive: redefined and resolute, focused in mind and defiant in spirit. Tracks 1.

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Wolfgang Ambros

LP | 2014 | EU | Original (Bellaphon)

20,99 €*

Release: 2014 / EU – Original

Genre: Rock & Indie

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Wenn Die Nacht Am Tiefsten ...

Ton Steine Scherben

2LP | 1975 | DE | Reissue (David Volksmund)

Release: 1975 / DE – Reissue

Genre: Rock & Indie

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Bright Future Limited Colored Vinyl Edition

Adrianne Lenker

LP | 2024 | Original (4AD)

Look At It In The Light Dark Blue Marbled Vinyl Edition

Release: 2024 / Original

Genre: Rock & Indie

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"Bright Future" is the second solo album by Adrianne Lenker, known as the singer and songwriter of the American indie band BIG THIEF, on 4AD. Her first solo album since 2020's "Songs & Instrumentals" was co-produced by Philip Weinrobe and features contributions from Nick Hakim, Mat Davidson and Josefin Runsteen. Adrianne ventured into the unknown, took heart and wrote her most touching solo songs to date, which she was able to record with some of her favorite people in the fall of 2022. Away from civilization and urban influences, Hakim, Davidson, Runsteen and Lenker ventured into the unknown. The co-producer and sound engineer of "Bright Future", Philip Weinrobe, prepared the studio. He had been Adrianne's partner on previous solo albums, but this time it was something new. Adrianne had no intention of making an album. Instead, they wanted to explore the songs without expectations. The security and lightness of the forest around Double Infinity Studio is a defining element of the recordings. The result is that "Bright Future" combines the best qualities of delicate sounds with the spontaneity of field recordings. There are details that you will only discover on the second or third listen, making the new songs an unfiltered experience and proving once again that Adrianne Lenker is one of the greatest songwriters of her generation. The album also contains the original recording of the Big Thief song "Vampire Empire", which has since matured into a modern classic and recently even appeared on Barack Obama's playlist - the album title "Bright Future" unknowingly gives a hint of where Adrianne Lenker's career as a musician is heading.

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Kate Bollinger

LP | 2022 | US | Original (Ghostly International)

LP | 2011 | US | Reissue (Dead Oceans)

Release: 2022 / US – Original

Genre: Rock & Indie

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Kate Bollinger's songs tend to linger well beyond their run times, filling the negative space of ordinary days with charming melodies and smart phrasings. She writes them at home in Richmond, Virginia, letting her subconscious lead, an open-ended process she likens to dreaming. From a chord progression appears a line, maybe a syllable will start to stick, enough to pursue, but she says sometimes the words don't feel likeher own, more like shapes that form in the mind's sky. Bollinger's musical universe is relaxed, tender, and unassuming; within lives a timeless sensibility, a songwriter's knack for noticing the little things and their counterpoints. Darkness and light, pain and pleasure, reality and escape. Her new EP, Look at it in the Light, her first project on Ghostly International, is collaborative; she shoots music videos with her friends and colors each of her folk-pop songs with musicians in her community. The title Look at it in the Light is a reference to the aspects of Bollinger's life that she knows need examining. For one, there's her persistent resistance to change _ she chooses to ignore it on the title track ("I try not to notice / I deny my fate"), as wiry strums sync with crisp drums. She surrenders to comfort on "Who Am I But Someone," a light and softly psychedelic number. "Yards / Gardens" finds Bollinger in full swing, skipping verses of uncertainty above a bright and nimble bassline and kick. Guitar riffs unravel across the bridge, trailing her lines like ellipses. The string-backed "Lady in the Darkest Hour" is the set's most luxuriant statement, recorded during a session at Matthew E. White's Spacebomb Studios with in-house arranger Trey Pollard (Natalie Prass, Helado Negro). Here her lines ring bittersweet yet reassuring, uplifted by swells of golden-hued instrumentation. From the hushed abstractions of "I Found Out" to the biting suspicions of closer "Connecting Dots," Kate Bollinger uses every inch of this dazzling EP to find her footing amidst the ever-present sways of life

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Destroyer

Kaputt

Sundowner Black Vinyl Edition

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Repress.Kaputt Is His Latest Vision: An Opulent, Lyrical, Game-Changing Masterpiece To Rank With The Choicest Works Of Sade, Scritti Politti, Simply Red And Steely Dan. For A More Contemporary Touchstone, Feel Free To Consider It The Sad-Eyed Psychic Cousin Of Gayngs' Smooth Opus Relayted. These Elaborate Songs Were Lovingly Crafted By A Large Studio Ensemble Of Dedicated Players.Kaputt Was Released By The Good People Of Merge In North America, Entering The Billboard Chart At Number 62 And Receiving Exultant Hosannas From Such August Publications As The New York Times, Rolling Stone, Spin And The Washington Post.

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Kevin Morby

LP | 2020 | US | Original (Dead Ocean)

2LP | 2003 | EU | Reissue (Beggars Banquet)

Release: 2020 / US – Original

Genre: Rock & Indie

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In the winter of 2017 I moved back to my hometown of Kansas City from Los Angeles. The move was sudden and unforeseen, just as I was tying a bow on the writing process for what would become my 2019 album, Oh My God. I bought a Four Track Tascam model 424 off of an old friend to help me get to the finish line, but much to my surprise and excitement, this new piece of equipment in my all-but-bare home didn't help complete one album but rather inspire another: Sundowner. The new collection of songs came quickly and effortlessly as I did my best not to resist or refine the songs, but instead let them take shape all on their own. As the songs kept coming I cleared out the crowded shed that was sitting dormant in my backyard and built a makeshift studio before adding drums, lead guitar and piano to complete the demos. Each day I would teach myself basic recording techniques, watching the channels illuminate and pulse as if the machine were breathing, and then emerge in the evenings as the sun was getting low: - around 5:30 in the winter, when the Kansan sunsets look icy and distant, like a pink ember inside of a display case, and 9 o'clock in the summer, when the sunsets are warm and abstract. Landing back home felt jarring juxtaposed with a life full of chaos and adventure with my band on the road. But at the very least, I was happy to have - for the first time in my adulthood - a place to close the door, with no temptations other than to work on music and reflect on what I had built since I left. It was a new form of isolation, one I had never explored or expected to experience. Not ready to let go of the hand of the California desert, I spent the winter decorating the best I knew how; with mementos from my previous home, cactus and aloe vera and covering the walls in pinewood - immediately earning my house it's nickname, The Little Los Angeles. In January 2019 I contacted my friend and producer Brad Cook to help recreate what I had made in my shed. We chose to work in Texas; we wanted to make sure the record was done far away from any coastline, and in the heart of America. Brad played bass and some keys on the album, but beyond that he encouraged and inspired me to play almost everything else. All lead guitar, proper drums (save the drums on "A Night At The Little Los Angeles"), mellotron and what I believe to be the albums secret weapon - a Wwii era collapsible and slightly out-of-tune pump organ - were performed by me. We did, however, bring in James Krivchenia towards the end of the session to fill out the percussion. It was an honor to work with him as he built maracas from pecans and played on the floor of the live room, adding flourish wherever he saw fit. On the last evening of the session, after everything had wrapped, we all climbed on top of an empty water tower on the property, giving us a view in all directions. To the North you could see an endless Texas, with long wisps of cirrus clouds above the desert floor, and to the South there was Mexico, the recent detention camps only a mile beyond, with large cumulus clouds hovering over, bringing us to an ominous pause. To the West, towards the setting sun, the two families of clouds merged, holding the last light of the day in purple and orange. Below, a freight train cut the landscape in half as it whistled in the distance. Almost as soon as the session wrapped, I was off and away on press trips and then proper tours for Oh My God, which came out in April that same year. Sundowner sat inside of a hard drive back at Sonic Ranch and did not see the light of day, until I found myself, as did the rest of the world, stuck inside their home and in quarantine in March 2020. My second year of touring for Oh My God was cancelled. Brad, Jerry and I worked from our respective homes, sending notes back and forth as we worked alone but together to mix the album, and suddenly, just like that, Sundowner was finished. Songs, like sunsets, are fleeting, and it's only due to a willingness and desire to catch them that you ever, if even only for a moment, grab a hold of one. When writing Sundowner, I was lucky to have had the Tascam 424 there to help capture both. Sundowner is my attempt to put the Middle American twilight -- it's beauty profound, though not always immediate -- into sound. It is a depiction of isolation. Of the past. Of an uncertain future. Of provisions. Of an omen. Of a dead deer. Of an icon. Of a Los Angeles themed hotel in rural Kansas. Of billowing campfires, a mermaid and a highway lined in rabbit fur. It is a depiction of the nervous feeling that comes with the sky's proud announcement that another day will be soon coming to a close as the pink light recedes and the street lamps and house lights suddenly click on. -- Kevin Morby, Kansas, 2020.

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Oceansize

Effloresce

30,99 €*

LP | 2009 | UK | Original (XL)

Release: 2003 / EU – Reissue

Genre: Rock & Indie

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Effloresce is the debut album by British progressive rock band Oceansize. Originally released in 2003.
The record garnered considerable praise from critics.

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Vampire Weekend

Contra

2LP | 2024 | EU | Original (Pelagic)

Release: 2009 / UK – Original

Genre: Rock & Indie

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After surviving the inevitable backlash, Ezra Koenig and his mates return with their second album. More mature, more refined, more diverse - "Contra" is everything the debut wanted to be but couldn't quite nail yet. Oh and they sampled M.I.A.!

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Mono

Oath White Vinyl Edition

37,99 €*

LP | 2024 | US | Original (Psychic Hotline)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Veteran Japan-based instrumental rock band MONO return with `OATH', their 12th full-length album of genre-defying contemporary classical orchestration and transcende...

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Reyna Tropical

Malegria

LP | 2006 | US | Reissue (Secretly Canadian)

Release: 2024 / US – Original

Genre: Rock & Indie

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Malegra, Reyna Tropical's long-anticipated debut full-length album, is at once a vibrant arrival and an electrifying bridge. The album is a contemporary celebration and continuation of wide-reaching cultural traditions - from Congolese, Peruvian, and cumbia rhythms to revolutionary artists like lesbian Mexican guitarist-singer Chavela Vargas - these influences meld and are remixed through the distinctive lens of trailblazing guitarist and songwriter Fabi Reyna.Traversing themes including queer love, feminine sensuality, and the transformative power of intentional relations to the earth, Malegría spotlights narratives often pushed to the margins and offers them a sonic homeland.The portmanteau, born from a 1998 Manu Chao song by the same name, is akin to bittersweet and blends the Spanish "mal" which means "bad" and "alegria" which means "happiness."Malegria marks Reyna Tropical's return to centering creative joy and movement through music. Whether enjoyed during listening parties or infectious live sets, the music will move listeners and irresistibly command a jump - into action in protection of the land, into the arms of a crush, into your own power and fearlessness, into steady body rolls along to the beat. Malegria offers us all a chance to witness history in the making.

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Magnolia Electric Co.

Fading Trails

LP | 2015 | US | Reissue (Run For Cover)

Release: 2006 / US – Reissue

Genre: Rock & Indie

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Jason Molina is not one to settle. Throughout his musical career of 12 plus years under his given name, Songs: Ohia andMagnolia Electric Co., he has lived in 9 different locations and has had a dozen different backing bands on record in asmany different recording environments. Fading Trails represents 3 of these incarnations and 4 of these environments. Composed of recording sessions Molina and company did with Steve Albini at his Electric Audio Studio, David Lowery at his Sound of Music Studio, and at the famous Sun Studio in Memphis, Tennessee, Fading Trails also features songs from the home recorded Shohola sessions. The essence of these recordings were extracted to create one cohesive being and thus defining what Magnolia Electric Co. truly is. Something that is hard to define. One head, multiple bodies...the opposite of a hydra head. Players on this album include old and new faces: Jason Molina, Mike Brenner, Jason Groth, Mike Kapinus, David Lowery,Mark Rice, Pete Schreiner, Miguel Urbiztondo, Alan Weatherhead with guest appearances by Andrew Bird, Molly Blackbird, Jonathan Cargill, Rick Alverson

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Pinegrove

Everything So Far

Rolling Blackouts Coastal Fever

Release: 2015 / US – Reissue

Genre: Rock & Indie

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Pinegrove's Everything So Far is exactly what its title suggests - an anthology of all of Pinegrove's output up to the point of their breakout Run For Cover Records full-length, Cardinal. The collection encapsulates their debut LP Meridian, a number of EPs and even some singles like the captivating track "Angelina" & Cardinal Favorite "New Friends."Everything So Far is pressed on vinyl as a double album and includes a 16 page booklet featuring lyrics & photos documenting the band's earliest moments. Listening to Everything So Far is a rewarding experience for new & old fans, as the time capsule of a tracklist shows Pinegrove developing a signature sound, maturing & learning with each song.

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Endless Rooms Loser Edition

LP | 2022 | US | Original (Sub Pop)

Boundary Object Red Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Limited Indies Loser Edition pressed on Yellow Vinyl. Rolling Blackouts Coastal Fever return in 2022 with Endless Rooms, the Melbourne quintet's third album proper. Described by the band - comprised of Fran Keaney, Joe White, Marcel Tussie and brothers Tom Russo and Joe Russo - as them "Doing what we do best: chasing down songs in a room together", Endless Rooms stands as a testament to the collaborative spirit and live power of Rbcf. While initial ideas were traded online during long spells spent separated by lockdowns, the album was truly born during small windows of freedom in which the band would decamp to a mud-brick house in the bush around 2hrs north of Melbourne built by the extended Russo family in the 1970s. There, its 12 tracks took shape, informed to such an extent by the acoustics and ambience of the rambling lakeside house that they decided to record the album there. The house also features on the album cover. For the first time, the band self-produced the record (alongside engineer, collaborator and old friend, Matt Duffy), creating their most naturalistic and expansive document yet. The result is a collection of songs permeated by the spirit of the place; punctuated by field recordings of rain, fire, birds, and wind. "It's almost an anti-concept album," say the band. "The 'endless rooms' of the title reflects our love of creating worlds in our songs. We treat each of them as a bare room to be built up with infinite possibilities."

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Gabor Lazar

LP | 2022 | EU | Original (Planet Mu)

LP | 2016 | UK | Reissue (Wrecking Light)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Gábor Lázár's "Boundary Object" is a collection of eight real-time recorded, unedited tracks made in Budapest and Prague between 2020 and 2022 using a self-designed compositional interface. It's Gábor Lázár's second album for Planet Mu following "Source" in 2020. The title comes from the idea of a Boundary object as a flexible concept of sociology and computation of how collaborations could happen between groups of people who have different kinds of backgrounds and different levels of knowledge. A Boundary object could be anything which translates between these groups to make a collaboration happen. Boundary objects are plastic, interpreted differently across communities but with enough common identity across social words and contexts to maintain integrity. This is a neat summary of how Gábor's approach and working process led to his music on this album. Prismatic, flexible, and functioning on different levels of interpretation. On "Boundary Object", the shiny surfaces and uniformity of "Source" have collapsed inward, leaving intact the recognisable pulse and frames of his music. While each individual track has a non-linear structure, the album as a whole has a strong narrative. Passages that start out Trance-like and familiar warp and weft into different shapes as if Gábor is examining the music like a 3d object, pulling at the edges, breaking and rebuilding what he examines, turning expectations inside-out. "Boundary Object" is intense, full-spectrum and a lot of fun.

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Still Corners

Dead Blue

28,99 €*

Pilgrimage Of The Soul Black Vinyl Edition

Release: 2016 / UK – Reissue

Genre: Rock & Indie

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Their third studio album (2 previous albums on Sub Pop), Dead Blue, on 16th September on Wrecking Light Records. Written, recorded and mixed by the sea in England, the finishing touches were made in London. The album chronicles the arrival of a young woman in a new city and explores love, loss and deceit. It's a dark tale of someone out of their depth, looking for beauty and equilibrium but being dragged down by dark forces that she can't control. All songs were written and performed by Tessa Murray and Greg Hughes. The album was mixed by Greg Hughes and mastered by Joe LaPorta at Sterling Sound. Q Magazine have confirmed their album review, Mojo and Uncut also, a feature with The Fader is also likely to run around release, features also to run with Urban Outfitters and PASTE Magazine

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Mono

LP | 2021 | EU | Original (Pelagic)

Rue Des Cascades/ Cascade Street

Release: 2021 / EU – Original

Genre: Rock & Indie

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Pilgrimage Of The Soul Is The 11th Studio Album In The 22-Year Career Of Japanese Experimental Rock Legends, Mono. Recordedand Mixed - Cautiously, Anxiously, Yet Optimistically - During The Height Of The Covid- 19 Pandemic In The Summer Of 2020, Pilgrimage Of The Soul Is Aptly Named As It Not Only Represents The Peaks And Valleys Where Mono Are Now As They Enter Their Thirddecade, But Also Charts Their Long, Steady Journey To This Time And Place.Continuing The Subtle But Profound Creative Progression In The Mono Canon That Began With Nowhere Now Here (2019), Pilgrimageof The Soul Is The Most Dynamic Mono Album To Date (And That's Saying A Lot). But Where Mono's Foundation Was Built On The Well-Established Interplay Of Whisper Quiet And Devastatinglyloud, Pilgrimage Of The Soul Crafts Its Magic With Mesmerizing New Electronic Instrumentation And Textures, And - Perhaps Most Notably - Faster Tempos That Are Clearly Influenced By Disco And Techno. It All Galvanizes As The Most Unexpected Mono Album To Date - Replete With Surprises And As Awash In Splendor As Anything This Band Has Ever Done.Mono Began In Japan At The End Of The 20th Century As A Young Band Equally Inspired By Thepioneers Of Moody Experimental Rock (My Bloody Valentine, Mogwai) And Iconic Classicalcomposers (Beethoven, Morricone) Who Came Be Fore Them. They Have Evolved Into One Of The Most Inspiring And Influential Experimental Rock Bands In Their Own Right. It Is Only Fitting That Theirevolution Has Come At The Glacial, Methodical Pace That Their Patient Music Demands. Mono Is A Band Who Puts Serious Value In Nuance, And Offers Signi Ficant Rewards For The Wait. "Glacial, Metallic, All-Consuming Post-Rock" - Stereogum,Stunning, Eloquent, Emotionally Gut-Busting" - Pop Matters"It's The Kind Of Album That's Best Played Start To Finish (And Best Played Loudly), And That Can Truly Suckyou In And Transport You To Another World If You Do So." - Brooklyn Vegan

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Yann Tiersen

LP | 2013 | EU | Original (Ici D'Ailleurs)

22,99 €*

EP | 2021 | US | Original (Sentient Ruin Laboratorie)

Release: 2013 / EU – Original

Genre: Rock & Indie

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People Ask Repeatedly If They Can Purchase These Records And The Answer Until Now Has Been No. Until Now. We Are Delighted To Announce The Re-Issue Of These Four Incredible Albums With Updated Artwork. Lp Are Re-Mastered, And For The First Time Ever Available In English (English Versions For Cds Will Come Later) . When The Albums Were Originally Released They Were Predominantly Sold In France But Subsequently Yann Has Become Known All Over The World. For That Wider Audience The He Has Painstakingly Translated The Titles Into English, Doing It Himself To Ensure The Original Meanings And Sentiment Are Kept. Where Oc...

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Aberration

I've Seen All I Need To See Black Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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Obfuscating And Abysmal Ambient Dark Death Metal From Members Of Void Rot, Suffering Hour, Tvaer, And Nothingness. Fifteen Minutes Of Oppressive And Abhorrent Death Metal Chaos Spiraling Down Into Aphotic Hell. Debut Ep - For Fans Of Altarage, Immolation, Impetuous Ritual, Abyssal Etc..

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The Body

LP | 2021 | US | Original (Thrill Jockey)

31,99 €*

Release: 2021 / US – Original

Genre: Rock & Indie

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Over the course of two decades The Body, Lee Buford and Chip King, have consistently challenged assumptions and defied categorization, redefining what it means to be a heavy band. On I've Seen All I Need To See, they test the boundaries of the studio to explore the extremes and microtonality of distortion to find its maximal impact. Their most incisively bleak, a towering monolith of noise, album to date Buford's booming, resolute drums paired with King's obliterated guitar and howl. Course, bristling distortion contorts every instrument, with samples of spoken word, cymbals, toms and King's already noxious tone emerging from layers of feedback. The recording studio remains indelible to The Body's creative process. Together with engineer Seth Manchester of Machines With Magnets, they capture the complexities of distorted sound in stunning detail. The clarity and the cacophony exceed anything they've created before, morphing desolate, festering soundscapes into an exhilarating sonic universe. Buford often lays the framework for songs from the drums up, mirroring hip hop production. I've Seen All I Need To See trades out 808s and The Body's self- sampling for live instruments with a focus on expanding mutations of sound from more limited sources. The results are remarkably rich textural bombardments. Throughout, The Body deliver oppressive noise with potent lucidity, replicating the overwhelming sound of their live performances in revelatory detail. I've Seen All I Need To See demonstrates not only The Body's fearless spirit and vicious edge, but their intellectual musical heft through its explorations of distorted sound and the power of distorted sounds' interplay. Composer Roger Johnson said "Noise is power, but is generally represented as negative, chaotic, dangerous, violent, when it comes... from those marginalized from power. Noise is also an expression of freedom, a 'liberation of sound.'" The Body are sound liberators capable of mining and extracting remarkable details from the most manipulated and distorted sound sources. I've Seen All I Need To See is a groundbreaking work and an ecstatic listen, whether seen as a testament to catharsis in oblivion, an opus of inexorable dread or a wholly liberating adventure.

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LP | 2020 | EU | Original (Stag-O-Lee)

Buzzsaw Joint Cut 07

Release: 2020 / EU – Original

Genre: Rock & Indie

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Gentle Grip Red Vinyl Edition

Practice

LP | 2020 | US | Original (Wharf Cat)

LP | 2020 | US | Original (Dead Oceans)

Release: 2020 / US – Original

Genre: Rock & Indie

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On their debut full length, Gentle Grip, Public Practice reanimate the spirit of late `70s New York with their playfully angular brand of no wave-meets-funk and dark disco. While magnetic singer and lyricist Sam York and guitarist and principal sonic architect Vince McClelland (who both played together as members of the meteoric yet shortlived NYC post-punk outfit WALL) take an almost anarchic approach to songwriting, Drew Citron, on synth and bass, and drummer/producer Scott Rosenthal (both previously of Brooklyn indie-pop favorites Beverly) bring a more traditional, pop sensibility to the table. These contrasting styles challenge and complement each other, resulting in a sound that is full of spiraling and exhilarating tensions. Lyrically, York explores the complexities and contradictions of modern life overtop grooves and choruses that disarmingly open up the doors to self-reflection. "You don't want to live a lie / But it's easy / Your house is important / Your car is important / Your shoes are important / Dinner's important" she sings on "Compromised," begging the question: how does one balance material desires with the desire to be seen as a good person? Changing pace, the supremely groovy "My Head" is about tuning out the influx of external noise and staying true to your inner creative force. But whether they are poking holes in commonly held ideas centered around relationships, creativity, or capitalism, Public Practice never lose sight of the fact that they want to have fun, and they want you to have fun too. After all, who needs a soapbox when there's a dark, sweaty dancefloor out there with room on it for all of us?

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Bill Fay

Countless Branches

Release: 2020 / US – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Stag-O-Lee)

Buzzsaw Joint Cut 05

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Wagram)

Chanson Francaise

15,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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Emotional Detox Black Edition

Camera

LP | 2018 | EU | Original (Bureau B)

LP | 2018 | EU | Original (Piaptk)

Release: 2018 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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We also offer the limited yellow colored edition.

Started as the so called “Krautrock Guerrilla” in 2012, six years later the Berlin combo Camera are releasing their fourth full-length album. Customarily associated with the likes of NEU! and La Düsseldorf it is
time to allow Camera to break free of the krautrock tradition and accept that they are very much doing their own thing now. Motto: “It's not repetition, it’s discipline”
For fans of nominative determinism, there can be few more apposite appelations than Michael Drummer. He is the catalyst, the chain mail vapour trail linking everything together as he crosses the soundscape of everything captured on Camera. The band’s moniker Camera, meanwhile, is an altogether more capricious
calling card. Camera obscura. Camera lucida. From daguerrotype to digital, self-induction to selfies. The song title Super 8 offers a potential clue to the
camera in their mind’s eye. When Super 8 was introduced in 1965, it was one of the few film formats to accommodate a sound track, occupying the
space between the edge of the film and the image area. Perhaps this will serve as a nice analogy when pondering where Camera’s music comes
from. Emotional Detox is the fourth full-length album by Camera, now a quintet, following two albums as a trio and one as a duo. The line-up on ED comprises Steffen Kahles, Michael Drummer, Michel Collet, Andreas Miranda and Timm Brockmann, all more or less based in Berlin. Drummer is the only constant through all four phases. Keyboarder Timm
Brockmann, who left the group in 2014, returns to the fold. He and Franz Bargmann, who left Camera the year before him, released a Brockmann //
Bargmann LP entitled Licht on Bureau B in 2017, a celebration of keys, guitars and effects which, at times, emulated the ferocious potential of Camera. By the time Steffen Kahles joined the band, Brockmann had
already departed, so the new ensemble adds another twist in bringing together two keyboard players from different Camera phases for the first time. The Brockmann Drummer reunion, meanwhile, completes a circle tracing back to early Camera experiences shared in 2010/11, playing on the streets of Berlin (literally).
Paradoxically, the new, expanded Camera line-up sharpens the focus of the tracks running through Emotional Detox. With Drummer not so much joining
the dots as hammering them home with a nail gun, the stronger framework allows even greater freedom for the musicians to express and ultimately align their disparate creative interests. Throw a single stone into a pond and concentric circles will ripple outwards into infinity. A swoosh of parallel lines. Boundless symmetry. The soundscape assumes the quality of a cinematic loop, like watching the same film over and over, yet discovering new things each time it plays. As a mythological Mancunian once said before the fall: it’s
not repetition, it’s discipline. Customarily associated with the likes of NEU! and La Düsseldorf perhaps it is time to allow Camera to break free of the krautrock tradition and accept that they are very much doing their own thing now. The “Krautrock Guerrilla” tag was cute and catchy for a while, but the flanged depths of
Himmelhilf sound more Bloody Valentinesque, less like echoes of Cluster or Harmonia. The motorik origins of the band documented on their debut album Radiate! (2012) and the nods to history and William Burroughs on the sophomore Remember I Was Carbon Dioxide (2014) gave way to Commodore 64 playfulness on Phantom of Liberty (2016). A spirit of experimentation still abounds on the new LP, but there’s also evidence that the group have taken a confident step towards something more “pop” – without tearing up the tangled roots beneath the surface of Camera’s studio floor. The reference points are there, but Emotional Detox is not dependent on them. We live in an age when everything happens at the same time – all of your music in one place, instantaneous streams on mobile devices, encyclopaedic references checked in seconds. The
temptation to see connections everywhere can be overwhelming, the speed at which information
travels slows us down. Emotional Detox encourages us to disregard these multiple distractions.
That’s when detoxification kicks in.

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Sugar Candy Mountain

Do Right

Release: 2018 / EU – Original

Genre: Rock & Indie

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Do Right is the followup to Sugar Candy Mountain's critically acclaimed 2016 album,
"666". Part travelogue, part response to the current, turbulent climate, Do Right
gives voice to the deeply nested anxiety of modern times and attempts to offer a
balm. Nature, it seems, is where the band often goes to calibrate its' moral compass
so frequently upended by the daily news-cycle. Sugar Candy Mountain invites you to
join them on this journey singing "There's a quiet place I go when I need to fifind my
way/ There's a quiet place inside/ Come on in just knock and a door will open".
Musically, the band remains rooted in 60's and 70's rock, with their signature honey
sweet vocals. "Do Right" leans more heavily on synthesizer than the band's previous
records, lending the album a more modern feel. The album pairs the ephemeral
orchestral arrangements of The Beach Boys with the pop sensibility of George
Harrison on "All Things Must Pass". Oscillating between the hazy psychedelic pop of
Mild High Club, the driving energy of Dungen and the danceable familiarity of The
Supremes Do Right is a perfect cocktail of old and new, imploring the listener to
take a ride into the sunset with Sugar Candy Mountain.

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Dusty Ballroom 01-In Dust We Trust

LP | 2018 | EU | Original (Stag-O-Lee)

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2017 | US | Original (Captured Tracks)

B Boys

Dada

Release: 2017 / US – Original

Genre: Rock & Indie

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2LP | 2016 | EU | Original (Anti)

Cass McCombs

Mangy Love

Release: 2016 / EU – Original

Genre: Rock & Indie

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2LP | 2013 | EU | Original (Matador)

Queens Of The Stone Age

Like Clockwork

30,99 €*

I Häxa (Part I, II, III & IV)

Release: 2013 / EU – Original

Genre: Rock & Indie

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Standard 2LP on 150 gram vinyl with download code.

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I Häxa

LP | 2024 | EU | Original (Pelagic)

The Men They Couldn't Hang

Release: 2024 / EU – Original

Genre: Rock & Indie

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Mysterious, multifaceted collective i Häxa have unveiled their epic self-titled, full length debut; a ground-breaking conceptual double album shaped by a collision of ancient gods and bleeding-edge technology_Released as four distinct Parts over the course of the year, `i Häxa' now comes together as a singular vision that weaves together genre-defiant soundscapes, abstract cinema and ancient meteorological mythologies from singer-songwriter and visual artist Rebecca Need-Menear (also of electronic alt-rock duo Anavae) and forward-thinking producer Peter Miles (Architects, Dodie, Fizz). i Häxa is a ritualistic dissection of the world as we know it, a forceful separation of the monotony of modernity from the rites and rituals that for centuries formed the foundations for who we are, how we came to be and where we claim to belong. Disjointed fragments of time collide. Two sides, one of logic and one of chaos, seeking unity and balance through an expression of freedom. This is i Häxa. Whilst the album is composed of four distinct movements, each consisting of four distinct tracks themselves; pulling them apart into easily digestible, standalone singles isn't an easy feat and, as is now clear from the project's sprawling cyclic nature, was never the intention. In an age of fast fun and instant gratification, the ties that bind these works together are intended to transcend tracklisting. With aural, visual and lyrical themes freely intertwining, i Häxa is something to be consumed whole; just as it will, in time, consume you. Charting an existential journey to the very depths of what makes us who we are, with every dark corner illuminated in glitched out, discordant glory; i Häxa is a project years in the making that draws simultaneously from rituals for old gods and the modern day deification of data. i Häxa is both heartwarming and horrifying; i Häxa is ancient history and hyper-real; i Häxa is everybody and no one at all.Check out if you like Radiohead, Julie Christmas, Agnes Obel, Bjork,...

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The Magnificent 40 Vol. 2

2LP | 2024 | Original (Vinyl Star)

49,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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The Men They Couldn't Hang

The Magnificent 40 Vol. 1

LP | 2024 | Original (Vinyl Star)

49,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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LP | 1995 | EU | Reissue (Glitterhouse)

Chris & Carla

Life Full Of Holes

Release: 1995 / EU – Reissue

Genre: Rock & Indie

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Anne Imhof, Eliza Douglas, Billy Bultheel

Sex

LP | 2021 | UK | Original (Pan)

LP | 2020 | EU | Original (Too Pure)

Release: 2021 / UK – Original

Genre: Rock & Indie

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Sex Was Composed During The Formation Of Imhof's Art Show Of The Same Name, Previously Exhibited At Tate Modern, London, The Art Institute Of Chicago And Forthcoming At Castello Di Rivoli, Italy, This September. Imhof, Douglas And Bultheel, Reworked The Songs From How They Appeared In The Exhibition `Sex'. The Result Is A Compelling Record That Acts As An Imaginative Accompaniment To The `Sex' Performances, As Well As Standing Alone As A Progressive Collection Of Contemporary Compositions.Sex References Punk, Industrial And Grunge, And Boldly Juxtaposes These Forms With Music Of The Classical And Baroque Period. The Album Combines Classical Formals And Orchestration With Vocals That Are Rooted In Subcultural Traditions, Thus Beautifully Overdrawing And Overwriting These Forms With The Composer's Own. Harpsichord And Oboe Are Combined With Distorted Electric Guitar, Or Exuberant String Ensembles With Heavy Industrial Drums.The Amalgamation Of Genres Contained In The Album Was Also Integral To The Choreography Of Sex, Where Walzes And Tangos Were Contrasted With Stage Diving, Slam Dancing And Moshpits. What Resulted Was A Surreal Ballroom, Loaded With Desire And Aggression. In The Same Vein, The Record Fearlessly Shapeshifts, Blends Genres And Styles Evoking An Impressive Array Of Moods. Oscillating Between Fragility And Flamboyance, Imhof And Douglas' Versatile Voices Reinvent Themselves From One Song To The Next, While Singing Songs Of Love And Hate.The Last Song On Sex Is Ended By A Quote Of The Band Low, `All You Pretty People, You`Re All Gonna Die`. This Ambiguous Moment, A Prophecy Sung In Douglas' Vibrating Baritone Voice, Rattles The Listener Despite The Mundane Truth Of The Statement. This Complexity Is Reflected In The Album Itself, Allowing For An Unusual Multiplicity Of Emotions And Interpretations With Impressive Depth And Dynamism.The Album Is Mixed & Engineered By Ville Haimala And Mastered By Rashad Becker, Featuring Design By Zak Group And Photography By Nadine Fraczcowski. All Tr...

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P.J. Harvey

Dry

20,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Joyful Noise)

Tropical Fuck Storm

Braindrops (Hot Magenta)

LP | 2009 | EU | Original (Bureau B)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Tropical Fuck Storm were formed around 2017 in the city of Melbourne, Victoria along Australia's south-eastern coast. The band released their debut long-player A Laughing Death in Meatspace on Joyful Noise Recordings in 2018. Each of the band's four members bring considerable experience to the group. Liddiard and Fiona Kitschin were part of the long-running and critically-acclaimed act The Drones, while Erica Dunn and Lauren Hammel have performed in a variety of well-received projects. "Everything we do, we try to do it in a weird way. The whole album is full of weird beats, and just weird shit everywhere," Liddiard explains. He cites Doc at the Radar Station-era Captain Beefheart as a key sonic touchstone, and Braindrops certainly shares the Captain's penchant for pounding abstract grooves. Tropical Fuck Storm have achieved a uniquely off-kilter sound on Braindrops. Liddiard partly credits this to the group's use of unconventional equipment, "We use lots of techno gear to make rock and roll because rock and roll gear is boring, and all sounds like Led Zeppelin."

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Cluster

Grosses Wasser

LP | 2023 | EU | Original (Morr Music)

Release: 2009 / EU – Original

Genre: Organic Grooves, Rock & Indie

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recorded 1979 in Berlin

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Spirit Fest

Bear In Town

Warm Evenings, Pale Mornings: Beside You Then

Release: 2023 / EU – Original

Genre: Rock & Indie

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For their fourth album, »Bear In Town«, indie avant-pop supergroup Spirit Fest made a virtue of distance, with group members split across Europe, and recording sessions taking place after a brief 2021 tour of Europe. It’s an object lesson in perseverance and commitment, as the music here is some of Spirit Fest’s most moving yet. The six songs on this album illuminate different aspects of the transnational quintet’s character – lovely, heart-rending pop songs; melancholy chants; the joys of simple repetition – with the group’s guitar pop tended by gentle flourishes of piano and electronics.

Some of those flourishes were spirited onto »Bear In Town« across the waves, with Mat Fowler (Bons, Jam Money) contributing from Britain, while the body of the music was recorded in a small apartment studio in Munich by the other members of Spirit Fest: Saya and Ueno (Tenniscoats), Markus Acher (The Notwist) and Cico Beck (Joasinho, Aloa Input). »Bear In Town« is concise and powerful, the infectious joy of the spirit communicated, beautifully, by melodies that balance the heartfelt with the melancholy. Reflecting on those sessions, Acher says, »I think the album captures how well we played together at that time.« It’s all the more impressive given this material was put down live in the studio, with a few vocal overdubs. The depth of feeling at the core of Spirit Fest’s music is evident from the opening notes of »Bear In Town«.

»Kou-Kou Land«, the first song on the album, recalls several earlier Tenniscoats songs, like »Baibaba Bimba«, in the way the musicians weave gentle complexity around a simple, repeated chant; the stop-start structure of »Kou-Kou Land« builds anticipation, while Saya’s simple melody is lovely, delivered in an absent-minded hum that’s deeply affecting. »Lost & Found« revolves around a delightful descending chord change that breaks up the swaying, folksy verses, gorgeous electronic whirrs and purring winds floating through the song. The following »In Our House« possesses such sweet sadness, it’s one of Spirit Fest’s most moving songs yet.

»Like A Plane« repurposes a song that Markus Acher originally wrote and recorded for his solo EP of the same title, released on a 2022 10-inch single on Morr Music. The original was a gentle, introverted lament, but the version on »Bear In Town« has a widescreen tenderness, its melancholy framed by raindrop piano. The album concludes with two moments of playful splendour, the bossa-inflected »Hill Blo«, and the driving title track, both led by Saya, who is in stunning voice on this album; on »Bear In Town«, her awestruck wonder perfectly captures the sense of possibility in the song’s capacious chords. Like the rest of the album, it’s full of kindness, rich with psych-pop splendour… a balm for troubled times.

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Caleb Dailey

LP | 2022 | EU | Original (Alien Transistor)

LP | 2019 | EU | Original (Mecanica)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Growing up in the Californian sprawl and the vast suburbs of Phoenix, Arizona, Caleb Dailey largely dismissed the country and western music that surrounded him. Instead, he was drawn to independent rock, experimental zones, and other genre-defying forms, which led him to create skewed rock music with Bear State and establish the “minimal art label” Moone Records with his brother Micah Dailey in 2013. But in the early half of the 2010s, Dailey began to hear things differently. Drawn into the left-of-center works of artists like Gram Parsons and Blaze Foley, a more idiosyncratic take on country, folk, and roots music began to swirl in his imagination.

Wandering into the form’s cowboy chords and lonesome scenes, Dailey found himself wondering what his own country album might sound like. The result is his debut solo album, a collection of covers called Warm Evenings, Pale Mornings; Beside You Then. Produced by John Dieterich of Deerhoof, Keiko Beers, and Dailey himself, it’s a melancholy charmer, rooted in traditional ideas but free roaming in its scope. Laced with synths, pedal steel, acoustic guitars, and commanded by Dailey’s full and woozy voice, it owes as much to the busted waltzes of Lambchop and the homespun lo-fi folk of Little Wings (whose Kyle Field appears on the album via a spoken intermission) as it does to the songwriters and performers who provide its source material, which include Parsons, Foley, Elvis Presley associate Chips Moman, steel guitarist Buddy Emmons, and others.

“The subversive nature of country music isn’t as much at the surface as some other genres,” Dailey says. “But the deeper down the ‘country hole’ I went, the more I wanted to be part of it. It is truly a strange world.”

The hands of Dailey and his collaborators, which includes a wide roster of DIY experimentalists like James Fella of art punks Soft Shoulder, Jay Hufman (Gene Tripp), Lonna Kelley of Giant Sand, Japanese DIY hero’s Koji Shibuya and Tori Kudo, Nicholas Krgovich, Markus Acher of The Notwist, and more, that strangeness is accentuated. Dailey doesn't aspire to retro Nashville fetishism or sanctioned notions of “realness” so much as a genuine outsider authenticity. Take his version of Gordon Lightfoot’s “If You Could Read My Mind” for example: a highlight of the record, it pairs familiar genre signifiers like pedal steel and guitar strums with warbled synths. Then there’s his read of “Dreaming My Dreams,” originally made famous by Waylon Jennings (who also did time in the Arizona desert), which morphs from a mournful ballad into a wash of far-off sonic noise.

The attention here is on the songcraft itself, with Dailey inhabiting these songs and turning them inside out to reveal unexpected tenderness and playfulness.

Recorded at home with an acoustic guitar and 4-track, Dailey began open correspondences with his collaborators, who fleshed out ideas and added touches, often working with skeletal frames before Dieterich and Dailey shaped it into a cohesive whole. “John is the reason this album exists,” Dailey says. “He sculpted all these parts together in such an otherworldly way. He is truly a magician.” Deeply allergic to insincerity, Dailey avoids any trace of irony. He’s created a cohesive gem out of disparate parts, uniting Americana songcraft with experimental disassemblage. From this bric-à-brac, he’s made something touching and beautifully strange.

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Pailhead

Trait

LP | 2009 | EU | Original (ZYX)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Pailhead was a collaboration of vocalist Ian MacKaye (Minor Threat, Fugazi), Ministry’s Al Jourgensen and Paul Barker, and drummer Eric Spicer (Naked Raygun). In 1986, MacKaye was just a few years away from his genre-defining work in Minor Threat and on the cusp of starting an even more influential band, Fugazi. Al Jourgensen was also undergoing a transition with his band Ministry after the release of “Twitch”. He wasn’t the guy who would release the game-changing “The Land Of Rape And Honey” a couple of years later, but he was well on his way. Alain met Ian when he was living in London. Both found common ground musically and politically and decided to collaborate on a project that would fuse elements of industrial music with hardcore punk. The result was a bunch of unique and unrepeatable hymns. Pailhead released one first single “I Will Refuse” / “No Bunny” in 1987 and next year the 4-song EP “Trait”, both on the legendary Wax Trax! Records. Limited edition of 500 copies on grey vinyl with deluxe sleeve with soft touch lamination and sticker with classic band logo.

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Lou Reed

Live In New York 1972

Release: 2009 / EU – Original

Genre: Rock & Indie

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50s & 60s Country & Western Hits Vol. 1

LP | 2024 | DE | Original (ZYX Music)

Release: 2024 / DE – Original

Genre: Rock & Indie

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A Different Shade Of Blue

Knocked Loose

LP | 2019 | EU | Reissue (Pure Noise)

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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To Save A Child White Vinyl Edition

Eric Clapton

2LP | 2024 | EU | Original (Bushbranch / Surfdog)

40,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Reverse Engineering Yellow Black Splatter Vinyl Edition

UK Subs

LP | 2024 | Original (Cleopatra)

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Napalm)

Cobra Spell

666 Red Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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All That Is Left Of The Blue Sky

The Dangerous Summer

LP | 2023 | EU | Original (Rude)

2LP | 2009 | EU | Reissue (Relapse)

Release: 2023 / EU – Original

Genre: Rock & Indie

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The Dangerous Summer reimagined version of "Come Along" is the secod installment of a series of re-worked, remixed, alternate versions of the band's recent discography. Media support on Alternative Press, Rock Sound, Kerrang!, SiriusXM, BBC Radio 1, MTV & more. Cross platform digital marketing strategy to drive traffic to the track from social media, $3k overall budget. Marquee campaign starting on release week. 7,65M+ Listeners, 99,4M+ Streams, 78,8k+ Followers to date.

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Baroness

Blue Record

Release: 2009 / EU – Reissue

Genre: Rock & Indie

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LP | 2024 | EU | Original (Napalm)

Delain

Dance With The Devil

Release: 2024 / EU – Original

Genre: Rock & Indie

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Materia Best Of 2011 - 2024

Miracle Of Sound

LP | 2024 | EU | Original (Napalm)

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Shepherd And The Hounds Of Hell

Obtained Enslavement

LP | 2024 | EU | Original (Hammerheart Rec.)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Hammerheart Rec.)

Obtained Enslavement

Soulblight

Release: 2024 / EU – Original

Genre: Rock & Indie

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2LP | 2024 | EU | Original (Apostasy)

Disparaged

Down The Heavens

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Pure Noise)

State Champs

Release: 2024 / EU – Original

Genre: Rock & Indie

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10" | 2023 | EU | Original (Humming)

Brockhoff

Sharks

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Sunday Best)

Brad Stank

In The Midst Of You

15,99 €*

Musik Aus Der Bayerischen Staatskanzlei

Release: 2023 / EU – Original

Genre: Rock & Indie

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Liverpool’s acclaimed sensual existentialist Brad stank today announces the release of his resolutely romantic new album In The Midst of You on January 26th via his new label Sunday Best Recordings. He launches the album alongside the quintessentially Brad ‘Natty Wine’ and its accompanying video. The new single ‘Natty Wine’ neatly encapsulates the many charms that emerge throughout the album. With Brad backed by soulful female vocal harmonies, the song’s jazzy psychedelia possesses a touch of twanging Americana, its warm and vibrant live instrumentation making for a song as relaxed as a Sunday afternoon in the sun. It’s also notable for featuring Brad’s favourite percussive instrument deep in the mix: a wooden frog. He adds, “This is a tongue-in-cheek song I wrote after being gifted a bottle of natural wine by a friend. I’m a working class boy who would much rather drink shitty lager at a party, like Stella or Holsten Pils. I’ve got no right to be writing a song about natty wine but I was feeling bougie. It’s a love song in disguise, I liked the imagery of lyrics like, ‘Your sweet loving just keeps dripping from the vine.’” In The Midst of You finds Brad in late night lothario mode, his previous seductive style now taking a more resolutely romantic and perhaps surprisingly spiritual direction. The phrase “in the midst of you” comes from the Bible, Zephaniah 3:17, “the full quote is something along the lines of “God is in the midst of you” - basically meaning that you have to look inward for peace or enlightenment, etc. the album is about that in parts and also, as always, I tried to put a romantic twist on it so that the “in the midst of you” is about being in love with somebody. It’s kind of a juxtaposition but I’ve always enjoyed taking spiritual messages and giving them a double meaning, explains Brad. “Hopefully it’s a positive message of prostrating yourself to somebody, or to spirituality or something - but giving yourself fully to something , being in the midst…”

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Amen 81

LP | 2023 | EU | Original (My Ruin)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Walk On Water Limited Edition

Ufo

2LP+7" | 2023 | CA | Original (Cleopatra)

36,99 €*

Release: 2023 / CA – Original

Genre: Rock & Indie

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LP | 1991 | EU | Reissue (Napalm)

Monster Magnet

Tab

God Is Saying This To You

Release: 1991 / EU – Reissue

Genre: Rock & Indie

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„Tab“ (a.k.a. Tab 25 or 25 Tab) is the title of Monster Magnet's second EP, released in Europe in 1991 and in the United States two years later. Originally released on Glitterhouse Records, it was recorded before the band's 1991 debut album „Spine of God“ but issued afterwards to capitalize on its success. Though long enough to qualify as a full-length album, it is referred to as an EP. It is generally viewed by critics as the band's most psychedelic release, with the first two tracks alone totaling 45 minutes.

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Kurt Vile

LP | 2010 | US | Reissue (Mexican Summer)

Release: 2010 / US – Reissue

Genre: Rock & Indie

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LP | 2006 | EU | Original (Speakers Corner)

Patti Smith

Horses

34,99 €*

Release: 2006 / EU – Original

Genre: Rock & Indie

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Laid Back 200g Vinyl Edition

Gregg Allman

LP | 1973 | US | Reissue (Acoustic Sounds)

46,99 €*

The Pious Bird Of Good Omen

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Gregg Allman's 1973 solo debut also became his biggest hit, a No. 13 LP featuring his Top 20 classic "Midnight Rider". Analogue Productions now brings forth a sparkling reissue of this classic disc, mastered from the original analog tapes by Ryan Smith at Sterling Sound. And presented as a 200-gram sonic superstar plated and pressed at our own Quality Record Pressings!
»By the end of 1973, the Allman Brothers Band seemed to have it all nailed down«, writes reviewer Rickey Wright. They'd proven their mettle with a fine synthesis of blues, jazz, folk, and country influences; expanded upon it with the definitive Fillmore East set; and moved forward after the separate losses of guitarist Duane Allman and bassist Berry Oakley. The group's myriad strengths, in fact, might've been the reason that one of their most obvious gifts — Gregg Allman's pained, growling voice — was sometimes overlooked.
"Laid Back", Greg Allman's first solo disc, seems in part an effort to gain a little more recognition. It worked, particularly given the strong radio response to its opening track, a loping remake of "Midnight Rider". Likewise, much of the album's remainder finds Allman tweaking the band's blues ("Queen Of Hearts") and country sides (a cover of Jackson Browne's "These Days"); horns and gospelish backing vocals add to the personal, often mournful feel. "Laid Back" is an often convincing version of the man's music.

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Fleetwood Mac

LP | 2007 | EU | Original (Speakers Corner)

34,99 €*

Release: 2007 / EU – Original

Genre: Rock & Indie

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Afro-Indigenous Music From The North-Western Andes

Juyungo

LP | 2024 | UK | Original (Honest Jon's)

31,99 €*

LP | 2024 | UK | Original (Hive Mind)

Release: 2024 / UK – Original

Genre: Rock & Indie

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‘Since the 16th century, the Ecuadorian province of Esmeraldas has been home to a unique Afro-Indigenous culture originating in the integration of the Indigenous Chachi and Nigua peoples with African Maroon communities. Juyungo documents significant Esmeraldan artists and bands playing the Afro-Ecuadorian folklore of the province, as well as including some older field recordings. Based mostly on the marimba, whose origins lie partly in the African balafon, partly in Indigenous percussion instruments, the music is laced with call and response chants, ambient insect and bird noise, the filigree finger-styles of the Andean guitar tradition and the panpipes of the mountains. This is resonant insider roots music at its headiest — the mystic revelation of Esmeraldas, gully deep and lustral.’ - Francis Gooding, The Wire.

The fifth in our series of LPs compiling classic music from Ecuador. Customary Honest Jons runnings: a beautiful gatefold sleeve; superior pressing, with vivid, intimate sound; full-size, sixteen-page booklet, in colour throughout, with detailed, fascinating, bi-lingual notes, and stunning photographs.

The music is transfixing, magical; not like anything else. From start to finish, this album is continuously, profoundly immersive; a kind of journeying, trippy meditation about slavery and cultural resistance, identity and mix, places and spaces, futures and pasts. It’s inscrutable to net-surfing, algorithms, Shuffle. But for a taste try the insurgent marimba roller Agua Largo, jet-propelled by Rosa Huila’s rapturous blend of African spiritualist and Christian chant. ‘Healing music,’ Zakia called it on Gilles Peterson’s BBC show recently. And the ravishing pasillo Kasilla Shungulla — ‘calm your heart’ in the Quichua language — a duet between the Peruvian master-guitarist Raúl García Zárate and viola da gamba by Juan Luis Restrepo from Medellin, recorded in a baroque church in Buzbanza, Colombia.

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Maalem Houssam Guinia

Dead Of Night

Moritz von Oswald & Ordo Sakhna

Release: 2024 / UK – Original

Genre: Rock & Indie

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Maalem Houssam Guinia Dead of Night

Hmrlp035 LP £12 Allah Allah Daym Molana Jangari Jahwari Bouri Bouriama Ya Jowadi Samaoui Matinba Mosawiyin (Souiri)

"Raw, deep and spiritual Gnawa music from Morocco to carry you through the night...

Recorded in a single late night session in a house in Casablanca, using a Tascam field recorder and 2 microphones, Dead of Night is the incredible new solo album from Maalem Houssam Guinia, the son of Maalem Mahmoud Guinia, and one of Morocco's most exciting young Gnawa masters.

The album was recorded live on the night of 3rd January 2022 in a relaxed session that lasted into the early hours of the next morning, and it captures Houssam at his most natural, singing and playing the Gnawa songs that have been with him since his birth, completely solo and free without percussion or backing vocals. Houssam described the album as containing the songs he knows best as these were the pieces his father would play and sing late into the night in their home when he was an infant.

What you'll hear on Dead of Night is raw, deep Gnawa music in its purest form played by a young Maalem who has been immersed in the culture his whole life and is a master of his craft. The whole performance has been beautifully and sympathetically captured by bassist and producer Karl-Erik Enkelman."

Voice & Guimbri by Maalem Houssam Guinia. Recording & Production by Karl-Erik Enkelmann. Mastering by Julian Tardo. Photography by Bader Naggay. Design by Marc Teare.

With thanks to Hamza Guinia, Khalil Mounji, Karl-Erik Enkelmann & Karl Jonas Winqvist.

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2x10" | 2017 | UK | Original (Honest Jons)

2LP | 2011 | EU | Reissue (Balloon Ranger)

Release: 2017 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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A kind of intimate scrapbook of the startling collaboration between the techno maestro and this long-standing musical collective based in Bishkek, devoted to the roots music of Kyrgyzstan. Loose-leaved but balanced, lucid and intimate, it sets out from stunning a cappella and virtuosic komuz and kylak, mouth harp and traditional percussion: not field, but expert studio recordings, using marvellous vintage microphones, made over several days in Berlin. Further, a few of these are deftly treated by Moritz, using Reichian de-synced double-tracking, and discreet effects. Also two ten-minute dubs: a deadly, signature Berlin steppers, plus its version; and an echoing, mystical drum session, recorded live on stage in Bishkek. And a side-long, dream-like summation: the locomotive, oceanic, clangorous, dread Facets.

Ravishing, rooted, searching music; beautifully presented.

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Ane Brun

It All Starts With One

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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Love Your Money/I Feel Insane (Unreleased Version) Light Blue Vinyl Edition

Daisy Chainsaw

7" | 2024 | UK | Original (Easy Action)

10,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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The first ever reissue of this seminal 90s single. Limited to 500 copies worldwide. Pressed on Light Blue Colored Vinyl. Remastered with brand new picture sleeve design by Crispin Gray.

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Horror Sex And Violence Pink Vinyl Edition

LP | 2024 | Original (Erostica / Topsy-Turvy)

37,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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LP | 1976 | JP | Original (Chrysalis)

Rory Gallagher

Calling Card

Release: 1976 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Let's Get Out Of This Country Clear

Camera Obscura

LP | 2023 | EU | Original (Elefant)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Broc)

Janko Nilovic

Cosmos Giants

LP | 2021 | EU | Original (Second Breakfast)

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Broc Recordz is thrilled to announce the imminent release of our latest album, Cosmos Giants!

This cosmic fusion is the result of an epic collaboration between maestro Janko Nilovic, JJ Whitefield of the Poets of Rhythm, and Igor Zhukovsky of the Soul Surfers. Together, they've crafted a musical universe where genre boundaries blur, giving way to a transcendent sonic experience.

Immerse yourself in a musical journey where funk, psyche, and soul intertwine to create something truly magical!

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Liz Lawrence

The Avalanche

LP | 2023 | EU | Original (Wagram)

Release: 2021 / EU – Original

Genre: Rock & Indie

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LIZ Lawrence returns with her heavily anticipated new album THE Avalanche, following 2019’s critically-acclaimed Pity Party and 2020’s Whoosh EP. The album contains 11 brand new tracks, including the singles Where The Bodies Are Buried and Down For Fun. Written and recorded in ‘The Coffin’ - her self-built garden shed home studio - during the lockdown of 2020, the album showcases Liz’s growth as both a songwriter & producer and positions her as the UK’s foremost fully independent alt-pop solo artist. Liz will tour the album in September/October 2021, with a 12 date UK tour, including her biggest headline show to date at Lafayette in London. The tour will follow Liz’s appearance with friends and collaborators Bombay Bicycle Club at All Points East in August.

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Chuck Berry

Johnny B. Goode

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 1957 | EU | Reissue (Not Now)

Chuck Berry

After School Session

Release: 1957 / EU – Reissue

Genre: Rock & Indie

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Du Und Wieviel Von Deinen Freunden

Kettcar

LP | 2002 | DE | Original (Grand Hotel Van Cleef)

Release: 2002 / DE – Original

Genre: Rock & Indie

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Buena Vista Social Club Record Store Day 2024 Gold Vinyl Edition

Buena Vista Social Club

2LP | 1996 | EU | Reissue (World Circuit)

42,99 €*

LP | 1986 | EU | Original (EMI)

Release: 1996 / EU – Reissue

Genre: Rock & Indie

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Buena Vista Social Club’ is both the name given to this extraordinary group of musicians and the album, recorded in just six days in 1996 in Havana’s 1950s vintage Egrem studios. It was clear from the atmosphere of the recording sessions that something very special was taking place. However, no one could have predicted that Buena Vista Social Club would become a worldwide phenomenon – awarded a Grammy in 1997 and, at 8 million copies, outselling any other record in the same genre. The acclaim of the original album has elevated the artists (including Ibrahim Ferrer, Rubén González & Omara Portuondo) to superstar status, inspired an award-winning film by Wim Wenders, and has contributed to popularising Cuba’s rich musical heritage. Produced by Ry Cooder for World Circuit, the timeless quality of the music and the sheer verve of the veteran performers have ensured that this will go down as one of the landmark recordings of the 20th century. Celebrating 25 years since the release of Wim Wenders’ iconic documentary ‘Buena Vista Social Club’, this classic album will be made available on limited edition gold vinyl, and features the remastered audio and bonus tracks released as part of the album’s 25th Anniversary in 2021.

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Kate Bush

The Whole Story

Release: 1986 / EU – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Nexus Polaris Limited Edition Vinyl Edition

Covenant

LP | 2023 | Original (Cosmic Key Creations)

22,99 €*

Release: 2023 / Original

Genre: Rock & Indie

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In Times Before The Light Clear Vinyl Edition

Covenant

2LP | 2023 | Original (Cosmic Key Creations)

Release: 2023 / Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Eremite Rec.)

Shake In The Morning!!!

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2024 | Original (La Vida Es Un Mus)

Chain Cult

Harm Reduction

Release: 2024 / Original

Genre: Rock & Indie

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7" | 2024 | Original (La Vida Es Un Mus)

Rixe

Tir Groupe

11,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Static Age Musik)

Cosey Müller

Irrational Habits

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Erste Theke)

Vaguess

Nothing's Secret

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Rundling)

Rosengarten

Blut & Liebe

20,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Tearjerker Colored Vinyl Edition

Tearjerker

LP | 2023 | EU | Original (Little Rocket)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Orchestre Tout Puissant Marcel Duchamp

Shut Out / Noe

7" | 2022 | EU | Original (Red Wig)

9,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU (Une Vie Pour Rien)

Cran

Nate