Rock & Indie Vinyl 2315 Items

LP | 1980 | Reissue (Rhino)

Go To Heaven

Release: 1980 / Reissue

Genre: Rock & Indie

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LP | 1978 | Reissue (Rhino)

Shakedown Street

Release: 1978 / Reissue

Genre: Rock & Indie

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Carlos Santana / Mahavishnu John

Love Devotion Surrender Supervinyl 180g

LP | 1973 | US | Reissue (Mobile Fidelity Sound Library)

88,99 €*

LP | 1970 | EU | Reissue (Cosmic Rock)

Release: 1973 / US – Reissue

Genre: Rock & Indie

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1973 Meeting OF Santana AND John Mclaughlin Yields Spiritual Transcendence: Love Devotion Surrender IS Inspired BY John Coltrane AND A Quest FOR Enlightenment

Sourced from the Original Master Tapes: Tones, Textures, and Notes Float Amid a Large, Open Soundstage on Mobile Fidelity's Numbered-Edition 180g LP 1/4" / 15 IPS analogue master to DSD 64 to analogue console to lathe Two guitar giants. A band comprised of virtuosic instrumentalists. One shared goal. And one tremendous album. The only meeting of Santana and John McLaughlin on record, Love Devotion Surrender more than lives up to the promise offered by its principal creators. Based in divine faith, religious toleration, meditative intent, and the forward-thinking philosophy that music can take us closer to the truth, it is a spiritual journey. These enlightening concepts are reflected in the inspired playing of Santana and McLaughlin, who repeatedly hit a higher plane on this 1973 set.

Sourced from the original analogue master tapes and pressed at Fidelity Record Pressing in California, Mobile Fidelity’s numbered-edition 180g LP of Love Devotion Surrender benefits from the reissue label’s painstaking engineering efforts. The windows on the record’s give-and-take passages, sustained notes, and varied textures are thrown open with palpable transparency and detail. Laden with delicate acoustic touches and gentle piano touches, as well as powerful staccato bursts and fast-paced percussion, Love Devotion Surrender contains a dynamic mix of tempos, tones, and contrasts crucial to its optimal enjoyment. This collectible edition brings those aspects to the fore with extraordinary realism.

In addition, the pinpoint imaging — Santana primarily on the left, McLaughlin on the right — invites you to picture the musicians in the act. You’ll sense a newfound freedom and naturalism to the playback, as well as black backgrounds and an openness that allow the widespread array of textures, atmospherics, echoes, and neo-psychedelic shapes to float in the air. Call it jamming guided by a higher power or surreal art brought together by time, circumstance, and purpose; there really is no other album completely like it.

Having each become a follower of Indian guru Sri Chinmoy, who wrote the album’s extensive liner-note essay and is seen in several jacket photos, Santana and McLaughlin began playing together in 1972. Both legends found themselves in the midst of personal and creative transition. Santana was moving away from rock-based songs in favour of exploratory jazz-rock. A contemporary of Miles Davis, McLaughlin had already achieved fame with the Mahavishnu Orchestra, then on the brink of collapse due to internal disagreements.

On Love Devotion Surrender, the duo pools its interests in discovery and transcendence into gorgeous music steeped in improvisational lines, ecstatic chords, and sensitive organ accompaniment courtesy of the record’s best-kept secret, Larry Young. The former Blue Note recording artist had already connected with McLaughlin in the Tony Williams Lifeline, which began as a power trio and turned jazz on its head with its groundbreaking 1969 debut. Young’s ear for melody and fearless penchant for chasing down adventurous fusion leads — not to mention keeping pace with the headliners, no small feat — make him an ideal foil for the proto post-rock happening throughout.

Credited under his Muslim name, Khalid Yasin, Young isn’t the only standout. Several Santana contemporaries — bassist Doug Rauch, drummers Mike Shrieve and Billy Cobham, percussionists Mingo Lewis and Armando Peraza — play alongside Mahavishnu Orchestra member Jan Hammer and Tony Williams Lifeline drummer Don Alias, who already had credits on Davis’ seminal Bitches Brew and On the Corner. Complemented by Santana and McLaughlin, the ensemble sounds and feels unstoppable. In addition to the band’s search for sacred soulfulness, the common denominator throughout is John Coltrane, who engaged in similar pursuits during the 1960s. Two of the five compositions — “A Love Supreme,” “Naima” — are interpretations of Coltrane standards while the lynchpin, a nearly 16-minute investigation into the traditional “Let Us Go Into the House of the Lord,” integrates free-form structure, jazz phrasing, gospel mysticism, cross-cut dynamics, and tonal shaping into one of the most uplifting pieces of music you’ll ever hear. The same can be said for the entirety of Love Devotion Surrender. Bow down.

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V.A.

Simla Beat '70

19,99 €*

The Wild, The Innocent & The E Street Shuffle Limited Edition Ultradisc One-Step 33rpm Supervinyl Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Sensational reissue for the first volume of iconic compilation Simla Beat 70. A psych garage manifesto, the record consisted of groups who appeared at the All-India Simla Beat ‘battle of the bands’ contest held in two years (1970 and '71) in Bombay. The annual event and the records were sponsored by The Imperial Tobacco Company. Bands from all around India would compete for first prize. The album - indeed - was not recorded live on the stage but in a primitive makeshift studio using very little overdubbing or sound reinforcement. The sound is generally influenced by the proto-garage western movement of the mid sixties and later became a massive cult for all the 70s rock fans.

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Bruce Springsteen

LP | 1973 | US | Reissue (Mobile Fidelity Sound Lab)

139,99 €*

Akira Ishikawa & His Count Buffalos

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Strictly Limited TO 7,500 Numbered Copies: Ultradisc One-step 180g 33pm LP SET Presents 1973 Album IN Audiophile Sound 1/4" / 15 IPS / DBX analogue copy to DSD 256 to analogue console to lathe / Released only eight months after his exhilarating debut, Bruce Springsteen's The Wild, the Innocent & the E Street Shuffle contains rousing dispatches from the boardwalk, the street, the beach, and the bedroom. It explodes with energy, dares to dream, teases with humour, crackles with tragedy, clings to hope, and overflows with discovery, youthfulness, and personality. It features an unforgettable cast of characters — corner boys, teenage hustlers, doomed lovers, jazz men, junk men, factory girls, fortune tellers, alley cats, pimps, escorts, and more — illuminated by vivid colour, breathtaking detail, and poetic action.

Musically, the heartfelt 1973 record is inhabited by sympathetic vignettes and cinematic arrangements steeped in rock 'n' roll, soul, jazz, and R&B. It finds the New Jersey native looking beyond the parameters of his preceding record and seeking to move on from environments he knows well (and chronicles here) by rushing headlong toward unknown territories, adventures, and people. Underpinned by the singer-guitarist's ambitious poetic enterprise and will to succeed, The Wild, the Innocent & the E Street Shuffle is the album on which Springsteen becomes the Boss.

Mastered on Mobile Fidelity's renowned mastering system, pressed at RTI on MoFi SuperVinyl, and strictly limited to 7,500 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 33rpm LP set is the definitive-sounding version of Springsteen's sophomore record. Benefitting from SuperVinyl’s nearly non-existent noise floor, superb groove definition, and dead-quiet surfaces, The Wild, the Innocent & the E Street Shuffle plays with a clarity, energy, presence, and openness that complement the expressiveness, dynamics, and scope of the seven restless songs that comprise a work Rolling Stone ranked the 345th Greatest Album of All Time.

Beyond the audiophile sonics that practically place you behind the console at 914 Sound Studios — listen to the separation between the instruments, natural decay of the notes, interplay within the widescreen soundstaging, and nothing-to-lose youthfulness of Springsteen’s voice — this reissue takes seriously this record’s influential merit by presenting it in packaging that underlines its status. Tucked in a beautiful slipcase, the LP is housed in a special foil-stamped jacket with faithful-to-the-original graphics. This reissue is made for listeners who prize sound quality and who want to engage themselves in everything involved with the invigorating set that busted Springsteen loose from the club circuit and landed him on the radio

Determined to liberate anyone within earshot and unafraid to come on strong, The Wild, the Innocent & the E Street Shuffle serves as the debut of the E Street Band — not only heard but seen for the first time by most of the public courtesy of the back-cover photograph. This is where saxophonist Clarence Clemons, organist-accordionist Danny Federici, and pianist David Sancious step out of the shadows — and drummer Vini Lopez and bassist Garry Tallent again stoke a fiery rhythmic engine that helps drive the untamed, reimagined big-band swing of “Kitty’s Back,” breathless R&B thrust of “Rosalita (Come Out Tonight),” and carefree dance steps of the funky “The E Street Shuffle.”

Of course, the main attraction remains a then-24-year-old visionary on the precipice of becoming a sensation and turning a then-bloated rock scene on its head. Recorded over three months while Springsteen and company were busy touring his debut LP, The Wild, the Innocent & the E Street Shuffle reflects the high-octane approach the vocalist embraced onstage and drifts away from the label-dictated acoustic-based frameworks of his debut. The set also witnesses Springsteen deepening his observational skills, with narratives such as the romantically tinged “4th of July, Asbury Park (Sandy)” and redemptive epic “Incident on 57th Street” mirroring changes taking place in the singer’s own life, small towns, and America at large.

A thrilling collision of memories, reflections, and composites — Sandy, Rosalita, and the latter’s parents are all based on actual people Springsteen knew, as is the community depicted in the opening track — the aptly titled The Wild, the Innocent & the E Street Shuffle resonates decades on due to its truths, authenticity, and spirit. Those characteristics — as well as the fact that many of its lengthy songs come on as the equivalent of sweaty, feverish soul revue that won’t stop until you’ve been exhausted — also explain how this now-iconic album triumphed over the reservations of industry “experts” that both demanded Springsteen re-record it and instructed deejays not to play it. Yet there’d be no stopping a record that saw the past, present, and future, a band whose will would not be denied, and a phenomenon who was born to run. A never-ending invitation to act real cool and stay up all night, The Wild, the Innocent & the E Street Shuffle always feels alright.

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Electrum Clear Orange Vinyl Edition

LP | 1970 | JP | Reissue (Victor Entertainment / Hmv)

47,99 €*

Screaming Blue Murder Blue Marble Vinyl Edition

Release: 1970 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

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In 1970, amidst the height of the jazz-rock era, Akira Ishikawa captured the chaotic atmosphere of the time and ventured into what could be called "jazz beyond." This album, Electrum, represents the moment when Ishikawa cut most deeply and incisively into jazz. Amid a sharpened groove, musicians ascended to new heights, competing fiercely. The epic "Electrum," the complexly intersecting vectors of "Revulsion," and the beautifully serene "Speak Under My Breath" are pieces that demand attention for their density and intensity. The participation of two genius pianists and composers/arrangers, Masahiko Satoh and Hiromasa Suzuki, is also noteworthy. This album, hailed as Ishikawa's greatest work, is revived here as part of Victor's series. Text by Yusuke Ogawa (universounds / Deep Jazz Reality)

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Girlschool

LP | 1982 | EU | Reissue (Renaissance)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Screaming Blue Murder Blue Vinyl Edition

Girlschool

LP | 1982 | EU | Reissue (Renaissance)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | UK | Reissue (Charly / Byg)

Freedom

Freedom At Last

Earth A.D. / Wolfs Blood Purple Swirl Vinyl Edition

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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Freedom were one of many British groups that grew from that particularly fertile period that saw the likes of Alexis Korner, John Mayall, The Yardbirds and of course the Rolling Stones come to the fore. Comprising former members of the highly successful Procol Harum, the band recorded fresh original material that put them at the cutting edge of what became known as blues rock, all the while covering classics by their role models.

Freedom At Last is one of the best albums the group made in a relatively short life cycle. At times loud, hard and aggressive and at others mellow and introspective, the music showcases the compositional strengths of Bobby Harrison, Rogers Saunders and Walt Monaghan, while the reprises of anthems by the likes of Howlin’ Wolf, Willie Dixon and Junior Wells makes it clear the band knew where it was going because it did not forget where it came from.

This newly remastered version of Freedom At Last is a very timely reminder of the vibrant work of a British band that made premium blues rock with attitude.

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Misfits

LP | 1983 | CZ | Reissue (Capitol)

Release: 1983 / CZ – Reissue

Genre: Rock & Indie

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Earth A.D./Wolfs Blood is the last album released by American horror punk band Misfits to feature founding member and lead vocalist, Glenn Danzig. Danzig released it on his Plan 9 label in December 1983, two months after he played his last concert with the band. It was noticeably harder and faster than their previous releases, showing more of a hardcore punk sound. Since its release it has often been referred to as simply "Earth A.D." amongst fans. Originally released as a 9 song LP, it was later issued with the three tracks of the Die, Die My Darling EP incorporated into the track listing: "Die, Die My Darling", "Mommy, Can I Go Out and Kill Tonight?" and "We Bite". Glenn Danzig has said that the tracks "Bloodfeast" and "Death Comes Ripping" were originally intended for Samhain's first release but were added to what would be the Misfits' final record in a last-ditch effort to save the band.

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LP | 1978 | Reissue (Rhino)

Shakedown Street

Release: 1978 / Reissue

Genre: Rock & Indie

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LP | 1980 | Reissue (Rhino)

Go To Heaven

Release: 1980 / Reissue

Genre: Rock & Indie

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LP | 1989 | Reissue (Rhino)

Chicago

Greatest Hits 1982-1989

Release: 1989 / Reissue

Genre: Rock & Indie

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4LP | 1983 | Reissue (Universal)

The Police

Synchronicity Box

138,99 €*

Release: 1983 / Reissue

Genre: Rock & Indie

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LP | 1973 | JP | Reissue (Universal Music Japan)

Motoaki Masuo

First

34,99 €*

I Was There At The Texas Chainsaw Massacre

Release: 1973 / JP – Reissue

Genre: Rock & Indie

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Motoaki Masuo, known for his active role as a guitarist in the 1970s and 1980s, debuted his album on Polydor in 1973. This album, a hidden gem of Japanese soft rock, showcases his talent as a songwriter, arranger, and singer. Notable guests on the album include Masami Tsuchiya, who later formed Ippudo, as well as Takeru Sato and Tetsuji Hayashi.

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Ambient Noise

12" | 1980 | US | Reissue (Last Laugh)

LP | 1986 | BR | Reissue (Tres Selos Paralelo)

Release: 1980 / US – Reissue

Genre: Rock & Indie

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Reissue of the rare 1980 punk single. Expanded to a 12-inch EP with two unreleased bonus cuts.

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Colera

Pela Paz Em Todo Mundo

7" | 1984 | US | Reissue (Prank)

Release: 1986 / BR – Reissue

Genre: Rock & Indie

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Reissue, originally released in 1986. Cólera, formed in the early 1980s by Pierre and his brother Redson, who is one of the key figures in South American punk. They played a vital role in the scene and garnered a dedicated following with their energetic and politically charged music. Pela Paz, which translates to "For Peace" in English, is often regarded as one of the most important and influential releases in Brazilian punk. Pela Paz stands as a testament to the DIY spirit of the Brazilian independent music scene. The record's success demonstrated that independent music could thrive outside of major record labels, inspiring countless bands and artists in South America.

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Avsum

Crucified By The System

17,99 €*

LP | 1970 | EU | Reissue (Elemental Music)

Release: 1984 / US – Reissue

Genre: Rock & Indie

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A limited repress of debut 6-Track EP by Swedish legends Avskum. Original released in 1984, "Crucified By The System" is a growling, lo-fi intense dose of rampaging Swedish hardcore with hoarse vocals, pounding drums and rushing guitars. The fold-out cover is near-exact replica of the original 1984 7" EP, and this edition for the records 40th anniversary includes a reprint of a band info insert from the time of release, a 3" circular vinyl sticker and is pressed on lime green vinyl with hand stamped labels.

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Allman Brothers Band

Idlewild South

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1983 | Reissue (Touch & Go)

Negative Approach

Tied Down

26,99 €*

Release: 1983 / Reissue

Genre: Rock & Indie

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We're The Meatmen And You Suck

The Meatmen

LP | 1983 | Reissue (Touch & Go)

Destroyed Green Vinyl Edtion

Release: 1983 / Reissue

Genre: Rock & Indie

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...AND YOU STILL SUCK. Recorded "live" in 1988, this was thee Meatmen album at the time of its release (also in 1988). Incredibly well recorded for a live punk album (cough, cough), this is the one that catches the 'men as they always should have sounded. Full on, over the top punk/metal recorded with a crack band and the manliest Meat himself, Tesco Vee as master of ceremonies of the apocalypse. The material is all top notch, the cream of the crop of their originals like "Tooling For Anus," "One Down Three To Go," "Lesbian Death Dirge" and so on plus crazy covers of "Razamanaz" (Nazareth) and "Rebel Rowser" (Sweet). 5 bonus tracks round out this incredible release, including some material recorded in 1986 with Minor Threat's Lyle Preslar on guitar.

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Sloppy Seconds

LP | 1989 | EU (Hey Suburbia)

20,99 €*

LP | 1982 | EU (Radiation Reissues)

Release: 1989 / EU

Genre: Rock & Indie

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Originally released on Toxic Shock records in 1989, this is the debut album of junk rockers Sloppy Seconds. It makes you want to jump around, dance, party and roll through town with the windows down and the volume up to eleven. Shirtless, sweaty and unleashed, not for the faint of heart. The junk-rock classic is back!

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Lydia Lunch

13.13 Red Vinyl Edtion

20,99 €*

Tales Of Creation 35th Anniversary Marble Vinyl Edition

Release: 1982 / EU

Genre: Rock & Indie

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Recorded in Los Angeles in 1982, 13.13 exists as document to the pandemonium of specters and potential serial killers who twisted the California Dream into a waking nightmare as they snaked through the boulevards, back yards and basements of a sun stroked paradise turning into a blood soaked inferno of fear, paranoia, panic and lust killings. Lush musical textures provided by members of seminal art punks The Weirdos - Dix Denney, Cliff Martinez and Greg Williams create a hypnotic backdrop to Lunch’s evocative vocals and terrifying lyrics

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Candlemass

LP | 1989 | UK | Reissue (Peaceville)

38,99 €*

Release: 1989 / UK – Reissue

Genre: Rock & Indie

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A Holocaust In Your Head - The Original Holocaust Yellow Vinyl Edition

Extreme Noise Terror

LP | 1989 | EU (Radiation Reissues)

25,99 €*

A Holocaust In Your Head - The Original Holocaust Black Vinyl Edition

Release: 1989 / EU

Genre: Rock & Indie

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How many bands can say they had multiple debut albums? For crustcore sound terrorists Extreme Noise Terror, Holocaust In Your Head - The Original Holocaust, first recording version, continues to excuse itself in being reissued for what must be the last time before the last time. It’s no wonder why. We The Helpless is every bit as hopeless as it sounds - a blitzkrieg of wails and nightmarish sonics that tighten themselves around the temples until the eyes turn white. Statement will always stand on its own two feet as a perfect set opener and Innocence to Ignorance’s unhinged atmospheric armageddon as well as Use Your Mind’s sample-sprung assault on the senses are possible indications of where the band could’ve wound up had their line-up not been walking such a shaky tightrope. Rough as hell? Sure. But if you want to know what it feels like to have the signal input of your skull reflect a separation in the grounding circuit of the flesh from the neck down, then carry on screaming.

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Extreme Noise Terror

LP | 1989 | EU (Radiation Reissues)

20,99 €*

Time Robber Colored Vinyl Editoin

Release: 1989 / EU

Genre: Rock & Indie

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Omega

LP | 1976 | EU | Reissue (MIG)

23,99 €*

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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LP | 1986 | US | Reissue (ORG Music)

I Against I

Release: 1986 / US – Reissue

Genre: Rock & Indie

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Master Project Genesis Splatter Vinyl Edition

LP | 1988 | EU | Reissue (High Roller)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Master Project Genesis Black Vinyl Editoin

LP | 1988 | EU | Reissue (High Roller)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Mission Executed Splatter Vinyl Edition

LP | 1987 | EU | Reissue (High Roller)

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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Mission Executed Black Vinyl Editoin

LP | 1987 | EU | Reissue (High Roller)

25,99 €*

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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Black Soul Brothers Green Vinyl Edition

Miguel De Deus

LP | 1977 | EU | Reissue (Groovie)

22,99 €*

LP | 1987 | US | Reissue (Sorcerer)

Release: 1977 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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For the first time reissued, with the great contribution of Miguel de Deus's family in São Paulo, that supplied the amazing collection of photos for the 4 pages inner, inside the LP. This limited edition is a highly collectable for fans of brazilian soul, groove and psychedelia. It's our contribution to pay respect to one of the most important brazilian musicians of the late 60's and early 70's. Main brain of bands like OS Brazões and Assim Assado, he let us an amazing legacy for new generations. This is a small, but more than deserved homage to him, finally. Miguel de Deus was the protagonist of this amazing Afro-Funk movement, together with a group of “heavy” musicians, as they were called in those days of consolidation of a strong Black Power scene, mainly composed of black youth from the outskirts of the suburbs of São Paulo and Rio de Janeiro, where the movement took the name of Black Rio. Its raw Rock-Funk-Psychedelic-Tropicalia.

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Lubricated Goat

Plays The Devil's Music

33,99 €*

Convicted Black Ice With Red White And Cyan Blue Vinyl Edition

Release: 1987 / US – Reissue

Genre: Rock & Indie

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Sorcerer Records present a reissue of Lubricated GOAT's debut LP Plays The Devil's Music, originally released in 1987. It's been out of circulation for over two decades, and Sorcerer Records presents this classic slice of underground Australiana in all its glory. Recorded over two recording sessions in mid-1986, one in Perth and one in Adelaide, Plays The Devil's Music wasn't really seen by LG founder/mainstay STU Spasm (ex-BEASTS OF Bourbon, Salamander JIM, et al.) as a part of any grand musical plan. He recorded these tracks with his friends Martin Bland, Brett Ford, and Pete Hartley and went back to Sydney with the tapes. John Foy of Black Eye Records loved the results and the band known as Lubricated Goat was born. Over the course of several more full-lengths and an EP or two, the band made themselves a reputation as one of Australia's finest purveyors of post-punk noise-rock before relocating to the US. The musical scene centered around the Black Eye label in Sydney at the time, with bands such as the 'Goat, Thug (featuring a young Tex Perkins), No More Bandicoots, Box The Jesuit, etc. remains one of Australia's richest, weirdest and most inventive conglomeration of musicians and artists, and Stu and company were right in the thick of it. Lubricated Goat were (perhaps correctly) often compared to the Butthole Surfers at the time, and their mix of punk, post-punk, noise, and a taste for the absurd puts them firmly in the same camp. Throw in a little bit of Stooges/Birthday Party-style grunt and a distinctly Australian sense of humor and you're getting close to the magic of early Lubricated Goat. This edition comes remastered c/o Mikey Young. Comes in original artwork and inner sleeve; Includes download card; Includes new liner notes from Stu Spasm detailing the history of the recording. Recommended for fans of: Butthole Surfers,Killdozer, Pere Ubu, Big Black, Birthday Party.

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Cryptic Slaughter

LP | 1986 | Reissue (Relapse)

Release: 1986 / Reissue

Genre: Rock & Indie

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W.A.S.P. 40th Anniversary Half-Speed Master Marbled Vinyl Edition

W.A.S.P.

LP | 1984 | Reissue (Madfish)

Release: 1984 / Reissue

Genre: Rock & Indie

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The Lamb Lies Down On Broadway

2LP | 1974 | Reissue (Rhino)

Release: 1974 / Reissue

Genre: Rock & Indie

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Selling England By The Pound

LP | 1973 | Reissue (Rhino)

Release: 1973 / Reissue

Genre: Rock & Indie

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LP | 1971 | Reissue (Rhino)

Nursery Cryme

Release: 1971 / Reissue

Genre: Rock & Indie

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LP | 1970 | Reissue (Rhino)

Trespass 2007 Stereo Mix

33,99 €*

Release: 1970 / Reissue

Genre: Rock & Indie

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LP | 1980 | Reissue (Rhino)

Duke

Release: 1980 / Reissue

Genre: Rock & Indie

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LP | 1981 | Reissue (Rhino)

Abacab

Release: 1981 / Reissue

Genre: Rock & Indie

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LP | 1976 | Reissue (Rhino)

Wind & Wuthering

Release: 1976 / Reissue

Genre: Rock & Indie

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And Then There Were Three

LP | 1978 | Reissue (Rhino)

Release: 1978 / Reissue

Genre: Rock & Indie

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LP | 1976 | Reissue (Rhino)

A Trick Of The Tail

50,99 €*

Release: 1976 / Reissue

Genre: Rock & Indie

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LP | 1983 | Reissue (Rhino)

Genesis 2007 Remaster

Release: 1983 / Reissue

Genre: Rock & Indie

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LP | 1977 | Reissue (Rhino)

Little Feat

Time Loves A Hero

34,99 €*

Release: 1977 / Reissue

Genre: Rock & Indie

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LP | 1976 | Reissue (Rhino)

The Doobie Brothers

Takin' It To The Streets

34,99 €*

Release: 1976 / Reissue

Genre: Rock & Indie

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Iron Maiden 2015 Remaster

Iron Maiden

LP | 1980 | Reissue (Sanctuary)

35,99 €*

LP | 1976 | Reissue (Geffen)

Release: 1980 / Reissue

Genre: Rock & Indie

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Iron Maiden - Iron Maiden (2015 Remaster)

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Jimmy Buffett

Havana Daydreamin'

35,99 €*

White Sport Coat And A Pink Crustacean

Release: 1976 / Reissue

Genre: Rock & Indie

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Vinyl LP pressing. 1976 album from the iconic singer-songwriter.

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Jimmy Buffett

LP | 1973 | Reissue (Geffen)

35,99 €*

Release: 1973 / Reissue

Genre: Rock & Indie

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Vinyl LP pressing. 1973 album from the iconic singer-songwriter. Jimmy Buffett's third studio album, A White Sport Coat and a Pink Crustacean, was released in 1973 and features "Why Don't We Get Drunk," and "He Went to Paris." Newly remastered and available for the first time on vinyl.

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LP | 1982 | US | Reissue (ORG Music)

I And I Survive

Release: 1982 / US – Reissue

Genre: Rock & Indie

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LP | 1981 | EU | Reissue (EMI)

Church

Of Skins & Heart

67,99 €*

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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LP | 1978 | EU | Reissue (Supraphon)

Bohemia

Zrnko Pisku

30,99 €*

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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I Against I Green Vinyl Edition

LP | 1986 | US | Reissue (ORG Music)

Release: 1986 / US – Reissue

Genre: Rock & Indie

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I Against I is the third studio album from Bad Brains, originally released in 1986 on SST Records. It remains influential to this day, inspiring countless punk, ska, reggae, and hardcore bands with it's innovative sound and uncompromising attitude.

This reissue marks the eighth release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner and pressed at Furnace Record Pressing.

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I Against I Black Vinyl Edition

LP | 1986 | US | Reissue (ORG Music)

30,99 €*

Frehley's Comet Colored Vinyl Edition

Release: 1986 / US – Reissue

Genre: Rock & Indie

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I Against I is the third studio album from Bad Brains, originally released in 1986 on SST Records. It remains the best-selling album in the band's catalog, showcasing Bad Brains' unique fusion of punk rock, hardcore punk, reggae, and heavy metal influences. It remains influential to this day, inspiring countless punk, ska, reggae, and hardcore bands with it's innovative sound and uncompromising attitude. This reissue marks the eighth release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner and pressed at Furnace Record Pressing.

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Ace Frehley

LP | 1987 | US | Reissue (Friday Music Two)

43,99 €*

Release: 1987 / US – Reissue

Genre: Rock & Indie

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This One's For You Transparent Green Vinyl Edition

Luke Combs

LP | 1981 | EU | Reissue (River House Artists)

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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Bat Out Of Hell Coke Bottle Colored Vinyl Edition

Meat Loaf

LP | 1981 | EU | Reissue (Cleveland International)

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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LP | 1974 | EU | Reissue (Wiseraven)

Bruno Battisti D'Amario

Chitarre Folk

25,99 €*

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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One of the furthest experiments in library music, first official vinyl reissue under Sonor Music Production license. ‘Chitarre Folk’ was conceived in July 1974 and produced by the small publishing company Nike, the album is brilliantly propelled by the two six-string players Bruno Battisti D’Amario and Silvano Chimenti (long-time collaborator of I Gres, Pulsar and Piero Umiliani E La Sua Orchestra), touching avant-folk themes surrounded by Maestro Sandro Brugnolini’s lush arrangements and Edda Dell’Orso’s ghostly vocals. Ethereal psych-folk melodies akin to the imaginary landscapes of John Fahey and Robbie Basho.

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LP | 1974 | Reissue (Warner)

Neil Young

On The Beach

42,99 €*

Release: 1974 / Reissue

Genre: Rock & Indie

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Horse Black Vinyl Edition

Horse

LP | 1970 | EU | Reissue (Guerssen)

2LP | 1980 | US | Reissue (Analogue Productions)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Psychedelic hard-rock with occult overtones by this London based band featuring drummer Ric Parnell (Atomic Rooster, Spinal Tap…) This is their sought-after sole album, originally released in 1970 and housed in a cover designed by Roger Wootton of Comus. Horse formed in 1968 when former high school friends Rod Roach and Adrian Hawkins started writing songs together. Rod had previously played lead guitar with various groups (included a brief stint with Andromeda). Horse final line-up was established in early 1969 with Adrian Hawkins on vocals, Rod Roach on guitar, Colin Standring on bass and Ric Parnell on drums. Horse started gigging around London, sharing stage with acts like Deep Purple, Joe Cocker and David Bowie, soon establishing a large following due to their exciting live shows. After receiving interest from several record companies, they finally signed with RCA Records. The Horse self-titled album was recorded at Olympic Studios, produced by Rod Roach, and released in 1970. It’s a fantastic example of post-psychedelia and early hard-rock / proto-metal, dominated by Roach’s killer fuzz-wah guitar and Hawkins powerful vocals. Including tracks like the occult themed “The Sacrifice” and more!

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Steely Dan

Gaucho Uhqr Edition

255,99 €*

Release: 1980 / US – Reissue

Genre: Rock & Indie

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LP | 1986 | Reissue (Touch & Go)

Die Kreuzen

October File

21,99 €*

Release: 1986 / Reissue

Genre: Rock & Indie

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LP | 1982 | Reissue (Rhino)

Eagles

Greatest Hits Vol.2

Release: 1982 / Reissue

Genre: Rock & Indie

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LP | 1983 | Reissue (Damaged Goods)

Deep Wound

18,99 €*

LP | 1970 | EU | Reissue (Rhino)

Release: 1983 / Reissue

Genre: Rock & Indie

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This is a 24 track Vinyl compilation compiled by J Mascis (DINOSAUR JR) featuring all the recorded material from his first band DEEP WOUND. DEEP WOUND were a hardcore punk band from western Massachusetts formed in 1982 and J Mascis's first band. They released one self-titled EP in 1983. They are often noted as being, along with SIEGE, one of the early inspirations for Grindcore. Members were: J Mascis - drums, Lou Barlow - guitar, Scott Helland - bass guitar, Charlie Nakajima - Vocals.

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The Stooges

Fun House

44,99 €*

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1980 | EU | Reissue (Rhino)

Talking Heads

Remain In Light

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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LP | 1977 | EU | Reissue (Rhino)

Television

Marquee Moon

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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LP | 1971 | EU | Reissue (Rhino)

MC5

High Time

36,99 €*

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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LP | 1978 | US | Reissue (Friday Music)

Doobie Brothers

Minute By Minute

42,99 €*

Release: 1978 / US – Reissue

Genre: Rock & Indie

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Law Of Nature Blue Vinyl Edition

Laughing Clowns

LP | 1984 | AU | Reissue (Remote Control)

40,99 €*

Release: 1984 / AU – Reissue

Genre: Rock & Indie

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Law Of Nature Black Vinyl Edition

Laughing Clowns

LP | 1984 | AU | Reissue (Remote Control)

40,99 €*

Release: 1984 / AU – Reissue

Genre: Rock & Indie

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LP | 1973 | Reissue (Warner)

Doors

Morrison Hotel

38,99 €*

Release: 1973 / Reissue

Genre: Rock & Indie

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LP | 1984 | Reissue (Sony)

Billy Ocean

Suddenly

Release: 1984 / Reissue

Genre: Rock & Indie

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Harken | Fludango | Hiss Alon

Mike Flood

7" | 1980 | US | Reissue (Sub Pop)

10,99 €*

Release: 1980 / US – Reissue

Genre: Rock & Indie

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Blows The Blues Acoustic Sounds

Sonny Stitt

LP | 1970 | Reissue (Verve)

38,99 €*

Release: 1970 / Reissue

Genre: Rock & Indie

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2LP | 1973 | EU | Reissue (Beatles Solo)

John Lennon

Mind Games

50,99 €*

The Deluge Picture Disc Edition

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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LP 1: Mind Games – The Ultimate Mixes LP 2: Mind Games – The Out-takes Spec: 180g vinyl, gatefold sleeve Booklet: 8 page booklet of photos and artwork Poster: Reproduction of the original triptych marketing poster for the album

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Manilla Road

LP | 1986 | EU | Reissue (High Roller)

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Mystification Picture Disc Edition

Manilla Road

LP | 1987 | EU | Reissue (High Roller)

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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Lost And Lonely Days / Aliens Picture Shape Disc Edition

LP | 1984 | EU | Reissue (High Roller)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Deliver Us Picture Disc Edition

LP | 1983 | EU | Reissue (High Roller)

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Deliver Us Black Vinyl Edition

LP | 1983 | EU | Reissue (High Roller)

30,99 €*

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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And The Cannons Of Destruction Have Begun Picture Disc Edition

LP | 1984 | EU | Reissue (High Roller)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | EU (Life Goes On)

Blues Magoos

Gulf Coast Bound

Dedicated To The Bird We Love

Release: 1970 / EU

Genre: Rock & Indie

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A rare psychedelic selection from the Norwegian duo of Nina Johansen on vocals and guitar, and Runa Walle on sitar, guitar and vocals, with support from their Indian friend Satnam Singh on flute and tablas plus some local jazz and rock musicians rounding out the rhythm section. Originally released in 1970 in Norway only, and selling in ridiculously small numbers, this has been something of a legendary cut for lovers of all things psychedelic, just waiting for the right time for a re-release.

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Oriental Sunshine

LP | 1970 | EU (Life Goes On)

Leather Boyz With Electric Toyz

Release: 1970 / EU

Genre: Rock & Indie

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Pretty Boy Floyd

LP | 1989 | EU | Reissue (Music On Vinyl)

26,99 €*

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Friends White Vinyl Edition

The Bolshoi

2LP | 1986 | UK | Reissue (Beggars Banquet)

Am Fenster Yellow Vinyl Edition

Release: 1986 / UK – Reissue

Genre: Rock & Indie

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The Bolshoi were different. Their songs were dark and subversive, sufficient evidence for many critics to corral them under the"Gothic" banner at the time of their debut album Friends - but they really only "flirted" with Goth. They oozed dark, pensive lyrics supported with inventive pop-goth guitar making them nearly impossible to categorize.The suburban surrealism of the lyrics was rooted in the stories of characters onthe fringes of society rather than brooding romantics, with an undercurrent ofboredom, inadequacy, and violence. Not the usual themes for pop success! Based in London, the band consisted of Trevor Tanner (lead vocals, guitar), Nick Chown (bass), Jan Kalicki (drums), and Paul Clark (keyboards). With powerfullive shows The Bolshoi built a substantial following before disbanding in 1988.

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City

LP | 1978 | EU | Reissue (Sony Music Catalog)

26,99 €*

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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From The Mars Hotel 50th Anniversary Edition

LP | 1974 | WW | Reissue (Warner)

36,99 €*

Release: 1974 / WW – Reissue

Genre: Rock & Indie

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LP | 1983 | US | Reissue (Artifix)

Hypnotics

The Expendables

LP | 1976 | US | Reissue (Void)

Release: 1983 / US – Reissue

Genre: Rock & Indie

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First ever reissue of the 1983 LP from these hardcore punks from Long Beach, California. Think early T.S.O.L., etc. This LP was self-produced by the band in one super limited pressing of 100 copies and is considered a punk collector's grail commanding big bucks. 12 song LP with 4-page booklet limited to 540 copies.

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Richard Soutar

Lavender Daydreams

They Could Have Been Bigger Than The Beatles (Restored Art Edition)

Release: 1976 / US – Reissue

Genre: Rock & Indie

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One reviewer said this about Lavender Daydreams: “Blissed out folk psycher in the vein of Tim Buckley or Dan Fogleberg but waaay more psyched out. Richard has certainly dropped a tab or three in his time. A really, really good album to mind-surf to, and also poppy enough that it would sound good coming out of a boombox in a field while you are throwing the frisbee and smoking some bohoofus.” And they were right—Richard did drop many a tab when writing and recording the album: "The songs ‘Lord and Master,’ ‘Here We Are,’ ‘Sunny Days,’ and several others were inspired by experiences I had on psychedelics. Lavender Daydreams comes from my meditation experiences. ‘Electra’ is about a girl I fell in love with while tripping... I realized my purpose in life I was always looking for was in experiencing the extraordinary perfection in front of me every moment and engaging it in play and fun… This is a common theme in my songs. Celebrating those everyday moments. ‘Falling Angels’ was written about crashing on acid. About when we have to squeeze back into our everyday self and the feeling of “Now that the doors of perception have been blown off their hinges what am I going to do about it.” And that slides right into ‘A Stranger’ where you begin reflecting on it. There you are, crashing, beer in hand, a stranger to yourself. ‘Soaring’ is inspired by lying on our back in the field by the Long Island Sound on spring afternoon tripping on ‘Windowpane’. Mike and I were staring up at the sky and the clouds turned into angels singing and it felt like we were soaring up there free. ‘Soaring’ was trying to capture the rapture.” Edition of 370 copies on black vinyl.

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Television Personalities

LP | 1982 | UK | Reissue (Fire)

LP | 1976 | US | Reissue (Now-Again)

Release: 1982 / UK – Reissue

Genre: Rock & Indie

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Originally released in 1982, ‘They Could Have Been Bigger Than The Beatles’ was the influential band’s third album. A collection of singles, demos, outtakes and rarities that was intended to mark the band's breakup in 1982, had they not got back together again so soon. This 2024 reissue comes with faithfully restored artwork, from one the album’s original hand painted sleeves.

The record features ‘David Hockney's Diaries’, ‘The Boy In The Paisley Shirt’ and ‘Psychedelic Holiday’. With the formidable Daniel Treacy at its core, Television Personalities remain one of new wave’s longest serving and seminal artists, with a career spanning over three decades. The indie pop visionaries have influenced many people across the industry including Pavement, The Lemonheads, Fat White Family, Mgmt and Creation Records’ Alan McGee.

“Its scope is incredible, its ambition outstanding and its heart damn near broken.” Melody Maker.

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Paul Ngozi

The Ghetto

Release: 1976 / US – Reissue

Genre: Rock & Indie

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Celebrated Zambian guitarist and bandleader Paul Ngozi’s concept album about the stuggles of those living in Africa’s 1970s townships Includes Oversized 8 Page Booklet That Details Paul Ngozi and The Ngozi Family’s Arc, Including Rare Photographs, Discography And Annotation The third entry in an era-defining reissue series on Now-Again centered around this Zamrock legend and his band - previous entries include Day Of Judgement and 45,000 Volts "Zambia’s Zamrock movement that exploded in the 1970s...provided young musicians access to European and American music, and created a unique sound. At its root, Zamrock melded fuzz-toned psychedelia, chugging garage rock and roiling funk with a broad mix of African cadences and beats...enlivening a scene that included bands like Musi-O-Tunya, Amanaz and the Ngozi Family” - Zamrock was a bona-fide rock scene: on the African continent, only Nigeria can claim one so comprehensive, and Nigeria’s was largely catalyzed and funded by subsidiaries of the European major labels. Zamrock was as independent as the newly-named country, formerly known as Northern Rhodesia. Zamrock is starting in its completeness, especially for a scene that emerged, unfurled and disappeared so quickly. From Musi-O-Tunyaís fusion of Fela’s Afro-beat, Hendrix’s rock, South African jazz and traditional Zambian melodies and rhythms to Salty Dog’s acid folk/rock, Zambia’s rock scene contained all of rock’s subgenres. Zamrock was much more than an imitation of American and European rock music: it quickly became a uniquely Zambian movement, befitting of its name. Witch, Paul Ngozi and Amanaz sound nothing like other rock music from the African continent - or elsewhere.

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Get It Away Trust Edition

SS Decontrol

LP | 1983 | EU | Reissue (Trust)

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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