Rock & Indie Vinyl 26742 Items

7" | 2023 | US | Original (Spacecase)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Way out there. From up in the attic, in the village of Cincinnati - the third album from the Drin has arrived to commence 2023. 'Today My Friend You Drunk the Venom' is the Drin's finest hour as a creative entity. McCartney's incredible command of rhythm lies at the forefront of the mix, complimented by a group that is able to seamlessly transport between post-punk, acid guitar jangle, and krautish experimentalism. There's even a stellar dub track on here.

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Walter Daniels

From Death To Texas

11,99 €*

LP | 2020 | US | Original (Armageddon)

Release: 2023 / US – Original

Genre: Rock & Indie

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From Death to Texas” b/w “Seems Like a Dream” is the new Walter Daniels single on Spacecase. The 45 features a Jeffrey Lee Pierce cover on the A side, “From Death to Texas,” and a Yank Rachell tune, “Seems Like a Dream,” on the B side. As per his usual, Walter assembled a formidable group of musicians to help him out, including Marco Butcher, Luis Tissot, Danny B. Harvey, Annie Marie Lewis (Jerry Lee’s niece), TED Roddy, Steve Schecter, Kurtis Machler and Mike Buck. Cover art by ART Chantry.

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Dropdead

Discography Volume 2

31,99 €*

Lonerism 10th Anniversary Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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Discography Volume 2 compiles 42 tracks and spans the years 1995-2013. This includes Hostile EP, and splits with Unholy Grave, Totalitar, Look Back And Laugh, Converge, Systematic Death, Ruidosa Inmundicia, and Brainoil as well as compilation tracks and the Arms Race EP.

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Tame Impala

3LP | 2012 | DE | Reissue (Virgin Music)

Release: 2012 / DE – Reissue

Genre: Rock & Indie

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I Don't Know Black Vinyl Edition

bdrmm

LP | 2023 | EU | Original (Rock Action)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2010 | US | Reissue (Mississippi)

Michael Hurley

Blue Hills

22,99 €*

LP | 2021 | US | Original (Feel It)

Release: 2010 / US – Reissue

Genre: Rock & Indie

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On this LP we find Michael Hurley stretching out on six longer than usual compositions that are heartbreaking & beautiful as anything he's ever done.Side one features Hurley on a creaky pump organ and a Hammond organ. Side two starts out with two newer compositions - just Michael on guitar & vocals. The record ends with a stunning version of Tea Song (which Michael originally wrote & recorded way back in 1963).A sustained feeling of loss & need for redemption haunts this record. It ain't easy listening, but then what worth a damn is?Includes insert with Michael's notes on the songs and some artwork.

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Smirk

Rat Saw God Black Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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Hailing from Los Angeles and coated in a layer of warbled analog glory comes the debut full length album from Smirk, the solo project helmed by Nick Vicario (Public Eye, Crisis Man). These 11 meticulously crafted tracks originally appeared on two small run cassettes in 2020 and have since been remastered at North London Bomb Factory and paired with fresh artwork from Smoking Room. A trebly & wiry punk sound comes into effect straight out of the gate, reminiscent of the early Dangerhouse Records singles as well as the “Bloodstains Across...” comps (to be more precise). But there's far more to Smirk —with great songwriting, precision, and instrumentation that seem to emanate from a past that never was, bursting any preconceived sub-genre bubbles from this reality and those parallel to it. ‘lp’ is a tour de force of bratty, pissed off punk energy.

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Wednesday

LP | 2023 | US | Original (Dead Oceans)

3LP | 2023 | EU | Original (Universal)

Release: 2023 / US – Original

Genre: Rock & Indie

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A Wednesday song is a quilt. A short story collection, a half-memory, a patchwork of portraits of the American south, disparate moments that somehow make sense as a whole. Karly Hartzman, the songwriter/ vocalist/guitarist at the helm of the project, is a story collector as much as she is a storyteller: a scholar of people and one-liners. Rat Saw God, the Asheville quintet's new and best record, is ekphrastic but autobiographical and above all, deeply empathetic. Across the album's ten tracks Hartzman, guitarist MJ Lenderman, bassist Margo Shultz, drummer Alan Miller, and lap/pedal steel player Xandy Chelmis build a shrine to minutiae. Half-funny, half-tragic dispatches from North Carolina unfurling somewhere between the wailing skuzz of Nineties shoegaze and classic country twang, that distorted lap steel and Hartzman's voice slicing through the din. Rat Saw God is an album about riding a bike down a suburban stretch in Greensboro while listening to My Bloody Valentine for the first time on an iPod Nano, past a creek that runs through the neighborhood riddled with broken glass bottles and condoms, a front yard filled with broken and rusted car parts, a lonely and dilapidated house reclaimed by kudzu. Four Lokos and rodeo clowns and a kid who burns down a corn field. Roadside monuments, church marquees, poppers and vodka in a plastic water bottle, the shit you get away with at Jewish summer camp, strange sentimental family heirlooms at the thrift stores. The way the South hums alive all night in the summers and into fall, the sound of high school football games, the halo effect from the lights polluting the darkness. It's not really bright enough to see in front of you, but in that stretch of inky void - somehow - you see everything. The songs on Rat Saw God don't recount epics, just the everyday. They're true, they're real life, blurry and chaotic and strange - which is in-line with Hartzman's own ethos: "Everyone's story is worthy," she says, plainly. "Literally every life story is worth writing down, because people are so fascinating." But the thing about Rat Saw God - and about any Wednesday song, really - is you don't necessarily even need all the references to get it, the weirdly specific elation of a song that really hits. Yeah, it's all in the details - how fucked up you got or get, how you break a heart, how you fall in love, how you make yourself and others feel seen - but it's mostly the way those tiny moments add up into a song or album or a person.

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Frank Zappa

Munich '80

41,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Into The Pandemonium Deluxe Edition

Celtic Frost

2LP | 2017 | EU | Reissue (Noise)

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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12" | 2023 | EU | Original (Warner Bros.)

Crosses

Permanent.Radiant

Release: 2023 / EU – Original

Genre: Rock & Indie

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Rocket To Russia Remastered

Ramones

LP | 2018 | EU | Reissue (Rhino)

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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2LP | 2017 | EU | Reissue (Parlophone Label Group)

Iron Maiden

Dance Of Death

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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A Matter Of Life And Death

Iron Maiden

2LP | 2017 | EU | Reissue (Parlophone Label Group)

36,99 €*

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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LP | 2015 | EU | Original (Repertoire)

Judas Priest

Sad Wings Of Destiny

Release: 2015 / EU – Original

Genre: Rock & Indie

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LP | 2015 | EU | Original (Repertoire)

Judas Priest

Rocka Rolla

Release: 2015 / EU – Original

Genre: Rock & Indie

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I Will Be My Own Hell (...) Neon Purple Vinyl Edition

Teen Suicide

LP | 2012 | US | Reissue (Run For Cover)

2LP | 2020 | EU | Original (Vertigo Berlin)

Release: 2012 / US – Reissue

Genre: Rock & Indie

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i will be my own hell because there is a devil inside my bodyi will be my own hell because there is a devil inside my bodyi will be my own hell because there is a devil inside my bodyteen suicideRFC128LABEL: Run For Cover Recordsteen suicide's first & only proper album, `i will be my own hell because there is a devil inside my body', has been a sought after release for many collectors after it's ultra-limited vinyl release in 2012. Now, Run For Cover Records will be reissuing my own hell, with remastered audio, expanded artwork and 8 never-before-issued bonus tracks. Across the album's 10 songs, the band displays a knack for different sounds and styles. Intimate, keyboard driven tracks like `cop graveyard' and `grim reaper' sit beside more energetic full-band outings like `dead bird skeleton and `give me back to the sky', the latter even adding an evocative viola, piano and choral arrangement to it's chaotic center. It's to the band's credit that their more outré moments feel necessary, not distracting. What becomes clear upon listening to `my own hell' is that beneath the dreamy haze & noisy apathy of teen suicide's recordings exist ernest, extremely well-written pop songs that reflect and express the uncertainty and desperation of reality

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Haim

Women In Music Pt. III

Release: 2020 / EU – Original

Genre: Rock & Indie

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Deutsche Elektronische Musik Volume 2 Special Edition

V.A.

4LP | 2021 | UK | Original (Soul Jazz)

89,99 €*

LP | 2021 | US | Original (Alternative Tentacles)

Release: 2021 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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This album is the rarest of Soul Jazz's Deutsche Elektronische Musik series! Out-of print since its initial release over 8 years ago and not reissued, it features a monster 2 and ahalf hours of music! Very Limited Edition Super Deluxe Heavyweight Box Collectors' Edition (includes 4 LP + Insert + 2 Art prints + individual inners + download) + excellent extensive sleevenotes (by David Stubbs, writer for Wire/Guardian and author of the definitive 'Krautrock' book) + lots of exclusive photos. This is a one-off pressing of 2,000 copies worldwide.

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Legandary Shack Shakers

Cockadoodledeux

LP | 2021 | EU | Original (Fat Wreck)

Release: 2021 / US – Original

Genre: Rock & Indie

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Join those Legendary Shack Shakers as they mark their 25th anniversary as a band on Planet Earth—to celebrate the occasion, they’ve invited former members to help them record an all country & western album! From spaghetti western to bluegrass, western swing to rockabilly, Tex-Mex to country folk, the variety of the genre is on full display. Always ones to respect their history, the Shack Shakers have also included some Kentucky local legends to “pick and grin”. Hotshots such as Stanley Walker (Grand Ole Opry band leader for Jean Shepard and guitarist for Sun Studio’s “Rockin’ ” Ray Smith) and Jack Martin (dobro-player for Lester Flatt) really give those “young ‘uns” a run for their money. And the always-ornery “Hillbilly” Bob Prather (Louisiana Hayride fiddler and running buddy of Opry star Onie Wheeler) pitches in too. Just add The Dead Kennedys’ Jello Biafra, hillbilly royalty Chris Scruggs and an Old Crow Medicine Showman and you’ve got a recipe for what could only be a Legendary Shack Shakers masterpiece. Titling it Cockadoodledeux was done, admittedly, to bookend 2002’s Cockadoodle-Don’t, an album by which many fans were first made aware of the group. However, it also serves to signal the start of another twenty-five years! Just as the plucky, two-headed chick emerges from the egg on the cover, so too begins a fresh start for the band’s creative energies. Once again, generations of fans—both young and old—get to lean in, listen and expect the un-expected.

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NOFX

Single Album

Jello Biafra And The Guantanamo School Of Medicine

Release: 2021 / EU – Original

Genre: Rock & Indie, Pop

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A download code is included.

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Tea Party Revenge Porn Black Vinyl Edition

LP | 2021 | US | Original (Alternative Tentacles)

19,99 €*

Eroded Black Vinyl Ediiton

Release: 2021 / US – Original

Genre: Rock & Indie

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Hot on the heels of five viral video singles, Tea Party Revenge Porn, the first full album since 2014 by Jello Biafra And The Guantanamo School Of Medicine, is finally here! This is very strong stuff. Hear the inimitable Mr. B skewer the place the country has put itself in like no one else would—or could—as he and The Guantanamo School Of Medicine capture the full power of their live shows on disc as never before. Only so many artists have a track record of lyrics this good, and back it up with music as good or better. It’s usually one of the other, but rarely this fierce, thanks to the wall of sound production of the mysterious Marshall Lawless, with Kurt Schlegel at the board this time. Co-conspirators now feature both string-titans of longtime AT mainstay Victims Family: guitarist Ralph Spight (also Freak Accident) and wonder bassist Larry Boothroyd (also Triclops, Brubaker); plus drummer / metal percussionist Jason Willer (UK Subs, Nik Turner, Charger, The Mob). So as germs and police riots rage, there’s no better primal scream therapy than a long-awaited new Jello Biafra album. From Dead Kennedys to Lard to the now-classic albums with the Melvins, DOA, NoMeansNo, Mojo Nixon; and of course, The Guantanamo School Of Medicine, Tea Party Revenge Porn is right up there with all of it.

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Lizzard

LP | 2021 | EU | Original (Pelagic)

18,99 €*

Black Wing (Dan Barrett of Have A Nice Life)

Release: 2021 / EU – Original

Genre: Rock & Indie

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In early 2021, Eroded comes as a strong, hopeful voice expressing the suppressed yearning for an end of this madness which we all carry inside.

Back in 2012 LIZZARD recorded with Rhys Fulber in L.A. (Paradise Lost, Fear Factory, Front Line Assembly...) who confesses his love for their "marvelous poly-rhythmical sound". It is true that LIZZARD's songwriting is distinguished by at times intricate rhythmical patterns, but these are always woven into the fabric of immensely catchy song constructs. The technical prowess here is well concealed behind the glaring allure of the immediacy of raw, in your face rock music.

Formed in 2006, when Katy Elwell (drums), William Knox (bass) and Mathieu Ricou (guitar & vocals) met and discovered that they shared a common vision in music, LIZZARD soon set out to work on their sound with a mission to find their own idiosyncratic approach to contemporary rock music – music that makes confident reference to the past without romanticising it. In many ways, Eroded is a trip back to the best parts of the 90's, but in the sound of 2020.

Sophomore album Majestic was released in 2014 and met with great critical acclaim: a more spontaneous and raw affair compared to its predecessor, recorded live and produced by the band themselves, the album captures the intense energy the band unleashes on stage. “We’re very much a live band creatively speaking”, says bass player Will Knox. “All of the writing sessions happen in our rehearsal space rather than at home. We believe that to capture any vibe, the chemistry between members needs to occur in real time... at least for us.”

Shift (produced, mixed and engineered by Peter Junge), released in 2018, opened new doors for the French trio: “Lizzard accomplish the perfect balancing act between music that is challenging and catchy in equal measure”, Metal Hammer raved. The band opened for Gojira and Terry Bozzio who invited them to perform on Drum Channel, and embarked on month-long European tours with the likes of HIGH ON FIRE, THE PINEAPPLE THIEF and the ADRIAN BELEW POWER TRIO.

Recorded during a long month of voluntary isolation at the legendary Castle Studios in Germany, Eroded brings a light at the end of the tunnel: “The vibe on the album is generally one of hope and an invitation to stay alert to the light within ourselves, and to keep moving towards brighter destinations.”

Bring on the future and for once, let it be the past, as we knew it before the pandemic.

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No Moon

2LP | 2020 | US | Original (The Flenser)

32,99 €*

Best Of: First Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie, Electronic & Dance

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Dan Barrett—the man behind Have A Nice Life, Giles Corey, and Enemies List Home Recordings—has unveiled his sophomore album as the electronic project Black Wing on The Flenser. No Moon is a gorgeous chillwave / post-punk record with nine bleak yet blissful songs and is a fitting close out to the year 2020. Written over the course of the last few years, with about half of the songs penned over the last six months (mostly due to pandemic “free time”), No Moon is a heart-wrenchingly honest outpour of emotion. Throughout the writing process, Barrett was having recurring dreams and felt a strange sense of timelessness—that, combined with quarantine is what he simply describes as “a weird experience.” Barrett explains, “Quarantine was profoundly isolating. With writing this record, more than anything I just wanted to prove to myself that I could make something out of it. That ended up being a lot of songs about feeling isolated, a lot of ‘trapped in my own head’ moments. I think that was a lot of people’s experience as well.” Barrett formed Black Wing in the mid-2010s as an opposite to his project Giles Corey; where Giles started as “only acoustic instruments allowed,” Black Wing started with only digital instruments. In 2015, Black Wing released its first proper full length, …Is Doomed, to great critical acclaim. Much like that album, No Moon bubbles with electronica and indie-pop with earworm melodies and affecting lyrics. But No Moon is a transitional change from Black Wing’s debut; the songs here are a bit more experimental and there’s a significantly wider emotional range to them. The lyrics are haunting and personal and resonate deeply with the listener. The nine new tracks on No Moon are gloomy yet glorious, heavy while ambient, overwhelming yet alluring, and offer an earnest and honest look into one’s self during such a troubling and confusing year—something everyone can relate to.

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Mano Negra

2LP | 2020 | EU | Original (Because Music)

Blackwater Holylight Purple Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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First timer ever Best Of Mano Negra on vinyl ! Double black 140g vinyl edition.

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Blackwater Holylight

LP | 2018 | US | Original (Riding Easy)

Release: 2018 / US – Original

Genre: Rock & Indie

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LP | 2020 | US | Original (Relate States)

Ezra Feinberg

Recumbant Speech

New Petal Instants Colored Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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Recumbent Speech, Ezra Feinberg's (ex-Citay) second album, opens with a lament. Named for the Robert Frost poem, “Acquainted with the Night” was written under the cloud of one of the many devastating spectacles of injustice under our current regime. Repeating flutes and synths beam out of a low-end darkness, reflecting our collective sense of loss and alienation. Rising slowly, thickening with guitars and strings, “Acquainted with the Night” lifts off, and so too does the album from there. The second track, “Letter to my Mind,'' features the dynamic interplay of Feinberg's guitar with the loose and playful drumming of Tortoise's John Mcentire, both pushing and pulling atop a looping bass figure. "Palms Up" begins with a lockstep pulse recalling early Terry Riley before jumping into an Ashra-like jam with Afrobeat accents. Side B opens with "Ovation," a tryptic with McEntire on drums which sets a wide lens onto a sweeping landscape, with soaring flutes, wordless vocals, and a hypnotic bassline played on a humming fretless that recalls classic ECM jazz-fusion. The piece plunges into an ambient, interior space before reemerging with a guitar solo fried through an old Space Echo effects processor. The album's title-track finale, "Recumbent Speech," features the magical pedal steel of Chuck Johnson. Unwinding atop a bright analog synth pattern, Feinberg stretches textures of moog and acoustic guitar around Johnson’s lyrical steel, a nod to Cluster & Eno. The piece invokes the need to search deep within—ourselves and our communities—to combat overwhelming strains of darkness with a measure of hope.

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Arbor Labor Union

LP | 2020 | US | Original (Arrowhawk)

Everyday Life Black Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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'rootsy drone 'propelled by muscular hymns and steeped in a mystical if not downright metaphysical aura' circular, mutant-Southern-rock riffs and bleary distortion; at the same time, there's an almost pagan spiritualism at play' - Pitchfork

'combines the droning jams of Luna with the tender tension of Ought (and the squealing yawps of Meat Puppets frontman Curt Kirkwood) 'the grooves are absolutely transfixing" - Spin

While the members of Atlanta's Arbor Labor Union are involved in and influenced by the scene and ideology of DIY punk and hardcore, they are indebted to Cosmic Americana Music, Whitman-esque optimism and appreciation toward nature, and the working-class sympathies of Woody Guthrie. In their words, 'CCR meets The Minute Men.'
This is the follow up to Subpop's 2016 release 'I Hear You.' They have toured with have toured with Dinosaur Jr., Outer Spaces, Gnarwhal and The Gotobeds.

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Coldplay

2LP | 2019 | EU | Original (Parlophone)

50,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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Shades Of A Blue Orphanage

Thin Lizzy

LP | 2019 | EU | Original (Decca)

22,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2019 | EU | Reissue (Polydor)

The Police

Synchronicity

42,99 €*

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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The Best Of Townes Van Zandt

Townes Van Zandt

2LP | 2019 | US | Original (Fat Possum)

35,99 €*

Release: 2019 / US – Original

Genre: Rock & Indie

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Searching For A Former Clarity

Against Me

2LP | 2019 | US | Original (Fat Wreck Chords)

36,99 €*

Release: 2019 / US – Original

Genre: Rock & Indie

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LP+CD | 2019 | EU | Original (Because Music)

J.J. Cale

Guitar Man

LP+CD | 2019 | EU | Original (Because Music)

Release: 2019 / EU – Original

Genre: Rock & Indie

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This release comes on 180g.

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J.J. Cale

Closer To You

LP | 2019 | EU | Original (End Hits)

Release: 2019 / EU – Original

Genre: Rock & Indie

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This release comes on 180g.

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Swain

Howl + Heavy Dancing

18,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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2LP | 2019 | EU | Original (Geffen)

Nirvana

Live At The Paramount

Release: 2019 / EU – Original

Genre: Rock & Indie

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Divinely Uninspired To A Hellish Extent

Lewis Capaldi

LP | 2019 | EU | Original (Vertigo Berlin)

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (Grönland)

Das Paradies

Goldene Zukunft

21,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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Sunset Preacher / Confessional

Omni

7" | 2018 | US | Original (Chunklet)

9,99 €*

Release: 2018 / US – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (Born Bad)

Bernard Estardy

Space Oddities 1970-1982

21,99 €*

LP | 2018 | US | Original (Riding Easy)

Release: 2018 / EU – Original

Genre: Organic Grooves, Rock & Indie

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A master of the mixing board, from the late '60s until the '90s Bernard Estardy was the wizard of French musical recordings. As head of CBE studios, he shaped everything from Gérard Manset's concept albums to Claude François' hit singles, Françoise Hardy's delicate tear-jerkers and Michel Sardou's soul-stirrers. This "giant" had his hand in the whole range of mainstream French music by making his studio a veritable playground for experimentation. His legendary album 'La Formule Du Baron,' released in 1969, and the eight LPs of production music he made between 1974 and 1978 for Tele Music are vivid proof.

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Spiny Normen

LP | 2017 | US | Original (Neurot)

Release: 2018 / US – Original

Genre: Rock & Indie

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Spiny Normen were an incredible mid-’70s Houston hard rock, progressive, psychedelic rock band that featured mellotron, Vox Jaguar, crunchy, heavy guitars, flute with echo effects, and lots more. A totally lost relic, this self-titled album was recorded at a community college and never released. The recording is very English, dark, mysterious and proggy, but also very acid-drenched.

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Amenra

Mass VI

Here Lies Man Black Vinyl Edition

Release: 2017 / US – Original

Genre: Rock & Indie

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Contrasts have always been deep and at the very heart of Amenra, who have been uttering prayers and holding masses for eighteen years. Tormented darkness has always coexisted alongside luminous beauty, and thunderous impacts instantly follow frail, delicate subtleties. Songs that engulf everyone in the world suddenly feel whispered inside a solitary womb. Mass VI is here, and more than any other album in the band’s past, it highlights those contrasts.

The eerie quiet of the first couple minutes of “Children Of The Eye” announces the coming storm, and the nine explosive, cathartic minutes that follow hold all the striking disparate emotions one expects from the band. This album is an emotional rollercoaster until its very last second, when “Diaken” abruptly ends at its very climax. Every band member is stretched to their physical limits throughout: Colin H. Vaneeckhout (vocals) puts in the performance of a lifetime, but he is inextricably intertwined to the guitar-work of Mathieu J. Vandekerckhove; Lennart Bossu expresses unimaginable weight, both physical and spiritual, as well as weaving melodies of the utmost delicacy; the rhythm section of Levy Seynaeve and Bjorn J. Lebon rumbles like a consuming thunderstorm or retreat to the shadows with flowing spontaneity. No love without pain. No life without death. No light without darkness. That is the conflict at the heart of the album and at the heart of what it means to be human, and this music wrenches that ambivalence out.

It’s hard to think of a better person to capture this enormity than Billy Anderson. The legendary American producer was already the chosen one for Mass V, and between Neurosis’s Through Silver In Blood, Sleep’s Dopesmoker, and Eyehategod’s Dopesick, among many others, he’s been a decisive element in the building of many a true classic.

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Here Lies Man

LP | 2017 | US | Original (Riding Easy)

25,99 €*

LP | 2015 | EU | Original (Tutl)

Release: 2017 / US – Original

Genre: Rock & Indie

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What if Black Sabbath played Afrobeat? In short, that's the underlying vibe to the self-titled debut by Here Lies Man. The L.A. based quintet is founded and conceptualized by Marcos Garcia of Antibalas, bringing his erudite experience of West African rhythms and music to the more riff-based foundations of heavy rock. The results are an incredibly catchy and refreshing twist on classic forms, without sounding forced and trite like some sort of mash-up attempt. Here Lies Man merges and expands musical traditions organically, utilizing the talents of drummer Geoff Mann (son of jazz musician Herbie Mann) and a host of skilled musicians to make Garcia's vision a reality.

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Eivor

Slor

Release: 2015 / EU – Original

Genre: Rock & Indie

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Complete Recordings Volume 3

Jackson C. Frank

2LP | 2015 | US | Original (Ba Da Bing)

25,99 €*

Release: 2015 / US – Original

Genre: Rock & Indie

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LP | 2015 | US | Original (Ghostly International)

HTRK

Marry Me Tonight

2LP | 2013 | EU | Original (Listenable)

Release: 2015 / US – Original

Genre: Rock & Indie, Electronic & Dance

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On vinyl for the first time.

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Gojira

The Way Of All Flesh

Release: 2013 / EU – Original

Genre: Rock & Indie

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LP | 2013 | US | Original (In The Red)

Fuzz

7" | 2013 | US | Original (Castle Face)

Release: 2013 / US – Original

Genre: Rock & Indie

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Fuzz is Ty Segall (drums / vocals), Charlie Moothart (guitar / vocals) and Roland Cosio (bass).
They're heavy rock lifers-three California-bred dudes who have been refining their riffs and getting weird together since high school (which wasn't that long ago, actually). Fuzz was formed a couple years ago as a collaboration between Segall and Moothart, but only recently did the pair have sufficient time to guide the band out of side-project limbo and into a recording studio. Since then, they have released two singles, "This Time I Got a Reason" (Trouble In Mind) and "Sleigh Ride" (In The Red). Around the time of the latter, Cosio joined on bass. They are not dabblers or dilettantes. Fuzz flipped through used bins, hard drives and record collections of the world, seeking out the finest weirdo cuts. The band's self-titled debut LP dives deep, drawing inspiration from the more esoteric reaches of heavy metal pre-history. There are Sabbath and Hendrix nods, obviously, but on "Sleigh Bells" you might also catch a whiff of UK progressive blues business like The Groundhogs, particularly when the song quits its 10/4-time intro and reboots into full-bore choogle. Maybe you'll even glimpse the ghost of Australian guitar legend / sharpie guru Lobby Lloyde sniffing around "Raise." The mood is not light. The songs project a state of perpetual paranoia and eroding mental health. And as it should be, you know? It's a record for the burners. Vinyl includes digital download coupon.

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White Fence

Pink Gorilla

8,99 €*

LP | 2010 | US | Original (Goner)

Release: 2013 / US – Original

Genre: Rock & Indie

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A split release with TIM PRESLEY's own Birth Records, this sneaky preview includes "Pink Gorilla," a total blazer in steady rotation in his live sets and a standout from the upcoming LP Cyclops Reap (out April 9th, 2013), as well as exclusive B sides "Fragility" and "Cyclops Reap," both only available here.

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Ty Segall

Melted

18,99 €*

Release: 2010 / US – Original

Genre: Rock & Indie

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Pressure Transparent Yellow

Drag Me Out

LP | 2019 | EU | Original (Virgin Music Las)

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Groovie)

Las Ratas Sicodelicas

17,99 €*

Jackleg Devotional... - Loser Edition

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Viajando con Las Ratas Sicodelicas (Groovie Records/El Gato Salvaje Records 2024) Here is the debut album of this garage punk trio from Argentina released by Groovie Records (Portugal) and El Gato Salvaje Records (Argentina). There are 14 explosive songs where you can see the influences of 60s garage punk and 80s revival but with lyrics in Spanish. Their compositions sound like Music Machine, passing through Los Yorks (Peru) or The Cynics, but the rats dare to go a little further with their song “No te persigas” a la Velvet underground style or the raw cover of the classic “Keep on running” sung by Oscar Hechomierda (Bass), a true bizarre piece. Turn up the volume on your turntable and enjoy the insane sound of Las Ratas Sicodelicas!

About las Ratas Sicodelicas... Las Ratas Sicodelicas were born by the union of three friends who got together to break the great boredom that unleashed the 2020 pandemic. With a musical mutation where they use their long experience in garage punk to give place to the Latin American beat and psychedelia, all their songs are sung in Spanish. These psychedelic rodents are: Rolando Bruno, Oscar Hechomierda and Pablo Bam Bam, all with past and present in the Los Peyotes garage punk group from Buenos Aires Argentina. They have a 7” vinyl with 2 songs released by Groovie Records (Portugal) and an incoming LP.

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The Baptist Generals

LP | 2013 | US | Reissue (Sub Pop)

LP | 2013 | US | Reissue (Hardly Art)

Release: 2013 / US – Reissue

Genre: Rock & Indie

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Loser Edition Color Vinyl!This limited Sub Pop "Loser Edition" vinyl is .. . Includes a download code. Only 40 copies available.

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Hausu

Total

7" | 2024 | US | Original (Chunklet)

Release: 2013 / US – Reissue

Genre: Rock & Indie

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We've thought a lot about rock-music. One selects one's influences and moves from there, a process madesimpler in the networked age. The result often resembles a collage, unified by the aesthetic leanings of its maker.Music writers and peers in conversation map out the references and citations made by their favorite new bands - "just like early SST punk" or "frigid cold-wave resembling...

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Vangas

Slow Strum / Rushing

14,99 €*

Trapped In A Prking Garage

Release: 2024 / US – Original

Genre: Rock & Indie

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Discussing Vangas, it's always brings up the same questions: "How are they so good?" "Why are they so good?" and of course "They're good, but how do they keep getting better?" Well, let this single serve as merely a glimpse into their continuing chaotic world. "Slow Strum" is a sax-drenched track off their full length that's 'in the can' and just shows how rapidly they have been improving since their last album. Recorded and mixed by Dan Dixon. The b-side is exclusive to this release and is a 7/8 romp that's best described as a live show staple.

What Vangas has been doing is simultaneously breathtaking while being undeniably astonishing. Welcome back, Vangas. We've missed you.

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Citric Dummies

7" | 2024 | US | Original (Feel It)

17,99 €*

LP | 2024 | US | Original (Grapefruit)

Release: 2024 / US – Original

Genre: Rock & Indie

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"Jeff Goldblum takes a deep breath and initiates the teleportation sequence, unaware that lurking in the corner of the telepod are three greasy eighth grade boys quoting their favorite lines from Kids In The Hall sketches. The sequence initiates; a crack of static; a horrible flash of white hot light. Dramatically backlit and shrouded in fog, what emerges from the adjacent telepod is not so much man-child as teenage lobotomy. The camera jumps to a tight shot on the receding hairlines of three dumb assholes: “Look out world…” they whisper with an off-putting wink into the camera. “I’m eatin’ Arby’s.”

This is the Citric Dummies and that is a reference to their song lyrics! Yes, you do not have to ask: this shit is dumb. Lyrics like “I'm driving a piece of shit because I am a piece of shit” dumb. I hear fear in their voices: this is both a reference to Lee Ving’s phlegm and the fact this band is naked and lost in a parking garage, “A traffic cone used for modesty (It’s not a giant orange dick, you see)”. But unlike Fear, this band does not hate you, for they are too busy hating themselves. “Fuck you!” you yell at them, and they know why.

When you see these Citric Dummies (and oh, you simply must!), you will notice their jackets—matching in satin, unique in color. A bassist in green satin, like a lime, and bald (not unlike a lime…). Guitarist? In lemon yellow; he has a regular amount of hair. And that drummer on the drums, the one with the most hair of all? Orange! What we have here is a band who visually tastes like an orange 7Up if such a dumb thing were a thing.

And this band plays: fast! Fuck! Live, it’s fast-as-fuck-oh-fuck-this-is-fast. Dean Dirg is there playing fast, and The Hives, because we love the Hives and know their roots are of the same raw Swedish garage milieu as the Hellacopters and Henry Fiat's Open Sore. “It’s too rock ‘n roll for hardcore, too hardcore for rock ‘n roll,” you may say (because you yourself may be dumb). Is this what is called…punk? Yes! That’s it! Maybe this is punk, you dumbass.

Oh no! I’ve forgotten the best part of all! You don’t have to just read about the Citric Dummies, you can hear the Citric Dummies. You can even have the Citric Dummies!—on a new 4-song 7” out on Feel It! And I forgot the other best part of all! They are soon touring Europe with Erik Nervous! So rock over London, and rock on Chicago, because Citric Dummies are a band from Minneapolis, and I don’t care who knows it!"—Brendan Wells

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Bingo Trappers

Karaoke Parkman Blues

Traces Of Me / Name That Tune

Release: 2024 / US – Original

Genre: Rock & Indie

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The Amsterdam based Bingo Trappers are the moniker of songwriter and singer Waldemar NOË and multi-instrumentalist WIM Elzinga, who also creates the arrangements and recordings of their prolific oeuvre, which began in 1995 with the cassette More/Soul on the legendary Shrimper label. They’ve been active ever since, Rolling Stone mentions them as a special pick with their CD-only release Juanita Ave. in 2001, and in the last decade they’re on a steady vinyl-streak with the albums Sister Planet (’13), Elizabethan (‘18) and ‘Giddy Wishes (’20) (for the complete discography, see their Bandcamp-page). Their music is tasty enough to dub it a delicious stew of sixties-twangs, bluesy strums, luring slide-guitars or pedal-steels, warm vocals and tickling choirs. Please enjoy.

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Survival Knife

7" | 2013 | US | Reissue (Sub Pop)

10,99 €*

LP | 2013 | US | Reissue (Sub Pop)

Release: 2013 / US – Reissue

Genre: Rock & Indie

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SURVIVAL KNIFE hail from Olympia, WA, and this is their first release (if you don't count a soundboard recording of their first show that has been gathering praise all over the internet). It features two of the three founding members of Northwest legends UNWOUND. The band pulls together elements of DRIVE LIKE JEHU, HOT SNAKES, BLACK FLAG's mid-period mathematical lurch, King Crimson and of course Unwound for a taut and catchy post-hardcore crunch. Since their live debut in March 2012, they have shared stages with the likes of METZ, BITCH MAGNET, KINSKI and HUNGRY GHOST.

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Colleen Green

Sock It To Me

7" | 2012 | US | Reissue (Sub Pop)

Release: 2013 / US – Reissue

Genre: Rock & Indie

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Colleen Green always wears sunglasses onstage. Colleen Green is long hair and getting high. Her first full-length for Hardly Art, "Sock it to Me", is grounded in pure pop. The multi-tracked, emotive vocals take an enormous leap forward, evoking all-time heroes such as Rose Melberg and Tina Weymouth, with every drum-machine-tracked song awash in the dreamy slacker romanticism of California.The first pressing of LPs on opaque blue vinyl! All LPs include a download code.

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King Tuff

Screaming Skull

10,99 €*

Cold Diamond & Mink & Emilia Sisco

Release: 2012 / US – Reissue

Genre: Rock & Indie

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LA-via-Vermont garage/powerpop wunderkind KING TUFF presents two brand new, non-album tracks, hot on the heels of his critically-acclaimed self-titled LP. "Screaming Skull" is a club-ready, guitar-driven dance hit, and "Love Potion" is yet another glammed-up rock anthem from the King.

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Let Me In Opaque Yellow Vinyl Edition

7" | 2024 | FI | Original (Timmion)

12,99 €*

Hallo EndorphinTransparent Green Vinyl Editoin

Release: 2024 / FI – Original

Genre: Rock & Indie

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One of the prominent growing voices in Timmion Record'sroster, singer Emilia Sisco blesses your turntable withanother deep soul ballad. Joining hands with ColdDiamond & Mink, Emilia pours a generous helping of deepsoul magic into "Let Me In", gliding over the southerntinged beat with melodic grace.It's almost impossible to remain ambivalent to Emilia'stalent when the spine-tingling chorus with its clever twistsrolls in. The bittersweet love song's timeless feel poursover the listener like the flooding Mississippi, anthemic butunderstated. Flipping the single, we get to revisit Emilia'sprevious single "Love Can Carry Me" but this time ininstrumental mode, titled as "Way Past Midnight". It's notjust a vocal strip down, but this time Cold Diamond & Minkhas equipped the track with a jazzy Grant Green styledlead guitar. Tasty.You would have to be a cold-blooded robot not to feelsomething from this soulful double sider. Forget the dancefloors and bedrooms for a minute, these songs are the bestfertilizer for your personal mind garden.

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But Alive

LP | 2024 | EU | Original (B.A.)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Drunken Sailor)

Insane Urge

Two Tapes

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Drunken Sailor)

Cutters

Psychic Injury

Release: 2024 / EU – Original

Genre: Rock & Indie

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Speed Of Stars (Steve Kilbey & Frank Kearns)

Speed Of Stars

LP | 2024 | EU | Original (Easy Action)

Release: 2024 / EU – Original

Genre: Rock & Indie

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7" | 2024 | US | Original (Carbon)

Rock Candy

Swimming In

13,99 €*

Sentiment Light Spotting Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Delve into Rock Candy’s first ever released recordings—enter their universe of far out features, including sounds from the electric guitar, organ, drum machine and “vintage” keyboard. An electrifying and experimental fusion of psych rock, noise, and avant-garde guitar work, along with organ, keyboard and drum machine, culminating in the construction of two 5 minute-plus instrumental stakes in the ground, telling the underground music world, we’re coming for you! The artists behind these artifacts are Kryssi B (of New Haven heavies Headroom and Mountain Movers) and Emily Robb (with multiple solo releases as well as member of Astute Palate); they are shelling out sounds via the spring of 2023’s sweating and laboring in Robb’s basement, lovingly referred to as “Suddenly Studio.”

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Claire Rousay

LP | 2024 | US | Original (Thrill Jockey)

LP | 2024 | US | Original (Dot Dash Sounds)

Release: 2024 / US – Original

Genre: Rock & Indie

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sentiment is a meditation of the poignant emotional terrains of loneliness, nostalgia, sentimentality, guilt, and sex. The album"s narrative arc is guided by delicate musical gestures and artistic vulnerability, audaciously synthesizing disparate and unexpected influences. claire rousay is a singular artist, known for challenging conventions in experimental and ambient music forms. rousay masterfully incorporates textural found sounds, sumptuous drones and candid field recordings into music that celebrates the beauty in life"s banalities. Her music is curatorial and granular in detail, deftly shaped into emotionally affecting pieces. rousay"s vocals and guitar take center stage on sentiment. Her intimate, diaristic lyrics contrast with her mechanical-inflected vocal effects, emphasizing a powerful desire for connection, a deep yearning and a lingering sense of separation. The spare guitar playing and laconic tempo both drive the songs and exude a sense of resignation. Her delicate mastery of nuance draws on her explorative musical past that she, with sincerity and admiration, seamlessly interweaves into her adventurous textures and distinctive compositions. "I want to belong to the worlds and communities I look up to. Same as someone using a Fender guitar or dressing like Kurt Cobain. Emulate your heroes," says rousay. The album balances the poetic soul of her influences with a documentarian heart, rousay capturing moments of her life while living alone in houses across the country, learning to play guitar, and reconnecting with pop music. Her innate ability to conjure pure feeling from sound derives from her delightful embrace of pop forms, the vulnerability found in field recordings, minimalistic arrangements and innovative sound choices. sentiment is blissfully, achingly melancholic, and an undeniably sensual listening experience.

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The Sheaves

A Slave For Institution

As It Happened: Horse Lords Live

Release: 2024 / US – Original

Genre: Rock & Indie

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The second LP from this inspired Phoenix DIY punk outfit. "Upstart New York label Dot Dash Sounds have teamed up with Paris' estimable SDZ to bang out this sophomore effort by The Sheaves, an outfit of desert peccaries whose swinley snouts have expertly strung together another string of stinging pearls for thine earholes. If the Placebo Records track team had a miler as lopey as this bunch, those trophy cups would have been perpetually brimming with Champagne's finest export."—Tom Lax, Siltbreeze Records

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Horse Lords

LP | 2024 | US | Original (Rvng Intl.)

12th House Rock Hardwood Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Horse Lords bring the fervor and fury of the beloved band's show to wax with As It Happened: Horse Lords Live, a collection of recordings that capture the quartet's galvanic energy as never before while toying with the trope of a live album. Captured at a series of concerts across Europe spanning multiple tours throughout 2022 and 2023, As It Happened is a mediated, and at moments consciously and conspicuously edited presentation of a Horse Lords performance that strives for a certain level of idealization. With performance at the center of the band's practice, and elements of chance colliding with Horse Lords' tightly composed and complex music, As it Happened works as both provocation and total jam.

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Narrow Head

LP | 2020 | US | Reissue (Run For Cover)

33,99 €*

A Dream Is All We Know Black Vinyl Ediiton

Release: 2020 / US – Reissue

Genre: Rock & Indie

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Hardwood Vinyl.Narrow Head's highly anticipated new LP 12th House Rock arrives August 28th on Run For Cover Records. The Houston-based band's latest entry is the distillation of the greatest moments in 90's alternative and hard rock with a fresh set of ears, thirteen tracks of their signature brand of bludgeoning lullabies bursting at the seams with creative ideas, new directions and yes, massive, monolithic riffs. In between the sparkle and smash, open-hearted and emotionally naked songwriting showcases a core piece of the band's identity- showcasing 12th House Rock as one of the best releases of 2020.Delving into deep-seated themes of self loathing, desolation, self-medication, the loss of loved ones and hopeful redemption,12th House Rock is, as the title suggests, a rock-focused LP themed on transition- exploring the vast abyss of darkness just before the sun cracks upon the horizon. Using distorted guitars as their primary vehicle, Narrow Head's wall of riffs add stark contrast to their best quality- deceptively sweet pop melodies that channel the lessons of My Bloody Valentine, Cocteau Twins, Helmet, Deftones and Guided by Voices all at once.

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The Lemon Twigs

LP | 2024 | US | Original (Captured Tracks)

LP | 2024 | US | Original (Merge)

Release: 2024 / US – Original

Genre: Rock & Indie

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Since the release of their debut studio album Do Hollywood (on 4AD) in 2016, The Lemon Twigs_the New York City rock band fronted by brothers Brian (27) and Michael D'Addario (25)_have waved the same revivalist torch as Alex Chilton and his Big Star crew, working to prove that archaic music from the '60s and '70s can still be relevant in digital world. Alongside peers like Foxygen and Drugdealer, The Lemon Twigs have explicitly documented a synchronistic blend of contemporary narrative motifs, old-school recording techniques, and flawless, consistent attitudes collaged from various crucial stages of rock 'n' roll. After a whirlwind 2023, the D'Addarios are continuing the momentum of their own evolving vision and voice, distilling a history lesson of baroque and power pop into A Dream Is All We Know (out May 3 on Captured Tracks).Garnering the top-to-bottom critical acclaim the brothers have long deserved, their 2023 LP Everything Harmony was spearheaded by an impressive string of singles, including "Corner Of My Eye" and "Any Time of Day." It was the kind of record that put all of Brian and Michael's talents on display, be it the former's multi-instrumentalist gifts or the latter's boyish, explosive pop-rock charisma and eye for engineering and vocal layering. But A Dream Is All We Know is not the acoustic, nylon string-based project that Everything Harmony was. Instead, it's a return to the form the Lemon Twigs first introduced on Do Hollywood_ an electric guitar-centric, anthemic assemblage of, really, everything the band does great. These two companion records are an immediate example of a band capitalizing on their fire-in-the-belly appetite to make tunes that boast ubiquitous chemistry.A Dream Is All We Know is grandiose yet grounded; meticulous, yet wild and glowing. Made with analog precision, the album was finished in the immediate months after the band completed Everything Harmony during a vibrant, prolific period split between three studios on separate coasts. A Dream Is All We Know is a profoundl...

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David Kilgour

A Feather In The Engine

Arianne Churchman & Benedict Drew

Release: 2024 / US – Original

Genre: Rock & Indie

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On 9 August, 2024, Merge Records reissues David Kilgour's A Feather in theEngine, remastered and pressed on vinyl for the very first time. Originallyreleased in 2002, A Feather in the Engine followed two full-bandefforts_1997's David Kilgour & the Heavy Eights and The Clean's 2001 albumGetaway_and is thus almost startling in its intimacy.Recorded at home and mostly alone (The Verlaines' Graeme Downesprovides lush string arrangements), Kilgour once called A Feather in theEngine "the most solo LP I've made." Interpolating his genius for guitar popthrough acoustic guitars and gorgeous instrumentals, its melodies unfoldgently, suggesting that the 13 songs here, written over the course of fouryears, were searching Kilgour as much as he was searching them.The dichotomy between A Feather in the Engine's pop songs and instrumentalsfascinates the ear, drawing the listener closer and closer to Kilgour's virtuosicguitar playing when his lyrics aren't imparting his breezy charm. The depthof style he achieves_the psych pop of "Today IsGonna Be Mine," the Velvet Underground-esque churn of "All the Rest,"the chamber folk of "The Perfect Watch"_is daunting; listening to it now,every song feels capable of generating a dozen playlists, or like the spawningpoint of a new microgenre.Perhaps anomalous upon release, it's A Feather in the Engine's instrumentalsthat feel weightiest in this regard now. "Sept. 98" and "Backwards Forwards,"respectively the opening and closing tracks of the album, are elegant,pastoral epics that call out into the yawning expanse, presaging the simmeringambient country of William Tyler and SUSS, while "Instra 2" pushes outthe boundaries of Eastern-influenced psychedelia.Lovingly remastered (and in some cases remixed) from the original tapes byTom Bell at Port Chalmers Recording Services, the vinyl reissue of A Featherin the Engine is a crucial opportunity to rediscover one of David Kilgour'sbest records, a handcrafted gem that perfects guitar pop's p...

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May

2LP | 2024 | US | Original (Love's Devotee)

41,99 €*

Parchment Farm Orange Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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MAY is a double-LP collection of recordings made between 2020–2023 by Arianne Churchman & Benedict Drew (ac&bd), whose ongoing series channels, inhabits and transmogrifies the vast corpus of traditional English folksong celebrating the most fertile of months. An auditory tapestry, MAY employs at its base a flank of analog synthesizers, field recordings and Churchman’s layered vocals, each combining to form a beautifully dizzy sonic collage that often spirals out across long durations into hypnotic rhythms and jubilant melodies. Both multi-disciplinary artists with roots in the English countryside and a fascination with folklore, Ac&bd tap into the multifarious manifestations of folk music across eras throughout the British isles, pushing it towards a new, noisy din with their experimental approach. This might represent a further dimension of “British visionary music” as described by Rob Young in his pivotal Electric Eden book. Perhaps an Electronic Eden? Opening track “The Cuckoo” begins with an atmosphere reminiscent of the more pastoral moments of Broadcast before devolving into a trance-like wall of noise, binaural beats and whispered incantations. “The Green Bushes” sets Churchman’s multi-tracked vocal harmonies atop a pulsing, single-chord foundation. MAY’s varied reference points include Anne Briggs, The Copper Family, Cyril Poacher, Steeleye Span and Shirley Collins, to name just a few. Originally released digitally by Drew’s Thanet Tape Centre label, new Pennsylvania label Love’s Devotee presents the first vinyl release of Ac&bd’s MAY, with tracks reedited and reconfigured by the artists especially for this compilation. Mastered for vinyl by Giuseppe IELASI—whose credits include releases by Alvin Curran, Catherine Christer Hennix and Charlemagne Palestine—MAY brings Ac&bd’s music out of the digital realm and into a physical release truly worthy of deep reverberation throughout your abode. Limited to 350 copies.

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Parchment Farm

LP | 2024 | US | Original (Riding Easy)

33,99 €*

Parchment Farm Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Another unearthed ripper from St Louis MO recorded during the years 1968-1973 and never released until now! Over the course of about five years beginning in late 1968, several musicians living in eastern Missouri rocked the area clubs and festivals with a mix of cover and heavy original songs. The band’s name, Parchment Farm, came from a song on Blue Cheer’s debut LP, Vincebus Eruptum. In their first iteration, lasting from 1968 to 1971, they opened up for such acts as Sons of Champlin and Brian Auger & Trinity. Following a line-up change in 1971, the development of original songs ramped up and they began playing and recording them right away. Opening slots for ZZ Top, Ted Nugent & The Amboy Dukes, and the Velvet Underground & Brownsville Station followed. More line-up changes occured and more opening gigs for the likes of Canned Heat, The Hollies, Rare Earth, and REO Speedwagon. They disbanded in late 1973.

Another unearthed ripper from St Louis MO recorded during the years 1968-1973 and never released until now!

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Parchment Farm

LP | 2024 | US | Original (Riding Easy)

LP | 2024 | US | Original (Ba Da Bing!)

Release: 2024 / US – Original

Genre: Rock & Indie

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Asher White

Home Constellation Study

Love In The Time Of Capital Green Smoke Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Asher White’s third album in two years (and fifteenth overall), Home Constellation Study is less a refinement of last year’s sly, quaint New Excellent Woman, and more an explosion of it. Her meticulous chamber pop has given way to resplendent swells of horns and squeals of noise, throbbing bass and queasy orchestral loops. The cover, painted by White, frames a burst of flowers against a dark blue abyss, mimicking the music: over-frenzied sambas, bleary slacker rock, hushed ambient meditations, and surprisingly slick disco, White mines her personal minutiae for tokens of political decay, alienation, and religious rapture.

The past year has found the prolific Providence-based singer-songwriter ascending through her city’s fertile experimental rock scene alongside the breakout synth-punk act babybaby_explores and her labelmates Or Best Offer. Live, White’s band plays riotous, unpredictable noise rock that nods to their city’s storied DIY scene; on Home Constellation Study, mid-album highlights like “Downstate Prairie” and “Hymn” nod to Providence’s bands of yore with their blistering sheets of feedback and pummeling drums, placing White, improbably, within the lineage of local heroes Les Savy Fav or the broken pop dispatches of Black Pus.

At its core, however, Home Constellation Study is the product of studied, monastic auteurism. Like New Excellent Woman, it was arranged, performed, recorded and mixed by White alone in her basement studio in Providence. “Happy Birthday” is an earnest psalm, a paean of devotion and remorse to God a la Beverly Glenn-Copeland that drifts along with Panda Bear haziness. White’s concept of “toxic femininity” undergoes further investigation on “Good Luck!” and “Runes,” both with Elliott Smith-like chord changes and the barbs of cynical romantics like Aimee Mann. Asher White’s vision has never been so expansive and unpredictable.

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John Davis

LP | 2024 | US | Original (Inundation)

LP | 2024 | Original (Free Dirt)

Release: 2024 / US – Original

Genre: Rock & Indie

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Are you a mannequin in the eyes of your beloved? Does your partner compare yourrelationship to a factory that emits plumes of smoke? Are you in love with aseductive and destructive Credit Default Swap? Someone who sucks you in withskyrocketing short term erotic returns - only to ghost you until you crash so hardthat you end up broke(n) in your own bed? Do you pay $300 an hour out of pocketto a psychiatrist who promises to help you strike a deal with a difcult parent - onethat will produce more stable long term returns on your psychic investments?If so, then you, my friend, may be drowning in the sea of Love in the Time of Capital.It's where everyone would love to drown. It's a new album from John Davis ofThe Folk Implosion that fnds him backed with confdence by Eli Moore and AndrewDorsett of the indie pop band Lake. It was recorded by Nich Wilbur at theUnknown, a cavernous recording studio in Anacortes, WA that has been a favoritedestination for indie rockers around the nation. Ben Brodin recorded Megan Siebeplaying strings on two tracks at his Hidden Branch studio in Omaha, and the albumwas mixed by Scott Solter in Durham NC.Arrangements are based on the classic power pop trio of drums, bass and electricguitar. Those elements are tastefully embellished with organs and pianos that callto mind records by classic rock bands like Tom Petty's Heartbreakers. That is, if theHeartbreakers were fltered through the Northwestern International PopUnderground tradition, and cast a critical eye on how commodity culture shapesthe way we think of ourselves and our intimate relationships. The album alsofeatures four ballads, three drum and electric guitar free, for all you late nightintrospective heads.

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Kaia Kater

Strange Medicine

Release: 2024 / Original

Genre: Rock & Indie

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Now Playing Translucent Red Vinyl Edition

Love

LP | 2024 | EU | Original (Rhino)

31,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Caligula Transparent Vinyl Edition

Lingua Ignota

2LP | 2020 | EU | Reissue (Perpetual Flame Ministries)

35,99 €*

All Bitches Die Transparent Vinyl Edition

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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The 2019 released "Caligula" took the vision of Kristin Hayter's vessel to the next level of grandeur, her purging and vengeful audial vision went beyond anything preceding it and reached an unparalleled sonic plane within her oeuvre.Succeeding her self-released 2017 "All Bitches Die" opus, "CALIGULA" saw Hayter design an ambitious work, displaying the full force of her talent as a vocalist, composer, and storyteller. Vast in scope and multivalent in its influences, with delivery nothing short of demonic, "CALIGULA" is an outsider's opera; magnificent, hideous, and raw. Eschewing and disavowing genre altogether, Hayter built her own world. Here she fully embodied the moniker Lingua Ignota, from the German mystic Hildegard of Bingen, meaning "unknown language" _ this music has no home, any precedent or comparison could only be uneasily given, and there is nothing else like it in our contemporary realm.Whilst "CALIGULA" is unapologetically personal and critically self-aware, there are broader themes explored; the decadence, corruption, depravity and senseless violence of emperor Caligula is well documented and yet still permeates today. Brimming with references and sly jabs, Hayter's sardonic commentary on abuse of power and invalidation is deftly woven.Working closely with Seth Manchester at Machines With Magnets studio in Pawtucket, Rhode Island, Hayter stripped away much of the industrial and electronic elements of her previous work, approaching instead the corporeal intensity and intimate menace of her notorious live performances, achieved with unconventional recording techniques and sound sources, as well as a full arsenal of live instrumentation and collaborators including harsh noise master Sam McKinlay (THE RITA), visceral drummer Lee Buford (The Body) and frenetic percussionist Ted Byrnes (Cackle Car, Wood & Metal), with guest vocals from Dylan Walker (Full of Hell), Mike Berdan (Uniform), and Noraa Kaplan (Visibilities). "CALIGULA" is a massive work, a multi-layered epic that gives voice an...

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Lingua Ignota

LP | 2018 | EU | Reissue (Perpetual Flame Ministries)

SORCS 80 Colored Vinyl Edition

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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LINGUA IGNOTA, the solo project of multidisciplinary artist Kristin Hayter, takes a radical, unflinching approach to themes of violence and vengeance in ways that are moving, brutal, and harrowing. Her music is intentionally situated at specific and strange intersections, incorporating elements of power electronics, death industrial, and black metal alongside baroque classical, spiritual minimalism and folk. Relentless intensity and soaring dramatic arcs are informed by Hayter's background in classical music, and the major sonic locus of the project is her voice, a dynamic entity that rushes from unhinged screaming to lilting soprano to angular belting with an artistry and ferocity that has drawn comparisons to Diamanda Galas. She is notorious for confrontational live performances that can leave an audience breathless or in tears.Hayter began classical training at the age of ten with intent to pursue an operatic conservatory track. Instead she developed an interdisciplinary fine arts practice at The School of the Art Institute of Chicago. She continued with graduate work at Brown University, producing a controversial thesis titled BURN EVERYTHING TRUST NO ONE KILL YOURSELF. LINGUA IGNOTA was born out of this thesis which re-contextualized misogynist content as biblically vitriolic anthems for survivors of domestic violence and sexual assault. A survivor herself, Hayter seeks to give a singularly aggressive voice to the unheard, silenced, and dismissed.

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Osees (Thee Oh Sees)

LP | 2024 | US | Original (Castle Face)

31,99 €*

SORCS 80 Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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“This album [sorcs 80] was a self imposed ambitious project for us [osees]. Something to kick in the creative flow. The last few years, having been a challenging time in general, felt like a good time for a pivot. The last two albums were so guitar and keyboard centric, I wanted a weird and fun set of parameters for us to work with. I demo’d everything at home on cassette four track (harkening back to simpler times) using drum loops, and just had at it ’til I had a pile of ‘songs.’

“Tom [Dolas] and I chose one sound each using synths and created a range of three octaves of that sample, then loaded them into Roland Spd-sx samplers and learned the transcribed songs using drum sticks. The idea was to change the way we wrote and to have four people along the front of the stage essentially playing percussion. So no guitar, no keys.

“As we were recording I kept thinking how the sounds, when paired up, sounded a bit like brass. So, we added a saxophone horn section to round out the horniness of the sound with a bit of reedy bell tones. Thanks to Cansfis Foote and Brad Caulkins on tenor and baritone saxophones.

“Sort of a Dexy’s Midnight Runners meets Von LMO meets The Flesh Eaters meets the Screamers kinda punk junk. Poppy and hooky, heavy at times. Sort of vacuous and maybe a bit sci-fi in sound. Boneheaded in riff and heady in lyrics. Recorded at Stu-Stu-Studio by me on eight track 1/4-inch tape. So pretty hot and raw. Lots to write about today. A lot of these lyrics were taken from things people said in passing about taking on life right now that stuck with me. Things that made me reflect. Things that made me laugh. Things that made me WTF. Some folks are kind, genuine and give you love and energy. Some are greedy manipulative ghouls who hang off your veins. You must be strong, composed and take care of yourself. Be self aware and check your mind for cracks. Learn to relax and be well. There are moments of beauty and redemption. It’s not all bad news and there’s always hope. People continue to surprise me one way or another. Anyhow, hope you enjoy and good luck out there.” —John Dwyer

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Osees (Thee Oh Sees)

LP | 2024 | US | Original (Castle Face)

7" | 2024 | US | Original (Soft Abuse)

Release: 2024 / US – Original

Genre: Rock & Indie

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The Strange Girls

Trul & Lyric

11,99 €*

7" | 2024 | US | Original (Iron Lung)

Release: 2024 / US – Original

Genre: Rock & Indie

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As subjects of a recent career spanning vault-clearing anthology, the likelihood that more old recordings by The Strange Girls might surface was an unlikely one. Thankfully it’s just what happened. Culled from leaky audience video recordings, Truly & Lyric features two Clayton Noone songs that never surfaced elsewhere. These date from around 2002 and feature the core duo of Kaaterama Morehu and Noone. Draped in artwork by Mark Anderson (Greymouth), Truly & Lyric offers another fleeting glimpse at The Strange Girls’ downcast beauty in action. Limited to 200.

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Extortion

Threats

15,99 €*

And So I Watch You From Afar

Release: 2024 / US – Original

Genre: Rock & Indie

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Picking up where 2022’s “Seething” EP left off, “Threats” finds a reinvigorated Extortion further distilling their water tight stop/start anti-feedback power violence velocity to “communicate... something. actually, a LOT of something- too much panic, too much frustration, too much nausea, too much of everything.” The new EP is an absolute brain pummel that will leave you more destroyed than ever. Seriously, this band just keeps getting faster and tighter and more ferocious with no limit to what they can do. Extortion is a gift… just don’t look ‘em in the mouth. 600 on black 70gr vinyl housed in a 12pt custom die cut jacket with lyric insert included.

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Megafauna Glass Clear Vinyl Edition

LP | 2024 | EU | Original (Pelagic)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | UK | Original (Bella Union)

Personal Trainer

Still Willing

25,99 €*

LP | 2024 | US | Original (Meritorio)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Dutch septet Personal Trainer churn out songs that sound like all your favorite indie rock luminaries jam-packed into big-beaming pop psalms. Off the back of their self-released debut LP Big Love Blanket (2022), the band return this year with Still Willing, released this August via Bella Union.

The band's formative years were marked by a revolving door of plucky scenesters, with Willem Smit – the band’s conductor and cheerleader – as its affable pivot figure. But now with shows at festivals such as Sxsw (us), Best Kept Secret (nl), End of the Road Festival (uk), Great Escape (uk) and Wilderness (uk) under their belt, the band nascent state-of-flux has cemented into a steady seven-piece renowned for their rousing and unpredictable live shows.

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Sad Eyed Beatniks

Ten Brocades

7" | 2024 | US | Original (Certified PR)

Release: 2024 / US – Original

Genre: Rock & Indie

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San Francisco’s Sad Eyed Beatniks are back with their new album Ten Brocades. With the help of Mike Ramos (Tony Jay, Flowertown) and Karina Gill (Cindy, Flowertown), Kevin Linn creates a new passage into their incredible sound world. The songs on Ten Brocades explore encounters in short moments in time, fading memories, friendships, and relationships; all from personalities whose stories seem to interweave with one another. The title Ten Brocades is the literal translation of a Cantonese chop suey-like dish, subgum, which means “numerous and varied.” The merging of multiple identities and the image of many silken adorned fabrics helped guide which tracks ended up on the album. The songs on Ten Brocades explore encounters in short moments in time, fading memories, friendships, and relationships; all from personalities whose stories seem to interweave with one another. “When I was a kid, I would spend the summers with my father and stepmother at their apartment in a suburb just north of Stockholm. Most mornings, I would wake up to the smell of burning incense, the sounds of recorded shamisen & koto ensembles, and the sounds of my dad tending to his extensive orchid collection. One summer my dad gifted me a number of graphic novels that were translated and heavily adapted versions of classic Chinese novels for young readers; Journey To The West and Outlaws Of The Marsh were my favorites. The vast casts of characters, mythical adventures, and humorous situations that take place in these historical settings allowed me to connect to a culture of mine I always had a hard time accessing. Ten Brocades is like those comic books—but maybe these characters, adventures, and settings are a little more local.”—Kevin Linn aka Sad Eyed Beatniks.

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CPC Gangbangs

Post / Changed Man

9,99 €*

7" | 2024 | US | Original (Vague Absolutes)

Release: 2024 / US – Original

Genre: Rock & Indie

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CPC Gangbangs arose from the ashes of garage punk architects LES Sexareenos, Daylight Lovers and Spaceshits. These two tracks are part of the last batch of recordings from the scrapped final LP

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Teini-Paa

Mietin Minne Meet

9,99 €*

LP | 2024 | US | Original (Merge)

Release: 2024 / US – Original

Genre: Rock & Indie

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Just in time to kick off summer, Helsinki, Finland's daydreaming pop tunesmiths, Teini-pää, return with a four-track EP that's on assignment to swallow your insecurities and your anxieties, and spit them back to the world in bubbles of carefree elation and effervescent romantic charm. At the end of the day, the reason we are drawn to the music that sticks with us, is because it moves us and strikes an emotional response that tickles our chemicals in a way that we want to keep coming back over, and over, and over, chasing the initial high. The way that "Mietin Minne Meet" washes along the break between tight and clean, upbeat indiepop melancholia and a nostalgic power-pop-punk sound—that is specifically Scandinavian in its nuance here—brings me back to that heart-in-throat wonderment I felt the first time I heard (and fell in love with) Teini-pää's tunes. Lyrically the record spends most of its time in its own head, trying to work through some shit—which makes a whole lot of sense when you learn that the band name translates to "Teen Head"—and Renata Rojo's artwork reflects this theme flawlessly.

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Quivers

Oyster Cuts

Release: 2024 / US – Original

Genre: Rock & Indie

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2LP | 2024 | US | Original (In The Red)

Redd Kross

39,99 €*

LP | 2024 | US | Original (Wrong)

Release: 2024 / US – Original

Genre: Rock & Indie

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In 1979, two school-kids all hopped-up on punk-rock started their own group in their hometown of Hawthorne, Los Angeles (birthplace of the Beach Boys) and soon found themselves opening shows for notorious scene pioneers Black Flag. Jeff McDonald was fifteen, his brother Steven McDonald only eleven. But that didn’t stop their group from becoming one of the most remarkable, enduring and unique outfits punk-rock ever belched up.

2024, then, marks Redd Kross’s forty-fifth birthday—an important anniversary for any group whose heart pulses at 45RPM—and the brothers are celebrating the event with a veritable multimedia extravaganza. There’s a memoir, Now You’re One Of Us, due in November, author Dan Epstein telling the group’s story in the McDonalds’ unmistakable (and occasionally contrary) voices. A brilliant rockumentary, Born Innocent, directed by Andrew Reich, will premiere later in the year. Most exciting of all, this new album—an eponymous double-album, no less, packed with eighteen of their sharpest, most addictive songs yet. These years of joyful service to rock’n’roll have seen Redd Kross evolve into a killer pop-rock concern, dealing in dayglo power-chords, choruses as tall as skyscrapers and a lyric sheet thick with acid couplets and arch pop-cultural references their loyal following will gobble up like quaaludes.

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Dead Bob

Life Like

Body Of Light / I Am A Cloud

Release: 2024 / US – Original

Genre: Rock & Indie

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Dead Bob is the solo incarnation of John Wright, drummer from long time and apparently legendary but now retired Punk rock band NoMeansNo. Life Like, a NMN cover actually, is the first album John has released on his own. Though primarily written and performed by John he can not take all the credit having engaged the help of several friends to get this thing done including—Byron Slack (Invasives), Kristy Lee Audette (Rong), Ford Pier (doa, Rheostatics), Selina Martin, and his son Aidan Wright, as well as two old collaborations with his brother Rob in the writer's chair Recorded and Produced by John in the wilds of British Columbia, this album's material spans several decades and there is lots more in the archives. As might be expected the songs roll out cohesively but defy the cookie cutters and pigeon holes hence "Genre" is a tough one to convey but one thing that is not unclear is it is not to be listened to quietly! Play loud and enjoy!

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The Dead Tongues

LP | 2024 | US | Original (Psychic Hotline)

35,99 €*

J.R. Yellow Vinyl Ediiton

Release: 2024 / US – Original

Genre: Rock & Indie

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Across the last 15 years, Ryan Gustafson of The Dead Tongueshas emerged as one of modern folk's most distinct voices. Asidiosyncratic and spectral as the songs have sometimes been,Gustafson has always tied his visions and verses to the kinds ofhooks you tuck away like talismans, pulled out in case ofemergency. Dust, Unsung Passage, Desert: The Dead Tongues'albums remain some of the more compelling and curious worksin their field on this side of a century. The latest edition to TheDead Tongues' catalog, the song-centric and magnetic Body ofLight and the discursive and wonderfully elliptical I Am a Cloud,is 16 complete tunes split across interweaving and disparatealbums.The albums feature performances by Jenn Wasner (Wye Oak,Bon Iver), Mat Davidson (Twain), Matt Douglas (The MountainGoats), Joe Westerlund (Califone, Megafaun), Jeff Ratner (Bingand Ruth), and more. Gustafson wanted to dedicate the studiotime to not just recording songs but also making somethingnew, with new improvisations.The two albums, released digitally as distinct standalonereleases, join together in the physical format as a beautiful,deluxe, double album. The 2LP package features a meticulouslyembossed cover, and gorgeous custom inner-sleeves for eachalbum.

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Julianna Riolino

LP | 2024 | US | Original (You've Changed)