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Bibio - Hand Cranked
Bibio
Hand Cranked
LP | 2006 | Reissue (Warp)
29,99 €*
Release: 2006 / Reissue
Genre: Rock & Indie
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Bibio - Sunbursting EP
Bibio
Sunbursting EP
LP | 2023 | UK | Original (Warp)
31,99 €*
Release: 2023 / UK – Original
Genre: Organic Grooves, Rock & Indie
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Bibione - Quattro Formaggi
Bibione
Quattro Formaggi
LP | 2023 | EU | Original (Order05)
19,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Bible Black Tyrant - Encased In Iron
Bible Black Tyrant
Encased In Iron
LP | 2020 | UK | Original (Argonauta)
30,99 €*
Release: 2020 / UK – Original
Genre: Rock & Indie
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Bifannah - Danªas Liquidas
Bifannah
Danªas Liquidas
LP | 2019 | EU (The John Colby Sect)
17,49 €* 24,99 € -30%
Release: 2019 / EU
Genre: Rock & Indie
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Biff Bang Pow! - Songs For The Sad Eyed Girl Record Store Day 2022 Vinyl Edition
Biff Bang Pow!
Songs For The Sad Eyed Girl Record Store Day 2022 Vinyl Edition
LP | 2022 | US | Original (Glass Modern)
35,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Limited Edition for Record Store Day 2022.
Biff Bang Pow - The Girl Who Runs The Beat Hot
Biff Bang Pow
The Girl Who Runs The Beat Hot
LP | 2023 | UK | Original (Last Night From Glasgow)
32,99 €*
Release: 2023 / UK – Original
Genre: Rock & Indie
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Biff Byford - School Of Hard Knocks
Biff Byford
School Of Hard Knocks
LP | 2020 | EU | Original (Silver Lining)
26,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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Biffy Clyro - A Celebration Of Endings
Biffy Clyro
A Celebration Of Endings
LP | 2020 | Original (14th Floor)
23,99 €*
Release: 2020 / Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Biffy Clyro - A Celebration Of Endings
Biffy Clyro
A Celebration Of Endings
LP | 2020 | US | Original (Warner)
31,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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Biffy Clyro - Black Chandelier / Biblical
Biffy Clyro
Black Chandelier / Biblical
LP | 2023 | EU | Original (Warner Music International)
25,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Biffy Clyro - Blackened Sky
Biffy Clyro
Blackened Sky
LP+LP+All Media | 2012 | EU | Reissue (Beggars Banquet)
29,99 €*
Release: 2012 / EU – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Biffy Clyro - Blackened Sky
Biffy Clyro
Blackened Sky
LP+LP+All Media | 2012 | EU | Reissue (Beggars Banquet)
30,99 €*
Release: 2012 / EU – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Purple vinyl.
Biffy Clyro - Ellipsis
Biffy Clyro
Ellipsis
LP | 2016 | Original (Warner)
27,99 €*
Release: 2016 / Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Clear vinyl. Still in shrink, but opened, with hype sticker
Biffy Clyro - Ellipsis
Biffy Clyro
Ellipsis
LP | 2016 | EU | Original (Warner)
25,99 €*
Release: 2016 / EU – Original
Genre: Rock & Indie
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Black Vinyl Edition
Biffy Clyro - Only Revolutions
Biffy Clyro
Only Revolutions
LP | 2016 | EU | Reissue (Warner)
24,99 €*
Release: 2016 / EU – Reissue
Genre: Rock & Indie
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Biffy Clyro - Opposite / Victory Over The Sun
Biffy Clyro
Opposite / Victory Over The Sun
LP | 2023 | EU | Original (Warner Music International)
25,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Biffy Clyro - Opposites
Biffy Clyro
Opposites
2LP | 2012 | EU | Reissue (Warner)
39,99 €*
Release: 2012 / EU – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Biffy Clyro - Opposites
Biffy Clyro
Opposites
2LP | 2012 | EU | Reissue (Warner)
40,99 €*
Release: 2012 / EU – Reissue
Genre: Rock & Indie
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Biffy Clyro - Opposites
Biffy Clyro
Opposites
2LP | 2012 | EU | Original (Warner)
40,99 €*
Release: 2012 / EU – Original
Genre: Rock & Indie
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Biffy Clyro - Puzzle
Biffy Clyro
Puzzle
2LP | 2015 | EU | Original (14th Floor)
33,99 €*
Release: 2015 / EU – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Biffy Clyro - Puzzle
Biffy Clyro
Puzzle
2LP | 2015 | EU | Original (Warner)
36,99 €*
Release: 2015 / EU – Original
Genre: Rock & Indie
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Limited edition for Record Store Day 2015!
Big Audio Dynamite II - On The Road Live '92
Big Audio Dynamite II
On The Road Live '92
LP | 2018 | US | Original (Legacy / Columbia)
19,99 €*
Release: 2018 / US – Original
Genre: Rock & Indie
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Limited edition for Record Store Day 2018!
Big Awesome - Party On
Big Awesome
Party On
LP | 2015 | US | Original (Jetsam-Flotsam)
29,99 €*
Release: 2015 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: VG+
Green/Orange vinyl. Cover closer to NM
Big Babe - Pig In The City
Big Babe
Pig In The City
LP | 2022 | EU | Original (Quarantined Fanzine)
20,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Big Barn Combo - Comin All The Way From Detroit
Big Barn Combo
Comin All The Way From Detroit
LP | 2001 | Original (Jungle Room)
15,99 €*
Release: 2001 / Original
Genre: Rock & Indie
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Big Bend - Last Circle In A Slowdown Clear Vinyl Edition
Big Bend
Last Circle In A Slowdown Clear Vinyl Edition
LP | 2024 | EU | Original (Shimmy Disc)
27,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Clear Vinyl.Big Bend's new album is a monument to listening through the veil of time andspace. Ohio native and primary songwriter, Nathan Phillips, built uponensemble jam sessions he hosted at a residency in Australia and collagedthose recordings alongside co-producer Shahzad Ismaily to make Last Circlein a Slowdown.Reflective, hi-fi, and elemental, the folk-meets-freeform sonics evoke rich 90sacoustic rock and the British post pop songwriting of Mark Hollis and DavidSylvian. Lyrical observations of nature's mysery and modes of regenerationconsider the loooming chance all things could move in any direction.
Big Big Train - A Flare On The Lens
Big Big Train
A Flare On The Lens
2LP | 2024 | Original (Insideoutmusic)
34,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Big Big Train - Ingenious Devices
Big Big Train
Ingenious Devices
2LP | 2023 | EU | Original (English Electric)
41,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Big Big Train - Ingenious Devices Blue Vinyl Edition
Big Big Train
Ingenious Devices Blue Vinyl Edition
2LP | 2023 | EU | Original (English Electric)
47,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Big Big Train - Merry Christmas
Big Big Train
Merry Christmas
7" | 2017 | UK | Original (Plane Groovy)
13,99 €*
Release: 2017 / UK – Original
Genre: Rock & Indie, Christmas
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Big Big Train - The Likes Of Us
Big Big Train
The Likes Of Us
2LP | 2024 | UK | Original (Insideoutmusic)
32,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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Big Big Train - The Underfall Yard - Remixed And Remastered
Big Big Train
The Underfall Yard - Remixed And Remastered
3LP | 2009 | UK | Reissue (Plane Groovy)
95,99 €*
Release: 2009 / UK – Reissue
Genre: Rock & Indie
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Big Bill Broonzy - Live In Amsterdam 1953 Black Friday Record Store Day Edition 2022
Big Bill Broonzy
Live In Amsterdam 1953 Black Friday Record Store Day Edition 2022
LP | 2022 | UK | Original (Wienerworld)
45,99 €*
Release: 2022 / UK – Original
Genre: Rock & Indie
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Big Bite - Big Bite
Big Bite
Big Bite
LP | 2018 | EU | Original (Pop Wig)
28,99 €*
Release: 2018 / EU – Original
Genre: Rock & Indie
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Big Bite - Trinity
Big Bite
Trinity
LP | 2019 | EU | Original (Pop Wig)
26,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie
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Big Black - He's A Whore / The Model
Big Black
He's A Whore / The Model
7" | 1987 | US | Reissue (Touch & Go)
12,99 €*
Release: 1987 / US – Reissue
Genre: Rock & Indie
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Big Black - Headache
Big Black
Headache
12" | 2018 | Reissue (Touch & Go)
24,99 €*
Release: 2018 / Reissue
Genre: Rock & Indie
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REMASTERED BY STEVE ALBINI AND BOB WESTON AT CHICAGO MASTERING!Big Black was started by Steve Albini in 1982 while he was attending Northwestern University in Evanston, Illinois. Lungs, the first Big Black release was recorded by Steve on a borrowed 4-track. He played everything on the EP himself - except the sax bleating courtesy of pal John Bohnen and the drums courtesy of Roland. Soon after, Steve recruited Jeff Pezzati (Naked Raygun) on bass, and Santiago Durango (also Naked Raygun) joined them on guitar. In 1983, together with live drummer Pat Byrne, they recorded the Bulldozer EP. By 1984, the band had done some touring and recorded the Racer X EP and the start of the Il Duce 7". After that, Jeff returned to Naked Raygun and was replaced by Dave Riley. In 1985, Big Black recorded their first full-length, Atomizer, as well as finishing the Il Duce 7". Atomizer was released in 1986 along with the release of the Hammer Party compilation CD. In 1987, the Headache EP and Heartbeat 7" were released. That same year, the band recorded and released the 7" of The Model/He's A Whore as well as their second full-length album, Songs About Fucking. They toured extensively (for Big Black). And they broke up."We liked to think we were ahead of our time. Now that time hascaught up with us-well, this isn't such a swell place, and having gotten here first doesn't make it any nicer." - Steve Albini
Big Black - Lungs
Big Black
Lungs
12" | 1992 | Reissue (Touch & Go)
17,99 €*
Release: 1992 / Reissue
Genre: Rock & Indie
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Big Black - Songs About Fucking
Big Black
Songs About Fucking
LP | 1987 | US | Reissue (Touch & Go)
27,99 €*
Release: 1987 / US – Reissue
Genre: Rock & Indie
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Big Boss Man - Do The Backstroke / Mother's Earth
Big Boss Man
Do The Backstroke / Mother's Earth
7" (Spinout Nuggets)
18,99 €*
Genre: Rock & Indie
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Hand-Numbered, Limited to 500. Big Boss Man have produced a hip-Hammond hybrid of 60's R'n'b, Latin, Soul, Bongo-Fuzz and Funk since 1998. As well as playing hundreds of concerts and festivals across the UK, Europe and even Russia, Big Boss Man's music may sound familiar to you, being regularly played on film and television, including Come Dine With Me, Strictly Come Dancing and I Used To Be Famous, and broadcast on BBC Radio, by presenters including Gideon Coe, Cerys Matthews and Craig Charles. Their track 'Party 7' was featured in the international Nike World Football '06 Campaign advert featuring Thierry Henry and Eric Cantana. The entire soundtrack to The Mighty Boosh's Bafta nominated short film "Sweet" was provided from tracks taken from the Big Boss Man's "Humanize" album. The band have performed live on national Spanish television and had tracks included on XFM London Radio and "Later" magazine compilation albums (100,000 plus copies). Big Boss Man's official remix of Modfather Paul Weller's single "The Bottle" went straight in to the UK Top 20, and fast became a collector's item. Know enough yet? Well you'll need to see them live too! Big Boss Man's explosive live shows are legendary. They've been blasting stages since their earlier days in The Loafers, Skooby and Espadrille, amongst a few others. Big Boss Man have released four studio albums, and six 7" singles, and have appeared on countless compilations. This twin-spin 7" single has two new dance floor fillers from Big Boss Man's most recent recordings, and are sure to pack out dance floors across the globe, and further.
Big Boy Pete - The Cosmic Genius Of Big Boy Pete Volume 2
Big Boy Pete
The Cosmic Genius Of Big Boy Pete Volume 2
LP | 2022 | EU | Original (Mono-Tone)
28,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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After the success of his first ever vinyl compilation, The Cosmic Genius of Big Boy Pete Vol.1, which sold out really fast, here comes the follow-up, imaginatively called_ The Cosmic Genius of Big Boy Pete Vol.2! of this mysterious British guitarist (real name Pete Miller) cut some oddball non-hits in the '60s that have amassed quite a reputation among psychedelic collectors but were really hard to find until now. Like on volume 1, Volume 2 features one side of some of his best 60s stuff and side two unreleased or little known gems from the 70s-ranging from wild and fuzzy garage to psych pop and freaky country-rock!LP includes a psychedelic color inner cover with lyrics and a text written by Pete Miller himself.Like an English Kim Fowley produced by Joe Meek or a one man Barrett era Pink Floyd, Big Boy Pete is the unsung hero of the sixties! This mysterious British guitarist (real name Pete Miller) cut some oddball non-hits in the '60s that have amassed quite a reputation among psychedelic collectors but were really hard to find until now. The second volume of first ever vinyl compilation features some of his best 60s stuff on one side and seven unreleased or little known gems from the 70s on the other-ranging from wild and fuzzy garage to psych pop and freaky country-rock!
Big|Brave - A Chaos Of Flowers
Big|Brave
A Chaos Of Flowers
LP | 2024 | US | Original (Thrill Jockey)
31,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Big Brave - Chaos Of Flowers Clear Pink Vinyl Edition
Big Brave
Chaos Of Flowers Clear Pink Vinyl Edition
LP | 2024 | US | Original (Thrill Jockey)
34,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Big Brave - Nature Morte Black Vinyl Edition
Big Brave
Nature Morte Black Vinyl Edition
LP | 2023 | US | Original (Thrill Jockey)
31,99 €*
Release: 2023 / US – Original
Genre: Rock & Indie
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The title, nature morte, is the French term for still life paintings whose literal translation is "dead nature." Big|brave color the songs of nature morte with unease, creating an air of beauty in decay, chords suspended in contemplative stillness. Robin Wattie"s experiences structuring lyrics and song forms on The Body & Big|brave"s Leaving None But Small Birds informed her work on nature morte, creating stories that, like many folk tales, are at once specific and universal. Wattie"s voice manages to be commanding and vulnerable with impressive range and intimacy. Even her gasps carve their way through the tidal crash of Mathieu Ball"s distortion wail and the pummel of Tasy Hudson"s drums. The momentum of nature morte conjures the image of a beast collapsing beneath its own weight before resiliently staggering upright to thunder onward. Big|brave convey heft from silence as deftly as they do from swaths of feedback and distortion to cathartic ends. "Distortion is key," notes Ball The three members recorded primarily live over the course of a week at Machines with Magnets with Seth Manchester, pushing the potential of their instruments beyond expectations. For each song, the trio"s songwriting and attention to detail deliver its simple but devastating emotional power. Across the album"s six pieces Big|brave create a tension between immediacy and patience, invoking the essence of disquiet, while conveying anguish through inventive arrangements and nuanced performances. nature morte captures Big|brave at their heaviest and their mournful fury is at its zenith, an album where each moment is so immense and consuming that it possesses its own gravitational pull.
Big Brave - Nature Morte Lavender Vinyl Edition
Big Brave
Nature Morte Lavender Vinyl Edition
2LP | 2023 | US | Original (Thrill Jockey)
34,99 €*
Release: 2023 / US – Original
Genre: Rock & Indie
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The title, nature morte, is the French term for still life paintings whose literal translation is "dead nature." Big|brave color the songs of nature morte with unease, creating an air of beauty in decay, chords suspended in contemplative stillness. Robin Wattie"s experiences structuring lyrics and song forms on The Body & Big|brave"s Leaving None But Small Birds informed her work on nature morte, creating stories that, like many folk tales, are at once specific and universal. Wattie"s voice manages to be commanding and vulnerable with impressive range and intimacy. Even her gasps carve their way through the tidal crash of Mathieu Ball"s distortion wail and the pummel of Tasy Hudson"s drums. The momentum of nature morte conjures the image of a beast collapsing beneath its own weight before resiliently staggering upright to thunder onward. Big|brave convey heft from silence as deftly as they do from swaths of feedback and distortion to cathartic ends. "Distortion is key," notes Ball The three members recorded primarily live over the course of a week at Machines with Magnets with Seth Manchester, pushing the potential of their instruments beyond expectations. For each song, the trio"s songwriting and attention to detail deliver its simple but devastating emotional power. Across the album"s six pieces Big|brave create a tension between immediacy and patience, invoking the essence of disquiet, while conveying anguish through inventive arrangements and nuanced performances. nature morte captures Big|brave at their heaviest and their mournful fury is at its zenith, an album where each moment is so immense and consuming that it possesses its own gravitational pull.
Big Break - Angels's Piss
Big Break
Angels's Piss
LP | 2023 | EU | Original (Wrong Speed)
24,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Big Break occur somewhere in the cracks between hardcore, new wave and egg punk. Apparently unable to concentrate on a song for longer than 2 minutes, their music is minimalist, agitated and addictive. Taking inspiration from the likes of Devo, Negative Approach and Food Fight by The Village People, they combine hyper guitar hooks with taut rhythms and break-neck changes of pace. Recorded at Sheffield's Delicious Clam Studio, their debut album, Angel's Piss, features songs about the gaffer (bad), computer phones (bad), bank holidays (good), relationships (mostly bad), and bodily fluids(depends). It's an on/off, in/out, bits and pieces document of the band's first LP that captures their raw energy and sense of immediacy. Formed in the basement of the aforementioned Delicious Clam, the band's current and previous musical incarnations include Best Friends, The Hipshakes, Nai Harvest, Avida Dollars, Thee Mightees, Joy Boys, Thumbuster, Champayne, Town Cruise and more. "Words from us, the label, some context...Will Pearce, who spent a healthy couple of years in the Hey Colossus group, moved to Sheffield. He was soon embroiled in the deep music scene, hitting up the Delicious Clam venue and becoming smitten with Big Break-the band help run the place.
Big Brother And The Holding Company - Live At The Carousel Ballroom
Big Brother And The Holding Company
Live At The Carousel Ballroom
2LP | 2012 | Reissue (Music On Vinyl)
33,99 €*
Release: 2012 / Reissue
Genre: Rock & Indie
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Big Brother & Holding Company - Sex Dope & Cheap Thrills
Big Brother & Holding Company
Sex Dope & Cheap Thrills
2LP | 2018 | US | Original (Sony Legacy)
36,99 €*
Release: 2018 / US – Original
Genre: Rock & Indie
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Big Brother & The Holding Company - Cheap Thrills
Big Brother & The Holding Company
Cheap Thrills
LP | 1968 | JP | Original (CBS/Sony)
70,99 €*
Release: 1968 / JP – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG
Taped spines. Japanese pressing. OBI is missing. Vinyl is close to NM.
Big Brother & The Holding Company - Cheap Thrills
Big Brother & The Holding Company
Cheap Thrills
LP | 2018 | EU | Original (Columbia)
27,99 €*
Release: 2018 / EU – Original
Genre: Rock & Indie
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Big Brother & The Holding Company - Combination Of The Two: Recorded Black Friday Record Store Day 2021 Edition
Big Brother & The Holding Company
Combination Of The Two: Recorded Black Friday Record Store Day 2021 Edition
LP | 2021 | US | Original (The Monterey International Pop Festival Foundation)
27,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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Limited to 4000 copies. Big Brother performed at the Monterey Pop festival on both Saturday June 17 and Sunday June 18, 1967. Both sets are included on this RSD Black Friday release pressed on psychedelic color vinyl in a high-gloss tip-on jacket.
Big Brother & The Holding Company - Live At The Grande Ballroom Detroit; March 2, 1968 Black Friday Record Store Day 2024 Edition
Big Brother & The Holding Company
Live At The Grande Ballroom Detroit; March 2, 1968 Black Friday Record Store Day 2024 Edition
2LP | 2024 | Reissue (Legacy)
37,99 €*
Release: 2024 / Reissue
Genre: Rock & Indie
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Coming Soon 2024-11-29, 12:00 CET
RSD Exclusive, Limitation: 3500; For the first time, listen to the complete concert from the Grande Ballroom in Detroit on May 2, 1968. On black double vinyl for RSD Black Friday.
Big Burly - Tumors
Big Burly
Tumors
7" | 2024 | US | Original (Strange Mono)
19,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Big City - Big Kisses
Big City
Big Kisses
LP | 2022 | US | Original (Yofc)
28,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Direct from the depths of the pressure cooker that's NYC and reminiscent of a Times Square a la Taxi Driver, BIG City bursts forth with their first LP Big Kisses. This LP delivers 10 tracks of hooks developed directly from a latent obsession with early '70s stones, nods to the guitar dynamism of Thin Lizzy, and grit passed down directly from the Ramones. Sprinkle on top flourishes of Teenage Fanclub, a serious dedication to the saxophone wailing found on classic Springsteen records, and you have Big Kisses wrapped up in a nice little bow. Members of Rational Animals and Hank Wood & THE Hammerheads, this LP isn’t to be slept on. It's a Big City. You're just living in it.
Big Clown - Beatdown
Big Clown
Beatdown
7" | 2023 | US | Original (Swimming Faith)
13,99 €*
Release: 2023 / US – Original
Genre: Rock & Indie
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Big Clown is a group of best friends from Memphis, TN and Jackson, MS who got together one night to try and make a record without writing or rehearsing anything beforehand. What came out of it was a car-hitting-a-brick-wall style explosion, true living room punk from southern freaks trying to create something memorable and honest in the smallest timespan they can. The rules were simple: every song has one good idea and only one good idea. Get in, get out. Don’t linger. Tune each string to the same note. When it’s done, it’s done. Fast forward four years, three main releases, one Japanese exclusive tape, and several Gonerfests later to Beatdown. Written after a road trip gone wrong soundtracked by 16 hours of buttrock hits, Beatdown is what happens when your guitars tuned to only one note need to play something new. Beatdown is what happens when you write songs to amuse yourself and hope other people come along for the ride. Beatdown is what happens when your city faces a near insurmountable water crisis and you know exactly who is to blame. Sometimes you just gotta laugh.
Big Country - Buffalo Skinners
Big Country
Buffalo Skinners
2LP | 1993 | EU | Reissue (Chrysalis)
30,99 €*
Release: 1993 / EU – Reissue
Genre: Rock & Indie
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Big Country - Chance
Big Country
Chance
12" | 1983 | UK | Original (Phonogram)
7,99 €*
Release: 1983 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Big Country - Crossing Expanded
Big Country
Crossing Expanded
2LP | 1983 | EU | Reissue (Music On Vinyl)
35,99 €*
Release: 1983 / EU – Reissue
Genre: Rock & Indie
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Big Country - Seer
Big Country
Seer
LP | 2023 | EU | Original (Proper)
31,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Big Country - Steeltown
Big Country
Steeltown
LP | 2023 | EU | Original (Proper)
23,99 €* 31,99 € -25%
Release: 2023 / EU – Original
Genre: Rock & Indie
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Big Country - The Crossing
Big Country
The Crossing
LP | 1983 | DE | Original (Mercury)
10,99 €*
Release: 1983 / DE – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: Near Mint, Cover: VG+
Price tag. Original inner sleeve
Big Country - The Crossing
Big Country
The Crossing
LP | 1983 | UK | Original (Mercury)
14,99 €*
Release: 1983 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG
Cover close to VG+
Big D And The Kids Table - Do Your Art
Big D And The Kids Table
Do Your Art
LP | 2021 | US | Original (Side One Dummy)
26,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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Double LP in a gatefold jacket. Cyan Blue Vinyl, limited edition of 1000 copies.DO YOUR ART isn't just an album title for Big D and the KidsTable's ninth studio album of original material. DO YOUR ARTis an inherently political mission statement delivered with gusto and enthusiasm to anyone creative to remind them to keepgoing, even if the odds are increasingly stacked against them in this hyper-capitalistic society. "I wanted to instill in young artists_or old artists, or whoever_to keep doing it," says frontman David McWane. "Life might pull you away with itsdemands: but don't give up. Every musician, artist and dancerneeds to realize that there's magic inside of them that otherpeople just don't have, no matter the circumstances of theirupbringing." DO YOUR ART, finds Big D and the Kids Table sounding as fresh and inspired as ever for their fifth album with SideOneDummy Records. Produced and engineered by ReelBig Fish's Matt Appleton, DO YOUR ART is a musical meltingpot, highlighting the band's versatile talents and delivering amixture of punk, ska and dub-reggae songs, as well as payinghomage to McWane's favorite `60s B-films. The 20-track albumis truly a moveable feast. And what's moving are your feet!DO YOUR ART is a reminder to make the most of life_evenwhen at its lowest points_and also to not be dissuaded fromcreating what you want to create. It's an album that will makeyou think and feel, but also make you dance and laugh. It's asurge of positivity in a crappy world where it's all too easy to feel equally crappy, and a much-needed jolt of perspectiveabout everything that's going on. "I definitely want this record to be helpful for people mentally," says McWane. "It'ssomewhere for them to go to and laugh. So listeners can focuson recognizing all the good things in their lives_all the beauty, and all the people who love them_and make sure to enjoy their life and DO YOUR ART!"
Big D And The Kids Table - Fluent In Stroll
Big D And The Kids Table
Fluent In Stroll
LP | 2009 | Original (SideOneDummy)
31,99 €*
Release: 2009 / Original
Genre: Rock & Indie
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Big D And The Kids Table - Strictly Rude 15 Year Anniversary Edition
Big D And The Kids Table
Strictly Rude 15 Year Anniversary Edition
LP | 2022 | US | Original (Side One Dummy)
40,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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- double LP with Limited Edition color vinyl (LP1 on Black, LP2 on White vinyl)- limited anniversary edition 16 page commemorative booklet with handwritten lyrics and photos- new anniversary gatefold artwork in a commemorative slipcase- 5 previously unreleased tracks- comes with limited edition commemorative 10"x10" anniversary poster//Seminal ska-punk posse BIG D AND THE KIDS TABLE commemorate the 15th anniversary of their classic album Strictly Rude with a limited edition double LP that contains a 16-page booklet with handwritten lyrics and photos. This special edition includes all new gatefold artwork, 10x10 poster as well as five previously unreleased tracks."Strictly Rude was the album that was needed for the genre of SKA at the time," explains vocalist David McWane. It redefined the look, the sound, and the swagger of SKA. The songs are a journey, from positive mental attitudes, fiery frustration, to encouraging pro-activism with finding your own voice in this world. The inviting album cover shouts `You think you know SKA, well here we are, take a good look at us and if you believe you may be one of us, then join us; You are welcome here.'"
Big Daddy Mugglestone - Hangman & The Rainmaker
Big Daddy Mugglestone
Hangman & The Rainmaker
LP | 2023 | Original (Rumi Sounds)
24,99 €*
Release: 2023 / Original
Genre: Rock & Indie
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Big Daddy Mugglestone is back, with his first full-length solo release in over 2
decades! Rumi Sounds is proud to
present this collection of songs about Life,
Love, and God that really embody the idea of Americana Gothic. The
songs are dark but not bleak, giving a glimpse of forgiveness...even the
12-minute long murder ballad for which the album is named is still a love song.

With a mixed band of Denver and Berlin-based friends, Mugglestone steps out of the shadowy depths
to create a record you and yr auntie could listen to while doing the dishes or
lounging on the sofa on a rainy day.

The psyche-melodic guitar swirls of Oska Wald and the alluring back-up
vocals of MTN GRL elevate his wry
croon, not quite country but not quite
contrary. Something like if Lee Hazlewood and John Prine both wanted to buy
the same vintage lamp...
Big Dog - In The Yard Black Vinyl Edition
Big Dog
In The Yard Black Vinyl Edition
7" | 2023 | EU | Original (Mendeku Diskak)
13,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Big Dust - Big Dust
Big Dust
Big Dust
LP | EU | Original (Minimum)
18,99 €*
Release: EU – Original
Genre: Rock & Indie
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Big Dust - Pewter & Carbon
Big Dust
Pewter & Carbon
LP | EU | Original (Minimum)
20,99 €*
Release: EU – Original
Genre: Rock & Indie
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Big Electric Cat - Dreams Of A Mad King
Big Electric Cat
Dreams Of A Mad King
LP | 2023 | EU | Original (Cleopatra)
29,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Big Eyes Family Players - Oh!
Big Eyes Family Players
Oh!
LP | 2016 | UK | Original (Home Assembly)
14,99 €*
Release: 2016 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Big Fish - Kalla Doda Drommar
Big Fish
Kalla Doda Drommar
LP | 2022 | EU | Original (Progress)
26,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Big Joanie And Charmpit - Kluster Rooms Sessions Colored Vinyl Edition
Big Joanie And Charmpit
Kluster Rooms Sessions Colored Vinyl Edition
7" | 2020 | US | Original (Kill Rock Stars)
11,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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Big Joanie - Back Home
Big Joanie
Back Home
LP | 2022 | US | Original (Kill Rock Stars)
25,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: VG+
Cover close to NM
Big Joanie - Back Home Black Vinyl Edition
Big Joanie
Back Home Black Vinyl Edition
LP | 2022 | US | Original (Daydream Library Series)
28,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Black feminist punk band Big Joanie have announced their upcoming second album 'Back Home', set for release 4th November on Daydream Library Series in the UK and Kill Rock Stars in the US. The brand new album 'Back Home' follows on from last month's one-off single 'Happier Still', and the release of their 2020 single 'Cranes in the Sky', a cover of Solange Knowles released on Jack White's Third Man Records. Recorded at Hermitage Works Studios in North London, 'Back Home' was produced and mixed by Margo Broom (Goat Girl, Fat White Family) and features violin courtesy of Charlotte Valentine of the experimental art rock project No Home, who recently collaborated with the LA-based artist Sasami. 'Back Home' is a dramatic leap forward for the band; the band build on their tightly knit, lo-fi punk formula to bring forth a collage of blazing guitars, down tempo dance punk, and melancholic strings that evoke the full depth of the band's expansive art punk vision. The album title references a search for a place to call home, whether real or metaphysical. "We were really ruminating on the idea of a home and what it means," explains Stephanie. "It's about the different ideas of home, whether that's here in the UK, back in Africa or the Caribbean, or a place that doesn't really exist; it's neither here nor there." The band worked with multidisciplinary artist Angelica Ellis to design the striking embroidered cover art, which is a depiction of Chardine's nephew at the barbers. The artwork is a reference to the embroidered wall hangings popular in Caribbean homes post-Windrush that were a callback to the homes they left behind. The album's strength lies in the band's bold and varied new sound. Album opener 'Cactus Tree' is an eerie, gothic folk tale that tells the story of a woman waiting for her lover while a wall of euphoric harmonies and screaming feedback roll in the background. Lead single 'Happier Still' is a driving, Nirvana-influenced track that grapples with the idea of wanting to push through a depressive episode. Inspired equally by the melodic rock of Hüsker Dü and the mystical sensibilities of Stevie Nicks, closer 'Sainted' brings the club-ready sentiment of the 2018 single 'Fall Asleep' to its natural conclusion.
Big Joanie - Back Home Red Vinyl Edition
Big Joanie
Back Home Red Vinyl Edition
LP | 2022 | US | Original (Daydream Library Series)
28,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Black feminist punk band Big Joanie have announced their upcoming second album 'Back Home', set for release 4th November on Daydream Library Series in the UK and Kill Rock Stars in the US. The brand new album 'Back Home' follows on from last month's one-off single 'Happier Still', and the release of their 2020 single 'Cranes in the Sky', a cover of Solange Knowles released on Jack White's Third Man Records. Recorded at Hermitage Works Studios in North London, 'Back Home' was produced and mixed by Margo Broom (Goat Girl, Fat White Family) and features violin courtesy of Charlotte Valentine of the experimental art rock project No Home, who recently collaborated with the LA-based artist Sasami. 'Back Home' is a dramatic leap forward for the band; the band build on their tightly knit, lo-fi punk formula to bring forth a collage of blazing guitars, down tempo dance punk, and melancholic strings that evoke the full depth of the band's expansive art punk vision. The album title references a search for a place to call home, whether real or metaphysical. "We were really ruminating on the idea of a home and what it means," explains Stephanie. "It's about the different ideas of home, whether that's here in the UK, back in Africa or the Caribbean, or a place that doesn't really exist; it's neither here nor there." The band worked with multidisciplinary artist Angelica Ellis to design the striking embroidered cover art, which is a depiction of Chardine's nephew at the barbers. The artwork is a reference to the embroidered wall hangings popular in Caribbean homes post-Windrush that were a callback to the homes they left behind. The album's strength lies in the band's bold and varied new sound. Album opener 'Cactus Tree' is an eerie, gothic folk tale that tells the story of a woman waiting for her lover while a wall of euphoric harmonies and screaming feedback roll in the background. Lead single 'Happier Still' is a driving, Nirvana-influenced track that grapples with the idea of wanting to push through a depressive episode. Inspired equally by the melodic rock of Hüsker Dü and the mystical sensibilities of Stevie Nicks, closer 'Sainted' brings the club-ready sentiment of the 2018 single 'Fall Asleep' to its natural conclusion.
Big Joanie - Back Home Vinyl Me, Please Edition
Big Joanie
Back Home Vinyl Me, Please Edition
LP | 2024 | US | Original (Vinyl Me, Please)
33,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Why you'll love it...
Black feminist punk band Big Joanie’s Back Home references the search for a place to call home. Stephanie Phillips, the band’s singer and guitarist, shared, “We were really ruminating on the idea of a home and what it means. It’s about the different ideas of home, whether that’s here in the UK, back in Africa or the Caribbean, or a place that doesn’t really exist; it’s neither here nor there.”

The band tapped artist Angelica Ellis for the album’s artwork, an embroidered image of drummer Chardine Taylor-Stone’s nephew, a style of art common in Caribbean homes post-Windrush that were a callback to the homes they left behind.

In Back Home, the band pieces together sounds ranging from intense guitars to emotive strings that fully illustrate their range as artists. Limited to 750 copies, the VMP exclusive edition of Big Joanie's Back Home is pressed on 1LP Opaque Yellow vinyl at Independent Record Pressing. The record will arrive in a single direct-to-board, foil stamped and numbered jacket with lyrics and credits printed on the inner sleeve, along with a download code. The album is mastered by Amy Dragon of Telegraph Mastering.
Big Joanie - Cranes In The Sky / It's You
Big Joanie
Cranes In The Sky / It's You
7" | 2020 | US | Original (Third Man)
10,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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Big Joanie - Sistahs
Big Joanie
Sistahs
LP | 2018 | US | Original (Daydream Library Series)
29,99 €*
Release: 2018 / US – Original
Genre: Rock & Indie
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BIG JOANIE are Stephanie Phillips (singer/guitarist), Estella Adeyeri (bass) and Chardine Taylor-Stone (drums). The band formed in 2013 and released their first EP
'Sistah Punk' in 2014 and the single 'Crooked Room' in 2016. As part of London's thriving DIY punk scene they have played with locals Shopping; toured with US
punks Downtown Boys; and Dutch band The Ex; and performed at the first UK Afropunk festival. Inspired by The Ronettes, Nirvana, Breeders and Jesus and Mary
Chain, Big Joanie have described themselves as being "similar to The Ronettes filtered through '80s DIY and Riot Grrrl with a sprinkling of dashikis." Big Joanie recorded 'SISTAHS' over several sessions from November 2017 to January 2018 at Hermitage Works Studio with producer Margo Broom. One of the main reasons for coming together was to create an atmosphere to be "completely ourselves as black women and discover what was possible to realise in those spaces." The album cover features Steph's mum Joan, whom the band is named after, and her aunt on holiday in Wales.
Big Laugh - Consume Me Coke Bottle Green Vinyl Edition
Big Laugh
Consume Me Coke Bottle Green Vinyl Edition
LP | 2023 | US | Original (Revelation)
31,99 €*
Release: 2023 / US – Original
Genre: Rock & Indie
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For decades, the upper Midwest of the United States has been a hotspot for hardcore bands that bend genres and refuse to stick to tired formulas, producing acts like Husker DÜ and DIE Kreuzen. Milwaukee’s BIG Laugh are here to continue that tradition, with a sound that finds them as much at home playing DIY shows in dingy basements as playing large clubs alongside some of hardcore and punk’s luminaries
Big Laugh - Manic Revision Blue & Red Vinyl Edition
Big Laugh
Manic Revision Blue & Red Vinyl Edition
7" | 2020 | US | Reissue (Revelation)
14,99 €*
Release: 2020 / US – Reissue
Genre: Rock & Indie
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For decades, the upper Midwest of the United States has been a hotspot for hardcore bands that bend genres and refuse to stick to tired formulas, producing acts like Hüsker DÜ and DIE Kreuzen. Milwaukee’s BIG Laugh is here to continue that tradition, with a sound that finds them as much at home playing DIY shows in dingy basements as playing large clubs alongside some of hardcore and punk’s luminaries. Self-described “punks who listen to JUDGE,” BIG Laugh works in a wide array of influences—from the blazing speed and harsh noises of Japanese rippers like Gauze and Bastard to the mosh-ready impact of Nyhc bands like Burn and Alone IN A CROWD—and even some melodic sensibilities akin to the aforementioned Hüsker DÜ. The album’s lyrics hit close to home for the band, holding personal notions while still feeling outwardly relatable. Focused on building their own lane, BIG Laugh is not afraid of the work it takes to make the masses take notice. Booking their own tours, they have played alongside bands like Revelation Records labelmates Tørsö and Urban Sprawl, as well as GEL, SPY, NO Pressure, and appeared at 2022’s massive Sound And Fury Fest in LA that drew more than 5,000 people. Manic Revision is the debut EP from BIG Laugh, following up a highly-acclaimed demo and went through three pressings on the DIY label 11pm Records before going out of press. This new version has updated artwork and audio and is the first time it has been available in nearly two years
Big Mess - Cleaning Up With Pink Vinyl Edition
Big Mess
Cleaning Up With Pink Vinyl Edition
LP | 2023 | EU | Original (Specialist Subject)
15,74 €* 20,99 € -25%
Release: 2023 / EU – Original
Genre: Rock & Indie
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Big Midnight - Everything For The First
Big Midnight
Everything For The First
LP | 2003 | Reissue (Alive)
27,99 €*
Release: 2003 / Reissue
Genre: Rock & Indie
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Big Mountain County - Klaus
Big Mountain County
Klaus
LP | 2022 | EU | Original (Proto)
15,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Two years after the release of their last album Somewhere Else, BIG Mountain County releases a new EP. That's Klaus, the result of an evolution in sound and style that the band has carried out during the long months of forced absence from the scene. Unlike the past, the artistic production was in fact entirely in the hands of BIG Mountain County, which, never as this time, feel perfectly represented their soundscape in the tracks engraved on vinyl, available here from April 22. To open the dances there is (literally) What?, already released digitally last July. It is a song that, despite its attitude rooted in punk, is about artifice, about pushing the sounds to reach new landscapes. The super groovy bass lines, the crunchy drums, the connection between the synths and the vocals, raw, edgy but also refined and elaborate, push the band's style beyond the garage-psych overtones to which they have been associated. The lyrics are about a personal relationship, centered around someone very close who can turn into an unbearable person, leading us to a definitive reaction. But the song is also a vehicle for emotional release, so yell "What?" it becomes an indomitable will to move forward, to go through these absurd times that we are all living, a cry of anger against any kind of impediment. For What? was shot a video, released last July, signed by Paolo Sfirri. It follows the title-track THE Klaus Crossing, the unique track not yet unveiled. It is the track closest to the old production of BIG Mountain County, who speak of it as follows: “In such a "chaotic and fragile" period we need to dream even more strongly. On a heartbeat marked by the arpeggiator, a weave of guitars is being created to send the present to an other side, where we are stripped of material consistency and imagination takes the power. These days are too grey, some relationships are too worn out, there are no expectations, only the prospect of sinking. So we hurry: energies fade, time runs fast, but spring is just around the corner. And to be born it is necessary to die.” Side A is closed by Where ARE YOU?, released as a single in January. Here the contamination of psych sounds, exquisitely analog, with rhythmic and melodic lines with a more synthetic flavor is evident. Over a skeleton of a reiterated rhythm that is not afraid to refer explicitly to the krautrock of Can, we hear guitars and synthetic riffs that remain around Berlin, but look towards California, remembering The Brian Jonestown Massacre. In the middle of this combination, a synthetic arpeggio breaks in, to soon gets stuck in the pressing rhythm, and finally get confused in the closing explosion, BIG Mountain County's trademark. The band's "flirt" with Berlin and California doesn't end with the A-side. Side B, in fact, features the two remixes of Where ARE YOU?, both already released digitally last March. The first one is signed by AL Lover, , cult name of the international psych scene, known for his unique approach to psychedelic and experimental electronic music. Already author of remixes for bands such as Thee Oh Sees and Night Beats, he has collaborated with several labels (Stolen Body Records, The Reverberation Appreciation Society, Fuzz Club Records, Hoga Nord Rekords, Pnkslm Records and Crash Symbols) and artists such as The Brian Jonestown Massacre, White Fence, Goat and Cairo Liberation Front. He has also been the official DJ for festivals such as Levitation and Desert Daze. When Big Mountain County approached the California-based producer about remixing Where ARE YOU?, these were his words: "I really love this track! Been jamming it loud! I love the vibe of the original track and the production value. I tried to preserve some of those elements but with a different twist. I was able to sit down with this over the last few days. Really digging the results, I went with a mix of krautrock / shoegaze / chopped and screwed trip hop vibes." The result doesn't betray his words, but according to the band it goes even further: “The Californian producer Al Lover puts the music of Big Mountain County on film. He projects it on the big screen, cleverly uses photography and rewrites the plot with a very personal editing. Colors of the East, no longer intended as a lysergic space, but as a chaotic traffic of men, vehicles and animals on any given day in the Indian subcontinent (in Mumbai). In this marasmus the echo of what has been, or what could be, is there to re-propose the question that led to writing the screenplay: "Where are you?”. With the second remix, which closes out the EP, Big Mountain County are infected with a tropical disease in this remix masterfully produced by Tropicantesimo, aka UGO Sanchez, metropolitan prophet of slow rhythms and star of nights with no end, if not in hallucinated dawns front of the sea. Big Mountain County talks about it like this: “Here, more than hangover, that's "saudade" . So, the sense of lack becomes a curse - How does it feel to live so far away for me? - to be shouted, shared and cried. But outside, in some crowded city in the South of the world, it's Carnival and Summer is still there to be lived and danced, perhaps at a slower and more rhythmic pace.” An experiment, that of the remix of their songs, long in the band's wish book, finally fulfilled by Hugo Sanchez, cult Rome-based DJ and producer, recently protagonist of the recording declination of Tropicantesimo, a musical ritual dilated in time, through the celebration of sound and dance. This is a party, which over the years has become a real experience of listening, sharing and discovery out of time and space, finding home among the records and recordings of Pescheria, space-studio, but also record project, which sees Hugo Sanchez at the center of a collective of artists of various forms, musical, visual and sound installation. After having premiered two tracks by Klaus at the last Esns in Groningen (nl), Big Mountain County will return to play from April 23rd, in a tour with more than twenty gigs in Italy, Switzerland, Germany, France, Belgium and UK. In July they will be back in Berlin for the Fusion Festival 2022.
Big Nothing - Big Nothing
Big Nothing
Big Nothing
7" | US (Asian Man)
9,99 €*
Release: US
Genre: Rock & Indie
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Big Nothing - Chris
Big Nothing
Chris
LP | 2019 | US | Original (Salinas)
17,99 €*
Release: 2019 / US – Original
Genre: Rock & Indie
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Big Nothing - Dog Hours Transparent Blue Vinyl Edition
Big Nothing
Dog Hours Transparent Blue Vinyl Edition
LP | 2022 | EU | Original (Lame-O)
24,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Being in a band is often a cheap alternative to therapy. It allows an outlet for feelings its members can't articulate. It provides a space for physical inhibitions to be let loose. For Big Nothing's Liz Parsons, the need for that mental nourishment became evident when she moved to Philadelphia. She found herself fitting into the city nicely, yet felt isolated and empty. Her new home was one of America's musical epicenters - a big reason she moved there - and she didn't plan on wasting any time filling the indie rock shaped hole in her life. She shot a text to guitarist Pat Graham, who recently had a conversation with drummer Chris Jordan about starting a new project. Once Matt Quinn caught wind of the three playing music together - he begged to bring his Rickenbacker tone into the mix.After jamming out some Voice Memo riffs - Big Nothing was here to stay. Sonically, big nothing find themselves borrowing cues from indie mainstays like Superchunk and The Replacements. It's clear that they are trying to unhinge themselves from patterns they've repeated in the past, but they're also not afraid to blast the tried and true methods of rock and roll. Their live shows mirror the honesty of their albums. Big Nothing is a genuine rock band.
Big Paul Ferguson - Virtual Control Red Vinyl Edition
Big Paul Ferguson
Virtual Control Red Vinyl Edition
LP | 2021 | US | Original (Cleopatra)
23,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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Big Popper - Chantilly Lace Starring The Big Popper
Big Popper
Chantilly Lace Starring The Big Popper
LP | 1958 | EU | Reissue (Waxtime)
16,99 €*
Release: 1958 / EU – Reissue
Genre: Rock & Indie
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Big Red Machine - Big Red Machine
Big Red Machine
Big Red Machine
LP | 2018 | EU | Original (People)
24,99 €*
Release: 2018 / EU – Original
Genre: Rock & Indie
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Big Red Machine - How Long Do You Think It´S Gonna Last? Red Vinyl Edition
Big Red Machine
How Long Do You Think It´S Gonna Last? Red Vinyl Edition
2LP | 2021 | US | Original (Jagjaguwar)
27,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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Ever since childhood, learning to play various instruments in a suburban Cincinnati basement alongside his brother Bryce, Aaron Dessner has consistently sought an emotional outlet and deep human connection through music _ be it as a primary songwriter in The National, a founder and architect of beloved collaboration-driven music festivals, or collaborator on two critically acclaimed and chart-topping Taylor Swift albums recorded in complete pandemic-era isolation at his Long Pond Studio in upstate New York, among many other projects. Through it all, Dessner has brought together an unlikely community of musicians that share his impulse to connect, celebrate and, most of all, process emotion and experience through music. This generous spirit and desire to push music forward has never been more deeply felt than on Big Red Machine's "How Long Do You Think It's Gonna Last?," the second album from Dessner's evermorphing project with Bon Iver's Justin Vernon. In 2008, while assembling material for the charitycompilation "Dark Was the Night," Dessner sent Vernon a song sketch titled "big red machine". Vernon interpreted "big red machine" as a beating heart and finished the song accordingly _ a metaphor Dessner says "still sticks with me today. This project goes to many places and is always on some level about experimentation, but it shines a light on why I make music in the first place, which is an emotional need. It's one of my therapies and one of the ways I interrogate the past." Released in 2018, Big Red Machine's self-titled debut album evolved from improvisation and what Dessner calls "structured experimentalism," with an ear toward building tracks that would work well in a live setting alongside visual elements. When Dessner and Vernon started the Eaux Claires Music Festival in 2015, they staged the original "Big Red Machine" as an improvisation-based performance piece. They later took that show to the People collective's Berlin residency and festival, and to Dessner's Haven Festival in Copenhagen. "Big Red Machine started as this thing we would do for fun, and we fell in love with the feeling of it," says Dessner." Vernon agrees: "I remember it feeling really easy, but we never knew what would happen. It was exciting. As time went on, we just kept doing things together. And our friendship has grown strong, alongside all the collaborative stuff." New Big Red Machine material began taking shape in spring 2019, when Vernon came to visit Dessner at Long Pond. The first week produced songs such as "Reese," "8:22am" and eventual album opener "Latter Days," a haunting number sung by Vernon and Anaïs Mitchell that set the emotional tenor for what was to come. "It was clear to her that the early sketch Justin and I made of Latter Days was about childhood, or loss of innocence and nostalgia for a time before you've grown into adulthood _ before you've hurt people or lost people and made mistakes. Anaïs defined the whole record When she sang that, as these same themes kept appearing again and again," Dessner says. In the ensuing months, Vernon and Dessner would meet up when they could, and in the meantime, Dessner developed the existing material and wrote new instrumental tracks which he sent Vernon, always eager to hear what he would receive back. "Justin is incredibly gifted, but he's also disruptive in the best way," says Dessner, pointing to the first note of the song "Birch" as a prime example. "It's absolutely brilliant, but it was very surprising when I heard it the first time. I can't tell you what that interval is. There are many moments working with him where your head hits the wall in amazement like that." In the early stages of the pandemic, Swift approached Dessner to work with her on what would become the sister albums "folklore" and "evermore." Dessner describes this period as a "creative blur," during which he'd be writing material for Swift and Big Red Machine simultaneously. "I think this was an intense growing period for me, I was learning so much from Taylor and the process. Along the way, I shared all of our unfinished Big Red Machine songs with her and she really found them inspiring and gave me so much positive feedback and encouragement," he says. "I think that helped me realize how connected this Big Red Machine music was to everything else I was doing and that I was always supposed to be chasing these ideas. I was finding new sounds and ways of working through these songs. I just hadn't been able to finish them. So, I did." Beyond Vernon and Swift's encouragement, many of Dessner's previous collaborators and friends show up for him here, continuing the reciprocal exchange of ideas that has come to define his creative community. Songs feature guest vocals and writing contributions from artist friends including Fleet Foxes' Robin Pecknold ("Phoenix"), Ben Howard and This Is The Kit ("June's a River"), Naeem ("Easy to Sabotage'), Sharon Van Etten, Lisa Hannigan and My Brightest Diamond's Shara Nova ("Hutch," a tune inspired by Dessner's late friend, Frightened Rabbit frontman Scott Hutchison) and Swift herself ("Birch" and "Renegade," the latter an instant-classic Taylor earworm summed up by the poignant lyric "Is it insensitive for me to say / get your shit together so I can love you." The song was recorded in Los Angeles at the Kitty Committee studio in March 2021, the same week when Swift and Dessner took home the Grammy for Album of the Year for "folklore.") "This is all music I generated, but it is interesting to hear how different people relate to it, or how different voices collide with it," Dessner says. "That's what makes it special. With everyone that's on this record, there's an openness, a creative generosity and an emotional quality that connects it all together." As he continued writing prolifically on his own, Dessner noticed a theme emerging -- the idea of sitting with the uncomfortability of personal and family darkness from his childhood and reflecting on how emotional issues he dealt with growing up have reverberated through his adult life. It became clear that some of these he'd need to sing himself; songs such as "The Ghost of Cincinnati" and "Magnolia" address the disintegration of marriage and family and mental health, asking pointed questions of himself and those closest to him. "Brycie" is an ode to his aforementioned twin and National bandmate, who picked up on the musical vibes immediately when Dessner played the song for him for the first time backstage at a National show in Washington D.C. "He picked along to it with me and it immediately sounded like Aaron and Bryce playing the guitar in the basement as kids, which was my intent," Dessner remembers. "The words mean a lot to me. It's about my childhood with Bryce, and how I had pretty severe depression in high school. He was the one who kept me going and took care of me until I was back on my feet. I've lost close friends to depression and this song is about how important it was that Bryce was there for me at that time and is still here." In addition to being one of the more lyrically significant tracks on the album, Dessner says singing it himself felt like an important act of self-acceptance. "I always sing under my breath when I write music, but I usually hand it off to [National vocalist] Matt [Berninger] or others" he says. "When you're in a band for so long and somebody else is that person, you come to rely on it and I've always loved Matt's voice and his words. But singing `Brycie' myself helped rewire my brain to realize that maybe Big Red Machine is the project that not only enables me to create songs with other people, but also sometimes finish songs on my own." Recalling sessions at Sonic Ranch in Texas when Dessner recorded his vocal takes, Vernon says, "Aaron showed me `Brycie' a couple years ago now. I was like, this is beautiful, and you should do more singing. Not only would it be good for the future of your songwriting, but your voice sounds really good to me. It was exciting to see him flourish in that way _ to now be a part of that process and realize the hardships in that and also the victories. On this record, he's leading the charge, wholly and completely." Musically, "How Long Do You Think It's Gonna Last?" features what Dessner calls maybe the "clearest distillation" of his varying songwriting and production styles. Songs like "Reese," the Dessner-sung "Magnolia" and the elegiac "Hutch" are built on the kinds of tear-jerking piano melodies millions of fans have come to love from The National, but then move at their own pace toward unusual sonic destinations. "Aaron's greatest gift as a collaborator is his ability to evolve and experiment with the emotional sound that is so natural to him," Vernon says of the material. Elsewhere, the dream-like "Hoping Then" sets layered vocals by Vernon, Dessner and Hannigan ("It's the on the edge of why I can't sleep soundly") atop chopped and phased violin lines, programmed drums and countermelodies played on a rubber bridge guitar. His brother Bryce's orchestration ebbs and flows throughout this song and many others. The main instrumental track of the chugging, groovy "Easy to Sabotage" was stitched together from two different live recordings and later enveloped in warm keyboard textures and the head-nodding vocals of Naeem. "It just feels alive and electric, and it just happened," Dessner says of the song. That sense of shared experience extended to the new album's title, which was coined by Swift after Dessner told her he wasn't sure what to call the new album. Intuitively summing up the themes, she suggested titling it "How Long Do You Think It's Gonna Last?," a question which she pointed out could refer to multiple subjects addressed therein: "childhood, family, marriages, a depression, a losing streak, a winning streak or a creative streak. Taylor saw it all so clearly," Dessner says. "A year ago, we'd never even worked together. It's so cool that this community keeps extending and that everyone who contributed to this album connected so naturally to the emotions at the heart of the music."
Big Red Machine - How Long Do You Think It´S Gonna Last? Black Vinyl Edition
Big Red Machine
How Long Do You Think It´S Gonna Last? Black Vinyl Edition
2LP | 2021 | US | Original (Jagjaguwar)
26,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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Ever since childhood, learning to play various instruments in a suburban Cincinnati basement alongside his brother Bryce, Aaron Dessner has consistently sought an emotional outlet and deep human connection through music _ be it as a primary songwriter in The National, a founder and architect of beloved collaboration-driven music festivals, or collaborator on two critically acclaimed and chart-topping Taylor Swift albums recorded in complete pandemic-era isolation at his Long Pond Studio in upstate New York, among many other projects. Through it all, Dessner has brought together an unlikely community of musicians that share his impulse to connect, celebrate and, most of all, process emotion and experience through music. This generous spirit and desire to push music forward has never been more deeply felt than on Big Red Machine's "How Long Do You Think It's Gonna Last?," the second album from Dessner's evermorphing project with Bon Iver's Justin Vernon. In 2008, while assembling material for the charitycompilation "Dark Was the Night," Dessner sent Vernon a song sketch titled "big red machine". Vernon interpreted "big red machine" as a beating heart and finished the song accordingly _ a metaphor Dessner says "still sticks with me today. This project goes to many places and is always on some level about experimentation, but it shines a light on why I make music in the first place, which is an emotional need. It's one of my therapies and one of the ways I interrogate the past." Released in 2018, Big Red Machine's self-titled debut album evolved from improvisation and what Dessner calls "structured experimentalism," with an ear toward building tracks that would work well in a live setting alongside visual elements. When Dessner and Vernon started the Eaux Claires Music Festival in 2015, they staged the original "Big Red Machine" as an improvisation-based performance piece. They later took that show to the People collective's Berlin residency and festival, and to Dessner's Haven Festival in Copenhagen. "Big Red Machine started as this thing we would do for fun, and we fell in love with the feeling of it," says Dessner." Vernon agrees: "I remember it feeling really easy, but we never knew what would happen. It was exciting. As time went on, we just kept doing things together. And our friendship has grown strong, alongside all the collaborative stuff." New Big Red Machine material began taking shape in spring 2019, when Vernon came to visit Dessner at Long Pond. The first week produced songs such as "Reese," "8:22am" and eventual album opener "Latter Days," a haunting number sung by Vernon and Anaïs Mitchell that set the emotional tenor for what was to come. "It was clear to her that the early sketch Justin and I made of Latter Days was about childhood, or loss of innocence and nostalgia for a time before you've grown into adulthood _ before you've hurt people or lost people and made mistakes. Anaïs defined the whole record When she sang that, as these same themes kept appearing again and again," Dessner says. In the ensuing months, Vernon and Dessner would meet up when they could, and in the meantime, Dessner developed the existing material and wrote new instrumental tracks which he sent Vernon, always eager to hear what he would receive back. "Justin is incredibly gifted, but he's also disruptive in the best way," says Dessner, pointing to the first note of the song "Birch" as a prime example. "It's absolutely brilliant, but it was very surprising when I heard it the first time. I can't tell you what that interval is. There are many moments working with him where your head hits the wall in amazement like that." In the early stages of the pandemic, Swift approached Dessner to work with her on what would become the sister albums "folklore" and "evermore." Dessner describes this period as a "creative blur," during which he'd be writing material for Swift and Big Red Machine simultaneously. "I think this was an intense growing period for me, I was learning so much from Taylor and the process. Along the way, I shared all of our unfinished Big Red Machine songs with her and she really found them inspiring and gave me so much positive feedback and encouragement," he says. "I think that helped me realize how connected this Big Red Machine music was to everything else I was doing and that I was always supposed to be chasing these ideas. I was finding new sounds and ways of working through these songs. I just hadn't been able to finish them. So, I did." Beyond Vernon and Swift's encouragement, many of Dessner's previous collaborators and friends show up for him here, continuing the reciprocal exchange of ideas that has come to define his creative community. Songs feature guest vocals and writing contributions from artist friends including Fleet Foxes' Robin Pecknold ("Phoenix"), Ben Howard and This Is The Kit ("June's a River"), Naeem ("Easy to Sabotage'), Sharon Van Etten, Lisa Hannigan and My Brightest Diamond's Shara Nova ("Hutch," a tune inspired by Dessner's late friend, Frightened Rabbit frontman Scott Hutchison) and Swift herself ("Birch" and "Renegade," the latter an instant-classic Taylor earworm summed up by the poignant lyric "Is it insensitive for me to say / get your shit together so I can love you." The song was recorded in Los Angeles at the Kitty Committee studio in March 2021, the same week when Swift and Dessner took home the Grammy for Album of the Year for "folklore.") "This is all music I generated, but it is interesting to hear how different people relate to it, or how different voices collide with it," Dessner says. "That's what makes it special. With everyone that's on this record, there's an openness, a creative generosity and an emotional quality that connects it all together." As he continued writing prolifically on his own, Dessner noticed a theme emerging -- the idea of sitting with the uncomfortability of personal and family darkness from his childhood and reflecting on how emotional issues he dealt with growing up have reverberated through his adult life. It became clear that some of these he'd need to sing himself; songs such as "The Ghost of Cincinnati" and "Magnolia" address the disintegration of marriage and family and mental health, asking pointed questions of himself and those closest to him. "Brycie" is an ode to his aforementioned twin and National bandmate, who picked up on the musical vibes immediately when Dessner played the song for him for the first time backstage at a National show in Washington D.C. "He picked along to it with me and it immediately sounded like Aaron and Bryce playing the guitar in the basement as kids, which was my intent," Dessner remembers. "The words mean a lot to me. It's about my childhood with Bryce, and how I had pretty severe depression in high school. He was the one who kept me going and took care of me until I was back on my feet. I've lost close friends to depression and this song is about how important it was that Bryce was there for me at that time and is still here." In addition to being one of the more lyrically significant tracks on the album, Dessner says singing it himself felt like an important act of self-acceptance. "I always sing under my breath when I write music, but I usually hand it off to [National vocalist] Matt [Berninger] or others" he says. "When you're in a band for so long and somebody else is that person, you come to rely on it and I've always loved Matt's voice and his words. But singing `Brycie' myself helped rewire my brain to realize that maybe Big Red Machine is the project that not only enables me to create songs with other people, but also sometimes finish songs on my own." Recalling sessions at Sonic Ranch in Texas when Dessner recorded his vocal takes, Vernon says, "Aaron showed me `Brycie' a couple years ago now. I was like, this is beautiful, and you should do more singing. Not only would it be good for the future of your songwriting, but your voice sounds really good to me. It was exciting to see him flourish in that way _ to now be a part of that process and realize the hardships in that and also the victories. On this record, he's leading the charge, wholly and completely." Musically, "How Long Do You Think It's Gonna Last?" features what Dessner calls maybe the "clearest distillation" of his varying songwriting and production styles. Songs like "Reese," the Dessner-sung "Magnolia" and the elegiac "Hutch" are built on the kinds of tear-jerking piano melodies millions of fans have come to love from The National, but then move at their own pace toward unusual sonic destinations. "Aaron's greatest gift as a collaborator is his ability to evolve and experiment with the emotional sound that is so natural to him," Vernon says of the material. Elsewhere, the dream-like "Hoping Then" sets layered vocals by Vernon, Dessner and Hannigan ("It's the on the edge of why I can't sleep soundly") atop chopped and phased violin lines, programmed drums and countermelodies played on a rubber bridge guitar. His brother Bryce's orchestration ebbs and flows throughout this song and many others. The main instrumental track of the chugging, groovy "Easy to Sabotage" was stitched together from two different live recordings and later enveloped in warm keyboard textures and the head-nodding vocals of Naeem. "It just feels alive and electric, and it just happened," Dessner says of the song. That sense of shared experience extended to the new album's title, which was coined by Swift after Dessner told her he wasn't sure what to call the new album. Intuitively summing up the themes, she suggested titling it "How Long Do You Think It's Gonna Last?," a question which she pointed out could refer to multiple subjects addressed therein: "childhood, family, marriages, a depression, a losing streak, a winning streak or a creative streak. Taylor saw it all so clearly," Dessner says. "A year ago, we'd never even worked together. It's so cool that this community keeps extending and that everyone who contributed to this album connected so naturally to the emotions at the heart of the music."
Big Ric - Big Ric
Big Ric
Big Ric
LP | 1983 | JP | Original (Scotti Bros.)
26,99 €*
Release: 1983 / JP – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: Near Mint, Cover: VG+
OBI is missing.
Big & Rich - Greatest Hits
Big & Rich
Greatest Hits
LP | 2024 | US | Original (Friday Music)
44,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Limited turquoise and blue colored vinyl LP pressing.
Big Rig - Expansive Heart
Big Rig
Expansive Heart
7" | 2020 | US | Original (1-2-3-4 Go!)
10,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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BIG RIG was a very short lived project from Jesse Michaels (operation IVY, Common Rider, Classics OF Love), Doug Sangalang (screw 32, Limp, ONE Time Angels), Kevin Cross (the Nerve Agents, Pitch Black), Jeremy Goody (Pitch Black) and Brandon Riggen. The band rose and fell in 1993. They played a single show and left behind a demo and this EP which was originally on Lookout Records in 1994. 1-2-3-4 Go is extremely proud to be able to reissue this EP. This is a vastly under appreciated piece of East Bay punk and a hidden gem of the Lookout catalog. Includes a faithful reproduction of the original 8-panel booklet/sleeve.
Big Scary - Not Art
Big Scary
Not Art
LP | 2014 | US | Original (Barsuk)
27,99 €*
Release: 2014 / US – Original
Genre: Rock & Indie
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The story of Big Scary begins in Melbourne, Australia, where duo Tom Iansek and Jo Syme, armed with just acoustic guitars and egg shakers, started playing songs together in the living room of Syme’s parents’ house, gradually working up to a bolder, more expansive sound by incorporating electric guitars, drums, synths and piano. What began as a few rainy day acoustic ballads in their first incarnation soon grew, and before long, the newly named Big Scary were writing anything they pleased – fuzzed-out garage rock; piano-led pop; intricate, pastoral instrumentals – each imbued with an effortless pop sensibility and lightness of touch that would quickly see the duo attract a strong following in their home country. Following a series of early self-released singles and EPs, Big Scary released the intimately crafted debut album Vacation in 2011 via the band’s own label Pieater. The album brought the pair widespread acclaim, and earned the duo a large Australian audience with nominations for ‘Album Of The Year’ from Triple J and ‘Breakthrough Artist Of The Year’ from AIR (Australian Independent Record Labels Association), plus a small but growing cult following overseas. 2012 saw Big Scary take its first small steps onto the world stage – earning further underground acclaim via a self-funded North American tour that saw Tom and Jo play SXSW, CMW, and CMJ, impressing whatever audiences happened upon the versatility, lovable magnetism, intelligent songwriting and dynamic live performances that make up the band’s riveting shows.On the heels of their adventures abroad, an invigorated Tom and Jo returned home and began recording their second full length album. Grappling with the pressures and perceived responsibilities of their Australian success, the daunting goal of bringing their music to wider audiences, and their own expectations of themselves as writers and creators, the band eventually settled into making an album that would be, paradoxically, hotly anticipated at home while acting simultaneously as a first introduction to almost all audiences elsewhere: Not Art.The Melbourne-based duo has become a household name in Australian indie-pop circles and has a growing cult following overseas. Barsuk Records is thrilled to be the U.S. home for the band’s forthcoming album Not Art, a slow-burning stunner produced and engineered by Iansek and mixed by Tom Elmhirst (Amy Winehouse, The Kills, Arcade Fire, Adele) that distills influences of indie rock song structure, pop and hip-hop production, and experimental ambient music.
Big Scenic Nowhere - Lavender Blues Black Vinyl Edition
Big Scenic Nowhere
Lavender Blues Black Vinyl Edition
LP | 2020 | EU | Original (Heavy Psych Sounds)
21,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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BIG Scenic Nowhere the supergroup led by Bob Balch from FuManchu is coming back with a new killer EP titled “lavender Blues” The band has a straight core of members as Gary Arce from Yawning Man and Tony Reed from Mos Generator, this time the album going to feature great names as Per Wiberg from Opeth, Spiritual Beggars at synth and piano, Daniel Mongrain from Voivod at the guitar and the mighty producer from Kyuss: Chris Goss from Masters Of Reality at the guitar. The sound once again has this mellow and psychedelic attitude, with pinches of space rock and a matrix of desert sound, but you can also hear some progressive passages, and old school hard rock riffing here and there. The album feature once again the cover art of the visionary Max Loeffler.
Big Scenic Nowhere - Long Morrow Black Vinyl Edition
Big Scenic Nowhere
Long Morrow Black Vinyl Edition
LP | 2022 | EU | Original (Heavy Psych Sounds)
22,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Bob Balch here. Wanted to let you know about "The Long Morrow." We released the E.P "Lavender Blues" back in October of 2020. "Lavender Blues" and "The Long Morrow" are both the result of a three day jam session back in November of 2019. The players were myself, Gary Arce (Yawning Man), Bill Stinson (Yawning Man) and Tony Reed (Mos Generator). We left that session with hours of stuff to choose from. We still have tons to release! Once 2020 hit, we started digging into what would become "Lavender Blues" with the intention to make it an EP and save the main chunk of the material for the LP which would become "The Long Morrow." Once we released "Lavender Blues" Tony Reed and I began digging into the tunes. All of the songs were jams at first, just two or three parts and lots of improvisation. Tony started chopping them up into arranged songs and added lyrics and a few changes. That's where we got songs like "Murder Klipp" "Defector" "LeDu" and "Lavender Bleu." I did a few guitar overdubs on them as well to flesh out the parts, but for the most part they are all live takes. I'm surprised that "Murder Klipp" came together so easiely that early in the morning. That time signature is bonkers, Bill Stinson had no trouble coming up with a beat that complemented it. I had to take notes and increase my caffeine intake for that one. "Lavender Bleu" is a second take for "Lavender Blues" hence the title similarity. They were both jams but "Lavender Bleu" became a structured song and the second half of it became "Labyrinths Fade" from the EP. I got to play bass on "Defector" and Tony switched to guitar. "LeDu" is inspired by Husker Du and Led Zeppelin. Gary Arce (Yawning Man) planted the main riff ideas for all of those songs on Side One. The dude is a riff machine. “The Long Morrow” takes up Side Two. Clocking in at a little under 20 mins, “The Long Morrow” was the very first jam we did during the session. Took us about 30 seconds to fall into a groove and we didn’t surface for 30 mins. I went home and re-recorded all of my guitar parts throughout 2020. I kept the original ideas in place but embellished them a little. After editing it down and changing guitar parts around it was sent to Reeves Gabrels (the Cure/david Bowie) and Per Wiberg (opeth, Spiritual Beggars) to add guitars and synth. Then it was sent to Tony Reed (mos Generator) for vocals, overdubs and structure changes. Mixed and Mastered by the very talented Tony Reed. I couldn't ask for a better production. Sounds just as I wanted to hear it. We are super proud of this album, and look ahead into the future as this is only the beginning. If we can create stuff like this the first time jamming together we can only imagine that it’s gonna get better and better! More soon!
Big Scenic Nowhere - Long Morrow Transparent Green/Purple/Yellow Vinyl Edition
Big Scenic Nowhere
Long Morrow Transparent Green/Purple/Yellow Vinyl Edition
LP | 2022 | EU | Original (Heavy Psych Sounds)
29,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Bob Balch here. Wanted to let you know about "The Long Morrow." We released the E.P "Lavender Blues" back in October of 2020. "Lavender Blues" and "The Long Morrow" are both the result of a three day jam session back in November of 2019. The players were myself, Gary Arce (Yawning Man), Bill Stinson (Yawning Man) and Tony Reed (Mos Generator). We left that session with hours of stuff to choose from. We still have tons to release! Once 2020 hit, we started digging into what would become "Lavender Blues" with the intention to make it an EP and save the main chunk of the material for the LP which would become "The Long Morrow." Once we released "Lavender Blues" Tony Reed and I began digging into the tunes. All of the songs were jams at first, just two or three parts and lots of improvisation. Tony started chopping them up into arranged songs and added lyrics and a few changes. That's where we got songs like "Murder Klipp" "Defector" "LeDu" and "Lavender Bleu." I did a few guitar overdubs on them as well to flesh out the parts, but for the most part they are all live takes. I'm surprised that "Murder Klipp" came together so easiely that early in the morning. That time signature is bonkers, Bill Stinson had no trouble coming up with a beat that complemented it. I had to take notes and increase my caffeine intake for that one. "Lavender Bleu" is a second take for "Lavender Blues" hence the title similarity. They were both jams but "Lavender Bleu" became a structured song and the second half of it became "Labyrinths Fade" from the EP. I got to play bass on "Defector" and Tony switched to guitar. "LeDu" is inspired by Husker Du and Led Zeppelin. Gary Arce (Yawning Man) planted the main riff ideas for all of those songs on Side One. The dude is a riff machine. “The Long Morrow” takes up Side Two. Clocking in at a little under 20 mins, “The Long Morrow” was the very first jam we did during the session. Took us about 30 seconds to fall into a groove and we didn’t surface for 30 mins. I went home and re-recorded all of my guitar parts throughout 2020. I kept the original ideas in place but embellished them a little. After editing it down and changing guitar parts around it was sent to Reeves Gabrels (the Cure/david Bowie) and Per Wiberg (opeth, Spiritual Beggars) to add guitars and synth. Then it was sent to Tony Reed (mos Generator) for vocals, overdubs and structure changes. Mixed and Mastered by the very talented Tony Reed. I couldn't ask for a better production. Sounds just as I wanted to hear it. We are super proud of this album, and look ahead into the future as this is only the beginning. If we can create stuff like this the first time jamming together we can only imagine that it’s gonna get better and better! More soon!
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