Rock & Indie Vinyl 5505 Items

Release: 1985 / EU

Genre: Rock & Indie

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LP | 1976 | Reissue (Rhino)

Genesis

Wind & Wuthering

41,99 €*

Release: 1976 / Reissue

Genre: Rock & Indie

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San Michael's Splattered Vinyl Edition

San Michael's

LP | 1971 | EU | Reissue (Plusqueréel)

38,99 €*

Cream Corn For The Socket Of Davis

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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The re-release of the 2 seminal psych/prog albums by SAN MICHAEL’s, the self-titled (1971) one and Nattåg (1972), overlaps not at all coincidentally with the appearance of Kaipa’s 15th studio album Sommargryningsljus, as the fabular universe of the latter revolves around counterfactual rebirth, that is, becoming (re)born as one is getting older. These 2 evergreen albums, essential for savvy collectors of Scandinavian psych/prog, showcase the smooth progression towards Kaipa’s sonic multiverse, bordering on the porous dividing line between psychedelia (with a Made-in- Sweden pedigree) and European progressive, and driven by Hans Lundin’s ferocious organplaying that alternates between swirling ultra-groovy psychedelia and imposing kraut-ish segments. Both albums, produced by Leif Mases, have been remastered by sound meister Martin Igelström for your maximum audio pleasure, and come in ultra-limited pressings of 200 numbered copies + 2-page insert with bio and rare studio and live photos, in splatter (1st ) and marble (Nattag) vinyl. File nearby: Blakulla, Blue Sun, Dice, Kaipa, Made in Sweden, Mecki Mark Men, Panta Rei, Trettioåriga Kriget Vinyl 180 gr., strictly limited pressing of 200 numbered copies. NB: Not to be confused with St. Mikael or Cosmic Michael.

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Butthole Surfers

EP | 1985 | EU | Reissue (Matador)

21,99 €*

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Super Djata Band & Zani Diabaté

Volume 2 White Vinyl Edition

LP | 1982 | US | Reissue (Numero Group)

Punks Not Dead Vinyl Edition

Release: 1982 / US – Reissue

Genre: Rock & Indie

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Connecting Wasulu hunter music, griot praises, Senufo pastoral dances, Fula and Mandingo repertoire alongside Western psychedelia, blues and afro-beat, Zani Diabaté's Super Djata Band was among Mali's top orchestras of the 1980s. On their 1982 album, Diabaté enshrines himself within the pantheon of mythical West African guitarists, hypnotically picking through eight vivid compositions on his path to godhead status.

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The Exploited

LP | 1981 | Reissue (Cherry Red)

32,99 €*

Release: 1981 / Reissue

Genre: Rock & Indie

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LP | 1981 | EU | Reissue (No Remorse)

Dark Star

39,99 €*

LP | 1982 | EU (Radiation Reissues)

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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The classic debut album of the melodic NWOBHM band, originally released in 1981, finally reissued on vinyl for the first time! Side A:1. Kaptain Amerika2. Backstreet Killer3. The Musician4. Lady Of MarsSide B:1. Louisa2. Rockbringer3. Lady Love4. Green Peace

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Lydia Lunch

13.13 Red Vinyl Edtion

LP | 1981 | UK | Reissue (Crass)

Release: 1982 / EU

Genre: Rock & Indie

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Recorded in Los Angeles in 1982, 13.13 exists as document to the pandemonium of specters and potential serial killers who twisted the California Dream into a waking nightmare as they snaked through the boulevards, back yards and basements of a sun stroked paradise turning into a blood soaked inferno of fear, paranoia, panic and lust killings. Lush musical textures provided by members of seminal art punks The Weirdos - Dix Denney, Cliff Martinez and Greg Williams create a hypnotic backdrop to Lunch’s evocative vocals and terrifying lyrics

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Crass

Penis Envy

39,99 €*

2LP | 1979 | UK | Reissue (Crass)

Release: 1981 / UK – Reissue

Genre: Rock & Indie

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Remastered and reissued vinyl version of what should've been one of the first 10 records you ever bought. Named as a reference to some of Freud's ideas concerning sexuality, this release marked something of a departure from the somewhat macho, hardcore punk image that The Feeding of the 5000 & Stations of the Crass had given the group. Featuring more obviously complex musical arrangements, this release showcases exclusively female vocals provided by EVE Libertine and JOY DE Vivre. The album addressed feminist issues and once again attacked the institutions of "the system" such as marriage and sexual repression.

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Crass

Stations Of The Crass

49,99 €*

LP | 1989 | Reissue (Rhino)

Release: 1979 / UK – Reissue

Genre: Rock & Indie

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"Stations of the Crass is the second album by Crass, released in 1979. The record, originally released as a double 12", includes live tracks from a gig recorded at the Pied Bull pub in Islington, London, on August 7, 1979. The first three sides contain the studio tracks and play at 45 rpm, while the final side comprises the live material and plays at 33 rpm. The album's title is not only a pun on the Catholic rite of the Stations of the Cross (such jibes against the religious establishment were typical of Crass), but is also a reference to the graffiti campaign that the band had been conducting around London's underground railway system, the cover artwork depicting a wall at Bond Street tube station that had allegedly been 'decorated' by them. Although the album met mixed critical reception at first, it managed to sell at least 20,000 copies within two weeks.”

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Chicago

Greatest Hits 1982-1989

32,99 €*

Release: 1989 / Reissue

Genre: Rock & Indie

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LP | 1982 | US | Reissue (ORG Music)

Bad Brains

I And I Survive

Release: 1982 / US – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Wiseraven)

Warhorse

LP | 1988 | EU | Reissue (Matador)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Formed in early 1970 by Deep Purple bassist Nick Simper, Warhorse began as a backing band for singer Marsha Hunt. The group initially also featured Rick Wakeman, but he departed the band in April 1970 to join Strawbs. The band’s self-titled debut album was released on Vertigo in November 1970 and is a fine example of progressive hard rock of the era. With a heavy Hammond organ touch the group was in fact leading a new way of thinking, fusing neoclassical elements with heavy blues. Compared to label mates Black Sabbath, Warhorse were in the end much closer to Atomic Rooster and Quatermass. A truly welcomed re-issue in gatefold vinyl !

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Butthole Surfers

Hairway To Steven

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Songs Opaque Brown Vinyl Edition

Sandy Harless

LP | 1973 | US | Reissue (Numero Group)

The Raincoats Silver Vinyl Edition

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Arriving as the hippy movement was discovering its peaceful easy `70s feelings, Sandy Harless' Songs LP is Chillicothe, Ohio's lone contribution to the Cosmic American Music movement. Financed from a 27-aquarium fish breeding business, the album shows its Appalachian roots with a tight weave of mountain folk, rural rock, and pastoral country. Real people music.

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The Raincoats

LP | 1979 | UK | Reissue (We Three)

29,99 €*

Roller Clear Purple Vinyl Edition

Release: 1979 / UK – Reissue

Genre: Rock & Indie

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We ThRee announce the reissue of the "The Raincoats" the legendary first album by The Raincoats originally released on Rough Trade Records in 1979. Widely acclaimed as one of the musical highlights of the post punk period and a breakthrough moment for women in music, "The Raincoats" has been commercially unavailable for the past 10 years. The album was recorded in 1979 by Ana da Silva, Gina Birch, Palmolive and Vicky Aspinall and was produced by Geoff Travis and Mayo Thompson. We ThRee is The Raincoats' own label and we will release the vinyl LP on 19 October and a special edition enhanced CD on 9 November 2009. The album has been re-mastered from original maste...

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Goblin

LP | 1976 | EU | Reissue (AMS)

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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Hex Record Store Day 2023 Red Vinyl Edition

Poison Girls

LP | 1980 | US | Reissue (Cooking Vinyl)

Release: 1980 / US – Reissue

Genre: Rock & Indie

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Below The Waves Record Store Day 2023 Edition

Heidi Berry

LP | 1989 | US | Reissue (Glass Modern)

32,99 €*

Release: 1989 / US – Reissue

Genre: Rock & Indie

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Steeler Record Store Day 2023 Edition

Steeler

LP | 1983 | Reissue (Sound City)

33,99 €*

Release: 1983 / Reissue

Genre: Rock & Indie

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Survival Of The Fittest Record Store Day 2023 Edition

Maxwell Udoh

LP | 1988 | US | Reissue (Tidal Waves Music)

18,99 €* 19,99 € -5%

Eat The Beat White Vinyl Edition

Release: 1988 / US – Reissue

Genre: Rock & Indie

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Record Store Day 2023 first time officially reissued on vinyl since 1988. Limited to 500 copies. Rasman Maxwell Udoh was one of the best things to come out of the Nigerian music scene in the 80s and 90s. Born on the 29th of August 1959 and passed away on the 18th of December 2014, his 55 years on earth were a memorable time that resulted in many contributions to the musical heritage of Nigeria, and the messages he spread through his lyrics are still treasured by the downtrodden even today. Maxwell Udoh was a true pioneer, and his musical legacy is more than relevant, even to this day.

After he left Oron’s Methodist Boys High School in 1980, Maxwell’s uncle Patrick Peter Udoh took him under his wing. As a professional musician with The Doves Rock Band, Patrick taught him all he could until the band’s dissolution, which prepared Udoh for the trailblazing career that he would soon be embarking upon. Maxwell Udoh and His Masses Militia Band took Nigeria by storm with their debut album ‘Forward Ever, Backward Never’. The record was a massive hit that opened his route to greatness, taking his reputation far beyond the shores of Nigeria and winning him several music awards.

The fame that Maxwell would claim from this would skyrocket him into his election as chairman of the Performing Musicians Association of Nigeria. As a naturally inclined musician and charismatic leader type since childhood, his journey is a series of natural progressions that sequentially delivered to him the many stages of the recognition he deserved.

Rasman Maxwell Udoh was renowned as an advocate for social justice, as well as one of the first few Africans to sing authentic reggae in its true form. His musical catalogue overall helps tell the story of a man who was larger than life and is cherished both in Africa and the world over to this day. Maxwell’s independent albums and singles are classics for the ages and stand firmly and triumphantly as paragon examples of the best of Nigerian music.

On the album we are proudly presenting you today (‘Survival Of The Fittest’ recorded in Nigeria in 1972) the listener is treated to six mind blowing tracks filled with excellent reggae, funk, soul, boogie and disco influences. Also included is the heavy hitting smash-hit “I Like It (Don’t Stop)” that was featured on the ’’Khruangbin: Late Night Tales” album. Fans of Maxwell will be proud that he was chosen as a representative of Nigeria on these ongoing and acclaimed series. A great accreditation for Maxwell Udoh and a big deal to say the least. All of the above makes ‘Survival Of The Fittest’ a real must-have for collectors and fans alike.

Tidal Waves Music now proudly presents the First ever vinyl reissue of this landmark Nigerian album originally released on Average records in 1988 (OG copies go for large amounts on the second-hand market). This is also the first time these recordings are being released outside of the African continent. This unique record comes as a deluxe 180g vinyl edition (strictly limited to 500 copies) with obi strip and features the original artwork. Released exclusively for Record Store Day (uk/europe) 2023 and available in participating stores on April 22, 2023.

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Bad Manners

LP | 1988 | EU | Reissue (Audioplatter)

LP | 1971 | EU | Reissue (Waxtime)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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This collection of early recordings were later re-worked and re-recorded for the basis of the 'Return Of The Ugly' album and is a piece of Bad Manners' history. These recordings were first issued as a limited edition vinyl album on Buster Bloodvessel's Blue Beat Records in 1988 and later re-released on French label Squale Records.

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Buddy Holly

Good Rockin' - The Hits

16,99 €*

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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LP | 1989 | UK | Reissue (Southern Lord)

Blast

Manic Ride

19,99 €*

LP | 1982 | TR | Reissue (Sn Muzik)

Release: 1989 / UK – Reissue

Genre: Rock & Indie

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Essential reissue of the 3rd and final Bl'ast! studio album from 1989.

Sonically enhanced with an aggressive remaster from Brad Boatright.

Visceral, brash re-design via a gatefold jacket! Take THE Ride FOR Life! Black Vinyl - NON Returnable.

Jewel case CD with fold out poster cover insert and a clear tray card.

In June of 1988 the mighty Bl'ast! went into the studio with Black Flag’s live sound engineer Goat : Dave Rat (ratsound). The result was the album: Take The Manic Ride. It was released by SST in 1989.

After the dust had settled the band was somewhat dissatisfied with the production of the album and regret ended up eternally haunting the band. The massive intensity of the songs completely outmatched what the recording ultimately captured. The master tapes were destroyed and were never to be recovered. Through some incredibly magical surgery a new heavy as fuck version of the album has been produced.

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Sezen Aksu

Firuze

23,99 €*

LP | 1981 | TR | Reissue (Modern Plakcliik)

Release: 1982 / TR – Reissue

Genre: Rock & Indie

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It is the 5th studio album of the artist's oeuvre and was originally released in 1982 on cassette. The track "Firuze" is a ballad that can be considered an anthem in Turkish pop music.Sezen Aksu, who has a very special voice, strengthened her place in the Turkish Pop Music scene with this album. Other important tracks on the album are "Ayrılıklar Bitmez", "İkinci Bahar", "Beni Unutma" and "Dümtek".

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Müslüm Gürses

Mutlu Ol Yeter

Pick Your King White Vinyl Edition

Release: 1981 / TR – Reissue

Genre: Rock & Indie

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Arabesk and Turkish folk music singer Müslüm Gürses released more than 70 albums, concert recordings and compilations between 1975 and 2014. Gürses starred in 38 movies between 1979 and 2011, reaching a wide audience as a popular cult figure from the 2000s onwards. The Mutlu Ol Yeter album, originally dated in 1981,is back on the shelves in 2017.The songs that stand out in the album are “Mutlu Ol Yeter” and “İtirazım Var”,which also give the album its title. Orhan Akdeniz and Burhan Bayar are the musical directors and producers of the album, who also wrote most of the tracks.

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Poison Idea

LP | 1983 | US | Reissue (Jackpot)

Zambia Smoke Colored Vinyl Edition

Release: 1983 / US – Reissue

Genre: Rock & Indie

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Jackpot Records is proud to announce the long out of print 1983 debut record by Poison Idea -“Pick Your King”. Not only the greatest Poison Idea record, but the greatest PUNK album of all time. Originally released in 1983 featuring 13 songs in 13 minutes.
Includes the original iconic artwork on an 12" format with new Liner notes by lead singer Jerry A.

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Rikki Ililonga

LP | 1975 | US | Reissue (Now-Again)

Release: 1975 / US – Reissue

Genre: Rock & Indie

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LP | 1976 | EU | Reissue (Polydor)

Rainbow

Rainbow Rising

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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Pronounced 'Leh-'nerd 'Skin-'nerd

Lynyrd Skynyrd

LP | 1973 | EU | Reissue (Universal)

LP | 1978 | PL | Reissue (Universal)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Limited 180gm audiophile vinyl LP repressing of this classic album by the Southern rock legends. Though the Southern rock genre existed before and after Lynyrd Skynyrd, no other band personified the lifestyle quite like this motley crew. Released in 1973 Pronounced Leh-Nerd Skin-Nerd was Lynyrd Skynyrd's first album. There are few records that sound this raw and uncompromising, especially records by debut bands. The genius of Skynyrd is that they un-self-consciously blended album-oriented hard rock, blues, country, and garage rock, turning it all into a distinctive sound that sounds familiar but thoroughly unique. Includes 'I Ain't The One', 'Simple Man' and the legendary 'Free Bird'.

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Dire Straits

Release: 1978 / PL – Reissue

Genre: Rock & Indie

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LP | 1979 | PL | Reissue (Polydor)

The Cure

Three Imaginary Boys

Greetings From Asbury Park N.J.

Release: 1979 / PL – Reissue

Genre: Rock & Indie

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Finally this classic album is available again. All recordings have been mastered by Robert Smith himself.

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Bruce Springsteen

LP | 1973 | US | Reissue (Mobile Fidelity)

99,99 €*

Release: 1973 / US – Reissue

Genre: Rock & Indie

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LP | 1973 | US | Reissue (Friday Music)

Doobie Brothers

Captain And Me

40,99 €*

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Those Who Do Not Black Vinyl Edition

Psychic TV

2LP | 1984 | UK | Reissue (Cold Spring)

38,99 €*

The Other Side Of Futurism

Release: 1984 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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The sound of the classic period of Psychic TV - featuring Peter Christopherson and Geff Rushton (John Balance) of Coil, this full show is interspersed with recordings of the Pagan marriage between Genesis and Paula P-Orridge conducted by Sveinbjörn Beinteinsson Allsherjargodi.

Psychic TV at their most esoteric, their most ritual, and often most extreme, a perfect accompaniment to the legendary 'Dreams Less Sweet' album of the same year.

"Thee First Will To And Testament Ov Psychick TV. All our works remain interconnected, interfaced, and intentional. Thee Process is thee Product".

These recordings of a live disconcert by Psychic TV in Reykjavik, Iceland that took place November 1983 organised by HÖH and Gramm Records, to whom, eternal and infernal thanks all ways.

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V.A.

LP | 1984 | EU | Reissue (Spittle)

LP | 1984 | EU | Reissue (Spittle)

Release: 1984 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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First Time ON Vinyl ! Originally released on cassette in the spring of 1984 together with the 5th issue of Tribal Cabaret fanzine - included here in its original format - this is an invaluable document focusing on the obscure side of the 80’s Italian post- punk scene. A composite picture drawn by a bunch of different and often under recorded groups from various Italian regions and cities. All together they contribute to defining a prominently dark yet vivid soundscape based on different approaches and styles. All these aspects are perfectly translated through the b&w art and graphics of the beautiful Tribal Cabaret fanzine. If you want to dive deep into the fringes of the 80’s this is one of the places to start.

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V.A.

Afterglow

LP | 1985 | EU | Reissue (Archives De La Zone Mondiale)

Release: 1984 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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First Time ON Vinyl ! Originally released on cassette in the winter of 1984, together with the 7th issue of Komakino fanzine - included here in its original format. 8 groups and 14 tracks revealing the whole meaning of the Afterglow operation. Bands who already had record deals and enjoyed some popularity, others that will do so shortly, others that will fade in the mists of that decade. “Afterglow” is a document from an era when small gestures and uncomfortable choices were true stances

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Berurier Noir

Concerto Pour Detraques

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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12" | 1984 | EU | Reissue (Archives De La Zone Mondiale)

Berurier Noir

Nada

16,99 €*

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Aladdin Sane 50th Anniversary Half Speed Master Vinyl Edition

David Bowie

LP | 1973 | EU | Reissue (Parlophone Label Group)

36,99 €*

Release: 1973 / EU – Reissue

Genre: Rock & Indie, Pop

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I Robot UltraDisc One-Step Edition

Alan Parsons Project

LP | 1977 | US | Reissue (Mobile Fidelity)

99,99 €*

Release: 1977 / US – Reissue

Genre: Rock & Indie

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Subterranean Jungle Violet Vinyl Edition

Ramones

LP | 1983 | EU | Reissue (Warner)

LP | 1970 | EU | Reissue (Guerssen)

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Reissue as a part of the Start Your Year Off Right Kampagne von Warner. 40th Anniversary of the seventh Ramones album. Subterranean Jungle marked a return to the roots of the band. Includes "Time Has Come Today." (Original RD: February 1983)

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Crystalline

Axe Music

Ladies Of The Canyon 180g 45RPM SuperVinyl Box Set

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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First reissued by us in 2012 and out of print for many years, here’s a new, improved repress of this UK psych holy grail. Axe (known also as Axe Music and finally Crystalline by the time they recorded their rare acetate) were an obscure British psych band led by acid-rock guitar player extraordinaire Tony Barford and graced by Vivienne Jones ethereal vocals. The band hailed from Northampton (home also of their mates Dark of “Dark Round The Edges” fame). In 1970, they recorded a demo album of which only 12 copies were pressed as a demo acetate. Here's a straight reissue of this legendary artifact, as the previous "reissue" on the Kissing Spell label from 1993 and credited to Axe was altered without the band consent and included newly edited tracks, artificial echo / phasing effects, altered song titles...

Here' you'll find the acetate recording on its pure form: 100% unadulterated heavy psych and acid-rock sounds full of raw, fuzzed-out guitars and dreamy female vocals. Four impressive original songs plus a long, psyched to the max cover of Love's "A house is not a motel" which has to be heard to be believed. Carefully remastered from an original acetate copy in 24-bit. Unfortunately, no masters survived and no 100% clean copies are known to exist of the original acetates, but you’ll get the best result for the possibilities. In fact we’ve managed to improve the sound a bit over our first edition from 2012. * New artwork (the original acetate came in blank sleeve), insert with unseen pictures and liner notes by Paul Cross (Sweet Floral Albion). Rated with the maximum rarity (six stars) in Hans Pokora's 5001 Record Collector Dreams book.

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Joni Mitchell

2LP | 1970 | US | Reissue (Mobile Fidelity)

161,99 €*

LP | 1971 | EU | Reissue (Bonfire)

Release: 1970 / US – Reissue

Genre: Rock & Indie

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SOURCED FROM THE ORIGINAL ANALOGUE MASTER TAPES
PRESSED AT RTI ON MOFI SUPERVINYL, AND STRICTLY LIMITED TO 5,000 NUMBERED COPIES
1/4” / 15 IPS / Dolby A analogue master to DSD 256 to analogue console to lathe

Ladies of the Canyon can be viewed as Joni Mitchell's coming-out party. Having recently moved to Lookout Mountain in Los Angeles' Laurel Canyon area — her house is depicted in a watercolour painting she made for the record's cover — the Canadian icon turned to her immediate surroundings for inspiration the while taking the pulse of national affairs, corporate enterprise, celebrity, and her relationship with Graham Nash. The 1970 album finds the singer-songwriter morphing into the groundbreaker who would shed folk music's constructs and wade into pop, jazz, soul, and poetry with a combination of depth, sophistication, self-examination, and acumen no one had ever heard.

Sourced from the original analogue master tapes, pressed on MoFi SuperVinyl at RTI on MoFi SuperVinyl, featuring new liner notes, and strictly limited to 5,000 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP box set delivers Ladies of the Canyon with bracing intimacy, detail, balance, and depth. Marking the first time the LP has received audiophile treatment, it's one of six iconic Mitchell records Mobile Fidelity is reissuing on definitive-sounding vinyl and SACD sets.

Playing with organic warmth, superb clarity, and ample spaciousness, this collectible UD1S edition benefits from the inherent properties of SuperVinyl — a virtually non-existent noise floor, reference-calibre groove definition, and ultra-silent surfaces among them. Primarily recorded solo, with spare accompaniment on select tracks, Mitchell practically takes up residence in your listening room. Her voice, piano, and guitar image with spot-on precision and three-dimensionality; the music is focused, emotional, natural. Auxiliary instrumentation — cello, clarinet, baritone saxophone, Milt Holland's deft percussion — is seamless, cohesive, steady. Notes bloom and decay as they do on a live stage; relatedly, the soundstage extends far and wide, with carbon-black backgrounds adding to the uncanny realism.

The deluxe packaging of the Ladies of the Canyon UD1S set complements its distinguished status. Housed in a deluxe slipcase, both LPs come in special foil-stamped jackets with faithful-to-the-original graphics that illuminate the splendour of the recording. This UD1S reissue is made for listeners who prize sound quality and production, and who desire to engage themselves in everything involved with the album, including Michell's illustrative painting that serves as the cover art.

Deemed "powerful and brilliant" upon release by The New York Times, Ladies of the Canyon followed Mitchell's first Grammy-winning effort (Clouds) and marked the first of six consecutive masterworks she made en route to becoming the most celebrated singer-songwriter of both her generation, and, arguably, all time. It's the first record on which the then-26-year-old featured the piano, a creative decision of immeasurable significance; first to attain platinum status, which transformed Mitchell into more than a folk figure; first to see her taking more chances with her singing; and the last on which she comes across upbeat, largely unencumbered by the complex themes and personal ache that would occupy her for the foreseeable future.

Mitchell radiates confidence and courage, producing Ladies of the Canyon herself after realizing she didn't need the services of an outsider when she already knew what she wanted. She just required a competent and collaborative engineer, who she landed in Henry Lewy. Fittingly, on the record's affectionate title track, she celebrates community and a trio of women — all real, all from her Laurel Canyon neighborhood — who, individually, as a visual artist, free-spirited mother, and circus-raised imagineer, respectively, were all reflected in Mitchell herself. Akin to Trina, Annie, and Estrella, Mitchell also had an affinity for wearing beautiful clothes, hosting friends, baking sweets, and weaving "a pattern all her own."

That pattern most famously materializes on the album's closing trio of songs — their unconventional placement on the record likely another sly acknowledgement of Mitchell's disdain for commercialism, or at the very least, catering to its demands — each, then and now, a classic. Within months of releasing Ladies of the Canyon Mitchell would find herself at the centre of the singer-songwriter movement — and preparing songs for another album whose impact is still felt today.

More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior

Mobile Fidelity Sound Lab's UltraDisc One-Step (UD1S) technique bypasses generational losses inherent to the traditional three-step plating process by removing two steps: the production of father and mother plates, which are created to yield numerous stampers from each lacquer that is cut. For UD1S plating, stampers (also called "converts") are made directly from the lacquers. Since each lacquer yields only one stamper, multiple lacquers need to be cut. Mobile Fidelity's UD1S process produces a final LP with the lowest-possible noise floor. The removal of two steps of the plating process also reveals musical details and dynamics that would otherwise be lost due to the standard multi-step process. With UD1S, every aspect of vinyl production is optimized to produce the best-sounding vinyl album available today.

MoFi SuperVinyl

Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analogue lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.

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Chillum

LP | 1985 | JP | Reissue (XXX)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Fully licensed, ltd to 500 copies The sole self-titled album by English progsters Chillum was in fact an offshoot project of famous psychedelic icon Second Hand. They shared three members - George Hart, Ken Elliott, Kieran O'Connor – with the former band, giving birth to a more experimental act. The record originally saw the light of day in 1971. The lp was supposed to be the third Second Hand album, but apparently the members decided to change the band's name. Their heavy swinging approach was in the end similar to such contemporary luminaries like Atomic Rooster, Leaf Hound, and Arthur Brown's Kingdom Come. A jam album with lots of roaring percussion and an impressive organ to make big sound. Ken Elliott (Keyboards, Mellotron, Organ, Vocals), Kieran O'Connor (Drums), Tony McGill (Guitar) and George Hart (Bass)

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Gauze

Fuck Heads

LP | 1971 | EU | Reissue (Long Hair)

Release: 1985 / JP – Reissue

Genre: Rock & Indie

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Originally released in 1985. GAUZE's legendary 1st album!!

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Electric Food

Flash

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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LP | 1981 | EU | Reissue (Glossy Mistakes)

Earthling

Dance

Crime & The City Solution

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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Tokyo. 1981. A couple of fashion designers decide to go for it and start recording music with a third musician. Their debut album, Dance, is an influential synth pop and wave album twisting the boundaries of the genres.

Earthling consisted of the couple: lead vocalist/guitarist John, bass guitarist Yoko Fujiwara, plus keyboard/sythesizer player Jin Haijama. The group was formed in Tokyo in 1979 when John and Yoko, previously fashion and textile designers, felt the desire to give the music they'd written a more permanent environment. They recruited Jim, who was working in an amusement park, and evolved a musical form which pulsed with a steady beat, yet was tempered by hypnotic vocal chanting. The sound of Earthling reinforces the subtle and sensitive connections which link modern music to dance to, with hints of synth-pop, new wave and heavy punk vocals tainted by drum machines.

While the group uses a rhythm-machine to epitomize the sustained beat of Tokyo in the early 80s, the emotional vocal impact of songs like ''Heavy Feeling in My mind'' and ''The Guard of Sensitivity'' add an urgent, street-wise dimension to their precise instrumental presentation. Earthling are sound pioneers, painting future dreams that transcend the present day.

Their music crossed borders also internationally: "You go on Natural" became a well-known banger in the late 80s in La Ruta Destroy in Valencia, championed by local djs back then. The band also toured the United States in the early 80s.

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Shine Colored Vinyl Edition

LP | 1988 | UK | Reissue (Mute)

Release: 1988 / UK – Reissue

Genre: Rock & Indie

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Crime & The City Solution

Paradise Discotheque Colored Vinyl Edition

LP | 1989 | UK | Reissue (Mute)

Release: 1989 / UK – Reissue

Genre: Rock & Indie

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EP-LP Black Vinyl Edition

Subhumans

LP | 1985 | US | Reissue (Pirates Press)

Release: 1985 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-08-09

Junior's Got Brain Damage

Ervin Berlin

7" | 1979 | US | Reissue (Total Punk Archives)

14,99 €*

LP | 1981 | Reissue (Mute)

Release: 1979 / US – Reissue

Genre: Rock & Indie

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Pressed in an ultra limited number of 200 back in 1980. Ervin Berlin was the work of Ervin Shuemake (a late 20s acid rocker) and two young punks named Jeff and TOM THE Bomb. Ervin had cut his teeth playing guitar on the crazy Terry Brooks "strange" Translucent World LP back in 1973 and spent the remainder of the 70s in various acid, hard, and prog rock bands throughout Central Florida. He met the younger punk duo of Jeff and "The Bomb" at end of 79 beginning of 80 and decided to take a stab at the punk craze with his two new acquaintances. Soon the trio was at a country and western studio in Winter Haven recording the Ervin Berlin single between sessions for possible Bellamy Brothers tracks. The blending of Ervin's acid rock chops and Jeff and Tom's thuggish punk approach resulted in this KBD space punk stomper. Equal parts Blue Cheer, Debris, Sacramento's Ozzie, and late 70s Hawkind. The 7" was pressed, a few house parties were played, and all parties went separate ways. 42 years later we are kicking off Total Punk Archives with a reissue of this lost Orlando classic. 100% Total Punk!!

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Can

Delay 1968

Release: 1981 / Reissue

Genre: Rock & Indie

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LP | 1975 | Reissue (Mute)

Can

Landed

Release: 1975 / Reissue

Genre: Rock & Indie

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Rock Joint Cither - Silk Road Black Vinyl Edition

Hiromasa Suzuki

LP | 1973 | EU | Reissue (Cinedelic Orient Series)

29,99 €*

LP | 1971 | EU | Reissue (Cosmic Rock)

Release: 1973 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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After the space-time experience and the translation into music of the Bible of Japanese civilization, the Fulukotofumi, the following year, in 1973, Hiromasa Suzuki pushes his research and experimentation beyond the borders of his own country by venturing, with the usual companions of adventure (Kunimitsu Inaba, Hideo Sekine, etc.), along the lights and shadows of the Silk Road. A backward journey in search of the musical and cultural sources of mainland Asia, from the gates of India to the roots of China. If the Biwa lute characterized the previous chapter dedicated to the profound ancestral of Japan, here, the sitar, the Asian instrument par excellence, becomes a new narrator; Suzuki plans and manages the interventions by juxtaposing it with an opera that, like the previous one, always remains strongly jazz and rock, at times very similar to Ian Carr's Nucleus. A precious find in the endless and seminal musical archeology of modern Japanese music. Gatefold cover with insert.

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Assagai

Crystal Logic Splatter Vinyl Edition

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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South-african jazz-rock worshippers alert ! Assagai was an Afro-rock band, active in the early 1970s in London, whose relatively short career produced two albums recorded in 1971. It has been described as "the second best-known African group of the late 60s/early 70s in Britain" after Osibisa. The original band consisted of five members, three from South Africa and two from Nigeria: drummer Louis Moholo, trumpeter/flautist Mongezi Feza, alto saxophonist Dudu Pukwana, tenor saxophonist Bizo Mngqikana, and guitarist/bassist Fred Coker Assagai's self-titled debut album was released in 1971 on Vertigo; among the African musicians who played with the group on the recording was Terri Quaye. Previously, in the 1960s Pukwana, Feza and Moholo had been members of the jazz band The Blue Notes alongside Chris McGregor.

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Manilla Road

LP | 1983 | EU | Reissue (High Roller)

LP | 1975 | CA | Reissue (Return To Analog)

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, reissue 2022, white w/ orange & blue splatter vinyl, ltd 500, 425gsm heavy cardboard cover, lyric sheet printed on uncoatd paper, poster, A5 photo card, Restored Roadster master! Transfer by Marcus Mossmann at PHONGRAPHIC ARTIFACTS, mastering by Patrick W. Engel at TEMPLE OF DISHARMONY in March 2020. Cutting by SST Germany on Neumann machines for optimal quality on all levels ... The ultimate audiophile edition of this eternal classic!

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Lothar Jahn

Dreams Of '75

30,99 €*

How Could Hell Be Any Worse? 40th Anniversary White Vinyl Edition

Release: 1975 / CA – Reissue

Genre: Rock & Indie

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Singer/songwriter and multi-instrumentalist Lothar Jahn’s Dreams Of 75 is a wild fusion of psychedelic folk, and Krautrock. Fantastic from beginning to end “Dreams of ’75,” will take listeners on a stereoscopic journey

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Bad Religion

LP | 1982 | EU | Reissue (Eptaph)

Discipline (Steven Wilson Mix)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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With this album a fuse was lit, leading to an explosion that spawned a new religion: Bad Religion. How Could Hell Be Any Worse?, their second record and first LP is nothing short of genius. Shattered-glass guitar riffs, fast, furious drums, and a 16 year old Greg Graffin"s voice for the ages. The coalescence of lyrical intellect and savage music make for a sound seldom (if ever) heard before. The impact of this record still resonates to this day. Classic tracks like "Fuck Armageddon...This Is Hell," "American Dream," and "The Voice Of God Is Government" are as crucial and socially lucid as the day they were created in a southern California garage. When the greatest punk records of all-time are discussed, How Could Hell Be Any Worse? is sure to be mentioned. Reissued on clear & black marble vinyl to celebrate the 40th anniversary!

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King Crimson

LP | 1981 | UK | Reissue (DGM Panegyric)

Release: 1981 / UK – Reissue

Genre: Rock & Indie

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Violent Restitution Black Vinyl Edition

Razor

LP | 1988 | EU | Reissue (High Roller)

LP | 1978 | US | Reissue (Tomato)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, reissue 2022, black vinyl, ltd 500, 425gsm heavy cardboard cover, lyric sheet, poster, mastered for vinyl by Patrick W. Engel/ Temple of Disharmony

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Townes Van Zandt

Our Mother The Mountain

80,99 €* 89,99 € -10%

LP | 1976 | EU | Reissue (Wah Wah)

Release: 1978 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

US original.
Sleeve has light edge wear.
LP has only few surface marks.

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COS

Viva Boma

LP | 1977 | EU | Reissue (Rhino)

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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The origins of Cos date back to the second half of the sixties when Daniel Schell joined forces with Jean-Paul Musette, Pascale Son and Robert Pernet to form Classroom. When Classroom split, Daniel Schell and Pascale Son moved ahead and formed Cos together with Charles Loos, Alain Goutier and Bob Dartsch. They produced an experimental jazz rock sound linked to the influences above mentioned, but without being mere copycats since they always managed to keep to their own personality.

Viva Boma was their second LP, originally issued in November 1976, and added some African influences to the mix, including the cover which, designed by Alain Goutier upon a concept by Daniel Schell, depicted a trio of hipopotamus that made reference to Boma, a portuary city at the banks of the river Congo, and Bomma, Belgian word for grandmother (hence the title appearing either with one or two m's on different parts of the artwork).

The Wah Wah reissue comes housed in a beautiful reproduction of the original sleeve and an insert with photos and liner notes. Limited edition of 500 copies, licensed from and with the collaboration of Daniel Schell.

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Television

Marquee Moon

29,99 €*

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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LP | 1979 | EU | Reissue (Bonfire)

Veronique Chalot

J'ai Vu Le Loup

LP | 1971 | EU | Reissue (Parlophone Label Group)

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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Fully licensed, ltd to 500 copies, 180 gr. Comprised of a precious inlay card featuring an exclusive essai by Emma Tricca. “This is an album that takes you on a supernatural journey to the discovery of ancient sounds that move our souls in the deepest of manners”.

Veronique Chalot was born in Normandy in the north of France, but it was in Paris that she first became interested in traditional French folk music. In 1974 she landed in Rome where she soon earned a small, but dedicated following. In 1979 she recorded her first studio effort, J'ai vu le loup, for the Italian Materiali Sonori label. Over the past 30+ years she has given hundreds of concerts, presenting her repertoire of traditional French/Italian folk songs and building awareness of that fascinating patrimony of antique melodies and dance rhythms. She passed away unfortunately on the 3rd of July 2021

“First glance into Veronique's voice and you're under a spell she's unaware of casting. Like hearing the magical sound of Ulysses' sirens, you want to throw yourself into the deep blue waters of this record, its saucerful of secrets. Like finding the hidden doors into an ancient world of court jesters, magic flutes, troubadours, and love potions, her delivery, both on the instrument and the singing, is of a beauty impossible to comprehend. Pointless for me to dissect every song or try to draw the history of each and every poem or musical piece. This is an album that takes you on a supernatural journey to the discovery of ancient sounds that move our souls in the deepest of manners. All of this and more was how I felt back in the mid-90s, as a kid, when I first saw Veronique playing in a small club in Rome called Folkstudio. This record captures all the wondrous sensations I had seeing her perform; a life-changing experience. Bon voyage; she'll take you places. (Emma Tricca)”

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Deep Purple

Fireball

38,99 €*

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Helloween Gold Vinyl Edition

Helloween

2LP | 1985 | EU | Reissue (Atomic Fire)

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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LP | 1975 | EU | Reissue (Rhino)

Fleetwood Mac

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Defenders Of Justice Black Vinyl Edition

Darkness

LP | 1988 | EU | Reissue (High Roller)

Pierrot Lunaire Yellow Vinyl Edtion

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, black vinyl, ltd 250, lyric insert, poster

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Pierrot Lunaire

LP | 1974 | EU | Reissue (RCA)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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Join Inn 50th Anniversary Edition

Ash Ra Tempel

LP | 1973 | EU | Reissue (MG.Art)

Killer Black Vinyl Edition

Release: 1973 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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After the 2021 Re-Release of “Schwingungen” (MG.ART612) and together with “Seven Up” (MG.ART613) we proudly announce “JOIN INN” as Part3 of the authorised 50th Anniversary “A.R.T.” Re-Edition Series. “JOIN INN” is the fourth album by Ash Ra Tempel. It was recorded at Studio Dierks and originally released on LP by Ohr Musik-Produktion, catalogue number OMM 556032. Each side of the LP comprises one long track.

In 1972 ASH RA TEMPEL teamed up again with Klaus Schulze during the recording of Walter Wegmüller's Tarot album, and after one of the recording sessions, ASH RA TEMPEL members: Enke, Göttsching and Rosi, together with Klaus decided to "play it again" in a late night session. This recording led to the birth of the “JOIN INN” album, as well as two legendary last concerts in February 1973 in Paris and Cologne.

Manuel Göttsching recalls Hartmut Enke on bass and Klaus Schulze on drums being a dream-team rhythm section for him to play his guitar, especially here to hear on “Freak'n' Roll”, that was ingenious and not to replace ever since. It was the last recording ever where Klaus Schulze (who sadly passed away this Year) played the Drums and also Hartmut (the Hawk) Enke soon after quit the Bass and music forever. Join Inn marks the end of the collaboration with Klaus Schulze. However, together with Ash Ra Tempel, their eponymous first album, which will be released in 2023 as the final edition of our Series, it is considered a highlight of the Krautrock movement. As for the music itself we again refer to Julian Cope´s review from his book “Krautrocksampler” (published by Head Heritage, 1st ed. 1995):
""Freak’n’roll” fades in like it never started - just was always there from the beginning of time, a dry wah-guitar freerock riff-out unlike any of the other Ash Ra Tempel LPs, and not much like any other music. Yes, there are bluesy riff but none of them have a blues context. Manuel Gottsching’s guitar is so confident that he sometimes drops down to a simple major chord groove, whilst the Hawk pushes that round woody bass into strange overlapping rumbling melody. And ... it’s the return of Klaus Schulze on drums which propels “Freak’n’roll” to its height. No-one but Klaus has the ability to transcend rock’n’roll in such an on-the-beat non-groove-y way and still send sparks of light into the cosmos as he does it. "Freak’n’roll” is so egoless that it even works at a quiet volume as meditational music. Themes rise from the high tempo pulse beat, then are carried along the muscles of the song into the main area where the riff actually becomes real and expressionist for just long enough before slipping back into the musical fabric of the song. As usual with Ash Ra Tempel, the other side is an enormous drift piece called “Jenseits (The Next World)”, a beautiful Klaus Schultze meditation of haunting synthesizer chords over which Rosi Muller tells the story of the Cosmic Couriers’ meeting with Timothy Leary. Gradually, the pulsing guitar becomes increasingly intense and turbulent, but Rosi never sounds less than freaked out. Essentially, “Jenseits” is a precursor to Klaus Schulze’s later spacey minor-key grooves. Unfortunately, this was the last Ash Ra Tempel album in its particular ‘series. After “JOIN INN”, Manuel Gottsching took over the Ash Ra Tempel mantle alone.”

Ashra Tempel – Join Inn
HARTMUT ENKE - Gibson bass
MANUEL GÖTTSCHING -guitar
KLAUS SCHULZE-drums, synthesizers & electronics
ROSI MÜLLER-voice

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Alice Cooper

LP | 1971 | US | Reissue (Friday Music)

45,99 €*

Release: 1971 / US – Reissue

Genre: Rock & Indie

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LP | 1970 | US | Reissue (Friday Music)

Dave Mason

Alone Together

42,99 €*

Release: 1970 / US – Reissue

Genre: Rock & Indie

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Decry

7" | 1983 | EU (No Plan)

14,99 €*

LP | 1988 | JP | Reissue (Alchemy)

Release: 1983 / EU

Genre: Rock & Indie

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Recorded in November 1983, this 5 song EP was the debut release for Decry who back in the day were relentlessly gigging and touring, playing with the likes of Discharge, Black Flag, UK Subs, Circle Jerks, Detonators, MIA, Necros, Crucifix, GBH, Agression,... Released in early 1984, this 7" sees the departure of their original drummer and anticipates by only a few months their debut LP on Toxic Shock. Tuneful and aggressive California HC/Punk. A true HC milestone! Limited to 200 copies with a 12 pages booklet included.

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Sekiri

Take Me To Sekiri

36,99 €*

LP | 1982 | EU | Reissue (Repertoire Entertainment Gmbh)

Release: 1988 / JP – Reissue

Genre: Rock & Indie

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Sekiri’s (lit: Dysentery) 1988 debut album, “Watashi wo Sekirini ni Tsurettette” (Take Me to Sekiri), was about three things. Sex, drugs, and rock n’ roll. With frank lyrics that throw social conventions out the window, and an open air of laziness, this Japanese all-female punk band took the world by storm. Even today, the post-punk leanings of their sophomore album sound fresh, a breath of fresh air in a society that seems to value conformity above all else. Don’t miss Sekiri’s “Watashi wo Sekirini ni Tsurettette” (Take Me to Sekiri) available now on limited edition vinyl from P-vine Records in collaboration with Alchemy Records.

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Sparks

Angst In My Pants

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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12" | 1983 | US | Reissue (Last Laugh)

The Embarrassment

Death Travels West

LP | 1971 | EU | Reissue (Bonfire)

Release: 1983 / US – Reissue

Genre: Rock & Indie

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Before they broke up in 1983, this quartet from Wichita, Kansas rocked furiously, with less brittle/more melodious guitar than the Scottish new wave pop bands Orange Juice and Josef K to whom the Embos were sometimes compared. While John Nichols’ vocals weren’t incredible (Bill Goffrier’s guitar work nearly was), the Embarrassment did convey a promising array of nuances—from wistfulness to sarcasm—and an inquisitive, adventurous way with arrangements. The lyrics vary in quality, but “Don’t Choose the Wrong Song” and “Elizabeth Montgomery’s Face” show budding verbal pithiness; “Wellsville” has a laconic melodic strength. Best of all, most of the debut EP’s five songs grow on you with each listen.

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Miller Anderson

Bright City

LP | 1983 | EU | Reissue (BMG Rights Management)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Miller Anderson is a guitarist and vocalist, born on April 12, 1945, in Houston, Renfrewshire, Scotland. Since cutting his musical teeth in bands with Ian Hunter (pre-Mott the Hoople) and Bill Bruford (pre-King Crimson and Yes), Anderson has been a member of such bands as the Keef Hartley Band, Savoy Brown, T. Rex, Mountain, the Spencer Davis Group, and in groups led by Deep Purple's Jon Lord and folk-rock balladeer Donovan. His 1971 debut Bright City was released on the legendary Deram, sub-label of Decca that released new records from 1966 onwards for the likes of Moody Blues, Caravan, Camel and several british jazz-rock legends. The album is a brilliant example of modern folk with lush strings arrangements thanks to guitarist and producer William ‘Junior’ Campbell, leader of the Scottish pop-rock group The Marmalade. A brilliant songwriting alongside a pastoral feeling, gentle melodies and a solid background with several amazing players literally bridging the gap between contemporary pop and blues. Harold Beckett (John Surman, Graham Collier) on flugelhorn and Lyn Dobson (The Keef Hartley Band, The People Band, Third Ear Band) on flute were literally stalwarts of the british jazz-rock and experimental scene, their contributions is behind greatness. Same with keyboard player Mick Weaver another Keef Hartley alumni. The album - faithfully remastered - offers a vision of urban Scotland with a bluesy feel and it has to be ranked alongside the work of such luminaries as Donovan or Nick Drake

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Mötley Crüe

Shout At The Devil

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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LP | 1983 | UK | Reissue (DGM Panegyric)

XTC

Mummer

Release: 1983 / UK – Reissue

Genre: Rock & Indie

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Wilderness America, A Celebration Of The Land

LP | 1975 | EU | Reissue (Ebalunga!)

LP | 1971 | EU | Reissue (Ohr)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Before I’m gone I’d like to see us turn the corner and give up being spoilers of the land . . .

In 1975 Wallace ‘Wally’ Smith Broecker published a paper that popularised the term ‘global warming’ and against a backdrop of change and environmental uncertainty, a musical concept album was commissioned. ‘Wilderness America / A Celebration of the Land’ - is a musical exploration of our place within the cycle of living things. All compositions were specially commissioned for the album and blended with natural sounds recorded in the wild – lending the entire project a conceptual air that still feels fresh today.

The journey begins with the sun rising in the atmospheric haze of 'Dawn' - a track composed by new-age innovator Iasos. Gospel singer Walter Hawkins soon drops in with the soulful but ever so funky 'Metropolis' backed by a heavy array of session musicians with Patrick Gleeson, Ed Bogas and Tom Salisbury all adding their own misty magic to the album. David Riordan is the sorcerer conjuring up many of the compositions and also takes vocal duties on the evocative 'Mountain' and the climatic 'Before I'm Gone'.

‘Wilderness America / A Celebration of the Land’ was born when environmentalist Emily DeSpain Polk assembled a group of California residents to participate in a groundbreaking conservationist project. Christening the group Swap (Small Wilderness Area Preservation) Emily needed funds and began a project to produce a promotional nature based music album. To acquire the financial backing Emily would need to source a musician of some calibre. Contacting Cliff Branch from ‘Warehouse Sound Co.’ she was told the man she was looking for was David Riordan.

David Riordan had been around the music business for several years, first with The Yankee Dollar, then Sugarloaf and then Sweet Pain, he saw huge success with the single 'Green Eyed Lady'. David had worked on Cliff Branch’s 'Warehouse Sound Co. & Friends' albums and then released his solo album, 'Medicine Wheel'. But bored of touring he made the move to more concept-driven albums. First with ‘Christmas in San Francisco’ and then, in quick succession, 'Wilderness America, A Celebration Of The Land'.

Riordan, along with Peter Scott, a music producer friend in San Francisco, began piecing together an idea for the album. They brought in Ed Bogas to do string arrangements and Tom Salisbury to conduct. David had also asked his friend Patrick Gleeson if he knew of any R&B/Gospel singers in the Bay Area, and they soon added gospel singer Walter Hawkins into the mix.

Other than the track ‘Metropolis’, which was recorded in LA, the rest of ‘Wilderness America, A Celebration Of The Land’ was recorded and mixed by Richard Beggs at the San Francisco studio of Francis Ford Coppola. Coppola was filming ‘Apocalypse Now’ at the same time – so in between studio sessions, the musicians were able to view the seemingly never-ending film rushes arriving from the Philippines.

Eventually, the record produced by David Riordan and Peter Scott drifted onto the radar of vinyl obsessives and selectors as several of its key tracks began popping up on mixtapes and sales lists. It wasn’t long before this privately pressed, art-funded masterpiece became something of a holy grail for collectors. At long last, a re-issue of this masterpiece is now available on Ebalunga!!! Records.

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Amon Düül

Paradieswärts Düül

12" | 1981 | UK | Reissue (Fortuna)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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In 1968 the Münchner Kommune, formed in 1967, had applied to Rolf-Ulrich Kaiser, the organizer of the Essen Songtage, for a gig there. When the Düüls arrived in Essen, already two bands of this name in the meantime, since 3 members had split off and now called themselves Amon Düül II. "Paradieswärts Düül" was released in 1971, it's the third album of this outfit. Transferred from the original analog tapes at Dierks Studios and carefully re-mastered.

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Minimal Compact

Statik Dancin'

19,99 €*

Money For Nothing Remastered 2022

Release: 1981 / UK – Reissue

Genre: Rock & Indie

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An unbelievable post-punk shuffler from 1981, by Tel-Aviv-Brussels band Minimal Compact! This tune is one of our favorite tracks ever and we've been wanting to reissue it since day one. But this is no ordinary reissue! The 12'' includes an unreleased instrumental version plus a spaced-out extended dub mix by the living legend, Mad Professor!

Killer stuff as ever from the Fortuna Records crew!!!

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Dire Straits

2LP | 1985 | CZ | Reissue (Mercury)

33,99 €*

Release: 1985 / CZ – Reissue

Genre: Rock & Indie

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LP | 1979 | US | Reissue (Superior Viaduct)

Contortions

Buy

Forse Le Lucciole Non Si Amano Piu Transparent Green Vinyl Edition

Release: 1979 / US – Reissue

Genre: Rock & Indie

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Soon after their 1978 debut on the Brian Eno-produced No New York, a compilation that defined the No Wave scene, James Chance’s group Contortions had already evolved - getting sharper, tighter and just plain faster. Despite the loss of keyboardist Adele Bertei and bassist Geoge Scott (who refused to sign a new contract demanded by Chance and his then partner, band manager Anya Phillips) Contortions were firing on all cylinders, and their first full-length album, 1979’s Buy, is a marvel of hot-wired energy. Led by the brash yelps and free-sax squawks of Chance, Contortions spit out fiercely rhythmic tunes charged by the wiry guitar lines of Jody Harris and the dizzying slide guitar of Pat Place. With drummer Don Christensen slipping in pointillist beats and David Hofstra’s infectious basslines, the songs on Buy crackle with both precision and abandon. Opener “Designed to Kill” shoots sparks of sound in all directions, while “Contort Yourself” is a nihilistic dance number wherein Chance instructs listeners to twist into knots, physically and mentally. “It’s better than pleasure, it hurts more than pain,” he snarls, later imploring, “You better try being stupid instead of smart.” Heavily influenced by the showman funk of James Brown (whose “I Can’t Stand Myself” the band had covered on No New York) Contortions coined a downtown dance-punk sound that had immediate influence on subsequent No Wave bands - including Place’s Bush Tetras and Bronx trio ESG - as well as the burgeoning disco movement. On Buy, Contortions’ self-invented template is imprinted so hard into the grooves that it sounds like they’re about to break, capturing a combustible band in all its fiery fury

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Locanda Delle Fate

LP | 1977 | EU | Reissue (Vinyl Magic)

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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Baris Manco & Kurtalan Ekspres

Sözüm Meclisten Disari

LP | 1981 | TR | Reissue (Emre Grafson)

Illa Ki Red Vinyl Edition

Release: 1981 / TR – Reissue

Genre: Organic Grooves, Rock & Indie

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2019 Re-mastered, 180g black vinyl in gatefold cover. It was originally released in 1981. May be the last impressive album of Baris Manco and his band Kurtalan Ekspres which is giving a respect to 1970’s Golden Era of Turkish Rock. The album consists of funk and progressive rock elements from track to track just like their previous release. Hypnotic, cool and clear sound, will make this LP as a reference album.

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Erkin Koray

LP | 1983 | TR | Reissue (Mega Müzik)

23,99 €*

LP | 1977 | TR | Reissue (Kervan Plak)

Release: 1983 / TR – Reissue

Genre: Rock & Indie, Pop

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2021 Re-mastered, reissue, 180g Red Colored Vinyl. Originally released in 1983 by the talented artist who is one of the inventors of Anatolian Rock in 1960s. Although this sort of music was pretty much disappeared around 1980, this album still has the psychedelic rock elements. Erkin Koray took 3 songs from The Devil’s Anvil’s (American Psychedelic Rock Band) 1967 debut album called “Hard Rock From Middle East” and wrote the Turkish lyrics. The fuzzy and groovy guitar tunes never get you bored.

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Erkin Koray

Tutkusu

LP | 1973 | EU | Reissue (BMG Rights Management)

Release: 1977 / TR – Reissue

Genre: Rock & Indie

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Originally released in 1977 by the one of the leading person in Turkish Rock History, “Erkin Koray”. Album is flavoured by middle east sound in some tracks such as “Magarada Dugun” and “Cumbur Cemaat”. Psychedelic groovy sound is default in whole album. It is a good blend of eastern melodies and western rock style. Still fresh after 45 years.

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Nazareth

Razamanaz

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Shake Some Action Green Vinyl Edition

Flamin' Groovies

LP | 1976 | US | Reissue (Jackpot)

2LP | 1989 | EU | Reissue (Virgin Music Las)

Release: 1976 / US – Reissue

Genre: Rock & Indie

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A masterclass in rock ’n’ roll cool, Jackpot Records is thrilled to reissue the Flamin’ Groovies seminal album Shake Some Action on limited-edition color vinyl. Taking notes from the British Invasion and inspiration under the San Francisco sun, the Flamin’ Groovies became synonymous with the stylish, raunchy rock of the early-1960s, with Shake Some Action remaining their undisputed classic. Earning a perfect 5-star review from AllMusic and an 8.5/10 from Pitchfork, Shake Some Action is upheld for its ability to sound moody, wild, and unabashedly “’60s”. Mastered by legendary sound engineer Kevin Gray from the record’s original 1976 master tapes, standout tracks like “You Tore Me Down”, “Let the Boy Rock and Roll”, and “I Can’t Hide” have never sounded better.

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Peter Gabriel

Passion

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Jimmy Carter & The Dallas County Green

Summer Brings The Sunshine Green Vinyl Edition

LP | 1977 | US | Reissue (Numero Group)

LP | 1973 | EU | Reissue (Sudiphone)

Release: 1977 / US – Reissue

Genre: Rock & Indie

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Don't let the postcard-generic cover art fool you, Summer Brings The Sunshine stands head and shoulders above nearly any major label country rock album crowding mid-'70s record bins. Next to the hundreds or even thousands of slick productions flowing out of Nashville and Los Angeles, Jimmy Carter scoured his rural Missouri surroundings for farmhands and semi-pros alike to lay down eight farm-isolated originals in 1977. Tasty female backing vocals, languid pedal steel, and feisty guitar licks abound on this exalted and near-peerless slice of Cosmic American Music.

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Nass El Ghiwane

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Isn't Anything Heavyweight Vinyl Edition

my bloody valentine

LP | 1988 | UK | Reissue (Domino)

Release: 1988 / UK – Reissue

Genre: Rock & Indie

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12" | 1982 | EU | Reissue (Spittle)

Neon

Obsessions

18,99 €*