Rock & Indie Vinyl 2418 Items

Get It Away Yellow Vinyl Edition

Release: 1976 / AU – Reissue

Genre: Rock & Indie

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Only a decade ago Leong Lau remained a well-hidden Malaysian-Australian treasure, known only to small circles of Australian record collectors. In 2013 we met Leong in person at the Brisbane state library, where after a long and somewhat transcendental ‘conversation’, received his blessings to re-release his music.

In 2014, we reissued his sophomore album ‘That Rongeng Sound’ and later in 2021, his sole single ‘late Night Flyer. In 2024, we are going back to finish the triangle of Leong releases, with a repress of his debut 1976 album ‘Dragon Man’. A raw and electrifying album that continues to stand the test of time.

Dragon Man might best be described musically as psyc/rock, however the significant use of soul/funk and jazz melodies adds a unique musical depth that makes it hard to categorise. However, what truly sets Leong apart is his distinct vocal style, delivering half sung/half spoken lyrics in a stereotypical Aussie accent that comes across more like a sermon than what might be conceived as ‘traditional’ songs.

Moreover, in a time where the Australian music industry and its performers’ musical styles were dictated by major labels, Leong began to break down those barriers by self-releasing his music. This rewarded Leong creative control, where he was able to dictate the musical and cultural themes, with songs like ‘Dragon Man’ and ‘Deep In The Jungle’ that both pay homage to his unique Chinese/Malay heritage. That said, Dragon Man is both a significant musical and cultural statement that’s just as poignant today as it was then.

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SS Decontrol

LP | 1983 | US | Reissue (Trust)

34,99 €*

12" | 1982 | UK | Reissue (Emotional Rescue)

Release: 1983 / US – Reissue

Genre: Rock & Indie

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What is there to say about SSD’s long out-of-print 1983 release, Get It Away, that hasn’t already been written? Long heralded as the album which defined the band, this collection of songs captures a time and an era in the nascent hardcore scene before formulas and posturing. In other words, it’s an unfiltered artistic statement that’s singular in scope and vision. The Boston act’s follow-up release was extremely limited, never repressed, and has gone on to have a life of its own despite the fact the only affordable way to listen to it has been low-quality streams on YouTube. Now, after being out of print for 40 years, the album will be available on vinyl by Trust Records with updated remastered audio. Over the years the mythology of the album has only grown—and this reissue of the album is sure to introduce this prescient and powerful collection of songs to a new generation of fans who never had the opportunity to see the original lineup of guitarist Al Barile, vocalist Springa, bassist Jaime Sciarappa and drummer Chris Foley perform live. Whether you’re buying this because you’re lucky enough to own the original pressing or you’re hearing the album for the very first time, this version of Get It Away is a striking document of the nascent hardcore scene that sounds just as vital today as it did when it was originally recorded. In a genre where authenticity reigns supreme, SSD stands tall as torchbearers, embodying the essence of hardcore music with every chord and lyric; this record is a must-have for new and old fans.

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The Impossible Dreamers

Spin Feat. Nad Versions

18,99 €*

Woofer In Tweeter's Clothing Gold Vinyl Edition

Release: 1982 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Back in 2019, Emotional Rescue began a series where it licensed some all-time favourites, remastered them and pressed them up with new remixes by modern producers. It now draws to a close after many fine instalments with early 80s band The Impossible Dreamers. Their cult 'Spin' arrives here with an epic nine-minute extended reversion that is heavy on the dub and percussion and also an even more dubcentric reprise from regular label artist Dan Tyler of Idjut Boys and Noid fame, her under his NAD guise. There is plenty of raw and raucous rhythm to this 12" that will enliven any dancefloor and round out this series in style.

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Sparks

LP | 1973 | US | Reissue (Friday Music)

42,99 €*

Release: 1973 / US – Reissue

Genre: Rock & Indie

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I Was There At The Texas Chainsaw Massacre

Ambient Noise

12" | 1980 | US | Reissue (Last Laugh)

LP | 1980 | Reissue (Rhino)

Release: 1980 / US – Reissue

Genre: Rock & Indie

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Reissue of the rare 1980 punk single. Expanded to a 12-inch EP with two unreleased bonus cuts.

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Grateful Dead

Go To Heaven

Release: 1980 / Reissue

Genre: Rock & Indie

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Locust Abortion Technician

Butthole Surfers

LP | 1987 | EU | Reissue (Matador)

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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LP | 1985 | EU | Reissue (Proper)

Julian Cope

Fried

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Major Arcana Red Vinyl Edtion

Major Arcana

LP | 1976 | EU | Reissue (Out-Sider Music)

LP | 1985 | EU (New Alliance)

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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First official vinyl reissue of this sought-after psychedelic folk-rock / Americana / SSW album from 1976.

Major Arcana was a group led by counter-culture Milwaukee icon JIM Spencer, featuring a revolving cast of musicians / collaborators. The core of the band was Jim Spencer (guitar, vocals); Randall Dubis (electric guitar); Michael Burdecki (bass, slide guitar) and Jim Kitchen (percussion, harmonica). They were helped in the studio by some friends / musicians like Sigmund Snopek III and Barry Patton among many others.

Released on Jim Spencer’s own private label (A Major Label, home also to Anonymous of “Inside The Shadow” fame), the album opens with the terrific psych-folk of “Western Wind” and closes with an acid-folk rendition of “Greensleeves”. In between, you’ll also find some blues rock, SSW ballads, jazzy bits…

File next to groups like Pearls Before Swine or Bermuda Triangle.

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Descendents

I Don't Want To Grow Up

Release: 1985 / EU

Genre: Rock & Indie

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LP | 1976 | Reissue (Rhino)

Genesis

Wind & Wuthering

41,99 €*

Release: 1976 / Reissue

Genre: Rock & Indie

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San Michael's Splattered Vinyl Edition

San Michael's

LP | 1971 | EU | Reissue (Plusqueréel)

38,99 €*

Cream Corn For The Socket Of Davis

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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The re-release of the 2 seminal psych/prog albums by SAN MICHAEL’s, the self-titled (1971) one and Nattåg (1972), overlaps not at all coincidentally with the appearance of Kaipa’s 15th studio album Sommargryningsljus, as the fabular universe of the latter revolves around counterfactual rebirth, that is, becoming (re)born as one is getting older. These 2 evergreen albums, essential for savvy collectors of Scandinavian psych/prog, showcase the smooth progression towards Kaipa’s sonic multiverse, bordering on the porous dividing line between psychedelia (with a Made-in- Sweden pedigree) and European progressive, and driven by Hans Lundin’s ferocious organplaying that alternates between swirling ultra-groovy psychedelia and imposing kraut-ish segments. Both albums, produced by Leif Mases, have been remastered by sound meister Martin Igelström for your maximum audio pleasure, and come in ultra-limited pressings of 200 numbered copies + 2-page insert with bio and rare studio and live photos, in splatter (1st ) and marble (Nattag) vinyl. File nearby: Blakulla, Blue Sun, Dice, Kaipa, Made in Sweden, Mecki Mark Men, Panta Rei, Trettioåriga Kriget Vinyl 180 gr., strictly limited pressing of 200 numbered copies. NB: Not to be confused with St. Mikael or Cosmic Michael.

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Butthole Surfers

EP | 1985 | EU | Reissue (Matador)

21,99 €*

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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LP | 1987 | US | Reissue (Sorcerer)

Lubricated Goat

Plays The Devil's Music

Super Djata Band & Zani Diabaté

Release: 1987 / US – Reissue

Genre: Rock & Indie

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Sorcerer Records present a reissue of Lubricated GOAT's debut LP Plays The Devil's Music, originally released in 1987. It's been out of circulation for over two decades, and Sorcerer Records presents this classic slice of underground Australiana in all its glory. Recorded over two recording sessions in mid-1986, one in Perth and one in Adelaide, Plays The Devil's Music wasn't really seen by LG founder/mainstay STU Spasm (ex-BEASTS OF Bourbon, Salamander JIM, et al.) as a part of any grand musical plan. He recorded these tracks with his friends Martin Bland, Brett Ford, and Pete Hartley and went back to Sydney with the tapes. John Foy of Black Eye Records loved the results and the band known as Lubricated Goat was born. Over the course of several more full-lengths and an EP or two, the band made themselves a reputation as one of Australia's finest purveyors of post-punk noise-rock before relocating to the US. The musical scene centered around the Black Eye label in Sydney at the time, with bands such as the 'Goat, Thug (featuring a young Tex Perkins), No More Bandicoots, Box The Jesuit, etc. remains one of Australia's richest, weirdest and most inventive conglomeration of musicians and artists, and Stu and company were right in the thick of it. Lubricated Goat were (perhaps correctly) often compared to the Butthole Surfers at the time, and their mix of punk, post-punk, noise, and a taste for the absurd puts them firmly in the same camp. Throw in a little bit of Stooges/Birthday Party-style grunt and a distinctly Australian sense of humor and you're getting close to the magic of early Lubricated Goat. This edition comes remastered c/o Mikey Young. Comes in original artwork and inner sleeve; Includes download card; Includes new liner notes from Stu Spasm detailing the history of the recording. Recommended for fans of: Butthole Surfers,Killdozer, Pere Ubu, Big Black, Birthday Party.

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Volume 2 White Vinyl Edition

LP | 1982 | US | Reissue (Numero Group)

LP | 1987 | EU | Reissue (Pias Catalogue)

Release: 1982 / US – Reissue

Genre: Rock & Indie

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Connecting Wasulu hunter music, griot praises, Senufo pastoral dances, Fula and Mandingo repertoire alongside Western psychedelia, blues and afro-beat, Zani Diabaté's Super Djata Band was among Mali's top orchestras of the 1980s. On their 1982 album, Diabaté enshrines himself within the pantheon of mythical West African guitarists, hypnotically picking through eight vivid compositions on his path to godhead status.

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Triffids

Calenture

40,99 €*

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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LP | 1982 | EU (Radiation Reissues)

Lydia Lunch

13.13 Red Vinyl Edtion

2LP | 1979 | UK | Reissue (Crass)

Release: 1982 / EU

Genre: Rock & Indie

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Recorded in Los Angeles in 1982, 13.13 exists as document to the pandemonium of specters and potential serial killers who twisted the California Dream into a waking nightmare as they snaked through the boulevards, back yards and basements of a sun stroked paradise turning into a blood soaked inferno of fear, paranoia, panic and lust killings. Lush musical textures provided by members of seminal art punks The Weirdos - Dix Denney, Cliff Martinez and Greg Williams create a hypnotic backdrop to Lunch’s evocative vocals and terrifying lyrics

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Crass

Stations Of The Crass

49,99 €*

LP | 1989 | Reissue (Rhino)

Release: 1979 / UK – Reissue

Genre: Rock & Indie

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"Stations of the Crass is the second album by Crass, released in 1979. The record, originally released as a double 12", includes live tracks from a gig recorded at the Pied Bull pub in Islington, London, on August 7, 1979. The first three sides contain the studio tracks and play at 45 rpm, while the final side comprises the live material and plays at 33 rpm. The album's title is not only a pun on the Catholic rite of the Stations of the Cross (such jibes against the religious establishment were typical of Crass), but is also a reference to the graffiti campaign that the band had been conducting around London's underground railway system, the cover artwork depicting a wall at Bond Street tube station that had allegedly been 'decorated' by them. Although the album met mixed critical reception at first, it managed to sell at least 20,000 copies within two weeks.”

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Chicago

Greatest Hits 1982-1989

Release: 1989 / Reissue

Genre: Rock & Indie

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LP | 1982 | US | Reissue (ORG Music)

Bad Brains

I And I Survive

Release: 1982 / US – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Wiseraven)

Warhorse

LP | 1988 | EU | Reissue (Matador)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Formed in early 1970 by Deep Purple bassist Nick Simper, Warhorse began as a backing band for singer Marsha Hunt. The group initially also featured Rick Wakeman, but he departed the band in April 1970 to join Strawbs. The band’s self-titled debut album was released on Vertigo in November 1970 and is a fine example of progressive hard rock of the era. With a heavy Hammond organ touch the group was in fact leading a new way of thinking, fusing neoclassical elements with heavy blues. Compared to label mates Black Sabbath, Warhorse were in the end much closer to Atomic Rooster and Quatermass. A truly welcomed re-issue in gatefold vinyl !

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Butthole Surfers

Hairway To Steven

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Songs Opaque Brown Vinyl Edition

Sandy Harless

LP | 1973 | US | Reissue (Numero Group)

Frehley's Comet Colored Vinyl Edition

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Arriving as the hippy movement was discovering its peaceful easy `70s feelings, Sandy Harless' Songs LP is Chillicothe, Ohio's lone contribution to the Cosmic American Music movement. Financed from a 27-aquarium fish breeding business, the album shows its Appalachian roots with a tight weave of mountain folk, rural rock, and pastoral country. Real people music.

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Ace Frehley

LP | 1987 | US | Reissue (Friday Music Two)

43,99 €*

Release: 1987 / US – Reissue

Genre: Rock & Indie

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7" | 1987 | US | Reissue (Sorry State)

Koro

13,99 €*

LP | 1976 | EU | Reissue (Roundtable)

Release: 1987 / US – Reissue

Genre: Rock & Indie

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Sorry State is excited to bring you a repress of one of the best hardcore records ever, Koro's 1983 7" EP. Originally released in a small, self-released pressing, over the decades this monster's reputation has continued to grow, and collectors now have to fork over well over a grand for an original pressing. This one is too good for the scum to keep to themselves, though, a hyper-compact explosion of energy that can hold its own next to any landmark early 80s hardcore punk record you want to compare it to. Sorry State's 2023 pressing aims to replicate the original look and feel of the original as closely as possible, with an offset-printed sleeve on legal size paper. It's as close as you can get to the original without missing a mortgage payment.

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Vanessa

Black & White

31,49 €* 34,99 € -10%

The Raincoats Silver Vinyl Edition

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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Existing somewhere between the post-psychedelic period of Soft Machine and the electric funk of Herbie Hancock’s Headhunters, Black And White, the 1976 album from Norway’s Vanessa is without question a formidable beast of a jazz-rock record. A potent brew of sonic experimentation and pulsating off-kilter groove. Taking their name from the genus of Nymphalidae butterfly, Vanessa was founded in 1971 by saxophonist Svend Undseth and pianist Frode Holm, the founder of the Oslo record store turned imprint, Compendium Records. Unsurprisingly analogous to the music championed across the Compendium catalogue Black And White is clearly influenced by the UK Canterbury scene, highlighted by Compendium’s focus on the recordings of Soft Machine alumni Hugh Hopper and Elton Dean. Vanessa’s spirit also lies synonymous with the collective pedigree on the label’s roster including British progressive jazz stalwart Keith Tippett and Mirage (a UK group consisting of ex-members of Centipede and The Mike Westbrook Orchestra), together with the avant-rock collective Henry Cow and the experimental synthesiser-jazz of US ex-pat Joe Gallivan (together with Charles Austin).

Often dubbed the ‘Compendium house band’ owing to Holm’s association with the label, the Vanessa sound is inherently familiar yet undeniably original. Each of the album’s four long compositions are a meld of complex angular jazz laced with swirling electronic textures - furious rhythms that surge in intoxicating intensity before easing into fluid passages of soulful post-bop. The dichotomy of these styles plants the group firmly into radical new jazz territory alongside their Canterbury contemporaries. Despite their brief existence, the band, alongside the label left an indelible mark on Norwegian jazz-rock and the headier side of European progressive music at large.

- Reissue of 1976 Norwegian Jazz-Rock album. - Post-psychedelic period Soft Machine meets the electric funk of - Herbie Hancock’s Headhunters - Transferred and restored from the original master tape.

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The Raincoats

LP | 1979 | UK | Reissue (We Three)

Gold Mine Trash Brown Vinyl Edition

Release: 1979 / UK – Reissue

Genre: Rock & Indie

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We ThRee announce the reissue of the "The Raincoats" the legendary first album by The Raincoats originally released on Rough Trade Records in 1979. Widely acclaimed as one of the musical highlights of the post punk period and a breakthrough moment for women in music, "The Raincoats" has been commercially unavailable for the past 10 years. The album was recorded in 1979 by Ana da Silva, Gina Birch, Palmolive and Vicky Aspinall and was produced by Geoff Travis and Mayo Thompson. We ThRee is The Raincoats' own label and we will release the vinyl LP on 19 October and a special edition enhanced CD on 9 November 2009. The album has been re-mastered from original maste...

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Felt

LP | 1987 | US | Reissue (1972)

Roller Clear Purple Vinyl Edition

Release: 1987 / US – Reissue

Genre: Rock & Indie

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Hot on the heels of their third album Forget The Curse (Mammas Mysteriska Jukebox, 2023), Fördämning Arkiv presents a Troth anthology compiling early non-album material and other odds and ends from the Australian duo. A massive 15-track retrospective, Uncut Flowers consists of the tracks from the Our Opaque Wreath cassette (Moontown Records, 2019), The Optimist (Essential Minerals, 2019), the Garland And Gauze 7" (Altered States Tapes, 2020) as well as various compilation contributions. 74 minutes.

"In evidence throughout is Troth’s penchant for capturing and collecting sounds from their environments, transforming field recordings, organic and non-organic sonic sources into textures of a palette that they then compose and improvise with. There’s a virtuosity of sampling and sound manipulation. The recurrent sounds from Besseny and Bowman’s intrepid field and bush explorations often verge on an indistinguishability between the synthesised and the concrete-organic. Permutated hand percussion or the throbbing of a waterfall; xylophonic melody or the tape loop of a bird call. The clank and tings of unidentified objects, matter itself writhing in the veggie garden. An environment starts speaking from iron gates in a paddock anywhere, close to the damp leaf and loam of a forest floor far below unseen birds and their cacophony of song and chatter. Tracks often collapse into a grey zone stretched between composition and improvisation." - Chris Colla

Digipack in an edition of 500 copies including a 8-page booklet with liner notes, photos etc. Mastered by Joakim Karlsson. Artwork by Charlott Malmenholt. Fördämning Arkiv 10.

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Goblin

LP | 1976 | EU | Reissue (AMS)

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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Hex Record Store Day 2023 Red Vinyl Edition

Poison Girls

LP | 1980 | US | Reissue (Cooking Vinyl)

Release: 1980 / US – Reissue

Genre: Rock & Indie

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Below The Waves Record Store Day 2023 Edition

Heidi Berry

LP | 1989 | US | Reissue (Glass Modern)

Release: 1989 / US – Reissue

Genre: Rock & Indie

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Steeler Record Store Day 2023 Edition

Steeler

LP | 1983 | Reissue (Sound City)

Release: 1983 / Reissue

Genre: Rock & Indie

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Eat The Beat White Vinyl Edition

Bad Manners

LP | 1988 | EU | Reissue (Audioplatter)

LP | 1971 | EU | Reissue (Waxtime)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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This collection of early recordings were later re-worked and re-recorded for the basis of the 'Return Of The Ugly' album and is a piece of Bad Manners' history. These recordings were first issued as a limited edition vinyl album on Buster Bloodvessel's Blue Beat Records in 1988 and later re-released on French label Squale Records.

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Buddy Holly

Good Rockin' - The Hits

16,99 €*

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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LP | 1989 | UK | Reissue (Southern Lord)

Blast

Manic Ride

19,99 €*

Master Control 35th Anniversary Edition

Release: 1989 / UK – Reissue

Genre: Rock & Indie

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Essential reissue of the 3rd and final Bl'ast! studio album from 1989.

Sonically enhanced with an aggressive remaster from Brad Boatright.

Visceral, brash re-design via a gatefold jacket! Take THE Ride FOR Life! Black Vinyl - NON Returnable.

Jewel case CD with fold out poster cover insert and a clear tray card.

In June of 1988 the mighty Bl'ast! went into the studio with Black Flag’s live sound engineer Goat : Dave Rat (ratsound). The result was the album: Take The Manic Ride. It was released by SST in 1989.

After the dust had settled the band was somewhat dissatisfied with the production of the album and regret ended up eternally haunting the band. The massive intensity of the songs completely outmatched what the recording ultimately captured. The master tapes were destroyed and were never to be recovered. Through some incredibly magical surgery a new heavy as fuck version of the album has been produced.

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Liege Lord

LP | 1987 | EU | Reissue (Sony Music/Metal Blade)

23,99 €*

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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LP | 1982 | TR | Reissue (Sn Muzik)

Sezen Aksu

Firuze

23,99 €*

Pick Your King White Vinyl Edition

Release: 1982 / TR – Reissue

Genre: Rock & Indie

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It is the 5th studio album of the artist's oeuvre and was originally released in 1982 on cassette. The track "Firuze" is a ballad that can be considered an anthem in Turkish pop music.Sezen Aksu, who has a very special voice, strengthened her place in the Turkish Pop Music scene with this album. Other important tracks on the album are "Ayrılıklar Bitmez", "İkinci Bahar", "Beni Unutma" and "Dümtek".

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Poison Idea

LP | 1983 | US | Reissue (Jackpot)

Zambia Smoke Colored Vinyl Edition

Release: 1983 / US – Reissue

Genre: Rock & Indie

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Jackpot Records is proud to announce the long out of print 1983 debut record by Poison Idea -“Pick Your King”. Not only the greatest Poison Idea record, but the greatest PUNK album of all time. Originally released in 1983 featuring 13 songs in 13 minutes.
Includes the original iconic artwork on an 12" format with new Liner notes by lead singer Jerry A.

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Rikki Ililonga

LP | 1975 | US | Reissue (Now-Again)

Release: 1975 / US – Reissue

Genre: Rock & Indie

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LP | 1976 | EU | Reissue (Polydor)

Rainbow

Rainbow Rising

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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Pronounced 'Leh-'nerd 'Skin-'nerd

Lynyrd Skynyrd

LP | 1973 | EU | Reissue (Universal)

LP | 1979 | PL | Reissue (Polydor)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Limited 180gm audiophile vinyl LP repressing of this classic album by the Southern rock legends. Though the Southern rock genre existed before and after Lynyrd Skynyrd, no other band personified the lifestyle quite like this motley crew. Released in 1973 Pronounced Leh-Nerd Skin-Nerd was Lynyrd Skynyrd's first album. There are few records that sound this raw and uncompromising, especially records by debut bands. The genius of Skynyrd is that they un-self-consciously blended album-oriented hard rock, blues, country, and garage rock, turning it all into a distinctive sound that sounds familiar but thoroughly unique. Includes 'I Ain't The One', 'Simple Man' and the legendary 'Free Bird'.

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The Cure

Three Imaginary Boys

LP | 1987 | US | Reissue (Scat)

Release: 1979 / PL – Reissue

Genre: Rock & Indie

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Finally this classic album is available again. All recordings have been mastered by Robert Smith himself.

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Guided By Voices

Sandbox

Greetings From Asbury Park N.J.

Release: 1987 / US – Reissue

Genre: Rock & Indie

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Even back in 1987, Guided By Voices was not content to release just one album in a year—Sandbox was released in the summer of that year following Devil Between My Toes’ appearance that February. Likewise, in similar GBV style, the sound and approach of the two albums could not be more different. Where Devil mostly mines a darker, lo-fi psychedia, along with several instrumental explorations, Sandbox is sunny, direct, has a bigger, crunchier sound, and zero instrumentals. Where Devil has a murky and impressionistic black and white photo of a rooster for a cover, Sandbox sports a full color photo of the band relaxing on a lawn on a sunny day. Let’s also recall that unlike today, in 1987 a full-color album jacket wasn’t just a little more expensive than a black and white one, it was way more expensive. Right up front, the band was communicating that this was a more commercially ambitious endeavor, while behind the scenes they rented better gear for a bigger sound, and tackled more sophisticated arrangements and honed in on the hooks and harmonies of the songs. Of all the band’s early self-released albums, Sandbox differs the most from the sound fans would later associate with the group, which is in itself a recommendation. Nowhere else will you hear the perfectly rendered three-part harmonies of “Long Distance Man,” direct Beatles quotes, or Robert Pollard reveling in his southern Ohio drawl. It’s also true that one of the more enjoyable aspects of the record is finding all the places where the band’s future is indeed foreshadowed. Simply put, Guided By Voices just can’t help but be a little weird, even when attempting something like a power pop album. At the close of the opening track, Pollard announces, “Ladies and gentlemen! Back by popular demand for your entertainment and spiritual enlightenment...Electric Jam Soul Aquarium!” a truly “wtf is happening here” moment. Or the stripped down gloom of “Trap Soul Door”—a track that could be right at home on nearly any later GBV album wherein Pollard intones, “Just one spark can start a hell of a fire.” Little did he know how true that statement would become.

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Bruce Springsteen

LP | 1973 | US | Reissue (Mobile Fidelity)

99,99 €*

Release: 1973 / US – Reissue

Genre: Rock & Indie

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LP | 1973 | US | Reissue (Friday Music)

Doobie Brothers

Captain And Me

40,99 €*

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Those Who Do Not Black Vinyl Edition

Psychic TV

2LP | 1984 | UK | Reissue (Cold Spring)

38,99 €*

The Other Side Of Futurism

Release: 1984 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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The sound of the classic period of Psychic TV - featuring Peter Christopherson and Geff Rushton (John Balance) of Coil, this full show is interspersed with recordings of the Pagan marriage between Genesis and Paula P-Orridge conducted by Sveinbjörn Beinteinsson Allsherjargodi.

Psychic TV at their most esoteric, their most ritual, and often most extreme, a perfect accompaniment to the legendary 'Dreams Less Sweet' album of the same year.

"Thee First Will To And Testament Ov Psychick TV. All our works remain interconnected, interfaced, and intentional. Thee Process is thee Product".

These recordings of a live disconcert by Psychic TV in Reykjavik, Iceland that took place November 1983 organised by HÖH and Gramm Records, to whom, eternal and infernal thanks all ways.

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V.A.

LP | 1984 | EU | Reissue (Spittle)

LP | 1984 | EU | Reissue (Spittle)

Release: 1984 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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First Time ON Vinyl ! Originally released on cassette in the spring of 1984 together with the 5th issue of Tribal Cabaret fanzine - included here in its original format - this is an invaluable document focusing on the obscure side of the 80’s Italian post- punk scene. A composite picture drawn by a bunch of different and often under recorded groups from various Italian regions and cities. All together they contribute to defining a prominently dark yet vivid soundscape based on different approaches and styles. All these aspects are perfectly translated through the b&w art and graphics of the beautiful Tribal Cabaret fanzine. If you want to dive deep into the fringes of the 80’s this is one of the places to start.

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V.A.

Afterglow

LP | 1985 | EU | Reissue (Archives De La Zone Mondiale)

Release: 1984 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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First Time ON Vinyl ! Originally released on cassette in the winter of 1984, together with the 7th issue of Komakino fanzine - included here in its original format. 8 groups and 14 tracks revealing the whole meaning of the Afterglow operation. Bands who already had record deals and enjoyed some popularity, others that will do so shortly, others that will fade in the mists of that decade. “Afterglow” is a document from an era when small gestures and uncomfortable choices were true stances

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Berurier Noir

Concerto Pour Detraques

22,99 €*

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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12" | 1984 | EU | Reissue (Archives De La Zone Mondiale)

Berurier Noir

Nada

16,99 €*

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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I Robot UltraDisc One-Step Edition

Alan Parsons Project

LP | 1977 | US | Reissue (Mobile Fidelity)

99,99 €*

Release: 1977 / US – Reissue

Genre: Rock & Indie

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Subterranean Jungle Violet Vinyl Edition

Ramones

LP | 1983 | EU | Reissue (Warner)

LP | 1970 | EU | Reissue (Guerssen)

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Reissue as a part of the Start Your Year Off Right Kampagne von Warner. 40th Anniversary of the seventh Ramones album. Subterranean Jungle marked a return to the roots of the band. Includes "Time Has Come Today." (Original RD: February 1983)

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Crystalline

Axe Music

LP | 1971 | EU | Reissue (Bonfire)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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First reissued by us in 2012 and out of print for many years, here’s a new, improved repress of this UK psych holy grail. Axe (known also as Axe Music and finally Crystalline by the time they recorded their rare acetate) were an obscure British psych band led by acid-rock guitar player extraordinaire Tony Barford and graced by Vivienne Jones ethereal vocals. The band hailed from Northampton (home also of their mates Dark of “Dark Round The Edges” fame). In 1970, they recorded a demo album of which only 12 copies were pressed as a demo acetate. Here's a straight reissue of this legendary artifact, as the previous "reissue" on the Kissing Spell label from 1993 and credited to Axe was altered without the band consent and included newly edited tracks, artificial echo / phasing effects, altered song titles...

Here' you'll find the acetate recording on its pure form: 100% unadulterated heavy psych and acid-rock sounds full of raw, fuzzed-out guitars and dreamy female vocals. Four impressive original songs plus a long, psyched to the max cover of Love's "A house is not a motel" which has to be heard to be believed. Carefully remastered from an original acetate copy in 24-bit. Unfortunately, no masters survived and no 100% clean copies are known to exist of the original acetates, but you’ll get the best result for the possibilities. In fact we’ve managed to improve the sound a bit over our first edition from 2012. * New artwork (the original acetate came in blank sleeve), insert with unseen pictures and liner notes by Paul Cross (Sweet Floral Albion). Rated with the maximum rarity (six stars) in Hans Pokora's 5001 Record Collector Dreams book.

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Chillum

LP | 1985 | JP | Reissue (XXX)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Fully licensed, ltd to 500 copies The sole self-titled album by English progsters Chillum was in fact an offshoot project of famous psychedelic icon Second Hand. They shared three members - George Hart, Ken Elliott, Kieran O'Connor – with the former band, giving birth to a more experimental act. The record originally saw the light of day in 1971. The lp was supposed to be the third Second Hand album, but apparently the members decided to change the band's name. Their heavy swinging approach was in the end similar to such contemporary luminaries like Atomic Rooster, Leaf Hound, and Arthur Brown's Kingdom Come. A jam album with lots of roaring percussion and an impressive organ to make big sound. Ken Elliott (Keyboards, Mellotron, Organ, Vocals), Kieran O'Connor (Drums), Tony McGill (Guitar) and George Hart (Bass)

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Gauze

Fuck Heads

LP | 1986 | JP | Reissue (XXX)

Release: 1985 / JP – Reissue

Genre: Rock & Indie

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Originally released in 1985. GAUZE's legendary 1st album!!

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Gauze

Equalizing Distort

LP | 1971 | EU | Reissue (Long Hair)

Release: 1986 / JP – Reissue

Genre: Rock & Indie

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GAUZE's 2nd album, originally released in 1986. The album is full of great songs and is popular both domestically and internationally.

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Electric Food

Flash

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Crime & The City Solution

Shine Colored Vinyl Edition

LP | 1988 | UK | Reissue (Mute)

Release: 1988 / UK – Reissue

Genre: Rock & Indie

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Crime & The City Solution

Paradise Discotheque Colored Vinyl Edition

LP | 1989 | UK | Reissue (Mute)

Release: 1989 / UK – Reissue

Genre: Rock & Indie

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EP-LP Black Vinyl Edition

Subhumans

LP | 1985 | US | Reissue (Pirates Press)

Release: 1985 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-08-09

Junior's Got Brain Damage

Ervin Berlin

7" | 1979 | US | Reissue (Total Punk Archives)

14,99 €*

LP | 1975 | Reissue (Mute)

Release: 1979 / US – Reissue

Genre: Rock & Indie

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Pressed in an ultra limited number of 200 back in 1980. Ervin Berlin was the work of Ervin Shuemake (a late 20s acid rocker) and two young punks named Jeff and TOM THE Bomb. Ervin had cut his teeth playing guitar on the crazy Terry Brooks "strange" Translucent World LP back in 1973 and spent the remainder of the 70s in various acid, hard, and prog rock bands throughout Central Florida. He met the younger punk duo of Jeff and "The Bomb" at end of 79 beginning of 80 and decided to take a stab at the punk craze with his two new acquaintances. Soon the trio was at a country and western studio in Winter Haven recording the Ervin Berlin single between sessions for possible Bellamy Brothers tracks. The blending of Ervin's acid rock chops and Jeff and Tom's thuggish punk approach resulted in this KBD space punk stomper. Equal parts Blue Cheer, Debris, Sacramento's Ozzie, and late 70s Hawkind. The 7" was pressed, a few house parties were played, and all parties went separate ways. 42 years later we are kicking off Total Punk Archives with a reissue of this lost Orlando classic. 100% Total Punk!!

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Can

Landed

22,99 €*

Release: 1975 / Reissue

Genre: Rock & Indie

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Rock Joint Cither - Silk Road Black Vinyl Edition

Hiromasa Suzuki

LP | 1973 | EU | Reissue (Cinedelic Orient Series)

LP | 1971 | EU | Reissue (Cosmic Rock)

Release: 1973 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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After the space-time experience and the translation into music of the Bible of Japanese civilization, the Fulukotofumi, the following year, in 1973, Hiromasa Suzuki pushes his research and experimentation beyond the borders of his own country by venturing, with the usual companions of adventure (Kunimitsu Inaba, Hideo Sekine, etc.), along the lights and shadows of the Silk Road. A backward journey in search of the musical and cultural sources of mainland Asia, from the gates of India to the roots of China. If the Biwa lute characterized the previous chapter dedicated to the profound ancestral of Japan, here, the sitar, the Asian instrument par excellence, becomes a new narrator; Suzuki plans and manages the interventions by juxtaposing it with an opera that, like the previous one, always remains strongly jazz and rock, at times very similar to Ian Carr's Nucleus. A precious find in the endless and seminal musical archeology of modern Japanese music. Gatefold cover with insert.

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Assagai

Crystal Logic Splatter Vinyl Edition

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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South-african jazz-rock worshippers alert ! Assagai was an Afro-rock band, active in the early 1970s in London, whose relatively short career produced two albums recorded in 1971. It has been described as "the second best-known African group of the late 60s/early 70s in Britain" after Osibisa. The original band consisted of five members, three from South Africa and two from Nigeria: drummer Louis Moholo, trumpeter/flautist Mongezi Feza, alto saxophonist Dudu Pukwana, tenor saxophonist Bizo Mngqikana, and guitarist/bassist Fred Coker Assagai's self-titled debut album was released in 1971 on Vertigo; among the African musicians who played with the group on the recording was Terri Quaye. Previously, in the 1960s Pukwana, Feza and Moholo had been members of the jazz band The Blue Notes alongside Chris McGregor.

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Manilla Road

LP | 1983 | EU | Reissue (High Roller)

LP | 1975 | CA | Reissue (Return To Analog)

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, reissue 2022, white w/ orange & blue splatter vinyl, ltd 500, 425gsm heavy cardboard cover, lyric sheet printed on uncoatd paper, poster, A5 photo card, Restored Roadster master! Transfer by Marcus Mossmann at PHONGRAPHIC ARTIFACTS, mastering by Patrick W. Engel at TEMPLE OF DISHARMONY in March 2020. Cutting by SST Germany on Neumann machines for optimal quality on all levels ... The ultimate audiophile edition of this eternal classic!

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Lothar Jahn

Dreams Of '75

30,99 €*

How Could Hell Be Any Worse? 40th Anniversary White Vinyl Edition

Release: 1975 / CA – Reissue

Genre: Rock & Indie

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Singer/songwriter and multi-instrumentalist Lothar Jahn’s Dreams Of 75 is a wild fusion of psychedelic folk, and Krautrock. Fantastic from beginning to end “Dreams of ’75,” will take listeners on a stereoscopic journey

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Bad Religion

LP | 1982 | EU | Reissue (Eptaph)

LP | 1973 | EU | Reissue (Tres Selos / Eaeo)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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With this album a fuse was lit, leading to an explosion that spawned a new religion: Bad Religion. How Could Hell Be Any Worse?, their second record and first LP is nothing short of genius. Shattered-glass guitar riffs, fast, furious drums, and a 16 year old Greg Graffin"s voice for the ages. The coalescence of lyrical intellect and savage music make for a sound seldom (if ever) heard before. The impact of this record still resonates to this day. Classic tracks like "Fuck Armageddon...This Is Hell," "American Dream," and "The Voice Of God Is Government" are as crucial and socially lucid as the day they were created in a southern California garage. When the greatest punk records of all-time are discussed, How Could Hell Be Any Worse? is sure to be mentioned. Reissued on clear & black marble vinyl to celebrate the 40th anniversary!

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Tom Ze

Todo Os Olhos

36,99 €*

Violent Restitution Black Vinyl Edition

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Todos os Olhos is one of the most emblematic and essential records of the confrontational music of Brazil. By denouncing, criticizing, and mocking the trend of "heroes" who made "protest music" at the time, Tom Ze? signed his eremitic letter of exclusion but not without "contest the contestation". Excommunicated from the MPB and even from Tropica?lia, in Todos os Olhos Tom Ze? presented, with a lot of courage, an unusual way of fight Brazil's military dictatorship. All that would be later triggered in Tom Ze?'s career is here, always ready for a new rediscovery.

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Razor

LP | 1988 | EU | Reissue (High Roller)

LP | 1976 | EU | Reissue (Wah Wah)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, reissue 2022, black vinyl, ltd 500, 425gsm heavy cardboard cover, lyric sheet, poster, mastered for vinyl by Patrick W. Engel/ Temple of Disharmony

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COS

Viva Boma

LP | 1977 | EU | Reissue (Rhino)

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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The origins of Cos date back to the second half of the sixties when Daniel Schell joined forces with Jean-Paul Musette, Pascale Son and Robert Pernet to form Classroom. When Classroom split, Daniel Schell and Pascale Son moved ahead and formed Cos together with Charles Loos, Alain Goutier and Bob Dartsch. They produced an experimental jazz rock sound linked to the influences above mentioned, but without being mere copycats since they always managed to keep to their own personality.

Viva Boma was their second LP, originally issued in November 1976, and added some African influences to the mix, including the cover which, designed by Alain Goutier upon a concept by Daniel Schell, depicted a trio of hipopotamus that made reference to Boma, a portuary city at the banks of the river Congo, and Bomma, Belgian word for grandmother (hence the title appearing either with one or two m's on different parts of the artwork).

The Wah Wah reissue comes housed in a beautiful reproduction of the original sleeve and an insert with photos and liner notes. Limited edition of 500 copies, licensed from and with the collaboration of Daniel Schell.

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Television

Marquee Moon

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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LP | 1979 | EU | Reissue (Bonfire)

Veronique Chalot

J'ai Vu Le Loup

22,99 €*

LP | 1971 | EU | Reissue (Parlophone Label Group)

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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Fully licensed, ltd to 500 copies, 180 gr. Comprised of a precious inlay card featuring an exclusive essai by Emma Tricca. “This is an album that takes you on a supernatural journey to the discovery of ancient sounds that move our souls in the deepest of manners”.

Veronique Chalot was born in Normandy in the north of France, but it was in Paris that she first became interested in traditional French folk music. In 1974 she landed in Rome where she soon earned a small, but dedicated following. In 1979 she recorded her first studio effort, J'ai vu le loup, for the Italian Materiali Sonori label. Over the past 30+ years she has given hundreds of concerts, presenting her repertoire of traditional French/Italian folk songs and building awareness of that fascinating patrimony of antique melodies and dance rhythms. She passed away unfortunately on the 3rd of July 2021

“First glance into Veronique's voice and you're under a spell she's unaware of casting. Like hearing the magical sound of Ulysses' sirens, you want to throw yourself into the deep blue waters of this record, its saucerful of secrets. Like finding the hidden doors into an ancient world of court jesters, magic flutes, troubadours, and love potions, her delivery, both on the instrument and the singing, is of a beauty impossible to comprehend. Pointless for me to dissect every song or try to draw the history of each and every poem or musical piece. This is an album that takes you on a supernatural journey to the discovery of ancient sounds that move our souls in the deepest of manners. All of this and more was how I felt back in the mid-90s, as a kid, when I first saw Veronique playing in a small club in Rome called Folkstudio. This record captures all the wondrous sensations I had seeing her perform; a life-changing experience. Bon voyage; she'll take you places. (Emma Tricca)”

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Deep Purple

Fireball

38,99 €*

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Helloween Gold Vinyl Edition

Helloween

2LP | 1985 | EU | Reissue (Atomic Fire)

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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LP | 1987 | UK | Reissue (Greyhaze)

Sarcofago

Inri

LP | 1975 | EU | Reissue (Rhino)

Release: 1987 / UK – Reissue

Genre: Rock & Indie

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Classic Cover. "Inri" is the 1987 debut album by Brazilian extreme metal band Sarcofago. "Inri" would become the unofficial staple of the emerging extreme metal subgenres, and today it still stands as one of the most iconic and influential releases of the decade, if not all time. It’s been impersonated, emulated, and ripped off countless times, yet there’s something about makes it stand head and shoulders above the countless imposters it spawned.

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Fleetwood Mac

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Defenders Of Justice Black Vinyl Edition

Darkness

LP | 1988 | EU | Reissue (High Roller)

Pierrot Lunaire Yellow Vinyl Edtion

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, black vinyl, ltd 250, lyric insert, poster

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Pierrot Lunaire

LP | 1974 | EU | Reissue (RCA)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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Join Inn 50th Anniversary Edition

Ash Ra Tempel

LP | 1973 | EU | Reissue (MG.Art)

Killer Black Vinyl Edition

Release: 1973 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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After the 2021 Re-Release of “Schwingungen” (MG.ART612) and together with “Seven Up” (MG.ART613) we proudly announce “JOIN INN” as Part3 of the authorised 50th Anniversary “A.R.T.” Re-Edition Series. “JOIN INN” is the fourth album by Ash Ra Tempel. It was recorded at Studio Dierks and originally released on LP by Ohr Musik-Produktion, catalogue number OMM 556032. Each side of the LP comprises one long track.

In 1972 ASH RA TEMPEL teamed up again with Klaus Schulze during the recording of Walter Wegmüller's Tarot album, and after one of the recording sessions, ASH RA TEMPEL members: Enke, Göttsching and Rosi, together with Klaus decided to "play it again" in a late night session. This recording led to the birth of the “JOIN INN” album, as well as two legendary last concerts in February 1973 in Paris and Cologne.

Manuel Göttsching recalls Hartmut Enke on bass and Klaus Schulze on drums being a dream-team rhythm section for him to play his guitar, especially here to hear on “Freak'n' Roll”, that was ingenious and not to replace ever since. It was the last recording ever where Klaus Schulze (who sadly passed away this Year) played the Drums and also Hartmut (the Hawk) Enke soon after quit the Bass and music forever. Join Inn marks the end of the collaboration with Klaus Schulze. However, together with Ash Ra Tempel, their eponymous first album, which will be released in 2023 as the final edition of our Series, it is considered a highlight of the Krautrock movement. As for the music itself we again refer to Julian Cope´s review from his book “Krautrocksampler” (published by Head Heritage, 1st ed. 1995):
""Freak’n’roll” fades in like it never started - just was always there from the beginning of time, a dry wah-guitar freerock riff-out unlike any of the other Ash Ra Tempel LPs, and not much like any other music. Yes, there are bluesy riff but none of them have a blues context. Manuel Gottsching’s guitar is so confident that he sometimes drops down to a simple major chord groove, whilst the Hawk pushes that round woody bass into strange overlapping rumbling melody. And ... it’s the return of Klaus Schulze on drums which propels “Freak’n’roll” to its height. No-one but Klaus has the ability to transcend rock’n’roll in such an on-the-beat non-groove-y way and still send sparks of light into the cosmos as he does it. "Freak’n’roll” is so egoless that it even works at a quiet volume as meditational music. Themes rise from the high tempo pulse beat, then are carried along the muscles of the song into the main area where the riff actually becomes real and expressionist for just long enough before slipping back into the musical fabric of the song. As usual with Ash Ra Tempel, the other side is an enormous drift piece called “Jenseits (The Next World)”, a beautiful Klaus Schultze meditation of haunting synthesizer chords over which Rosi Muller tells the story of the Cosmic Couriers’ meeting with Timothy Leary. Gradually, the pulsing guitar becomes increasingly intense and turbulent, but Rosi never sounds less than freaked out. Essentially, “Jenseits” is a precursor to Klaus Schulze’s later spacey minor-key grooves. Unfortunately, this was the last Ash Ra Tempel album in its particular ‘series. After “JOIN INN”, Manuel Gottsching took over the Ash Ra Tempel mantle alone.”

Ashra Tempel – Join Inn
HARTMUT ENKE - Gibson bass
MANUEL GÖTTSCHING -guitar
KLAUS SCHULZE-drums, synthesizers & electronics
ROSI MÜLLER-voice

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Alice Cooper

LP | 1971 | US | Reissue (Friday Music)

45,99 €*

Release: 1971 / US – Reissue

Genre: Rock & Indie

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LP | 1970 | US | Reissue (Friday Music)

Dave Mason

Alone Together

42,99 €*

Release: 1970 / US – Reissue

Genre: Rock & Indie

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Decry

7" | 1983 | EU (No Plan)

14,99 €*

LP | 1988 | JP | Reissue (Alchemy)

Release: 1983 / EU

Genre: Rock & Indie

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Recorded in November 1983, this 5 song EP was the debut release for Decry who back in the day were relentlessly gigging and touring, playing with the likes of Discharge, Black Flag, UK Subs, Circle Jerks, Detonators, MIA, Necros, Crucifix, GBH, Agression,... Released in early 1984, this 7" sees the departure of their original drummer and anticipates by only a few months their debut LP on Toxic Shock. Tuneful and aggressive California HC/Punk. A true HC milestone! Limited to 200 copies with a 12 pages booklet included.

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Sekiri

Take Me To Sekiri

36,99 €*

LP | 1982 | EU | Reissue (Repertoire Entertainment Gmbh)

Release: 1988 / JP – Reissue

Genre: Rock & Indie

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Sekiri’s (lit: Dysentery) 1988 debut album, “Watashi wo Sekirini ni Tsurettette” (Take Me to Sekiri), was about three things. Sex, drugs, and rock n’ roll. With frank lyrics that throw social conventions out the window, and an open air of laziness, this Japanese all-female punk band took the world by storm. Even today, the post-punk leanings of their sophomore album sound fresh, a breath of fresh air in a society that seems to value conformity above all else. Don’t miss Sekiri’s “Watashi wo Sekirini ni Tsurettette” (Take Me to Sekiri) available now on limited edition vinyl from P-vine Records in collaboration with Alchemy Records.

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Sparks

Angst In My Pants

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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12" | 1983 | US | Reissue (Last Laugh)

The Embarrassment

Death Travels West

LP | 1971 | EU | Reissue (Bonfire)

Release: 1983 / US – Reissue

Genre: Rock & Indie

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Before they broke up in 1983, this quartet from Wichita, Kansas rocked furiously, with less brittle/more melodious guitar than the Scottish new wave pop bands Orange Juice and Josef K to whom the Embos were sometimes compared. While John Nichols’ vocals weren’t incredible (Bill Goffrier’s guitar work nearly was), the Embarrassment did convey a promising array of nuances—from wistfulness to sarcasm—and an inquisitive, adventurous way with arrangements. The lyrics vary in quality, but “Don’t Choose the Wrong Song” and “Elizabeth Montgomery’s Face” show budding verbal pithiness; “Wellsville” has a laconic melodic strength. Best of all, most of the debut EP’s five songs grow on you with each listen.

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Miller Anderson

Bright City

LP | 1983 | EU | Reissue (BMG Rights Management)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Miller Anderson is a guitarist and vocalist, born on April 12, 1945, in Houston, Renfrewshire, Scotland. Since cutting his musical teeth in bands with Ian Hunter (pre-Mott the Hoople) and Bill Bruford (pre-King Crimson and Yes), Anderson has been a member of such bands as the Keef Hartley Band, Savoy Brown, T. Rex, Mountain, the Spencer Davis Group, and in groups led by Deep Purple's Jon Lord and folk-rock balladeer Donovan. His 1971 debut Bright City was released on the legendary Deram, sub-label of Decca that released new records from 1966 onwards for the likes of Moody Blues, Caravan, Camel and several british jazz-rock legends. The album is a brilliant example of modern folk with lush strings arrangements thanks to guitarist and producer William ‘Junior’ Campbell, leader of the Scottish pop-rock group The Marmalade. A brilliant songwriting alongside a pastoral feeling, gentle melodies and a solid background with several amazing players literally bridging the gap between contemporary pop and blues. Harold Beckett (John Surman, Graham Collier) on flugelhorn and Lyn Dobson (The Keef Hartley Band, The People Band, Third Ear Band) on flute were literally stalwarts of the british jazz-rock and experimental scene, their contributions is behind greatness. Same with keyboard player Mick Weaver another Keef Hartley alumni. The album - faithfully remastered - offers a vision of urban Scotland with a bluesy feel and it has to be ranked alongside the work of such luminaries as Donovan or Nick Drake

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Mötley Crüe

Shout At The Devil

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Sick Of It All Purple Vinyl Edition

Sick Of It All

7" | 1987 | US | Reissue (Revelation)

14,99 €*

LP | 1983 | UK | Reissue (DGM Panegyric)

Release: 1987 / US – Reissue

Genre: Rock & Indie

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Sick OF IT ALL is one of the groundbreaking hardcore bands of their time. This EP was their first release and marks the beginning of what has become a long career for this legendary New York outfit. Ten of the earliest Sick OF IT ALL tracks that show the origin of their signature hardcore sound.

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XTC

Mummer

Release: 1983 / UK – Reissue

Genre: Rock & Indie

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Wilderness America, A Celebration Of The Land

LP | 1975 | EU | Reissue (Ebalunga!)

LP | 1971 | EU | Reissue (Ohr)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Before I’m gone I’d like to see us turn the corner and give up being spoilers of the land . . .

In 1975 Wallace ‘Wally’ Smith Broecker published a paper that popularised the term ‘global warming’ and against a backdrop of change and environmental uncertainty, a musical concept album was commissioned. ‘Wilderness America / A Celebration of the Land’ - is a musical exploration of our place within the cycle of living things. All compositions were specially commissioned for the album and blended with natural sounds recorded in the wild – lending the entire project a conceptual air that still feels fresh today.

The journey begins with the sun rising in the atmospheric haze of 'Dawn' - a track composed by new-age innovator Iasos. Gospel singer Walter Hawkins soon drops in with the soulful but ever so funky 'Metropolis' backed by a heavy array of session musicians with Patrick Gleeson, Ed Bogas and Tom Salisbury all adding their own misty magic to the album. David Riordan is the sorcerer conjuring up many of the compositions and also takes vocal duties on the evocative 'Mountain' and the climatic 'Before I'm Gone'.

‘Wilderness America / A Celebration of the Land’ was born when environmentalist Emily DeSpain Polk assembled a group of California residents to participate in a groundbreaking conservationist project. Christening the group Swap (Small Wilderness Area Preservation) Emily needed funds and began a project to produce a promotional nature based music album. To acquire the financial backing Emily would need to source a musician of some calibre. Contacting Cliff Branch from ‘Warehouse Sound Co.’ she was told the man she was looking for was David Riordan.

David Riordan had been around the music business for several years, first with The Yankee Dollar, then Sugarloaf and then Sweet Pain, he saw huge success with the single 'Green Eyed Lady'. David had worked on Cliff Branch’s 'Warehouse Sound Co. & Friends' albums and then released his solo album, 'Medicine Wheel'. But bored of touring he made the move to more concept-driven albums. First with ‘Christmas in San Francisco’ and then, in quick succession, 'Wilderness America, A Celebration Of The Land'.

Riordan, along with Peter Scott, a music producer friend in San Francisco, began piecing together an idea for the album. They brought in Ed Bogas to do string arrangements and Tom Salisbury to conduct. David had also asked his friend Patrick Gleeson if he knew of any R&B/Gospel singers in the Bay Area, and they soon added gospel singer Walter Hawkins into the mix.

Other than the track ‘Metropolis’, which was recorded in LA, the rest of ‘Wilderness America, A Celebration Of The Land’ was recorded and mixed by Richard Beggs at the San Francisco studio of Francis Ford Coppola. Coppola was filming ‘Apocalypse Now’ at the same time – so in between studio sessions, the musicians were able to view the seemingly never-ending film rushes arriving from the Philippines.

Eventually, the record produced by David Riordan and Peter Scott drifted onto the radar of vinyl obsessives and selectors as several of its key tracks began popping up on mixtapes and sales lists. It wasn’t long before this privately pressed, art-funded masterpiece became something of a holy grail for collectors. At long last, a re-issue of this masterpiece is now available on Ebalunga!!! Records.

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Amon Düül

Paradieswärts Düül

Neurotica Turquoise & Orange Vinyl Edition

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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In 1968 the Münchner Kommune, formed in 1967, had applied to Rolf-Ulrich Kaiser, the organizer of the Essen Songtage, for a gig there. When the Düüls arrived in Essen, already two bands of this name in the meantime, since 3 members had split off and now called themselves Amon Düül II. "Paradieswärts Düül" was released in 1971, it's the third album of this outfit. Transferred from the original analog tapes at Dierks Studios and carefully re-mastered.

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Redd Kross

LP | 1987 | US | Reissue (Merge)

34,99 €*

Money For Nothing Remastered 2022

Release: 1987 / US – Reissue

Genre: Rock & Indie

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Merge Records is thrilled to release the 35th anniversary edition of Neurotica, the 1987 power pop and alternative rock opus by Redd Kross. This reissue includes the original album, remastered by JJ Golden (Pearl Jam, Thee Oh Sees), as well as 12 previously unreleased demos from the era (rediscovered recently in the archives of the band's original A&R guy, Geoffrey Weiss). The double vinyl edition-the album on translucent turquoise, the demos on translucent orange-arrives in a slick gatefold jacket.For Neurotica, brothers Jeff and Steven McDonald enlisted a grand crew of musicians that included guitarist Robert Hecker, keyboardist Paul Roessler (Screamers, Nervous Gender), and Roy McDonald (The Muffs) on drums. And in the producer's chair guiding the young bucks? Tommy Erdelyi, aka Tommy Ramone, one of the originators of punk rock melody. Unshakeable hooks on tracks like "Peach Kelli Pop" and title track "Neurotica" would inspire rave reviews at the time of the album's original release in 1987. The L.A. Times' Craig Lee wrote: "In an age when too many bands base their music either on calculated career moves or heavy-handed pretensions, Redd Kross is as breezy as a kiss in the wind, a band born to rock in a world that forgot how." Decades later, Pitchfork would revisit the album with a glowing write-up: "Pop culture nostalgia was to Redd Kross what LSD was to the Butthole Surfers; their music was delivered with just as furious a passion, but their love for Beatles-esque pop harmony shone through as much as any punk sensibility, and their Kinks influences, entirely free of irony, served as lyrical substance over their powerful, hi-octane hooks." Plain and simple, Neurotica is just a fantastic piece of art.

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Dire Straits

2LP | 1985 | CZ | Reissue (Mercury)

Release: 1985 / CZ – Reissue

Genre: Rock & Indie

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LP | 1979 | US | Reissue (Superior Viaduct)

Contortions

Buy

Forse Le Lucciole Non Si Amano Piu Transparent Green Vinyl Edition

Release: 1979 / US – Reissue

Genre: Rock & Indie

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Soon after their 1978 debut on the Brian Eno-produced No New York, a compilation that defined the No Wave scene, James Chance’s group Contortions had already evolved - getting sharper, tighter and just plain faster. Despite the loss of keyboardist Adele Bertei and bassist Geoge Scott (who refused to sign a new contract demanded by Chance and his then partner, band manager Anya Phillips) Contortions were firing on all cylinders, and their first full-length album, 1979’s Buy, is a marvel of hot-wired energy. Led by the brash yelps and free-sax squawks of Chance, Contortions spit out fiercely rhythmic tunes charged by the wiry guitar lines of Jody Harris and the dizzying slide guitar of Pat Place. With drummer Don Christensen slipping in pointillist beats and David Hofstra’s infectious basslines, the songs on Buy crackle with both precision and abandon. Opener “Designed to Kill” shoots sparks of sound in all directions, while “Contort Yourself” is a nihilistic dance number wherein Chance instructs listeners to twist into knots, physically and mentally. “It’s better than pleasure, it hurts more than pain,” he snarls, later imploring, “You better try being stupid instead of smart.” Heavily influenced by the showman funk of James Brown (whose “I Can’t Stand Myself” the band had covered on No New York) Contortions coined a downtown dance-punk sound that had immediate influence on subsequent No Wave bands - including Place’s Bush Tetras and Bronx trio ESG - as well as the burgeoning disco movement. On Buy, Contortions’ self-invented template is imprinted so hard into the grooves that it sounds like they’re about to break, capturing a combustible band in all its fiery fury

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Locanda Delle Fate

LP | 1977 | EU | Reissue (Vinyl Magic)

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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Land Of The Lost Yellow Vinyl Edition

Wipers

LP | 1986 | EU | Reissue (Jackpot)