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Rock & Indie Vinyl 431 Items

Hip Hop 1 Organic Grooves 826 Rock & Indie 431 Indierock | Alternative 52 Classic Rock 251 Punk | Hardcore 2 Metal 2 Folk 63 Rock 'n' Roll 44 Electronic & Dance 11 Reggae & Dancehall 29 Pop 81 Classical Music 2 Soundtracks 39
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Reset all Filters Vinyl No Used Vinyl 1960 1961 1962 1964 1965 1966 1967 1968 1969
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The Free Design - Kites Are Fun Red Vinyl Edition
The Free Design
Kites Are Fun Red Vinyl Edition
LP | 1967 | EU | Reissue (Bonfire)
28,49 €* 29,99 € -5%
Release: 1967 / EU – Reissue
Genre: Rock & Indie
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Limited edition of 100 copies!
Bob Dylan - Highway 61 Revisited Transparent Vinyl Edition
Bob Dylan
Highway 61 Revisited Transparent Vinyl Edition
LP | 1965 | EU | Reissue (Sony)
28,49 €* 29,99 € -5%
Release: 1965 / EU – Reissue
Genre: Rock & Indie
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The Beathovens - Happy To Be Happy
The Beathovens
Happy To Be Happy
LP | 1967 | EU | Reissue (Musik Für Dich)
27,99 €*
Release: 1967 / EU – Reissue
Genre: Rock & Indie
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Johnny Hallyday - Nous Les Gars Nous Les Fille Record Store Day 2022 Splattered Vinyl Edition Rationals - Rationals Record Store Day 2022 Vinyl Edition
Rationals
Rationals Record Store Day 2022 Vinyl Edition
LP | 1969 | US | Reissue (Rouge)
27,99 €*
Release: 1969 / US – Reissue
Genre: Rock & Indie
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Limited to 1000 copies.

The Rationals are one of the cornerstone bands of Detroit’s ever-storied rock history. Artists such as Bob Seger, Ted Nugent and Brownsville Station were influenced by The Rationals. Coming out of Ann Arbor in 1964, The Rationals gave an authentic R&B twist to the new rock ‘n roll styles of the British Invasion. They broke through on Jeep Holland’s A2 label in 1965 and found a hit with a cover of Otis Redding’s “Respect” on the Cameo Parkway label in 1966—reaching a spot on the Billboard Hot 100. By 1967 The Rationals were firmly embedded in the Detroit music scene alongside such contemporaries as MC5, The Stooges, Bob Seger System and the Amboy Dukes. They were frequently featured on bills at the legendary Grande Ballroom, and acted as supporting act for Cream, Jimi He ndrix, and Pi nk Floyd around the Detroit area. Their sole studio LP was self-titled and released by Crewe Records in 1970. Their matured sound included touches of soul, hard rock, psychedelia, and the blues which spawned originals like “Guitar Army,” and showcased their soulful talents on covers such as “Temptation ‘Bout To Get Me”.

This Record Store Day 2022 reissue of the 1970 LP has been newly remastered and pressed on orange and yellow splatter vinyl at Third Man Pressing in Detroit.

Barefootin' Temptation 'Bout To Get Me Guitar Army Something's Gotta Hold On Me Deep Red Sunset Glowin' Handbags and Gladrags Ha Ha Zip-A-Dee Doo-Dah (Bonus Track)
Lazy Smoke - Corridor Of Faces Black Vinyl Edition
Lazy Smoke
Corridor Of Faces Black Vinyl Edition
LP | 1969 | US | Reissue (Jackpot)
27,99 €*
Release: 1969 / US – Reissue
Genre: Rock & Indie
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Olympic - Ptak Rosomak
Olympic
Ptak Rosomak
LP | 1969 | EU | Reissue (Supraphon)
27,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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The Glass Family - Electric Band
The Glass Family
Electric Band
2LP | 1967 | EU | Reissue (Maplewood)
27,99 €*
Release: 1967 / EU – Reissue
Genre: Rock & Indie
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This double-LP comes with a gatefold sleeve featuring the original artwork on the front and back, and new artwork plus interview and biography in the inside. The first LP is a reissue fo the original '67 acid-, folk- and blues-rock album, with distorted guitars, swirling organ and dirty vocals. The second platter offers previously uinissued recordings, with a raw sound and including an alternate take of 'House Of Glass'. A relevant release for fans of US '60s psychedelia.
Can - Monster Movie
Can
Monster Movie
LP | 1969 | EU | Reissue (Spoon)
27,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie, Electronic & Dance
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Remastered from the original tapes, 180g vinyl!
Townes Van Zandt - For The Sake Of The Song
Townes Van Zandt
For The Sake Of The Song
LP | 1968 | US | Reissue (Fat Possum)
27,99 €*
Release: 1968 / US – Reissue
Genre: Rock & Indie
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Originally released in 1968 For The Sake Of The Song is a reissue of Townes Van Zandt's well-known debut album. Produced by Jack Clement (Charley Pride, Chet Atkins, U2, etc.) and featuring original liner notes by Mickey Newbury, Van Zandt went on to cement his status as a cult icon among gifted songwriters such as Willie Nelson, Merle Haggard, and Emmylou Harris who eventually recorded their own covers of Towne's songs. Eleven tracks.
John Mayall With Eric Clapton - Blues breakers
John Mayall With Eric Clapton
Blues breakers
LP | 1966 | EU | Reissue (Vinyl Lovers)
27,99 €*
Release: 1966 / EU – Reissue
Genre: Rock & Indie
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180g vinyl reissue incl. live bonus tracks
Moby Grape - Moby Grape
Moby Grape
Moby Grape
LP | 1967 | EU (Endless Happiness)
27,99 €*
Release: 1967 / EU
Genre: Rock & Indie
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Moby Grape were formed by Alexander "Skip" Spence (who switched from drums to rhythm guitar) after his divorce from Jefferson Airplane. Launched with a pompous hype on the wave of the hippie phenomenon, Moby Grape debuted in June 1967 with an album of eight songs. The album tried to appeal to hippies, with eclectic and eccentric songs such as Hey Grandma , Fall On You , As In The Morning , Changes. It was an album of songs, in a period in which acid-rock was producing its most daring experiments .
Bobby Darin - Commitment
Bobby Darin
Commitment
LP | 1969 | EU | Reissue (Direction)
27,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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- Limi...
Andre Borgen - Forested
Andre Borgen
Forested
LP | 1969 | US | Original (Sheep Chase)
27,99 €*
Release: 1969 / US – Original
Genre: Rock & Indie
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Los Shakers - Los Shakers
Los Shakers
Los Shakers
LP | 1965 | EU | Reissue (Guerssen / Little Butterfly)
26,99 €*
Release: 1965 / EU – Reissue
Genre: Rock & Indie
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Guerssen and Little Butterfly proudly present the first long playing record from 1965 by the fabulous LOS Shakers, the legendary band formed in Uruguay in the mid 1960s, in the wake of the Beatlemania phenomenon.

Their songs had little to envy to those of their heroes from Liverpool. Tempo, chord progressions and rhythms boiled in a magic, infectious sound!

Get ready to enjoy the songs of Hugo, Osvaldo, Caio and Pelin… Los Shakers!
Can - Monster Movie Black Vinyl Edition
Can
Monster Movie Black Vinyl Edition
LP | 1969 | Reissue (Mute)
26,99 €*
Release: 1969 / Reissue
Genre: Rock & Indie
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Elvis Presley - G.I.Blues
Elvis Presley
G.I.Blues
LP | 1960 | EU | Reissue (Not Now)
26,99 €*
Release: 1960 / EU – Reissue
Genre: Rock & Indie
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Bob Dylan - Highway 61 Revisited Black Vinyl Edition
Bob Dylan
Highway 61 Revisited Black Vinyl Edition
LP | 1965 | EU | Reissue (Sony)
26,99 €*
Release: 1965 / EU – Reissue
Genre: Rock & Indie
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Bob Dylan - Bringing It All Back Home
Bob Dylan
Bringing It All Back Home
LP | 1965 | EU | Reissue (Sony)
26,99 €*
Release: 1965 / EU – Reissue
Genre: Rock & Indie
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Bob Dylan - Blonde On Blonde
Bob Dylan
Blonde On Blonde
2LP | 1966 | EU | Reissue (Sony)
26,99 €*
Release: 1966 / EU – Reissue
Genre: Rock & Indie
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The Free Design - Heaven / Earth HHV Exclusive Green Vinyl Edition
The Free Design
Heaven / Earth HHV Exclusive Green Vinyl Edition
LP | 1969 | EU | Reissue (Bonfire)
26,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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A vocal band that made it through, the Free Design have been more than an exception in the glittering world of the psychedelic circus. That was the Age of Aquarius in the end, but in the long run the 4-piece had an enormous impact on the younger generation. Released in 1969 “Heaven/earth” is a cornerstone on its own and 30 years later the band had a sort of epiphany, thanks to the spanning interest of artists such as Cornelius, Beck, Stereolab and crate digger master Madlib. By now the Free Design are considered in the same league of The Beach Boys and The Carpenters. Under the influence of the Hi-Lo’s and Peter, Paul and Mary, The Free Design rose through the folk scene of the Greenwich Village coffee houses, achieving national prominence with the enchanting ‘Kites Are Fun’. They would prove to be at least the artistic equals of such popular contemporaries as The Association, The Mamas and the Papas, The Fifth Dimension and Harper’s Bizarre, but without quite matching their commercial success. Rather than be dictated to and diluted by the majors, they chose to commit to the artistic freedom and potential to develop offered them by the producer Enoch Light through his independent set up Project 3 Total Sound.
Dr. Feelgood - The UA Years
Dr. Feelgood
The UA Years
2LP | 1969 | EU | Reissue (Parlophone Label Group)
26,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Bob Dylan - Bob Dylan
Bob Dylan
Bob Dylan
LP | 1962 | EU | Reissue (Columbia)
26,99 €*
Release: 1962 / EU – Reissue
Genre: Rock & Indie
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Bob Dylan - Another Side Of Bob Dylan
Bob Dylan
Another Side Of Bob Dylan
LP | 1964 | EU | Reissue (Columbia)
26,99 €*
Release: 1964 / EU – Reissue
Genre: Rock & Indie
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The Doors - The Soft Parade 50th Anniversary Remaster Edition
The Doors
The Soft Parade 50th Anniversary Remaster Edition
LP | 1969 | EU | Reissue (Rhino)
26,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Simon & Garfunkel - Bookends
Simon & Garfunkel
Bookends
LP | 1968 | EU | Reissue (Columbia)
26,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Simon & Garfunkel - Parsley, Sage, Rosemary And Thyme
Simon & Garfunkel
Parsley, Sage, Rosemary And Thyme
LP | 1966 | EU | Reissue (Columbia)
26,99 €*
Release: 1966 / EU – Reissue
Genre: Rock & Indie
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Bob Dylan - John Wesley Harding
Bob Dylan
John Wesley Harding
LP | 1967 | EU | Reissue (Sony)
26,99 €*
Release: 1967 / EU – Reissue
Genre: Rock & Indie
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Jefferson Airplane - Surrealistic Pillow
Jefferson Airplane
Surrealistic Pillow
LP | 1967 | EU | Reissue (RCA)
26,99 €*
Release: 1967 / EU – Reissue
Genre: Rock & Indie
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The release comes on 180g Vinyl.
John Lennon & Yoko Ono - Unfinished Music, No. 1: Two Virgins
John Lennon & Yoko Ono
Unfinished Music, No. 1: Two Virgins
LP | 1968 | US | Reissue (Secretly Canadian)
26,99 €*
Release: 1968 / US – Reissue
Genre: Rock & Indie
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Santana - Santana
Santana
Santana
LP | 1969 | EU | Reissue (Legacy)
26,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Bob Dylan - Highway 61 Revisited
Bob Dylan
Highway 61 Revisited
LP | 1965 | EU | Reissue (Legacy)
26,99 €*
Release: 1965 / EU – Reissue
Genre: Rock & Indie
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180 gram pressing!
Bob Dylan - Nashville Skyline
Bob Dylan
Nashville Skyline
LP | 1969 | EU | Reissue (Legacy)
26,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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180 gram pressing!
Bob Dylan - Blonde On Blonde
Bob Dylan
Blonde On Blonde
2LP | 1966 | EU | Reissue (Legacy)
26,99 €*
Release: 1966 / EU – Reissue
Genre: Rock & Indie
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180 gram pressing!
Jimi Hendrix - Electric Ladyland
Jimi Hendrix
Electric Ladyland
2LP | 1968 | EU | Reissue (Sony)
26,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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All time classic album, including 'Crosstwon Traffic', 'Voodoo Chile' & more!
Jimi Hendrix - Axis Bold As Love EU Stereo Version
Jimi Hendrix
Axis Bold As Love EU Stereo Version
LP | 1967 | EU | Reissue (Sony)
26,99 €*
Release: 1967 / EU – Reissue
Genre: Rock & Indie
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Stereo version, freshly pressed on 180 gram vinyl!
The Jimi Hendrix Experience - Are You Experienced EU Stereo Version
The Jimi Hendrix Experience
Are You Experienced EU Stereo Version
2LP | 1967 | EU | Reissue (Sony)
26,99 €*
Release: 1967 / EU – Reissue
Genre: Rock & Indie
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All time classic album, including 'Hey Joe' & 'Purple Haze'!
Johnny Cash - At San Quentin
Johnny Cash
At San Quentin
LP | 1969 | EU | Reissue (Sony)
26,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Johnny Cash - At Folsom Prison Black Vinyl Edition
Johnny Cash
At Folsom Prison Black Vinyl Edition
LP | 1968 | EU | Reissue (Sony)
26,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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The Jimi Hendrix Experience - Are You Experienced
The Jimi Hendrix Experience
Are You Experienced
LP | 1967 | US | Reissue (Sony)
26,99 €*
Release: 1967 / US – Reissue
Genre: Rock & Indie
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Audiophile 180 gram pressing, approved by the Hendrix family!
Taste - Taste
Taste
Taste
LP | 1969 | EU | Reissue (Music On Vinyl)
26,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Stone Circus - The Stone Circus
Stone Circus
The Stone Circus
LP | 1969 | US | Reissue (Mainstream)
26,99 €*
Release: 1969 / US – Reissue
Genre: Rock & Indie
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180 gram vinyl
Cream - Disraeli Gears
Cream
Disraeli Gears
LP | 1967 | EU | Reissue (Lilith)
26,99 €*
Release: 1967 / EU – Reissue
Genre: Rock & Indie
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Faron Young - All-Time Greatest Hits
Faron Young
All-Time Greatest Hits
LP | 1968 | US | Reissue (Curb)
26,99 €*
Release: 1968 / US – Reissue
Genre: Rock & Indie
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Preorder shipping from 2024-08-23
Bob Dylan - Blonde On Blonde
Bob Dylan
Blonde On Blonde
2LP | 1966 | EU | Reissue (Legacy)
26,99 €*
Release: 1966 / EU – Reissue
Genre: Rock & Indie
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180 gram pressing!
Wendy & Bonnie - Genesis HHV Exclusive Green Vinyl Edition
Wendy & Bonnie
Genesis HHV Exclusive Green Vinyl Edition
LP | 1969 | EU | Reissue (Cinedelic)
26,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Limited to 100 copies on green vinyl. Only available at hhv.de

Enchanting and sunny 1969 psych folk by San Francisco teenage sisters Wendy & Bonnie Flower. A cult album that would later inspire bands like Stereolab, with dreamy vocal harmonies as the main attraction, laced with Brazilian splashes and soft-rock strains. Pure timeless psychedelic pop perfection, awash in serenity and haunting reverie floating in the ether above airy soundscapes that convey a sophistication that belies the artists' tender age: 15 and 18. Alongside them are top-notch musicians such as guitarist Larry Carlton, drummer Jim Keltner, bassist Randy Sterling and organists/pianists Mike Melvoin and Mike Lang. Originally produced by Gary McFarland, Gábor Szabó and Cal Tjader.
Jeremy Harmer - Idiosyncratics And Swallows Wings Black Vinyl Edition
Jeremy Harmer
Idiosyncratics And Swallows Wings Black Vinyl Edition
LP | 1969 | EU | Reissue (Sommor)
26,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Mega rare UK private album (99 copies originally pressed in 1969) by singer/songwriter Jeremy Harmer, featuring David Costa of psych-folk band Trees on guitar.

Melancholic, introspective psych-folk with chamber/ baroque feel. Guitar, flute, viola, bass, drums…

Jeremy Harmer started singing and playing at school and university, where his circle of friends included aspiring folk musicians like Nick Drake and pre-Trees David Costa. Jeremy has a long history as a singer/songwriter and performer, along with his work in the field of English language teaching.

“Idiosyncratics and Swallows’ Wings” was recorded one night in 1968 at the studios of Anglia Television, Norwich, while Jeremy was at the University of East Anglia. Along with Jeremy singing and playing guitar, the album features a mini-chamber ensemble of flute, viola, bass and drums with orchestral arrangements written by John Trevitt from the School of Fine Arts. Jeremy’s friend David Costa (prior to forming the psych-folk band Trees) played guitar on several tracks and co-wrote “Tuesday P.M.”

Only 99 copies were pressed at the time and all were sold to people at the University, making it impossible to find now.

*Original artwork in hard cardboard sleeve *First ever vinyl reissue *Insert with liner notes and photos *Download card

Riyl: Nick Drake, John Cale, Bert Jansch, Incredible String Band, Will Malone…
The Shiver - Walpurgis Black Vinyl Edition
The Shiver
Walpurgis Black Vinyl Edition
LP | 1969 | EU | Reissue (Sommor)
26,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Heavy prog-psych with tons of organ and fuzz guitar courtesy of THE Shiver from Switzerland. This is their sole album from 1969, housed in a sinister cover designed by surrealist painter H.R. Giger (his first album cover work). Originally formed in the mid-60s in St. Gallen (Switzerland) as a beat, R&B band in the vein of Spencer Davis Group or The Yardbirds (and featuring an English vocalist), The Shivers dropped soon the “s” from their name at the same time as they adopted the early progressive sounds of British bands like Procol Harum or Moody Blues. After winning the first prize at a couple of major music festivals and even sharing stage with Pink Floyd, they started recording their first album. Combining interesting cover versions (the LP opens with a monster heavy cover of Procol Harum’s “Repent Walpurgis") and original songs, the album is a perfect example of the transition from beat and blues-rock to psychedelia and heavy prog.
Dragonfly - Dragonfly Black Vinyl Edition
Dragonfly
Dragonfly Black Vinyl Edition
LP | 1968 | EU | Reissue (Guerssen)
26,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Ultra loud heavy psychedelic rock from Colorado, late 60s, with loads of fuzz guitar all over.

Dragonfly were actually a band called The Legend, who changed their name just when they were recording their self-titled album. Originally released by the Megaphone label in 1968, Dragonfly is a hard-psych classic, highly sought-after by collectors since day one. Back in 2012 we did the first official vinyl reissue and we now present a new, improved repress with expanded liner notes and newly sourced / remastered audio, sounding better than ever.

*Official reissue with original artwork in gatefold sleeve *Newly audiophile restoration / remastering *Insert with liner notes and rare photos *Repro of the elusive original sticker

“This album is sure to share space at the top of your shelf with Plastic Cloud, Savage Resurrection and SRC for those special moments when you want to teach a young, unsuspecting psych convert just what that acid rock guitar thing was all about” - Aaron Milenski
The Artwoods - Art Gallery Black Vinyl Edition
The Artwoods
Art Gallery Black Vinyl Edition
LP | 1966 | EU | Reissue (Guerssen)
26,99 €*
Release: 1966 / EU – Reissue
Genre: Rock & Indie
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Essential ‘60s British beat, R&B, Mod album from 1966 by this band fronted by Art Wood (elder brother of Birds/Rolling Stones/Faces guitarist Ronnie) and featuring a young, pre-Deep Purple Jon Lord on organ, plus Keef Hartley (John Mayall’s Bluesbreakers) on drums, Derek Griffiths on guitar and Malcolm Pool on bass. Now reissued for the first time ever in Mono, just like the 1966 original.
Pulse - Pulse
Pulse
Pulse
LP | 1969 | EU | Reissue (Out-Sider Music)
26,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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First ever official vinyl reissue of this bluesy psychedelic hard-rock album from 1969.
Hou-Lops - Off
Hou-Lops
Off
LP | 1966 | CA | Reissue (Return To Analog)
26,99 €*
Release: 1966 / CA – Reissue
Genre: Rock & Indie
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Thunder And Roses - King Of The Black Sunrise Black Vinyl Edition
Thunder And Roses
King Of The Black Sunrise Black Vinyl Edition
LP | 1969 | EU | Reissue (Out-Sider Music)
26,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Led by explosive guitar player Chris (later Christa) Bond, Thunder and Roses was a power-trio from Philly in the best tradition of Cream or the Jimi Hendrix Experience. This is their sole album, originally released in 1969. A cult psychedelic hard-rock classic, including “White Lace and Strange”, famously covered by Nirvana. Thunder and Roses (named after a story from The Astounding Science Fiction Anthology) started to take form when genius 18-years old guitar player Chris Bond and bassist Tom Schaffer met heavy drummer George Emme (previously of The Electric Power House). Rehearsing six days a week the trio gelled quick and soon they were playing memorable shows at venues like Electric Factory and the Trauma. Recorded at Sigma Sound by Joe Tarcia, “King of the Black Sunrise” was released by United Artists in 1969. Dominated by Bond’s outstanding fuzz-wah guitar playing, the album featured seven original songs plus a storming cover of Hendrix’s “Red House”. Sadly, the record label took a wrong decision when refused to release the killer “White Lace and Strange” as a 45 to promote the album, choosing the mockery “Country Life” instead. After Thunder & Roses split, guitar player and main songwriter Chris Bond had a successful career as producer, songwriter, arranger and session musician, working closely with Daryl Hall & John Oates as well as other top artists. Later in his life, Chris eventually transitioned from male to female and changed her name to Christa. She sadly passed away in 2019.
Mighty Baby - Mighty Baby
Mighty Baby
Mighty Baby
LP | 1969 | UK | Reissue (Ace)
26,99 €*
Release: 1969 / UK – Reissue
Genre: Rock & Indie
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Mighty Baby evolved out of the Action, club favourites who released a number of poor-selling singles. Dropped by Parlophone, musical chairs saw Ian Whiteman (keyboards/flute) and Martin Stone (guitar) join and the music now blended progressive psychedelia with longer pieces dominated by instrumental prowess rather than Reggie King’s soulful vocals. King departed and guitarist Alan King and Whiteman began to share vocal duties on newly penned material like ‘Egyptian Tomb’ and ‘House Without Windows’ that, in retrospect, can be seen as reflecting light from the dark star of the Grateful Dead.

“Mighty Baby” was first released on the Head label on 7th November 1969 in a superb gatefold sleeve with artist Martin Sharp serving up the arresting front cover that looked like a lion being showered in blood. The album received positive reviews, with International Times stating “The music has a hundred characters… Eastern, Oriental, country, folk, rock, blues, pop etc. etc… At this moment in time Mighty Baby’s record is simply THE best thing in its class.”

The album is now seen as a progressive rock classic; cohesive, with no low spots, the inventiveness and musical prowess on a par with the equally revered, albeit jazzier, prog rock band Cressida. This latest edition from Ace, not only replicates the gatefold sleeve of the original but also contains an inner sleeve replete with memorabilia from the collection of Richard Morton Jack

“Mighty Baby” is a must-have purchase not only for fans of the band but those who want to discover this classic progressive rock album for the first time.
Jim Sullivan - U.F.O. Blue Splatter Vinyl Edition
Jim Sullivan
U.F.O. Blue Splatter Vinyl Edition
LP | 1969 | US | Reissue (Light In The Attic)
26,99 €*
Release: 1969 / US – Reissue
Genre: Rock & Indie
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* Newly Remastered!* Ultra rare 1969 private press psych-folk-rock masterpiece – featuring the legendary Wrecking Crew (Beach Boys, Phil Spector) * Lacquers cut by John Golden Mastering * Plated at Record Technology Inc. (rti) * Includes deep booklet with liner notes by Andria Lisle, rare photos, archival materials and full lyrics (LP: 16-pgs, CD: 48-pgs) In March 1975, Jim Sullivan mysteriously disappeared outside Santa Rosa, New Mexico. His VW bug was found abandoned, his motel room untouched. Some think he got lost in the desert. Some think he fell foul of a local family with alleged mafia ties. Some think he was abducted by aliens.

By coincidence – or perhaps not – Jim’s 1969 debut album was titled U.F.O. Released in tiny numbers on a private label, it too was truly lost, until Seattle’s Light In The Attic Records begun a years-long quest to give it the full release it deserves – and to solve the mystery of Sullivan’s disappearance. Only one of those things happened.

For record collectors, some albums are considered impossible to get hold of, records so rare you could sit on eBay for years and not get a sniff of a copy. U.F.O. is one of those albums. A seventh son, Jim Sullivan was a West Coast should-have-been, an Irish-American former high school quarterback whose gift for storytelling earned him cult status in the Malibu bar where he performed nightly. Sullivan was always on the edge of fame; hanging out with movie stars like Harry Dean Stanton, performing on the Jose Feliciano show, even stealing a cameo in the ultimate hippie movie, Easy Rider.

Friend and actor Al Dobbs thought he could change all that, and founded a label – Monnie Records – to release Jim’s album, enlisting the assistance of Phil Spector’s legendary sessioneers The Wrecking Crew to do so. That’s Don Randi, Earl Palmer and Jimmy Bond you can hear, the latter also acting as producer and arranger.

U.F.O. was a different beast to the one-man-and-his-guitar stuff Jim had been doing on stage; instead, it was a fully realised album of scope and imagination, a folk-rock record with its head in the stratosphere. Sullivan’s voice is deep and expressive like Fred Neil with a weathered and worldly Americana sound like Joe South, pop songs that aren’t happy – but filled with despair. The album is punctuated with a string section (that recalls David Axelrod), other times a Wurlitzer piano provides the driving groove (as if Memphis great Jim Dickinson was running the show). U.F.O. is a slice of American pop music filtered from the murky depths of Los Angeles, by way of the deep south.

With no music industry contacts, the record went largely unnoticed, and Jim simply moved on, releasing a further album on the Playboy label in 1972. But by 1975, his marriage breaking up, Jim left, for Nashville and the promise of a new life as a sessioneer in the home of C&W. That’s where it gets hazy.

We know he was stopped by cops for swerving on the highway in Santa Rosa, some 15 hours after setting off. We know he was taken to a local police station, found to be sober, and told to go to the local La Mesa Motel to get some rest, which he did. Some time later, his car was spotted on a ranch belonging to the local Genetti family, who confronted him about his business there. The next day his car was found 26 miles down the road, abandoned. His car and his hotel room contained, among other things, his twelve-string guitar, his wallet, his clothes and several copies of his second album, but no note, and no Jim. It was as if he had simply vanished into thin air.

Jim’s family travelled out to join search parties looking for him, the local papers printed missing person stories, but the search proved fruitless. Around the same time, the local sheriff retired and the Genettis moved to Hawaii. Jim’s manager Robert “Buster” Ginter later stated that during the early morning hours of a long evening Jim and Buster were talking about what would you do if they had to disappear. Jim said he’d walk into the desert and never come back.

Tracking down the truth behind Jim’s mystery became an obsession of Light In The Attic’s Matt Sullivan (no relation) when he happened upon a copy of the album and fell in love. He took on a cross country pilgrimage in search of master tapes and truth, and came back with neither, despite hundreds of phone calls, e-mails, letters, faxes, private detectives, telepathy, palm readings and meetings with Jim’s wife, son and producer. Thanks to superb digital mastering techniques, Light In The Attic is still able to present a clean, near perfect copy of Jim’s masterpiece for general consumption for the first time. Enjoy. And remember, beyond the mystery, there’s the music.
Amon Düül - Psychedelic Underground
Amon Düül
Psychedelic Underground
LP | 1969 | EU | Reissue (Ohr)
26,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Andromeda - Andromeda Black Vinyl Edition
Andromeda
Andromeda Black Vinyl Edition
LP | 1969 | EU | Reissue (Guerssen)
26,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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One of the key albums when talking about psychedelic hard-rock and early proto-metal, originally released in 1969. Featuring the great John Du Cann (The Attack, Atomic Rooster, Hard Stuff…) on guitar plus Mick Hawksworth (Fuzzy Duck, Alvin Lee) on heavy bass plus the powerful drumming of Ian McLane (Neat Change, Ray Owen’s Moon).

Andromeda was formed during the final days of Du Cann’s previous band The Attack, when he decided to go in a full heavier & proggier musical direction. Recruiting his friend/room mate Mick Hawksworth on bass plus drummer Jack McCulloch (of One In A Million, soon to be replaced by Ian McLane), the power-trio was born. After initial interest from John Peel (Dandelion) and Kit Lambert (Track Records), Du Cann decided to go with a major label, RCA, who offered him the chance to self-produce their first album. Recorded at Advision Studios, the impressive Andromeda debut was released in 1969, housed in a sleeve designed by John with photos by Gered Mankowitz. But despite receiving excellent reviews and the band playing lots of gigs (some of them billed above bands like Black Sabbath), RCA didn’t know what to do with such a heavy rock band. Tired of the lack of promotion and support, John accepted an offer to join Atomic Rooster… but that’s another story.
Synanthesia - Synanthesia Black Vinyl Edition
Synanthesia
Synanthesia Black Vinyl Edition
LP | 1969 | EU | Reissue (Guerssen)
26,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Prog-psych / acid-folk lost classic from 1969 by this short lived London trio. Now lovingly reissued on vinyl with fantastic remastered sound and including insert with rare photos / memorabilia and detailed liner notes by Steve Krakow aka Plastic Crimewave. Named after a Cannonball Adderley track, Synanthesia formed thanks to a Melody Maker ad placed in 1968 by guitarist/vibes/vocalist Dennis Homes, answered by Jim Fraser (who played sax, oboe and flute) and Leslie Cook (an Incredible String Band fan on bongos, violin and mandolin). With their particular blend of folk, jazz and psychedelia, the trio played all the key underground venues and clubs, sometimes alongside top acts like Floyd, King Crimson or Fairport Convention. Their sole album was recorded at Sounds Technique studio in Chelsea (which was where Pink Floyd were recording their albums at the time) and subsequently released by RCA. The cover featured the trio climbed onto a tree at the same park where the Beatles filmed their “Strawberry Field” promo film. Despite the good reviews and the support of DJs like John Peel, the album was considered too far out and psychedelic and eventually flopped, only to be re-discovered several decades later by acid-folk fans and collectors.
Mitch Ryder & The Detroit Wheels - Take A Ride... Gold Vinyl Edition
Mitch Ryder & The Detroit Wheels
Take A Ride... Gold Vinyl Edition
LP | 1966 | US | Reissue (Sundazed)
26,59 €* 27,99 € -5%
Release: 1966 / US – Reissue
Genre: Rock & Indie
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Motor City legends Mitch Ryder and the Detroit Wheels set unsurpassed standards for balls-out American white-boy R&B. Under the aegis of crack producer Bob Crewe, the Wheels shot to fame, propelled by Ryder\'s sweat-soaked soulful vocals, the piercing, mile-a-minute guitar sting of Jim McCarty, and the piledriver drum attack of Johnny Bee. Attacking rock and R&B with a startling, head-on frenzy, the group created a rock-n-soul dynasty still without equal.
The Serpent Power - The Serpent Power
The Serpent Power
The Serpent Power
LP | 1967 | EU | Reissue (Akarma)
25,99 €*
Release: 1967 / EU – Reissue
Genre: Rock & Indie
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The Serpent Power were amongst the many bands that emerged during those heady days of 1967 but, unlike many of their contemporaries who went on to build solid careers, their arrival was only to be a brief spell in the sun as this delightful album was to prove their sole release as a full band. There is no doubt that it stands proudly alongside other better known works of that time.
Markley (West Coast Pop Art Experimental Band) - Markley, A Group
Markley (West Coast Pop Art Experimental Band)
Markley, A Group
LP | 1969 | EU | Reissue (Life Goes On)
25,99 €*
Release: 1969 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
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Markley, A Group is the sixth and final album by the American psychedelic rock group, the West Coast Pop Art Experimental Band, and was released in 1970 on Forward Records, owned by Mike Curb. The album was released under another group name, Markley A Group, as decided by the group owner, Bob Markley. It features compositions by Danny Harris, Michael Lloyd and Shaun Harris with lyrics by Bob himself. The content is simple and soft, reminiscent of the band's earlier work. A gently pop-psych stroke of genius.
The Kinks - Kinda Kinks
The Kinks
Kinda Kinks
LP | 1965 | EU | Reissue (BMG/Sanctuary)
25,99 €*
Release: 1965 / EU – Reissue
Genre: Rock & Indie
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The Kinks - Kinda Kinks Kinda Kinks is the second album by English rock band the Kinks, otiginally released in 1965. Recorded and released within two weeks after returning from a tour in Asia, Ray Davies and the band were not satisfied with the production. The big single was "Tired of Waiting for You".
Morgen - Morgen Black Vinyl Edition
Morgen
Morgen Black Vinyl Edition
LP | 1969 | EU | Reissue (Guerssen)
25,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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US heavy psych masterpiece from 1969. Powerful sound and recording with thunderous drums, piercing fuzz guitars and the incredible vocals of Steve Morgen. Formed as Morgen’s Dreame Spectrum in 1967 in NY, Morgen were one the first bands signed to ABC’s offshoot Probe Records (home also of Soft Machine in the US). Fuelled by the chemistry between ace guitar player Murray Shiffrin and creative songwriter/singer Steve Morgen, they recorded their self-titled album in 1968 but, much to the band’s dismay and frustration, it wasn’t released until December 1969. Morgen included seven impressive tracks, all of them written by Steve Morgen. You can hear subtle influences of Hendrix, Stones, Who, Doors or Donovan but Morgen’s sound is clearly a beast of its own kind. The mysterious gatefold cover featured Edvard Munch’s iconic 1893 composition The Scream on the front. Welcome to the Void! *Original gatefold artwork. *Repro of the elusive poster insert. *New color insert with cool photos and detailed liner notes by Mike Stax (Ugly Things) *Audiophile restoration / remastering by Ezra Lesser.
The Kinks - Kinks
The Kinks
Kinks
LP | 1964 | EU | Reissue (BMG/Sanctuary)
25,99 €*
Release: 1964 / EU – Reissue
Genre: Rock & Indie
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The Stooges - The Stooges
The Stooges
The Stooges
LP | 1969 | NL | Reissue (Elektra)
25,99 €*
Release: 1969 / NL – Reissue
Genre: Rock & Indie
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Traffic - Traffic
Traffic
Traffic
LP | 1968 | UK | Reissue (Island)
25,99 €*
Release: 1968 / UK – Reissue
Genre: Rock & Indie
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The second offering from Traffic, October 1968 would be their self titled Album, achieving a strong balance between Dave Mason’s simple and straightforward folk-rock songs and Steve Winwood’s complex and often haunting rock jams would see the album peak in the UK charts at No’9 and No’16 in the US Billboard Chart. Re-Issued individually from the phenomenal 2019 Traffic – The Studio Albums 1967-74 Boxset. Remastered from the original tapes, pressed on 180g heavy weight vinyl and artwork caringly overseen and interpreted, this album is a must for any newcomer or indeed, seasoned Traffic fan.
The Band - Music From Big Pink 50th Anniversary Deluxe Edition
The Band
Music From Big Pink 50th Anniversary Deluxe Edition
2LP | 1968 | EU | Reissue (Capitol)
25,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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The David - Another Day, Another Lifetime
The David
Another Day, Another Lifetime
LP | 1967 | US | Reissue (Vance)
25,99 €*
Release: 1967 / US – Reissue
Genre: Rock & Indie
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The Kinks - The Village Green Preservation Society 2018 Stereo Remaster
The Kinks
The Village Green Preservation Society 2018 Stereo Remaster
LP | 1968 | EU | Reissue (BMG/Sanctuary)
25,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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John Mayall With Eric Clapton - Blues Breakers Blue Vinyl Edition
John Mayall With Eric Clapton
Blues Breakers Blue Vinyl Edition
LP | 1966 | EU | Reissue (Vinyl Lovers)
25,99 €*
Release: 1966 / EU – Reissue
Genre: Rock & Indie
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This seminal British blues album gave Clapton the chance to finally show his chops, not surprisingly, launching Clapton into stardom. Recorded in 1966 during Clapton's short stint with the Bluesbreakers, just after leaving the Yardbirds (the birth place of other legendary guitar players like Jimmy Page and Jeff Beck) and before he joined Cream. Includes 4 bonus tracks. Light blue vinyl LP.
The Kinks - Something Else By The Kinks
The Kinks
Something Else By The Kinks
LP | 1967 | EU | Reissue (Sanctuary)
25,99 €*
Release: 1967 / EU – Reissue
Genre: Rock & Indie
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Search Party - Montgomery Chapel
Search Party
Montgomery Chapel
LP | 1968 | US | Reissue (Lion)
25,99 €*
Release: 1968 / US – Reissue
Genre: Rock & Indie
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Search Party was the brainchild of (then Reverend) Nicholas Freund. Having left Wisconsin to join a burgeoning West Coast religious scene, Freund made his way to San Francisco in 1968 to lay down this sole effort with some of his students. The result is a spooky trip that’s equal parts acid-soaked mind expansion and God. Laced with haunting vocals and dreamlike passages, sinister farfisa, blasts of fuzz guitar and downer lyrics, Montgomery Chapel is psychedelic music at its most evocative and thanks to its depth and sense of anxiety, most truly spiritual. The ominous nine-minute drifter 'So Many Things Have Got Me Down,' for example, tackles the difficulties of an unfulfilled married life, depression and spiritual apathy, all while riding a stripped down, grooving beat. If you can imagine a lo-fi United States of America/Jefferson Airplane hybrid, you have an idea of how cool this band sounds. Only 600 copies were pressed and issued on the custom Century label; they've become holy grails of collectors. Artists as disparate as Current 93's David Tibet and Sonic Boom have heaped praise on it. We're thrilled to give this lost classic a proper reissue. Audio restoration by Anders Peterson. Insert is packed with info thanks to Nick Freund, who was gracious enough to delve into his memory, scrapbook, and photo albums to help us flesh out the portrait of one of the most potent—and perhaps most unlikely—psychedelic groups to ever record an album.
49th Parallel - 49th Parallel
49th Parallel
49th Parallel
LP | 1969 | US | Reissue (Lion)
25,99 €*
Release: 1969 / US – Reissue
Genre: Rock & Indie
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In the spring of 1969, 49th Parallel had a hit in with ‘Twilight Woman’, a lovely song that sounds like a poppier version of what bands like Tomorrow were doing in England. That success led to the release of 49th Parallel’s only album. All hyperbole aside, it is easily one of the top Canadian rock albums of the psychedelic era. The album is strong throughout—from the pulsating psychedelia of ‘Lazerander Filchy’ and the ultra-strange ‘(The) Magician’, the shimmering beauty of 'Twilight Woman', to the quintessential slashing guitars punk edginess of ‘Now That I'm a Man’ and ‘(Come On Little Child &) Talk To Me’. Dan Lowe's blazing fuzz guitar work stands out on ‘Missouri’ and also when matched by organist Jack Velker's brilliant work on ‘Eye To Eye’, ‘Talk To Me’ and ‘(The) People’.
Van Der Graaf Generator - The Aerosol Grey Machine
Van Der Graaf Generator
The Aerosol Grey Machine
LP | 1969 | US | Reissue (Mercury)
25,99 €*
Release: 1969 / US – Reissue
Genre: Rock & Indie
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Wendy & Bonnie - Genesis Black Vinyl Edition
Wendy & Bonnie
Genesis Black Vinyl Edition
LP | 1969 | EU | Reissue (Cinedelic)
25,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Enchanting and sunny 1969 psych folk by San Francisco teenage sisters Wendy & Bonnie Flower. A cult album that would later inspire bands like Stereolab, with dreamy vocal harmonies as the main attraction, laced with Brazilian splashes and soft-rock strains. Pure timeless psychedelic pop perfection, awash in serenity and haunting reverie floating in the ether above airy soundscapes that convey a sophistication that belies the artists' tender age: 15 and 18. Alongside them are top-notch musicians such as guitarist Larry Carlton, drummer Jim Keltner, bassist Randy Sterling and organists/pianists Mike Melvoin and Mike Lang. Originally produced by Gary McFarland, Gábor Szabó and Cal Tjader.
The Magic Mixture - This Is The Magic Mixture
The Magic Mixture
This Is The Magic Mixture
LP | 1968 | UK | Reissue (Morgan Blue Town)
25,99 €*
Release: 1968 / UK – Reissue
Genre: Rock & Indie
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Small Faces - Ogdens' Nut Gone Flake
Small Faces
Ogdens' Nut Gone Flake
LP | 1968 | Reissue (Sanctuary)
25,99 €*
Release: 1968 / Reissue
Genre: Rock & Indie
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George Harrison - Electronic Sound
George Harrison
Electronic Sound
LP | 1969 | EU | Reissue (BMG Rights Management)
25,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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George Harrison - Wonderwall Music
George Harrison
Wonderwall Music
LP | 1968 | EU | Reissue (BMG Rights Management)
25,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Sacred Mushroom - Sacred Mushroom
Sacred Mushroom
Sacred Mushroom
LP | 1969 | EU | Reissue (Akarma)
25,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Sacred Mushroom -- led by future Pure Prairie League member Larry Goshorn (guitar/vocals) and featuring brother Danny Goshorn (vocals) -- were a short-lived rock/blues quintet based in Cincinnati, OH. Their efforts coalesce on this, the band's self-titled debut (and only) long-player. The album contains a blend of proficient originals as well as a pair of well-chosen cover tunes, such as the blues standard "Mean Old World" and the Kinks' "I'm Not Like Everybody Else." While their name conjures images of late-'60s psychedelic or acid rock, Sacred Mushroom's roots were decidedly more bluesy than trippy.
The Kinks - Kinks
The Kinks
Kinks
LP | 1968 | EU | Reissue (BMG/Sanctuary)
25,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Orphan Egg - Orphan Egg
Orphan Egg
Orphan Egg
LP | 1968 | EU | Reissue (Cosmic Rock)
24,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Orphan Egg were a short lived group who were formed in 1967 in San Jose California. Their sole self-titled album was released in 1968 on the small independent company Carole Records. Essentially a garage-psych album – in the tradition of future iconic compilation like Nuggets or Pebbles – Orphan Egg was recorded by a bunch of students at Saratoga High School in Saratoga. Occasionally they won the Vox Battle of the Bands, a nationwide competition. They also appeared on the soundtrack of the classic bike-movie ‘Cycle Savages’ with 3 tracks.
Yuya Uchida & The Flowers - Challenge!
Yuya Uchida & The Flowers
Challenge!
LP | 1969 | EU | Reissue (Cosmic Rock)
24,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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All in all the debut album by cultish japanese freak-rockers Flower Travellin’ Band, then called Yuya Uchida & The Flowers. Released in 1969 it features mainly cover songs of influential Western bands such as Cream, Big Brother and the Holding Company, The Jimi Hendrix Experience, Jefferson Airplane. It was named number 34 on Bounce's 2009 list of 54 Standard Japanese Rock Albums.
The Advancement - The Advancement
The Advancement
The Advancement
LP | 1969 | EU | Reissue (Cosmic Rock)
24,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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After collaborating with Gabor Szabo on such influential ‘rare groove’ albums as ‘More Sorcery’ and ‘Dreams’, bassist Louis Kabok and drummer Hal Gordon further embraced jazz-rock fusion under The Advancement monicker. Their self title album from 1969 opens with the moody expressiveness of "Juliet" moving on "Moorish Mode" on more interesting drums break. Their heady melting pot of jazz, hard rock and psychedelia is anyhow well described on closing number "Fall Out"
Van Morrison - Astral Weeks
Van Morrison
Astral Weeks
LP | 1968 | EU | Reissue (Rhino)
24,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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H.P. Lovecraft - H.P. Lovecraft II
H.P. Lovecraft
H.P. Lovecraft II
LP | 1968 | EU | Reissue (Cosmic Rock)
24,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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The 2nd chapter, yet a revelation. Released on Philips in 1968, right after their ’67 self titled album this iconic psych-folk masterpiece still detain a refreshing and revelatory approach. The Chicago band, named after American supernatural fiction writer, is on the verge of some weird songwriting experience, as suggested by some explicit titles as Mobius Trip or At The Mountains Of Madness. Celestial electro-acoustic harmonies and spacey keyboards gave way to mystical show, still entertaining nowadays.
Goldenrod - Goldenrod
Goldenrod
Goldenrod
LP | 1967 | EU | Reissue (Cosmic Rock)
24,99 €*
Release: 1967 / EU – Reissue
Genre: Rock & Indie
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The Vietnam war, the excruciating motto ‘turn on, tune in, drop out’, all of a sudden we were in a new era, just across the lysergic exploitation and the political turmoil. The self-titled album by American trio Goldenrod was released on a small run in 1969 on the enigmatic Chartmaker. An instrumental album full of extended and improvised jam recorded in their hometown of Los Angeles. It comprises of just four tracks, enough for an essential trip. Titles such as "Karmic Dream Sequence" and "Descent Of The Cyclopeans" offers a new exploratory vision, between the past and the future. Goldenrod was a rare metaphysical drug experience you wouldn’t miss again! All three band members met while playing behind The Fifth Dimension and they had earlier played with Ballroom who were a pre- The Millennium-Sagittarius band. After all the three members became all of a sudden top LA session men. Jerry Scheff went on to play with The Millennium (the Californian super group led by Curt Boettcher, basically consisting of psychedelic rock musicians) while Ben Benay appeared in the blues-rock outfit Funzone in the seventies.
H.P. Lovecraft - H.P. Lovecraft
H.P. Lovecraft
H.P. Lovecraft
LP | 1967 | EU | Reissue (Cosmic Rock)
24,99 €*
Release: 1967 / EU – Reissue
Genre: Rock & Indie
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Originally released in October 1967 by Philips Records, H. P. Lovecraft is the debut album by the American psychedelic rock band H. P. Lovecraft. The album blended psychedelic and folk rock influences and was marked by the haunting, eerie ambiance of the band's music, which itself was often inspired by the literary works of horror writer H. P. Lovecraft, after whom the band had named themselves. This is possibly one of the best second-division psychedelic albums, that shows the immediately identifiable Edwards-Michaels vocal tandem at its best. With deft touches of folk, jazz and sultry horn arrangements the album was a cult behind his own generation.
Nancy Sinatra & Lee Hazlewood - Nancy & Lee Black Vinyl Edition
Nancy Sinatra & Lee Hazlewood
Nancy & Lee Black Vinyl Edition
LP | 1968 | US | Reissue (Light In The Attic)
24,99 €*
Release: 1968 / US – Reissue
Genre: Rock & Indie
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First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive
Beautifully packaged and expanded gatefold LP featuring a 20-page booklet

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.
Los Shain's - Docena 3
Los Shain's
Docena 3
LP | 1968 | EU | Reissue (Discos Monterey)
24,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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The following year, 1968, "Docena 3" would see the light of day, highlighting the LSD world on the cover, in which they added more accentuated lysergic moments, the use of the Indian zither, plus Jorge Pomar on rhythm, and other technical novelties such as reverse tape effects, including anti-war and love messages. The album brings together some captivating songs of their own, plus surprising covers with surrounding sound arrangements.

Shortly thereafter, the band would break up, but not before leaving us with another album to fulfill their contract, entitled "Instrumental's" (1968). The members would go on to separate careers with Pico's Los Nuevos Shain's, and Gerardo Manuel's The (St. Thomas) Pepper Smelter. They would reunite again in 2007, but it was not until this year 2021 that, thanks to Discos Monterey, these two late sixties Peruvian rock summits are once again available with excellent sound and respecting the original artwork.
Los Shain's - Segundo Volumen
Los Shain's
Segundo Volumen
LP | 1967 | EU | Reissue (Discos Monterey)
24,99 €*
Release: 1967 / EU – Reissue
Genre: Rock & Indie
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After consecutive reissues of Peruvian garage and psychedelic rock from the sixties and seventies, Discos Monterey couldn't miss the chance to resurface two of the most emblematic records of the period: "Segundo Volumen" (1967) and "Docena 3" (1968) by Los Shain's, the "conjunto de conjuntos" (the band among bands), as they were called back then. Those fifteen-year-olds started in mid-1964 and would go on to make an impressive musical career that would make history with just four records for the Iempsa label.

They recorded their first LP "El Ritmo De Los Shain's" (1966), halfway between instro rock and garage. Its main architects - Enrique "Pico" Ego Aguirre, on guitar, and Gerardo Manuel Rojas, on lead vocals - introduced psychedelia in their second work called "Volumen 2" (1967). They were accompanied by Beto Tataje on second guitar, Juan Carlos Barreda on bass, and Carlos Manuel Barreda on drums. The album contains, for the most part, their own songs, standing out their luminous melodies and a certain beat they themselves considered to be a product of the "enfermedad" (sickness), immersed as they were in "la onda", the groove of the era. An impressive album that also stood out for its sound and for the pioneering presence of the "fuzz tone" among other effects such as the tape echo or a harmonic distorter that were revolutionary in their day and that today still have an impact due to their enormous power.
Gene Chandler - There Was A Time
Gene Chandler
There Was A Time
LP | 1968 | Reissue (Demon)
24,99 €*
Release: 1968 / Reissue
Genre: Rock & Indie
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The Open Mind - The Open Mind Yellow Vinyl Edition
The Open Mind
The Open Mind Yellow Vinyl Edition
LP | 1969 | EU | Reissue (Klimt)
24,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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The Open Mind was an English psychedelic rock band formed in London, and active in the 1960s and 1970s. The band was formed in 1963 by four musicians from Putney, South West London. Initially named The Apaches and formed by Tim du Feu, Mike Brancaccio and Philip Fox and their friend Ray Nye. Nye left in 1965 and another friend, Terry Schindler, joined instead. The band became The Drag Set, who released a little-known single in February 1967, "Day and Night" / "Get Out of My Way". Shortly thereafter, they changed their name to The Open Mind and in July 1969 released a self-titled LP which has since become a highly sought-after collectible. The band, however, is best known for its druggy August 1969 single, "Magic Potion", which did not appear on the album. Despite their paucity of recorded material, The Open Mind have proven to be influential in the psychedelic rock genre, their single "Magic Potion" having been covered by bands such as The Seers, Sun Dial and The Damned.
Pink Floyd - The Piper At The Gates Of Dawn Mono Mix Edition
Pink Floyd
The Piper At The Gates Of Dawn Mono Mix Edition
LP | 1967 | EU | Reissue (Parlophone Label Group)
24,99 €*
Release: 1967 / EU – Reissue
Genre: Rock & Indie
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Sage And Seer - Sage And Seer
Sage And Seer
Sage And Seer
LP | 1969 | EU | Reissue (Wah Wah)
24,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Although this amazing U.S. popsike gem seems to have remained under the radar since it was first released in 1969, copies of an original pressing of this LP fetch several hundreds of dollars among the small circle of collectors that have managed to discover the amazing works of Don Beckmann and David Rea.

Their only LP was originally released on their hometown Denver’s Stylist Records label back in 1969. The production is amazing: to the strength of the duo’s compositions and their guitar and vocal talents, a complete band is added, plus impressive orchestrated arrangements with scores provided by Dan Goodman and Mark Schuster and conducted by Ben Kaufman, the result being a deliciously beautiful album that could be a missing link between the works of Simon & Garfunkel and those of soft pop maestros like The Free Design or Harper's Bizarre or baroque pop legends The Left Banke.
The Underdogs - Blues Band
The Underdogs
Blues Band
LP | 1968 | EU | Reissue (Wah Wah)
24,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Wah Wah is proud to release the first ever legit vinyl reissue from master tape of New Zealand's legendary Underdogs' first LP from 1968. Lovers of John Mayall and his Bluesbreakers (note the Eric Clapton tribute paid on the sleeve of this album) will love this album. The Underdogs formed in 1964 and shared the scene with other greats from the country like The La De Da's, The Action (NZ band, not to be confused with the UK mod godfathers) and The Pleazers. They spread the rhythm and blues word from their native Auckland through several 45s on the Zodiac label and went through a series of line-up changes prior to the release of their fabulous first long player. The Underdogs Blues Band LP was recorded by Murray Grindlay on vocals, Lou Rawnsley on guitars, Neil Edwards on bass and Tony Walton on drums, and shows the group’s appreciation for Mayall's combo - just like The Bluesbreakers' Crusade LP the Underdogs open their album with a cover of Albert King's "Oh, Pretty Woman," one of three "Bluesbreakers" songs covered on the LP. On this first long player the band storm into a world of guitar led rave-ups a la Yardbirds, organ blues grinders and even give a sight to what's to come next with some incipient heavier sounds a la Cream.

This is a 500 copies only reissue, housed in its original artwork in a vintage styled backflaps sleeve and insert
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