Rock & Indie Vinyl 48563 Items

Release: 1970 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1970 | EU | Reissue (Music On Vinyl)

Atomic Rooster

Death Walks Behind You

40,99 €*

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Guerssen)

Elias Hulk

Unchained

Women And Children First Black Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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A classic in the collecting circuit since ages, the sole release by UK group Elias Hulk was out in 1970 on the Youngblood label. Raw hard-rock, adding some Eastern and blues-rock elements as well. Previously available on our Sommor sub-label and out of print, we present a new edition on Guerssen.

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Ancient Grease

LP | 1970 | EU | Reissue (Sommor)

25,99 €*

His Greatest Hits Volume 2

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Heavy-rock / bluesy sound with West Coast overtones and some devastating fuzz-wah guitar. Originally named Strawberry Dust, Ancient Grease was a hard psychedelic band from Wales, connected to Eyes Of Blue and Racing Cars. They were supported by John Weathers (Eyes Of Blue) who also acted as producer and songwriter for their sole album, recorded in London. When eventually released in 1970, “Women and Children First” was credited to Ancient Grease instead of Strawberry Dust (one of those “great” ideas by major labels). The album was first issued in the US and later in the UK, both on the Mercury label but with different sleeves (being the UK one the most desirable and collectable).

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Johnny Cash

LP | 1970 | EU | Reissue (Music On Vinyl)

LP | 1970 | EU | Reissue (Guerssen)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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This greatest hits collection by the “The Man in Black” contains several
of his well-known songs and fan favourites “A Boy Named Sue,” “Folsom
Prison Blues,” “Daddy Sang Bass,” and “Big River.” The last one was
released as a single when this album appeared in 1971, and made it
to the Billboard Country Singles chart. The 11 songs were compiled
from 10 different albums and show the versatility of Johnny Cash as a
musician.

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Màquina!

Why? Black Vinyl Edition

Let It Be Limited 50th Anniversary Deluxe Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Along with Smash, Cerebrum or Pan & Regaliz, Catalan band Màquina! were one the truly pioneers when talking about the underground Spanish psych-prog scene from the late 60s. “Why?” was their debut album, originally released in 1970 on the Diábolo label and housed in a striking surreal sleeve designed by band member Jordi Batiste. English vocals, wicked acid fuzz-wah guitars, Hammond organ, flute…including the legendary self-titled track, 24 minutes (split in two parts) of wild psychedelic improvisation. Featuring Josep Maria “Tapi” Vilaseca (later of Tapiman) on drums, Josep Maria París on fuzz guitar, Luigi Cabanach on wah guitar, Enric Herrera on organ and Jordi Batiste on bass/flute/vocals. Highly sought-after by psych collectors worldwide, here’s a long overdue new vinyl reissue of this cult album featuring newly remastered sound, original artwork and insert with detailed liner notes and cool photos.

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The Beatles

Box | 1970 | UK | Reissue (Apple)

216,99 €*

LP | 1970 | CA | Reissue (Return To Analog)

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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Following on from the global success of ‘Abbey Road’, Apple Corps and USM are proud to present the next multi-format Beatles album reissue of ‘Let It Be’.

January 1969 – The Beatles planned to return to live performance, setting up in Twickenham Film Studios, London, for 21 days of rehearsals. They then decamped to their new studio in their Apple office building in Saville Row and on January 30th performed their last ever live group performance on the rooftop. All of this was filmed for a proposed documentary (eventually released in 1970). During the rehearsal process, they asked Glyn Johns, who had been hired to help with the live sound, to attempt a mix to create an album. This was never released, becoming known as one of the great ‘lost’ albums in rock history and is now included in this Super Deluxe Set. The album was delayed further and in fact became their 12th and final official album release on 8th May 1970 following additional production by American producer Phil Spector.

The Beatles iconic final studio album being released to coincide with the worldwide release of Peter Jackson’s 3 part documentary ‘The Beatles: Get Back’
New stereo mix of the original album by Giles Martin
Additional discs featuring a selection of outtakes from the recording sessions

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Dionysos

Le Grand Jeu

On The Way To Eden White Vinyl Edition

Release: 1970 / CA – Reissue

Genre: Rock & Indie

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Dionysos's first album '' Le Grand Jeu '' (1971) is one of the must-hear classics of Quebec rock. Sung in colloquial French, drifting somewhere between swampy blues-rock and the emerging prog aesthetic, with some flute passages and a liberal dose of Hammond organ, it is likely the heaviest record made until then in the entire French-speaking world.

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Eden Rose

LP | 1970 | EU | Reissue (Guerssen)

Black Merda Clear Beer Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Limited to 200 copies on white vinyl!

Proto-progressive, groovy instrumental psychedelia, recorded in France in 1969 by this pre-Sandrose band and released on the tiny Katema label. Swirling Hammond grooves by keyboard virtuoso Henri Garella, top guitar playing by Jean-Pierre Alacen and a tight, funky rhythm section create one of the best early prog/psych French albums ever. First reissued on Guerssen back in 2016 and out of print for many years, here's a repress in hard cardboard sleeve + OBI - resealable outer sleeve.

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Black Merda

LP | 1970 | EU | Reissue (Lilith)

LP | 1970 | CA | Reissue (True North)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Hailing from late-'60s Detroit, Black Merda (pronounced "Murder") were both aesthetically and musically way ahead of their time. When most black groups (including Parliament/ Funkadelic) were still sporting suits, singing about love and using a horn section, Black Merda had already become a tight guitar-heavy freak-funk four piece. By weaving guitar rock and psychedelia into soul and R&B they were the gods of the underground "black rock" movement which fell somewhere between Jimi Hendrix and Parliament and MC5. But it wasn't just about the music, the message was just as important.

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Bruce Cockburn

17,99 €*

Release: 1970 / CA – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

In Rock (2018 Remastered Version)

Deep Purple

LP | 1970 | EU | Reissue (Parlophone)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Muza)

Marek Grechuta & Anawa

LP | 1970 | DE | Original (Atlantic)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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This is 180g vinyl.

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Led Zeppelin

Led Zeppelin III

Release: 1970 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1970 | EU | Reissue (Parlophone)

Syd Barrett

Barrett

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | UK | Reissue (Universal)

Nick Drake

Bryter Layter

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Music On Vinyl)

Kris Kristofferson

Kristofferson

28,99 €*

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | US | Reissue (Mainstream)

December's Children

LP | 1970 | US | Reissue (DiCristina)

Release: 1970 / US – Reissue

Genre: Rock & Indie

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180 gram vinyl

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Vashti Bunyan

Just Another Diamond Day

Kaleidoscope Black Vinyl Edition

Release: 1970 / US – Reissue

Genre: Rock & Indie

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... voted one of the top 100 British albums of all time!

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Kaleidoscope

LP | 1969 | EU | Reissue (Guerssen)

Gandalf Clear Vinyl Edtion

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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One of the rarest psychedelic garage albums ever, the Kaleidoscope album was recorded in the Dominican Republic by this Boricuan/Dominican band but released only in Mexico in 1969 as a tiny pressing, housed in a fantastic psychedelic sleeve designed by Bodo Molitor.

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Gandalf

LP | 1969 | US | Reissue (Jackpot)

35,99 €*

Strictly From Hunger Black Vinyl Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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If you’re as obsessed with unfairly unheralded bands as we are, bringing out a proper, well-deserved official re-release to change that course is always an honor. Case in point, Jackpot Records proudly announce GANDALF’s 1969 self-titled release as one of our proudest moments. Working alongside band member Peter Sando from the original master tapes, it is time for the rest of the uninitiated to catch up with this beautifully crafted haunting psych-pop record (fans of THE Left Banke, Kaleidoscope, THE Millennium, and THE Zombies, take note!). Recorded at Century Sound in Manhattan with Grammy-winning producer Brooks Arthur (who engineered Neil Diamond’s “Sweet Caroline” and Van Morrison’s “Brown Eyed Girl”), the production of the album was created on the spot in the studio with arrangements being thrown about and the incredibly haunted vocals being recorded directly from the band’s PA using a Binson Echorec to make this innovative sound (Pink Floyd later used the same echo unit to great effect). Add to that sitars, vibes, B3 organs, harpsichord, minor tragic guitar chords, and bass drones aplenty, and you’ve got the recipe for an album that bears listening to with eyes closed, music cranked, mind open. So get in on the beauty of this record, and as Sando says on the liner notes: “Put the needle in the groove, sit back, and take the trip with GANDALF.” Enough said.

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Hunger

LP | 1969 | EU | Reissue (Guerssen)

LP | 1969 | EU | Reissue (Rhino)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Killer Doorsy organ and fuzzed-out guitars, including all-time psychedelic classics like "Colors", "Workshop" and "Mind Machine".

Transplanted from Portland to the Sunset Strip, Hunger played at all the hip places (Whisky a Go Go, Cheetah, Kaleidoscope...), rubbing shoulders with bands like Hour Glass (pre-Allman Brothers), the Doors or Steppenwolf.

In 1969 they released "Strictly from Hunger!" for the small Public label. Highly sought after, we’re proud to present a straight reissue of such collectable album.

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The Stooges

28,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1969 | EU | Reissue (Wiseraven)

Pesky Gee!

Exclamation Mark

28,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1969 | EU | Reissue (Out-Sider Music)

Pulse

LP | 1969 | US | Original (Elektra)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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First ever official vinyl reissue of this bluesy psychedelic hard-rock album from 1969.

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David Ackles

Subway To The Country

9,99 €*

Release: 1969 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1969 | EU | Reissue (Rhino)

Crosby, Stills & Nash

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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King Of The Black Sunrise Black Vinyl Edition

Thunder And Roses

LP | 1969 | EU | Reissue (Out-Sider Music)

U.F.O. Black Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Led by explosive guitar player Chris (later Christa) Bond, Thunder and Roses was a power-trio from Philly in the best tradition of Cream or the Jimi Hendrix Experience. This is their sole album, originally released in 1969. A cult psychedelic hard-rock classic, including “White Lace and Strange”, famously covered by Nirvana. Thunder and Roses (named after a story from The Astounding Science Fiction Anthology) started to take form when genius 18-years old guitar player Chris Bond and bassist Tom Schaffer met heavy drummer George Emme (previously of The Electric Power House). Rehearsing six days a week the trio gelled quick and soon they were playing memorable shows at venues like Electric Factory and the Trauma. Recorded at Sigma Sound by Joe Tarcia, “King of the Black Sunrise” was released by United Artists in 1969. Dominated by Bond’s outstanding fuzz-wah guitar playing, the album featured seven original songs plus a storming cover of Hendrix’s “Red House”. Sadly, the record label took a wrong decision when refused to release the killer “White Lace and Strange” as a 45 to promote the album, choosing the mockery “Country Life” instead. After Thunder & Roses split, guitar player and main songwriter Chris Bond had a successful career as producer, songwriter, arranger and session musician, working closely with Daryl Hall & John Oates as well as other top artists. Later in his life, Chris eventually transitioned from male to female and changed her name to Christa. She sadly passed away in 2019.

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Jim Sullivan

LP | 1969 | US | Reissue (Light In The Attic)

Eight Miles High Red Vinyl Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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* Newly Remastered!* Ultra rare 1969 private press psych-folk-rock masterpiece – featuring the legendary Wrecking Crew (Beach Boys, Phil Spector) * Lacquers cut by John Golden Mastering * Plated at Record Technology Inc. (rti) * Includes deep booklet with liner notes by Andria Lisle, rare photos, archival materials and full lyrics (LP: 16-pgs, CD: 48-pgs) In March 1975, Jim Sullivan mysteriously disappeared outside Santa Rosa, New Mexico. His VW bug was found abandoned, his motel room untouched. Some think he got lost in the desert. Some think he fell foul of a local family with alleged mafia ties. Some think he was abducted by aliens.

By coincidence – or perhaps not – Jim’s 1969 debut album was titled U.F.O. Released in tiny numbers on a private label, it too was truly lost, until Seattle’s Light In The Attic Records begun a years-long quest to give it the full release it deserves – and to solve the mystery of Sullivan’s disappearance. Only one of those things happened.

For record collectors, some albums are considered impossible to get hold of, records so rare you could sit on eBay for years and not get a sniff of a copy. U.F.O. is one of those albums. A seventh son, Jim Sullivan was a West Coast should-have-been, an Irish-American former high school quarterback whose gift for storytelling earned him cult status in the Malibu bar where he performed nightly. Sullivan was always on the edge of fame; hanging out with movie stars like Harry Dean Stanton, performing on the Jose Feliciano show, even stealing a cameo in the ultimate hippie movie, Easy Rider.

Friend and actor Al Dobbs thought he could change all that, and founded a label – Monnie Records – to release Jim’s album, enlisting the assistance of Phil Spector’s legendary sessioneers The Wrecking Crew to do so. That’s Don Randi, Earl Palmer and Jimmy Bond you can hear, the latter also acting as producer and arranger.

U.F.O. was a different beast to the one-man-and-his-guitar stuff Jim had been doing on stage; instead, it was a fully realised album of scope and imagination, a folk-rock record with its head in the stratosphere. Sullivan’s voice is deep and expressive like Fred Neil with a weathered and worldly Americana sound like Joe South, pop songs that aren’t happy – but filled with despair. The album is punctuated with a string section (that recalls David Axelrod), other times a Wurlitzer piano provides the driving groove (as if Memphis great Jim Dickinson was running the show). U.F.O. is a slice of American pop music filtered from the murky depths of Los Angeles, by way of the deep south.

With no music industry contacts, the record went largely unnoticed, and Jim simply moved on, releasing a further album on the Playboy label in 1972. But by 1975, his marriage breaking up, Jim left, for Nashville and the promise of a new life as a sessioneer in the home of C&W. That’s where it gets hazy.

We know he was stopped by cops for swerving on the highway in Santa Rosa, some 15 hours after setting off. We know he was taken to a local police station, found to be sober, and told to go to the local La Mesa Motel to get some rest, which he did. Some time later, his car was spotted on a ranch belonging to the local Genetti family, who confronted him about his business there. The next day his car was found 26 miles down the road, abandoned. His car and his hotel room contained, among other things, his twelve-string guitar, his wallet, his clothes and several copies of his second album, but no note, and no Jim. It was as if he had simply vanished into thin air.

Jim’s family travelled out to join search parties looking for him, the local papers printed missing person stories, but the search proved fruitless. Around the same time, the local sheriff retired and the Genettis moved to Hawaii. Jim’s manager Robert “Buster” Ginter later stated that during the early morning hours of a long evening Jim and Buster were talking about what would you do if they had to disappear. Jim said he’d walk into the desert and never come back.

Tracking down the truth behind Jim’s mystery became an obsession of Light In The Attic’s Matt Sullivan (no relation) when he happened upon a copy of the album and fell in love. He took on a cross country pilgrimage in search of master tapes and truth, and came back with neither, despite hundreds of phone calls, e-mails, letters, faxes, private detectives, telepathy, palm readings and meetings with Jim’s wife, son and producer. Thanks to superb digital mastering techniques, Light In The Attic is still able to present a clean, near perfect copy of Jim’s masterpiece for general consumption for the first time. Enjoy. And remember, beyond the mystery, there’s the music.

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Golden Earring

LP | 1969 | EU | Reissue (Music On Vinyl)

The Open Mind Yellow Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Limited to 500 copies. Strictly Limited Edition Deluxe Gatefold LP with exclusive scholarly liner notes by Alvin Lucia! Full dynamic range 2022 remasters direct from the first generation analogue master tapes! Limited Edition 500 LPs

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The Open Mind

LP | 1969 | EU | Reissue (Klimt)

LP | 1969 | NL | Reissue (Elektra)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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The Open Mind was an English psychedelic rock band formed in London, and active in the 1960s and 1970s. The band was formed in 1963 by four musicians from Putney, South West London. Initially named The Apaches and formed by Tim du Feu, Mike Brancaccio and Philip Fox and their friend Ray Nye. Nye left in 1965 and another friend, Terry Schindler, joined instead. The band became The Drag Set, who released a little-known single in February 1967, "Day and Night" / "Get Out of My Way". Shortly thereafter, they changed their name to The Open Mind and in July 1969 released a self-titled LP which has since become a highly sought-after collectible. The band, however, is best known for its druggy August 1969 single, "Magic Potion", which did not appear on the album. Despite their paucity of recorded material, The Open Mind have proven to be influential in the psychedelic rock genre, their single "Magic Potion" having been covered by bands such as The Seers, Sun Dial and The Damned.

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The Stooges

25,99 €*

Release: 1969 / NL – Reissue

Genre: Rock & Indie

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After All Black Vinyl Edition

After All

LP | 1969 | EU | Reissue (Out-Sider Music)

LP | 1969 | EU | Reissue (Music On Vinyl)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Hailing from Florida, After All was formed by well-experienced musicians with an R&B, jazz and blues background who hooked up with poetry writer Linda Hargrove to record an ambitious album influenced by acid-rock and psychedelic, early progressive sounds. Originally released in 1969 on the Athena label, the album is now considered an obscure classic. Top level psych/prog dominated by Hammond organ / guitar plus explosive drumming. Here’s a welcome new reissue in original artwork plus remastered sound, insert with liner notes.

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Velvett Fogg

Eric Burdon & The Animals

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Velvett Fogg are a psychedelic rock band hailing from Birmingham, England. Active during the late 1960’s, Velvett Fogg were one of the many new bands from the Birmingham underground scene trying to take pop and rock music to a higher level of creativity. They were given a record deal by Pye Records, through which they released their first and only studio album, the self-titled Velvett Fogg. The original package was accompanied by a quote from U.K. disc jockey John Peel, who commented that “there is a lot of good music on this record. Remember Velvett Fogg - you will hear the name again”. Ironically the band broke up shortly after release. The album has since become a much sought after title.

Velvett Fogg is available on black vinyl.

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Every One Of Us

LP | 1969 | DE | Reissue (MGM)

14,99 €*

Release: 1969 / DE – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1969 | UK | Original (Pye)

Man

Revelation

78,99 €*

2LP | 1969 | EU | Reissue (Parlophone Label Group)

Release: 1969 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Flipback cover has a tear on back cover.

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Dr. Feelgood

The UA Years

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Contact Colored Vinyl Edition

The Silver Apples

LP | 1969 | EU | Reissue (Jackpot)

Spirit Of The Golden Juice

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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The 1969 follow up to Silver Apple’s debut found the duo digging into the far reaches of their songwriting psyches for a darker and more emotionally charged set of songs. While the debut set the stage for a sound the world had never heard before, Contact is where the Silver Apples began inhabiting that sound with more urgency and experimentation.

Sourced from the original master tapes plus inner sleeve with unseen master tape box photos. Featuring the original controversial artwork with the Silver Apples in the cockpit of a Pan Am jet on the front, and a plane crash with the duo superimposed over it, on the back. The airline sued both Kapp Records & the band, forcing the band to breakup. Their highly influential sound has influenced countless bands from Stereolab, Beastie Boys, Blur and more.

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F.J. McMahon

LP | 1969 | US | Reissue (Anthology / Kemado)

25,99 €*

Release: 1969 / US – Reissue

Genre: Rock & Indie

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7" | 1968 | US | Original (White Whale)

The Turtles

Sound Asleep

Release: 1968 / US – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Gary Puckett & The Union Gap

Young Girl

7" | 1968 | DE | Original (CBS)

5,99 €*

Release: 1968 / DE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

For The Sake Of The Song Vinyl Me, Please Edition

Townes Van Zandt

LP | 1968 | US | Reissue (Vinyl Me, Please)

35,99 €*

Fabrizio De Andrè Volume 3

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
Townes Van Zandt’s work, as far-reaching and as universal as it has become, begs for possessorship. It’s a love language understood by all who find it, yet one that remains acutely difficult to translate to those who haven’t.

No one understood this better than his earliest fans. It’s perhaps why his first studio album, For the Sake of the Song, remains a point of controversy among anyone who discovered Townes Van Zandt outside of these LP’s grooves. Townes Van Zandt the songwriter was the antithesis of bells and whistles, and so an album with such accoutrements, as this album has in spades, rings false — however unfairly — among purists. Taken in context, though, For the Sake of the Song is a gorgeous study in polarity. Each anchor is an artist from wildly different backgrounds, united under the profound effect of songcraft.

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Fabrizio De André

LP | 1968 | EU (Sony Music)

Release: 1968 / EU

Genre: Rock & Indie

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Astral Weeks Limited Olive-Green Vinyl Edition

Van Morrison

LP | 1968 | EU | Reissue (Warner)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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My People Were Fair And Had Sky In Their Hair ...

Tyrannosaurus Rex

LP | 1968 | EU (Vinyl Lovers)

Release: 1968 / EU

Genre: Rock & Indie, Pop

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Big Brother & The Holding Company

Cheap Thrills

LP | 1968 | JP | Original (CBS/Sony)

70,99 €*

Ars Nova Black Vinyl Edition

Release: 1968 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Taped spines. Japanese pressing. OBI is missing. Vinyl is close to NM.

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Ars Nova

LP | 1968 | US | Reissue (Sundazed)

Around Grapefruit Plus London Session

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Classical infused psych from NY groovers Ars Nova! Through their creative use of medieval modes, hook-driven pop, & trombone, Ars Nova delivers psychedelia within a classical & prog rock lens, a style that’s their own, yet recalls bands like Left Banke, Honeybus, and Aphrodite’s Child - all who were experimenting with the short-lived baroque pop craze. Pressed on green vinyl! Ars Nova was something totally different for the musical ears of 1968, and still sounds fresh and exciting today, when you think of the great albums of ‘68, like Abbey Road, White Light/White Heat, The Hangman’s Beautiful Daughter, The Move, Electric Ladyland, This Was or Wonderwall Music shows how influential the year was and yet, Ars Nova with its wide sphere of influences has nothing in common with the trends of the year. The only albums that it can be vaguely compared to is either the Velvet Underground or United States of America, both bands that, like Ars Nova, bucked against existing trends and the end of psychedelia, instead preferring to go their own unique way. This is American progressive music, and takes the art of music making into a different genre, an alternative alleyway. The intelligence and musical nous that spans [this album] is really worth diving into and enjoying. It’s always great to get to hear albums like this, as it provides a counterpoint to the contemporary of the time and gives a real insight into the underground and alternative scene of that era. The beauty of being underground and away from the mainstream is that something that is not of its time ends up being timeless.

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Grapefruit

LP | 1968 | EU | Reissue (Bonfire)

LP | 1968 | EU | Reissue (Cosmic Rock)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Officially reissued for the first time on vinyl here's a definitive pop psych masterpiece, originally released in 1968 on Dunhill Records. It's not a legend that John Lennon named the band after an art book by Yoko Ono. The Beatles were closely involved in their early career, signing them to Apple Publishing. Lennon and McCartney produced their single "Lullaby". Here's their debut album with extra tracks taken from their 1967-1968 London Session Apple.

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The Wind In The Willows

LP | 1968 | CA | Reissue (Return To Analog)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Reissue of the band sole album, originally released in 1968 on Capitol Records. The record is a mixture of light psychedelic pop and folk. The band broke up shortly after failing to achieve commercial success or critical acclaim. The following year Artie Kornfeld, the record engineer of the album, went on to be the music producer of the Woodstock festival in 1969. Debbie Harry went on to join The Stillettos in 1974 and other bands until subsequently achieving success in 1976 fronting the new wave band Blondie.

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Folklords

Release The Sunshine

Release: 1968 / CA – Reissue

Genre: Rock & Indie

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2LP | 1968 | EU | Reissue (Akarma)

Bobby Callender

Rainbow

40,99 €*

Nancy Sinatra & Lee Hazlewood

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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T his bizarre, Alan Lorber-produced psychedelic album appeared originally in 1969 on Boston Sound. Bobby Callendar was an incredibly gifted poet and lyricist whose complex texts could only be compared to Scott Walker; the concepts of a U.K. artist of Indian heritage post-psychedelia were augmented by the lush arrangements of Paul Harris and Bob Gallo. The cast of musicians on this album included some of the highest-caliber sidemen of the time, most notably Richard Davis, the master bassist of Van Morrison's Astral weeks fame (not to mention a jazz musician in his own right), the guitars of Eric Gale and Hugh McCracken, and the astonishingly subtle Burnard Purdie on drums. The album is a rich and complex exploration of Eastern-inspired psychedelic rock and folk centered on the incredibly complex texts and vocals of Bobby Callendar. When reading the lyric sheet, it is most astonishing how such elaborate poetic evocations were somehow made to fit popular song forms. Sure, at these highly conscious times of the late '60s it was not uncommon for deeply poetic, socially conscious, or hallucinogenic themes to appear in the lyrics of pop music, yet this is album is absolutely brilliant for being one of the most ostentatious animations of the written word, yet absolutely vital and musical throughout. Fans of Scott Walker's solo material, Colin Blundstone, and Duncan Browne should give this album a few hours -- if not a week -- of their attention. This excellent Italian reissue from Akarma is packaged and remastered exquisitely. (All Music)

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Nancy & Lee Black Vinyl Edition

LP | 1968 | US | Reissue (Light In The Attic)

It's A Long Way Down Red Vinyl Edition

Release: 1968 / US – Reissue

Genre: Rock & Indie

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First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive
Beautifully packaged and expanded gatefold LP featuring a 20-page booklet

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.

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The Fallen Angels

LP | 1968 | US | Reissue (Jackpot)

31,99 €*

2LP | 1968 | EU | Reissue (Sony)

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Released only one year after their psychedelic debut, The Fallen Angels’ sophomore album, It’s A Long Way Down, lays it all out on the line. Unfettered by label interference, The Fallen Angels’ second and final record highlights all the band has to offer. Off-kilter time signatures, experimental soundscapes, and white-hot guitar licks abound across It’s A Long Way Down’s dozen tracks, with lead singer Jack Bryant’s vocals serving as a guiding light through the paisley-patterned tunnel. Album high points like “Poor Old Man” and “Something New You Can Hide In” tease early signs of progressive rock with their weird and winding melodies, and impress with rock-solid instrumentation. An early marvel of psych rock that holds up to this day. Mastered from its original tapes and pressed at RTI on color vinyl, in its original gatefold design.

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Jimi Hendrix

Electric Ladyland

7" | 1967 | DE | Original (Deram)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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All time classic album, including 'Crosstwon Traffic', 'Voodoo Chile' & more!

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Procol Harum

A Whiter Shade Of Pale

11,99 €*

Release: 1967 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

7" | 1967 | DE | Original (London)

The Turtles

She'd Rather Be With Me

LP+DVD | 1967 | EU | Reissue (Bear Family Productions)

Release: 1967 / DE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG+

cover variation

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Tages

Studio

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

7" | 1967 | US | Original (MGM)

Sheb Wooley

The Love-In

Release: 1967 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: G+, Cover: Generic

Volume 1 Black Vinyl Edition

Fabrizio De Andre'

LP | 1967 | EU | Reissue (RCA)

37,99 €*

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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The Haunted Clear Vinyl Edtion

The Haunted

LP | 1967 | US | Reissue (Return To Analog)

Release: 1967 / US – Reissue

Genre: Rock & Indie

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Georgie Woods Is Back !!!

V.A.

LP | 1967 | US | Reissue (Lost Nite)

32,99 €*

Axis Bold As Love EU Stereo Version

Release: 1967 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Record has some marks and hairlines.

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Jimi Hendrix

LP | 1967 | EU | Reissue (Sony)

LP | 1967 | US | Original (Columbia)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Stereo version, freshly pressed on 180 gram vinyl!

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The Cyrkle

Neon

19,99 €*

2LP | 1966 | UK | Reissue (GNP Crescendo)

Release: 1967 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: G+

Cover with edge wear, seam split. Vinyl with a couple of light scuffs

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The Seeds

A Web Of Sound

37,99 €*

Art Gallery Turquoise Vinyl Edition

Release: 1966 / UK – Reissue

Genre: Rock & Indie

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The Seeds’ second album released in 1966 is a pop-art garage rock classic. ‘Mr Farmer’ was to become a Billboard Hot 100 single in 1967 and the second side of the album features the 14-minute epic ‘Up In Her Room’. This deluxe gatefold edition features the original stereo mix along with an 8-page insert. “Web Of Sound” deluxe comes with a second LP stuffed with mono versions, outtakes and more.

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The Artwoods

LP | 1966 | EU | Reissue (Guerssen)

Revolver Picture Disc Edition

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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Essential ‘60s British beat, R&B, Mod album from 1966 by this band fronted by Art Wood (elder brother of Birds/Rolling Stones/Faces guitarist Ronnie) and featuring a young, pre-Deep Purple Jon Lord on organ, plus Keef Hartley (John Mayall’s Bluesbreakers) on drums, Derek Griffiths on guitar and Malcolm Pool on bass. Now reissued for the first time ever in Mono, just like the 1966 original.

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The Beatles

LP | 1966 | EU | Reissue (Apple)

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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Revolver Special Edition Standard Vinyl

The Beatles

LP | 1966 | CZ | Reissue (Apple)

Release: 1966 / CZ – Reissue

Genre: Rock & Indie, Pop

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John Mayall With Eric Clapton

Blues Breakers Blue Vinyl Edition

LP | 1966 | EU | Reissue (Vinyl Lovers)

LP | 1966 | DE | Reissue (Fame)

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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This seminal British blues album gave Clapton the chance to finally show his chops, not surprisingly, launching Clapton into stardom. Recorded in 1966 during Clapton's short stint with the Bluesbreakers, just after leaving the Yardbirds (the birth place of other legendary guitar players like Jimmy Page and Jeff Beck) and before he joined Cream. Includes 4 bonus tracks. Light blue vinyl LP.

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The Lords

2 Shakin' All Over

7,99 €*

LP | 1965 | UK | Reissue (Virgin)

Release: 1966 / DE – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Hype sticker on cover.

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The Who

My Generation

44,99 €*

7" | 1965 | EU | Reissue (You Are The Cosmos)

Release: 1965 / UK – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl is close to NM. 1980 reissue.

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David John & The Mood

Bring It To Jerome + 3

13,99 €*

7" | 1964 | IT | Original (Liberty)

Release: 1965 / EU – Reissue

Genre: Rock & Indie

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This EP contains their second & third singles. Both were originally released in 1965 by Parlophone. Produced by Joe Meek.

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The Ventures

Fugitive / Scratchin'

Tommy Quickly / Tommy Quickly & The Remo Four

Release: 1964 / IT – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: Generic

Cover is missing.

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You Might As Well Forget Him

7" | 1964 | UK | Original (Piccadilly)

Release: 1964 / UK – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: G+, Cover: Generic

Public Lover No. 1 / Steppin' Stones

The Vendors

7" | 1963 | US | Original (MGM)

6,99 €*

7" | 1963 | DE | Original (Liberty)

Release: 1963 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: Generic

promo Close to VG+

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The Ventures

Memphis

4,99 €*

LP | 1963 | EU | Reissue (Sony Legacy)

Release: 1963 / DE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: G+, Cover: Generic

Close to VG. label sleeve

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Bob Dylan

Freewheelin Bob Dylan

Release: 1963 / EU – Reissue

Genre: Rock & Indie

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I'll Change That Too / Copy Cat

Gary U.S. Bonds

7" | 1962 | US | Original (Legrand)

4,99 €*

Release: 1962 / US – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: Generic

Big Band Bossa Nova Limited Edition +1 Bonus Track

Quincy Jones

LP | 1962 | EU | Reissue (Jazz Wax)

Release: 1962 / EU – Reissue

Genre: Rock & Indie

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Peppino Di Capri E I Suoi Rockers

Let's Twist Again / Non Siamo Più Insieme

7" | 1961 | IT | Original (Carisch)

LP | 1961 | IT | Reissue (Curcio)

Release: 1961 / IT – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: Generic

Cover is missing. Close to VG+

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Lightnin' Hopkins

Lightnin Hopkins

LP | 1960 | EU | Reissue (Intermusic)

Release: 1961 / IT – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

Cover is missing. 1982 reissue.

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John Lee Hooker

House Of The Blues

Release: 1960 / EU – Reissue

Genre: Rock & Indie

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Steel Guitar Rag / The Girl I'm Searching For

The Dynatones

7" | 1959 | US | Original (Bomarc)

Release: 1959 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: Generic

LP | 1959 | EU | Reissue (Waxtime)

Jonny Cash

Songs For Our Soil

LP | 1957 | Reissue (Not Now)

Release: 1959 / EU – Reissue

Genre: Rock & Indie

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180g vinyl including two bonus tracks.

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Crickets

The Chirping Crickets

Release: 1957 / Reissue

Genre: Rock & Indie

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LP | 1957 | EU | Reissue (Not Now)

Chuck Berry

After School Session

Release: 1957 / EU – Reissue

Genre: Rock & Indie

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Orchestra Hits Transparent Blue Vinyl Edition

Ed Schrader's Music Beat

LP | 2024 | UK | Original (Upset The Rhythm)

20,99 €*

The Return Of Tomorrow White / Black / Blue Splash Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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Aesthetically, Ed Schrader’s Music Beat hates to tread water. At the same time, the Baltimore-based two-piece of vocalist Ed Schrader and bassist Devlin Rice won’t force their songs to fit a preconceived style. “The next album’s always gotta be different from the last one. We’re different people from record to record. So, writing authentically to ourselves will always bring our work to a place that we haven’t been to yet,” Rice said. Schrader added, “We’re terrified of turning into Ac/dc. We never want to be married to one scene or time or sound. We want to be the Boba Fett of bands! Constantly altering the way in which we make records has been pretty key in that process.”

For Orchestra Hits, the band’s latest, that alteration was welcoming longtime musical comrade Dylan Going into the fold as a co-writer and co-producer. A songwriter in his own right, a guitar sideman for Esmb on their last two tours, and a collaborator with Rice in the noise riffage band Mandate, Going had both a unique vision and an intimate familiarity with the Esmb vibe.

“Dylan came to every show we’ve ever played in New York—no matter how weird it was,” Schrader said. “He’d be standing there ready to move an amp or feed us barbecued cactus after the gig and toss on some Golden Girls so we could decompress. It felt like family as soon as we began working, but I honestly had no idea how damn good he was at tossing out these hooks.”

According to Schrader, the songs “just poured out of us” over the course of a highly caffeinated three-day weekend in a tiny room in Devlin’s house while his cat, Sandy Goose, screamed continually. “It was like three kids hiding from the world to get into some lovely mischief,” they said. The lack of external pressure in the process gives Orchestra Hits an almost paradoxical vibe. For all of the album’s layers, that mix live and sequenced instruments, it never loses the raw energy of a small handful of friends in the same room plugging in, cranking up, and playing until they pass out.

Lyrically, the album finds Schrader, now 45, meditating on experiences in their youth to make sense of the present moment. “We are not into the garden,” Schrader wails on the relentless “Roman Candle,” a song about the sad debacle of Woodstock ’99, and a direct response to Joni Mitchell’s “Woodstock,” a utopian ode to hippie idealism. A 19-year-old Schrader, having snuck into Woodstock ’99 through a hole in the fence, was there the night members of the crowd used candles intended for a vigil for victims of the Columbine High School massacre to set fires all over the grounds. Even before the fires, Schrader remembered feeling disconnected from the music, the nostalgic cash grab, and the meatheads in the crowd. After watching a press tower collapse, they boarded a random

shuttle bus and were dropped off near a Denny’s. “It was a far cry from the Garden of Eden,” Schrader said. “That experience defined what I didn’t want to be a part of, and yet America is more like Woodstock ’99 than ever.”

With percolating synthesizer arpeggios, and climbing bass grooves, “idks” is the album’s dance-floor slapper. “’idks’ is a funny one,” Schrader said. “We already had a pretty satisfying suite of songs when Dylan was packing up to head back to New York, but he missed the train because of a freak snowstorm. Realizing he’d be stuck in town another day, he says to me, ‘Here’s this other weird thing I have.’ It was ‘IDKS.’ The hooks were so good I felt like Homer Simpson at a free donut convention. I just dove right in, and we cranked that baby out in like 20 minutes.”

Lyrically, “idks” is a letter from the true self to public-facing self. “It’s an angry song,” Schrader said. “Because the public-facing self is always looking for an easy escape, but it forces the true self into a cage. I honestly thought my lyrics were corny and was about to change them, but Dylan was digging it just the way it was. So that’s what you hear.”

With the soaring “Daylight Commander,” the band went against all of their musty-basement-bred instincts. “I went full High School Musical with the vocals,” Schrader said. “At first it felt almost embarrassing, but I remember reading somewhere that Bowie recommended always floating a little bit above your comfort zone, and that’s what we did here.” The song is part exercise in absurdity and part pop Trojan horse. “If ever we had a ‘Shiny Happy People’ moment, I guess this is it,” Schrader said.

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Fu Manchu

2LP | 2024 | US | Original (At The Dojo)

40,99 €*

Some Still Dance Turquoise Yellow Black Splatter Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Repress in new colours of current Fu Manchu album!The Return Of Tomorrow is Fu Manchu's first new album in 6 six years, and they made sure that it was worth the wait. Their 14th album is their first double LP of new material and it was conceived of as a vinyl listening experience. The first LP features seven songs in their iconic heavy fuzz sound including the first single, "Hands Of The Zodiac" and the relentlessly catchy "Loch Ness Wrecking Machine." The second LP sees the band mellowing out with six slower tempo jams including the synth inflect...

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Scandal

Release: 2024 / EU – Original

Genre: Rock & Indie

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Some Still Dance Clear Orange Black Grey-Splash Vinyl Edition

Scandal

Release: 2024 / EU – Original

Genre: Rock & Indie

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Some Still Dance Black Vinyl Edition

Scandal

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Kanine)

Palomino Blond

You Feel It Too

Es Kann Sein Dass Alles Endet

Release: 2024 / US – Original

Genre: Rock & Indie

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Palomino Blond are an independent rock trio from Miami releasing sophomore album You Feel It Too on October 4, 2024 on Kanine Records. With a stout, multi-dimensional sound spanning grunge, shoegaze and dream pop, Palomino Blond are acolytes of the `90s, but their music is no basic redux. Instead, they're part of a surging young class that's bringing new blood, perspective and verve to the classic alternative-rock aesthetic, resulting in a distinctly 21st century resonance.Palomino Blond weave a dynamic duality of heavy and heavenly, like Lush reinterpreting Siamese Dream.

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Leftovers

LP | 2024 | EU | Original (Phat Penguin)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | Original (V2)

Bongloard

Dytyr?

Release: 2024 / Original

Genre: Rock & Indie

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The New Sound Black Vinyl Edition

Geordie Greep

LP | 2024 | EU | Original (Rough Trade)

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Hard Quartet Black Vinyl Edition

The Hard Quartet

LP | 2024 | EU | Original (Matador)

Release: 2024 / EU – Original

Genre: Rock & Indie

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With You In Spirit Pink Vinyl Edition

Balance And Composure

LP | 2024 | EU | Original (Memory Music)

The 8th Cumming Neon Green Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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with you in spirit, the fourth Balance and Composure LP, is an arresting, atmospheric collection of melodic post-punk and towering rock. Due out October 4 on long-time collaborator and Grammy-nominated producer Will Yip's Memory Music, it's the band's first LP in eight years, and a thrilling full-length comeback after their four-year hiatus. It thunders and stirs, dipping between beautiful, crystalline arrangements and punishing, earth-shaking climaxes; in between all, a gripping, near-physical tension crackles and growls and grooves, waiting to rip open.It's an intensely self-reflective record for vocalist and guitarist Jon Simmons, an uprooting and examination of the supports on which a life is built. Preemptive grief, wrestling with god and faith, familial responsibility, familial mortality_these are the things Simmons was carrying while writing this material. They're also things he was trying, for better and worse, to avoid_hence the record's title.with you in spirit feels like the work of songwriters reaching new heights, exploring new depths. Sometimes, the record itself feels like a band grappling with its own avoidance, its own mortality, and deciding to face these things the only way they know how. Balance and Composure are with us in spirit, yes, but in the flesh, too, for now.

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Cumgirl8

LP | 2024 | UK | Original (4AD/Beggars Group)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Richard, Dawn & Zahn, Spencer

Quiet In A World Full Of Noise

LP | 2024 | US | Original (Merge)

With You In Spirit Cloudy Baby Blue Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Dawn Richard and Spencer Zahn share a common collaborative ethos, a genuinesense of musical curiosity, and a cosmopolitan eagerness to escape the conventionsof genre. That shared vision first brought them together on 2022's Pigments_icy andwarm, stripped-down and grand, familiar and otherworldly_and now it has reunitedthem for Quiet in a World Full of Noise.By turns intimate, soul-baring, spectral, and startling, Quiet in a World Full of Noiseblends atmospheric and orchestral soundscapes with mellifluous soul, jazz, andjournalistic vocalizing_driving it all home with stark, confessional lyricism. Thenew album finds Richard at her most raw and exposed. This year, Richard's musicianfather experienced mini strokes while being diagnosed with cancer; and last year,her cousin Cisco was fatally shot seven times in New Orleans. Richard channels theemotional impact of these traumatic experiences of loss into her lyrics and vocalperformances, which are left bare and human here, raw and unprocessed across thealbum. Quiet expands the definitions of what constitutes progressive, avant-gardeR&B by rewriting them altogether.On paper, Richard and Zahn's audacious, impressionistic musical collaborations feellike a surprising match. Richard, a New Orleans-reared visionary, has had an improbablejourney from late 2000s reality television and mainstream pop with girl groupDanity Kane to become one of the most prolific, experimental, and visible indieR&B singer-songwriters of the last decade and a half, with seven solo albums underher belt. Zahn is an East Coast-raised multi-instrumentalist and composer workingat the intersections of jazz, Americana, classical, and ambient pop. His growing solodiscography includes People of the Dawn, Sunday Painter, Pale Horizon, and Statues I & II,as well as the duo's first release, Pigments. "Pigments was one of the best projects I'veever made," Richard says, "and the furthest I've ever been pushed as an artist." Thealbum was a critical hit, haile...

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Balance And Composure

LP | 2024 | EU | Original (Memory Music)

Belin, Dei Pazzii Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Cloudy Baby Blue Vinyl.with you in spirit, the fourth Balance and Composure LP, is an arresting,atmospheric collection of melodic post-punk and towering rock. Due out October4 on long-time collaborator and Grammy-nominated producer Will Yip'sMemory Music, it's the band's first LP in eight years, and a thrilling full-lengthcomeback after their four-year hiatus. It thunders and stirs, dipping betweenbeautiful, crystalline arrangements and punishing, earth-shaking climaxes;in between all, a gripping, near-physical tension crackles and growls andgrooves, waiting to rip open.It's an intensely self-reflective record for vocalist and guitarist Jon Simmons,an uprooting and examination of the supports on which a life is built.Preemptive grief, wrestling with god and faith, familial responsibility, familialmortality_these are the things Simmons was carrying while writing thismaterial. They're also things he was trying, for better and worse, to avoid_hence the record's title.with you in spirit feels like the work of songwriters reaching new heights, exploringnew depths. Sometimes, the record itself feels like a band grapplingwith its own avoidance, its own mortality, and deciding to face these thingsthe only way they know how. Balance and Composure are with us in spirit,yes, but in the flesh, too, for now.

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Klasse Kriminale