Rock & Indie Vinyl 6018 Items

LP | 1976 | EU | Reissue (Capitol)

25,99 €*

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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LP | 1975 | US | Original (Capitol)

Release: 1975 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1975 | JP | Original (Capitol)

Release: 1975 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Vinyl is close to NM. With OBI. Original inner sleeve.

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LP | 1975 | JP | Original (Capitol)

Release: 1975 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

No obi.

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LP | 1975 | JP | Original (Capitol)

Release: 1975 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing without obi, includes lyric sheet and original inner sleeve | Foxing inside gatefold

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LP | 1973 | US | Original (Apple)

12,99 €*

Release: 1973 / US – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1973 | JP | Original (Apple)

9,99 €*

Release: 1973 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Gatefold with obi (torn) and contains a bound-in full colour 12-page booklet with photos and lyrics plus a 10 page Japanese booklet.

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LP | 1976 | US | Reissue (Capitol)

8,99 €*

Release: 1976 / US – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1973 | JP | Original (Apple)

11,99 €*

Release: 1973 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing with obi.

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LP | 1975 | JP | Reissue (Capitol)

Release: 1975 / JP – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing, no Obi.

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LP | 1978 | DE | Original (MPL)

London Town

Release: 1978 / DE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

7" | 1979 | JP | Original (Odeon)

Goodnight Tonight

Release: 1979 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Copy close to VG+

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Band On The Run / Nineteen Hundred And Eighty Five

7" | 1974 | JP | Original (Apple)

11,99 €*

Release: 1974 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Album | 1979 | JP | Original (MPL)

Back To The Egg

15,99 €*

Release: 1979 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

OBI not included.
Includes original inner sleeve and insert.

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LP | 1976 | US | Original (Capitol)

At The Speed Of Sound

15,99 €*

Release: 1976 / US – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Winger Silver Vinyl Edition

Winger

LP | 1988 | US | Reissue (Friday Music)

Release: 1988 / US – Reissue

Genre: Rock & Indie

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Winger (Bonus Track) Green Vinyl Edition

Winger

LP | 1988 | US | Reissue (Friday Music)

Release: 1988 / US – Reissue

Genre: Rock & Indie

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LP | 1971 | US | Reissue (Lion)

Wilson McKinley

Spirit Of Elijah

Heaven's Gonna Be A Blast!

Release: 1971 / US – Reissue

Genre: Rock & Indie

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With beginnings firmly in the secular realm and a strong following in the Northwest, Wilson McKinley signed to Alshire Records (home of 101 Strings) and recorded one album under the label's 'acid-rock' moniker, The California Poppy Pickers. With the proceeds from those sessions, they self-released a 7" EP in 1970. But then they met street minister Carl Parks, gave up the rock 'n' roll lifestyle and effectively ended the first incarnation of the group. Parks encouraged the remaining band members to pick up their instruments again to create music for a street meeting, and thus the first 'Jesus Rock' group was born. The first Wilson McKinley LP, 1970's "Live On Stage," was a slapdash effort on all fronts and is generally dismissed by everyone involved (maybe why nobody seems to know the whereabouts of the masters for that one). Chastened by their debut, Wilson McKinley took a more focused approach to "Spirit Of Elijah": the result was a major leap forward, and a faithful representation of their massive talent; the power of the message and the playing shine through! However, what Wilson McKinley recorded onto the master tape and what made it to a buyer's phonograph in 1971 were vastly different things, with inconsistent patches of reverb in the final mix plus other anomalies that a minimally-financed, privately-pressed LP might have.

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Wilson McKinley

LP | 1973 | US | Reissue (Lion Productions)

Release: 1973 / US – Reissue

Genre: Rock & Indie

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With beginnings firmly in the secular realm and a strong following in the Northwest, Wilson McKinley signed to Alshire Records (home of 101 Strings) and recorded one album under the label's 'acid-rock' moniker, The California Poppy Pickers. With the proceeds from those sessions, they self-released a 7" EP in 1970. But then they met street minister Carl Parks, gave up the rock 'n' roll lifestyle and effectively ended the first incarnation of the group. Parks encouraged the remaining band members to pick up their instruments again to create music for a street meeting, and thus the first 'Jesus Rock' group was born. Buoyed by the confidence developed during the "Spirit Of Elijah" sessions, Wilson McKinley's third LP from 1971 maintains the quality songwriting but adds even better production values. It was housed in a suitable-for-black-light jacket printed with neon inks. Sadly, after this there would be no more Wilson McKinley LPs, with their next release being the cassette-only "Country In The Sky." Good news is that they made this dayglo-adorned proof of their rapidly-developing skills and musical interests before abandoning wax—Wilson McKinley's most adventurous effort, boasting entirely original tunes and complex, heavy arrangements at times reminiscent of the Allman Brothers.

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The Words Don't Fit The Picture Translucent Blue Vinyl Edition

LP | 1972 | EU | Reissue (Music On Vinyl)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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180 GRAM AUDIOPHILE VINYL
FEATURING NELSON’S FIRST SOLO RECORDING OF “GOOD HEARTED WOMAN”
LIMITED EDITION OF 1500 INDIVIDUALLY NUMBERED COPIES ON TRANSLUCENT
BLUE COLOURED VINYL

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The Longhorn Jamboree Presents Willie Nelson & His Friends

LP | 1975 | US | Original (Plantation)

Release: 1975 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Shotgun Willie 50th Anniversary Deluxe Black Friday Record Store Day 2023 Vinyl Edition

2LP | 1973 | Reissue (Rhino)

44,99 €*

Release: 1973 / Reissue

Genre: Rock & Indie

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Quantity: 5500
Release type: RSD Exclusive Release

2nd LP contains all of the session outtakes, included in the 2006 4CD box set The Complete Atlantic Sessions.

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LP | 1973 | US | Reissue (Atlantic)

Shotgun Willie

55,99 €*

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

2009 reissue. Few paper scuffs.

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LP | 1975 | EU | Reissue (Sony Music Catalog)

Red Headed Stranger

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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LP | 1974 | US | Reissue (Rhino)

Phases And Stages

37,99 €*

Release: 1974 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

2009 reissue.

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LP | 1974 | EU | Reissue (Rhino)

Phases And Stages

31,99 €*

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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LP | 1972 | EU | Reissue (Elkar)

William S. Fischer

Akelarre Sorta

23,99 €*

LP | 1979 | US | Reissue (Tompkins Square)

Release: 1972 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Pello Joxepe is in the bar, but this time he's moving his hips to the sound of Curtis Mayfield's Superfly funk-soul groove. These are the kind of psychedelic visions created by this esoteric "Akelarre Sorta", an unparalleled gem. The African-American saxophonist, pianist and composer William S. Fischer, who worked in the 1950s with stars of the stature of Ray Charles, Muddy Waters, Joe Zawinul and Roberta Flack, in 1972 made an album of catchy, funky versions of popular tunes. And that's it, as simple as it is mysterious and surprising. Little more has ever been known about this recording or about the reasons behind William's visit to the Basque Country. So here it is, ready to attract a new audience to join the cult following it has gradually built up over nearly 50 years.

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William C. Beeley

Passing Dream

Release: 1979 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1972 | US | Reissue (Tompkins Square)

William C. Beeley

Gallivantin'

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1983 | JP | Original (Windham Hill)

William Ackerman

Past Light

Release: 1983 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Willi Schwabe Liest Und Singt Wilhelm Busch

Wilhelm Busch

LP | 1977 | GDR | Original (LITERA)

Release: 1977 / GDR – Original

Genre: Rock & Indie, Pop, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1986 | PL | Original (Tonpress)

Wildwood

Dawn

Release: 1986 / PL – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1977 | US | Original (Casablanca)

Wildfire

Flame Thrower

10,99 €*

Wilderness America, A Celebration Of The Land

Release: 1977 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Promo copy.

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LP | 1975 | EU | Reissue (Ebalunga!)

25,99 €*

LP | 1977 | EU | Reissue (Mental Experience)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Before I’m gone I’d like to see us turn the corner and give up being spoilers of the land . . .

In 1975 Wallace ‘Wally’ Smith Broecker published a paper that popularised the term ‘global warming’ and against a backdrop of change and environmental uncertainty, a musical concept album was commissioned. ‘Wilderness America / A Celebration of the Land’ - is a musical exploration of our place within the cycle of living things. All compositions were specially commissioned for the album and blended with natural sounds recorded in the wild – lending the entire project a conceptual air that still feels fresh today.

The journey begins with the sun rising in the atmospheric haze of 'Dawn' - a track composed by new-age innovator Iasos. Gospel singer Walter Hawkins soon drops in with the soulful but ever so funky 'Metropolis' backed by a heavy array of session musicians with Patrick Gleeson, Ed Bogas and Tom Salisbury all adding their own misty magic to the album. David Riordan is the sorcerer conjuring up many of the compositions and also takes vocal duties on the evocative 'Mountain' and the climatic 'Before I'm Gone'.

‘Wilderness America / A Celebration of the Land’ was born when environmentalist Emily DeSpain Polk assembled a group of California residents to participate in a groundbreaking conservationist project. Christening the group Swap (Small Wilderness Area Preservation) Emily needed funds and began a project to produce a promotional nature based music album. To acquire the financial backing Emily would need to source a musician of some calibre. Contacting Cliff Branch from ‘Warehouse Sound Co.’ she was told the man she was looking for was David Riordan.

David Riordan had been around the music business for several years, first with The Yankee Dollar, then Sugarloaf and then Sweet Pain, he saw huge success with the single 'Green Eyed Lady'. David had worked on Cliff Branch’s 'Warehouse Sound Co. & Friends' albums and then released his solo album, 'Medicine Wheel'. But bored of touring he made the move to more concept-driven albums. First with ‘Christmas in San Francisco’ and then, in quick succession, 'Wilderness America, A Celebration Of The Land'.

Riordan, along with Peter Scott, a music producer friend in San Francisco, began piecing together an idea for the album. They brought in Ed Bogas to do string arrangements and Tom Salisbury to conduct. David had also asked his friend Patrick Gleeson if he knew of any R&B/Gospel singers in the Bay Area, and they soon added gospel singer Walter Hawkins into the mix.

Other than the track ‘Metropolis’, which was recorded in LA, the rest of ‘Wilderness America, A Celebration Of The Land’ was recorded and mixed by Richard Beggs at the San Francisco studio of Francis Ford Coppola. Coppola was filming ‘Apocalypse Now’ at the same time – so in between studio sessions, the musicians were able to view the seemingly never-ending film rushes arriving from the Philippines.

Eventually, the record produced by David Riordan and Peter Scott drifted onto the radar of vinyl obsessives and selectors as several of its key tracks began popping up on mixtapes and sales lists. It wasn’t long before this privately pressed, art-funded masterpiece became something of a holy grail for collectors. At long last, a re-issue of this masterpiece is now available on Ebalunga!!! Records.

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Wild Havana

21,99 €*

7" | 1980 | EU | Reissue (Reminder)

Release: 1977 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Obscure Dutch private pressing from 1977. Laid-back instrumental psychedelic / progressive sounds with jazz-funk-groove and abstract / experimental / Latin-indigenous touches. Stoned homemade atmosphere with treated / distorted electric & acoustic guitars, flute, electric piano, primitive drum machines / homemade electronics...Much in the vein of the experimental-underground scene of France & Germany during the early 70s but actually recorded and released in Holland.
Wild Havana was the project of guitar player Johan Smith, helped by his brother Cor on flute. Influenced by artists like Zappa and Herbie Hancock, Johan recorded the “Wild Havana” album at his home studio on a 4-track, using effect devices developed by himself, like a modified proto-drum machine taken from a Hammond organ. He also used effects like phase shifter, chorus, etc and experimented with putting wool on the guitar strings and electric effects on the mandolin. The result sounded like nothing else at the time.
Buried for many years, we’re excited to bring to life this unique album.

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Wild Boys

Last One Of The Boys

10,99 €*

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Dark Album Pink Vinyl Edition

Wigwam

2LP | 1977 | EU | Reissue (Svart)

32,99 €*

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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LP | 1986 | US | Original (Grand Slamm Records)

White Lion

Fight To Survive

Big Game Gold Vinyl Edition

Release: 1986 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Cover close to VG+

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White Lion

LP | 1989 | US | Reissue (Friday Music)

Release: 1989 / US – Reissue

Genre: Rock & Indie

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Big Game Black Vinyl Edition

White Lion

LP | 1989 | EU | Reissue (Music On Vinyl)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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LP | 1977 | US | Original (Epic)

Wet Willie

Manorisms

LP | 1987 | EU | Original (Mercury)

Release: 1977 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Record and cover are close to VG+.

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Wet Wet Wet

Popped In Souled Out

LP | 1989 | EU | Original (The Precious Organisation)

Release: 1987 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Small price tag on cover. Copy close to VG+

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Wet Wet Wet

Holding Back The River

12" | 1987 | EU | Original (RCA)

Release: 1989 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Tiny sticker residue on front. Original inner sleeve included.

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Westworld

Sonic Boom Boy

3,99 €*

Release: 1987 / EU – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

With Friends – For Friends

Werner Lämmerhirt

LP | 1975 | DE | Original (Stockfisch)

7,99 €*

Release: 1975 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1974 | DE | Original (Stockfisch)

Werner Lämmerhirt

Ten Thousand Miles

8,99 €*

Release: 1974 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1976 | DE | Original (Froggy Records)

Werner Lämmerhirt

Die Dritte

Release: 1976 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1983 | UK | Original (A&M)

Wendy & The Rocketts

Dazed For Days

12" | 1987 | EU | Original (Virgin)

Release: 1983 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Cover with sticker

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Wendy & Lisa

Waterfall

Release: 1987 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Nothing Yet Blue Vinyl Edition

Weeping Messerschmitts

7" | 1986 | EU | Reissue (Optic Nerve)

10,99 €*

La Varietè Clear Vinyl Edition

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Includes postcard and poster. Hailing from Wolverhampton, Weeping Messerschmitts gave us one absolutely cracking 12”, released on Upright in 1986 and then disappeared . Previously only available on 12” only we bring you 2 of those tracks on 7” for the very first time. Coming out of the West Midlands Weeping Messerschmitts cut their teeth supporting schoolfriends The Mighty Lemon Drops.

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Weekend

LP | 1982 | EU | Reissue (Lantern)

27,99 €*

LP | 1972 | EU | Reissue (Munster)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Formed by Alison Statton of much-loved Welsh avant-garde/indie pioneers the Young Marble Giants alongside guitarists Simon Booth and Spike, Weekend have been more than a cult band during their short career. La Varieté was their 1982 debut album a delicate collection of songs set against a jazz backdrop, switching across several musical settings including samba, cabaret, Afrobeat and truly original contemporary exotic pop. The album was originally released in 1982 on the Rough Trade label and still deserve the status of a masterpiece. It was revered by critics on release as a bold new departure from the prevailing post-punk ethos and served as a major influence on future indie stars as Saint Etienne and Belle And Sebastian. Fully remastered and licensed ltd to 500 copies.

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We All Together

25,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Wayne County & The Electric Chairs

Things Your Mother Never Told You

LP | 1978 | EU | Reissue (Spittle)

21,99 €*

Wayne County & The Electric Chairs

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Jayne/Wayne County's most audacious album is also possibly among the most important albums of its age. Released in 1979 just as the new wave was teetering on the brink of some kind of bold step forward, Things Your Mother Never Told You was one of the sudden shoves which sent it sprawling into its destiny. Electro-punk starts here. Producer David Cunningham takes only a portion of the credit; in years to come he would lead the Flying Lizards into the realm of heavily stylized electronica. But County's songs match his ambitions all the way, from the harsh, grating soundscapes behind "C3"'s muttered imprecations to the soft-spoken paranoia of "Waiting for the Marines," and onto "Berlin," the song that put into words everything David Bowie (among others) tried to convey about that city via image and insinuation. It's not all electro-art smarts, of course. "Boy With the Stolen Face" and the pouting, punishing "Wonder Woman" are archetypal Electric Chairs - a reminder of how, at the band's very best, they could run the Rolling Stones close in the swaggering rock & roller stakes - and the murder mystery "Wall City Girl" could have fallen off a forgotten volume of Nuggets or Pebbles. The title track, meanwhile, doesn't simply seethe with all the promise -- sexual, social, and societal -- which made County the superstar (s)he so very nearly was, it also lets listeners know why no one has ever truly snatched that crown away. (All Music)

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Storm The Gates Of Heaven

LP | 1978 | EU | Reissue (Spittle)

21,99 €*

7" | 1982 | DE | Original (Rhein Main Records)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Prior to his release this record was simply ‘labeled’ as Punk-Rock but this one comes from the New York Dolls side of Glam Punk. Storm the Gates of Heaven reveals unusual aspects of County's work: serious, reflective and profound. The monologue introducing the title track is the only part that may be considered offensive. The sound is a blend of bass, lead & rhythm guitar, drums & percussion by the versatile Electric Chairs. Embellished by Hammond organ, the title track rages against and laments the suffering caused by religious wars. Cry Of Angels is an eloquent, even anthemic defense of Enlightenment values on which the guitar textures and the hook around the chorus superbly complement one another. An artful blend of County's characteristic outrage and the pure pop genius that lay behind the garish accoutrements, Storm the Gates of Heaven jams its eight tracks between two undisguised classics, the anthemic title track and a so-optimistic reading of "Tomorrow Is Another Day, not to mention a stunning cover-version of the Electric Prune´s "I had too much to dream last Night"

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Wave Control

America

Release: 1982 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

First Battle Black Vinyl Edition

Waterloo

LP | 1970 | EU | Reissue (Guerssen)

Open Your Eyes Yellow Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Regarded as one of the best European progressive rock albums from the 70's, the sole release by Belgian group Waterloo was originally released on the Vogue label in 1970. Entirely sung in English, “First Battle” is a blend of progressive rock, psychedelia and heavy prog with top guitar/organ, flute and obvious Jethro Tull influence but with something else really of their own, making of it a very special album. First officially reissued by us in 2017 and long out of print, we present an improved reissue in hard cardboard sleeve + OBI and insert with liner notes and photos.

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Warzone

LP | 1988 | US | Reissue (Revelation)

Don't Forget The Struggle, Don't Forget The Streets Colored Vinyl Edition

Release: 1988 / US – Reissue

Genre: Rock & Indie

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There is no doubt Warzone is one of the most crucial and influential bands coming from the New York Hardcore scene. Fronted by the charismatic Ray “Raybeez” Barbieri, Warzone preached vehemently for scene unity and against racism while buzzsaw guitar riffs and wailing solos over speedy drums churned out a soundtrack found at Cbgb Sunday Matinees, The Pyramid, The Anthrax and the rest of the legendary clubs of the era. Their landmark debut LP Don’t Forget The Struggle, Don’t Forget The Streets is heralded as one of the most important Nyhc records of all time, with its 2016 reissue on Revelation Records selling thousands of copies and filling gaps in record collections all over the world. Two years later, Revelation Records proudly presents the reissue of Warzone’s second LP Open Your Eyes. This oft-overlooked record continues the sound from Don’t Forget The Struggle,... the last purely hardcore record before the band’s more metal third LP. This record featured Jerry Williams behind the board who was previously known for his work with Bad Brains, The Beastie Boys, and Reagan Youth among others, with production help from none other than Dr. Know, guitarist of Bad Brains!

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Warzone

LP | 1987 | US | Reissue (Revelation)

32,99 €*

Don't Forget The Struggle, Don't Forget The Streets Colored Vinyl Edition

Release: 1987 / US – Reissue

Genre: Rock & Indie

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Warzone were a cornerstone of the Nyhc scene, sharing the stage with legends like Agnostic Front, Cro-mags, Murphy’s LAW, Youth OF Today, and many more. Led by the influential and charismatic Ray “Raybeez” Barbieri, Warzone entered the studio in 1987 and produced Don’t Forget The Struggle, Don’t Forget The Streets which went on to achieve legendary status. Often imitated but never duplicated, Warzone had a sound unique to the Nyhc scene. Coupled with vocalist Raybeez’ uplifting and often incisive lyrics, Warzone’s sound influenced generations of bands and kids across the world. Revelation is incredibly proud to present this newly remastered and repackaged version of this seminal NY hardcore record, including liner notes by “Lukie Luke” Abbey, and artwork by John “Omen.”

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Warzone

LP | 1987 | US (Revelation)

39,99 €*

LP+7" | 1977 | EU | Original (Munster)

Release: 1987 / US

Genre: Rock & Indie

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Out of print for over 25 years, the debut LP from NYHC legends Warzone is finally back in print courtesy of Revelation Records. Warzone were a cornerstone of the NYHC scene, sharing the stage with legends like Agnostic Front, Cro-Mags, Murphy’s Law, Youth Of Today, and many more. Led by the influential and charismatic Ray “Raybeez” Barbieri, Warzone entered the studio in 1987 and produced Don’t Forget The Struggle, Don’t Forget The Streets which went on to achieve legendary status. Often imitated but never duplicated, Warzone had a sound unique to the NYHC scene. Coupled with vocalist Raybeez’ uplifting and often incisive lyrics, Warzone’s sound influenced generations of bands and kids across the world. Revelation is incredibly proud to present this newly remastered and repackaged version of this seminal NY hardcore record, including liner notes by “Lukie Luke” Abbey, new artwork by John “Omen”, and many never-beforeseen photos.

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Warsaw Pakt

Needle Time

Release: 1977 / EU – Original

Genre: Rock & Indie

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Record Store Day 2020 Release.

Real high-energy rock'n'roll in its most potent form is best captured live and in the moment. Maximum thrills, minimum frills. In 1977, London's Warsaw Pakt took that premise one step further, recording their album live, straight through, direct to the cutting lathe. More than forty years later, "Needle Time" stands as one of the most authentic documents of the lean, visceral sound of London punk rock in its banner year. LP + 7" single pack reissued here on vinyl for the first time. Includes insert with extensive liner notes by Mike Stax (Ugly Things Magazine) and individually hand customized record cover. Exclusive RSD 2020 release.

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LP | 1979 | US | Reissue (Pickwick)

Wanted Dead Or Alive

Release: 1979 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1980 | EU | Reissue (Speakers Corner)

Stand In The Fire

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Warren Zevon had toured for quite some time as a songwriter in the rock scene, released a few singles and landed a flop with his debut LP in 1969 before the tide finally turned. Roughly ten years later, his live album – put together from a five-day residency at the Roxy Theater in West Hollywood – entered the annals of vinyl history as one of the best live albums of all time and was awarded four stars by the magazine Rolling Stone. Ambiguously entitled by the comprehensively educated Zevon, who had been confronted with the tough side of show business, "Stand In The Fire" delivers genial simple pure and straightforward rock right from the start, which hit the public with a vengeance. Full of vim and elation, the band pours out the significant, biting verses with fire ("Jeannie Needs A Shooter") and fuels the emotional inferno with high-speed bursts of rock ("Excitable Boy"). Zevon proves his skills as a singer and songwriter in the ballad-like yet powerful "Mohammed’s Radio". In a direct comparison to this number we have the forthright, no-nonsense hit "Werewolves Of London" with its close harmonies. Just how Zevon manages to succeed in getting his delicate voice and lyrics over to the public is shown in the powerful mix of heavy and honky-tonk ("I’ll Sleep When I’m Dead") and finally in the thunderous final number – "Bo Didley’s A Gunslinger" – with its percussive and metrically complicated antiphony.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

Recording: August 1980 live at The Roxy Theatre in West Hollywood, CA., by Billy Youdelman and Greg Ladanyi
Production: Greg Ladanyi & Warren Zevon

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Excitable Boy Red Vinyl Edition

LP | 1978 | US | Reissue (Friday Music)

43,99 €*

Release: 1978 / US – Reissue

Genre: Rock & Indie

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Excitable Boy Red Vinyl Edition

LP | 1978 | US | Reissue (Friday Music)

Release: 1978 / US – Reissue

Genre: Rock & Indie

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2LP | 1978 | US | Reissue (Mobile Fidelity)

Excitable Boy

75,99 €*

Release: 1978 / US – Reissue

Genre: Rock & Indie

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LP | 1978 | EU | Reissue (Music On Vinyl)

Excitable Boy

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Excitable Boy is the third album by Warren Zevon, released in 1978. It includes the top 40 success "Werewolves of London", featuring Mick Fleetwood on drums and John McVie on bass. The album brought Warren to commercial attention and remains the best-selling album of his career.

180g vinyl.

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A Quiet Normal Life Grape Vinyl Edition

LP | 1986 | EU | Reissue (Warner)

The Enforcer Blood Red Vinyl Edition

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Reissue as a part of the Start Your Year Off Right Kampagne von Warner. A Quiet Normal Life highlights the best of Warren Zevon's Asylum albums. Includes "Werewolves of London" and "Desperados Under the Eaves." (Original RD: October 1986)

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Warrant

LP | 1985 | EU | Reissue (High Roller)

30,99 €*

The Enforcer Black Vinyl Edition

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, reissue 2023, transparent blood-red vinyl, ltd 400, 425gsm heavy cardboard cover, insert, poster, Transfer by Marcus Mossmann (R.I.P.) at PHONOGRAPHIC ARTIFACTS in 2018. Audio cleaning and mastering for vinyl by Patrick W. Engel at TEMPLE OF DISHARMONY in October 2022. Cutting by SST Germany on Neumann machines for optimal quality on all levels

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Warrant

LP | 1985 | EU | Reissue (High Roller)

12" | 1982 | DE | Original (Vertigo)

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, reissue 2023, black vinyl, ltd 400, 425gsm heavy cardboard cover, insert, poster, Transfer by Marcus Mossmann (R.I.P.) at PHONOGRAPHIC ARTIFACTS in 2018. Audio cleaning and mastering for vinyl by Patrick W. Engel at TEMPLE OF DISHARMONY in October 2022. Cutting by SST Germany on Neumann machines for optimal quality on all levels

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Warning

Why Can The Bodies Fly

Release: 1982 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Lost And Lonely Days / Aliens Picture Shape Disc Edition

LP | 1984 | EU | Reissue (High Roller)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Deliver Us Picture Disc Edition

LP | 1983 | EU | Reissue (High Roller)

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Deliver Us Black Vinyl Edition

LP | 1983 | EU | Reissue (High Roller)

30,99 €*

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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And The Cannons Of Destruction Have Begun Picture Disc Edition

LP | 1984 | EU | Reissue (High Roller)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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... And The Cannons Of Destruction Have Begun

LP | 1984 | EU | Reissue (High Roller)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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LP | 1985 | DE | Original (Vertigo)

Warlock

Hellbound

LP | 1970 | EU | Reissue (Wiseraven)

Release: 1985 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Sleeve has handwriting.

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Warhorse

24,99 €*

LP | 1984 | EU | Reissue (Back On Black)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Formed in early 1970 by Deep Purple bassist Nick Simper, Warhorse began as a backing band for singer Marsha Hunt. The group initially also featured Rick Wakeman, but he departed the band in April 1970 to join Strawbs. The band’s self-titled debut album was released on Vertigo in November 1970 and is a fine example of progressive hard rock of the era. With a heavy Hammond organ touch the group was in fact leading a new way of thinking, fusing neoclassical elements with heavy blues. Compared to label mates Black Sabbath, Warhorse were in the end much closer to Atomic Rooster and Quatermass. A truly welcomed re-issue in gatefold vinyl !

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Warfare

Pure Filth

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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LP | 1988 | EU | Reissue (Back On Black)

Warfare

A Conflict Of Hatred

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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LP | 1976 | EU | Reissue (Wewantsounds)

Warda

Khalik Hena

34,99 €*

El Inca Black Vinyl Edition

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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Cult Classic BY Often-sampled Arabic Diva Warda Recorded IN 1973 With Full Egyptian Orchestra ON THE Label Soutelphan. Reissued ON Vinyl FOR THE First Time, With Remastered Audio, Original Artwork AND TWO Page Insert With NEW Introduction

Wewantsounds is delighted to reissue 'Khalik Hena' recorded 1973 by legendary Arabic Diva Warda who has been sampled by Jay Z and J Dilla. The album recorded in public mixes traditional Arabic music with a tinge of 70s grooves. Here Warda delivers a hypnotic performance backed by her full-size orchestra featuring those unparalleled Arabic strings that made recordings by Oum Khalthoum, Farid El Atrache and Abdel Halim Hafez so famous. 'Khalik Hena' is one of her all-time classics, written by legendary composer Baligh Hamdi and the audio has been newly remastered. This release features the LP original artwork with a 2 page insert featuring a new introduction by Mario Choueiry from Institut du Monde Arabe who curates Wewantsounds' Arabic series of reissues.

Warda is one of the undisputed divas of the Arab world. Born in the Paris suburb from an Algerian Father and a Lebanese mother, she was discovered at 11 by Ahmed Hachlaf, Pathe Marconi's heads of A&R specialising in Arabic music. having honed her singing skills at her father's cabaret in the Latin Quarter, the Tam-Tam (for Tunisia - Algeria - Morocco) she quickly found recognition in the Arabic music circles.

The family relocated to Beirut in the late 50s after the police found arms in her father's cabaret destined to the political group fighting for Algeria's independence and was swiftly discovered there by an Egyptian film producer who brought her to Cairo to record and play in his films. From there, her career took a meteoric rise and she became a star working with Egyptian such stars as Abdel Halim Hafez and composer Mohammed Abdel Wahab.

However, in the early 60s a traditional marriage in Algeria stopped her career for a decade to be a housewife until Algerian President Boumediene asked her to perform for the 10th anniversary of the Nation's independence in 1972. This was an epiphany and after a divorce she was back to Egypt for a triumphant comeback.

'Khalik Hena' recorded in public in 1973 dates back to these glory days. Teaming up with her new husband, legendary composer Baligh Hamdi, she recorded a string of classic albums - hypnotic tour-de-forces stretching over two sides in an almost trance-like mode, enhancing Warda's powerful vocal and ability to mesmerise audiences. Blending traditional and modern instrumentations (electric guitar, organ), the music is both complex and groovy, 'Khalik Hena' is one of her best LPs, sought after by Arabic diggers and collectors alike. An undisputed classic of Arabic Music, which Wewantsounds is glad to reissue on vinyl for the first time since the 70s.

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Wara

LP | 1973 | EU | Reissue (Guerssen)

2LP | 1973 | EU | Reissue (Kosmische Kuriere)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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One the Holy Grails of South American heavy progressive rock, originally released in 1973 by this Bolivian band. Influenced by hard-rock giants like Uriah Heep or Deep Purple, Wara (whose name translates to Light of the Star in the Aymara language) also added touches of their own Bolivian heritage to the mix, resulting in a pioneering work of fusion between prog/psych rock and Andean folklore. Raw fuzz-wah guitar, organ, occasional violin & flute, heavy drumming, passionate Spanish vocals a la Ian Gilan…

"El Inca" was originally pressed on black vinyl with very few copies on transparent green vinyl. Both editions are virtually impossible to find now.

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Walter Wegmüller

Tarot Boxset

114,99 €*

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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2LP | 1973 | EU | Reissue (Kosmische Kuriere)

Walter Wegmüller

Tarot

41,99 €*

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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LP | 1976 | DE | Original (Aquarius)

Walter Rossi

9,99 €*

LP | 1978 | DE | Original (Aquarius)

Release: 1976 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+

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Walter Rossi

Six Strings Nine Lives

LP | 1980 | CA | Original (Aquarius)

Release: 1978 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines. Cover with creasing

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Walter Rossi

Picks

Release: 1980 / CA – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1973 | EU | Reissue (Pilz)

Wallenstein

Cosmic Century

LP | 1972 | EU | Reissue (Pilz)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Recorded in 1973 at the Dierks Studios by Dieter Dierks and bandleader Jürgen Dollase. In 2022 the original analog masters were remastered. An elaborate work, which has led to a very good result.Lineup:Harald Grosskopf - Drums, PercussionJürgen Dollase - Grand Piano, Mellotron, Synthesizer, Vibraphone, Lead Vocals Bill Barone - GuitarViolin - Joachim ReiserBass - Dieter Meier

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Wallenstein

Blitzkrieg

LP | 1987 | US | Original (I.R.S.)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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In 1971, under the direction of Jürgen Dollase, who also composed all the tracks, this album was recorded and finally released in 1972. It was recorded at Dierks Studios by Dieter Dierks himself. Dollase and drummer Harald Grosskopf were later also members of the legendary Cosmic Jokers. Loyal Krautrock fans labelled this album as Progressive Rock - but that doesn't really do justice. Opulent, lengthy works like Lunetic with a playing time of 12 minutes are today among the highlights of what is summarized as Krautrock. Transferred from the original analog tapes and carefully remastered without destroying the character of the recordings. Absolutely worth listening to!

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Wall Of Voodoo

Happy Planet

7,99 €*

Release: 1987 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

W.A.S.P. 40th Anniversary Half-Speed Master Marbled Vinyl Edition

W.A.S.P.

LP | 1984 | Reissue (Madfish)

31,99 €*

Release: 1984 / Reissue

Genre: Rock & Indie

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I Wanna Be Somebody Record Store Day 2022 Picture Disc Vinyl Edition

W.A.S.P.

12" | 1984 | UK | Reissue (Madfish)