Rock & Indie Vinyl 29606 Items

Release: 2024 / EU

Genre: Rock & Indie

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Every Sound Has A Color In The Valley Of Night

Night Verses

2LP | 2024 | US | Original (Equal Vision)

Release: 2024 / US – Original

Genre: Rock & Indie

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Antologia Della Canzone Napoletana

V.A.

LP | 2024 | EU | Original (La Canzonetta)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Per Un Passato Migliore Red Vinyl Edtion

Ministri

2LP | 2024 | EU | Original (Uma Records)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Ic3peak Ou)

Ic3peak

Kiss Of The Death

Release: 2024 / US – Original

Genre: Rock & Indie

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Good Morning Seven Blue Vinyl Vinyl Edition

Good Morning

2LP | 2024 | US | Original (Polyvinyl)

Release: 2024 / US – Original

Genre: Rock & Indie

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2LP | 2024 | EU | Original (Season Of Mist)

Thy Catafalque

Microcosmos

Release: 2024 / EU – Original

Genre: Rock & Indie

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Tamat Colored Vinyl Edition

Paint The Sky Red

2LP | 2024 | EU | Original (Moment of Collapse)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP+DVD | 2024 | US | Original (Independent Project)

Torn Boys

1983 Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Let's Hear It For The King Blue & Green Vinyl Edition

Dan Reed Network

2LP | 2023 | EU | Original (Drakkar Entertainment Gmbh)

Release: 2023 / EU – Original

Genre: Rock & Indie

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At The Palomino Club Fiery Red Smoke Vinyl Edition

Jerry Lee Lewis

LP | 2023 | UK | Reissue (Tomato)

Release: 2023 / UK – Reissue

Genre: Rock & Indie

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Relentless Black Friday Record Store Day 2023 Green Vinyl Edition

Pentagram

LP | 2023 | EU | Original

Release: 2023 / EU – Original

Genre: Rock & Indie

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Visions Of Summerland Live At Arminius Church Clear Vinyl Edition

Dool

2LP | 2023 | UK | Original (Prophecy)

Release: 2023 / UK – Original

Genre: Rock & Indie

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50 Years Of De-Evolution 1973-2023 Rocktober Edition

Devo

2LP | 2023 | US | Original (Rhino)

Release: 2023 / US – Original

Genre: Rock & Indie

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Live At The Capitol Theater June 18, 1978 Purple Vinyl Edition

Renaissance

3LP | 2023 | EU | Original (Renaissance)

A Girl Called Cerveza White / Black / Red Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Renaissance is an English progressive rock band, best known for their 1978 UK top 10 hit Northern Lights and progressive rock classics like Carpet of the Sun, Mother Russia, and Ashes Are Burning. They have developed a unique sound that combines female lead vocals with a fusion of classical, folk, rock, and jazz influences. Characteristic elements of the Renaissance sound include Annie Haslam's wide vocal range, prominent piano accompaniment, orchestral arrangements, and vocal harmonies.

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Tankard

2LP | 2012 | EU | Reissue (Roar!)

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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P. F. M. Premiata Forneria Marconi

The Event Live In Lugano

2LP | 2023 | EU | Original (Aerostella)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Days Are Gone 10th Anniversary Green Vinyl Edition

Haim

2LP | 2023 | EU | Original (Vertigo Berlin)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Dead Club City Colored Vinyl Edition

Nothing But Thieves

LP | 2023 | EU | Original (Sony)

Release: 2023 / EU – Original

Genre: Rock & Indie

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2LP | 2023 | US | Original (Monostereo Vinyl)

Caamp

Boys

Release: 2023 / US – Original

Genre: Rock & Indie

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Who's Next : Life House Limited Edition

The Who

4LP | 2023 | EU | Original (Polydor)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Live At The Whisky A Go Go Coke Bottle Green Vinyl Edition

Everclear

LP | 2023 | US | Original (Sunset Blvd)

2LP | 2023 | EU | Original (Kscope)

Release: 2023 / US – Original

Genre: Rock & Indie

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"It's Art and Everclear At Their Raw, Powerful and Emotional Best." Matt Pinfield. Everclear Live At The Whisky A Go Go. Recorded in December 2022, authorized by the band and celebrating their 30th Anniversary. Featuring all their Greatest Hits plus two new studio tracks, the single "Sing Away" and "Year Of The Tiger."

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Gong

Zero To Infinity

Release: 2023 / EU – Original

Genre: Rock & Indie

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Savageland Green Vinyl Edition

X-Wild

2LP | 2022 | EU | Original (Roar!)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Savageland Silver Vinyl Edition

X-Wild

2LP | 2022 | EU | Original (Roar!)

Release: 2022 / EU – Original

Genre: Rock & Indie

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2LP | 2023 | US | Original (Inside Out)

Yes

Mirror To The Sky

Release: 2023 / US – Original

Genre: Rock & Indie

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Word Of Sin Black Vinyl Edition

The Abbey

2LP | 2023 | EU | Original (Season Of Mist)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Keep Walkin': Singles, Demos & Rarities 1965-1978 Yellow Vinyl Edition

Nancy Sinatra

2LP | 2023 | US | Original (Light In The Attic)

46,54 €* 48,99 € -5%

Black Flame Eternal Gold Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Definitive collection of Nancy's rare singles, demos and previously unreleased cuts. Includes 3 previously unreleased tracks, plus 3 tracks making their vinyl debut. Deep booklet includes new Q&As with Nancy & Don Randi (The Wrecking Crew) - both conducted by Grammy®-nominated co-producer Hunter Lea Plus never-before-seen photos from Nancy Sinatra’s personal archive. Features audio freshly remastered from the original analog tapes by Grammy®-nominated engineer John Baldwin. Vinyl pressed at RTI. Double LP housed in a gatefold jacket with 24-page book Light in the Attic continues to celebrate the influential career of singer, actress, activist, and icon *Nancy Sinatra* with a captivating new collection, Keep Walkin’: Singles, Demos & Rarities 1965-1978. Exploring the lesser-known gems from Sinatra’s rich catalog through 25 B-sides, rare singles, covers, demos, and previously-unreleased recordings, Keep Walkin’ was remastered by the *Grammy®-nominated engineer John Baldwin* and available in a variety of formats, including vinyl, CD, 8-track, and digital. The 2LP set, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and accompanied by a 24-page booklet featuring an array of photos from the artist’s personal collection, as well as a new in-depth Q&A with Sinatra, conducted by the reissue’s Grammy®-nominated co-producer, Hunter Lea. The booklet also contains a fascinating interview with keyboardist Don Randi (The Wrecking Crew), who recently spoke to Lea about his hit-filled career and his 50 years of work with Nancy. Keep Walkin’: Singles, Demos & Rarities 1965-1978 serves as a companion to the widely-acclaimed 2021 career-spanning retrospective, Start Walkin’ 1965-1976, and marks the latest release in LITA’s ongoing Nancy Sinatra Archival Series, a partnership with the legendary artist, which honors her musical legacy through lovingly curated reissues (including her 1966 debut, Boots and the 1968 classic, Nancy & Lee), limited-edition merch, and other special releases. In 1965, 25-year-old Nancy Sinatra scored her first No.1 hit with “These Boots are Made for Walkin’,” a bold anthem for female empowerment. Brazen, sassy, and utterly infectious, it was a reintroduction of sorts for the eldest daughter of Frank Sinatra, who had been struggling to find a spotlight of her own amid a changing musical landscape. Suddenly, audiences who had initially brushed off Sinatra as too demure or out-of-touch were paying attention. Written and produced by Oklahoma-born songsmith Lee Hazlewood (with swaggering instrumentals, courtesy of Billy Strange and The Wrecking Crew), the song launched the singer’s career, as well as one of music’s most unlikely, yet compelling, creative partnerships. Over the next decade, Sinatra continued to notch multiple hits on both sides of the Atlantic, including “Sugar Town,” “How Does That Grab You, Darlin?,” and a haunting rendition of the Sonny Bono-penned “Bang Bang (My Baby Shot Me Down).” The singer also paired up with Hazlewood for a series of popular duets (“Summer Wine,” “Jackson,”* and *“Some Velvet Morning”) and collaborative albums. In between best-selling LPs like Boots (1966), How Does That Grab You (1966), and Nancy & Lee (1968), Sinatra performed the theme song to the 1967 James Bond film, You Only Live Twice, and collaborated with her father on the global chart-topper, “Somethin’ Stupid.” While these career landmarks are well-documented in the annals of pop culture history, however, much of Sinatra’s catalog remains sorely overlooked. As Keep Walkin’ co-producer Hunter Lea explains, “With the changing taste of the record-buying public in the late 1960s and the counterculture taking over, artists like Nancy Sinatra weren’t in the mainstream as they once were.” Despite that fact, “[Sinatra] kept working, recording, and performing at a voracious pace.” Lea continues, “This compilation is a celebration of some of the many glorious recordings that may have been overlooked, forgotten, or never even released at the time. The obscurity of some of these recordings doesn’t mask the genius, brilliance, and effort that went into them; on the contrary, it’s incredible to learn that some of the lost gems are just as rich as the national treasures.” Among the highlights is the spritely opener “The City Never Sleeps at Night,” which served as the B-Side to “These Boots Were Made for Walkin’.” Overshadowed by the colossal success of its A-side, it’s no surprise that the cinematic tune never had its proper due. Yet, Lea reveals, Hazlewood initially intended to make it the focus single. Another long-lost B-side is “The Last of the Secret Agents?,” which was paired with the Top 10 hit, “How Does That Grab You, Darlin’?” The playful song, written by Hazlewood, served as the theme to the 1966 comedy of the same name, in which Sinatra co-starred alongside Marty Allen and Steve Rossi. Keep Walkin’ also features several choice A-sides that were never included on albums and were overlooked for one reason or another. Among them is 1966’s “In Our Time,” a rebellious anthem for ‘60s youth, which references drug culture and women’s liberation, among other topics. Speaking to the Hazlewood-penned track, Sinatra recalls, “That was a fun song. Lee was starting to do his ‘anti’ stuff. He was cynical and it showed in his writing at some point.” But, despite the themes of the song, Nancy laments that she was never embraced by the counterculture. “[drugs] knocked me out of the picture completely. I was so far removed from the hip people in those days. I think they probably made fun of my stuff.” Another stylistic departure for both artists is “Love Eyes,” a bluesy, soulful single from 1966. The song, Nancy shares, is “one of my favorites. I think what helped Lee’s writing at that point was the bigger sound.… I really love it. I think it holds up to this day.” She adds that her dreamy vocal performance was inspired by early female R&B stars like Ruth Brown and LaVern Baker. The collection also features several outstanding covers, including a previously-unreleased rendition of the Barry Mann/Cynthia Weil classic, “I Just Can’t Help Believing” (a hit for both B.J. Thomas and Elvis Presley). This 1978 recording, reimagined as a duet, marked one of Sinatra’s brief reunions with Hazlewood, following his abrupt move to Sweden not long after 1972’s Nancy & Lee Again. Another choice track finds Nancy interpreting Neil Diamond’s “Glory Road.” Released as a single in 1971, it features one of the singer’s most cherished vocal performances. “After I worked on my voice and improved as a performer and as a singer, I embraced Neil Diamond. Anything I did by Neil Diamond, to me, is my best work.” Nancy also looks back fondly on her moving rendition of Bill Withers’ “Ain’t No Sunshine," released in 1973 as the B-side to “Sugar Me.” The recording (which features particularly lush orchestral arrangements by Billy Strange) reunited Nancy with another close collaborator, Jimmy Bowen, who produced the singer in the early ‘60s and later introduced her to Hazlewood. “I love Jimmy,” she declares. “The records we did early on…had a depth to them that I appreciated. He heard me and saw me in a different light; he saw me as a much more serious performer, which I appreciated.” Listeners will also be delighted to hear a pair of previously-unreleased demos: “Something Pretty” (the 1968 country hit, made famous by Wynn Stewart) and the theme to the 1965 Richard Rogers/Stephen Sondheim musical, Do I Hear a Waltz?, both of which were intended for a self-described “disco” record. Despite the two catchy takes featured on Keep Walkin’, Sinatra calls the shelved album “A disaster. I called it the disco fiasco!” Offering additional insight into Sinatra’s career is music director, songwriter, and keyboardist, Don Randi. A member of the hallowed *Wrecking Crew* collective, Randi was one of the most prolific session musicians of the ‘60s and ‘70s with hundreds of credits to his name, including The Beach Boys’ “Good Vibrations,” Linda Ronstadt’s “Different Drum,” and “These Boots are Made For Walkin’” – his first recording with Sinatra. For the next fifty years, he would be a fixture at her sessions and live shows. He also appears on nearly every track in this collection. Speaking to Lea, Randi delves deep into his time with Sinatra, with a palpable admiration for the singer. *“She was easy to work with,”* he shares. “She was always wonderful to musicians; nobody even comes close.” The keyboardist, who met Sinatra through Hazlewood, also recalls the magic of that partnership. “I always liked working with Nancy & Lee. They had something very special that they could get out of each other. It was a good team.” He continues, “Sinatra stood up for herself [around Lee]…He could be so cantankerous…but that’s Lee…. [Nancy] saw through it. She was so lovely and helpful to him a number of times when he really needed someone to talk to.” That said, Randi also appreciates the power of Sinatra’s solo performances. “I never thought she really needed [Hazlewood},”* he reveals. “I thought her shows were just as well with everybody else; they were excellent.” After stepping back from the industry in the ‘70s to focus on her young family, Sinatra returned to the spotlight in the mid-90s, releasing a string of new albums, including the star-studded Nancy Sinatra, which paired the artist with some of her biggest fans, including Morrissey, U2, Calexico, and Sonic Youth. Since then, Nancy’s legacy has only continued to grow. In more recent years, her impact has been recognized by the likes of Pitchfork, NPR, and Rolling Stone, while in 2020, “Boots” was inducted into the Grammy® Hall of Fame*. Today, Sinatra remains a force in the industry, as new generations discover her influential catalog, which boasts nearly 20 studio albums and dozens of charting singles.

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Cloak

2LP | 2023 | EU | Original (Season Of Mist)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Live At The Great American Music Hall 1975 Record Store Day 2023 Opaque Grey Vinyl Edition

Billy Joel

2LP | 2023 | Reissue (Columbia)

Little Plastic Castle Orange Vinyl Edition

Release: 2023 / Reissue

Genre: Rock & Indie

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Attn.: We did not receive this record in time for RSD, but we will get it this week.

Recorded June 1975 in San Francisco, Billy Joel Live at The Great American Music Hall 1975, is coming to record stores for Record Store Day 2023 on double opaque gray vinyl. This album, taken from a stop on the Streetlife Serenade tour,introduces the earliest available recordings of future Turnstiles classics “James” and “New York State Of Mind”, and includes examples of Billy’s loving imitations of Joe Cocker, Elton John and Leon Russell — a staple of his early concerts.

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Ani Difranco

2LP | 2023 | EU | Original (Righteous Babe)

Release: 2023 / EU – Original

Genre: Rock & Indie

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3LP Box | 2023 | UK | Original (Back On Black)

Hammerfall

On Crimson Night (Live)

Live At The Bbc Paris Theatre

Release: 2023 / UK – Original

Genre: Rock & Indie

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"One Crimson Night (Live)" is a live album by Swedish power metal legends HammerFall. The album was recorded during band's concert at Lisebergshallen, Sweden in 2003. This heavy metal classic is now available in a limited edition Colored Vinyl 3LP box set exclusively for Record Store Day 2019. A must have for fans of Helloween, Dream Evil, Edguy and DragonForce.

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Stone The Crows

2LP | 2023 | EU | Original (Repertoire Entertainment Gmbh)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Live At Fillmore West Marbled Vinyl

Renaissance

2LP | 2017 | EU | Reissue (Repertoire Entertainment Gmbh)

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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Primal Matter White Vinyl Edition

The Serfs

LP | 2022 | US | Original (Dream)

The Final Flight: Live At L'olympia

Release: 2022 / US – Original

Genre: Rock & Indie

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Emerging like a missile from some surreptitious silo in southwestern Ohio, THE Serfs are a deliberately nebulous and incidentally industrialist gang of dance-floor hymners—perturbed and tranced-out troubadours whose sound and musical ideology seems to be a causal manifestation of their immediate environments—hard-wired and hypnotic synthesized melodies propel alongside churning and scraping percussion of every metallic tonality—with temperamental and eremitic words and voices dictating the forlorn venture. Like their Ohio predecessors, The Serfs seem askew from the art that surrounds them, and proud of it.

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Transatlantic

4LP | 2023 | EU | Original (Insideoutmusic)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Open All Night Ltd Midnight Blue

Marc Almond

2LP | 2023 | UK | Original (Cherry Red)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Live At The Rainbow Turquoise Vinyl Edition

Toyah

2LP | 2022 | UK | Original (Cherry Red)

Release: 2022 / UK – Original

Genre: Rock & Indie

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2LP | 2020 | JP | Reissue (Wonderground)

Rovo

Release: 2020 / JP – Reissue

Genre: Rock & Indie

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Live At The Garage 1 & 18 & 2006 Rog Ltd.Edition

Secret Machines

2LP | 2019 | EU | Reissue (Rhino)

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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DJango DJango 10th Anniversary Edition

Django Django

3LP | 2022 | EU | Original (Because Music)

Release: 2022 / EU – Original

Genre: Rock & Indie

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2LP | 2022 | EU | Original (Drag City)

Wand

Spiders In The Rain

Release: 2022 / EU – Original

Genre: Rock & Indie

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3LP | 2022 | EU | Original (RCA)

Tool

Fear Inoculum

Combat Rock+The People's Hall

Release: 2022 / EU – Original

Genre: Rock & Indie

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Fear Inoculum is the Grammy award winning masterpiece from Tool. Following the release of the limited edition single pressing ultra-deluxe 5 disc vinyl box set, this critically acclaimed album is available now as a 3 disc 180 gram set, that features new artwork in a triple gatefold jacket and an exclusive poster.

Tool members include drummer Danny Carey, guitarist Adam Jones, bassist Justin Chancellor and vocalist Maynard James Keenan.

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The Clash

3LP | 2022 | EU | Original (Sony Music)

Release: 2022 / EU – Original

Genre: Rock & Indie

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3LP | 2022 | EU | Original (3cg)

Hanson

Red Green Blue

Release: 2022 / EU – Original

Genre: Rock & Indie

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The Others (Lustmord Deconstructed)

V.A.

3LP | 2022 | UK | Original (Pelagic)

Unlimited Love Limited Black Vinyl Gatefold Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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Pelagic Records commemorates the work of electronic music pioneer Lustmord by releasing The Other, based around his tenth studio album [ O T H E R ] (2008) The Others - Lustmord Deconstructed is a celebration of the fearless attitude of being different and the expression of unique ideas which have never existed before. The new 3LP is an album of Lustmord tracks reinterpreted by some of the spearheads of the contemporary heavy music scene – and beyond: Ulver, Enslaved, Godflesh, Zola Jesus, Bohren & DER Club OF Gore, Steve VON Till, Ihsahn, Jaye Jayle, JO QUAIL,SPOTLIGHTS, KATATONIA's Jonas Renkse , Alexander HACKE's (einstürzende Neubauten) new band Hackedepiciotto, as well as Mono, THE Ocean, Årabrot and Crown. Over 13 years after the release of [ O T H E R ] , 16 bands and solo artists have gathered to record their own unique takes on tracks from the Other-sessions. The result is an album that is more than a compilation, and more than the sum of its parts; covering a wide and diverse range of musical territories, but sharing the same underlying mood and vibe defined by Lustmord's timeless soundscapes: from the ambient solo performances provided by Ihsahn, Enslaved or Jonas Renkse to the subdued voice of Zola Jesus woven into Lustmord's sombre fabric to the industrial carnage that is Godflesh's version of 'Ashen'. What demonstrates the profound influence of Lustmord on this contemporary music underground showcased here is that these very different artists all felt inspired to explore the essence of his idiosyncratic sounds within their own realm: experimental electronica icons Ulver excel on a stunning, hazy rendition of ‘Godeater’, while Japanese post-rock act Mono deliver a crushing version of ‘Er Eb Os’, and THE Ocean take us on a cathartically heavy mindtrip back to our 'Primal [State of Being]'. In the end, each of these 16 artists delivers an interpretation that pays the deepest respect to this pivotal artist, while also standing out as a new track of its own. The Others - Lustmord Deconstructed is not only a tribute and an excellent entry point into the discography of the founding father of dark ambient. It is also a celebration of the most accomplished visionaries in the underground music scene of today, and a manifestation of what binds them together.

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Red Hot Chili Peppers

2LP | 2022 | EU | Original (Warner)

LP | 2022 | US | Original (Obelisk)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Deluxe 2LP Version – Gatefold Sleeve w/ Poster

Red Hot Chili Peppers will unveil their new album and twelfth full-length offering, Unlimited Love [Warner Records], on April 1, 2022. It notably marks their first recording with guitarist John Frusciante since 2006 and first with producer and longtime collaborator Rick Rubin since 2011. To herald Unlimited Love, the Los Angeles band just shared the first single and music video “Black Summer.”

“Our only goal is to get lost in the music. We (John, Anthony, Chad and Flea) spent thousands of hours, collectively and individually, honing our craft and showing up for one another, to make the best album we could. Our antennae attuned to the divine cosmos, we were just so damn grateful for the opportunity to be in a room together, and, once again, try to get better. Days, weeks and months spent listening to each other, composing, jamming freely, and arranging the fruit of those jams with great care and purpose. The sounds, rhythms, vibrations, words and melodies had us enrapt.

We yearn to shine a light in the world, to uplift, connect, and bring people together. Each of the songs on our new album UNLIMITED LOVE, is a facet of us, reflecting our view of the universe. This is our life’s mission. We work, focus, and prepare, so that when the biggest wave comes, we are ready to ride it. The ocean has gifted us a mighty wave and this record is the ride that is the sum of our lives. Thank you for listening, we hope you enjoy it.

ROCK OUT MOTHERFUCKERS!” - Anthony Kiedis, Flea, Chad Smith, John Frusciante

On lead track “Black Summer,” ethereal guitar underlines introspective lyrics as the rhythm unlocks a hypnotic drum groove highlighted by evocative bass. It quietly inhales only to exhale with a massive refrain, “It’s been a long time since I made a new friend, waiting on another black summer to end,” before a guitar solo echoes to the heavens and back.

Unlimited Love resumes a three-decade partnership with Rick Rubin [Johnny Cash, Adele]. Their creative collaboration spans legendary albums, including the diamond-selling Blood Sugar Sex Magik [1991], Californication [1999], By The Way [2002], and Stadium Arcadium [2006].

The interplay between the band borders on intergalactic once again—yet elevated to another stratosphere altogether. Unlimited Love represents the united spirit of four individual souls still fearlessly exploring the future of their eternal friendship and musical congregation.

This summer, Red Hot Chili Peppers will launch their first tour in support of Unlimited Love. They’ve invited a dynamic cohort of guests along for the ride at select dates, including Anderson.Paak & The Free Nationals and Thundercat and will be playing stadium dates in the UK in June 2022.

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Carnival Crash

It Is A Happy Man

Box | 2022 | EU | Original (Insideoutmusic)

Release: 2022 / US – Original

Genre: Rock & Indie

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Carnival Crash was a relatively short-lived band whose members scattered into a veritable Who’s Who of New York post-punk bands: Swans, Live Skull, Ritual Tension, Chavez and others. Their legacy of recordings, most of which were never released are compiled on It Is A Happy Man. Includes the tracks “Tell Tale Heart,” “Frankenstein,” “The Fool,” “Edge of Night,” “Nostalgia,” “Method 1,” “U R Driven.” Pressed on limited chartreuse vinyl in an edition of 150 copies

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The Flower Kings

By Royal Decree

Release: 2022 / EU – Original

Genre: Rock & Indie

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Rewind, Replay, Rebound: Live In Deutschland

Volbeat

3LP | 2020 | EU | Original (Vertigo Berlin)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Wind Of Change: The Iconic Song

Scorpions

LP+CD | 2020 | EU | Original (BMG)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Altered State Reissue 2020

TesseracT

LP+CD | 2013 | EU | Reissue (Century Media)

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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2LP | 2020 | EU | Original (Rhino)

Whitesnake

Love Songs (2020 Remix)

Release: 2020 / EU – Original

Genre: Rock & Indie

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2LP | 2020 | UK | Original (Cherry Red)

Hawkwind Light Orchestra

Carnivorous

2LP | 2020 | US | Original (Interscope)

Release: 2020 / UK – Original

Genre: Rock & Indie

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Cherry Red are delighted to announce a brand-new studio album by Hawkwind Light Orchestra. Carnivorous (an anagram of Coronavirus), which follows Hawkwind’s critically acclaimed 2019 album All Aboard The Skylark and effortlessly resumes the space rock voyage embarked upon by the full band.

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The Rolling Stones

Exile On Main Street

Release: 2020 / US – Original

Genre: Rock & Indie

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LP | 2018 | EU | Reissue (Rhino)

Jim Morrison & The Doors

An American Prayer

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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Before The Eulogy Split Color Vinyl Edition

Boysetsfire

2LP | 2019 | EU | Original (End Hits)

Release: 2019 / EU – Original

Genre: Rock & Indie

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2LP+7" | 2019 | EU | Original (Reprise / WEA)

Neil Young & Crazy Horse

Colorado

Release: 2019 / EU – Original

Genre: Rock & Indie

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VH1 Storytellers Live At Manhattan Center

David Bowie

2LP | 2019 | EU | Original (Parlophone)

Release: 2019 / EU – Original

Genre: Rock & Indie

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2LP | 2018 | EU | Original (Reprise / WEA)

Neil Young

Songs For Judy

Release: 2018 / EU – Original

Genre: Rock & Indie

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Ry Cooder / Manuel Galban

Mambo Sinuendo

LP | 2018 | US | Original (Nonesuch)

Release: 2018 / US – Original

Genre: Rock & Indie

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2LP | 2018 | US | Original (Atlantic)

Trans-Siberian Orchestra

The Christmas Attic

Release: 2018 / US – Original

Genre: Rock & Indie

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2LP | 2018 | EU | Original (Atlantic)

Shinedown

Attention Attention

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2015 | US | Original (Columbia/Legacy)

Bruce Springsteen

The River

2LP | 2013 | US | Original (RCA)

Release: 2015 / US – Original

Genre: Rock & Indie

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180 Gram, gatefold, download, indie advance exclusive Limited edition for Record Store Day 2015!

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Kings Of Leon

Mechanical Bull

Release: 2013 / US – Original

Genre: Rock & Indie

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2LP | 2012 | US | Original (Roadrunner)

Rush

Clockwork Angels

Release: 2012 / US – Original

Genre: Rock & Indie

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Decent Days & Nights: The Singles Transparent Double Red Vinyl Edition Editon

The Futureheads

2LP | 2024 | UK | Original (Cherry Red)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-29

LP | 2024 | US | Original (Code 7)

Fear Of The Known

Last Song

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-09-20

LP | 2023 | US | Reissue (Code 7)

Ahna

Crimson Dawn

Release: 2023 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-09-20

LP | 2024 | US | Original (Code 7)

Phane

Maniac

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Code 7)

Solitary

Embrace The Darkness

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-09-13

Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition

V.A.

2LP | 2024 | US | Original (Light In The Attic)

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”

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LP | 2024 | US | Original (Universal)

Soccer Mommy

Evergreen

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | AU | Original (Half A Cow)

Smudge

Real Mccoy Wrong Sinatra

Release: 2024 / AU – Original

Genre: Rock & Indie

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Abrahamic Godhead Besieged By Adversarial Usurpation Oxblood Vinyl Edition

Nyogthaeblisz

LP | 2024 | US | Original (Hells Headbangers)

The Caitiff Choir Yellowblack Splatter Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-09-13

HELLS HEADBANGERS is proud to present NYOGTHAEBLISZ's massively anticipated debut album, Abrahamic Godhead Besieged by Adversarial Usurpation on limited edition Oxblood vinyl!One of the most talked-about and divisive bands currently going in the metal underground, NYOGTHAEBLISZ patiently built a discography of incendiary short-length releases, each one bolder and more savage than its predecessor. Truly, there are few other sounds around as unique and illuminating as theirs - an endless vortex of chaos magick, in-the-red frequencies, ritualistic fervor and righteous fury. Now, some 17 years since their formation, NYOGTHAEBLISZ will finally unleash their first full-length work, Abrahamic Godhead Besieged by Adversarial Usurpation, which is being hailed in the underground (and above) as one of the most anticipated albums of the past decade.Few human words can accurately do this work justice. Unremittingly violent, deliriously feral, hypnotically dense, overwhelming in every sense and against all senses: NYOGTHAEBLISZ's Abrahamic Godhead Besieged by Adversarial Usurpation wields sound as a very literal weapon, and proceeds to desecrate and decimate the listener's very last thresholds of sanity and purity. To merely call this "black metal" or "death metal" would be to flagrantly miss the point; the zealous heretics of NYOGTHAEBLISZ draw from a far grander spectrum of sound than the mien of metal, incorporating power electronics and harsh noise wall and proceeding to mulch and malform both to fit their diabolical design. Indeed, Abrahamic Godhead Besieged by Adversarial Usurpation is an album of "design," of obscene and obtuse angles up-ended and abused by multi-dimensional grind chaotically coalescing into a swirling, beyond-cacophonous swell of hyper-Satanic hysteria. Metaphysical mayhem begets daemonic illumination - a conflagration for insurrection, and thus liberation.For many years, few bands approached the smothering intensity of NYOGTHAEBLISZ. Now, after Abrahamic Godhead Besieged by Adversarial Usurpation, none will be able to eclipse their revolutionary artistry and sheer uncompromising spirit. Here stands a new monument, a veritable modern classic in the making. 1. Abrahamic Godhead Manifested by Adversarial Usurpation 05:31 2. Sinistral Qlipho[tech] Mechanolatry / Exterminate the Tetragrammaton 04:56 3. Ordnance for Adamic Holocaust and Cosmocidal Entropy 03:30 4. Diabological Mutagenesis Eradicating the Magian Bloodlines 03:36 5. Qabalistic Matrix Parasitism by Extra[daemon]sional Omnimalevolence 04:07 6. Nihiliferian Theophagism / Dysefirotic Atrocities Cull the Demiurge's Progeny 03:42 7. Cryptomagickal Esoterrorism Targeting All Archontic Deifications 04:37 8. Khao-Psionic Merkabah Fragmentation and Godhead Simulation Decay 06:43

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It Dies Today

LP | 2024 | US | Original (Trustkill)

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-09-27

LP | 2024 | WW | Original (Evo Sound)

Livingston Taylor

Ink

Release: 2024 / WW – Original

Genre: Rock & Indie

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Neon Noir Limited Clear Vinyl Edition

2LP | 2023 | EU | Original (Spinefarm)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Grievance Beerwater Reprisal

Abusements

LP | 2024 | US | Original (American Leather)

Release: 2024 / US – Original

Genre: Rock & Indie

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2LP | 2024 | US | Original (Columbia)

Patrick Bruel

Bruel

Release: 2024 / US – Original

Genre: Rock & Indie

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2LP | 2024 | EU | Original (Black Lodge)

Wormwood

The Star Slipmat Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-09-06

Stop Making Sense Clear Deluxe Edition

Talking Heads

2LP | 2024 | EU | Original (Rhino)

Release: 2024 / EU – Original

Genre: Rock & Indie

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2LP | 2024 | UK | Original (PC Music)

A. G. Cook

Best Of 7g

Anthology Magenta Marble Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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A. G. Cook’s debut, 7-disc, 49-track album, painstakingly refined to 21 tracks. Limited edition 280g Silver Vinyl. No secret tracks.

Double LP, 12” Vinyl Records (140g, Silver) Gatefold Pantone 877c Silver, Matte Flood, Spot High Gloss Full Colour Inner Sleeves 24x36” Double-Sided Poster Insert, Cmyk & Pantone 877c Silver with Spot High Gloss

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Charlie

2LP | 2024 | EU | Original (Renaissance)

LP | 2019 | US | Original (Boomtown)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Double 180g, magenta marble vinyl.This Album Features the greatest hits by (Initially known as "Charlie Cuckoo,") the band soon simplified their name to "Charlie." After some early singles, they found success with "She Loves to Be In Love" in 1978. However, lineup changes and label issues plagued them, leading to disbandment in 1983 after their hit "It's Inevitable" failed to save them. In 1986, Terry Thomas revived the band for "In Pursuit of Romance," but it was more of a solo effort due to various circumstances.

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Amity Affliction

Youngbloods

Release: 2019 / US – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Bombworks)

Believer

Sanity Obscure

Extraction From Mortality

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-09-06

Prepare to be captivated by the sheer brilliance of Believer's masterpiece, 'Sanity Obscure,' as Bombworks Records unveils a striking reissue on Blood Red Splatter vinyl. This exclusive edition, limited to just 300 copies, stands as a coveted treasure for dedicated aficionados of technical thrash metal. Immerse yourself in the epic sonic tapestry of Believer, officially licensed and presented with a meticulously crafted 12x12 full-color lyrics and picture insert, all enclosed within a deluxe package. Derived from the original 1990 release on R.E.X. Records and Roadrunner Records, this reissue mirrors the essence of the album but takes the experience to new heights with the allure of Blood Red Splatter vinyl. The album cover exudes sophistication, featuring exclusive information and images that add to it's overall allure. Believer, the unparalleled maestros of technical thrash, pioneered the realms of thrash orchestral and symphonic metal, leaving an indelible mark on the metal landscape. Their influence has resonated across stages in the USA and Europe alongside giants such as Bolt Thrower and Sacrifice. Teaming up with Cynic and Pestilence, Believer played a pivotal role in Roadrunner Records' progressive metal/thrash campaign, 'The Breed Beyond.' 'Sanity Obscure' transcends the boundaries of a mere album; it is a journey into the soul of metal itself. Witness Believer's artistic prowess as they intricately cover U2's 'Like A Song,' transforming it into a sonic masterpiece that defies genre limitations. The reissue further features an anti-pollution anthem titled 'Nonpoint,' a testament to Believer's socio-conscious artistry and the inspiration behind the name of another acclaimed band, Nonpoint. Believer's 'Sanity Obscure' isn't just an album; it is an unstoppable force, a cultural artifact, and a sonic testament to the limitless potential of metal. This Blood Red Splatter vinyl edition is a rare and illustrious gem, destined to be the centerpiece in the collections of devoted metal enthusiasts. Don't miss the chance to own this extraordinary piece of metal history - seize it now before this limited treasure becomes a relic of the past! The vinyl is remastered by Rob Colwell at Bombworks Sound.

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Believer

LP | 2024 | US | Original (Bombworks)

Release: 2024 / US – Original

Genre: Rock & Indie

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Dive into the heart of thrash metal history with Believer's iconic 'Extraction From Mortality,' now reborn on a stunning clear vinyl with purple splatter, a collector's dream brought to you by Bombworks Records. Limited to a mere 300 units, this edition is a rare gem, marking the first-ever release of clear vinyl with purple splatter in the US. The package includes a 12x12 full-color lyrics pictorial insert, providing fans with an immersive journey into the thematic depths of Believer's groundbreaking album. Remastered by Rob Cowell of Bombworks Sound, this edition pays homage to the band's 1989 release on R.E.X. Records & Roadrunner Records. Believer, revered as technical thrash metal pioneers, stands out for it's innovative use of symphonic elements, offering some of the earliest examples of symphonic and orchestral metal. The lyrics delve into profound themes of philosophy, theology, and social issues, creating a thought-provoking experience that transcends the traditional thrash metal landscape. The clear vinyl with purple splatter edition of 'Extraction From Mortality' is not just an album; it's a piece of metal history, a vibrant testament to Believer's mastery in the realm of thrash. As collectors rejoice at the opportunity to own one of only 300 units, this release stands as a true collector's item. Immerse yourself in the supreme technical thrash metal that defines Believer's legacy and make this clear vinyl with purple splatter edition a centerpiece in your collection. Don't miss your chance to secure this rare piece of metal heritage - grab it now and let the sonic journey unfold!

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2xLP | 2024 | Original (Sony)

Lightning Seeds

Tomorrow's Here Today

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2022 | AU | Original (ABC Music Oz)

William Crighton

Empire

Release: 2022 / AU – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Hells Headbangers)

Blood Feast

Infinite Evolution