Rock & Indie Vinyl 2633 Items

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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LP | 1971 | EU | Reissue (Cosmic Rock)

Assagai

Asocial And The Bedrövlers

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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South-african jazz-rock worshippers alert ! Assagai was an Afro-rock band, active in the early 1970s in London, whose relatively short career produced two albums recorded in 1971. It has been described as "the second best-known African group of the late 60s/early 70s in Britain" after Osibisa. The original band consisted of five members, three from South Africa and two from Nigeria: drummer Louis Moholo, trumpeter/flautist Mongezi Feza, alto saxophonist Dudu Pukwana, tenor saxophonist Bizo Mngqikana, and guitarist/bassist Fred Coker Assagai's self-titled debut album was released in 1971 on Vertigo; among the African musicians who played with the group on the recording was Terri Quaye. Previously, in the 1960s Pukwana, Feza and Moholo had been members of the jazz band The Blue Notes alongside Chris McGregor.

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How Could Hardcore Be Any Worse? Volume 1 White Vinyl Edition

LP | 1984 | EU

Asocial And The Bedrövlers

Release: 1984 / EU

Genre: Rock & Indie

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The Swedish hardcore punk scene of the early 1980s was vibrant and wide, with underground movements yielding surprising extremities. This ultra-scarce cassette-only release, limited to 300 copies in 1984, was the first of the legendary Uproar label, pitting the blast-beat proto-grindcore of Asocial, from the small town of Hedemora, against the classical thrash of Bedrövlers, from the equally small town of Fagersta, whose name roughly translates to Miserablerz, a term assigned them by a bus driver that disliked their discordant noise. Subverting Bad Religion’s How Could Hell Be Any Worse for their own purposes, Asocial’s tracks are blindingly fast and Bedrövlers’ down and dirty-rare Swedish hardcore, at its best!

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How Could Hardcore Be Any Worse? Volume 1 Black Vinyl Edition

LP | 1984 | EU

16,99 €*

Crossing The Line Limited Yellow Vinyl Edition

Release: 1984 / EU

Genre: Rock & Indie

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Asia Minor

LP | 1979 | EU | Reissue (AMS)

Endless Skies Evergreen Vinyl Edition

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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“Crossing the Line” is the first album by Asia Minor, a cult band of the progressive rock scene founded by two Turkish students living in Paris, Setrak Bakirel and Erik Tekeli, who are still ...

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Ashbury

LP | 1983 | EU | Reissue (High Roller)

Seven Up 50th Anniversary Edition

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, reissue 2023, evergreen vinyl, ltd 500, insert printed on uncoated paper, 425gsm heavy cardboard cover, poster, mastered from a new source by Patrick W. Engel at TEMPLE OF DISHARMONY in May 2018. New vinyl cutting by SST! Ultimate audiophile edition of this eternal classic!

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Ash Ra Tempel

LP | 1973 | EU | Reissue (MG.Art)

Join Inn 50th Anniversary Edition

Release: 1973 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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After the 2021 Re-Release of “Schwingungen” (MG.ART612) we proudly announce “Seven Up” as Part 2 of the authorised 50th Anniversary “A.R.T.” Re-Edition Series. “Seven Up” is the third studio album by Ash Ra Tempel and their only album recorded in collaboration with American Ph.D. in psychology, Dr. Timothy Leary. The Coverart for “Seven Up” was designed by famous Swiss Artist Walter Wegmüller. Recorded in August 1972 at Sinus Studio in Berne, Switzerland, remixed September 1972 at Dierks Studios in Stommeln, Germany.

First release in spring 1973 by OHR Musik - the first release on the new sub-label "Kosmische Kuriere", Kat-Nr. KK 58001. We release “Seven Up” in a Re-Cut carefully overseen by Manuel Göttsching himself, on September 9th 2022, also being Manuel Göttsching´s 70th Birthday. Our Edition features the full original text for the “7 levels of consciousness” by Timothy Leary in English, i.e. “Instruction Manual for Pleasure Panel” plus a previously unreleased glimpse view of the original scripts incl. notes and mark ups as well as partly unreleased photos from the recording session.

As for the music itself we again refer to Julian Cope´s review and remarks from his book “Krautrocksampler” (published by Head Heritage, 1st ed. 1995): “When the Leary Mob met the Kaiser Gang, the sparks flew ever Up-wards. 7up is a stone classic in every way. Yes, it is unlikely to find Timothy Leary singing lead vocal in a cosmic group, but even weirder that he chose to sing a wild yelping freaked out blues ! Manuel Göttsching and Hartmut Enke had begun their careers in The Steeple Chase Blues Band back in the mid-'60ies, and they quickly felt their way through what Barritt and Leary were aiming for. They reconciled it all as a kind of West Coast chordless psychedelia, where blues riffs sparkle out of nowhere and the sheer weight of synthesizers renders everything with an unreal Pere Ubu/early Roxy Music quality. The greatness of Ash Ra Tempel burned so brightly on 7Up that there is really nothing else like it.

Hartmut Enke and Manuel Gottsching here returned to their riffy roots. It can hardly be called a retro act, though, as the context of music is everything. And with Dierks at the controls, even the New Kids on the Block would have sounded psychedelic. 7Up is like a late night radio show glimpsed through a shattered tuner where all but the most truly dangerous sounds have been allowed to stay, to drift and to dance around the performers. The result is an extreme gem, a flash of hysterical white lightning, and a pre-punk Technicolour yawn in the grandest of traditions. In typical Ash Ra Tempel style, the record is divided into two pieces, “Space” and "Time”. Within this, though, Timothy Leary’s ideas are allowed to free-flow and the two sides are therefore divided into mini-songs all segued together. The highlight of Side 1 is “Power Drive”, a West Coast burn-up that transcends any W. Coast music I ever did hear. Leary and Barritt present the greatest twin-vocal of all time, coming on like Jagger and Morrison but too caught up in their own maelstrom to be anything less than Heralds of the Punkfuture still five years away. In chaos it was conceived and in chaos it was recorded. Yet Dieter Dierks, the great Aural Architect of the Cosmic Couriers, turned 7Up into a personal triumph and a Kosmische dream.”

Ash Ra Tempel – “Seven Up”
TIMOTHY LEARY - voice
BRIAN BARRITT - voice
MICKY DUWE - voice & flute
LIZ ELLIOTT - voice
BETTINA HOHLS - voice
PORTIA NKOMO - voice
HARTMUT "HAWK" ENKE - bass, guitar & electronics
MANUEL GÖTTSCHING - guitar & electronics
STEVE A. - organ & electronics
DIETMAR BURMEISTER - drums
TOMMY ENGEL - drums
DIETER DIERKS - synthesizer & Radio Downtown

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Ash Ra Tempel

LP | 1973 | EU | Reissue (MG.Art)

Event To Come Red Vinyl Edition

Release: 1973 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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After the 2021 Re-Release of “Schwingungen” (MG.ART612) and together with “Seven Up” (MG.ART613) we proudly announce “JOIN INN” as Part3 of the authorised 50th Anniversary “A.R.T.” Re-Edition Series. “JOIN INN” is the fourth album by Ash Ra Tempel. It was recorded at Studio Dierks and originally released on LP by Ohr Musik-Produktion, catalogue number OMM 556032. Each side of the LP comprises one long track.

In 1972 ASH RA TEMPEL teamed up again with Klaus Schulze during the recording of Walter Wegmüller's Tarot album, and after one of the recording sessions, ASH RA TEMPEL members: Enke, Göttsching and Rosi, together with Klaus decided to "play it again" in a late night session. This recording led to the birth of the “JOIN INN” album, as well as two legendary last concerts in February 1973 in Paris and Cologne.

Manuel Göttsching recalls Hartmut Enke on bass and Klaus Schulze on drums being a dream-team rhythm section for him to play his guitar, especially here to hear on “Freak'n' Roll”, that was ingenious and not to replace ever since. It was the last recording ever where Klaus Schulze (who sadly passed away this Year) played the Drums and also Hartmut (the Hawk) Enke soon after quit the Bass and music forever. Join Inn marks the end of the collaboration with Klaus Schulze. However, together with Ash Ra Tempel, their eponymous first album, which will be released in 2023 as the final edition of our Series, it is considered a highlight of the Krautrock movement. As for the music itself we again refer to Julian Cope´s review from his book “Krautrocksampler” (published by Head Heritage, 1st ed. 1995):
""Freak’n’roll” fades in like it never started - just was always there from the beginning of time, a dry wah-guitar freerock riff-out unlike any of the other Ash Ra Tempel LPs, and not much like any other music. Yes, there are bluesy riff but none of them have a blues context. Manuel Gottsching’s guitar is so confident that he sometimes drops down to a simple major chord groove, whilst the Hawk pushes that round woody bass into strange overlapping rumbling melody. And ... it’s the return of Klaus Schulze on drums which propels “Freak’n’roll” to its height. No-one but Klaus has the ability to transcend rock’n’roll in such an on-the-beat non-groove-y way and still send sparks of light into the cosmos as he does it. "Freak’n’roll” is so egoless that it even works at a quiet volume as meditational music. Themes rise from the high tempo pulse beat, then are carried along the muscles of the song into the main area where the riff actually becomes real and expressionist for just long enough before slipping back into the musical fabric of the song. As usual with Ash Ra Tempel, the other side is an enormous drift piece called “Jenseits (The Next World)”, a beautiful Klaus Schultze meditation of haunting synthesizer chords over which Rosi Muller tells the story of the Cosmic Couriers’ meeting with Timothy Leary. Gradually, the pulsing guitar becomes increasingly intense and turbulent, but Rosi never sounds less than freaked out. Essentially, “Jenseits” is a precursor to Klaus Schulze’s later spacey minor-key grooves. Unfortunately, this was the last Ash Ra Tempel album in its particular ‘series. After “JOIN INN”, Manuel Gottsching took over the Ash Ra Tempel mantle alone.”

Ashra Tempel – Join Inn
HARTMUT ENKE - Gibson bass
MANUEL GÖTTSCHING -guitar
KLAUS SCHULZE-drums, synthesizers & electronics
ROSI MÜLLER-voice

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Article 58

7" | 1981 | EU | Reissue (Optic Nerve)

12,99 €*

Tilt ( Immagini Per Un Orecchio) Blue Vinyl Edition

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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Limited to 750 copies. Pressed on Red Vinyl. Includes postcard and poster. Article 58, named after the Soviet classification for counter-revolutionaries, were formed in Scotland by Gerri McLaughlin (vocals), Douglas MacIntyre (guitars) and Ewan MacLennan (bass), with Stephen Lironi (drums) on these recordings. The group existed for a short period of time, burning brightly before burning out. A single, ‘Event To Come’, was produced by Postcard Records’ Alan Horne and Malcolm Ross and released on Josef K manager Allan Campbell’s Rational label. Article 58 were the opening group on many bills in Scotland, including support slots circa 1981 with A Certain Ratio, Scars, Josef K, Delmontes, Bauhaus, Restricted Code, among others. Josef K invited Article 58 to support them on some dates in England to promote their only album, ’The Only Fun In Town’, after which Article 58 recorded tracks for an as-yet unreleased album. One track, ‘Reflection’, did surface on a cassette/ zine product (‘Irrational’) released by Rational Records. However the teenage tension and strain of all that accompanies being in a group proved too much and Article 58 split up at the end of 1981. ‘Event To Come’ was to be the only single released by Article 58. The B side, ‘Icon’, is a previously unreleased recording. Both tracks are presented in a brand new sleeve designed by The Creeping Bent Organisation for release on the Optic Nerve label.

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Arti & Mestieri

LP | 1974 | EU | Reissue (Cracki)

46,99 €*

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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One Afternoon In A Hot Air Baloon

Artery

LP | 1983 | EU | Reissue (Spittle)

LP | 1982 | EU | Reissue (Spittle)

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Brilliant second album from the wholly original cult Sheffield post punk band. Released in 1983 on Red Flame ‘One Afternoon In A Hot Air Balloon’ is an adventure on its own. Artery somehow replaced the somber post-punk of the debut with a stream of melancholic pop paeans influenced by british folk and certain ballroom dances, with a spectral keyboard sound worth killing for. The secret weapon - when compared to the rest of their discography - is largely explained by the presence of keyboard player and (by now) main composer Christopher Hendrick. The band was in fact reduced to a trio with former members Mark Gouldthorpe (guitar) and Garry Wilson (drums) now supported by the singular effort of Hendrick (also on bass and xylophone). At the same time Garry Wilson was playing in an early incarnation of Pulp. Despite the early Joy Division influence - which the band firmly dismissed – Artery is moving forward into the so-called new romantic era. A vaudeville scenario light years ahead from the streets and the aggro-culture, a way to some pleasant and revealing experience.

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Artery

Oceans

12,99 €*

First And Last Colored Vinyl Edition

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Formed in Sheffield in 1978 and originally known as just "The", Artery is a band that saw several changes in the line-up throughout the '80s. Supported by John Peel and often compared to Joy Division their music incorporates various fundamental elements of the British post-punk aesthetic. Originally released in 1982 on Red Flame records, "Oceans" was Artery's debut mini-LP including some absolute gems such as "into the Garden" and "Afterwards" infectious anthemic tracks of the post-punk era.

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Artattacks

7" | 1979 | EU (Overground)

10,44 €* 10,99 € -5%

Release: 1979 / EU

Genre: Rock & Indie

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Originally From 1979 - Limited Color Vinyl!

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12" | 1986 | EU | Reissue (Onderstroom)

Zonder Omzien

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.

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12" | 1984 | EU | Reissue (Onderstroom)

Voor De Dood

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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LP | 1984 | EU | Reissue (Onderstroom)

Koude Oorlog

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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LP | 1986 | EU | Reissue (Onderstroom)

Harde Feiten

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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12" | 1985 | EU | Reissue (Onderstroom)

De Sfeer Van Grote Dagen

12,34 €* 18,99 € -35%

7" | 1975 | EU | Reissue (Türküola / Arsivplak)

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Arif Sag & Zafer Dilek

Golden (Altin Baglama)

14,99 €*

LP | 1984 | EU | Reissue (Türküola / Arsivplak)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Here is one of the most sought after Turkish records. Really a rare single from Turkey. Turkish psych folk-rock sound with killer electric saz/fuzz heavy funk single from 1975. Remastered sound, arranged by Zafer Dilek.

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Arif Sag

Anadolu Döktürmeleri

Areski & Brigitte Fontaine

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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This is a great album that originally recorded and released only in Germany, 1984. Turkish psych-folk sounds combining with electric-saz, fat bass, synths and percussions.

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Je Ne Connais Pas Cet Homme

LP | 1973 | US | Reissue (Superior Viaduct)

Crac! Transparent Vinyl Editon

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Following their groundbreaking collaboration with the Art Ensemble of Chicago, Comme à la Radio, Areski and Brigitte Fontaine began recording almost exclusively together as a duo. Originally released in 1973, Je Ne Connais Pas Cet Homme is their first record billed under both names. Deeply rooted in North African and European folk traditions, the album features evocative vignettes with breezy vocals and minimal accompaniment of classical guitar, strings and woodwinds. As always, there is a mercurial quality to their lyrics. The title track (translated as “I Do Not Know This Man”) suggests at once Apostle Peter’s denial and a poetic acknowledgement. On “C’est Normal” Fontaine playfully questions the status quo while Areski offers satirical answers. What makes Je Ne Connais Pas Cet Homme one of their best-loved albums, though, is its remarkable sense of intimacy—as if Areski and Fontaine beckon listeners into their strange and beautiful world. This first-time domestic release continues Superior Viaduct’s reissue campaign of Fontaine’s classic ’70s catalog.

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Area

LP | 1975 | EU | Reissue (Cramps)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Are(A)Zione White Vinyl Edition

Area

LP | 1975 | EU | Reissue (Cramps)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Apoteosi Clear Purple Vinyl Edition

Apoteosi

LP | 1975 | EU | Reissue (AMS)

LP | 1976 | EU | Reissue (Out-Sider Music)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Apoteosi were a very rare, if not the one and only, progressive voice coming from the Calabria region. Their self-titled LP, released in 1975, therefore in a period of transition for the prog-rock genre, is undoubtedly one of the most emblematic LP’s and shows how a young and geographically completely ‘out of the loop’ group has been able to create a small jewel. “Apoteosi” is a work deliciously poised between pastoral and refined moments and darker and ‘crimson’ moods, with an extremely original approach and that still deserves to be listened to carefully after exactly 40 years.

Almost every musician in the band will take off towards important careers in the music world, reflecting the talent of a group that even featured a 14-year old keyboardist Massimo Idà. There’s a curious “Coro Alessandroni” presence in the credits: “Apotheosis” was recorded in Rome, therefore we’re probably talking about the same Alessandro Alessandroni who at the time had already worked on many different soundtracks written by Ennio Morricone.

The remarkable rhythm section and the musical cohesion of the musicians are standout elements in this LP, since they were able to create a musical continuum that holds a qualitative tension along the whole work; moreover, there is a close proximity to certain models the English progressive underground, rather than the Italian one, the Canterbury scene in particular. “Apoteosi” stands still today among the hidden and precious gems delivered from a florid era of artistic ferment.

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Apocalypse

The Castle

Something To Believe In Transparent Blue Vinyl Edition

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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70s Chicago-area based band Apocalypse used their double-neck guitars to create chamber prog suites about faraway castles.

Their lost 1976 LP (used as a demo), with male/female harmonies, violin, mellotron and fuzzed-out guitars/keys has been unearthed by Steve "Plastic Crimewave" Krakow. With their lenghty and tuneful musical odysseys, Apocalypse conjures the golden mid-70s progressive period of Renaissance, Soft Machine, ELP, Gentle Giant and Genesis.

Travel back in time with the Salvatori family. Way back to 1976, when he was in high school, Tom Salvatori teamed up with older brother Michael Salvatori, Michael’s wife Gail Salvatori and Tom’s classmate Scott Magnesen.

As Apocalypse they recorded an album of pure progressive rock magic called The Castle. Although the 5-song, 38-minute demo was an amazing showcase for their collective progressive rock leanings, The Castle remained an unreleased artifact until 2021 when the reel-to-reel master tape of the presumably long-lost relic was rediscovered by Michael in a dusty old basement storage bin. Music fans can be thankful that Michael’s rediscovery of the Apocalypse master tape has now led to a vinyl-only reissue of The Castle.

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APB

LP | 1985 | EU | Reissue (Liberation)

30,99 €*

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Äpärät

Häiriköt Tulee-Ep

7" | 1985 | EU (Voltage)

11,99 €*

Antonio Infantino Ed Il Gruppo Di Tricarico

Release: 1985 / EU

Genre: Rock & Indie

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Swedish punk classic just reissued. Originally from 1985. Raw Scandinavian hardcore punk not for the weak of heart! Limited to 500 copies on the Voltage label out of Czech Republic.

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I Tarantolati

LP | 1975 | EU | Reissue (Black Sweat)

L'orso Bruno Black Vinyl Edition#

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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In the late 1960s, Antonio Infantino linked his name to the Beat world and to italian performance and gestural music circles (Bussotti, Chiari, Curran). A poet and singer, a tireless devotee of the musical traditions of Southern Italy, he focuses his research mainly on the mysterious phenomenon of Tarantismo, a cultural syndrome of hysterical type found in the Mediterranean air and made famous by the studies of Ernesto De Martino. With his group, Infantino twists and reinvents the traditional repertoire of Basilicata, creating an entirely new and original songbook. The music reflects the states of Trance induced by the bite of the spider tarantula, with obsessive and hypnotic rhythms characteristic of the incandescent blood of the peasant world. A deep and universal human sound, it also takes its cues from Dylan's folk revolution and the frenetic drums of North Africa.

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Antonello Venditti

LP | 1973 | EU | Reissue (Saifam)

39,99 €*

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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I Don't Want To Die In Your War

Anti

LP | 1982 | EU | Reissue (Radiation Reissues)

LP | 1989 | EU | Reissue (Music On Vinyl)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Part of the late '70s/early '80s HC/punk explosion out of the Los Angeles area, where bands like Black Flag, Circle Jerks, Minutemen, and Bad Religion originated from, ANTI formed in 1979 by a then teenage Danny Phillips, better known as Danny Dean, who was the bassist / guitarist and first original vocalist, primary songwriter, and sole continuous member throughout multiple lineup changes during the past 40 years. Their 1982 debut album,I Don't Want To Die In Your War, was recorded and mixed by legendary producer and sound engineer for Black Flag and Descendents, SPOT. It is a major example of California Hardcore from the early 80's. Despite having been completely underrated, ANTI's 1982 debut paved the way for a lot of California punk to come. Available again for the first time after almost four decades on its original format, with its original artwork and complete with insert thanks to Radiation Records.

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Annihilator

Alice In Hell

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | US | Reissue (Ohr)

Annexus Quam

Osmose

LP | 1973 | EU | Reissue (Sundazed)

Release: 1970 / US – Reissue

Genre: Rock & Indie

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The timing was right: Five years earlier would have been too early, five years later would have been too late. But ANNEXUS QUAM from Kamp-Lintfort near Düsseldorf came along with the right music at the right moment.The seven-piece band formed in 1967 as Ambition Of Music; they were what was then called a "beat group". In 1970, working with a local trombone choir led to a dramatic change of direction. Tromb...

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Annette Peacock

X-Dreams

27,99 €*

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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LP | 1979 | EU | Reissue (Sundazed)

Annette Peacock

Perfect Release

27,99 €*

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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Anna Oxa Orange Vinyl Edition

Anna Oxa

LP | 1979 | EU | Reissue (RCA)

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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Get It Right / Standard Man Ep Collection

Animal Magic

LP | 1982 | EU | Reissue (Lantern)

25,99 €*

Alla Fiera Dell'est Record Store Day 2024 Edition

Release: 1982 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Re-issued for the very first time on vinyl, finally we have the chance to collect the only two EP's published by the influential post-punk combo from Bristol. Both records have been released on Recreational in 1982 and still sound fresh and highly influential. Their infectious hybrid of d.i.y. punk attitude and straight funk rhythms made the difference throughout the local club scene. A mandatory re-issue ! Also heard on the incredible Cherry Red box set ‘Shake The Foundations: Militant Funk & The Post-Punk Dancefloor 1978-1984’

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Angelo Branduardi

2LP | 1976 | EU | Reissue (Universal)

43,99 €*

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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The Murder Of Liddle Towers Colored Vinyl Edition

Angelic Upstarts

7" | 1978 | EU (Overground)

8,99 €*

Release: 1978 / EU

Genre: Rock & Indie

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Formed in 1977 in South Shields the Angelic Upstarts self-released debut single released in 1978 was ‘The Murder Of Liddle Towers’. The song highlighted the death of Liddle Towers who died after having been beaten in police custody, a crime that was covered up and no officers ever brought to justice. The record became a rallying point against police brutality. The record, and it’s B side ‘Police Oppression’ became a classic punk single and is a passionate call for justice. Mensi: “Liddle Towers was our protest single. It was the story of a boxing coach who was arrested for being drunk and disorderly. He was examined by a doctor and was perfectly healthy. Then in the morning was discovered dead and had injuries which the police surgeon described as being similar to that of a person who had been in a serious 70 miles-an-hour head-on collision. His injuries were absolutely horrific. He was basically kicked to death. “We done a couple of shows and got the money together and we pressed 500 singles, and then Small Wonder/Rough Trade re-released it, and it got to number one in the indie charts despite no radio play. Apart from John Peel, nobody else played it, and it was actually banned off any sort of play list in the northeast. Fair play I say.” The single is reissued as a limited edition of 500 on White vinyl, closely reproducing the first pressing from 1978.

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Angelic Upstarts

Reason Why?

LP | 1983 | EU (Daily)

Angel Witch Orange Vinyl Edition

Release: 1983 / EU

Genre: Rock & Indie

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Limited edition reissue of this classic Angelic Upstarts album, originally released in 1983 by Anagram Records. A UK independent chart nº12, it includes two of their best loved songs in Woman In Disguise and Solidarity. This pressing comes with a full colour insert with lyrics, press clippings and memorabilia from the era.

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Angel Witch

LP | 1980 | UK | Reissue (Culture Factory)

37,99 €*

To Dust You Will Decay Picture Disc Edition

Release: 1980 / UK – Reissue

Genre: Rock & Indie

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Self-titled first album by British heavy metal band Angel Witch. Released in 1980 the album made Angel Witch one of the key bands in the new wave of British Heavy Metal movement. The cover features a painting formerly attributed to John Martin titled The Fallen Angels Entering Pandemonium.

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Angel Dust

LP | 1988 | EU | Reissue (High Roller)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Into The Dark Past Picture Disc Edition

Angel Dust

LP | 1986 | EU | Reissue (High Roller)

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Czas Relaksu Gold Colored Vinyl Edtion

Andrzej I Eliza

LP | 1974 | EU | Reissue (Warner)

32,99 €*

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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Women And Children First Black Vinyl Edition

Ancient Grease

LP | 1970 | EU | Reissue (Sommor)

25,99 €*

LP | 1981 | EU | Reissue (Life Goes On)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Heavy-rock / bluesy sound with West Coast overtones and some devastating fuzz-wah guitar. Originally named Strawberry Dust, Ancient Grease was a hard psychedelic band from Wales, connected to Eyes Of Blue and Racing Cars. They were supported by John Weathers (Eyes Of Blue) who also acted as producer and songwriter for their sole album, recorded in London. When eventually released in 1970, “Women and Children First” was credited to Ancient Grease instead of Strawberry Dust (one of those “great” ideas by major labels). The album was first issued in the US and later in the UK, both on the Mercury label but with different sleeves (being the UK one the most desirable and collectable).

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Ananda Shankar

Sa-Re-Ga Machan

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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Analogy Black Vinyl Edition

Analogy

LP | 1972 | EU | Reissue (AMS)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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LP | 1971 | EU | Reissue (Ohr)

Paradieswärts Düül

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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In 1968 the Münchner Kommune, formed in 1967, had applied to Rolf-Ulrich Kaiser, the organizer of the Essen Songtage, for a gig there. When the Düüls arrived in Essen, already two bands of this name in the meantime, since 3 members had split off and now called themselves Amon Düül II. "Paradieswärts Düül" was released in 1971, it's the third album of this outfit. Transferred from the original analog tapes at Dierks Studios and carefully re-mastered.

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2LP | 1971 | EU | Reissue (BMG)

Lemmingmania

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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LP | 1972 | EU | Reissue (Ohr)

Disaster (Lüüd Noma)

30,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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In September 1968, AMON DÜÜL played the "International Essener Songtage", Germany's first rock festival of five days duration, which was initiated by the later Ohr label boss Rolf-Ulrich Kaise...

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2LP | 1972 | EU | Reissue (BMG)

Carnival In Babylon

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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History - America's Greatest Hits Colored Vinyl Edition

LP | 1975 | US | Reissue (Friday Music)

Release: 1975 / US – Reissue

Genre: Rock & Indie

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History - America's Greatest Hits

LP | 1975 | US | Reissue (Friday Music)

Release: 1975 / US – Reissue

Genre: Rock & Indie

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LP | 1973 | EU | Reissue (Music On Vinyl)

Hat Trick

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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America Turquoise Vinyl Ediiton

LP | 1971 | US | Reissue (Friday Music)

Release: 1971 / US – Reissue

Genre: Rock & Indie

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LP | 1971 | EU | Reissue (Music On Vinyl)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Monolith Red Vinyl Edition

Amebix

LP | 1986 | UK | Reissue (Back On Black)

I Was There At The Texas Chainsaw Massacre

Release: 1986 / UK – Reissue

Genre: Rock & Indie

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"Monolith" is the second studio album by the British crust punk band Amebix, originally released in 1987 and now made available again by Back On Black on limited edition blood red vinyl!

Formed as "The Band With No Name", Amebix's original run was from 1978 to 1987, during which time they released three EPs and two full-length LPs. "Monolith", the band's second studio album, was originally released in 1987. Shortly after its release, Amebix disbanded, and "Monolith" would be their final studio album until they reunited in 2008. By being one of the first bands to blend anarcho-punk and heavy metal music, Amebix are often cited as one of the key bands that helped to create the crust punk genre. Such notable bands as Sepultura, Neurosis and Deviated Instinct have paid homage to the band.

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Ambient Noise

12" | 1980 | US | Reissue (Last Laugh)

29,99 €*

Intorno Alla Mia Cattiva Educazione Clear Red Vinyl Edition

Release: 1980 / US – Reissue

Genre: Rock & Indie

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Reissue of the rare 1980 punk single. Expanded to a 12-inch EP with two unreleased bonus cuts.

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Alusa Fallax

LP | 1974 | EU | Reissue (BTF)

LP | 1979 | EU | Reissue (Spittle)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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A five-piece from Milan, Alusa Fallax were formed in 1969 deriving from Gli Adelfi, and released their first single the same year, with a second one not long after. Also in 1969 one of the members (there were two of them with the same name) released a solo single as Guido degli Alusa Fallax (Guardarti negli occhi on West Side).

The band kept playing and released their one and only album in 1974 on Fonit; a great little-known gem, in the best Italian prog tradition, led by keyboards with classical influences, it reminds the best things Banco del Mutuo Soccorso ever made. No less than 13 tracks are listed on the label, but these are connected to form two long suites very well played and sung, and with interesting lyrics.

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Alternative TV

Vibing Up The Senile Man

The Image Has Cracked Red Vinyl Edtion

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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Possibly one of the weirdest experiment in the post-punk realm, Vibing Up the Senile Man (Part One) is the second studio album by English anti-heroes Alternative TV, released in March 1979 on small indie label Deptford Fun City. Forget about the influential 1978 debut - The Image Has Cracked – frontman Mark Perry is literally leaving the planet in this effort. ‘There are free jazz influences; I'd got into the Art Ensemble of Chicago, Sun Ra ..) I'd moved into this house with an amazing music room – pianos, clarinets, you name it – and we'd always be picking up stuff from junk shops.’ The description set the pace for a unique performance, not only the afro-american heritage , traces of the Canterbury school are almost evident as the early experiment of the BBC Radiophonic workshop. Is it safe to consider Vibing up The Senile Man on the same time-line as Robert Wyatt ‘The End Of An Ear’ and Throbbing Gristle ’20 Jazz Funk Greats’ (Genesis P-Orridge is on board on two tracks, playing assorted percussion) ? Judge by yourself and don’t be scared.

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Alternative TV

LP | 1978 | EU (Radiation Reissues)

Life After Life / Life After Dub

Release: 1978 / EU

Genre: Rock & Indie

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Formed in London in 1977 by Mark Perry and Alex Fergusson, then editors of the punk fanzine Sniffin' Glue, Alternative TV was a post-punk group known for incorporating reggae rhythms and pushing the boundaries of the definition of punk toward the experimental and avant-garde. Their first album, The Image Has Cracked, came out originally in 1978 and is a wholly unique piece of British post-punk. Beloved by John Peel, and close confidantes of Throbbing Gristle, Alternative TV is one of the most original and beguiling groups of the era.

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Alternative TV

7" | 1978 | UK | Reissue (Ethbo)

11,99 €*

LP | 1973 | EU | Reissue (AMS)

Release: 1978 / UK – Reissue

Genre: Rock & Indie

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Following hot on the heels of Ethbo's excursion to Russia, with Letov, Suchillin and Pillayev, Howard Williams' Ethbo swivels its telescope to Deptford, South London in 1978.

The band Alternative TV were, and remain, a radical creative force. Originally formed by Mark Perry (Mark P), and Alex Fergusson (later of Psychic TV) in the early days of punk, when Perry was editor of the pioneering punk fanzine, Sniffin' Glue.

Early rehearsals were held in Throbbing Gristle's Industrial Records studio, with Genesis P-Orridge on drums. After line-up changes, the 1978 release of Life After Life saw Dennis Burns on bass, Chris Bennett on drums, Kim Turner on guitar and Mark P. on vocals. The session was produced by prolific Trojan Records artist and producer Joe Sinclair, and released on the independent label Deptford Fun City Records.

The song presents a “conscious” lyric through an urban music form of its time. And here’s the result, more than 40 years on, the dub still rocks. Perry’s vocal, like no other from the punk era, talks of the afterlife, in a twisted nod to Nietzsche, he chants “Wake Me Up When We Are Dead”.

A Venn diagram of Mark P and Mark E Smith, leader of The Fall, would show some common ground. Both band leaders survived numerous member changes throughout the decades, had a baleful eye on the producers and consumers of their music, and expressed themselves through a poetic, existential form of lyric writing and musical experimentation. In the early days Smith cited Alternative TV in a list of favourite music - alongside Johnny Cash.

Remastered with love, pressed at RAND, with sleeve and label artwork re-jigged by Will Bankhead, there's no better way to skank yourself to Armageddon.

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Alphataurus

Scolopendra Clear Vinyl Edition

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Nothing much to say about this one, Alphataurus, by sure one of the
ten best Italian prog records of all times. Alpahataurus is a
masterpiece, so well crafted and played that it seems impossible
that's been made by a group of unknowns. The singer Bavaro has a very
original voice, keyboard player Pietro Pellegrini plays with
competence and no self-indulgence, guitar-playing of Guido Wasserman
is well cared and the rhythm section of Oliva and Santandrea creates a
powerful background. The album includes five long compositions of
which Peccato d'orgoglio and La mente vola are the best, the latter
featuring a nice moog intro and a stunning vibes solo.
LP reissue in triple gatefold sleeve as the original album, with sound
taken the master tapes.

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Alluminogeni

LP | 1972 | EU | Reissue (Vinyl Magic)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Elemental Music)

Allman Brothers Band

Idlewild South

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Mountain Roads & City Streets Clear Vinyl Edition

Allan Wachs

LP | 1979 | US | Reissue (Numero Group)

Underground Vibrations No. 2

Release: 1979 / US – Reissue

Genre: Rock & Indie

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Cosmic American Music from the far flung reaches of rural Oregon. Issued in 1979 on Allan Wachs' own True Vine imprint, Mountain Roads and City Streets gathers a decade of songs written while hitchhiking up and down the west coast. Screeching pedal steel, lilting flute, and tingly dulcimer are peppered throughout Wachs' tales of brief affairs, invisible dogs, and getting lost in a changing America.

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All & Nothing

7" | 1970 | EU | Reissue (Munster)

15,99 €*

Pain And Pleasure Neon Pink Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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All & Nothing has become one of the icons of Spanish underground rock of the 70s and their records are among the most sought-after pieces by collectors. With a short discography consisting of just two singles - one of them was even released in Argentina with an alternative cover- the band All & Nothing has become one of the icons of Spanish underground rock of the 70s and their records are among the most sought-after pieces by collectors. The group was really nothing more than a studio project, put together by journalist and record producer José Luis Alvarez, who never performed in public. Their goal was to record songs in the same style that the emerging Andalusian rock scene was already doing in the south of Spain under the influence of the latest international rock trends -imported through the US military bases- and the local musical idiosyncrasy. Although most of the recorded songs - some of whom remained unreleased for years- succeeded in reflecting the original goal, for this first single of All & Nothing their producer instructed the band to record something similar to Iron Butterfly's classic 'In-a-gadda-da-vida', and 'Underground Vibrations nº 2' seems to be a very accomplished effort. The record has become a very sought-after item for those collecting the lesser-known side of 70s Spanish underground rock. The stunning rhythm section on both sides of the single plus the overwhelming organ solos and firing wah-wah and fuzz guitars explain the high interest on this elusive 45, a must in the top DJs record boxes. We are happy to reissue this amazing All & Nothing debut 7" for the first time, remastered from the original tapes and featuring the 1970 sleeve artwork.

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Alien Force

LP | 1986 | EU | Reissue (High Roller)

Pain And Pleasure Black Vinyl Edition

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, neon pink vinyl, ltd 200, insert, transfer, audio restoration and mastering by Patrick W. Engel at TEMPLE OF DISHARMONY.

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Alien Force

LP | 1986 | EU | Reissue (High Roller)

LP | 1974 | ES | Reissue (Wah Wah)

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, black vinyl, ltd 200, insert, transfer, audio restoration and mastering by Patrick W. Engel at TEMPLE OF DISHARMONY.

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Alice Island Band

Splendid Isolation

Release: 1974 / ES – Reissue

Genre: Rock & Indie

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Originally pressed in a limited run of 1000 numbered copies in December 1974 The Alice Island Band is one of the rarest UK folk private pressings, having sold in auction for over 600 pounds. Little would school friends Keith Hughes, Tim Phillips and Roger Moore imagine that when they formed The Conqueroos blues band back and subsequent projects like Cinderella's Party Songbook from 1967.

By 1974, Keith, Tim and Roger were ready for something special, and the arrival of Cinny - the ‘Princess’ from the principality of Wales - completed the line up for the next LP. They became The Alice Island Band and recorded Splendid Isolation - Tim, Keith and Cinny played, Roger produced and recorded the 14 songs, some of which had been conceived back in 1968.

For those into the UK folk and psych scenes who love the homemade recordings of Peter Howell and John Ferdinando's projects (Tomorrow Come Someday, Alice Through The Looking Glass, Agincourt, Ithaca...), the bare, raw sound of Comus or those impossibly rare folk albums cut through the Deroy Sound Services – but also for lovers of good crafted songs with male & female vocals and mostly acoustic performances.

Done in close cooperation with Keith and Roger who have been very kind to provide original masters, information and photos for the gatefold insert which also includes the original lyrics – here are 500 copies for those who cannot afford or find an original copy. Comes housed in a reproduction of its original sleeve. Order yours before they fly!

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LP | 1989 | EU | Reissue (Music On Vinyl)

Trash

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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'Trash' is the 18th studio album by rock singer Alice Cooper, released in 1989. The album features the single 'Poison', Cooper's first top ten hit since 1977. It marked a great success in Cooper's music career, reaching the Top 20 of various album charts and selling millions of copies of 'Trash'. The album features many guest performances including Jon Bon Jovi, Stiv Bators, Steven Tyler, as well as singer/ guitarist Kane Roberts. Songwriting contributions were also made by Joan Jett, Diane Warren, Jon Bon Jovi, Richie Sambora and John McCurry.

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Killer Black Vinyl Edition

LP | 1971 | US | Reissue (Friday Music)

45,99 €*

Release: 1971 / US – Reissue

Genre: Rock & Indie

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Billion Dollar Babies 50th Anniversary

3LP | 1974 | EU | Reissue (Rhino)

78,99 €*

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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Alice Cooper's Greatest Hits

LP | 1974 | US | Reissue (Friday Music Two)

Release: 1974 / US – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Charly)

Alice

32,99 €*

LP | 1979 | EU | Reissue (Sundazed Music Inc.)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Original 1970 BYG album facsimile edition. Newly mastered to vinyl from original BYG tapes. Lacquers cut by Alchemy Mastering at AIR STUDIOS. Exclusive liner notes by author, journalist and BYG-authority Kevin Le Gendre. Formed in the late 1960s Alice was French band that put their own spin on the blues rock scene born in Britain and America. Playing a gaggle of instruments, including woodwinds and vibes, the combo had a sound that often departed from guitar- led grooves to incorporate European classical music and South American folk.

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Alex Chilton

Like Flies On Sherbert

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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Alejandro Medina Y La Pesada

LP | 1974 | EU | Reissue (Svart)

Radius Colored Record Store Day 2021 Edition

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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A Svart Mondo release. Black vinyl, 500 copies.
Alejandro Medina Y La Pesada was recorded in 1974 and is the only solo vinyl album released by Alejandro Medina. Born on 1 November 1949 in Buenos Aires, Medina had been in big bands since he was a young teenager, joining Le Pasada del Pock and Roll who included some of Argentina’s finest musicians, such as Billy Bond (who handles the production on this album), Jorge Pinchevsky (who plays Violin on this record) and Pappo, among others. Medina recorded four albums with Le Pasada del Pock and Roll who also played at the third Buenos Aires Rock Festival in November 1972, which was recorded in the movie ‘Rock until the sun goes down’. On this, his solo album, he mixes delta style blues, progressive rock and bluesy style experimental ballads that feature sublime guitar work. Eclectic hard-rock guitar journeys with lush violins and powerful vocals. A deep collectors bounty, Alejandro Medina Y La Pesada is a rare Argentinian heavy rock milestone. La Pesada (which means “The Heavy” in English) gives us a good idea of what to expect with this exceptional heavy jewel.

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Alberto Radius

LP | 1972 | EU | Reissue (Numero Uno)

Rockmantico Red Vinyl Edtion

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Record Store Day 2021 Drop 2 release.

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Alberto Camerini

LP | 1982 | EU | Reissue (Catalog)

Release: 1982 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Comici Cosmetici Red Vinyl Edition

Alberto Camerini

LP | 1978 | EU | Reissue (Catalog)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Akira Ishikawa & His Count Buffalos

Electrum Clear Orange Vinyl Edition

LP | 1970 | JP | Reissue (Victor Entertainment / Hmv)

47,99 €*

Akira Ishikawa & Count Buffaloes

Release: 1970 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

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In 1970, amidst the height of the jazz-rock era, Akira Ishikawa captured the chaotic atmosphere of the time and ventured into what could be called "jazz beyond." This album, Electrum, represents the moment when Ishikawa cut most deeply and incisively into jazz. Amid a sharpened groove, musicians ascended to new heights, competing fiercely. The epic "Electrum," the complexly intersecting vectors of "Revulsion," and the beautifully serene "Speak Under My Breath" are pieces that demand attention for their density and intensity. The participation of two genius pianists and composers/arrangers, Masahiko Satoh and Hiromasa Suzuki, is also noteworthy. This album, hailed as Ishikawa's greatest work, is revived here as part of Victor's series. Text by Yusuke Ogawa (universounds / Deep Jazz Reality)

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Uganda (Dawn Of Rock)

Box Set | 1972 | UK | Reissue (Mr Bongo)

40,99 €*

Don't Be Mistaken Yellow Vinyl Edition

Release: 1972 / UK – Reissue

Genre: Organic Grooves, Rock & Indie

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The respected Japanese jazz drummer Akira Ishikawa was not messing around when he recorded the 'Uganda (Dawn of Rock)' album with his band the Count Buffaloes. For this offering, originally released in 1972 on Toshiba Records, Akira Ishikawa takes us on a deep tripped-out journey. 'Uganda (Dawn of Rock)' is a fusion of progressive and psych rock with African percussion workouts, dergy-wah wah blues-funk, and jazzy sensibilities; with different genres morphing and uniting as they progress. A long way from his funk and afrobeat album 'Back To Rhythm’, re-issued on Mr Bongo in 2019, this record has a darker, deeper, abstract and experimental stoned tone with the listener being pulled into its vortex for the ride. This record doesn’t pull any punches. For this album, Akira is joined by Hideaki Chihara on bass, guitarist Kimio Mizutani, sounding at times like an early 70s Peter Green, percussionist Larry Sunaga and composer Takeru Muraoka. The album has become highly sought-after amongst psych, prog and acid rock collectors and due to the rare nature of original copies they come at a hefty price tag. We are delighted to present an officially licensed re-issue of this underground Japanese rock rarity.

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Agression

LP | 1983 | US | Reissue (Trust)

36,99 €*

Release: 1983 / US – Reissue

Genre: Rock & Indie

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Victim In Pain Silver Vinyl Edition

Agnostic Front

LP | 1984 | US | Reissue (Bridge Nine)

34,99 €*

LP | 1972 | EU | Reissue (HiD)

Release: 1984 / US – Reissue

Genre: Rock & Indie

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Agnostic Front’s debut LP, Victim In Pain, went out of print again for a while, so Bridge Nine did a quick pressing to keep it available! This pressing features the original cover art printed as a low-contrast halftone on an almost-black matte cover. Agnostic Front and Victim In Pain are embossed and spot-UV printed so the band’s logo and album title pop off the jacket.

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Agitation Free

Malesch

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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LP | 1973 | EU | Reissue (MIG)

Agitation Free

2nd

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Living In Darkness Black Vinyl Edition

Agent Orange

LP | 1981 | EU (Radiation Reissues)

Bitchin' Summer Record Store Day 2023 Picture Disc Edition

Release: 1981 / EU

Genre: Rock & Indie

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Adventurous southern California punk trio Agent Orange was the first band to mix surf rock with punk. The group was formed in1l979 in Placentia, a small town close to Fullerton and Anaheim, by frontman Mike Palm on guitar and lead vocals, Steve Soto on bass and Scott Miller on drums. That early line up recorded the classic version of "Bloodstains" in 1979 as a demo produced by Daniel R. van Patten (of the group Berlin). A year later it was included on the seminal Rodney On The Roq compilation album released by Posh Boy Records. Meanwhile James Levesque had replaced Steve Soto (Adolescents) and the new line up released their own self produced and self released 7" ep in 1980. A year later, the group signed with Robbie Fields' Posh Boy Records for their debut LP Living In Darkness, co-produced by Fields and former Simpletones guitarist Jay Lansford. The album was recorded at Brian Elliott’s store front studio in North Hollywood (a few years before Elliott struck gold writing Madonna’s “Papa Don’t Preach”). A milestone in California Punk Rock history. Limited to 800 handnumbered copies RSD 2020 edition, on Purple Vinyl with 5 bonus tracks, with double sided lyric insert!

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Agent Orange

7" | 1982 | EU (Radiation Reissues)

LP | 1970 | EU | Reissue (Bonfire)

Release: 1982 / EU

Genre: Rock & Indie

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Tenth issue in a series of limited picture discs celebrating Radiation Records’ storefront in Rome, Italy for Record Store Day. For the first time available on a picture disc 7", the legendary So-Cal punk band Agent Orange third single originally released in 1982 on Posh Boy Records. Limited to 500 copies. Licensed from Robbie S. Fields / Posh Boy Records.

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Affinity

29,69 €* 32,99 € -10%

LP | 1989 | EU | Reissue (Universal)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Fully licensed, ltd to 500 copies, gatefold vinyl The sole album by cultish british prog-blues combo. Originally released in 1970 on influential label Vertigo, their self-titled album is still one of the most original effort of the England jazz-rock scene. Fronted by Linda Hoyle, a powerful vocalist who sounds like a cross between Carol King and Julie Driscoll, the line up was completed by Mo Foster (bass), Mike Jupp (electric and 12-string guitars), Lynton Naiff (keyboards) and Grant Serpell (drums and percussion). Their eclectic mixture was truly compelling moving over a certain psychedelic feel, thanks also to the ubiquitous Hammond organ. A singular effort that made definitely history.

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Aerosmith

Pump

Watching The Dance Silver Colored Vinyl Edition

Release: 1989 / EU – Reissue

Genre: Rock & Indie, Pop

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Limited 180 gram vinyl LP pressing of this album from the classic rock band. Pump is the tenth studio album by Aerosmith, released on September 12, 1989. Pump incorporates the use of keyboards and a horn section on many of the singles ("Love in an Elevator", "The Other Side"), and contains straightforward rockers ("F.I.N.E.", "Young Lust"), the ballad "What It Takes", songs about issues such as incest and murder ("Janie's Got a Gun") and drug and alcohol abuse ("Monkey on My Back"), [4] as well as a variety of instrumental interludes such as "Hoodoo" and "Dulcimer Stomp." The album has certified sales of seven million copies in the U.S. and is tied with it's successor Get a Grip as Aerosmith's second best-selling studio album in the U.S. (Toys in the Attic leads with eight million).

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Aerial Fx

LP | 1982 | EU (Radiation Reissues)

22,99 €*

Watching The Dance Black Vinyl Edition

Release: 1982 / EU

Genre: Rock & Indie, Electronic & Dance

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Moody Oxford post-punk quintet Exit 13 became Aerial FX at the dawning of the 1980s, the promise of their minimal sound, with its prominent synthesizers, yielding a publishing deal with Island Records and an early single released by the label. Debut album Watching The Dance has shades of dark synth pop and Goth, with future Radiohead manager/producer Chris Hufford firmly in the spotlight throughout. The influence of acts like Van Der Graaf Generator, Modern Eon and others lurk beneath this hidden Cold Wave gem.

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Aerial Fx

LP | 1982 | EU (Radiation Reissues)

Immersione Colored Record Store Day 2021 Edition

Release: 1982 / EU

Genre: Rock & Indie, Electronic & Dance

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Adriano Pappalardo

LP | 1982 | EU | Reissue (Numero Uno)

LP | 1982 | EU | Reissue (Wah Wah)

Release: 1982 / EU – Reissue

Genre: Rock & Indie, Pop

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Record Store Day 2021 Drop 2 release Italy.

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ADN' Ckrystall

De Unicornis Veritate

LP | 1982 | EU (Radiation)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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ADN Ckrystall is the pseudonym of French synth experimentalist Érick Moncollin. Armed with a Crumar, Multiman 52 with brass pedal and sustain/volume pedal, two Kawai Synthi 100-f, Roland Cr-65, Korg Ps-3200, Roland Jupiter-4, a Boss flanger, MXR phasing and a Teac 8-track recorder he produced his first LP, Jazz'Mad, with the help of synth expert sound engineer benoit Hutin. The LP was self-released in 1982 to critic aclaim and generated a fan base that has turned it into a timeless classic, having been reissued four times since then.

But what most people don't know is that Moncollin produced a second album with songs written 1982/1983 that has remained unreleased ever since. Only recently he found the tapes in his parents' house and transfered them for it's first ever vinyl release.

First ever release with Moncollin's art on cover and liner notes by himself. Limited to 500 copies only!

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Adicts

Sound Of Music

Acqua Fragile Orange Vinyl Edition

Release: 1982 / EU

Genre: Rock & Indie

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Originally released in November 1982, ‘Sound of Music’ was the second album from ‘Clockwork punks’ the Adicts. Preceded by the release of the three track “Chinese Takeaway” EP, which also featured “Too Young” and “You’ll Never Walk Alone” - both included here as bonus tracks along with their subsequent hits ‘Bad Boy’ and ‘Tokyo’ and an unreleased version of Ramones’ classic ‘I wanna be sedated’ - the album was widely praised in the music press of the day with ‘Sounds’ saying “thank Christ for The Adicts. In this often grey and depressing world they entertain us, uplift us and unify us”. Thirteen slices of punk/Oi! fun that made history, in a luxurious one-time Gatefold edition with poster, including liner notes by Mark Brennan and a total of 5 bonus tracks!

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Acqua Fragile

LP | 1973 | EU | Reissue (Numero Uno)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Maniac Black Vinyl Edition

Acid

2LP | 1985 | EU | Reissue (High Roller)