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All Items / HHV Records / Vinyl, CD & Tape / Rock & Indie

Rock & Indie Vinyl 6922 Items

Hip Hop 910 Organic Grooves 2484 Rock & Indie 6922 Indierock | Alternative 3618 Classic Rock 446 Punk | Hardcore 721 Metal 1244 Folk 616 Rock 'n' Roll 102 Electronic & Dance 4453 Reggae & Dancehall 554 Pop 1479 Classical Music 187 Soundtracks 394 Childrens 20 Christmas 39 Halloween 3
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Three Inches Of Blood - Fire Up The Blade
Three Inches Of Blood
Fire Up The Blade
2LP | 2024 | Original (Real Gone Music)
72,99 €*
Incl. VAT plus Shipping Costs
Release: 2024 / Original
Genre: Rock & Indie
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Chu Kosaka & Four Joe Half - Motto Motto
Chu Kosaka & Four Joe Half
Motto Motto
LP | 2024 | JP | Original (Sony Music Direct)
72,99 €*
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Release: 2024 / JP – Original
Genre: Rock & Indie
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Bad Company - Straight Shooter Atlantic 75 Series
Bad Company
Straight Shooter Atlantic 75 Series
2LP | 1975 | US | Reissue (Analogue Productions Atlantic 75 Series)
71,99 €*
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Release: 1975 / US – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
180g 2LP 45rpm
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Buoys - Lustre
Buoys
Lustre
LP | 2024 | Original (Sony)
71,99 €*
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Release: 2024 / Original
Genre: Rock & Indie
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Margo Guryan - Words And Music Black Vinyl Edition
Margo Guryan
Words And Music Black Vinyl Edition
3LP | 2024 | US | Original (Numero Group)
71,99 €*
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Release: 2024 / US – Original
Genre: Rock & Indie
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Witness to revolutions in jazz and pop,Margo Guryan earned her place in thesongwriting pantheon and then some.That she was largely unknown for decadesis not the stuff of crushed dreams, but aresult of her own choices and priorities.From humble beginnings to the peaks ofher 1968 baroque pop masterpiece Takea Picture and the collected Demos to therecent viral ubiquity of "Why Do I Cry",Words and Music captures the entirety ofGuryan's career, featuring 16 previouslyunreleased recordings and a 32-pagebooklet telling the whole story.
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Yes - The Yes Album Atlantic 75 Series
Yes
The Yes Album Atlantic 75 Series
2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)
71,99 €*
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Release: 2023 / US – Reissue
Genre: Rock & Indie
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180g 2LP 45rpm Gatefold Sleeve
Analogue Productions (Atlantic 75 Series)
Celebrating the 75th Anniversary of Atlantic Records!
One of the finest albums of the classic rock era!
180-gram 45 RPM double LP
Mastered by Kevin Gray at Cohearent Audio from the original analog master tape
Pressed at Quality Record Pressings
Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing

After half a century of crafting an astonishing array of chart-topping albums and embarking on triumphant global tours, Yes's The Yes Album marks the origin of their meteoric rise, through the recording sessions for this 1971 masterpiece.

With an ever interesting line-up of world class musicianship, this highly regarded chapter of Yes consisted of Jon Anderson (vocals), Chris Squire (bass/vocals), Bill Bruford (drums), Tony Kaye (keyboards) and the introduction of Steve Howe (guitars/vocals), The Yes Album was the band's breakthrough album, ultimately remaining on the sales charts for 34 weeks, selling more than 1 million copies.

This important piece of music consists of six amazing Yes workouts such as the definitive album opener "Yours Is No Disgrace," the hard rocking "Starship Trooper" and the brilliant "I've Seen All Good People" plus the massive hit single "Your Move." From this moment on, there was no looking back for this superstar quintet.

Yes enthusiasts were superlatively rewarded with even more progressive rock favourites as the brilliant acoustic driven guitar work of Steve Howe's "Clap," Chris Squire and Jon Anderson's superb "Perpetual Change" and the jazz-rock fusion of "A Venture" truly made this album a standout.

The album was a critical success and a major commercial breakthrough for Yes, who had been at risk of being dropped by Atlantic due to the commercial failures of their first two albums. It reached No. 4 in the United Kingdom and No. 40 in the United States, and was later certified platinum by the Recording Industry Association of America for surpassing 1 million copies.

Analogue Productions is proud to offer the definitive reissue deluxe 180-gram 45 RPM 2LP of The Yes Album. For Yes fans, this is a can't-miss addition to your album collection.
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Daryl Hall & John Oates - Abandoned Luncheonette Atlantic 75 Series
Daryl Hall & John Oates
Abandoned Luncheonette Atlantic 75 Series
2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)
71,99 €*
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Release: 2023 / US – Reissue
Genre: Rock & Indie
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180g 2LP 45rpm
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Clairo - Charm Pink Vinyl Edition
Clairo
Charm Pink Vinyl Edition
LP | 2024 | CZ | Original (Universal)
70,99 €*
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Release: 2024 / CZ – Original
Genre: Rock & Indie
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Billy Strings - Highway Prayers
Billy Strings
Highway Prayers
2LP | 2024 | Original (Reprise)
70,99 €*
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Release: 2024 / Original
Genre: Rock & Indie
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Richard Desjardins - Tu M'aimes-Tu
Richard Desjardins
Tu M'aimes-Tu
LP | 2024 | CA | Original (Audiogram Canada)
70,99 €*
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Release: 2024 / CA – Original
Genre: Rock & Indie
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Stone Temple Pilots - Purple Atlantic 75 Series
Stone Temple Pilots
Purple Atlantic 75 Series
2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)
69,99 €*
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Release: 2023 / US – Reissue
Genre: Rock & Indie
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Analogue Productions (Atlantic 75 Series)

Celebrating the 75th Anniversary of Atlantic Records!

Stone Temple Pilot's No. 1 charting second album

Includes "Interstate Love Song," "Vasoline" and "Big Empty"

180-gram 45 RPM double LP

Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound

Pressed at Quality Record Pressings

Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing

Purple, the second studio album released in 1994 by the Stone Temple Pilots, stands as a monumental achievement in the band's career and a defining moment in the grunge and alternative rock music scene of the 1990s. With a potent blend of raw energy, introspective lyrics and masterful musicianship, Purple not only catapulted Stone Temple Pilots to superstardom, but it also marked a significant evolution in the band's sound.

The album, building on the foundations laid by the band's debut album Core, was a huge success for the band, debuting at No. 1 on the Billboard 200 chart and quickly achieving multi-platinum status, worldwide.

Its chart-topping single, "Interstate Love Song," became an anthem for a generation, and the album as a whole showcased the band's artistic prowess.

Lyrically, "Purple" also revealed a more introspective and mature side of Stone Temple Pilots. Scott Weiland's songwriting delved into personal struggles and emotions, addressing themes of addiction, love, and self-discovery. This depth added a layer of authenticity to the album, allowing listeners to connect with the band on a profound level.

Purple also demonstrated that Stone Temple Pilots were more than just another grunge act; they were a force to be reckoned with, capable of delivering powerful and emotionally resonant music. Purple remains a crucial chapter in the band's history and an essential listen for any fan of rock music.

Analogue Productions has given the showstopping Purple the full reissue treatment: Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound and cut at 45 RPM. Pressed on 180-gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.
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Willie Nelson - Shotgun Willie Atlantic 75 Series
Willie Nelson
Shotgun Willie Atlantic 75 Series
2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)
69,99 €*
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Release: 2023 / US – Reissue
Genre: Rock & Indie
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180g 2LP 45rpm Gatefold Sleeve

Analogue Productions (Atlantic 75 Series)
Celebrating the 75th Anniversary of Atlantic Records!
Willie Nelson's breakthrough solo album!
180-gram 45 RPM double LP
Pressed at Quality Record Pressings
Tip-on old style gatefold double pocket jacket by Stoughton Printing

Before Shotgun Willie, Willie Nelson had struggled to gain widespread recognition as a solo artist, despite having written many successful songs for other artists. Nelson's big break came when he signed with Atlantic Records in 1973. The pivotal moment in his career came after Atlantic Records executive Jerry Wexler, known for his work with artists like Ray Charles and Aretha Franklin, took an interest in Nelson's music. Wexler saw potential in Nelson's unique approach to country music and signed him to the label. With the creative freedom offered by Atlantic Records, Nelson was able to record Shotgun Willie with the artistic freedom he had long desired. The album's unconventional sound and honest lyrics resonated with both critics and fans.

Shotgun Willie marked a new beginning for Willie Nelson's career, and it set the stage for his subsequent albums and his emergence as one of the most influential and iconic figures in the history of country music. The recording was one of the first albums of outlaw country — a new subgenre of country music and an alternative to the conservative restrictions of the Nashville sound, the dominant style in the genre at the time

The album — the first to feature Nelson with long hair and a beard on the cover — gained him the interest of younger audiences. It peaked at No. 41 on Billboard's Top Country Albums and the songs "Shotgun Willie" and "Stay All Night (Stay A Little Longer)" peaked at Nos. 60 and 22 on Hot Country Songs respectively.

We are so pleased to bring you this deluxe 180-gram 45 RPM 2LP Analogue Productions (Atlantic 75 Series) reissue of the timeless Willie Nelson classic, Shotgun Willie. Cue it up and prepare to be transported!
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Joni Mitchell - Shadows And Light Red & Clear Vinyl Edition
Joni Mitchell
Shadows And Light Red & Clear Vinyl Edition
2LP | 1980 | EU | Reissue (Elektra)
69,99 €*
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Release: 1980 / EU – Reissue
Genre: Rock & Indie
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Three Trapped Tigers - Route One Or Die / Ep1-3
Three Trapped Tigers
Route One Or Die / Ep1-3
4LP | 2024 | EU | Original (Big Scary Monsters)
68,99 €*
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Release: 2024 / EU – Original
Genre: Rock & Indie
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V.A. - Beam Penetration And Mad Computer, Plus The Minimal Sound Of Motorcycles Special Edition
V.A.
Beam Penetration And Mad Computer, Plus The Minimal Sound Of Motorcycles Special Edition
10"+CD | 2024 | JP | Original (EM)
67,99 €*
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Release: 2024 / JP – Original
Genre: Rock & Indie
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Expo 70, held in Osaka, was a pivotal event for the Japanese people and their relationship with the rest of the world, demonstrating both the nation’s ongoing economic recovery from World War Two and the creative spirit of Japanese society and its artists. A series of performances, billed as “Night Events” were held at the Expo; the most radical of these was "Beam Penetration and Mad Computer, plus the Minimal Sound of Motorcycles”, but its anti-establishment feel and general madness took the Expo organizers by surprise and it was cancelled after only one night, despite being scheduled for a longer run. An air of myth developed around the event, but a recording of the event has been discovered and this release is the result. This release comprises a CD, a 10-inch record with fold-out sleeve and large obi, plus fascinating notes in Japanese and English by Kenichi Yasuda, an expert on Japanese rock music, and Koji Kawasaki, a renowned researcher of Japanese electronic music, as well as rare photos. *Special Edition includes a Cd-r of a interview program with the producers of "Beam Penetration" in 1970. At the end of the program, the Flower Travellin' Band appeared with motorcycles and performed in the studio. Also includes insert with English translation of the interview.
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Jethro Tull - Bursting Out (Live) (Steven Wilson Remix)
Jethro Tull
Bursting Out (Live) (Steven Wilson Remix)
3LP | 2024 | Original (Warner)
67,99 €*
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Release: 2024 / Original
Genre: Rock & Indie
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Teenage Dads - Majordomo
Teenage Dads
Majordomo
LP | 2024 | Original (Chugg)
67,99 €*
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Release: 2024 / Original
Genre: Rock & Indie
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Angels - Ninety Nine
Angels
Ninety Nine
LP | 2024 | US | Original (Bloodline)
67,99 €*
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Release: 2024 / US – Original
Genre: Rock & Indie
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Robse - Harlekin Und Krieger Deluxe Boxset
Robse
Harlekin Und Krieger Deluxe Boxset
LP | 2024 | EU | Original (Reaper Entertainment Europe)
67,99 €*
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Release: 2024 / EU – Original
Genre: Rock & Indie
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Giora Feidman - 88 Maestro Giora Feidman Blue Vinyl Edition
Giora Feidman
88 Maestro Giora Feidman Blue Vinyl Edition
LP | 2024 | EU | Original (BuschFunk)
67,99 €*
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Release: 2024 / EU – Original
Genre: Rock & Indie
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Disorientations - Lost Today Colored Vinyl Edition
Disorientations
Lost Today Colored Vinyl Edition
LP | 2024 | EU | Original (Pias)
67,99 €*
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Release: 2024 / EU – Original
Genre: Rock & Indie
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Guy Van Nueten - Decent Music
Guy Van Nueten
Decent Music
LP | 2024 | EU | Original (Teles Music)
66,99 €*
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Release: 2024 / EU – Original
Genre: Rock & Indie
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X0o0x_ - Ningyou
X0o0x_
Ningyou
LP | 2024 | JP | Original (Cutting Edge)
66,99 €*
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Release: 2024 / JP – Original
Genre: Rock & Indie
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Axel Rudi Pell - Risen Symbol Fanbox
Axel Rudi Pell
Risen Symbol Fanbox
2LP+CD | 2024 | EU | Original (Steamhammer)
66,99 €*
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Release: 2024 / EU – Original
Genre: Rock & Indie
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Missy Higgins - Second Act
Missy Higgins
Second Act
LP | 2024 | EU | Original (EMI)
65,99 €*
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Release: 2024 / EU – Original
Genre: Rock & Indie
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Spiderbait - Tonight Alright
Spiderbait
Tonight Alright
LP | 2024 | US | Original (Universal)
65,99 €*
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Release: 2024 / US – Original
Genre: Rock & Indie
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Hillbilly Thomists - Marigold
Hillbilly Thomists
Marigold
LP | 2024 | Original (Vere Music)
65,99 €*
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Release: 2024 / Original
Genre: Rock & Indie
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Diamond Construct - Angel Killer Zero
Diamond Construct
Angel Killer Zero
LP | 2024 | US | Original (Sony)
64,99 €*
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Release: 2024 / US – Original
Genre: Rock & Indie
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Church - Blurred Crusade
Church
Blurred Crusade
LP | 2024 | US | Original (Universal)
64,99 €*
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Release: 2024 / US – Original
Genre: Rock & Indie
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Church - Of Skins & Heart
Church
Of Skins & Heart
LP | 1981 | EU | Reissue (EMI)
64,99 €*
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Release: 1981 / EU – Reissue
Genre: Rock & Indie
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Disciple - What Was I Thinking Green Vinyl Edition
Disciple
What Was I Thinking Green Vinyl Edition
2LP | 1995 | EU | Reissue (Limited Run Vinyl)
64,99 €*
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Release: 1995 / EU – Reissue
Genre: Rock & Indie
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Disciple - By God
Disciple
By God
2LP | 2001 | EU | Reissue (Limited Run Vinyl)
64,99 €*
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Release: 2001 / EU – Reissue
Genre: Rock & Indie
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Carly Pearce - Hummingbird Yellow Vinyl Edition
Carly Pearce
Hummingbird Yellow Vinyl Edition
2LP | 2024 | US | Original (Big Machine)
64,99 €*
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Release: 2024 / US – Original
Genre: Rock & Indie
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Oasis - Definitely Maybe 30th Anniversary Deluxe Edition
Oasis
Definitely Maybe 30th Anniversary Deluxe Edition
4LP | 1994 | WW | Reissue (Big Brother)
63,99 €*
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Release: 1994 / WW – Reissue
Genre: Rock & Indie
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The Flaming Lips - The Soft Bulletin 25th Anniversary
The Flaming Lips
The Soft Bulletin 25th Anniversary
2LP | 2024 | US | Original (Warner)
63,99 €*
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Release: 2024 / US – Original
Genre: Rock & Indie
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Orbweavers - New Moon / Silver Moon
Orbweavers
New Moon / Silver Moon
LP | 2024 | AU | Original (Mistletone)
63,99 €*
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Release: 2024 / AU – Original
Genre: Rock & Indie
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Diana Krall - When I Look In Your Eyes Acoustic Sounds
Diana Krall
When I Look In Your Eyes Acoustic Sounds
2LP | 1999 | Reissue (Verve)
62,99 €*
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Release: 1999 / Reissue
Genre: Rock & Indie
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) With her 5th studio album, "When I Look In Your Eyes", Diana Krall made a perfect debut on her new label Verve Records in 1999. Under the direction of legendary producer Tommy LiPuma, the Canadian pianist and singer showed herself from two sides: once with an orchestra arranged and conducted by Johnny Mandel, then again in a more intimate setting with changing duo, trio and quartet line-ups. The album earned Diana Krall her first Grammy for Best Jazz Vocal Album and was also nominated in the "Album of the Year" category.

VERVE ACOUSTIC SOUNDS SERIES: mastered fully analogue from the original tapes by Ryan K. Smith at Sterling Sound, QPR pressing (180 g), firm tip-on gatefold (Stoughton Printing), padded inner sleeve.
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Agnetha Fältskog - Singlar Och Andra Sidor Clear Vinyl Edition
Agnetha Fältskog
Singlar Och Andra Sidor Clear Vinyl Edition
LP | 2024 | EU | Original (Cupol)
62,99 €*
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Release: 2024 / EU – Original
Genre: Rock & Indie
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California Honeydrops - Soft Spot
California Honeydrops
Soft Spot
LP | 2024 | Original (Tubtone)
61,99 €*
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Release: 2024 / Original
Genre: Rock & Indie
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Moltheni - Fiducia Nel Nulla Migliore Blue Vinyl Edition
Moltheni
Fiducia Nel Nulla Migliore Blue Vinyl Edition
2LP | 2001 | EU | Reissue (The Saifam Group)
61,99 €*
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Release: 2001 / EU – Reissue
Genre: Rock & Indie
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Johnny Cash - Songwriter Clear With Black Splatter Vinyl Edition
Johnny Cash
Songwriter Clear With Black Splatter Vinyl Edition
LP | 2024 | Original (Universal)
60,99 €*
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Release: 2024 / Original
Genre: Rock & Indie
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Limited Clear with Black Splatter Colored Vinyl. Johnny Cash recorded an album's worth of self-penned songs in 1993. Shortly thereafter, he released the American Recordings albums and re-established himself as one of the world's greatest songwriters, introducing him to a new generation of fans. Songwriter's unreleased 11 songs have been updated and produced by his son John Carter Cash and co-producer David Ferguson.
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OneRepublic - Artificial Paradise Light Blue Vinyl Edition
OneRepublic
Artificial Paradise Light Blue Vinyl Edition
LP | 2024 | EU | Original (Universal Music Italia)
60,99 €*
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Release: 2024 / EU – Original
Genre: Rock & Indie
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Kiss - Off The Soundboard: Tokyo Dome 2001 Live Limited Edition
Kiss
Off The Soundboard: Tokyo Dome 2001 Live Limited Edition
3LP | 2021 | Original (Universal)
60,99 €*
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Release: 2021 / Original
Genre: Rock & Indie
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Tim Rogers - Spit Polish
Tim Rogers
Spit Polish
LP | 2024 | US | Original (Universal)
60,99 €*
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Release: 2024 / US – Original
Genre: Rock & Indie
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Lou Reed - Berlin
Lou Reed
Berlin
LP | 1973 | US | Reissue (Mobile Fidelity Sound Lab)
60,99 €*
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Release: 1973 / US – Reissue
Genre: Rock & Indie
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Henry Wagons - Four Seasons
Henry Wagons
Four Seasons
LP | 2024 | AU | Original (Ada Global)
60,99 €*
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Release: 2024 / AU – Original
Genre: Rock & Indie
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Jeff Lang - More Life Red Vinyl Edition
Jeff Lang
More Life Red Vinyl Edition
2LP | 2024 | AU | Original (ABC Music Oz)
60,99 €*
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Release: 2024 / AU – Original
Genre: Rock & Indie
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Jeff Lang - More Life Black Vinyl Edition
Jeff Lang
More Life Black Vinyl Edition
LP | 2024 | AU | Original (ABC Music Oz)
60,99 €*
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Release: 2024 / AU – Original
Genre: Rock & Indie
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Michael Waugh - Beauty & Truth
Michael Waugh
Beauty & Truth
LP | 2024 | Original (Compass Brothers)
60,99 €*
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Release: 2024 / Original
Genre: Rock & Indie
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Renaud - Ma Gonzesse
Renaud
Ma Gonzesse
LP | 2024 | CA | Original (Barclay)
60,99 €*
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Release: 2024 / CA – Original
Genre: Rock & Indie
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Fishmans - Uchu The Best Of Fishmans Orange Version
Fishmans
Uchu The Best Of Fishmans Orange Version
2LP | 2024 | JP | Original (Universal)
59,99 €*
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Release: 2024 / JP – Original
Genre: Rock & Indie
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Drummer Kinichi Motegi, currently with the Tokyo Ska Paradise Orchestra, curated a selection of tracks for this album based on the concept of "Kuchu (Aerial)" and "Uchu (Universe)," featuring music from two labels in 2005. The album has been highly requested by Fishmans fans for an analog version and is available as a limited edition on clear sky blue 2LP.
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My Morning Jacket - Tennessee Fire: 20th Anniversary Blue Vinyl Edition
My Morning Jacket
Tennessee Fire: 20th Anniversary Blue Vinyl Edition
3LP | 2024 | US | Original (Darla)
59,99 €*
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Release: 2024 / US – Original
Genre: Rock & Indie
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Darla Records is happy to offer a 20th anniversary deluxe, expanded edition of The Tennessee Fire, the debut album by My Morning Jacket with 16 previously unreleased bonus tracks selected from the archives by Jim James. In February, 1999, Darla Records received a charming Valentine's Day love letter with artwork and 4-track cassette tape demo in the mail from Jim James with the very first My Morning Jacket recordings. Early one Sunday morning, I popped the tape in and fell instantly in love. I could not find the accompanying letter with contact info! Chandra soon found it after I raved at her that she must get out of bed come hear what I was hearing. I called Jim and we began to plan the work. Weeks later, after we'd established a track list, including four songs re-recorded in a real studio, and had artwork together for a debut album, I thought to myself, "I really love this. There's nothing like it in the marketplace. I hope it can sell 1500." And the rest is history. - Mr. Darla Limited edition red vinyl 3xLP in triple gatefold with 16 previously unreleased bonus tracks. Clearwater Blue Vinyl.
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High Rise - Sdisturbance Trip
High Rise
Sdisturbance Trip
2LP | 2024 | US | Original (Black Editions / La Musica)
59,99 €*
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Release: 2024 / US – Original
Genre: Rock & Indie
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Ten blistering performances from Tokyo's legendary High Rise. Recorded live in 1992, Disturbance Trip is a previously unreleased, distortion-saturated gem recorded in the same era as their third studio album, Dispersion. Guitarist Munehiro Narita's unmatched ability to channel the pure energy/spirit of rock and roll and hard psychedelia is on full display; his riffs are heavy and propulsive, his solos dizzying and transcendent. Nanjo's fuzz bass lays down hypermobile lines that swing and thunder as he intones lyrics that echo in the distance. Disturbance Trip is the first release on the resurrected La Musica Records, Asahito Nanjo's mystifying, apocryphal cassette label started in the 1990s and documenting the most obscure reaches of the Japanese psychedelic underground. Deluxe double LP housed in custom Unipak-style gatefold jacket and printed inner sleeves with spot metallic inks and gloss UV coating. Featuring: Nanjo Asahito {bass, vocals); Narita Munehiro (guitar); Dr. Euro (drums). Recorded Live in 1992, Tokyo, Japan.
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Poison Idea - We Must Burn
Poison Idea
We Must Burn
2LP | 1993 | US | Reissue (TKO)
59,99 €*
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Release: 1993 / US – Reissue
Genre: Rock & Indie
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In the discography of Poison Idea, 1993’s We Must Burn is recognized as the capper on the most prolific period for Portland, Oregon’s Kings Of Punk, as well as the final album from their initial thirteen-year run. Well-seasoned and confident in their sonic skin, this album showed the musical progression the band had made while still holding on to the buzzsaw guitars of TOM “pig Champion” Roberts, the defiant bellow of Jerry A. Lang, and the other elements that positioned them as one of the forerunning units for American Hardcore punk. Continuing with their tireless reissue campaign for Poison Idea TKO Records unleashes We Must Burn for the first time on vinyl in over thirty years, in this hefty two-record set. In addition to the original album, a second LP of bonus material is included. SIde's C and D contain WMB studio outtakes that originally saw release on the posthumous Religion & Politics 10”, plus live tracks from the 1992 “No On 9” festival. This legendary all-day event benefiting Gay Rights, at the Portland Meadows horse race track, saw Poison Idea sharing the stage with Nirvana and Helmet among others. The chance to absorb Poison Idea's scintillating and supposed swan song in the proper format is available to you once again. Act accordingly or be hung like a savior. Housed in deluxe gatefold jackets printed on foil-wrapped mirrorboard cardstock.
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Imelda May - 11 Past The Hour
Imelda May
11 Past The Hour
2LP | 2023 | EU | Original (Universal)
59,99 €*
Incl. VAT plus Shipping Costs
Release: 2023 / EU – Original
Genre: Rock & Indie
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Bad Sector - Anthology Fan's Edition
Bad Sector
Anthology Fan's Edition
3LP | 2024 | EU | Original (Garsu Gelmes)
59,99 €*
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Release: 2024 / EU – Original
Genre: Rock & Indie, Electronic & Dance
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Boban Petrovic - Zur / Zora
Boban Petrovic
Zur / Zora
2LP | 2024 | EU | Original (Everland)
59,99 €*
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Release: 2024 / EU – Original
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V.A. - Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition
V.A.
Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition
2LP | 2024 | US | Original (Light In The Attic)
58,99 €*
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Release: 2024 / US – Original
Genre: Rock & Indie
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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”
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Ruger - Ru The World (Lilac Vinyl)
Ruger
Ru The World (Lilac Vinyl)
LP | 2024 | Original (Promised Land)
58,99 €*
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Lacuna Coil - The 119 Show Deluxe Triple Red Vinyl Edition
Lacuna Coil
The 119 Show Deluxe Triple Red Vinyl Edition
3LP | 2024 | EU | Original (Sevan Mater)
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The Rolling Stones - Grrr Live! Live At Newark Limited Edition
The Rolling Stones
Grrr Live! Live At Newark Limited Edition
3LP | 2023 | Original (Mercury)
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Sondre Lerche - Two Way Monologue 20th Anniversary White Vinyl Edition
Sondre Lerche
Two Way Monologue 20th Anniversary White Vinyl Edition
LP | 2024 | EU | Original (Sondre Lerche Llc)
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13th Floor Elevators - Easter Everywhere
13th Floor Elevators
Easter Everywhere
LP | 1967 | US | Reissue (International Artist)
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Release: 1967 / US – Reissue
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Arild Broter - A Spectre Of Sounds - James Bond Music Reimagined
Arild Broter
A Spectre Of Sounds - James Bond Music Reimagined
2LP | 2024 | EU | Original (Apollon)
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Arild Brøter, known from the progressive rock band Pymlico, unveils a groundbreaking musical endeavour with the release of "A Spectre Of Sounds" - an instrumental rock album that reimagines the timeless James Bond music in a bold and electrifying way. There have been countless James Bond albums released over the years, in almost every genre imaginable - but the vast majority of them include only the title songs, giving the rest of the score very little attention. This is one is different! On this album, Arild has skipped most of the title tracks. He has been digging deeper and meticulously taken apart the actual scores and music used in the movies, rearranging them in new and clever ways. 60 years of tone-setting music from one of the biggest movie franchises that has ever existed has been transformed into new fresh electric instrumental rock tunes. The new arrangements seamlessly weave together the sophistication of Bond’s world with the dynamic and exhilarating spirit of progressive & classic rock. Listeners can expect a sonic experience like never before, as Arild injects new life into these familiar pieces of music, transforming them into powerful instrumental rock masterpieces - yet at the same time keeping both the grandness of the originals and the typical James Bond vibes alive. The album’s production quality and attention to detail underscore Arild’s commitment to delivering a fresh perspective on these beloved classics. Arild has been a lifelong James Bond fan, and he’s been obsessed with James Bond music from an early age. The idea for this album has been in the back of his head for at least 15 years. To release this album is really a dream come true! 19 musicians helped him to make this dream possible, among them Bjørn Riis from Airbag, Ole Michal Bjørndal from Caligonaut and Arild’s band mates from Pymlico. 1. Gun Barrel / James Bond Theme Intro2. On Her Majesty's Secret Service Suite - Part 1 (feat. Bjørn Riis) 3. Bond Meets Solitaire4. Vesper5. John Barry Suite (feat. Caligonaut)6. Journey To Blofeld's Hideaway (feat. Bjørn Riis)7. Space Laser Battle (feat. Bjørn Riis) 8. Secret Room / New Digs9. Corrine Put Down / Countdown For Blofeld10. Snow Job / Flight Into Space11. Capsule In Space (feat. Bjørn Riis)12. 007 Theme13. Diamonds Are Forever Suite14. Camille's Story15. Bond and Paris / City Of Lovers16. We Share The Same Passions17. On Her Majesty's Secret Service Suite - Part 218. Elektra's Theme19. The Living Daylight Suite20. Final Ascent
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Beabadoobee
This Is How Tomorrow Moves Electric Blue Vinyl Edition
LP | 2024 | Original (Universal)
58,99 €*
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Lacuna Coil - The 119 Show Deluxe Triple Gold Vinyl Edition
Lacuna Coil
The 119 Show Deluxe Triple Gold Vinyl Edition
3LP | 2024 | EU | Original (Sevan Mater)
58,99 €*
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Errortype 11 - Amplified To Rock Errortype: 11 You're Welcome
Errortype 11
Amplified To Rock Errortype: 11 You're Welcome
3LP | 2018 | EU | Original (Arctic Rodeo)
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Cardiac Arrest - The Stench Of Eternity
Cardiac Arrest
The Stench Of Eternity
2LP | 2024 | US | Original (Hells Headbangers)
58,99 €*
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Janel & Anthony - New Moon In The Evil Age
Janel & Anthony
New Moon In The Evil Age
2LP | 2024 | US | Original (Cuneiform)
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V.A. - Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Red & Gold Vinyl Edition
V.A.
Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Red & Gold Vinyl Edition
2LP | 2024 | US | Original (Light In The Attic)
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Light in the Attic, in cooperation with Laurie Anderson and the Lou Reed Archive, is thrilled to announce the forthcoming release of Why Don’t You Smile Now: Lou Reed at Pickwick Records 1964-65. Due out September 27th, the latest installment in LITA’s critically acclaimed Lou Reed Archive Series is a compilation of pop songs penned by Reed during his mid-60s stint as a staff songwriter for the long-defunct label Pickwick Records. The compilation follows on the heels of Lou Reed’s Hudson River Wind Meditations (2023) and Words & Music, May 1965 (2022).

One of the most original and innovative figures in music history, Reed (1942-2013) first gained recognition as co-founder and frontman of the massively influential Velvet Underground. Over the course of his five-decade career, the two-time Rock & Roll Hall of Famer brought his singular vision to an eclectic expanse of musical endeavors, including era-defining albums like 1972’s Transformer and wildly experimental works like the 1975 avant-garde noise classic Metal Machine Music. But before establishing himself as an enduringly iconic singer, songwriter, musician, and poet, Reed got his start as an in-house songwriter (and occasional session guitarist/vocalist) for Pickwick Records—a label specializing in sound-alike recordings that emulated the major pop hits of the day. Encompassing everything from garage-rock and girl-group pop to blue-eyed soul and teen-idol balladry, Reed’s output for Pickwick ultimately offers a fascinating early glimpse at his ever-evolving and truly limitless artistry.

The album has been restored and remastered by GRAMMY®-nominated mastering engineer John Baldwin. Both the 2xLP & CD editions feature in-depth booklets with unseen photos, liner notes by Richie Unterberger (renowned music journalist and author of such acclaimed titles as White Light/White Heat: The Velvet Underground day-by-day), and an essay by Lenny Kaye (the legendary guitarist, Patti Smith Group co-founder, writer, producer, and curator of seminal garage-rock anthology Nuggets). The double-LP package is designed by multi-GRAMMY®-winning artist Masaki Koike and pressed at world-renowned plant Optimal (Germany). A special color vinyl edition is pressed on “Oxblood” wax (a/b side) and “Gold” wax (c/d side). This release marks the first official anthology of Lou Reed’s work for Pickwick Records and features rarities, cult classics (The Primitives’ “The Ostrich”), & previously unreleased material (The Beachnuts’ “Sad, Lonely Orphan Boy”).
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Sula Bassana - Dreamer
Sula Bassana
Dreamer
LP | 2002 | US | Reissue (Ais)
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Eddie Bo - Other Side Of Eddie Bo Yellow Vinyl Edition
Eddie Bo
Other Side Of Eddie Bo Yellow Vinyl Edition
LP | 2024 | EU | Original (Amplified Media Services)
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Earl King - Street Parade Orange Burst Vinyl Edition
Earl King
Street Parade Orange Burst Vinyl Edition
LP | 2024 | EU | Original (Amplified Media Services)
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Clifton Chenier
Live At Tipitinas. June 7 1980 Rusty Marble Vinyl Edition
LP | 2024 | EU | Original (Amplified Media Services)
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Animals - Retrospective
Animals
Retrospective
2LP | 2022 | Original (ABKCO)
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Double 180gm vinyl LP pressing housed in gatefold jacket. This set gathers all fourteen U.S. Top 40 hits by The Animals (and late '60s lineup Eric Burdon & The Animals), including "See See Rider," "Don't Let Me Be Misunderstood," "San Franciscan Nights," and the transatlantic #1 classic, "House of the Rising Sun." The set is capped by the 1970 smash, "Spill the Wine," by Eric Burdon & War. Package includes extensive liner notes in a gatefold jacket.
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The Plastic People Of The Universe - Egon Bondy's Happy Hearts Club Banned
The Plastic People Of The Universe
Egon Bondy's Happy Hearts Club Banned
LP | 1976 | EU | Reissue (Guerilla)
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Release: 1976 / EU – Reissue
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Elf Power - When The Red King Comes
Elf Power
When The Red King Comes
2LP | 2024 | US | Original (Orange Twin)
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Fleetwood Mac - Mirage Tour '82 Clear Vinyl Edition
Fleetwood Mac
Mirage Tour '82 Clear Vinyl Edition
3LP | 2024 | Original (Rhino)
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Behemoth - Xxx Years Ov Blasphemy
Behemoth
Xxx Years Ov Blasphemy
3LP | 2024 | EU | Original (Nuclear Blast)
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Fleetwood Mac - Mirage Tour '82
Fleetwood Mac
Mirage Tour '82
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Sabaton - The Tour To End All Tours - Live In Amsterdam
Sabaton
The Tour To End All Tours - Live In Amsterdam
3LP | 2024 | EU | Original (Nuclear Blast)
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Joni Mitchell - Mingus Blue Vinyl Edition
Joni Mitchell
Mingus Blue Vinyl Edition
LP | 1979 | EU | Reissue (Elektra)
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Nightwish - End Of An Era Boxset
Nightwish
End Of An Era Boxset
Box | 2006 | EU | Reissue (Nuclear Blast)
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Christoph Bouet
Groeninger Bad 23
LP | 2024 | EU | Original (1301 Media)
56,69 €* 62,99 € -10%
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V.A. - Even The Forest Hums: Ukrainian Sonic Archives 1971-1996
V.A.
Even The Forest Hums: Ukrainian Sonic Archives 1971-1996
2LP | 2024 | US | Original (Light In The Attic)
55,99 €*
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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”
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Die Ärzte - Jazz Ist Anders Picture Disc Pizza Box Edition
Die Ärzte
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Fishmans - Uchu The Best Of Fishmans Blue Version
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Drummer Kinichi Motegi, currently with the Tokyo Ska Paradise Orchestra, curated a selection of tracks for this album based on the concept of "Kuchu (Aerial)" and "Uchu (Universe)," featuring music from two labels in 2005. The album has been highly requested by Fishmans fans for an analog version and is available as a limited edition on clear sky blue 2LP.
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Die Ärzte - auch
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Coheed & Cambria - In Keeping Secrets Of Silent Earth: 3
Coheed & Cambria
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Shin Joong Hyun - Beautiful Rivers & Mountains Blue Black Splatter Vinyl Edition
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Type O Negative - Bloody Kisses: Suspended In Dusk Green & Black Swirl Vinyl 30th Anniversary Edition
Type O Negative
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Type O Negative is an American goth-metal band formed in Brooklyn in 1989 by Peter Steele (lead vocals, bass) along with childhood friends Kenny Hickey (guitar, backing vocals), Josh Silver (keyboards, backing vocals), and Sal Abruscato (drums, percussions), who was later replaced by Johnny Kelly. They signed to Roadrunner Records and released their debut album Slow, Deep and Hard in 1991.

Bloody Kisses is the third album by Type O Negative, released on August 17, 1993. It is the album that would put Type O Negative into mainstream popularity in metal fandom following a somewhat lack of success with their first two albums. According to several reviews, the album lays the foundation of gothic metal for not just Type O Negative but other bands to follow. ''Bloody Kisses'' established Type O Negative motifs, such as songs originally recorded by another band restylized into gloomy gothic metal, sample-heavy soundscapes in between songs, and dry, satirical humor.

Bloody Kisses was the first album on Roadrunner Records to achieve gold and platinum certification (not just Type O Negative). This is the last album to feature the band's original line-up, as drummer Sal Abruscato would leave Type O Negative in late 1993 and was replaced by Johnny Kelly.
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Organ - Grab That Gun / Thieves
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Psychedelic Scene - The Psychedelic Scene Pink Vinyl Edition
Psychedelic Scene
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Geddy Lee - My Favourite Headache
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English Teacher - This Could Be Texas
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