Rock & Indie Vinyl 2156 Items

Release: 1989 / Reissue

Genre: Rock & Indie

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Dr. Feelgood 35th Anniversary Limited Box

Mötley Crüe

3LP | 1989 | EU | Reissue (BMG Rights Management)

200,99 €*

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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T. Rex Vinyl Me, Please Edition

T. Rex

LP | 1970 | US | Reissue (Vinyl Me, Please)

There's No Gettin' Over Me Vinyl Me, Please Edition

Release: 1970 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
This album, a pair of gorgeous, androgynous longhairs with incredible cheekbones on its cover, showed up first. Its songs talked of girls with jewels on their lips riding zebras and a chance encounter with a wizard. The sound was a strange brew concocted from different strains of earlier rock ’n’ roll: some folk, some rock, and an undeniable debt to Eddie Cochran. Marc Bolan’s music, persona, and look were strange, beautiful, and whimsical enough that if you tried to explain his massive popularity to somebody born after the century Bolan lived in, for just shy of 30 years, it would probably sound like a story from eons ago. We know glam came after T. Rex, but it’s also just a skip to the Sex Pistols, Ramones, and more punk from there; it’s also not far from the “post” sounds that came out of New York and London around 1977 or the darkness and decadence of Siouxsie Sioux and Bauhaus either. The tarted-up heavy metal of Hanoi Rocks and Poison in the 1980s followed, and into this newer century, you can hear Bolan’s direction heeded and reimagined by Alison Goldfrapp or Devendra Banhart. All of that is because of this album, the sound of Marc Bolan turning the key to unlock his true potential. His magically strange vision took shape here, and nothing has been the same since.

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Ronnie Milsap

LP | 1981 | US | Reissue (Vinyl Me, Please)

The Taker/Tulsa Vinyl Me, Please Edition

Release: 1981 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
Milsap’s origins are undoubtedly country, though the majority of his middle catalog, where There’s No Gettin’ Over Me falls, is not. It takes a while. No one will ever accuse Ronnie Milsap of overnight success, but by 1973, he skyrockets. Country music began to merge with the mainstream in powerful and unchangeable ways — ways still happening today. A boy born without vision in the distal mountains of North Carolina had a whole lot to do with that.

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Waylon Jennings

LP | 1971 | US | Reissue (Vinyl Me, Please)

Sweet Revenge Vinyl Me, Please Edition

Release: 1971 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
If there is a single album nexus point between what Waylon’s early career was like, and what his Imperial King of Country era was like, it’s The Taker/Tulsa: The one album from his pre-outlaw period that stands above the rest, a record that would help break an outsider songwriter to the Nashville mainstream, prove Waylon had instincts that couldn’t be taught and was maybe onto something that would
flower into all his commercial success later on.

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John Prine

LP | 1973 | US | Reissue (Vinyl Me, Please)

Killin' Time Vinyl Me, Please Edition

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
For all of its humor and goofiness, Sweet Revenge remains grounded in its observant reverence for humanity in all its contradictory and weird manifestations. The wild and wonderful products of Prine’s active imagination, after all, are just more ways to tell a story. Behind the self-assurance, the rock ’n’ roll attitude and the off-kilter punchlines, there’s still the same songwriter who captured the world with his debut: a poet who could build a world inside of a song, drop you inside of it, turn it upside down and, above all, make you feel like it belongs to you.

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Clint Black

LP | 1989 | US | Reissue (Vinyl Me, Please)

Barbara Ed Altri Carella Turquoise Colored Vinyl Edition

Release: 1989 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
Killin’ Time was Black’s debut LP, and it captured everything that made him a superstar in Texas’ honky tonk circuit: He could make you dance and he could make you weep in equal measure. Featuring the massive hit singles “Killin’ Time,” “A Better Man,” “Nobody’s Home” and “Walkin’ Away,” this anniversary is the perfect time to remember Clint’s immortal mark on country music. This edition is pressed on 180g Brown Galaxy vinyl and comes from new lacquers cut by Barry Grint at AIR Mastering.

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Enzo Carella

LP | 1979 | EU | Reissue (The Saifam Group)

Release: 1979 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Le Canzoni D'amore Di Vasco Rossi Colored Vinyl Edition

Vasco Rossi

LP | 1985 | EU | Reissue (RCA)

37,99 €*

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Screaming Blue Murder Blue Marble Vinyl Edition

Girlschool

LP | 1982 | EU | Reissue (Renaissance)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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7" | 1980 | Reissue (Damaged Goods)

Peechees

Sing Like Me..(Pic.7")

9,99 €*

Release: 1980 / Reissue

Genre: Rock & Indie

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Released Clear Vinyl Edtion

Jade Warrior

LP | 1971 | EU (Trading Places)

LP | 1970 | EU (Survival Research)

Release: 1971 / EU

Genre: Rock & Indie

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After playing in local acts Second Thoughts, the Tomcats and July, Ealing schoolfriends Jon Field (flute/percussion) and Tony Duhig (guitar) formed experimental prog act Jade Warrior with bassist Glyn Havard. Self-titled debut drew from traditional African and Indian styles, but follow-up Released was totally different: now with drummer Allan Price, rock tracks like ‘Three-Horned Dragon King’ and ‘Eyes On You’ contrast the jazz of ‘Water Curtain Cave’ and folky ballads like ‘Yellow Eyes’ and ‘Bride Of Summer’ with a percussive horn-heavy freakout called ‘Barazinbar.’ Another fine piece of the Jade Warrior story – a great listen!

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Frantic

Conception

16,99 €*

Release: 1970 / EU

Genre: Rock & Indie

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Indulge in the mesmerizing soundscape of Frantic's groundbreaking 1970 album 'Conception'! This seminal release remains an enduring testament to the band's musical prowess and innovation. With its fusion of psychedelic rock and soulful blues, 'Conception' invites listeners on a transcendent journey through sonic landscapes that defy time and space. As you explore the depths of 'Conception,' you'll find yourself immersed in a treasure trove of musical brilliance, discovering new layers of meaning and inspiration with each listen. So, delve into the depths of 'Conception' and lose yourself in its captivating allure. Let the music guide you on a journey of self-discovery and exploration, as you uncover the boundless 'Visions of Tomorrow' that await. This album is more than just music; it's an experience that continues to resonate with listeners across generations, leaving an indelible mark on the landscape of rock and roll.

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Lysergic Emanation Green Vinyl Edition

LP | 1985 | EU (Radiation Reissue)

22,99 €*

Release: 1985 / EU

Genre: Rock & Indie

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The Fuzztones’ sophomore set Lysergic Emanations is often hailed as the best album that the garage rock band ever released. As with their debut album, the disc mixes cover versions of obscure 1960s garage rock tracks with some inspired original work, and this one benefitted from being cut in the studio, allowing us to hear the group in full-spectrum stereo, without the noisy distractions of a live setting. Keen covers of songs by the Sonics, the Yardbirds and Sonny Boy Williamson are rendered in their own image and the originals sound totally on form too. Lysergic Emanations is the Fuzztones’ pinnacle – totally superb!

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Lysergic Emanation Black Vinyl Edition

LP | 1985 | EU (Radiation Reissue)

Release: 1985 / EU

Genre: Rock & Indie

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Leave Your Mind At Home Pink Vinyl Edition

LP | 1984 | EU (Radiation Reissue)

22,99 €*

Release: 1984 / EU

Genre: Rock & Indie

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80s garage rockers the Fuzztones had deep roots in the east coast punk scene. Frontman Rudi Protrudi got his start in hard rockers Springhead Motorshark and formed the influential DC punk act Tina Peel with organist Deb O’Nair, going on to the Fuzztones with bassist Michael Jay, drummer Ira Elliot and guitarist Elan Portnoy. Debut album Leave Your Mind At Home captures the group at their rawest and most unexpurgated: recorded live on a 1984 tour of the Midwest, the group thrills the crowds with riveting takes of obscure 60s nuggets. This is where the journey starts, a loveable warts-n-all set of garage rock bangers!

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Leave Your Mind At Home Black Vinyl Edition

LP | 1984 | EU (Radiation Reissue)

Head Games Translucent Light Blue Vinyl Edition

Release: 1984 / EU

Genre: Rock & Indie

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Foreigner

LP | 1979 | Reissue (Rhino)

32,99 €*

Release: 1979 / Reissue

Genre: Rock & Indie

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The Land Of Rape And Honey Deluxe Edition

Ministry

2LP | 1988 | Reissue (Rhino)

49,99 €*

Release: 1988 / Reissue

Genre: Rock & Indie

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Selling England By The Pound

LP | 1973 | Reissue (Rhino)

Release: 1973 / Reissue

Genre: Rock & Indie

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LP | 1971 | Reissue (Rhino)

Nursery Cryme

Release: 1971 / Reissue

Genre: Rock & Indie

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LP | 1976 | Reissue (Rhino)

Wind & Wuthering

41,99 €*

Release: 1976 / Reissue

Genre: Rock & Indie

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Sleepwalker 2024 Remaster

The Kinks

LP | 1976 | Reissue (Sanctuary)

Release: 1976 / Reissue

Genre: Rock & Indie

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LP | 1978 | Reissue (Bmg Right Management)

The Kinks

Misfts 2024 Remaster

Release: 1978 / Reissue

Genre: Rock & Indie

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LP | 1975 | EU | Reissue (Wewantsounds)

Yoshiko Sai

Mangekyou

34,99 €*

Gammapolis Colored Vinyl Editoin

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Wewantsounds is delighted to announce the release of one of Japan"s most coveted albums of the 70s, "Mangekyou" by singer-songwriter Yoshiko Sai. Produced in 1975 by Master musician Yuji Ohno, the album features Yoshiko Sai"s superbly crafted songs and crystal clear voice over Ohno"s lush, funky sound and breezy arrangements. A strong buzz has been growing around the album over the years and original copies now change hands for large sums of money. This is the first time "Mangekyou" is available outside of Japan, featuring remastered audio, original artwork and a 4 page insert including new liner notes by Paul Bowler.

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Omega

LP | 1978 | EU | Reissue (MIG)

23,99 €*

LP | 1973 | EU | Reissue (Grönland)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Logically, Omega did not plan to d...

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Harmonia

Musik Von Harmonia

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Wizard Black Vinyl Edition

Wizard

LP | 1971 | EU | Reissue (Out-Sider Music)

Lady Killer Black Vinyl Edition

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Rare & sought after psychedelic hard-rock album from 1971 by this power trio from Tampa (Florida) that opened for big names like Iron Butterfly and Mountain and even played at the legendary Goose Lake Music Festival in Michigan. Wizard consisted of Ben Schultz (guitar, vocals), Paul Forney (bass and lead vocals) and Chris Luhn (drums). Together, they conjured a heavy sound full of raw & loud guitars, powerful bass and crashing drums. “The Original Wizard” was their only album, recorded as a “live” in the studio demo after the band caught the attention of Decca Records, finally released on the small Peon Productions label. *Remastered by Tony Reed at HeavyHead Recording Co. *Original artwork in hard cardboard sleeve *Insert with liner notes and photos

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Mouse

LP | 1973 | EU | Reissue (Sommor)

Lady Killer Bi-Colored Vinyl Edition

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Led by legendary prog-fusion / session guitarist Ray Russell (John Barry Seven, Graham Bond, Georgie Fame, Running Man…) and bass player Jeff Watts (Steel Mill), Mouse released their only album in 1973 for the short-lived Sovereign label. An eclectic mix of progressive sounds, hard-rock, psych, blues and glam with stunning acid lead guitar. Includes their celebrated cover of Medicine Head’s “All the fallen teen-angels”. Remastered sound, original artwork in gatefold sleeve just like the original, insert with liner notes and pictures.

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Mouse

LP | 1973 | EU | Reissue (Sommor)

Ladies Of The Canyon 180g 45RPM SuperVinyl Box Set

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Joni Mitchell

2LP | 1970 | US | Reissue (Mobile Fidelity)

160,99 €*

LP | 1984 | EU | Reissue (Spittle Dependance)

Release: 1970 / US – Reissue

Genre: Rock & Indie

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SOURCED FROM THE ORIGINAL ANALOGUE MASTER TAPES
PRESSED AT RTI ON MOFI SUPERVINYL, AND STRICTLY LIMITED TO 5,000 NUMBERED COPIES
1/4” / 15 IPS / Dolby A analogue master to DSD 256 to analogue console to lathe

Ladies of the Canyon can be viewed as Joni Mitchell's coming-out party. Having recently moved to Lookout Mountain in Los Angeles' Laurel Canyon area — her house is depicted in a watercolour painting she made for the record's cover — the Canadian icon turned to her immediate surroundings for inspiration the while taking the pulse of national affairs, corporate enterprise, celebrity, and her relationship with Graham Nash. The 1970 album finds the singer-songwriter morphing into the groundbreaker who would shed folk music's constructs and wade into pop, jazz, soul, and poetry with a combination of depth, sophistication, self-examination, and acumen no one had ever heard.

Sourced from the original analogue master tapes, pressed on MoFi SuperVinyl at RTI on MoFi SuperVinyl, featuring new liner notes, and strictly limited to 5,000 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP box set delivers Ladies of the Canyon with bracing intimacy, detail, balance, and depth. Marking the first time the LP has received audiophile treatment, it's one of six iconic Mitchell records Mobile Fidelity is reissuing on definitive-sounding vinyl and SACD sets.

Playing with organic warmth, superb clarity, and ample spaciousness, this collectible UD1S edition benefits from the inherent properties of SuperVinyl — a virtually non-existent noise floor, reference-calibre groove definition, and ultra-silent surfaces among them. Primarily recorded solo, with spare accompaniment on select tracks, Mitchell practically takes up residence in your listening room. Her voice, piano, and guitar image with spot-on precision and three-dimensionality; the music is focused, emotional, natural. Auxiliary instrumentation — cello, clarinet, baritone saxophone, Milt Holland's deft percussion — is seamless, cohesive, steady. Notes bloom and decay as they do on a live stage; relatedly, the soundstage extends far and wide, with carbon-black backgrounds adding to the uncanny realism.

The deluxe packaging of the Ladies of the Canyon UD1S set complements its distinguished status. Housed in a deluxe slipcase, both LPs come in special foil-stamped jackets with faithful-to-the-original graphics that illuminate the splendour of the recording. This UD1S reissue is made for listeners who prize sound quality and production, and who desire to engage themselves in everything involved with the album, including Michell's illustrative painting that serves as the cover art.

Deemed "powerful and brilliant" upon release by The New York Times, Ladies of the Canyon followed Mitchell's first Grammy-winning effort (Clouds) and marked the first of six consecutive masterworks she made en route to becoming the most celebrated singer-songwriter of both her generation, and, arguably, all time. It's the first record on which the then-26-year-old featured the piano, a creative decision of immeasurable significance; first to attain platinum status, which transformed Mitchell into more than a folk figure; first to see her taking more chances with her singing; and the last on which she comes across upbeat, largely unencumbered by the complex themes and personal ache that would occupy her for the foreseeable future.

Mitchell radiates confidence and courage, producing Ladies of the Canyon herself after realizing she didn't need the services of an outsider when she already knew what she wanted. She just required a competent and collaborative engineer, who she landed in Henry Lewy. Fittingly, on the record's affectionate title track, she celebrates community and a trio of women — all real, all from her Laurel Canyon neighborhood — who, individually, as a visual artist, free-spirited mother, and circus-raised imagineer, respectively, were all reflected in Mitchell herself. Akin to Trina, Annie, and Estrella, Mitchell also had an affinity for wearing beautiful clothes, hosting friends, baking sweets, and weaving "a pattern all her own."

That pattern most famously materializes on the album's closing trio of songs — their unconventional placement on the record likely another sly acknowledgement of Mitchell's disdain for commercialism, or at the very least, catering to its demands — each, then and now, a classic. Within months of releasing Ladies of the Canyon Mitchell would find herself at the centre of the singer-songwriter movement — and preparing songs for another album whose impact is still felt today.

More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior

Mobile Fidelity Sound Lab's UltraDisc One-Step (UD1S) technique bypasses generational losses inherent to the traditional three-step plating process by removing two steps: the production of father and mother plates, which are created to yield numerous stampers from each lacquer that is cut. For UD1S plating, stampers (also called "converts") are made directly from the lacquers. Since each lacquer yields only one stamper, multiple lacquers need to be cut. Mobile Fidelity's UD1S process produces a final LP with the lowest-possible noise floor. The removal of two steps of the plating process also reveals musical details and dynamics that would otherwise be lost due to the standard multi-step process. With UD1S, every aspect of vinyl production is optimized to produce the best-sounding vinyl album available today.

MoFi SuperVinyl

Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analogue lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.

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Ruins

LP | 1986 | EU | Reissue (Spittle)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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The Ruins' eponymous EP (also known as the “gray record”) was originally released in the late spring of 1984 and in fact represents a significant moment in the Italian independent music scene of the early 1980s. The then contemporary burgeoning wave of entertainment music contaminated by experimental accents and conveyed essentially by electronic instruments saw the Ruins at the forefront. The band, essentially a duo, formed in Mestre (Venice) in 1978, had already carved out a window of national attention within the Italian new wave in 1981 with their first single “Short wave” and their participation in one of the very first (if not the very first) Italian new wave compilations entitled “Samples Only.” Following this, between 1982 and 1983, there had been an important interlude in the evolution of the Ruins sound with the foundation of the quintet project (of which SPITTLE/DepenDance recently published an essential anthology titled “brain Flakes”). At the end of 1983, having concluded the group experience with the consequent and inevitable return to the original duo dimension the musical style further evolved putting even more emphasis on the unique blend of electronic sounds and almost black /soul influences of the new compositions that would later be collected in 1984 in the original version of E.P. The duo's sound at that particular time was characterized by the innovative use of synthesizers and drum machines for unconventional song structures, which at the same time also encapsulated Ciranna and Pizzin's experimental ethos, thus allowing them to follow a parallel trajectory capable of maintaining a certain distance - while remaining somewhat related to - from the contemporary mainstream pop and the so-called Italo disco strand. Ultimately, this 1984 EP by the Ruins - of which Spittle DepenDance now offers a valuable reissue enriched with additional material from the period that has remained completely unreleased until now - is a testament to the band's innovative spirit and its role in shaping the Italian new wave scene, landing moreover to international acclaim and acclaim even over the following decades. With its mix of electronic experimentation and dark pop sensibility, it remains essential listening for fans of avant-garde pop music.

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Manimal

20,99 €*

LP | 1975 | WW | Reissue (La Munai)

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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One of the best kept secrets of the Italian Hardcore scene. Manimal took shape in the mid-1980s, in the tumultuous era of the roman underground uprising. They’ve been actually one of the first hardcore band – with label mates High Circle - rising from the ashes of the capital city punk scene. In 1985 they’ve been part of the historical German pack altogether with Negazione and Indigesti, a tour that made literally history ! In 1986 they recorded their sole self titled album. The record saw the light on the legendary Contagio Records and was a furious example of the contemporary attack to the system. Eleven tracks in total with three of them previously appeared on "Subject To Blackout," a cultish American tape compilation (with early Offspring, Excel and Attitude Adjustment). No compromise classic Italian Hardcore with fast guitar riffs, elaborate bass lines and hard-hitting drums. A necessary rediscovery that further delineates the greatness of the Italian scene in the early eighties.

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One Dee Group

Pop Sunda

Carlos Santana / Mahavishnu John

Release: 1975 / WW – Reissue

Genre: Rock & Indie

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LaMunai Records is a record label from Jakarta that pays full attention to archiving Indonesian music. This time, there are proud to announce the release of an exclusive vinyl compilation from the legendary music group One Dee Group, led by the versatile musician, Wandi Kuswandi. The name “one dee” itself is a play on his name, “Wandi”. This vinyl is a tribute to the musical journey of Wandi Kuswandi, a musician, singer, band leader and songwriter who is widely known for his extraordinary talent and contribution to the world of Indonesian music. Wandi Kuswandi, born in Bandung to parents from Banten, began entering the world of music as a teenager by playing Rolling Stones songs. In 1974, he formed a band called ODALF, which stands for One Dee and Lady Faces. With ODALF, Kuswandi and his group managed to second place in the Festival Band Girls held by Top Magazine at Istora Senayan, Jakarta.

“One Dee Group” vinyl compilation features the best collection of One Dee Group songs, providing musicians with the opportunity to experience the beauty and uniqueness of their works. This Vinyl is not only a sweet memory for old fans, but also an introduction to a new generation to get to know one of Indonesia’s great musicians.

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Love Devotion Surrender Supervinyl 180g Vinyl Editoin

LP | 1973 | US | Reissue (Mobile Fidelity Sound Library)

58,99 €*

Rocksession Colored Vinyl Edition

Release: 1973 / US – Reissue

Genre: Rock & Indie

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1973 Meeting OF Santana AND John Mclaughlin Yields Spiritual Transcendence: Love Devotion Surrender IS Inspired BY John Coltrane AND A Quest FOR Enlightenment

Sourced from the Original Master Tapes: Tones, Textures, and Notes Float Amid a Large, Open Soundstage on Mobile Fidelity's Numbered-Edition 180g LP 1/4" / 15 IPS analogue master to DSD 64 to analogue console to lathe Two guitar giants. A band comprised of virtuosic instrumentalists. One shared goal. And one tremendous album. The only meeting of Santana and John McLaughlin on record, Love Devotion Surrender more than lives up to the promise offered by its principal creators. Based in divine faith, religious toleration, meditative intent, and the forward-thinking philosophy that music can take us closer to the truth, it is a spiritual journey. These enlightening concepts are reflected in the inspired playing of Santana and McLaughlin, who repeatedly hit a higher plane on this 1973 set.

Sourced from the original analogue master tapes and pressed at Fidelity Record Pressing in California, Mobile Fidelity’s numbered-edition 180g LP of Love Devotion Surrender benefits from the reissue label’s painstaking engineering efforts. The windows on the record’s give-and-take passages, sustained notes, and varied textures are thrown open with palpable transparency and detail. Laden with delicate acoustic touches and gentle piano touches, as well as powerful staccato bursts and fast-paced percussion, Love Devotion Surrender contains a dynamic mix of tempos, tones, and contrasts crucial to its optimal enjoyment. This collectible edition brings those aspects to the fore with extraordinary realism.

In addition, the pinpoint imaging — Santana primarily on the left, McLaughlin on the right — invites you to picture the musicians in the act. You’ll sense a newfound freedom and naturalism to the playback, as well as black backgrounds and an openness that allow the widespread array of textures, atmospherics, echoes, and neo-psychedelic shapes to float in the air. Call it jamming guided by a higher power or surreal art brought together by time, circumstance, and purpose; there really is no other album completely like it.

Having each become a follower of Indian guru Sri Chinmoy, who wrote the album’s extensive liner-note essay and is seen in several jacket photos, Santana and McLaughlin began playing together in 1972. Both legends found themselves in the midst of personal and creative transition. Santana was moving away from rock-based songs in favour of exploratory jazz-rock. A contemporary of Miles Davis, McLaughlin had already achieved fame with the Mahavishnu Orchestra, then on the brink of collapse due to internal disagreements.

On Love Devotion Surrender, the duo pools its interests in discovery and transcendence into gorgeous music steeped in improvisational lines, ecstatic chords, and sensitive organ accompaniment courtesy of the record’s best-kept secret, Larry Young. The former Blue Note recording artist had already connected with McLaughlin in the Tony Williams Lifeline, which began as a power trio and turned jazz on its head with its groundbreaking 1969 debut. Young’s ear for melody and fearless penchant for chasing down adventurous fusion leads — not to mention keeping pace with the headliners, no small feat — make him an ideal foil for the proto post-rock happening throughout.

Credited under his Muslim name, Khalid Yasin, Young isn’t the only standout. Several Santana contemporaries — bassist Doug Rauch, drummers Mike Shrieve and Billy Cobham, percussionists Mingo Lewis and Armando Peraza — play alongside Mahavishnu Orchestra member Jan Hammer and Tony Williams Lifeline drummer Don Alias, who already had credits on Davis’ seminal Bitches Brew and On the Corner. Complemented by Santana and McLaughlin, the ensemble sounds and feels unstoppable. In addition to the band’s search for sacred soulfulness, the common denominator throughout is John Coltrane, who engaged in similar pursuits during the 1960s. Two of the five compositions — “A Love Supreme,” “Naima” — are interpretations of Coltrane standards while the lynchpin, a nearly 16-minute investigation into the traditional “Let Us Go Into the House of the Lord,” integrates free-form structure, jazz phrasing, gospel mysticism, cross-cut dynamics, and tonal shaping into one of the most uplifting pieces of music you’ll ever hear. The same can be said for the entirety of Love Devotion Surrender. Bow down.

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Embryo

LP | 1973 | EU | Reissue (MIG)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Busy Bee Cafe Vinyl Me, Please Edition

Marty Stuart

LP | 1982 | US | Reissue (Vinyl Me, Please)

The Silver Tongued Devil And I Vinyl Me, Please Edition

Release: 1982 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
“The moment country music was born, it started dying — at least according to a particular substrate of purists. For decades, they have dug in their heels for fiddle, for mandolin, for harmonies. Every so often, they get a win, pulling the rope over to their side in the endless tug-of-war between country music that incorporates the pop trends of the day (for both creative and commercial reasons), and country music that prioritizes mining the music’s widely mythologized tradition.

Marty Stuart was one of those artists. On 1982’s Busy Bee Cafe, the singer and mandolin player flaunted his real country bona fides via both his prodigious picking and the gaudy talent among the album’s personnel — earned in the course of a career that had already, apocryphally, lasted a decade in spite of the fact that Stuart was just 24 years old when the album was released. Far from being an appetizer to Stuart’s eventual commercial success, Busy Bee instead showcases his deep reverence for his musical forebears, radio playability be damned. The folksy release falls in line with a persistent strain of traditionalism even more than it does the commerce-minded revivals of Strait and Skaggs — a strain that endures today, fueled in part by inspiring performances like those captured on this album.”

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Kris Kristofferson

LP | 1971 | US | Reissue (Vinyl Me, Please)

Infamous Angel Vinyl Me, Please Edition

Release: 1971 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
Kris Kristofferson was the true country outsider, a man who single-handedly pushed the genre leftward, changing forever the perception of its songwriters, its performers and its message. He was long-haired, anti-war and sang songs with drug use, sex and violence always lurking as dangers in the margins, at a time when Waylon and Willie were wearing sweaters and playing golf on their album covers. He was the outlaw, in a genre that would soon have people recording his songs, and co-opting his vision for a new version of country, to much greater financial success.

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Iris Dement

LP | 1982 | US | Reissue (Vinyl Me, Please)

Honky Tonk Heroes Vinyl Me, Please Edition

Release: 1982 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
Infamous Angel is the stunning debut from country singer-songwriter Iris DeMent, and the VMP Country Record of the Month for January 2022. It’s pressed on exclusive 180g Cloudy Blue vinyl.

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Waylon Jennings

LP | 1973 | US | Reissue (Vinyl Me, Please)

Back To The Country Vinyl Me, Please Edition

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
“On Honky Tonk Heroes, Waylon Jennings had no one else to answer to, and the joyful mess of the album testifies to the kind of magic that can happen when you finally cut a lifelong misfit loose.
Honky Tonk Heroes isn’t Jennings’ first great album, but it was the first that captured his wild-hair energy instead of attempting to tame it. It belonged completely to him. It was so liberating that it would unleash a series of triumphs. This is the birthplace of the iconic 1970s Waylon, the one who would go on to slalom across the rest of the decade on a series of increasingly brilliant albums and mountains of cocaine. Waylon Jennings transformed himself into the Waylon, the leader of a movement forever altering the perception of country music in America.”

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Loretta Lynn

LP | 1975 | US | Reissue (Vinyl Me, Please)

Coat Of Many Colors Vinyl Me, Please Edition

Release: 1975 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
‘’Loretta Lynn had started working on her 25th studio LP, Back to the Country, in 1972. Its eventual opening track, ‘’The Pill,'' was a song about the birth control pill and the freedoms it could give a woman from — but not limited to — a philandering husband. At first, it was put in Lynn’s back pocket after a recording session when the label deemed it too controversial to release. The label was right, of course. It was controversial. But they were wrong about the consequences of releasing a song so polarizing. Though radio stations across the country banned ‘’The Pill,'' that only made it more alluring to fans who helped boost its sales, making it one of her biggest sellers of all time. Lynn may not have been close to being one of the “outlaw” musicians of the late ’60s — not decked in leather nor caught smoking weed with Willie Nelson — but you could easily argue she was among the most outlaw of them all.''

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Dolly Parton

LP | 1971 | US | Reissue (Vinyl Me, Please)

Jailbreak Vinyl Me, Please Edition

Release: 1971 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
What’s most apparent, though, across Coat of Many Colors — through the pain, the work, the heartbreak and even the cruelty — is Parton’s complete, undying adoration for life and the people in it. “Early Morning Breeze,” a track that subtly veers into psychedelic folk, is a spiritual meditation that observes and appreciates the simplicity of an early morning walk through a meadow and a moment of prayer. Album closer “A Better Place To Live” takes time to imagine what an actively kinder world would look like. Bold and brilliant “Here I Am,” in retrospect, serves as a much more definitive, and more fitting, introduction to her self-driven rise than a simple “Hello, I’m Dolly.” Sung almost exclusively in Dolly’s unhinged all-out belt, the song’s a pipe-showcasing testament to the simple power of showing up: lending a hand, offering an understanding ear, knowing how much love you’ve got to give and shelling it out indiscriminately.

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Thin Lizzy

LP | 1986 | US | Reissue (Vinyl Me, Please)

Hootenanny Vinyl Me, Please Edition

Release: 1986 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
“When Thin Lizzy’s Jailbreak was released on March 26, 1976, rock ’n’ roll was at a fascinating crossroads. The old-school dinosaurs who led ’60s rock — The Who, Led Zeppelin, The Rolling Stones — were still standing but limping along, already sounding like nostalgia acts to younger listeners. The next generation of arena-rock groups — Aerosmith, Kiss, Black Sabbath —were grounded in a more flamboyant, “party till you puke” sensibility that would soon be subsumed by the ascendent heavy metal movement.
Jailbreak would prove as foundational to the future sound of metal as AC/DC’s High Voltage or Motörhead’s Motörhead, just as Thin Lizzy’s no-nonsense musical approach informed the sensibility of punk.”

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The Replacements

LP | 1983 | US | Reissue (Vinyl Me, Please)

Nebraska Vinyl Me, Please Edition

Release: 1983 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
The Replacements built an entire career out of rebelling, reacting and kicking against the pricks. And they never kicked harder than on their 1983 album Hootenanny — a stylistic free-for-all that would mark the band’s true artistic departure point.

Crucially, though, it would be Hootenanny that freed the band from its early punk trappings and set them loose. Even though they’d assimilated a variety of genres on the record, Westerberg would note proudly that Hootenanny was “the first album that sounds just like us. The first one, I think, that is our style.”

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Bruce Springsteen

LP | 1982 | US | Reissue (Vinyl Me, Please)

Release: 1982 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
"“Released on September 30, 1982, Bruce Springsteen’s sixth studio album, Nebraska, came in a stark sleeve, dominated by David Michael Kennedy’s black-and-white photograph of a perfectly flat highway stretching down a barren wintertime plain. It sold enough copies to earn a Gold Record award, and if some listeners were mystified, or even disappointed, by the gloomy music, critics doubled down on their praise for Springsteen’s writerly skill and artistic daring. Other artists were inspired by the work; generations of subsequent musicians, ranging from Rage Against the Machine’s Tom Morello to pop country singer Kelly Clarkson, cited Nebraska as a crucial influence on their careers. Forty years later, the power of Nebraska is undiminished.”

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LP | 1980 | Reissue (Rhino)

Duke

Release: 1980 / Reissue

Genre: Rock & Indie

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LP | 1981 | Reissue (Rhino)

Abacab

Release: 1981 / Reissue

Genre: Rock & Indie

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LP | 1983 | Reissue (Rhino)

Genesis 2007 Remaster

Release: 1983 / Reissue

Genre: Rock & Indie

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Start Today Baby Blue Vinyl Edition

Gorilla Biscuits

LP | 1989 | US | Reissue (Revelation)

LP | 1983 | Reissue (Culture Factory USA)

Release: 1989 / US – Reissue

Genre: Rock & Indie

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Gorilla Biscuits' "Start Today" is one of the most influential records in hardcore. Hailing from NYC, Gorilla Biscuits carved a niche within the NY hardcore scene. Blending the aggression and energy of bands like Agnostic Front with a sense of melody likened to Dag Nasty, Gorilla Biscuits still stands as a unique reference point for many hardcore bands that have come after them.

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Ringo Starr

Old Wave

34,99 €*

Release: 1983 / Reissue

Genre: Rock & Indie

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Pyramid 2024 Remaster Clear Vinyl Edition

The Alan Parsons Project

LP | 1978 | Reissue (Cooking Vinyl)

Pages Colored Vinyl Edition

Release: 1978 / Reissue

Genre: Rock & Indie

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The third studio album "Pyramid" by The Alan Parsons Project was originally released in May 1978. As with other APP albums, the focus was on very high-quality studio sound production. "Pyramid" was a worldwide hit, achieving platinum and gold status in numerous territories including the USA, Germany and Canada.Limited edition 180g Heavyweight Clear Vinyl LP Half speed remastered by Miles Showell at Abbey Road studios.

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Pages

LP | 1978 | EU | Reissue (Music On Vinyl)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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LP | 1973 | Reissue (Warner)

Doors

Morrison Hotel

38,99 €*

Release: 1973 / Reissue

Genre: Rock & Indie

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LP | 1983 | US | Reissue (Toxic Shock)

V.A.

Barricated Suspects

34,99 €*

Chicago VI Turquoise Vinyl Edition

Release: 1983 / US – Reissue

Genre: Rock & Indie

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The 1983 Toxic Shock hardcore classic featuring tracks from Massacre Guys (future ALL, Descendents members), MAD Parade, Roach Motel, Human Therapy, RED Tide, Decry, THE Dull, Killroy, Peace Corpse, Knockabouts, S.U.M., Septic Death and more. Includes a 20-page full-size magazine with band info and lyrics plus cover art by Pushead.

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Chicago

LP | 1973 | US | Reissue (Friday Music)

42,99 €*

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Chicago VI Silver Vinyl Edition

Chicago

LP | 1973 | US | Reissue (Friday Music)

42,99 €*

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Skyrover Colored Vinyl Edition

Omega

LP | 1979 | EU | Reissue (MIG)

23,99 €*

LP | 1984 | Reissue (Concord)

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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After four studio albums and one compilation, the Hungarian megastars Omega were still much of an insider tip in the West. However, sales figures were noticeably rising, though far from going through the roof. In addition, the band had evolved, becoming more professional, both in their live performance and in their appearance. Those in charge at Bacillus/Bellaphon definitely meant to hold on to Omega, so in 1976 the contract with the quintet was extended till 1980. And the band, to...

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Violent Femmes

Hallowed Ground

Release: 1984 / Reissue

Genre: Rock & Indie

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You Get What You Deserve Opaque Green Vinyl Editoin

The Scientists

LP | 1985 | US | Reissue (Numero Group)

LP | 1973 | US | Reissue (Riding Easy)

Release: 1985 / US – Reissue

Genre: Rock & Indie

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Green Opaque Vinyl.Bad vibes, habits, and breath collide on this ten-song pile up on the freeway to nowhere. Melting neo-grunge, swamprock, and noise punk in a cauldron of drug-addled psychosis, 1985's You Get What You Deserve continues Australia's prison-as-country tradition of unhinged lunacy in the face of cultural isolation. Nuke nostalgia, femme fatale sharpshooters, demolition derbies, and a vacation at Hell Beach await.

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ODA

Happy End Colored Vinyl Edition

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Of the plethora of touted "private press hard rock monsters'' out there, very few live up to the swaggering riff-fury of west coast blasters ODA. Commonly known as the "Black Album," the first clobbering platter by the quartet was released on their own tiny Loud Phonograph Records imprint and now commands large sums—but is actually worth the heavy hype. The band naturally centered around Randy Oda, a multi-talented ax shredder and keyboardist, and the lineup was filled out by his brother Kevin on drum assault, Art Pantoja on lead bellows and rhythm guitar, and galloping bassist Kyle Schneider.

The Oda brothers were born in Alameda County, California, attending Kennedy High School in Richmond, and started the band while still teenagers at the beginning of the '70s. ODA was influenced by hard UK rockers like Deep Purple, Zep, Free, and the Who, and they gigged all over the Bay Area, with Randy garnering comparisons to Jeff Beck's molten six-string mastery. This 1971 self-titled LP (aka the Black Album) fully displays their blistering talents, but despite some local airplay on Ksan radio, the band packed it in by '73.

This would not be the end of the Oda story, as Randy joined CCR's Tom Fogerty in the outfit Ruby afterwards, laying down his licks on two LPs that flirted with the mainstream, while staying true to his highly electric guitar muse. In 1983, ODA actually reformed for one more LP on Loud Phonograph, entitled Power Of Love. The comeback album delves a little deeper into radio friendly power pop, which makes sense, as in '82 Oda co-wrote "Think I'm In Love" with Eddie Money (which, let's face it, is Money's best song by like a mile). Randy would also collaborate with Fogerty as a duo, and the posthumous Sidekicks album (released after Fogerty passed) listed the clearly-integral Randy Oda as "arranger, composer, guitar (acoustic), guitar (electric), keyboards, primary artist, and producer.” In the 2000s, Randy would start another band with his brother called OPO which means "to lay a foundation" in Hawaiian, and ODA would reform to play a benefit in 2015 along with other obscure and heady/heavy Bay Area rockers like Savage Resurrection and Country Weather (some live footage of the event shows the band still rocking hard).

At last, Riding Easy is legitimately reissuing ODA's first smoking, gargantuan LP with bonus tracks, so crank this one up in the '70s Camaro with the windows open, and some dirt weed joints a-blazin'.

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Happy End

LP | 1973 | JP | Reissue (King)

39,99 €*

Kyoko Omiya & Orange Clear Orange Vinyl Edtion

Release: 1973 / JP – Reissue

Genre: Rock & Indie

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A must-have for anyone interested in Japanese pop music, the legendary band Happy End (featuring Haruomi Hosono, Eiichi Ohtaki, Takashi Matsumoto, and Shigeru Suzuki) released their final album 'happy End' in 1973. This limited-edition colored vinyl reissue was recorded at Sunset Sound Recorders in Los Angeles. It captures the individual musical styles that would later define each member's solo career, making it a timeless masterpiece with global acclaim. Produced by Van Dyke Parks.

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Kyoko Omiya & Orange

LP | 1980 | JP | Reissue (Pony Canyon)

47,99 €*

Release: 1980 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

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You Get What You Deserve Black Vinyl Ediiton

The Scientists

LP | 1985 | US | Reissue (Numero Group)

Johnny The Fox Red Brick Vinyl Edition

Release: 1985 / US – Reissue

Genre: Rock & Indie

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Bad vibes, habits, and breath collide on this ten-song pile up on the freeway to nowhere. Melting neo-grunge, swamprock, and noise punk in a cauldron of drug-addled psychosis, 1985's You Get What You Deserve continues Australia's prison-as-country tradition of unhinged lunacy in the face of cultural isolation. Nuke nostalgia, femme fatale sharpshooters, demolition derbies, and a vacation at Hell Beach await.

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Thin Lizzy

LP | 1976 | Reissue (Mercury)

Release: 1976 / Reissue

Genre: Rock & Indie

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Jailbreak Gray Vinyl Edition

Thin Lizzy

LP | 1976 | Reissue (Mercury)

Release: 1976 / Reissue

Genre: Rock & Indie

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Seventh Son Of A Seventh Son

LP | 1988 | EU | Reissue (Parlophone Label Group)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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LP | 1986 | EU | Reissue (Parlophone Label Group)

Somewhere In Time

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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2LP | 1985 | EU | Reissue (Parlophone Label Group)

Live After Death

44,99 €*

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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LP | 1984 | EU | Reissue (Parlophone Label Group)

Powerslave

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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LP | 1983 | EU | Reissue (Parlophone Label Group)

Piece Of Mind

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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LP | 1982 | EU | Reissue (Parlophone Label Group)

The Number Of The Beast

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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LP | 1981 | EU | Reissue (Parlophone Label Group)

Killers

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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LP | 1980 | EU | Reissue (Parlophone Label Group)

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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LP | 1980 | UK | Reissue (Charly)

New York Gong

About Time

32,99 €*

Release: 1980 / UK – Reissue

Genre: Rock & Indie

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Blow Up Your Video 50th Anniversary Golden Vinyl Edition

AC/DC

LP | 1988 | EU | Reissue (Sony Music Catalog)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Fly On The Wall 50th Anniversary Golden Vinyl Edition

AC/DC

LP | 1985 | EU | Original (Sony Music Catalog)

Release: 1985 / EU – Original

Genre: Rock & Indie

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Flick Of The Switch 50th Anniversary Golden Vinyl Edition

AC/DC

LP | 1983 | EU | Reissue (Sony Music Catalog)

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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A Wizard A True Star Magenta Vinyl Edition

Todd Rundgren

2LP | 1973 | US | Reissue (Friday Music)

80,99 €*

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Bridge Over Troubled Water

Simon & Garfunkel

LP | 1970 | US | Reissue (Mobile Fidelity Sound Lab)

83,99 €*

Release: 1970 / US – Reissue

Genre: Rock & Indie

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Stronger Than Heaven Blue / Yellow Mixed Vinyl Edition

LP | 1986 | EU | Reissue (High Roller)

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Stronger Than Heaven Black Vinyl Edition

LP | 1986 | EU | Reissue (High Roller)

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Tales Of Terror Orange / Red Mixed Vinyl Edition

LP | 1985 | EU | Reissue (High Roller)

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Tales Of Terror Black Vinyl Edition

LP | 1985 | EU | Reissue (High Roller)

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Walpurgis Night Orange / Black Mixed Vinyl Editoin

LP | 1984 | EU | Reissue (High Roller)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Walpurgis Night Black Vinyl Edition

LP | 1984 | EU | Reissue (High Roller)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Titan Force Galaxy Effect Vinyl Edition

Titan Force

LP | 1989 | EU | Reissue (High Roller)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Titan Force Black Vinyl Edition

Titan Force

LP | 1989 | EU | Reissue (High Roller)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Stagefright Splatter Vinyl Edition

Witchfynde

LP | 1980 | EU | Reissue (High Roller)

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Stagefright Black Vinyl Edition

Witchfynde

LP | 1980 | EU | Reissue (High Roller)

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Give 'Em Hell Black Vinyl Edition

Witchfynde

LP | 1980 | EU | Reissue (High Roller)

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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It'll All Work Out In Boomland

LP | 1970 | EU | Reissue (Proper)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Televizori / Majka // Moje DJetinjstvo

Prljavo Kazaliste

7" | 1978 | EU | Reissue (Croatia)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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LP | 1979 | EU | Reissue (Warner Music)

Pooh

Viva

39,99 €*

Release: 1979 / EU – Reissue

Genre: Rock & Indie, Pop

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Pappo's Blues Amber Black Smoke Vinyl Edition

Pappo's Blues

LP | 1971 | EU | Reissue (Svart)