Rock & Indie Vinyl 1941 Items

Mercy, Mercy / Who Knows Whats Gonna Come

Release: 1982 / EU

Genre: Rock & Indie

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Brummie punks Dead Wretched only managed to release 2 EP’s “NO Hope FOR Anyone” and “convicted/infiltrator”, but in those 2 releases were songs of such strength and catchiness that they still stand up today as some of the best songs to ever come out of the punk rock scene. They were originally called The Wretched, but on discovering that there was a band from Newcastle already with that name they decided on Dead Wretched. This rules. Absolute quality.

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Kids

7" | 1986 | EU (Sky)

8,54 €* 8,99 € -5%

Release: 1986 / EU

Genre: Rock & Indie

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The Murder Of Liddle Towers Colored Vinyl Edition

Angelic Upstarts

7" | 1978 | EU (Overground)

8,99 €*

Born To Be Malaj Colored Vinyl Edition

Release: 1978 / EU

Genre: Rock & Indie

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Formed in 1977 in South Shields the Angelic Upstarts self-released debut single released in 1978 was ‘The Murder Of Liddle Towers’. The song highlighted the death of Liddle Towers who died after having been beaten in police custody, a crime that was covered up and no officers ever brought to justice. The record became a rallying point against police brutality. The record, and it’s B side ‘Police Oppression’ became a classic punk single and is a passionate call for justice. Mensi: “Liddle Towers was our protest single. It was the story of a boxing coach who was arrested for being drunk and disorderly. He was examined by a doctor and was perfectly healthy. Then in the morning was discovered dead and had injuries which the police surgeon described as being similar to that of a person who had been in a serious 70 miles-an-hour head-on collision. His injuries were absolutely horrific. He was basically kicked to death. “We done a couple of shows and got the money together and we pressed 500 singles, and then Small Wonder/Rough Trade re-released it, and it got to number one in the indie charts despite no radio play. Apart from John Peel, nobody else played it, and it was actually banned off any sort of play list in the northeast. Fair play I say.” The single is reissued as a limited edition of 500 on White vinyl, closely reproducing the first pressing from 1978.

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Attentat

7" | 1980 | EU (Ken Rock)

8,99 €*

Release: 1980 / EU

Genre: Rock & Indie

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LP | 1977 | UK | Reissue (Seelie Court)

Hooknorton

In For A Penny

10,44 €* 10,99 € -5%

Release: 1977 / UK – Reissue

Genre: Rock & Indie

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LP | 1976 | UK | Reissue (Seelie Court)

Dave Keir

Release: 1976 / UK – Reissue

Genre: Rock & Indie

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LP | 1974 | UK | Reissue (Seelie Court)

Heavy Glam Girl Band

Acetate

Release: 1974 / UK – Reissue

Genre: Rock & Indie

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7" | 1980 | EU | Reissue (Reminder)

Wild Boys

Last One Of The Boys

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Enjoy The View / Yukon Fang

Fang

7" | 1981 | EU (Improved Sequence)

Human Hell Red / Black Splatter Vinyl Edition

Release: 1981 / EU

Genre: Rock & Indie

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Improved Sequence brings back to life an essential weirdo hc-punk ripper from Berkeley legends Fang. This is where it all started in 1981 when Fang guitarist Tom Flynn and bass player Brian Beattie released this incredible 7" documenting the 'experimental' in yr face sound they soon refined on 'Landshark'. Remastered by Brian Pyle and featuring the original artwork this is as good as it gets and we dare say... a classic!

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Harter Attack

LP | 1989 | EU | Reissue (Back On Black)

7" | 1977 | EU (Belgian Waffles)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Re-issue of Harter Attack's 'Human Hell' on absolutely stunning limited edition RED AND Black Splatter Vinyl. Thrash so apocalyptic and ferocious it could easily be the soundtrack to Armageddon!

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La Vie En Rose

Shitparade

7" | 1982 | EU (Discos Enfermos)

Release: 1977 / EU

Genre: Rock & Indie, Electronic & Dance

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Belgian Waffles Records is happy to announce the new release Bw014. La Vie En Rose « Shitparade » 7’’. Four songs of pure punk nihilism with political lyrics drenched in social criticism. Recorded in 1978 and unreleased to this day. The band formed in Ghent, in the flamish north part of Belgium, from the ashes of Basta who released a single in 1977. They only lasted a few months and played a handful of concert before disbanding. Some members went on to form the well know synth wave outfit Nacht und Nebel.

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Codigo Neurotico

Release: 1982 / EU

Genre: Rock & Indie

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Nothing Yet Blue Vinyl Edition

Weeping Messerschmitts

7" | 1986 | EU | Reissue (Optic Nerve)

Tranquil Red Vinyl Edition

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Includes postcard and poster. Hailing from Wolverhampton, Weeping Messerschmitts gave us one absolutely cracking 12”, released on Upright in 1986 and then disappeared . Previously only available on 12” only we bring you 2 of those tracks on 7” for the very first time. Coming out of the West Midlands Weeping Messerschmitts cut their teeth supporting schoolfriends The Mighty Lemon Drops.

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The Clouds

7" | 1987 | EU | Reissue (Optic Nerve)

Gordon / Situations Vacant

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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Part of The Optic Sevens 3.0 Reissue Series . Limited to 800 copies worldwide. Pressed on Red Vinyl Printed inner sleeve. Includes postcard and poster. Glasgow based The Clouds only single was originally released in 1988 on Subway and became an indie top 20 hit. This version is pressed on Red vinyl with inner sleeve. Includes all 3 tracks from the 12”.

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The Cravats

7" | 1978 | EU (Overground)

Release: 1978 / EU

Genre: Rock & Indie

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7" | 1979 | EU (Different Class)

Das Schnitz

4 Am

7" | 1984 | EU | Reissue (Optic Nerve)

Release: 1979 / EU

Genre: Rock & Indie

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Reissue of very rare UK Punk 1979, in vein of Buzzcocks, Users, Clash, Wire.

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The Wee Cherubs

Dreaming

7" | 1985 | EU | Reissue (Optic Nerve)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Includes postcard and poster. Impossibly rare 1984 UK 7” vinyl single, written by a pre- Bachelor Pad’s Martin Cotter. One of only three releases by the short-lived Glasgow based indie label Bogaten, although redolant of early Orange Juice in the sound of the A-side, also looks forward to Shoegaze, with a reverb-drenched cover of The Velvet Underground’s Waiting For My Man on the B-side

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Meat Whiplash

Dont Slip Up

The Revolving Paint Dream

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Includes postcard and poster. Their one and only single was originally released in 1985 on Creation and spent 19 weeks in the independent chart. From East Kilbride in Scotland, they morphed into Motorcycle Boy.

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Flowers In The Sky

7" | 1984 | EU | Reissue (Optic Nerve)

7" | 1989 | EU | Reissue (Optic Nerve)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Released in 1984 and the second release on Creation Records. Flowers In The Sky Is a perfect piece of 80’s psychedelic pop.

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Bob

Convenience

Strawberry Cheescake / Modern Noise

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Originally released in 1989 on The House Of Teeth label, this indie classic which made John Peels Festive fty of that year, gets a 30th anniversary reissue as part of our Optic Sevens 2.0 reissue series. It is backed with the Previously unreleased ‘Coquette’, which was recorded in 1992 , remixed in 2017 and only available on this release of the 7 inch.

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The Algebra Mothers

7" | 1979 | US | Reissue (Third Man)

Release: 1979 / US – Reissue

Genre: Rock & Indie

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Harken | Fludango | Hiss Alon

Mike Flood

7" | 1980 | US | Reissue (Sub Pop)

Release: 1980 / US – Reissue

Genre: Rock & Indie

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LP | 1982 | EU | Reissue (Bachelor)

Dead Nittels

Anti New Wave Liga

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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First And Last Colored Vinyl Edition

Artattacks

7" | 1979 | EU (Overground)

Release: 1979 / EU

Genre: Rock & Indie

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Originally From 1979 - Limited Color Vinyl!

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Nighters

Drop Down Dead EP

LP | 1984 | EU (No Plan)

11,69 €* 12,99 € -10%

7" | 1987 | EU (Beat Generation)

Release: 1984 / EU

Genre: Rock & Indie

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Reissue FOR This Classic Italian Hardcore Punk 7" EP, Originally From 1984. File Under: Bloody Riot, Wretched, Negazione, Manimal.

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Tercera Guerra Mundial

Violencia

Release: 1987 / EU

Genre: Rock & Indie

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Äpärät

Häiriköt Tulee-Ep

7" | 1985 | EU (Voltage)

7" | 1982 | EU (Mad Butcher Classics)

Release: 1985 / EU

Genre: Rock & Indie

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Swedish punk classic just reissued. Originally from 1985. Raw Scandinavian hardcore punk not for the weak of heart! Limited to 500 copies on the Voltage label out of Czech Republic.

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The Fits

The Last Laugh E.P.

Death And Pure Distruction

Release: 1982 / EU

Genre: Rock & Indie

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The Fits were a punk rock band from Blackpool, Lancashire, England. Originally released on Rondelet Music, this EP entered the UK Indie Chart in December 1982 and peaked at number 44.

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Death Sentence

7" | 1982 | EU (Mad Butcher Classics)

7" | 1978 | EU (Mad Butcher Classics)

Release: 1982 / EU

Genre: Rock & Indie

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Death Sentence was certainly a band of its time as the looks of the boys suggest with their boots, studded jackets and spiky hair. The four songs on this Ep epitomize everything to love about that genre. It is fast and basic, it is sloppy, it is snottier than a six-year old on a rainy day, it is pissed, spontaneous and distorted.

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The Rebels

Suicide

12" | 1985 | EU (Different Class)

Release: 1978 / EU

Genre: Rock & Indie

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Reissue In 'Company Sleeve' For This 1978 Uk Punk Smasher Originally On The 'Rigid' Records Label Limited 500 On The Mad Butcher Label From Germany

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Foreign Legion

Trenchline

Life After Life / Life After Dub

Release: 1985 / EU

Genre: Rock & Indie

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1985, reissue with a new artwork, Punk in vein of The Expelled, Vice Squad, Adicts.

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Alternative TV

7" | 1978 | UK | Reissue (Ethbo)

7" | 1978 | US | Reissue (Superior Viaduct)

Release: 1978 / UK – Reissue

Genre: Rock & Indie

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Following hot on the heels of Ethbo's excursion to Russia, with Letov, Suchillin and Pillayev, Howard Williams' Ethbo swivels its telescope to Deptford, South London in 1978.

The band Alternative TV were, and remain, a radical creative force. Originally formed by Mark Perry (Mark P), and Alex Fergusson (later of Psychic TV) in the early days of punk, when Perry was editor of the pioneering punk fanzine, Sniffin' Glue.

Early rehearsals were held in Throbbing Gristle's Industrial Records studio, with Genesis P-Orridge on drums. After line-up changes, the 1978 release of Life After Life saw Dennis Burns on bass, Chris Bennett on drums, Kim Turner on guitar and Mark P. on vocals. The session was produced by prolific Trojan Records artist and producer Joe Sinclair, and released on the independent label Deptford Fun City Records.

The song presents a “conscious” lyric through an urban music form of its time. And here’s the result, more than 40 years on, the dub still rocks. Perry’s vocal, like no other from the punk era, talks of the afterlife, in a twisted nod to Nietzsche, he chants “Wake Me Up When We Are Dead”.

A Venn diagram of Mark P and Mark E Smith, leader of The Fall, would show some common ground. Both band leaders survived numerous member changes throughout the decades, had a baleful eye on the producers and consumers of their music, and expressed themselves through a poetic, existential form of lyric writing and musical experimentation. In the early days Smith cited Alternative TV in a list of favourite music - alongside Johnny Cash.

Remastered with love, pressed at RAND, with sleeve and label artwork re-jigged by Will Bankhead, there's no better way to skank yourself to Armageddon.

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The Mekons

Where Were You?

7" | 1978 | US | Reissue (Superior Viaduct)

Release: 1978 / US – Reissue

Genre: Rock & Indie

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Limited edition for Record Store Day 2018!

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The Mekons

Never Been In A Riot

Flyin' Saucers R'n'R/ I Want You Baby

Release: 1978 / US – Reissue

Genre: Rock & Indie

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Limited edition for Record Store Day 2018!

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Billy Lee Riley

7" | 1976 | US | Reissue (Sun)

Release: 1976 / US – Reissue

Genre: Rock & Indie

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7" | 1980 | US | Reissue (Iron Lung)

The Steves

Making Time

Disco nights (rock-freak)

Release: 1980 / US – Reissue

Genre: Rock & Indie

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When The Steves' two extremely limited (maybe 100-200 of each?) EPs were released back in 1980 and '81 respectively, the squares around Harvard's newsroom were aghast at the audacity of this group. Having the stones to release such crudely-rhythmic, near mechanical and downright terse tunes in the day's often long winded prog rockin' ballad heavy radio reality that were too robotic to be “punk” and too unruly to be anything but was, to say the least, a bold move. Sure to cause an uproar in the halls, protests in the classroom and uninvited dancing in the streets! In the annals of New England's rock journalism, there is not a mountain of coverage on The Steves, certainly not as much as the Alan Parsons Project or Aerosmith, but the fact remains that they were a fully charged powder keg of raw energy and new musical direction that seemed to elude most of the world back then. Not to say they didn't get any light shone on them, they did get a fair amount of airplay on the college stations around Boston and even appeared on the cover of Boston Rock magazine. It is Iron Lung Records' distinct pleasure to offer the modern world a new chance to discover the ever vital and effervescent music of The Steves' initial EPs along with a third EP of songs never released on vinyl until now that were recorded at the time or shortly after the initial sessions. A true synth-punk/KBD treasure. Obscurity is for suckers. Let's get shakin'! 700 copies of each EP on black 70gr vinyl housed in a 12pt reverse board glue pocket sleeve with faithful reproductions of the original art. Originally produced by V. Ray, Darlene Wilson and The Steves. Remastered by John Golden in 2023. These reissues are dedicated to Steve Arey, a great drummer and the original steve.

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12" | 1979 | US (Arista)

Event To Come Red Vinyl Edition

Release: 1979 / US

Genre: Organic Grooves, Rock & Indie

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/ standing ovation

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Article 58

7" | 1981 | EU | Reissue (Optic Nerve)

Day Doult / Get Out Of My Pocket

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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Limited to 750 copies. Pressed on Red Vinyl. Includes postcard and poster. Article 58, named after the Soviet classification for counter-revolutionaries, were formed in Scotland by Gerri McLaughlin (vocals), Douglas MacIntyre (guitars) and Ewan MacLennan (bass), with Stephen Lironi (drums) on these recordings. The group existed for a short period of time, burning brightly before burning out. A single, ‘Event To Come’, was produced by Postcard Records’ Alan Horne and Malcolm Ross and released on Josef K manager Allan Campbell’s Rational label. Article 58 were the opening group on many bills in Scotland, including support slots circa 1981 with A Certain Ratio, Scars, Josef K, Delmontes, Bauhaus, Restricted Code, among others. Josef K invited Article 58 to support them on some dates in England to promote their only album, ’The Only Fun In Town’, after which Article 58 recorded tracks for an as-yet unreleased album. One track, ‘Reflection’, did surface on a cassette/ zine product (‘Irrational’) released by Rational Records. However the teenage tension and strain of all that accompanies being in a group proved too much and Article 58 split up at the end of 1981. ‘Event To Come’ was to be the only single released by Article 58. The B side, ‘Icon’, is a previously unreleased recording. Both tracks are presented in a brand new sleeve designed by The Creeping Bent Organisation for release on the Optic Nerve label.

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Chaos

7" | 1979 | AT | Reissue (Bachelor Archives)

LP | 1982 | EU | Reissue (Spittle)

Release: 1979 / AT – Reissue

Genre: Rock & Indie

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Second press with different design poster and extra German liner notes by Lurker Grand. Chaos was one of Austria's first punk bands, connected closely to the Swiss scene. originally
released as a split 12" with The Sick from Switzerland in 1979.

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Artery

Oceans

Jungle Fever / Jewel Here On Earth

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Formed in Sheffield in 1978 and originally known as just "The", Artery is a band that saw several changes in the line-up throughout the '80s. Supported by John Peel and often compared to Joy Division their music incorporates various fundamental elements of the British post-punk aesthetic. Originally released in 1982 on Red Flame records, "Oceans" was Artery's debut mini-LP including some absolute gems such as "into the Garden" and "Afterwards" infectious anthemic tracks of the post-punk era.

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Charlie Feathers

7" | 1981 | US | Reissue (Feathers)

Release: 1981 / US – Reissue

Genre: Rock & Indie

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7" | 1980 | US | Reissue (Captured Tracks)

Bok Bok

Come Back To Me / Misfit

LP | 1981 | Reissue (Schneeball)

Release: 1980 / US – Reissue

Genre: Rock & Indie

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Limited Edition for Record Store Day 2014!

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Checkpoint Charlie

Krawall Im Schweinestall

Release: 1981 / Reissue

Genre: Rock & Indie

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12" | 1985 | EU | Reissue (Onderstroom)

Aroma Di Amore

De Sfeer Van Grote Dagen

13,29 €* 18,99 € -30%

LP | 1976 | EU | Reissue (Green Tree)

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.

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Silver Laughter

Handle With Care

13,49 €* 14,99 € -10%

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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7" | 1986 | UK | Reissue (Optic Nerve)

The Primitives

Really Stupid

13,49 €* 14,99 € -10%

7" | 1987 | US | Reissue (Sorry State)

Release: 1986 / UK – Reissue

Genre: Rock & Indie

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Part of The Optic Sevens 5.0 Reissue Series.

Limited to 750 copies worldwide . Pressed on Purple Vinyl . Includes poster.

The Primitives' second single was originally released in 1986 on Lazy Records.

This issue contains all three tracks from the 12” . (None of which were included on their debut album), with a slightly different sleeve design that is a mixture of the original 12” and 7” release.

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Koro

7" | 1978 | EU | Reissue (You Are The Cosmos)

Release: 1987 / US – Reissue

Genre: Rock & Indie

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Sorry State is excited to bring you a repress of one of the best hardcore records ever, Koro's 1983 7" EP. Originally released in a small, self-released pressing, over the decades this monster's reputation has continued to grow, and collectors now have to fork over well over a grand for an original pressing. This one is too good for the scum to keep to themselves, though, a hyper-compact explosion of energy that can hold its own next to any landmark early 80s hardcore punk record you want to compare it to. Sorry State's 2023 pressing aims to replicate the original look and feel of the original as closely as possible, with an offset-printed sleeve on legal size paper. It's as close as you can get to the original without missing a mortgage payment.

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No Sweat

Start All Over Again

12" | 1976 | EU | Reissue (Disco Segreta)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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First official reissue of their first 7", originally released in 1978 by Rip Off Records (Ireland) + the two tracks released in a small run in 2007. Limited edition of 400 copies

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Luciano Zanetti

Space

Slipknot Opaque Green Vinyl Edition

Release: 1976 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Get ready to warp drive on the Disco Segreta spaceship ! This time we pay tribute to the overlooked work of italian musician Luciano Zanetti. Still relatively unknown to most, he was born in Lecco, where he graduated in violin and piano at the local Conservatorio, but then focused on acoustic and electric guitar, spending most of his life as a musician and teacher. The only recorded evidences ever published by Zanetti are incidentally just two disco-related 45s. The one presented here, “Volo Delta”, was a synth driven space disco track released in 1976 on Zanetti’s own private label Rot, before such niche subgenre found its way into disco productions. But we discovered that “Volo Delta” was just a part of a sort of “space suite” Zanetti had been working on: a wonderfully cinematic blend of downbeat electronica, chiptune, library music and mellow synth-work recorded in 1975, sounding way ahead of its time, perfectly rendering what was the concept of “future” and “space” back in the 1970s. The EP “Space” presents for the first time the original slightly extended version of “Volo Delta”, and three *previously unreleased* tracks: “Esplorazione”, “Incontri Ravvicinati” and “Verso Base Terra”. As usual with our extreme quality standards, all tracks are taken from the actual analog multitrack masters and respectfully remastered. Strictly limited edition on 180gr. audiophile vinyl.

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Slipknot

7" | 1989 | US | Reissue (Revelation)

LP | 1977 | EU | Reissue (Svart)

Release: 1989 / US – Reissue

Genre: Rock & Indie

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Not to be confused with the Nu Metal band of the same name, this Slipknot was from Revelation Records' original home base in New Haven, CT. Originally released in 1989, this is the first time this EP has been re-pressed since 2013. For fans of Corrosion Of Conformity, The Accused, and Septic Death. New pressing now available on green vinyl.

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Ave Rock

Espacios

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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But I Might Die Tonight Light Blue Record Store Day 2020 Edition

Cat Stevens

7" | 1970 | US | Reissue (Island)

Children Say / Starchild / The Platinum Edition Megamix

Release: 1970 / US – Reissue

Genre: Rock & Indie

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Record Store Day 2020 Release.
Limitation: 5000 copies.

7″ single of Cat Stevens songBut I Might Die Tonightfrom the album Tea For The Tillerman. Side A will feature the alternative version of the song from the film Deep End. The A-side was reworked specifically for the film (which starred Jane Asher and somewhat a UK cult classic) and is a previously unreleased in any form! Colour of the 7″ Single is Light Blue.

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Level 42

12" | 1987 | US (Polydor)

7" | 1974 | UK | Reissue (Not Bad)

Release: 1987 / US

Genre: Organic Grooves, Rock & Indie

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/ starchild / megamix

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Ace

How Long / Sniffin About

12" | 1973 | US (East End)

Release: 1974 / UK – Reissue

Genre: Rock & Indie

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Formed in 1972, Ace released three albums on the Anchor label between 1974 and 1977, but will always be remembered for one song from their Number 11 album ‘Five-A-Side’. That song, ‘How Long’, made Number 20 in their native United Kingdom but went all the way to Number 3 in the States in 1975 – quite an achievement for a band that unashamedly took its musical inspiration from that side of the Atlantic. Enjoy their best as originally delivered, on vinyl.

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The Doobie Brothers

Long Train Running

Release: 1973 / US

Genre: Organic Grooves, Rock & Indie

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LP | 1989 | EU | Reissue (Life Goes On)

Groundhogs

Flight N°5 To Houston

Nobody Loves Me / Don't Want You Back

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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This album is compiled from the "Hoggin the Stage" and "bbc In Concert" sessions. In the 1960s Groundhogs were among the pioneers of the British blues revival. The group shifted to a more rock sound in the early 1970s and placed three consecutive albums in the UK top ten between 1970 and 1972.

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The Letters

7" | 1980 | EU | Reissue (You Are The Cosmos)

12" | 1970 | EU (Trading Places)

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Second pressing (only 300 copies) of this powerpop/punk gem, originally released in 1980.

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Mungo Jerry

In The Summertime

12" | 1970 | EU (Trading Places)

Release: 1970 / EU

Genre: Rock & Indie

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After performing together in the skiffle-oriented band Good Earth, singer-songwriter Ray Dorset and keyboardist Colin Earl formed Mungo Jerry, whose breakthrough single, “In The Summertime,” remains a stone-cold anthem of the early 1970s. With Paul King on banjo and jug, Mike Cole on string bass, Earl on ragtime piano and with Dorset’s humorous vocals upfront, “In The Summertime” was skiffle-tinged rock at its best. The reissue of this uncommon 12-inch also features Dorset’s “Mighty Man,” with King’s kazoo and harp, as well as a great cover of Woodie Guthrie’s “Dust Pneumonia Blues.” A must-have!

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Titus Groan

Open The Door Homer

Therese Violet Vinyl Edition

Release: 1970 / EU

Genre: Rock & Indie

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Proto-prog act Titus Groan came together in London from disparate influences: drummer Jim Toomey, who later played in the Tourists, had a trad jazz background, and then played in a soul act with saxophonist/flutist/oboist Tony Priestland; bassist John Lee had played with jazz saxophonist Dick Morrissey, and guitarist/keyboardist Stuart Cowell was a blues fan, hence the diverse directions of their sole LP. Rare 12-inch ‘Open The Door Homer’ features their cover of the unreleased Bob Dylan song that was also tackled by Fairport Convention, originals ‘Woman Of The World’ and ‘Liverpool’ between blues rock, jazz rock and prog.

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The Bodines

7" | 1986 | UK | Reissue (Optic Nerve)

14,24 €* 14,99 € -5%

7" | 1984 | UK | Reissue (Optic Nerve)

Release: 1986 / UK – Reissue

Genre: Rock & Indie

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Part of The Optic Sevens 5.0 Reissue Series

Limited to 500 copies worldwide. Pressed on Violet vinyl. Includes poster.

Presented in the alternate 12” sleeve that was used for the original Creation release and includes all 3 tracks on 7” for the first time

Originally released in 1986 and was one of the stand out tracks on the legendary C86 compilation In 2023, Mojo magazine ranked the song “Therese” as the 37th greatest UK indie record ever, citing it “a breathless romantic gulp of twin guitar twirl.

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The June Brides

In The Rain

14,24 €* 14,99 € -5%

7" | 1989 | US | Reissue (Revelation)

Release: 1984 / UK – Reissue

Genre: Rock & Indie

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The June Brides debut single originally released in 1984 on The Pink Label.

Both tracks are from fresh transfers from the master tapes which were then remastered by Jason Mitchell at Loud Mastering in Taunton in early 2021.

The June Brides are true innovators, hailing from the first wave of British indie, with fans that include Manic Street Preachers (who covered their song “The Instrumental” as a tribute) , Morrissey and Belle and Sebastian’s Stuart Murdoch.

They have always been regarded as pioneers, and one of the most beloved of the bands that formed the original UK independent music scene, which has since been tagged as C86

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Bold

Bold Grey Vinyl Edition

14,24 €* 14,99 € -5%

A Simple Solution To A Complex Problem

Release: 1989 / US – Reissue

Genre: Rock & Indie

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First released in 1989, the self-titled EP from Bold features four tracks, which at the time were a new direction for the band. Adding Tom Capone (quicksand/ Beyond) on guitar, the band’s sound evolved away from the traditional Youth Crew anthems heard on Speak Out, as did many of their peers in the scene at that time who were also exploring and pushing their boundaries musically. Recorded in February/March ’89 at Baby Monster Studios, NYC.

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Subvert

7" | 1987 | US | Reissue (Janku Land)

Junior's Got Brain Damage

Release: 1987 / US – Reissue

Genre: Rock & Indie

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A Simple Solution to a Complex Problem' was recorded by Jack Endino in ’87 and released only as a cassette. The tape caught some attention in the underground, and connected Subvert with bands like Poison Idea, Final Conflict, THE Accused, Christ ON Parade, and eventually made their way into PUSHEAD’s top 100 of the 80’s. This 7” is the new remastered version of the Demo Tape and includes an additional Instrumental song “Noxious Tune” from the same session, which has never been released on vinyl until now. The cover is a reworked version of an early Subvert logo with original art by Neko Case.

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Ervin Berlin

7" | 1979 | US | Reissue (Total Punk Archives)

Turning Point Orange Vinyl Edition

Release: 1979 / US – Reissue

Genre: Rock & Indie

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Pressed in an ultra limited number of 200 back in 1980. Ervin Berlin was the work of Ervin Shuemake (a late 20s acid rocker) and two young punks named Jeff and TOM THE Bomb. Ervin had cut his teeth playing guitar on the crazy Terry Brooks "strange" Translucent World LP back in 1973 and spent the remainder of the 70s in various acid, hard, and prog rock bands throughout Central Florida. He met the younger punk duo of Jeff and "The Bomb" at end of 79 beginning of 80 and decided to take a stab at the punk craze with his two new acquaintances. Soon the trio was at a country and western studio in Winter Haven recording the Ervin Berlin single between sessions for possible Bellamy Brothers tracks. The blending of Ervin's acid rock chops and Jeff and Tom's thuggish punk approach resulted in this KBD space punk stomper. Equal parts Blue Cheer, Debris, Sacramento's Ozzie, and late 70s Hawkind. The 7" was pressed, a few house parties were played, and all parties went separate ways. 42 years later we are kicking off Total Punk Archives with a reissue of this lost Orlando classic. 100% Total Punk!!

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Turning Point

7" | 1989 | US | Reissue (Revelation)

Wrong Treatment / Bikini Girl

Release: 1989 / US – Reissue

Genre: Rock & Indie

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This recreation of the Turning Point self-titled 7” from 1989 is the second release as Revelation Records reissues the band’s out-of-print catalog. From New Jersey, Turning Point were the state’s answer to the hardcore movement of New York and Connecticut of the late-’80s, playing up and down the East Coast with Chain OF Strength, Bold, Judge, Burn, Mouthpiece, and many more before disbanding in 1991. Jade Tree and Think Fast! Records released the band’s catalog as a discography in the early 2000s so none of the releases have been issued as stand-alone records since they were first put out.

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Four Plugs

7" | 1979 | US | Reissue (In The Red)

7" | 1984 | CA | Reissue (Return To Analog)

Release: 1979 / US – Reissue

Genre: Rock & Indie

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Originally released in 1979 on their own Disposable Records, this record was the brainchild of John Irvine in the UK. The record was pressed in a tiny edition, was played on John Peel several times and vanished without a trace. An excellent example of the UK DIY scene of the time later popularized on the Messthetics compilation series. It ranks number 12 in the top 100 DIY singles list that ran in Ugly Things issue #78. We’ve repressed it in an edition of 400 on red, purple, double mint green and olive green vinyl.

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Genetic Control

First Impressions

Release: 1984 / CA – Reissue

Genre: Rock & Indie

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LP | 1977 | EU | Reissue (Spittle)

V.A.

Live At The Vortex

The Adventures Of The Krewmen Blue Vinyl Edition

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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The compilation that started it all ! In October a series of bands have been recorded at the Vortex Club for a proposed live album along the lines of the first ‘Live At the Roxy Wc2’ record. The record featured the Maniacs, Suspects, Wasps, Neo, Art Attacks, Bernie Torme and Mean Street who were all regular players at the Vortex and Roxy. Released in 1977 - right after the punk-rock breakdown - the compilation made way for a revolutionary statement supporting the newborn counterculture.

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Krewmen

LP | 1986 | EU (Radiation)

12" | 1985 | EU | Reissue (Betonska)

Release: 1986 / EU

Genre: Rock & Indie

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British rockabilly combo The Krewmen had several distinct phases during the 1980s; beginning in 1982 as a rockabilly trio, they moved in a blues direction for their first 45s and after temporarily disbanding, reformed as a psychobilly quartet for this sought-after debut LP. Songs like “Night Of The Living Dead,” “Wild Dogs Of Zorberon” and “Hell Train” have a delicious B-movie aesthetic and “Don’t Give A Toss” and “Guy Fawkes” are keen Brit takes on the form. A must-have for Cramps and Meteors fans, and all psychobilly devotees.

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Flo Sullivan

Higher

LP | 1979 | EU | Reissue (Spittle)

Release: 1985 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Over two years in the making, and it’s finally here. Amsterdam based, brand new old-school label “Betonska” kicks off with this highly diverse release for the selector, collector, radio host and club DJ. Crisp instrumentation, tight retro drum computer programming and propulsive danceable bass lines are what you will find here. The Amsterdam based label will be focusing on previously unreleased and tough-to-find material from the 80s and 90s – all re-mastered, officially licensed and in collaboration with the original artist. In addition to the original material an occasional modern twist will be given by contemporary artists who cherish that signature sound. The first release is an alternative issue of Flo Sullivan’s “Higher” release, originally recorded in 1984 in the world famous Amazon Studios in Liverpool and released in 1985. On the A-side both the 12” and the 7” version of the hard-to-get, firm synth-pop track “Higher” will be pressed on a loud 45rpm vinyl. The 12” version is the (bass-)heavier one, while the 7” version sounds more “organic” with an extended intro and an added horns part. The tracks on the A-side have been pressed before and are made available now again for the wider public, giving those tracks the recognition and attention they deserve. The B-side focuses on previously unreleased original downtempo material by the same artist but released under her real name: Gayna Rose Madder. This, accompanied by a refreshing club-ready remix of one of those tracks by Vienna’s top-notch selector, producer and Neubau label owner: Heap. Neither of the two original tracks “Over” and “Element” have ever been released on vinyl before, up until now. “Over” was written and recorded in 1983 in Splash Sound Studios in Liverpool. A beautiful melancholic synth-pop track, which was meant to be released, but unfortunately never saw the light of day. At the time it was recorded Gayna left her band “Shiny Two Shiny” and therefore needed a new deal from a different company for her solo releases. But by the time she found the right one, many newer songs needed release. Much later, in 2005, Gayna decided to self-release “Over” on a compilation CD to sell copies online. “Element” is a spoken-word poem accompanied by a fire-crackling tribal kind of rhythm. It was written for a musical play and recorded in Sparks Studio Liverpool in 2004 and has never officially been released before. (For a short period it was available on a self-released CD on Gayna’s website; a compilation of the songs written for one of her musicals). And last but not least, the icing on the cake is Heap’s remix of “Element”. He translated this spoken word poem into a refreshing 90s-style and danceable club-track to complete the diversity of Betonska’s first release. A chugging acid bass, breakbeat rhythms, crisp claps and sharp snares and a screeching lead synth to get you screaming on the dance floor.

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Good Missionaries

Fire From Heaven

Let Your Light Shine Lime Green Vinyl Edition

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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Born out of the ashes of Alternative TV, The Good Missionaries embodied Mark Perry's new and advanced Experimental-Post-Punk vision. Avoiding all kinds of average Rock cliches, Perry got more and more deeply into an uncompromised form of music. A totally new area where his solid Punk roots were confronted by a more free, radical approach to the sound material. During their lifetime The Good Missionaries toured and gigged with other distinctive, unconventional bands such as The Fall, The Pop Group, Crass, Scritti Politti... Recorded live on their 1979 tour, Fire from Heaven comes as tangible proof of the band's explosive energy on stage. An infectious mix of electric noise, raw grooves, space, and resolute Punk attitude. This brand new, digitally remastered edition comes as the first vinyl reissue since its 1979 original release. Don't miss it!!!

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Ruphus

LP | 1976 | EU | Reissue (Karisma)

A Way Of Life: Skinhead Anthems

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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Ruphus’ third album “Let Your Light Shine” marked a new direction for the Norwegian prog rock legends. Keyboard player Hakon Graf had done a stint with a jazz group called Moose Loose, and took inspiration from there back to the newly re-grouped Ruphus. Armed with new, refined jazz compositions, an excited band entered the studio with legendary Terje Rypdal as producer

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The Last Resort

LP | 1982 | EU | Reissue (Radiation Reissues)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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7" | 1976 | US | Reissue (Just Add Water)

Trevor White

Crazy Kids

Release: 1976 / US – Reissue

Genre: Rock & Indie

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LP | 1974 | EU | Reissue (MCA)

Lynyrd Skynyrd

Second Helping

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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incl. 'sweet home Alabama'

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Release: 1986 / EU

Genre: Rock & Indie

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Creedence Clearwater Revival

Travelin Band (Live At Royal Albert Hall)

LP | 1970 | US | Reissue (Craft)

Release: 1970 / US – Reissue

Genre: Rock & Indie

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Private Revolution Reissue

World Party

LP | 1986 | US | Reissue (Seaview)

7" | 1986 | UK | Reissue (Optic Nerve)

Release: 1986 / US – Reissue

Genre: Rock & Indie

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Audiophile 180g Vinyl-Reissue des Debütalbums "Private Revolution" (1986) der britischen Rockband World Party. Mit den Singles "Ship Of Fools", "All Come True" und "Private Revolution".

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The Flatmates

I Could Be In Heaven

LP | 1987 | UK | Original (Bulldog)

Release: 1986 / UK – Reissue

Genre: Rock & Indie

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Part of The Optic Sevens 5.0 Reissue Series.

Limited to 500 copies worldwide. Pressed on Pink Vinyl. Includes poster.

Debut single by The Flatmates. Originally released in 1986 on The Subway Organization label giving them a Top 20 indie hit and an appearance in John Peel's Festive Fifty.

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Freddy Weller

Back On The Street

Release: 1987 / UK – Original

Genre: Rock & Indie

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Creedence Clearwater Revival

Travelin' Band Live At Royal Albert Hall Record Store Day 2022 Vinyl Edition

7" | 1970 | EU | Reissue (Universal)

LP | 1973 | EU (Trading Places)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Mirroring the original double-sided “Travelin’ Band”/“Who’ll Stop the Rain” 45, which dropped in January 1970, this release showcases what were the band’s newest songs in a live setting. Side A features the Royal Albert Hall performance of the song from April 14, 1970, and marks the very first release of this rare recording. Side B, meanwhile, offers a live version of “Who’ll Stop the Rain,” recorded at the Oakland Coliseum, and previously released on the platinum-selling live album, The Concert.

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Tucky Buzzard

Buzzard

LP | 1989 | EU | Reissue (V2)

Release: 1973 / EU

Genre: Rock & Indie

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The roots of hard rock act Tucky Buzzard lie in psychedelic group, The End, who supported The Rolling Stones on an early tour, leading Bill Wyman to produce their sole LP. The band then morphed into Tucky Buzzard, now with scorching lead guitar licks and Hammond organ parts to the fore, and Wyman still on board as producer and manager. For their final album, Buzzard, released on Deep Purple’s Purple imprint in 1973, there is a mix of hard-edged blues rock, with a fine interpretation of perennial classic, “Who Do You Love,” and wistful originals like “Hanging On In There.” As ever, Wyman’s sterling production and presence on acoustic and electric piano makes this one a must for all Stones fans.

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Thelonious Monster

Oh That Monster

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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12" | 1981 | EU | Reissue (Rush Hour)

Colored Music

Heart Beat

LP | 1982 | EU (Radiation Reissues)

Release: 1981 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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12inch release of highly sought after Colored Music edits by Tokyo's, Chee Chimizu (Organic Music). The two cuts originally featured on the the bands seminal self titled album (from 1981) that remained a cult DJ secret weapon, for many years, all over the world. This heavy EP includes an alternative version of 'Heartbeat' that featured on the Japan only "Individual Beauty" LP of 2018 (also compiled by Chimizu)

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Mood Of Defiance

Now

7" | 1974 | US | Reissue (Just Add Water)

Release: 1982 / EU

Genre: Rock & Indie

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Limited 500, Comes With Full Reproduction Of The Three Original Inserts In A Poster Insert! Southern Los Angeles experimental punk band Mood of Defiance was formed in Hermosa Beach in 1981, spinning off from a short-lived synthesizer project called Kindled Imagination, formed in nearby San Pedro (home to The Minutemen) with drummer Richie Wilder of Saccharine Trust. Teenaged lead singer and band originator Rachel Morgan, who was known as “Screaming Bitch Rachel” and later, Hatha Watha, formed MOD with Wilder, recruiting initial guitarist TA Black and bassist Kevin Ball from a music press advertisement. Debut demo recordings (eventually issued as In A Box) featured this line-up but after Black and Ball quit the band, they were replaced by Danny Dean Philips and Gary Kail from the band Anti, moonlighting in this side project for debut album Now, released on Philips’ and Kail’s aptly-titled New Underground label in 1982; other band members featured on the disc include drummer Thaddeus. Opener “Divided States Of America” set the disc’s defiant punk tone, though “Sticky Lips” and “Girl In A Painting” are less caustic, with broader musical dexterity and post-punk rhythmic references. An important piece of southern Calfornia punk history back on vinyl after 38 years.

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The Damned

Morning Bird / Theta

Musica Spaziale 2024 Repress

Release: 1974 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-08-16

Back in print for the first time in 50 years! This studio creation Junk Shop Glam grail was produced by Miki Dallon (The Sorrows, Boys Blue, Shakane, New York Dolls) for his Young Blood International label in 1974. This is Obviously not the later more famous UK punk group of the same name. This was a one-off studio project. We first heard this on our good friend Phil King's superb Velvet Tinmine comp yonks ago. Made to be played in the discotheques back before disco ruined said discotheques." 300 pressed.

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Patrizia Pellegrino

12" | 1982 | EU | Reissue (Miss You)

Underground Vibrations No. 2

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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An Italian disco classic produced by one of Italy's top disco pop entrepreneurs – Constantino Paolini – featuring the voice of Vesuvian actress and TV personality Patrizia Pellegrino. “Musica Spaziale” is a fast paced synthy disco number adorned with signorina Pellegrino's silky smooth vocals, featuring lusty cosmic nuanced lyrics that arguably invite the listener to some form of astral bliss in the company of the blond starlet. A classic amongst collectors and specialists of the genre, made available to your record collections once again without having to sell any of your kidneys. In addition, also an extended edit, that patiently slows down the tempo but also extends this cosmic climax on the dancefloor in a manner respectful to the original masterpiece, allowing the dancers to savor every moment of this celestial voyage without all the rush of the 7" version . Flip it and things get propelled in direction to some other acidic orbits with DJ Asshole's tripped out downtempo 8' intervention. Restored, remastered and featuring original “coloring book” style artwork from its original release date.

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All & Nothing

7" | 1970 | EU | Reissue (Munster)

LP | 1970 | US | Reissue (Symposium)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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All & Nothing has become one of the icons of Spanish underground rock of the 70s and their records are among the most sought-after pieces by collectors. With a short discography consisting of just two singles - one of them was even released in Argentina with an alternative cover- the band All & Nothing has become one of the icons of Spanish underground rock of the 70s and their records are among the most sought-after pieces by collectors. The group was really nothing more than a studio project, put together by journalist and record producer José Luis Alvarez, who never performed in public. Their goal was to record songs in the same style that the emerging Andalusian rock scene was already doing in the south of Spain under the influence of the latest international rock trends -imported through the US military bases- and the local musical idiosyncrasy. Although most of the recorded songs - some of whom remained unreleased for years- succeeded in reflecting the original goal, for this first single of All & Nothing their producer instructed the band to record something similar to Iron Butterfly's classic 'In-a-gadda-da-vida', and 'Underground Vibrations nº 2' seems to be a very accomplished effort. The record has become a very sought-after item for those collecting the lesser-known side of 70s Spanish underground rock. The stunning rhythm section on both sides of the single plus the overwhelming organ solos and firing wah-wah and fuzz guitars explain the high interest on this elusive 45, a must in the top DJs record boxes. We are happy to reissue this amazing All & Nothing debut 7" for the first time, remastered from the original tapes and featuring the 1970 sleeve artwork.

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Leo Kottke

Circle Round The Sun

16,14 €* 16,99 € -5%

Release: 1970 / US – Reissue

Genre: Rock & Indie

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12 Nej - Originalni Nahravky

Petr Novak

LP | 1986 | EU | Reissue (Supraphon)

16,19 €* 26,99 € -40%

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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LP | 1973 | CA | Reissue (Return To Analog)

Peter Tessier

By Turning A Knob

16,19 €* 26,99 € -40%

Release: 1973 / CA – Reissue

Genre: Rock & Indie

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12" | 1985 | EU | Reissue (Archives De La Zone Mondiale)

Berurier Noir

Joyeux Merdier

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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LP | 1985 | EU (Harto De Todo)

Gastunk

Dead Song

Release: 1985 / EU

Genre: Rock & Indie

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Totally mindblowing CONFUSE/KURO/G.I.S.M.- styled madness, originally issued in 1985 on the legendary Dogma label from Japan. One of Metallica's Kirk Hammet personal faves. In the words of Septic Death's singer Pushead, as published back then in MRR: "Raging speedcore thrusts out pile-driving chaotic leads and maniac raspy vocals, whose style is unique and adds character to the Gastunk sound. Fast, maniac slices with some interspeed variations make this one of the hottest Japanese LPs since GISM."

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Menace

G.L.C (R.I.P.)

LP | 1986 | EU (Daily)

Asocial And The Bedrövlers

Release: 1986 / EU

Genre: Rock & Indie

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Vinyl LP reissue of this great compilation featuring 11 singalong street punk anthems by the legendary UK first wave punk band Menace. It features all the tracks issued in their first five 7 Inches, al of them recorded between 1977 & 1980! Lyric’s inner also features previously unpublished gig and studio photos from the era. A must for collectors!

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How Could Hardcore Be Any Worse? Volume 1 Black Vinyl Edition

LP | 1984 | EU

7" | 1981 | EU | Reissue (Sealed)

Release: 1984 / EU

Genre: Rock & Indie

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The Swedish hardcore punk scene of the early 1980s was vibrant and wide, with underground movements yielding surprising extremities. This ultra-scarce cassette-only release, limited to 300 copies in 1984, was the first of the legendary Uproar label, pitting the blast-beat proto-grindcore of Asocial, from the small town of Hedemora, against the classical thrash of Bedrövlers, from the equally small town of Fagersta, whose name roughly translates to Miserablerz, a term assigned them by a bus driver that disliked their discordant noise. Subverting Bad Religion’s How Could Hell Be Any Worse for their own purposes, Asocial’s tracks are blindingly fast and Bedrövlers’ down and dirty-rare Swedish hardcore, at its best!

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Rudimentary Peni