Rock & Indie Vinyl 1893 Items

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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LP | 1980 | EU | Reissue (Rhino)

The Sound

Jeopardy

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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LP | 1986 | UK | Reissue (Warner)

The Smiths

The Queen Is Dead

LP | 1988 | US | Reissue (Dischord)

Release: 1986 / UK – Reissue

Genre: Rock & Indie

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Official remastered reissue on 180 gram wax.

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Fugazi

Fugazi Red Vinyl Edition

Rocksession Colored Vinyl Edition

Release: 1988 / US – Reissue

Genre: Rock & Indie

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This is Fugazi's debut record, released in 1988. These 7 songs were later combined with the 6 tracks from the Margin Walker EP and released on the 13-Songs Maxi CD. This EP (on red vinyl) was re-cut from the Silver Sonya masters in 2008 at Chicago Mastering Service and comes with a free MP3 download of the album.

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Embryo

LP | 1973 | EU | Reissue (MIG)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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LP | 1979 | US | Reissue (Jackpot)

Wipers

Is This Real?

Release: 1979 / US – Reissue

Genre: Rock & Indie

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Stone Roses Clear Vinyl Edition

The Stone Roses

LP | 1988 | EU | Reissue (Sony)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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The Wall Remastered Edition

Pink Floyd

2LP | 1979 | EU | Reissue (Parlophone)

32,99 €*

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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LP | 1987 | EU | Reissue (Geffen)

Guns N' Roses

Appetite For Destruction

LP | 1984 | EU | Reissue (Parlophone Label Group)

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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Back To Black 180 gram vinyl reissue

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Iron Maiden

Powerslave

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Bridge Over Troubled Water

Simon & Garfunkel

LP | 1970 | US | Reissue (Mobile Fidelity Sound Lab)

83,99 €*

Release: 1970 / US – Reissue

Genre: Rock & Indie

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Akira Ishikawa & His Count Buffalos

Electrum Clear Orange Vinyl Edition

LP | 1970 | JP | Reissue (Victor Entertainment / Hmv)

47,99 €*

Locust Abortion Technician

Release: 1970 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

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In 1970, amidst the height of the jazz-rock era, Akira Ishikawa captured the chaotic atmosphere of the time and ventured into what could be called "jazz beyond." This album, Electrum, represents the moment when Ishikawa cut most deeply and incisively into jazz. Amid a sharpened groove, musicians ascended to new heights, competing fiercely. The epic "Electrum," the complexly intersecting vectors of "Revulsion," and the beautifully serene "Speak Under My Breath" are pieces that demand attention for their density and intensity. The participation of two genius pianists and composers/arrangers, Masahiko Satoh and Hiromasa Suzuki, is also noteworthy. This album, hailed as Ishikawa's greatest work, is revived here as part of Victor's series. Text by Yusuke Ogawa (universounds / Deep Jazz Reality)

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Butthole Surfers

LP | 1987 | EU | Reissue (Matador)

27,99 €*

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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LP | 1980 | EU | Reissue (Polydor)

Seventeen Seconds

22,99 €*

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Finally this classic album is available again. All recordings have been mastered by Robert Smith himself.

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Kiss Me, Kiss Me, Kiss Me

2LP | 1987 | EU | Reissue (Polydor)

Atmosphere Remastered Edition 2020

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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Finally this classic album is available again. All recordings have been mastered by Robert Smith himself.

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Joy Division

12" | 1988 | EU | Reissue (Rhino)

12,99 €*

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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LP | 1976 | US | Reissue (Now-Again)

Paul Ngozi

The Ghetto

LP | 1970 | US | Reissue (DiCristina)

Release: 1976 / US – Reissue

Genre: Rock & Indie

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Celebrated Zambian guitarist and bandleader Paul Ngozi’s concept album about the stuggles of those living in Africa’s 1970s townships Includes Oversized 8 Page Booklet That Details Paul Ngozi and The Ngozi Family’s Arc, Including Rare Photographs, Discography And Annotation The third entry in an era-defining reissue series on Now-Again centered around this Zamrock legend and his band - previous entries include Day Of Judgement and 45,000 Volts "Zambia’s Zamrock movement that exploded in the 1970s...provided young musicians access to European and American music, and created a unique sound. At its root, Zamrock melded fuzz-toned psychedelia, chugging garage rock and roiling funk with a broad mix of African cadences and beats...enlivening a scene that included bands like Musi-O-Tunya, Amanaz and the Ngozi Family” - Zamrock was a bona-fide rock scene: on the African continent, only Nigeria can claim one so comprehensive, and Nigeria’s was largely catalyzed and funded by subsidiaries of the European major labels. Zamrock was as independent as the newly-named country, formerly known as Northern Rhodesia. Zamrock is starting in its completeness, especially for a scene that emerged, unfurled and disappeared so quickly. From Musi-O-Tunyaís fusion of Fela’s Afro-beat, Hendrix’s rock, South African jazz and traditional Zambian melodies and rhythms to Salty Dog’s acid folk/rock, Zambia’s rock scene contained all of rock’s subgenres. Zamrock was much more than an imitation of American and European rock music: it quickly became a uniquely Zambian movement, befitting of its name. Witch, Paul Ngozi and Amanaz sound nothing like other rock music from the African continent - or elsewhere.

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Vashti Bunyan

Just Another Diamond Day

22,99 €*

12" | 1986 | EU | Reissue (Rush Hour)

Release: 1970 / US – Reissue

Genre: Rock & Indie

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... voted one of the top 100 British albums of all time!

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Zenana

Witches

17,99 €*

Release: 1986 / EU – Reissue

Genre: Rock & Indie, Pop

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Rush Hour’s RSS series excels in unearthing buried treasure, offering a second chance for artists and releases that have long been overlooked. That’s certainly the case with ‘Witches’, the superb sole single by British 1980s wave trio Zenana.

Originally released on seven-inch by the tiny PRM label in 1986, ‘Witches’ was the product of a sister-brother songwriting team whose music was mostly recorded in the front room of a terraced house in Nanpean, a small industrial village in Cornwall, England’s most south-westerly county. While the single was infectious, impeccably produced and dancefloor-ready, it sold in limited quantities at the time.

Zenana’s story can be traced back to the early 1980s, when singer-songwriter Anita Tedder founded the all-female trio as a vehicle for her musical ambitions. To bring her songs to life, she joined voices with her brother Mike, an early adopter of electronic music who had built a studio – nicknamed MFR, short for ‘Mike’s Front Room’ – in his Cornish home.

Countless Zenana tracks were recorded at ‘mfr’ between 1984 and ’86, with the resultant demo cassette securing the band a management contract, a slew of live bookings, a video shoot and even a television appearance. Buoyed by this underground success, they headed to the remote Sawmills Studio in Cornwall – famously only accessible by boat – to re-record ‘Witches’, a song inspired by local folk tales of witches gathering near Mike’s home.

While this version of ‘Witches’ failed to make an impact at the time, it has become something of a cult classic following its’ rediscovery by crate digger Kiernan Abbott – and subsequent championing by other dusty-fingered DJs including Antal, Skyrager, Trevor Jackson and Luke Una – in early 2023. The buzz inspired Zenana to perform live again for the first time in decades, with the story of their surprise comeback being covered by British media outlets including the BBC and (more surprisingly) the Daily Mail.

Now presented in re-mastered form, ‘Witches’ is a genuinely slept-on gem. Propelled forwards by punchy drum machine beats, a killer synth bassline and fizzing keyboard sounds, the song benefits greatly from strong vocals and an extra-percussive middle eight layered with vocalisations, cosmic spoken word sections and swirling noises.

It comes backed by a brand-new extended ‘spell of love’ courtesy of Bristol duo Bedmo Disco, AKA music journalist Matt Anniss (author of Join The Future: Bleep Techno and the Birth of British Bass Music) and DJ/production partner Gareth Morgan. Anniss is a long-time friend of Mike and Anita Tedder who has fond memories of visiting Mike’s home studio with his family around the time that ‘Witches’ was recorded.

Working from Zenana’s original MFR eight-track recording (tapes of the single version were lost years ago), Anniss and Morgan have turned in the extended ‘dance mix’ the track never had first time around. More atmospheric, clandestine and dancefloor-focused, it offers authentic nods to New York proto-house, mid-80s Shep Pettibone dubs, and the pioneering synth-pop productions and dub mixes of Factory Records regular Martin Rushent.

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LP | 1979 | PL | Reissue (Polydor)

Three Imaginary Boys

LP | 1971 | EU | Reissue (Guerssen)

Release: 1979 / PL – Reissue

Genre: Rock & Indie

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Finally this classic album is available again. All recordings have been mastered by Robert Smith himself.

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Farm

Farm Black Vinyl Edition

7" | 1973 | EU | Reissue (Arsivplak)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Originally released as private pressing in 1971, the Farm album is highly sought after and revered by collectors. Recorded by this Southern Illinois band in 1971 at the legendary Golden Voice studios, it’s full choc of jammy, bluesy guitar psych with heavy dual guitars, organ, congas, harp… Recommended if you like Quicksilver, Allman Brothers, Canned Heat, Ten Years After…

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Figen Han

Pisi Pisi / Haydi Bastir

LP | 1986 | DE | Reissue (Mercury)

Release: 1973 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Incredibly cool & rare Turkish 45 from 1973 with super-groovy, psychedelic, jazzy, hot sounds reminding both Rita or Cal Tjader. Not to mention the cover artwork! You will Never find this original in more than VG+, no care what you’re willing to pay. Get this super reissue now and get your party on fire!!! Licensed 1000 copies press.

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Metallica

Master Of Puppets

33,99 €*

2LP | 1979 | EU | Reissue (Sony)

Release: 1986 / DE – Reissue

Genre: Rock & Indie

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THE classic Metallica album is back on vinyl!!

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The Clash

London Calling

LP | 1974 | EU | Reissue (Zappa)

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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Remastered for a fresh 180 gram pressing!

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Frank Zappa

Apostrophe

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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2LP | 1988 | US | Reissue (Goofin)

Sonic Youth

Daydream Nation

LP | 1984 | UK | Reissue (Warner)

Release: 1988 / US – Reissue

Genre: Rock & Indie

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Daydream Nation was Sonic Youth’s sixth full-length, their first double-LP, and their last for an indie label before signing with Geffen. Widely considered to be their watershed moment, the album catapulted them into the mainstream and proved that indie bands could enjoy wide commercial success without compromising their artistic vision. More recently, Daydream Nation has been recognized as a classic of its time: Pitchfork ranked it #1 on their “100 Greatest Albums of the 1980s”; Spin listed it at #13 on their “125 Best Albums of 1985-2010”; Rolling Stone put it at #45 on their “100 Best Albums of the Eighties” list and #328 on their “500 Greatest Albums of All Time.” It was one of 50 recordings chosen by the Library of Congress to be added to the National Recording Registry in 2006.
2007 saw the release of an expanded four-disc vinyl box set, but now the album is back in its original form after years of being out of print and highly sought after. As a special 21st century bonus, the vinyl now includes a digital download card—radical adults rejoice!

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The Smiths

Hatful Of Hollow

Cream Corn For The Socket Of Davis

Release: 1984 / UK – Reissue

Genre: Rock & Indie

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Official remastered reissue on 180 gram wax.

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Butthole Surfers

EP | 1985 | EU | Reissue (Matador)

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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I Against I Black Vinyl Edition

Bad Brains

LP | 1986 | US | Reissue (ORG Music)

2LP | 1973 | EU | Reissue (Beatles Solo)

Release: 1986 / US – Reissue

Genre: Rock & Indie

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I Against I is the third studio album from Bad Brains, originally released in 1986 on SST Records. It remains the best-selling album in the band's catalog, showcasing Bad Brains' unique fusion of punk rock, hardcore punk, reggae, and heavy metal influences. It remains influential to this day, inspiring countless punk, ska, reggae, and hardcore bands with it's innovative sound and uncompromising attitude. This reissue marks the eighth release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner and pressed at Furnace Record Pressing.

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John Lennon

Mind Games

50,99 €*

Crime & The City Solution

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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LP 1: Mind Games – The Ultimate Mixes LP 2: Mind Games – The Out-takes Spec: 180g vinyl, gatefold sleeve Booklet: 8 page booklet of photos and artwork Poster: Reproduction of the original triptych marketing poster for the album

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Room Of Lights Yellow

LP | 1986 | UK | Reissue (Mute)

Release: 1986 / UK – Reissue

Genre: Rock & Indie

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Back In Black Gold Nugget Vinyl Edition

AC/DC

LP | 1980 | EU | Reissue (Sony)

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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The Dark Side Of The Moon 50th Anniversary 2023 Remaster Vinyl Edition

Pink Floyd

Box | 1973 | EU | Reissue (Warner)

71,99 €*

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Poder Del Alma Black Vinyl Edition

Poder Del Alma

LP | 1974 | EU | Reissue (Pharaway Sounds)

25,64 €* 26,99 € -5%

Hounds Of Love 2018 Remaster Raspberry Beret Vinyl Edition W/ Obi-Strip

Release: 1974 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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First ever reissue!! Psychedelic Latin-funk holy grail from Nicaragua, 1974!! Poder del Alma (“Soul Power”) was a supergroup formed by some of the best musicians from the Nica scene. This all-star band of nine members was assembled to play at the famous free concert of Santana in Managua in benefit for the 1972 earthquake. After that successful gig supporting the Latin-Rock superstar, what was to be a one-night stand became the seed of the most loved Nicaraguan act from the 70s. All the members had already played an important role in the history of the Nica music / hippie scene in the 1960s. Among them, we can find Román Cerpas (previously on Bwana), René “Chapo Domínguez (Los Rockets), Edgar “El Gato” Aguilar… A few months after the Managua concert with Santana, Poder del Alma traveled to Guatemala to record their first long play for Dideca (Discos De Centroamérica, S.A.) in just one week of recording sessions. Despite the low budget and precarious recording equipment, the band managed to obtain a powerful psychedelic / afro / funk-rock sound full of electric guitar, heavy drums, hot, percussion, horns, Spanish male/female vocals…featuring titles like “El Valle del Ayatimbo”, “Ia-Taa Yo”, “Zúmbale”…

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Kate Bush

LP | 1985 | EU | Reissue (Fish People)

47,99 €*

LP | 1973 | US | Reissue (Riding Easy)

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Pressed on 180g. Comes with Obi-Strip. Hounds Of Love was Kate's fifth studio album, and her second no. 1.

Featuring "Running Up That Hill (A Deal with God)", it has since been certified Double Platinum in the UK by the British Phonographic Industry. Fish People are proud and excited to announce new pressings of all 10 of Kate Bush's albums, featuring a special new edition for independent retailers.

"It’s very exciting to see people appreciating the physical presence of an album released on vinyl. It’s how it’s always been for me, especially when I was a teenager. The whole buzz of the record store was part of the experience. Buying an album was an event." Kate Bush.

The records are all pressed on 180g vinyl at the world-renowned Record Industry plant in the Netherlands. New lacquers were cut from the 2018 remasters by Bernie Grundman and overseen by mastering engineer James Guthrie.

Indie editions were all designed by Kate and feature new Fish People label designs, stunning Color Vinyl combinations and obi strips with pressing date. They are protected in resealable poly-bag liners with a 'Fish People Reissue' sticker, bottom right.

These are unlimited editions and will be in production constantly.

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ODA

LP | 1974 | JP | Reissue (P-Vine)

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Of the plethora of touted "private press hard rock monsters'' out there, very few live up to the swaggering riff-fury of west coast blasters ODA. Commonly known as the "Black Album," the first clobbering platter by the quartet was released on their own tiny Loud Phonograph Records imprint and now commands large sums—but is actually worth the heavy hype. The band naturally centered around Randy Oda, a multi-talented ax shredder and keyboardist, and the lineup was filled out by his brother Kevin on drum assault, Art Pantoja on lead bellows and rhythm guitar, and galloping bassist Kyle Schneider.

The Oda brothers were born in Alameda County, California, attending Kennedy High School in Richmond, and started the band while still teenagers at the beginning of the '70s. ODA was influenced by hard UK rockers like Deep Purple, Zep, Free, and the Who, and they gigged all over the Bay Area, with Randy garnering comparisons to Jeff Beck's molten six-string mastery. This 1971 self-titled LP (aka the Black Album) fully displays their blistering talents, but despite some local airplay on Ksan radio, the band packed it in by '73.

This would not be the end of the Oda story, as Randy joined CCR's Tom Fogerty in the outfit Ruby afterwards, laying down his licks on two LPs that flirted with the mainstream, while staying true to his highly electric guitar muse. In 1983, ODA actually reformed for one more LP on Loud Phonograph, entitled Power Of Love. The comeback album delves a little deeper into radio friendly power pop, which makes sense, as in '82 Oda co-wrote "Think I'm In Love" with Eddie Money (which, let's face it, is Money's best song by like a mile). Randy would also collaborate with Fogerty as a duo, and the posthumous Sidekicks album (released after Fogerty passed) listed the clearly-integral Randy Oda as "arranger, composer, guitar (acoustic), guitar (electric), keyboards, primary artist, and producer.” In the 2000s, Randy would start another band with his brother called OPO which means "to lay a foundation" in Hawaiian, and ODA would reform to play a benefit in 2015 along with other obscure and heady/heavy Bay Area rockers like Savage Resurrection and Country Weather (some live footage of the event shows the band still rocking hard).

At last, Riding Easy is legitimately reissuing ODA's first smoking, gargantuan LP with bonus tracks, so crank this one up in the '70s Camaro with the windows open, and some dirt weed joints a-blazin'.

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Mulatu Astatke

Ethio Jazz

35,99 €*

Release: 1974 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

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"Ethio Jazz" is an album released by the Ethiopian master musician Mulatu Astatke in 1974 on his homeland Ethiopia's Amha Records. It stands as a milestone not only in his career but also in the history of contemporary Ethiopian music, continuing to shine brightly. With melancholic melodies played by wind instruments, a polyrhythmic rhythm section creating robust waves, sultry vibes from the vibraphone, and smoky organ tones, the album is enveloped in the sounds of jazz inherited from the States. This work, where various musical elements are miraculously fused in perfect balance, undoubtedly reigns at the pinnacle of Ethio Jazz, showcasing Mulatu's ambitious creativity in seeking out new sounds.

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LP | 1970 | EU | Reissue (BMG/Sanctuary)

Paranoid

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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2LP | 1974 | EU | Reissue (Reprise)

Neil Young

Carnegie Hall 1970

19,99 €*

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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The Last In Line Remastered Vinyl Edition

Dio

LP | 1984 | EU | Reissue (Mercury)

16,99 €*

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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LP | 1975 | EU | Reissue (BMG/Sanctuary)

Sabotage

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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LP | 1971 | EU | Reissue (BMG/Sanctuary)

Master Of Reality

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (BMG/Sanctuary)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1984 | EU | Reissue (Sony Music Catalog)

Die Ärzte

Debil

Release: 1984 / EU – Reissue

Genre: Rock & Indie, Pop

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LP | 1970 | EU | Reissue (Parlophone)

Syd Barrett

Madcap Laughs

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1974 | EU | Reissue (MCA)

Lynyrd Skynyrd

Second Helping

14,99 €*

LP | 1973 | EU | Reissue (Elektra)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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incl. 'sweet home Alabama'

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The Doors

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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LP | 1985 | UK | Reissue (Warner)

The Smiths

Meat Is Murder

LP | 1971 | EU | Original (Elektra)

Release: 1985 / UK – Reissue

Genre: Rock & Indie

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Official remastered reissue on 180 gram wax.

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The Doors

L.A. Woman

My Life In The Bush Of Ghosts

Release: 1971 / EU – Original

Genre: Organic Grooves, Rock & Indie

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incl. 'riders on the storm' & 'l.a. woman'

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Brian Eno & David Byrne

2LP | 1981 | US | Reissue (Nonesuch)

46,99 €*

Release: 1981 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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fully remastered 180 gram vinyl reissue incl. 7 orginally unreleased tracks of this groundbreaking collaboration!

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Three Imaginary Boys Picture Disc Edition

LP | 1979 | EU | Reissue (Polydor)

Red 50th Anniversary Edition (2024 Steven Wilson Mixes & 2024 David Singleton Elemental Mixes)

Release: 1979 / EU – Reissue

Genre: Rock & Indie, Pop

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limited edition picture disc!

The undisputed leaders of the early gothic scene, and a seminal band that contributed to the rise of British post-punk, The Cure recorded their debut album Three Imaginary Boys at London's Morgan Studios and released it in May 1979. After touring for almost all of 1977, the band changed their name to The Cure and rearranged their line-up with the sacking of Porl Thompson, giving birth to an unusual power trio. This line-up lasted only for their first album, making it unique in its essentially minimal sound. The year was now 1978, and the three (imaginary?) boys soon signed to Chris Parry's Fiction Label.

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King Crimson

2LP | 1974 | UK | Reissue (DGM Panegyric)

39,99 €*

Release: 1974 / UK – Reissue

Genre: Rock & Indie

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Blow Up Your Video 50th Anniversary Golden Vinyl Edition

AC/DC

LP | 1988 | EU | Reissue (Sony Music Catalog)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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It'll All Work Out In Boomland

LP | 1970 | EU | Reissue (Proper)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1988 | EU | Reissue (Matador)

Butthole Surfers

Hairway To Steven

27,99 €*

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Songs Opaque Brown Vinyl Edition

Sandy Harless

LP | 1973 | US | Reissue (Numero Group)

Songs Black Vinyl Edition

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Arriving as the hippy movement was discovering its peaceful easy `70s feelings, Sandy Harless' Songs LP is Chillicothe, Ohio's lone contribution to the Cosmic American Music movement. Financed from a 27-aquarium fish breeding business, the album shows its Appalachian roots with a tight weave of mountain folk, rural rock, and pastoral country. Real people music.

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Sandy Harless

LP | 1973 | US | Reissue (Numero Group)

27,99 €*

I Against I Green Vinyl Edition

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Bad Brains

LP | 1986 | US | Reissue (ORG Music)

32,99 €*

LP | 1976 | EU | Reissue (Life Goes On)

Release: 1986 / US – Reissue

Genre: Rock & Indie

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I Against I is the third studio album from Bad Brains, originally released in 1986 on SST Records. It remains influential to this day, inspiring countless punk, ska, reggae, and hardcore bands with it's innovative sound and uncompromising attitude.

This reissue marks the eighth release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner and pressed at Furnace Record Pressing.

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Abbass Mehrpouya

Mehrpouya Sitar

LP | 1970 | EU | Reissue (Wiseraven)

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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This - somehow - mythological album from one of Iran’s top sitarist lurches between traditional Eastern forms and more modern Western styles, blending the two into a fascinating fusion of cultures and flavours. Similar to the work of Indian rare groove master Ananda Shankar, the record brings to life the ultimate marriage of funky drums, lush horns, wah-wah guitars and Eastern harmonies. A necessary re-discovery !

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Warhorse

Jailbreak Vinyl Me, Please Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Formed in early 1970 by Deep Purple bassist Nick Simper, Warhorse began as a backing band for singer Marsha Hunt. The group initially also featured Rick Wakeman, but he departed the band in April 1970 to join Strawbs. The band’s self-titled debut album was released on Vertigo in November 1970 and is a fine example of progressive hard rock of the era. With a heavy Hammond organ touch the group was in fact leading a new way of thinking, fusing neoclassical elements with heavy blues. Compared to label mates Black Sabbath, Warhorse were in the end much closer to Atomic Rooster and Quatermass. A truly welcomed re-issue in gatefold vinyl !

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Thin Lizzy

LP | 1986 | US | Reissue (Vinyl Me, Please)

33,99 €*

W.A.S.P. 40th Anniversary Half-Speed Master Marbled Vinyl Edition

Release: 1986 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
“When Thin Lizzy’s Jailbreak was released on March 26, 1976, rock ’n’ roll was at a fascinating crossroads. The old-school dinosaurs who led ’60s rock — The Who, Led Zeppelin, The Rolling Stones — were still standing but limping along, already sounding like nostalgia acts to younger listeners. The next generation of arena-rock groups — Aerosmith, Kiss, Black Sabbath —were grounded in a more flamboyant, “party till you puke” sensibility that would soon be subsumed by the ascendent heavy metal movement.
Jailbreak would prove as foundational to the future sound of metal as AC/DC’s High Voltage or Motörhead’s Motörhead, just as Thin Lizzy’s no-nonsense musical approach informed the sensibility of punk.”

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W.A.S.P.

LP | 1984 | Reissue (Madfish)

Release: 1984 / Reissue

Genre: Rock & Indie

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LP | 1987 | EU | Reissue (Pias Catalogue)

Great White

Once Bitten

35,99 €*

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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Ladies Of The Canyon 180g 45RPM SuperVinyl Box Set

Joni Mitchell

2LP | 1970 | US | Reissue (Mobile Fidelity)

160,99 €*

Lady Killer Bi-Colored Vinyl Edition

Release: 1970 / US – Reissue

Genre: Rock & Indie

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SOURCED FROM THE ORIGINAL ANALOGUE MASTER TAPES
PRESSED AT RTI ON MOFI SUPERVINYL, AND STRICTLY LIMITED TO 5,000 NUMBERED COPIES
1/4” / 15 IPS / Dolby A analogue master to DSD 256 to analogue console to lathe

Ladies of the Canyon can be viewed as Joni Mitchell's coming-out party. Having recently moved to Lookout Mountain in Los Angeles' Laurel Canyon area — her house is depicted in a watercolour painting she made for the record's cover — the Canadian icon turned to her immediate surroundings for inspiration the while taking the pulse of national affairs, corporate enterprise, celebrity, and her relationship with Graham Nash. The 1970 album finds the singer-songwriter morphing into the groundbreaker who would shed folk music's constructs and wade into pop, jazz, soul, and poetry with a combination of depth, sophistication, self-examination, and acumen no one had ever heard.

Sourced from the original analogue master tapes, pressed on MoFi SuperVinyl at RTI on MoFi SuperVinyl, featuring new liner notes, and strictly limited to 5,000 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP box set delivers Ladies of the Canyon with bracing intimacy, detail, balance, and depth. Marking the first time the LP has received audiophile treatment, it's one of six iconic Mitchell records Mobile Fidelity is reissuing on definitive-sounding vinyl and SACD sets.

Playing with organic warmth, superb clarity, and ample spaciousness, this collectible UD1S edition benefits from the inherent properties of SuperVinyl — a virtually non-existent noise floor, reference-calibre groove definition, and ultra-silent surfaces among them. Primarily recorded solo, with spare accompaniment on select tracks, Mitchell practically takes up residence in your listening room. Her voice, piano, and guitar image with spot-on precision and three-dimensionality; the music is focused, emotional, natural. Auxiliary instrumentation — cello, clarinet, baritone saxophone, Milt Holland's deft percussion — is seamless, cohesive, steady. Notes bloom and decay as they do on a live stage; relatedly, the soundstage extends far and wide, with carbon-black backgrounds adding to the uncanny realism.

The deluxe packaging of the Ladies of the Canyon UD1S set complements its distinguished status. Housed in a deluxe slipcase, both LPs come in special foil-stamped jackets with faithful-to-the-original graphics that illuminate the splendour of the recording. This UD1S reissue is made for listeners who prize sound quality and production, and who desire to engage themselves in everything involved with the album, including Michell's illustrative painting that serves as the cover art.

Deemed "powerful and brilliant" upon release by The New York Times, Ladies of the Canyon followed Mitchell's first Grammy-winning effort (Clouds) and marked the first of six consecutive masterworks she made en route to becoming the most celebrated singer-songwriter of both her generation, and, arguably, all time. It's the first record on which the then-26-year-old featured the piano, a creative decision of immeasurable significance; first to attain platinum status, which transformed Mitchell into more than a folk figure; first to see her taking more chances with her singing; and the last on which she comes across upbeat, largely unencumbered by the complex themes and personal ache that would occupy her for the foreseeable future.

Mitchell radiates confidence and courage, producing Ladies of the Canyon herself after realizing she didn't need the services of an outsider when she already knew what she wanted. She just required a competent and collaborative engineer, who she landed in Henry Lewy. Fittingly, on the record's affectionate title track, she celebrates community and a trio of women — all real, all from her Laurel Canyon neighborhood — who, individually, as a visual artist, free-spirited mother, and circus-raised imagineer, respectively, were all reflected in Mitchell herself. Akin to Trina, Annie, and Estrella, Mitchell also had an affinity for wearing beautiful clothes, hosting friends, baking sweets, and weaving "a pattern all her own."

That pattern most famously materializes on the album's closing trio of songs — their unconventional placement on the record likely another sly acknowledgement of Mitchell's disdain for commercialism, or at the very least, catering to its demands — each, then and now, a classic. Within months of releasing Ladies of the Canyon Mitchell would find herself at the centre of the singer-songwriter movement — and preparing songs for another album whose impact is still felt today.

More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior

Mobile Fidelity Sound Lab's UltraDisc One-Step (UD1S) technique bypasses generational losses inherent to the traditional three-step plating process by removing two steps: the production of father and mother plates, which are created to yield numerous stampers from each lacquer that is cut. For UD1S plating, stampers (also called "converts") are made directly from the lacquers. Since each lacquer yields only one stamper, multiple lacquers need to be cut. Mobile Fidelity's UD1S process produces a final LP with the lowest-possible noise floor. The removal of two steps of the plating process also reveals musical details and dynamics that would otherwise be lost due to the standard multi-step process. With UD1S, every aspect of vinyl production is optimized to produce the best-sounding vinyl album available today.

MoFi SuperVinyl

Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analogue lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.

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Mouse

LP | 1973 | EU | Reissue (Sommor)

Selling England By The Pound

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Led by legendary prog-fusion / session guitarist Ray Russell (John Barry Seven, Graham Bond, Georgie Fame, Running Man…) and bass player Jeff Watts (Steel Mill), Mouse released their only album in 1973 for the short-lived Sovereign label. An eclectic mix of progressive sounds, hard-rock, psych, blues and glam with stunning acid lead guitar. Includes their celebrated cover of Medicine Head’s “All the fallen teen-angels”. Remastered sound, original artwork in gatefold sleeve just like the original, insert with liner notes and pictures.

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Genesis

LP | 1973 | Reissue (Rhino)

Release: 1973 / Reissue

Genre: Rock & Indie

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LP | 1971 | Reissue (Rhino)

Genesis

Nursery Cryme

Release: 1971 / Reissue

Genre: Rock & Indie

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Survival Of The Fittest Record Store Day 2023 Edition

Maxwell Udoh

LP | 1988 | US | Reissue (Tidal Waves Music)

19,99 €*

The Dark Side Of The Moon Live At Wembley 1974 2023 Master

Release: 1988 / US – Reissue

Genre: Rock & Indie

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Record Store Day 2023 first time officially reissued on vinyl since 1988. Limited to 500 copies. Rasman Maxwell Udoh was one of the best things to come out of the Nigerian music scene in the 80s and 90s. Born on the 29th of August 1959 and passed away on the 18th of December 2014, his 55 years on earth were a memorable time that resulted in many contributions to the musical heritage of Nigeria, and the messages he spread through his lyrics are still treasured by the downtrodden even today. Maxwell Udoh was a true pioneer, and his musical legacy is more than relevant, even to this day.

After he left Oron’s Methodist Boys High School in 1980, Maxwell’s uncle Patrick Peter Udoh took him under his wing. As a professional musician with The Doves Rock Band, Patrick taught him all he could until the band’s dissolution, which prepared Udoh for the trailblazing career that he would soon be embarking upon. Maxwell Udoh and His Masses Militia Band took Nigeria by storm with their debut album ‘Forward Ever, Backward Never’. The record was a massive hit that opened his route to greatness, taking his reputation far beyond the shores of Nigeria and winning him several music awards.

The fame that Maxwell would claim from this would skyrocket him into his election as chairman of the Performing Musicians Association of Nigeria. As a naturally inclined musician and charismatic leader type since childhood, his journey is a series of natural progressions that sequentially delivered to him the many stages of the recognition he deserved.

Rasman Maxwell Udoh was renowned as an advocate for social justice, as well as one of the first few Africans to sing authentic reggae in its true form. His musical catalogue overall helps tell the story of a man who was larger than life and is cherished both in Africa and the world over to this day. Maxwell’s independent albums and singles are classics for the ages and stand firmly and triumphantly as paragon examples of the best of Nigerian music.

On the album we are proudly presenting you today (‘Survival Of The Fittest’ recorded in Nigeria in 1972) the listener is treated to six mind blowing tracks filled with excellent reggae, funk, soul, boogie and disco influences. Also included is the heavy hitting smash-hit “I Like It (Don’t Stop)” that was featured on the ’’Khruangbin: Late Night Tales” album. Fans of Maxwell will be proud that he was chosen as a representative of Nigeria on these ongoing and acclaimed series. A great accreditation for Maxwell Udoh and a big deal to say the least. All of the above makes ‘Survival Of The Fittest’ a real must-have for collectors and fans alike.

Tidal Waves Music now proudly presents the First ever vinyl reissue of this landmark Nigerian album originally released on Average records in 1988 (OG copies go for large amounts on the second-hand market). This is also the first time these recordings are being released outside of the African continent. This unique record comes as a deluxe 180g vinyl edition (strictly limited to 500 copies) with obi strip and features the original artwork. Released exclusively for Record Store Day (uk/europe) 2023 and available in participating stores on April 22, 2023.

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Pink Floyd

LP | 1973 | EU | Reissue (Warner)

23,99 €*

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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LP | 1974 | EU | Reissue (Universal)

Deep Purple

Stormbringer

Bullets For You Red Vinyl Edition

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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This release comes on 180g vinyl.

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Toxic Reasons

LP | 1986 | EU | Reissue (Audioplatter)

12,99 €*

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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12" | 1985 | EU | Reissue (Onderstroom)

Aroma Di Amore

De Sfeer Van Grote Dagen

Discipline (Steven Wilson Mix)

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.

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King Crimson

LP | 1981 | UK | Reissue (DGM Panegyric)

Release: 1981 / UK – Reissue

Genre: Rock & Indie

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LP | 1986 | UK | Reissue (Audio Platter)

Conflict

The Ungovernable Force

17,99 €*

Release: 1986 / UK – Reissue

Genre: Rock & Indie

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LP | 1981 | EU | Reissue (BMG Rights Management)

Mötley Crüe

Too Fast For Love

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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LP | 1971 | EU | Reissue (Ohr)

Birth Control

Operation

Suite Nihonkai Transparent Red Vinyl Edition

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Re-release of the second album of the Berlin outfit on the original OHR label. Produced by the famous photographer Didi Zill in 1971 at Hansa Studios.

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Chisato Yamada

LP | 1981 | EU | Reissue (Cinedelic)

LP | 1973 | EU | Reissue (MIG)

Release: 1981 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Limited edtion of 200 copies on transparent red vinyl.

From the meeting of the legendary Tsugaru Jamisen Maestro Chisato Yamada with volcanic mind of the composer Tasheshi Terauchi and his Oriental Fantastic Orchestra, a collaboration and a unique record, a conceptual work, is born in which innovative songs transcend the boundaries of traditional music by mixing modernity, rural and electronic atmospheres, local arias and contemporary music.
A record with strongly evocative and cinematic sounds.
Comes with OBI and a two-panel fold out sheet with original liner notes of the time translated in English that explains in an exhaustive way the inspirations from tradition and popular music and the very accurate digital recording techniques of the time that make it a record sought after by audiophiles looking for sounds unedited in the Western tradition.

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Agitation Free

2nd

23,99 €*

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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LP | 1974 | Reissue (Wewantsounds)

Omar Khorshid

Giant + Guitar

34,99 €*

LP | 1975 | EU | Reissue (Speakers Corner)

Release: 1974 / Reissue

Genre: Rock & Indie

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Cult Classic LP BY Legendary Egyptian Guitarist Omar Khorshid, First Released ON THE Label 'voice OF Lebanon' IN 1974 AND Reissued Here ON Vinyl FOR THE First Time With Original Artwork AND Remastered Audio Plus NEW Liner Notes BY DJ Ernesto Chahoud.

Wewantsounds is delighted to announce the reissue of Omar Khorshid's highly sought after instrumental album 'Giant + Guitar' originally released in 1974 in Lebanon and recorded at Polysound Studio by famed Lebanese engineer Nabil Moumtaz. The album features Khorshid's unique electric guitar sound mixed with arabic melodies over superb psych arrangements. The album has been newly remastered and comes with the original 'Voice of Lebanon' artwork and a 2 page insert featuring liner notes by DJ Ernesto Chahoud. Wewantsounds' series of Arabic music reissues are curated by Mario Choueiry from Institut du Monde Arabe in Paris. Omar Khorshid's life, if short (he died age 36 in a road accident), was extraordinary. Blessed with a great talent for music, the Egyptian musician and actor became one of the best guitarists of the Arab World accompanying the greatest stars of the 60s and 70s, including Oum Kalthoum, Abdel Halim Hafez and Farid El Atrache. To avoid the political troubles of the time in Egypt, and to fulfil his artistic ambitions, Khorshid moved to Beirut in Lebanon in 1973 and started recording a string of superb albums experimenting with Oriental music. ?He recorded for several labels including Voice of Lebanon, one of the key Lebanese labels of the time. He released his first album 'Giant + Guitar' for the label in 1974 and it was an instantly popular in the Arab world. The album, which has a great ample sound, was recorded at the Polysound studios overseen by engineer Nabil Moumtaz. The front cover sees Khorshid on his motorcycle in the busy street of Hamra, one of the most vibrant Beirut neighbourhoods where he was playing most nights in residence. (The album was also released internationally as 'Rhythms from the Orient' with a different artwork focusing on belly dance) The sound of the album is both bold and accessible displaying Khorshid's unique guitar sound, accompanied by a small band mixing traditional and modern fuzzed up arrangements. The mesmerizing opening track, 'Rakset El Fadaa', composed by Lebanese musician Nour Al Mallah, is a perfect example of Khorshid's artistry. Starting with a long, hypnotic guitar intro, it then speeds up with the backing of a groovy organ, Oriental percussion and the psych sound of an early synthesizer to great effect. The album continues on the same mode blending traditional Oriental music with inventive arrangements as showcased by the Mohamed Abdel Wahab standard 'Leilet Hob' popularised by Oum Kalthoum, which sees Khorshid and his musicians shifting pace several times over eight minutes. One of the peaks of the album in terms of sonic experiments is undoubtedly Korshid's own composition, 'Taqassim Sanat Alfein', with Khorshid's superb guitar in full bloom accompanied by a few touches of synth. A truly innovative album which pushed the boundaries of Oriental music at the time, 'Giant + Guitar' has gained in stature over the years and has become highly sought after by many DJs and collectors. A hugely important album which Wewantsounds is happy to reintroduce to the international audience for the first time since the 70s

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Michael Franks

The Art Of Tea

35,99 €*

Gorilla Biscuits Turquoise Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Michael Franks is a master of words. Not only did he study American Literature, he is also a song writer and a composer of film music, which he demonstrates in his début album with a major label, where music and language are on a par. Originally a jazz musician, Franks reached out to pop and rock fans with "The Art Of Tea". Sensually inspiring and playful numbers such as "Popsicle Toes" and "Eggplant" are full of crafty wordplay and almost Henry Mancini-like, airy jazz-pop. With a similar approach as Steely Dan, Franks’ singing and songwriting creates the basis for a sound that is founded on the support of top-notch musicians, many of whom are among the finest studio jazz musicians on the scene. The allstars line-up blazes with names such as Dave Sanborn and Michael Brecker on the saxophone. Guitar guru 'Mr. 335' Larry Carlton on the semi-acoustic guitar, Joe Sample at the keyboard, along with Wilton Felder on the bass contribute their Crusaders touch to the recording. Responsible for this impressively meticulous recording is, a.o. chief recording engineer Bruce Botnick, who also expertly taped the Doors and Beach Boys. The present production occupies the highest status in Franks’ discography, and has seldom been surpassed.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com. All royalties and mechanical rights have been paid.

Recording: May and June 1975 at Capitol Recording Studios, Los Angeles, by Al Schmitt, Bruce Botnick and Lee Hershberg Production: Tommy LiPuma

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Gorilla Biscuits

7" | 1988 | US | Reissue (Revelation)

13,99 €*

Isn't Anything Deluxe Edition

Release: 1988 / US – Reissue

Genre: Rock & Indie

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Gorilla Biscuits’ first classic record by one of the most influential bands from the New York straight edge hardcore scene. Features Anthony Civarelli (civ) on vocals and Walter Walter Schreifels (quicksand, CIV, Rival Schools) on guitar.

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my bloody valentine

LP | 1988 | EU | Reissue (Domino)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Witch Burning Black Vinyl Edition

Salem Mass

LP | 1971 | EU | Reissue (Guerssen)

LP | 1986 | EU | Reissue (Mercury)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Ultimate US hard-psychedelic / proto-prog burner from 1971!! Obscure Sabbath-esque hard-rock band Salem Mass self-released their only album in 1971. Recorded at a beer bar converted studio, “Witch Burning” consists of seven tracks full of ripping guitar, crazy Moog attacks, heavy keyboards, demented vocals and Satanic / Occult related lyrics, especially in the mindblowing ten minute long title track.

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Bon Jovi

Slippery When Wet

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Descanting The Insalubrious FDR Remaster

Carcass

LP | 1981 | EU | Reissue (Earache)

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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Psalm 9 Grey Vinyl Edition

Trouble

LP | 1984 | EU | Reissue (Hammerheart)

LP | 1975 | EU | Reissue (Warner Bros.)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Trouble’s classic debut album from 1984 with faithfully restored audio represents everything that Doom Metal should be.

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Neil Young & Crazy Horse

Zuma

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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LP | 1979 | EU | Reissue (Polydor)

The Police

Reggatta De Blanc

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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Singles Going Steady Black Vinyl Edition

Buzzcocks

LP | 1979 | UK | Reissue (Domino)

Release: 1979 / UK – Reissue

Genre: Rock & Indie

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Nighthawks At The Diner Remastered Edition

Tom Waits

2LP | 1975 | EU | Reissue (Anti)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Lodger (2017 Remastered Version)

David Bowie

LP | 1979 | EU | Reissue (Parlophone)

20,99 €*

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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3LP | 1980 | EU | Reissue (Columbia)

The Clash

Sandinista!

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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2LP | 1988 | US | Reissue (Sub Pop)

Soundgarden

Ultramega OK

Release: 1988 / US – Reissue

Genre: Rock & Indie

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Lindenberg Remstered Edition

Udo Lindenberg

LP | 1974 | EU | Reissue (Warner)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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LP | 1976 | EU | Reissue (Music On Vinyl)

J.J. Cale

Troubadour