Rock & Indie Vinyl 8709 Items

Release: 2024 / Original

Genre: Rock & Indie

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Preorder shipping from 2024-10-25

Heavy Lifting Live Tracks

MC5

2LP | 2024 | EU | Original (Earmusic)

36,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Heavy Lifting Limited Colored Vinyl Edition

MC5

LP | 2024 | EU | Original (Earmusic)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Bobby Boris Pickett / The Crypt-Kickers

The Original Monster Mash Glow In The Dark Vinyl Edition

LP | 2024 | Original (Decca)

Release: 2024 / Original

Genre: Rock & Indie

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Caravan Beyond Redemption Black Vinyl Edition

Cathedral

2LP | 2024 | Original (Earache)

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | WW | Original (Dog Holiday)

Club Kuru

Before The World

Release: 2024 / WW – Original

Genre: Rock & Indie

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LP | 2024 | Original (Aggressive Punk Produktionen)

Fahnenflucht

Molotov Zitrone

Release: 2024 / Original

Genre: Rock & Indie

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Collapse List Bio Vinyl Edition

Novo Amor

LP | 2024 | UK | Original (Communion)

Release: 2024 / UK – Original

Genre: Rock & Indie

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In This City Colored Vinyl Edition

Richard Hawley

LP | 2024 | EU | Original (BMG)

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Million Masks Of God Chrystal Clear Vinyl Edition

Manchester Orchestra

LP | 2024 | Original (Concord)

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | US | Original (New West)

The Wild Feathers

Sirens

LP | 2024 | EU | Original (Noisolution)

Release: 2024 / US – Original

Genre: Rock & Indie

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How would you define The Wild Feathers? Some may immediately check a box for Americana – and they wouldn’t be wrong. Others may lean on a version of rock: Country-rock, folk-rock, heartland rock. They’d all be right, too. Blues? A Southern flare? Occasional punk attitude? It’s all in there. Now, it’s time to hop on the bus and sing along.

The longtime Nashville band returns this year with Sirens, a new LP of road-worn, sharply-woven tales chronicling a life worth living, love worth holding and the hard-earned lessons found along the ride. To cut the follow-up to 2021 album Alvarado – the band’s debut on independent label New West Records – The Wild Feathers decamped from Music City, U.S.A., to Los Angeles for sessions with producer Shooter Jennings (known for his work with Brandi Carlile, Turnpike Troubadours and Tanya Tucker, among others) at Dave’s Room in North Hollywood.

Listen intently and without genre in mind. Because when the so-called Sirens make their sound on this new album, don’t worry about how to define it. Just enjoy the ride.

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24/7 Diva Heaven

Gift Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (BMG Rights Management)

Dokken

Tooth And Nail

37,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Daybreaker Record Store Day 2023 Picture Disc Vinyl Edition

Architects

LP | 2013 | EU | Reissue (Arising Empire)

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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The Raven That Refused To Sing

Steven Wilson

2LP | 2013 | EU | Reissue (Transmission)

40,99 €*

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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LP | 2013 | US | Original (ORG Music)

Refused

Everlasting EP

Release: 2013 / US – Original

Genre: Rock & Indie

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Mule Variations 25th Anniversary Silver Vinyl Edition

Tom Waits

2LP | 2024 | EU | Original (Anti)

35,99 €*

Omniverse Consciousness Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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In celebration of Mule Variations" and ANTI- Records" 25th Anniversary,the GRAMMY Award winning album is being re-issued on 180g Silver vinyl.The 1999 release of his thirteenth studio album Mule Variations offers themost complete picture of his artistry while also marking the beginning ofthe indie label ANTI- Records. On this album, edgy stomps, humor andexperimentation are interspersed with some of the most beautiful and personal songs he"s ever written.

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Doedsmaghird

LP | 2024 | Original (Peaceville)

Release: 2024 / Original

Genre: Rock & Indie

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2LP | 2024 | CZ | Original (Interscope)

AFI

Sing The Sorrow

36,99 €*

Release: 2024 / CZ – Original

Genre: Rock & Indie

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Talking Through Repetition Red & Black Vinyl Edition

The Psychotic Monks

2LP | 2024 | WW | Original (FatCat)

Release: 2024 / WW – Original

Genre: Rock & Indie

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My Years With Ufo Black Vinyl Edition

Michael Schenker

2LP | 2024 | EU | Original (Earmusic)

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Angel Of The West Window Black

Tangerine Dream

2LP | 2024 | Original (Kscope)

40,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Model Purple & Orange Vinyl Edition

Wallows

LP | 2024 | EU | Original (Atlantic)

47,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Les Blessures De L'ame 25th Anniversary Clear Vinyl Edition

Seth

LP | 2024 | Original (Peaceville)

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (BMG Rights Management)

The Searchers

The Ultimate Collection

Release: 2024 / EU – Original

Genre: Rock & Indie

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Mind, Man, Medicine Jade Vinyl Ediiton

The Secret Sisters

LP | 2024 | US | Original (New West)

2LP | 2024 | EU | Original (RecordJet)

Release: 2024 / US – Original

Genre: Rock & Indie

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Our fifth chapter is the one where we seek, savor, and settle. The muse found us in the depths of raising children, nurturing relationships, surviving a world-changing virus, bidding farewell, shifting our mindsets, and discovering a sense of peace heretofore unseen. Our third decade of life has proven to be one of routine, rest, and realization, and these songs are about the lessons we’ve learned. We’ve learned to be space-holders and defenders of the people we hold close. We’ve learned from deep, steady love in various forms. We’ve learned to let go of people and perceptions and priorities that just didn’t make the cut as we weighed what is right and important and worth keeping. We’ve learned how all the things we’ve always treasured continue to withstand the pressure of time. If you notice an upward trend to the mood and emotions, you’re on target-we have found calm waters, for now. - The Secret Sisters (2023)

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Massacre

Corpus Umbra

Release: 2024 / EU – Original

Genre: Rock & Indie

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Opium Clear Vinyl Edition

Half Me

LP | 2024 | EU | Original (Arising Empire)

21,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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You're Never Alone With A Schizophrenic

Ian Hunter

2LP | 2024 | Original (Chrysalis)

Release: 2024 / Original

Genre: Rock & Indie

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2LP | 2024 | Original (Chrysalis)

Ian Hunter

Short Back N Sides

Release: 2024 / Original

Genre: Rock & Indie

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10" | 2024 | EU | Original (Fat Wreck)

Codefendants

Living Las Vegas

29,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Sugar Black Vinyl Edition

Tonic

LP | 2024 | EU | Original (Music On Vinyl)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Napalm)

Austrian Death Machine

Quad Brutal

Release: 2024 / EU – Original

Genre: Rock & Indie

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2LP | 2013 | EU | Original (Late Night Tales)

The Cinematic Orchestra

Late Night Tales

Me First And The Gimme Gimmes

Release: 2013 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance, Pop

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feat. Flying Lotus, Nick Drake, Thom Yorke, Burial … 180 gram vinyl!

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Blow It At Madison's Quinceanera Limited Pink Vinyl Edition

LP | 2024 | EU | Original (Fat Wreck)

29,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Tarja - Rocking Heels: Live At Hellfest

Tarja

LP | 2024 | EU | Original (Earmusic)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-12-06

LP | 2024 | EU | Original (Arising Empire)

Awake The Dreamer

Holocene Colored

Release: 2024 / EU – Original

Genre: Rock & Indie

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12" | 2024 | Original (Crass)

Alternative

In Nomine Patri

Release: 2024 / Original

Genre: Rock & Indie

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Never Before Seen, Never Again Found Midnight Haze Vinyl Edition

Arm's Length

LP | 2024 | WW | Original (Many Hats Distribution)

Release: 2024 / WW – Original

Genre: Rock & Indie

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Baby I Miss You Blue Vinyl Edition

Chris Norman

LP | 2024 | Original (Bros Music)

Release: 2024 / Original

Genre: Rock & Indie

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Sentry Blue Vinyl Edition

Sentry

LP | 2024 | EU | Original (High Roller)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Swan Songs 10th Anniversary / 3

Lord Of The Lost

3LP | 2024 | EU | Original (Out Of Line Music)

41,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Norske Albumklassikere)

Saft

Stev, Sull, Rock & Rull

Release: 2024 / EU – Original

Genre: Rock & Indie

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Abhorrence Gilded Abyss Colored Vinyl Edition

Cognitive

LP | 2024 | EU | Original (Metal Blade)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996

V.A.

2LP | 2024 | US | Original (Light In The Attic)

55,99 €*

LP | 2013 | EU | Original (RCA)

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”

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Bring Me The Horizon

Sempiternal

Release: 2013 / EU – Original

Genre: Rock & Indie

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13" Frank Beltrane Italian Stiletto Mint Green Vinyl Edition

Xiu Xiu

LP | 2024 | US | Original (Polyvinyl)

38,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (RCA International)

Bring Me The Horizon

Post Human: Nex Gen

29,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Oren Ambarchi / Johan Berthling / Andreas Werliin

Ghosted II

LP | 2024 | US | Original (Drag City)

In These Dying Times Recycled Black Vinyl Editoin

Release: 2024 / US – Original

Genre: Rock & Indie

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Missing out on that super-chill, uber-jittery minimal groove thing? Let"s get real, real Ghosted again.Oren Ambarchi has been collaborating with the Fire! trio (Mats Gustafsson, Johan Berthling and Andreas Werliin) for over a decade - and both Johan and Andreas played on Oren"s Live Hubris as well. Oren and Johan began music-making together back in the early aughts - but it wasn"t until 2021 that the three of them got together to record music. That became the first Ghosted album. When they were done, it was clear they had founded a new group. A music of sustained tension and deep atmosphere marked by subtle, shifting dynamics, Ghosted was released in May of 2022 to psyched response everywhere; the trio embarked upon an ongoing series of concert bookings around Europe, with loads of other people in the world still hoping to have the chance to be in the room at the next show. Two years on, Ghosted has gone through several represses, now it"s time for the "dreaded follow up album"! Rather than go back to the well, the guys decided to tear everything down and start all over again, reimagining themselves from scratch.Just kidding! As we"ve noted, Oren, Johan and Andreas have been playing together for years and years, developing an essential telepathy within their shared space. They get each other and feed each other"s music processes on an elemental level. Why change that? What made the most sense was to go back to Daneil Bengtsson at Studio Rymden in Stockholm for a couple days, then have Oren and Joe Talia mix and Joe master it at Good Mixture in Melbourne again, then get Pål Dybwik to do some well-distinctive cover art, and once more, call it a record.That"s just what they did - and it should be no surprise at all that the new Ambarchi/ Berthling/Werliin album looks and sounds as engrossing as their debut, if not more so! Ghosted II has a definitively fresh quality radiating throughout. The mutual feeling among the three players goes deep, allowing for lots more to say every time they get toge...

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Suzan Köcher's Suprafon

LP | 2024 | EU | Original

Release: 2024 / EU – Original

Genre: Rock & Indie

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Ozean White Vinyl Edition

Ozean

12" | 2024 | US | Original (Numero Group)

LP | 2024 | EU | Original (Escho)

Release: 2024 / US – Original

Genre: Rock & Indie

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White Vinyl. Set your shoes to gaze mode and rip into this king size cloud of ethereal dream pop. Inspired by the spate of Brits leaning into swirling distortion and punishing volume, San Jose's Ozean played just two shows in their brief existence, dissolving before the Scene That Celebrates Itself ever broke the silicon barrier. The quartet's 1991 self-titled demo cassette has been remastered and pressed at 45RPM, a timeless document of late adolescent wonder and experimentation.

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Fine

Rocky Top Ballds

Jolly Good Fellas Best Of Broilers 1994-2024 Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Writing music, for singer-songwriter and producer Fine, “feels like being entrusted with a secret.” On Rocky Top Ballads, the Copenhagen-based musician’s debut album, these secrets take the form of minimalist compositions that search for glimpses of beauty in the everyday. Recorded, produced, and mixed by Fine, the album is a mystical soundtrack to a captivating songwriter’s explorations of process and intuition.

“The whole album is about the moments when you see a crack in something,” Fine explains, “where you briefly see another side of yourself or of someone you've known forever.”

Fine grew up in Denmark’s rural Northern Jutland; there, her father’s guitar and banjo playing formed the sonic backdrop of her childhood. In the years since, her musical curiosity has led her to work across a range of styles and sounds. In her early twenties, she became part of Danish electronic trio Chinah, which released three albums. You might also have caught her sampled vocals on the joyfully rollicking Two Shell song “Home,” from 2021. Then, last year, she — along with Erika de Casier and Smerz — co-wrote three songs for the massive, critically lauded K-pop group New Jeans. Fine is also a part of Clarissa Connelly Canons group back home in Denmark, and writes music under the moniker Coined with composer and songwriter Astrid Sonne.

But Rocky Top Ballads is a turn back towards a more personal, stream-of-consciousness songwriting style. Fine wrote and recorded these songs sporadically over the course of the last few years. In light of Chinah’s collaborative, piecemeal production style, Fine craved a more organic, intuitive process for these songs. Her work on the record combines sample-based production with the sounds of instruments she and her collaborators could hold in their hands, ones that inspired free-flowing improvisation: electric and acoustic guitar, even the Ensoniq keyboard that was in her childhood home. The resulting songs are equally inspired by the country and folk of her childhood, the hazy beauty of Mazzy Star, the avant-garde pop of Dean Blunt, and the songwriting of ’90s singer-songwriters like Suzanne Vega.

Fine describes her songwriting process as a “magical thinking method”: being in contact with the present moment and pretending as if she already knows the song she’s about to write. Many of the songs on Rocky Top Ballads use the original takes of Fine’s vocals, an attempt to capture a song’s initial essence and avoid disturbing the song’s generative idea as much as possible. You can hear that well-preserved spark on songs like “Losing Tennessee,” a minimalist and wistful reflection on the inherent loss and change of growing older. She wrote other tracks, like the piano-led “Whys” and the woozy “Coasting,” through a process of cutting and layering her improvisations, carefully merging multiple musical snippets into newly seamless compositions. And the stunning closing track “A Star” is the product of a slow process of evolution: beginning as an understated expression of sincerity before dissolving into a rich, distorted guitar-driven exploration.

As a songwriter and producer, Fine’s work often peers into the universes of experience that can be hidden inside a fragmentary moment. Sometimes she explores this literally — as in “Days Incomplete,” which she built off a short sample from “A Star.” This impulse — to zoom in, to recontextualize, to excavate — threads throughout her lyrics, too. What happens, her songs ask, when we pay close attention to those everyday images and physical realities we might otherwise ignore: the sky, the rain, the sun, the sea? On the spacious and swoony “Big Muzzy,” with its gentle sway and Cocteau Twins-inflected vocals, Fine sings about watching the “summer turn blue”; the grooving, propulsive “Remember The Heart” is a love letter to the sea where she grew up. In her airy voice, Fine traces meandering melodies that continually unspool with fresh insights.

A particular mantra guided Fine’s songwriting throughout the creation of Rocky Top Ballads: “Everything has potential.” In these songs, small moments are worthy of deep contemplation, and gentleness can evoke worlds of emotion. The resulting songs offer a gift of momentary pleasure, flowing and unhurried as a gentle breeze.

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Broilers

2LP | 2024 | EU | Original (Skull & Palms)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Orion Black Vinyl Edition

Orion Sun

LP | 2024 | US | Original (Mom+Pop)

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2013 | EU | Original (RCA)

Kodaline

In A Perfect World

Release: 2013 / EU – Original

Genre: Rock & Indie

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Mötley Crüe

Greatest Hits

36,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Sony Music)

The Highwaymen

Live At Nassau Coliseum

Release: 2024 / EU – Original

Genre: Rock & Indie

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Empathogen Brown Vinyl Edition

Willow

LP | 2024 | CZ | Original (Three Six Zero / Gamma / Vydia)

Release: 2024 / CZ – Original

Genre: Rock & Indie

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Soul Jazz Records presents

Punk 45: Kill The Hippies! Kill Yourself! Record Store Day 2024 Colored Vinyl Edition

2LP | 2013 | UK | Reissue (Soul Jazz)

Release: 2013 / UK – Reissue

Genre: Rock & Indie

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LP | 2024 | Original (Warner)

Linkin Park

Lost Demos

Release: 2024 / Original

Genre: Rock & Indie

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That's Amazing Grace / Siren's Echo Iron Lung

All Seeing Dolls

10"+CD | 2024 | EU | Original (A)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Flood Of Lies Yellow Ochre Vinyl Edition

UK Subs

LP | 2024 | Original (Jungle)

Oh Brother Turmeric Yellow Vinyl Edition

Release: 2024 / Original

Genre: Rock & Indie

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The fifth UK Subs studio album, from 1983, remastered - not available on CD for years. With extra tracks from singles; and now with bonus CD "Gross-Out USA" - plus three never-before released demo tracks, including an unheard song. Packaged in an all-card 6-panel sleeve with unseen band photos. Albums "F" and "G" in the UK Subs A-Z series of albums.The album was not available on vinyl for nine years. Now with a new inner bag featuring all the lyrics and unseen band photos. A limited edition, transparent yellow ochre vinyl with improved original sleeve art. Album "F" in the UK Subs A-Z series of albums.The album came at a crossroads for the UK Subs. Punk had become unfashionable, and the early line-ups had split leaving Charlie Harper to form a new band. He enlisted early Subs bassist Steve Slack (who"d left before their first recordings, replaced by his brother), drummer Steve Jones and guitarist Captain Scarlet. Navigating between the UK Subs punk ethos and wider accessible music, with many songs co-written by Slack and Scarlet, Charlie"s lyrics reflected the current political paranoia of an Orwellian future, alongside hedonistic punk tales of life lived and characters met along the road. The album successfully led the band to embark on decades of world tours and continue the now-legendary A-Z series of albums. Although the current band have given up lengthy tours, since Charlie"s 80th birthday they reconvene regularly for festivals and short tours - in the UK from October 4.

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Dawes

LP | 2024 | EU | Original (Dead Ringers)

LP | 2024 | UK | Original (Soul Jazz)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Turmeric Yellow Vinyl.For the first time in almost a decade, brothers Taylor and GriffinGoldsmith grace the cover of a Dawes record. It's just the two of themthis time, and as such, Oh Brother marks a distinctive new chapter forthe California rock band _ one that is both introspective andaccessible, all while maintaining their beloved sense of sincerity.Oh Brother steers Dawes decidedly forward, honoring 15 years ofTaylor and Griffin's musical relationship, as well as the next era of theirband. Each of the nine songs began with just Taylor on guitar andvocals and Griffin on drums. They initially tracked each one livetogether, before adding in additional instrumentation and collaboratingwith touring guitarist Trevor Menear in the studio. Additionally, OhBrother is the first record the brothers have co-produced, workingalongside longtime friend Mike Viola.At this point in the Goldsmith's career, Dawes has cemented itself asone of the most earnest, no-bullshit musical acts out there. They're aband that can move seamlessly between folk rock, piano ballads, andsprawling jams while maintaining both an immediately recognizablesound and a freedom from expectations. Even as the Goldsmithbrothers navigates new chapters in their personal and professionallives, Oh Brother shows how they remain creative, ambitious, andinspired _ what it means to be lifers in a band together.

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Hawksmoor

Oneironautics

Soul Jazz Records presents

Release: 2024 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Hawksmoor"s new album "Oneironautic" on Soul Jazz Records follows critically acclaimed "Telepathic Heights", as well as a re-release of his album "Saturnalia".James McKeown, aka Hawksmoor, continues his fascination with the sounds and sensibilities of 70s/80s German electronic groups, think early Cluster, Harmonia, Can, Neu!, Roedelius and Michael Rother.On this new album he successfully combines these pulsating ripples of Germanic electronica with a number of decidedly English references: the soaring, hypnotic and pastoral qualities of Brian Eno, circa "Another Green World"; the long, sustained lines of Robert Fripp"s "Frippertonics", and the poetic feel of early Durutti Column.

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Deutsche Elektronische Musik Volume 2 - Experimental German Rock And Electronic Music 1972-83 LP 1

2LP | 2013 | UK | Reissue (Soul Jazz)

2LP | 2024 | Original (Rhino)

Release: 2013 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Soul Jazz Records Deutsche Elektronische Music Volume 2 is now available as two separate double LPs for the first time in over 10 years! Soul Jazz Records' 'Deutsche Elektronische Musik 2' is their second voyage into the world of Krautrock and German electronic music from the 1970s and early 1980s. Features a stunning line-up of seminal German groups, including Can, Faust, Popul Vuh, Neu!, Cluster, Amon Düül II, La Düsseldorf, as well as a host of lesser known and more obscure groups and artists such as Agitation Free, Bröselmaschine, Niagara and many more.

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Ministry

Twitch Deluxe Edition

45,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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2LP | 2024 | EU | Original (Sony Music Catalog)

Journey

Greatest Hits Remastered

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Rilrec)

Fucking Angry

Still Fucking Angry

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Century Media)

Slope

Freak Dreams

Release: 2024 / EU – Original

Genre: Rock & Indie

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Comedown Machine Opaque Yellow W/ Red Streak Vinyl Edition

The Strokes

LP | 2013 | EU | Reissue (Sony Music Catalog)

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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LP | 2024 | EU | Original (Tapete)

Levin Goes Lightly

Numb

Release: 2024 / EU – Original

Genre: Rock & Indie

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Dance Of Love Black Vinyl Edition

Tucker Zimmerman

LP | 2024 | Original (4AD/Beggars Group)

Release: 2024 / Original

Genre: Rock & Indie

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Dulling The Horns Mustard Yellow Vinyl Edition

Wild Pink

LP | 2024 | US | Original (Fire Talk)

LP | 2024 | UK | Original (Lightwell)

Release: 2024 / US – Original

Genre: Rock & Indie

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“Do you still believe it?” John Ross asks that question after journeying through the wreckage. The genesis of Dulling The Horns goes back to late 2022, when Ross began workshopping new material during soundcheck on the ILYSM tour. Last summer, Wild Pink decamped to western Massachusetts to reunite with engineer Justin Pizzoferrato. Ross decided to record Dulling The Horns live in the room, in an effort to capture Wild Pink’s onstage style — rawer, grainier. Gone are the glimmering atmospherics and studio affectations of recent Wild Pink outings. Instead, Ross’ voice is haggard against the humid distortion coating every song. “I wanted to make economical songs,” Ross explains. “Music that is very much at its core three or four people rocking.” If before, Wild Pink took notes from Springsteen and Petty, they’ve now entered their Crazy Horse era. On Dulling The Horns, you can hear him rediscovering the fire in real time. Tropes discarded along the roadside, songs pulled from the formative DNA of rock music, all filtered through years of messy fog. “There is no answer to these problems,” Ross says, having eventually yielded. But as far Dulling The Horns is concerned, there’s at least one path forward: Burn it all away, and keep moving. The album was mixed by Alex Farrar in Asheville NC, mastered by Greg Obis in Chicago, IL and is out in October on Fire Talk.

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The Silver Abduction

LP | 2024 | EU | Original (Voodoo Rhythm)

Release: 2024 / UK – Original

Genre: Rock & Indie

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The Silver Abduction release their debut self-titled album. Following on from two singles, Quarter To Two and Castle Rock, the album is released on August 30th. The Silver Abduction is a collaboration between singer Allison Brice (The 18th Day Of May, Lake Ruth) and musician/producer Andy Dragazis (Blue States). The Silver Abduction's history dates back to 2006. Instantly taken by Brice's haunting voice a musical friendship blossomed - with Brice's sweet, haunting melodies and Dragazis's dense and lush orchestration.

To date The Silver Abduction have had radio play from John Kennedy on Radio X, BBC Radio Wales, RTE 2XM, Amazing Radio amongst others. They have press reviews confirmed for Mojo and four star review in Shindig.

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Oh Telephone

Kill Kill Kill

21,99 €*

Platinum Collection Special Silver Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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OH TELEPHONE have their origins in the deep valleys of the Glarnerland (mountain region in switzerland) where thanks to the Veka Club they were well socialized and made resistant to any mainstream influences. Booking agencies and Labels are just shooting around with bands with Psych in the name who would like to be the next Oh-Sees and at the same time model their sound in a way that is horrible radio-friendly. OH TELEPHONE, on the other hand, is the real shit, garage-psych like no other band currently plays. Their screams never seem calculated but rather like a spontaneous outburst of passion, their guitars pierce every eard...

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Elvis Presley

2LP | 2024 | Original (Not Now)

39,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Promises Blue Swirled Vinyl

The Boxer Rebellion

LP | 2013 | UK | Original (Absentee)

Release: 2013 / UK – Original

Genre: Rock & Indie

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The 8th Cumming Neon Green Vinyl Edition

Cumgirl8

LP | 2024 | UK | Original (4AD/Beggars Group)

Release: 2024 / UK – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Out Of Line Music)

Motor!k

5 Clear Vinyl

Release: 2024 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Dokken

Back For The Attack

35,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Zeitgeist Black Vinyl Edition

4 Promille

LP | 2024 | EU | Original (Vier Promille)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | CZ | Original (Universal)

Clairo

Charm Pink Vinyl Edition

70,99 €*

Release: 2024 / CZ – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Post Present Medium)

Callahan & Witscher

Think Differently

Wearing Out The Refrain Blue Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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`Think Differently' is the debut LP by the duo of Callahan & Witscher. Jeff Witscher has been one of the most daring voices in underground American music for two decades, highlighted by releases on Pan and NNA Tapes. Jack Callahan's focused, uncompromising approach to sound caught the attention of both Demdike Stare's DDS label and Swiss composer Jürg Frey, who took Callahan on as his first composition student. Fans of their individual work might expect opacity, disruption, or rhythmic irregularity from their collaboration, but `Think Differently' sounds like a pitbull in a convertible, a sand-kicking beach party, the dopamine hit you get from 311 or Smash Mouth. It's a punchy, crunchy, highly infectious record. How did Callahan & Witscher cut the path from the ghostly margins of avant garde musics to the gutters of post-grunge American hard rock? In the words of Callahan, "at some point, you start to need a stronger drug." The most potent characteristic of this stronger drug is the guitar. And not just any guitar, but a sassy, contagious, blithe guitar. Its presence is a drastic shift for two guys who've combined to make dozens of records over the years, not a single one of which has a recognizable guitar sound on it. Alongside the cool breezes and hyperactive fretwork of Callahan's guitar playing, the songs are backboned by strutting, groove-happy vocals: all bark, all bite. Every song is a careful collage, light but dense, ornate with gang choruses, soulful femme vocals, autotune and whisper scratches. This accumulation almost manages to hide the record's potent undertow of dread. `Think Differently' unfolds carefully, a slow-motion demolition that reveals the anxiety of second guessing, the exhaustion of tour, creative bankruptcy, willful misunderstanding, the pain of caring. Setting this lyrical cynicism against such sonic glee isn't a spoonful of sugar, it isn't a bait-and-switch, it isn't a prank. After all, the dumb bliss of Sugar Ray's "Fly" shades a song about Mark McGrath's mom dying. "All Star" is about climate change. Most Sublime lyrics are a bummer. But there's still room for a raised beer, for a dumb grin. Like these ancestors, Callahan & Witscher aim at maximum uplift, at sounds that warm and dazzle like a sped-up sunrise. In spite of overdraft fees, in spite of bad art, in spite of self-doubt.

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Bad Moves

LP | 2024 | US | Original (Don Giovanni)

LP | 2024 | US | Original (Thrill Jockey)

Release: 2024 / US – Original

Genre: Rock & Indie

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With their third full-length, Washington, D.C.’s Bad Moves have expanded their founding artistic identity — a candy-coated guitar-pop shell surrounding a bitter lyrical core — by refracting their ideas through a new set of musical forms that weaponize repetition. On the new Wearing Out the Refrain, recorded once again with producer Joe Reinhart (Hop Along, Algernon Cadwallader), Bad Moves propose that the flip side of the delirious harmony of the basement show singalong is the volatile, accusatory antiphony of a community divided by strain, shouting the same desperate hook back and forth at one another.

Bad Moves’ tag-team vocals, which forgo centering anyone one member, also let the traditionally confessional “I” become the “we” of a community, or generation. Witness the ambitious climate change metaphor of “Eviction Party,” which understands the union of sugary pop and genuine angst embodied by 1960s girl-group songcraft, and uses it to expand a personal story to planetary scale. “It’s my eviction, I’ll cry if I want to” Bad Moves shouts, channeling the dawning millennial midlife crisis. The personal may be political, but what if both feel weighed down and trapped in circular, inescapable ruts?

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Umberto

Black Bile

Leave Me To The Future Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Black Bile compiles some of Umberto"s most resplendent, sanguine music to date. The solo work of LA composer Matt Hill draws heavily from the world of cinema, spinning immersive narratives and rich atmospheres using sound alone. Hill, an active composer for film and television, recently scored the 2022 Jerry Pyle film Loveseat (soundtrack was released in 2023). Other recent scores include the 2020 thriller Archenemy, from the producers of cult classic Mandy.Inspired by the ancient Greek theory of the "four humors," an early medical theory linking the inner workings of the human body to the elements. "Black bile" specifically links the feelings of melancholy with autumn. Hill"s celestial compositions are an autumnal soundtrack conveying beauty, yearning, reflection and comfort.Many of the album"s phrases are constructed from just two notes or sounds, arranged by Hill into complex patterns that undulate with an organic pulse. The spare melodic structure holds a myriad of small and beautiful details. The songs began with Hill improvising on the piano, to find the notes and patterns that created the musical and emotional structure from which he could expand with textural detail. Hill then would often remove the initial structure leaving a sparer and more skeletal one which he could again expand upon to create a full piece. The careful attention to each detail gives his minimal compositions emotional heft. The album masterfully stakes Umberto"s claim among other avant-ambient boundary pushers such as Lawrence English or Laurel Halo.

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Ischia

LP | 2024 | EU | Original (Siluh)

LP | 2024 | EU | Original (From Lo-Fi To Disco!)

Release: 2024 / EU – Original

Genre: Rock & Indie

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"Sometimes you have to take sides"! That's what you call a statement. It doesn't hurt that `Sides' bursts in with a hypnotic, swirling guitar riff that could have come from Kevin Shields (Ischia is clearly a My Bloody Valentine fan, which is not the easiest thing for a guitarist to do). The krautroc...

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Woog Riots

Collectors Of Pop

Release: 2024 / EU – Original

Genre: Rock & Indie

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Till We Have Faces Vinyl Edition Re-Issue 2024

Steve Hackett

LP | 2024 | EU | Original (Insideoutmusic Catalog)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Name Your Sorrow Blue Vinyl Edition

Pillow Queens

LP | 2024 | CZ | Original (Royal Mountain)

Release: 2024 / CZ – Original

Genre: Rock & Indie

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Mary Lattimore And Walt Mcclements

Rain On The Road Blue Vinyl Edition

LP | 2024 | US | Original (Thrill Jockey)

Robert Johnson's Tombstone

Release: 2024 / US – Original

Genre: Rock & Indie

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Mary Lattimore and Walt McClements are two of contemporary music"s most renowned innovators. Each has managed to expand the perception of their instrument"s capabilities. Lattimore inventive harp processing and looping has brought the instrument to a new audience. Her prolific run of celestial solo albums and evocative film scores have redefined the instrument in the modern consciousness. Her genre-agnostic collaborations include work with Kurt Vile, Steve Gunn, Jeff Zeigler, Meg Baird, and Thurston Moore. McClements, who tours as a member of Weyes Blood, is an acclaimed composer in his own right, sculpting glacial atmospherics from the accordion. The Los Angeles based duo became quick friends on overlapping tours, sharing both a drive to push the sonic possibilities of their instruments and roots in North Carolina. Mary Lattimore and Walt McClements debut collaboration Rain on the Road blossomed out of that time spent on the road together, capturing the liminal existence of touring life in deeply cinematic compositions. Recorded in the cozy setting of McClements" apartment during a rainy December in LA, Rain on the Road unfurls as a series of sonic vignettes, rolling landscapes hewn from longform improvisations for harp and accordion. Embellished with additional instrumentation such as the shimmering constellations of hand bells on "Stolen Bells" that glisten like lights on wet pavement, or the stately piano figures on "The Top of Thomas Street"; their pastoral pieces manage to paint vivid images.

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Thunder

Release: 2024 / EU – Original

Genre: Rock & Indie

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Thunder

The Magnificent Seventh

Release: 2024 / EU – Original

Genre: Rock & Indie

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Grüsse Von Der Ueberholspur Yellow Vinyl Edition

Sorry3000

LP | 2024 | Original (Audiolith)

Release: 2024 / Original

Genre: Rock & Indie

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Our Brand Could Be Yr Life Silver Vinyl Edition

Bodega

LP | 2024 | UK | Original (Chrysalis)