Rock & Indie Vinyl 19124 Items

Even The Forest Hums: Ukrainian Sonic Archives 1971-1996

Release: 2024 / EU – Original

Genre: Rock & Indie

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Gatefold incl. Booklet!

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V.A.

2LP | 2024 | US | Original (Light In The Attic)

55,99 €*

Lonerism 10th Anniversary Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”

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Tame Impala

3LP | 2012 | DE | Reissue (Virgin Music)

Release: 2012 / DE – Reissue

Genre: Rock & Indie

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Hear You Yellow, Black, White Vinyl Edition

Toe

LP | 2015 | US | Reissue (Topshelf)

Release: 2015 / US – Reissue

Genre: Rock & Indie

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13" Frank Beltrane Italian Stiletto Mint Green Vinyl Edition

Xiu Xiu

LP | 2024 | US | Original (Polyvinyl)

38,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2013 | EU | Original (RCA)

Bring Me The Horizon

Sempiternal

Release: 2013 / EU – Original

Genre: Rock & Indie

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Savage Amusement 50th Anniversary Deluxe Edition

Scorpions

2LP | 2015 | EU | Original (BMG Rights Management)

12,99 €*

Release: 2015 / EU – Original

Genre: Rock & Indie

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LP | 2015 | EU | Original (Warner)

Foals

What Went Down

34,99 €*

Ozean White Vinyl Edition

Release: 2015 / EU – Original

Genre: Rock & Indie

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It's the fourth studio album of the five-piece dance-rock band. Insiders described it as “primal, intense and sometimes harrowing."

With the help of critically acclaimed producer James Ford (known for his work with Simian Mobile Disco, The Last Shadow Puppets and Arctic Monkeys amongst others), the follow-up to their successful 2013 LP Holy Fire was recorded in a rural, 19th Century mill in Southern France.

Frontman Yannis Philippakis stated:"I wanted to tap into my inner madman and feel like I was channeling some sort of fevered creature."

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Ozean

12" | 2024 | US | Original (Numero Group)

Oren Ambarchi / Johan Berthling / Andreas Werliin

Release: 2024 / US – Original

Genre: Rock & Indie

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White Vinyl. Set your shoes to gaze mode and rip into this king size cloud of ethereal dream pop. Inspired by the spate of Brits leaning into swirling distortion and punishing volume, San Jose's Ozean played just two shows in their brief existence, dissolving before the Scene That Celebrates Itself ever broke the silicon barrier. The quartet's 1991 self-titled demo cassette has been remastered and pressed at 45RPM, a timeless document of late adolescent wonder and experimentation.

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Ghosted II

LP | 2024 | US | Original (Drag City)

LP | 2024 | EU | Original (RCA International)

Release: 2024 / US – Original

Genre: Rock & Indie

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Missing out on that super-chill, uber-jittery minimal groove thing? Let"s get real, real Ghosted again.Oren Ambarchi has been collaborating with the Fire! trio (Mats Gustafsson, Johan Berthling and Andreas Werliin) for over a decade - and both Johan and Andreas played on Oren"s Live Hubris as well. Oren and Johan began music-making together back in the early aughts - but it wasn"t until 2021 that the three of them got together to record music. That became the first Ghosted album. When they were done, it was clear they had founded a new group. A music of sustained tension and deep atmosphere marked by subtle, shifting dynamics, Ghosted was released in May of 2022 to psyched response everywhere; the trio embarked upon an ongoing series of concert bookings around Europe, with loads of other people in the world still hoping to have the chance to be in the room at the next show. Two years on, Ghosted has gone through several represses, now it"s time for the "dreaded follow up album"! Rather than go back to the well, the guys decided to tear everything down and start all over again, reimagining themselves from scratch.Just kidding! As we"ve noted, Oren, Johan and Andreas have been playing together for years and years, developing an essential telepathy within their shared space. They get each other and feed each other"s music processes on an elemental level. Why change that? What made the most sense was to go back to Daneil Bengtsson at Studio Rymden in Stockholm for a couple days, then have Oren and Joe Talia mix and Joe master it at Good Mixture in Melbourne again, then get Pål Dybwik to do some well-distinctive cover art, and once more, call it a record.That"s just what they did - and it should be no surprise at all that the new Ambarchi/ Berthling/Werliin album looks and sounds as engrossing as their debut, if not more so! Ghosted II has a definitively fresh quality radiating throughout. The mutual feeling among the three players goes deep, allowing for lots more to say every time they get toge...

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Bring Me The Horizon

Post Human: Nex Gen

29,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Cosmic American Music: Motel California Neon Sky Vinyl Edition

V.A.

2LP | 2024 | US | Original (Numero Group)

41,99 €*

LP | 2019 | EU | Original (BMG)

Release: 2024 / US – Original

Genre: Rock & Indie

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Neon Sky Vinyl.A companion to 2016's private countryrock overview Cosmic American Music,this second volume goes way past GramParsons' "country-rock plastic dry-fuck"and explores the twangy falsettos andcommercial curiosity that sent the Eaglessoaring. Though rooted in the west coastfolk rock of the late-'60s, these newkids in town rendered a safe-for-thesuburbssound bleached of the hippie era'spolitical strife. 20 tracks, two LPs, andgatefold tip-on sleeve for easy seed andstem separating are included.

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Lost On You

Release: 2019 / EU – Original

Genre: Rock & Indie

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Everything Not Saved Will Be Lost Forever Part 1

Foals

LP | 2019 | EU | Original (Warner)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Atom Heart Mother 2016 Edition

Pink Floyd

LP | 2016 | EU | Original (Parlophone)

Release: 2016 / EU – Original

Genre: Rock & Indie

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LP | 2015 | EU | Original (Columbia)

David Gilmour

Rattle That Lock

Release: 2015 / EU – Original

Genre: Rock & Indie

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LP | 2012 | US | Original (Captured Tracks)

Mac DeMarco

Release: 2012 / US – Original

Genre: Rock & Indie

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Jolly Good Fellas Best Of Broilers 1994-2024 Black Vinyl Edition

Broilers

2LP | 2024 | EU | Original (Skull & Palms)

Release: 2024 / EU – Original

Genre: Rock & Indie

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2LP | 2024 | EU | Original (BMG Rights Management)

Mötley Crüe

Greatest Hits

36,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Eunoia Transparent Red Vinyl Edition

Envy

LP | 2024 | EU | Original (Pelagic)

Release: 2024 / EU – Original

Genre: Rock & Indie

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2LP | 2024 | Original (Rhino)

Ministry

Twitch Deluxe Edition

45,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Orion Black Vinyl Edition

Orion Sun

LP | 2024 | US | Original (Mom+Pop)

Release: 2024 / US – Original

Genre: Rock & Indie

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In These Dying Times Recycled Black Vinyl Editoin

Suzan Köcher's Suprafon

LP | 2024 | EU | Original

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2016 | EU | Reissue (Atlantic)

Paramore

Riot!

Release: 2016 / EU – Reissue

Genre: Rock & Indie

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Teatro D'ira - Volume I Lp Colored Vinyl Edition

Maneskin

LP | 2021 | EU | Original (Rca Label)

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2016 | EU | Reissue (Interscope)

Maroon 5

Overexposed

Release: 2016 / EU – Reissue

Genre: Rock & Indie

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LP | 2016 | UK | Original (Parlophone)

Pink Floyd

Animals 2016 Edition

Release: 2016 / UK – Original

Genre: Rock & Indie

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LP | 2016 | EU | Original (Parlophone)

Pink Floyd

Meddle 2016 Edition

Release: 2016 / EU – Original

Genre: Rock & Indie

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LP | 2013 | EU | Original (RCA)

Kodaline

In A Perfect World

Release: 2013 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Sony Music)

The Highwaymen

Live At Nassau Coliseum

Release: 2024 / EU – Original

Genre: Rock & Indie

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American Football Covers Frosted Glass Vinyl Edition

V.A.

LP | 2024 | US | Original (Polyvinyl)

36,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Escho)

Fine

Rocky Top Ballds

Empathogen Brown Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Writing music, for singer-songwriter and producer Fine, “feels like being entrusted with a secret.” On Rocky Top Ballads, the Copenhagen-based musician’s debut album, these secrets take the form of minimalist compositions that search for glimpses of beauty in the everyday. Recorded, produced, and mixed by Fine, the album is a mystical soundtrack to a captivating songwriter’s explorations of process and intuition.

“The whole album is about the moments when you see a crack in something,” Fine explains, “where you briefly see another side of yourself or of someone you've known forever.”

Fine grew up in Denmark’s rural Northern Jutland; there, her father’s guitar and banjo playing formed the sonic backdrop of her childhood. In the years since, her musical curiosity has led her to work across a range of styles and sounds. In her early twenties, she became part of Danish electronic trio Chinah, which released three albums. You might also have caught her sampled vocals on the joyfully rollicking Two Shell song “Home,” from 2021. Then, last year, she — along with Erika de Casier and Smerz — co-wrote three songs for the massive, critically lauded K-pop group New Jeans. Fine is also a part of Clarissa Connelly Canons group back home in Denmark, and writes music under the moniker Coined with composer and songwriter Astrid Sonne.

But Rocky Top Ballads is a turn back towards a more personal, stream-of-consciousness songwriting style. Fine wrote and recorded these songs sporadically over the course of the last few years. In light of Chinah’s collaborative, piecemeal production style, Fine craved a more organic, intuitive process for these songs. Her work on the record combines sample-based production with the sounds of instruments she and her collaborators could hold in their hands, ones that inspired free-flowing improvisation: electric and acoustic guitar, even the Ensoniq keyboard that was in her childhood home. The resulting songs are equally inspired by the country and folk of her childhood, the hazy beauty of Mazzy Star, the avant-garde pop of Dean Blunt, and the songwriting of ’90s singer-songwriters like Suzanne Vega.

Fine describes her songwriting process as a “magical thinking method”: being in contact with the present moment and pretending as if she already knows the song she’s about to write. Many of the songs on Rocky Top Ballads use the original takes of Fine’s vocals, an attempt to capture a song’s initial essence and avoid disturbing the song’s generative idea as much as possible. You can hear that well-preserved spark on songs like “Losing Tennessee,” a minimalist and wistful reflection on the inherent loss and change of growing older. She wrote other tracks, like the piano-led “Whys” and the woozy “Coasting,” through a process of cutting and layering her improvisations, carefully merging multiple musical snippets into newly seamless compositions. And the stunning closing track “A Star” is the product of a slow process of evolution: beginning as an understated expression of sincerity before dissolving into a rich, distorted guitar-driven exploration.

As a songwriter and producer, Fine’s work often peers into the universes of experience that can be hidden inside a fragmentary moment. Sometimes she explores this literally — as in “Days Incomplete,” which she built off a short sample from “A Star.” This impulse — to zoom in, to recontextualize, to excavate — threads throughout her lyrics, too. What happens, her songs ask, when we pay close attention to those everyday images and physical realities we might otherwise ignore: the sky, the rain, the sun, the sea? On the spacious and swoony “Big Muzzy,” with its gentle sway and Cocteau Twins-inflected vocals, Fine sings about watching the “summer turn blue”; the grooving, propulsive “Remember The Heart” is a love letter to the sea where she grew up. In her airy voice, Fine traces meandering melodies that continually unspool with fresh insights.

A particular mantra guided Fine’s songwriting throughout the creation of Rocky Top Ballads: “Everything has potential.” In these songs, small moments are worthy of deep contemplation, and gentleness can evoke worlds of emotion. The resulting songs offer a gift of momentary pleasure, flowing and unhurried as a gentle breeze.

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Willow

LP | 2024 | CZ | Original (Three Six Zero / Gamma / Vydia)

Release: 2024 / CZ – Original

Genre: Rock & Indie

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Soul Jazz Records presents

Punk 45: Kill The Hippies! Kill Yourself! Record Store Day 2024 Colored Vinyl Edition

2LP | 2013 | UK | Reissue (Soul Jazz)

33,99 €*

Release: 2013 / UK – Reissue

Genre: Rock & Indie

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Middle Of Nowhere, Center Of Everywhere Record Store Day 2024 Edition

Acid King

2LP | 2015 | EU | Reissue (Blues Funeral)

36,99 €*

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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LP | 2024 | Original (Warner)

Linkin Park

Lost Demos

Release: 2024 / Original

Genre: Rock & Indie

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The Rising Tied Deluxe Ruby Red Vinyl Edition

Fort Minor

2LP | 2016 | EU | Reissue (Warner)

44,99 €*

Release: 2016 / EU – Reissue

Genre: Rock & Indie

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That's Amazing Grace / Siren's Echo Iron Lung

All Seeing Dolls

10"+CD | 2024 | EU | Original (A)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Oh Brother Turmeric Yellow Vinyl Edition

Dawes

LP | 2024 | EU | Original (Dead Ringers)

Flood Of Lies Yellow Ochre Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Turmeric Yellow Vinyl.For the first time in almost a decade, brothers Taylor and GriffinGoldsmith grace the cover of a Dawes record. It's just the two of themthis time, and as such, Oh Brother marks a distinctive new chapter forthe California rock band _ one that is both introspective andaccessible, all while maintaining their beloved sense of sincerity.Oh Brother steers Dawes decidedly forward, honoring 15 years ofTaylor and Griffin's musical relationship, as well as the next era of theirband. Each of the nine songs began with just Taylor on guitar andvocals and Griffin on drums. They initially tracked each one livetogether, before adding in additional instrumentation and collaboratingwith touring guitarist Trevor Menear in the studio. Additionally, OhBrother is the first record the brothers have co-produced, workingalongside longtime friend Mike Viola.At this point in the Goldsmith's career, Dawes has cemented itself asone of the most earnest, no-bullshit musical acts out there. They're aband that can move seamlessly between folk rock, piano ballads, andsprawling jams while maintaining both an immediately recognizablesound and a freedom from expectations. Even as the Goldsmithbrothers navigates new chapters in their personal and professionallives, Oh Brother shows how they remain creative, ambitious, andinspired _ what it means to be lifers in a band together.

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UK Subs

LP | 2024 | Original (Jungle)

LP | 2024 | UK | Original (Soul Jazz)

Release: 2024 / Original

Genre: Rock & Indie

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The fifth UK Subs studio album, from 1983, remastered - not available on CD for years. With extra tracks from singles; and now with bonus CD "Gross-Out USA" - plus three never-before released demo tracks, including an unheard song. Packaged in an all-card 6-panel sleeve with unseen band photos. Albums "F" and "G" in the UK Subs A-Z series of albums.The album was not available on vinyl for nine years. Now with a new inner bag featuring all the lyrics and unseen band photos. A limited edition, transparent yellow ochre vinyl with improved original sleeve art. Album "F" in the UK Subs A-Z series of albums.The album came at a crossroads for the UK Subs. Punk had become unfashionable, and the early line-ups had split leaving Charlie Harper to form a new band. He enlisted early Subs bassist Steve Slack (who"d left before their first recordings, replaced by his brother), drummer Steve Jones and guitarist Captain Scarlet. Navigating between the UK Subs punk ethos and wider accessible music, with many songs co-written by Slack and Scarlet, Charlie"s lyrics reflected the current political paranoia of an Orwellian future, alongside hedonistic punk tales of life lived and characters met along the road. The album successfully led the band to embark on decades of world tours and continue the now-legendary A-Z series of albums. Although the current band have given up lengthy tours, since Charlie"s 80th birthday they reconvene regularly for festivals and short tours - in the UK from October 4.

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Hawksmoor

Oneironautics

31,99 €*

Soul Jazz Records presents

Release: 2024 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Hawksmoor"s new album "Oneironautic" on Soul Jazz Records follows critically acclaimed "Telepathic Heights", as well as a re-release of his album "Saturnalia".James McKeown, aka Hawksmoor, continues his fascination with the sounds and sensibilities of 70s/80s German electronic groups, think early Cluster, Harmonia, Can, Neu!, Roedelius and Michael Rother.On this new album he successfully combines these pulsating ripples of Germanic electronica with a number of decidedly English references: the soaring, hypnotic and pastoral qualities of Brian Eno, circa "Another Green World"; the long, sustained lines of Robert Fripp"s "Frippertonics", and the poetic feel of early Durutti Column.

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Deutsche Elektronische Musik Volume 2 - Experimental German Rock And Electronic Music 1972-83 LP 1

2LP | 2013 | UK | Reissue (Soul Jazz)

Nick Cave & The Bad Seeds

Release: 2013 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Soul Jazz Records Deutsche Elektronische Music Volume 2 is now available as two separate double LPs for the first time in over 10 years! Soul Jazz Records' 'Deutsche Elektronische Musik 2' is their second voyage into the world of Krautrock and German electronic music from the 1970s and early 1980s. Features a stunning line-up of seminal German groups, including Can, Faust, Popul Vuh, Neu!, Cluster, Amon Düül II, La Düsseldorf, as well as a host of lesser known and more obscure groups and artists such as Agitation Free, Bröselmaschine, Niagara and many more.

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B-Sides & Rarities Part 1 & 2 Box Set Edition

7LP | 2021 | EU | Original (BMG)

134,99 €*

4LP | 2021 | EU | Original (Parlophone)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Limited Edition 83 track 180g 7LP Deluxe Boxset (First Time Part I & II on Vinyl)

Following on from the successful ‘An Idiot Prayer’ live album and livestream event released this year, Nick Cave Productions & BMG announce B-SIDES & RARITIES PART I & II to be released internationally on 22nd October 2021.
B-SIDES & RARITIES PART I & II contains material from Nick Cave and the Bad Seeds’ 30-plus year career. This collection features 83 tracks across 7 x 180g LPs housed in a deluxe case bound slipcase with foiling, featuring exclusive photographs and sleeve notes written by Sean O’Hagan (The Guardian & The Observer).
This is the first time Part I, compiled by Mick Harvey and originally released in 2005, has been made available on vinyl. It comprises 56 tracks including rarities, out-takes, covers & B-sides from 1988-2005.
Part II, compiled by Nick Cave & Warren Ellis and features 27 tracks from Dig, Lazarus, Dig!!! in 2006 to 2019’s Ghosteen. Including 19 rare and unreleased tracks including first recordings of ‘Skeleton Tree’, ‘Girl in Amber’, ‘Bright Horses’ and ‘Waiting for You’.

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Marillion

Fugazi Deluxe Edition

71,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Between The Buried And Me

Colors II Black Inside Grimace Purple Inside Trans Highlighter Yellow Vinyl Edition

2LP | 2021 | EU | Original (ADA)

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | UK | Original (Transgressive)

Beverly Glenn-Copeland

Keyboard Fantasies

Release: 2021 / UK – Original

Genre: Rock & Indie

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The Vision, The Sword And The Pyre (Part 2)

Eloy

2LP | 2019 | Original (MIG)

32,99 €*

Release: 2019 / Original

Genre: Rock & Indie

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I Made A Place Black Vinyl Edition

Bonnie Prince Billy

LP | 2019 | UK | Original (Domino)

Release: 2019 / UK – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Roadrunner)

Korn

The Nothing

34,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (Century Media)

Glassjaw

Material Control

Release: 2018 / EU – Original

Genre: Rock & Indie

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Lady In Gold Gold Vinyl Edition

Blues Pills

LP | 2016 | EU | Original (Nuclear Blast)

17,99 €*

Release: 2016 / EU – Original

Genre: Rock & Indie

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LP | 2012 | EU | Original (Columbia)

Leonard Cohen

Old Ideas

Release: 2012 / EU – Original

Genre: Rock & Indie, Pop

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Wearing Out The Refrain Blue Vinyl Edition

Bad Moves

LP | 2024 | US | Original (Don Giovanni)

LP | 2024 | EU | Original (Rilrec)

Release: 2024 / US – Original

Genre: Rock & Indie

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With their third full-length, Washington, D.C.’s Bad Moves have expanded their founding artistic identity — a candy-coated guitar-pop shell surrounding a bitter lyrical core — by refracting their ideas through a new set of musical forms that weaponize repetition. On the new Wearing Out the Refrain, recorded once again with producer Joe Reinhart (Hop Along, Algernon Cadwallader), Bad Moves propose that the flip side of the delirious harmony of the basement show singalong is the volatile, accusatory antiphony of a community divided by strain, shouting the same desperate hook back and forth at one another.

Bad Moves’ tag-team vocals, which forgo centering anyone one member, also let the traditionally confessional “I” become the “we” of a community, or generation. Witness the ambitious climate change metaphor of “Eviction Party,” which understands the union of sugary pop and genuine angst embodied by 1960s girl-group songcraft, and uses it to expand a personal story to planetary scale. “It’s my eviction, I’ll cry if I want to” Bad Moves shouts, channeling the dawning millennial midlife crisis. The personal may be political, but what if both feel weighed down and trapped in circular, inescapable ruts?

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Fucking Angry

Still Fucking Angry

Release: 2024 / EU – Original

Genre: Rock & Indie

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Jack White Acoustic Recordings 1998 - 2016

Jack White

2LP | 2016 | EU | Reissue (Sony Music Catalog)

29,99 €*

Release: 2016 / EU – Reissue

Genre: Rock & Indie

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LP | 2024 | EU | Original (Century Media)

Slope

Freak Dreams

Release: 2024 / EU – Original

Genre: Rock & Indie

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Comedown Machine Opaque Yellow W/ Red Streak Vinyl Edition

The Strokes

LP | 2013 | EU | Reissue (Sony Music Catalog)

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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Seasons Of Your Day Black Vinyl Edition

Mazzy Star

2LP | 2013 | US | Reissue (Rhymes Of An Hour)

Every Heaven Surf's Up Blue Vinyl Edition

Release: 2013 / US – Reissue

Genre: Rock & Indie

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Reissue der letzten Mazzy Star-LP aus 2013 auf schwarzem 180g Doppelvinyl.

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Humdrum

LP | 2024 | US | Original (Slumberland)

22,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Dulling The Horns Mustard Yellow Vinyl Edition

Wild Pink

LP | 2024 | US | Original (Fire Talk)

LP | 2024 | EU | Original (Tapete)

Release: 2024 / US – Original

Genre: Rock & Indie

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“Do you still believe it?” John Ross asks that question after journeying through the wreckage. The genesis of Dulling The Horns goes back to late 2022, when Ross began workshopping new material during soundcheck on the ILYSM tour. Last summer, Wild Pink decamped to western Massachusetts to reunite with engineer Justin Pizzoferrato. Ross decided to record Dulling The Horns live in the room, in an effort to capture Wild Pink’s onstage style — rawer, grainier. Gone are the glimmering atmospherics and studio affectations of recent Wild Pink outings. Instead, Ross’ voice is haggard against the humid distortion coating every song. “I wanted to make economical songs,” Ross explains. “Music that is very much at its core three or four people rocking.” If before, Wild Pink took notes from Springsteen and Petty, they’ve now entered their Crazy Horse era. On Dulling The Horns, you can hear him rediscovering the fire in real time. Tropes discarded along the roadside, songs pulled from the formative DNA of rock music, all filtered through years of messy fog. “There is no answer to these problems,” Ross says, having eventually yielded. But as far Dulling The Horns is concerned, there’s at least one path forward: Burn it all away, and keep moving. The album was mixed by Alex Farrar in Asheville NC, mastered by Greg Obis in Chicago, IL and is out in October on Fire Talk.

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Levin Goes Lightly

Numb

Release: 2024 / EU – Original

Genre: Rock & Indie

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Dance Of Love Black Vinyl Edition

Tucker Zimmerman

LP | 2024 | Original (4AD/Beggars Group)

Release: 2024 / Original

Genre: Rock & Indie

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Making Movies Half-Speed Mastered Vinyl Edition

Dire Straits

LP | 2024 | Original (Mercury)

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | UK | Original (Lightwell)

The Silver Abduction

LP | 2024 | EU | Original (Voodoo Rhythm)

Release: 2024 / UK – Original

Genre: Rock & Indie

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The Silver Abduction release their debut self-titled album. Following on from two singles, Quarter To Two and Castle Rock, the album is released on August 30th. The Silver Abduction is a collaboration between singer Allison Brice (The 18th Day Of May, Lake Ruth) and musician/producer Andy Dragazis (Blue States). The Silver Abduction's history dates back to 2006. Instantly taken by Brice's haunting voice a musical friendship blossomed - with Brice's sweet, haunting melodies and Dragazis's dense and lush orchestration.

To date The Silver Abduction have had radio play from John Kennedy on Radio X, BBC Radio Wales, RTE 2XM, Amazing Radio amongst others. They have press reviews confirmed for Mojo and four star review in Shindig.

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Oh Telephone

Kill Kill Kill

Platinum Collection Special Silver Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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OH TELEPHONE have their origins in the deep valleys of the Glarnerland (mountain region in switzerland) where thanks to the Veka Club they were well socialized and made resistant to any mainstream influences. Booking agencies and Labels are just shooting around with bands with Psych in the name who would like to be the next Oh-Sees and at the same time model their sound in a way that is horrible radio-friendly. OH TELEPHONE, on the other hand, is the real shit, garage-psych like no other band currently plays. Their screams never seem calculated but rather like a spontaneous outburst of passion, their guitars pierce every eard...

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Elvis Presley

2LP | 2024 | Original (Not Now)

39,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Bad Magic: Seriously Bad Magic Boxset

Motörhead

Box | 2015 | EU | Reissue (Silver Lining)

75,99 €*

LP | 2021 | Original (Scarlet)

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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Motörhead, die Ikonen, die “Godfathers of Heavy Metal“, veröffentlichen ihr 23. (und allerletztes Studioalbum) Bad Magic von 2015 noch einmal.

“Bad Magic: Seriously BAD Magic“ beinhaltet frisches Bonusmaterial und zwei bisher unveröffentlichte Tracks: “Bullet in Your Brain” und “Greedy Bastards”, sowie eine glanzvolle Live Performance von der Bad Magic Tour beim gigantischen Mt Fuji Festival in Japan 2015.

Dazu bekommen die Fans bekommen ein Audio Interview “War, Love, Death and Injustice” natürlich mit Lemmy, geführt vom Motörhead -Experten, Robert Kiewik, auf der Tour 2015 und wer vielleicht mit Lemmy in Verbindung treten will, kann dies mit dem Murder ONE Ouija Board, komplettiert mit einer Ace of Spades Planchette um die Richtung der ‚Konversation‘ anzuzeigen. Dies wird in einem exklusiven Boxset angeboten.

Ein neues Video für “Bullet In Your Brain” und unveröffentlichtes Footage aus dem Studio während der Bad Magic Aufnahmen. Eine Offenbarung für alle Fans, die sich nach neuen Motörhead Material gesehnt haben.

Als Bad Magic 2015 veröffentlicht wurde, tat es einen gewaltigen Schlag und alle, die meinten Motörhead wären zahmer geworden, wurden eines Besseren belehrt. Das Album erreichte in Deutschland auf Anhieb die Top 1 Chart Position mit Songs, wie dem Brechkegel “Thunder & Lightning” oder “Teach Them How To Bleed”. Das Album war tough, clean, mean und eines der kompromisslosesten Werke von Motörhead ever! Cameron Webb hatte seinen Anteil daran; er überzeugte die Band, das Album in den NRG North Hollywood, Maple Studios und Grandmaster in Kalifornien live aufzunehmen– zum allerersten Mal in der Ära Kilmister/Campbell/Dee. Von der gewaltigen Punk Energie bei “Electricity” bis hin zu Queens Brian May, der einen sprühenden Gastauftritt bei “The Devil” hat, dazu gewaltige Aggression, Attitüde und exzellentes Songwriting. Phil Campbell hat nicht nur seine besten Gitarrenstücke aufgenommen, er hat die besten Solos in einer Dekade abgeliefert und Mikkey Dees Schlagzeugspiel gab dem Motörhead Sound eine neue Resonanz. Dazu Lemmys raue lyrische Lebensreflektion wie bei “Till The End” und natürlich das unglaubliche Rolling Stones Cover “Sympathy For The Devil”. Eine der versteckten Juwelen des Albums auf „Bad Magic: Seriously BAD Magic“, ist Motörheads berühmteste, international gefeierte Version des David Bowies Klassiker, “Heroes”. Ursprünglich sollte der Song auf Bad Magic (2015) erscheinen, wurde jedoch in der letzte Minute wieder heruntergenommen. Jetzt aber fand „Heroes“ seinen Platz auf „Seriously Bad Magic“.

„Bad Magic: Seriously BAD Magic“ wird in den folgenden Formaten veröffentlicht : 2-fach 12” Vinyl, CD Digipak mit Bonus Disc, Limited Edition Boxset, Digital Download und Streaming. Das Limited Edition Boxset enthält das CD Digipak mit Bonus Disc, Doppel- 12” Vinyl, das exklusive Lemmy War, Love, Death and Injustice Audio Interview auf 12” Vinyl und die Edition Motörhead – Murder ONE Ouija Board mit Planchette.

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Frozen Crown

Winterbane

20,99 €*

Release: 2021 / Original

Genre: Rock & Indie

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LP | 2021 | EU | Reissue (BMG Rights Management)

Nazareth

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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Main Offender Remastered Red Vinyl Edition

Keith Richards

LP | 2019 | EU | Reissue (BMG Rights Management)

17,99 €*

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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Culk Colored Vinyl Edition

Culk

LP | 2019 | EU | Reissue (Siluh)

Life In Your Glass World Clear Vinyl Edition

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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The CULK debut album repressed! Alternate sleeve artwork, voloured Fucsia vinyl!On relationships, power structures and the unspoken. In-between timelessness and the Zeitgeist, CULK are releasing their self-titled debut album.The young ensemble from Vienna astonishes with unexpected alluring moments of suspense and melodic breaks _ torn between meditative trance, exuberant essence and pure ecstasy.Distorted sounds, edgy guitars and rhythmic patterns reminiscent of Psychedelic Rock and 60ies Nonchalance à la Velvet Underground are mixed with hints of Shoegaze and Post-Punk. The result: An engaging album that's shrouded in shivering atmosphere _ comforting yet tense, welcoming yet challenging, accessible yet complex. An intricate record that reveals itself progressively with each listen.Songs such as "Begierde/Scham", "Faust" or "Velvet Morning" are going to evoke a tranquilizing thrill that follows through the entire output and will showcase the great potential these four sophomore musicians have.

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Citizen

LP | 2021 | US | Reissue (Run For Cover)

Nothing Is Wrong 10th Anniversary Black / Silver / Gold Vinyl Edition

Release: 2021 / US – Reissue

Genre: Rock & Indie

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Citizen returns with Life In Your Glass World, the band's fourth full-length album this August. Since forming in 2009 the band has undergone several different transformations - from the angsty adolescent catharsis of their Run For Cover Recordsdebut album Youth to the intense followup in 2015 Everybody is Going to Heaven, and even more recently with 2017's As You Please, an album that took Citizen's songwriting to new highs. Life In Your Glass World continues that metamorphosis - thearrangements, instrument tone and tempo from the first moments of album leadoff track "Death Dance Approximately" demonstrate a new way forward for Citizen's unique strand of modern alt-rock.

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Dawes

2LP+7" | 2021 | Original (ATO)

31,99 €*

Release: 2021 / Original

Genre: Rock & Indie

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A Valediction Black Vinyl Edition

Obscura

2LP | 2021 | EU | Original (Nuclear Blast)

Wolves In The Throne Room

Release: 2021 / EU – Original

Genre: Rock & Indie

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Germany-based metal band Obscura launch trilogy concept on stunning new album “A Valediction”. The group’s first (sixth overall) album for Nuclear Blast pivots on many fronts. Advanced, elegant, and yet refreshing, “A Valediction” sums up past endeavors effortlessly as it gazes with purpose and conviction into the future. Obscura are fan-renowned and critically acclaimed for challenging and then expanding upon norms. From “Cosmogenesis”(2009) through “Diluvium”(2018), the band flourished and made significant progress in a musical genre unprepared for a creative shot of German invention. “A Valediction” spearheads Obscura into a new era of extreme metal. Welcome to the next level!

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Primordial Arcana

LP | 2021 | EU | Original (Century Media)

17,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Emotional Response)

Boyracer

Assuaged

LP | 2021 | EU | Original (Subway)

Release: 2021 / EU – Original

Genre: Rock & Indie

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All The Classic And Loved Elements Of Boyracer, Distilled Into A Rush Of Euphoric Indie Punk Songwriting Mastery.On The 14 Studio Full Length, Boyacer Mainstay Stewart Anderson Has Hit A Jackpot,With 14 Concise Genre Defining Crashpop Gems. Building On The Critical Acclaim Of 2020s Fan Favourite,"On A Promise", Anderson Is Again Aided And Abetted By The Simpatico Talents Of Christina Riley, (Artsick) And The Melodic Talent Of Sarah Records / Slumberland Era Member Matty Green (Tall Boy / Declining Winter). Stewarts Vocals Are Vitriolic And Pointed, Meshing Perfectly With Christina's. Ms. Riley, Handles The Lead Guitar For Most Of The Album, Ensuring A New Direction On A Well Loved Path. Mattys Presence Assures The Pop Element Shines Through The Trademark Squalling Feedback Bursts. Reflective And Urgent, "Assuaged" Offers Many Highlights. The Instant Rush Of "Tommy Mcneil" Is A Paen To The Delightful Confusions Of A First Crush. "40 Hours" Is The Autobiographical Recollections Of Stewarts Disdain At Working At "National Health Food Chain" During Covid. "Spoils" Champions Art Over Fiscal Rewards. Whilst "Digital Friends" Questions How Many Facebook Friends We Really Need. At 36 Minutes Long, "Assuaged" Contains All The Classic And Loved Elements Of Boyracer, Distilled Into A Rush Of Euphoric Indie Punk Songwriting Mastery.

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Carrera

15,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Liquid Tension Experiment

Lte3

2LP+CD | 2021 | EU | Original (Inside Outmusic)

29,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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The Absolute Universe-The Breath Of Life Abridged Version

Transatlantic

3LP | 2021 | EU | Original (Inside Outmusic)

Release: 2021 / EU – Original

Genre: Rock & Indie

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The Absolute Universe-Forevermore Extended Version

Transatlantic

3LP+CD | 2021 | EU | Original (Inside Outmusic)

Release: 2021 / EU – Original

Genre: Rock & Indie

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John Denver's Greatest Hits

John Denver

LP | 2019 | EU | Original (RCA)

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (Red Bull)

Awolnation

Here Come The Runts

Release: 2018 / EU – Original

Genre: Rock & Indie

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From Out Of Nowhere Black Vinyl Edition

Jeff Lynne's ELO

LP | 2019 | EU | Original (Sony)

King Salami & The Cumberland Three

Release: 2019 / EU – Original

Genre: Rock & Indie

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Regular edition, single pocket sleeve. Check the shop for the limited editions.

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Kiss My Ring

LP | 2019 | EU | Original (Damaged Goods)

18,99 €*

LP | 2019 | US | Original (Jagjaguwar)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Kiss My Ring is the fourth full-length studio album from London-based rhythm 'n' blues garage rockers, the follow-up to 2017's Goin' Back To Wurstville. It features fourteen tracks, a mix of brand new original compositions and the band's eclectic choice of covers. The album was recorded at London's legendary Gizzard Studios by Ed Deegan (Holly Golightly).The band truly represents the best of multi-cultural London, the members having a mix of Caribbean, French, Japanese and Spanish heritage. With a repertoire influenced by many of the great songs of the '50s and '60s made to sound fresh and new to modern ears, you won't be able to help but move your feet when the Cumberland Three are blasting out of your speakers. The King howls like Screaming Jay Hawkins with Bo Diddley chasing his coat-tail whilst Andre Williams tries to offer up some of his bacon fat, and the Trashmen do the Surfin' Bird behind him. This is a man that never stops shakin' and twistin' and groovin'. The Cumberland Three (former members of punk rock bands, including The Parkinsons) rock up a storm with their own branded mix of vintage rockabilly, desperate rock 'n' roll and stomping soul, with fire, energy, gusto and, above all, fun!The band has played pretty much everywhere in Europe, plus Australia, the USA and Japan, and more recently in China (Shanghai, Beijing, Nanjing, Wuhan, and elsewhere from big cities to rural villages), the Middle East, Turkey, and recently the South Pacific, and have shared a stage with the likes of the Standells, Pretty Things, Trashmen, and the Mummies, to name a few. You might have catch them starring on BBC's TV series UK'S BEST PART-TIME BAND (presented by Rhod Gilbert), and they also have 2 songs in the soundtrack of the Hollywood movie Death Race 2050 (remake of Death Race 2000) produced by the legendary Roger Corman!Equal parts rock 'n 'roll and soul, with a healthy dose of blues and rockabilly and a good bit of punk rock attitude, Kiss My Ring is a record you NEED in your collection!

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Bon Iver

I,I

40,99 €*

Release: 2019 / US – Original

Genre: Rock & Indie

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2LP | 2019 | US | Original (It)

Ned Collette

Old Chestnut

LP | 2019 | EU | Original (Because)

Release: 2019 / US – Original

Genre: Rock & Indie

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It Records is proud to release the stunning new double album from Melbourne/Berlin singer-songwriter Ned Collette: Old Chestnut. A truly accomplished work, a gorgeous dark folk opus, fleshed out in lush but precise and sparkling instrumentation thanks to a band of extraordinary collaborators. Featuring regular Wirewalker cohorts Joe Talia (who also co-produced the album with Collette) and Ben Bourke, plus Alexander Garsden, cellist Anthea Caddy, and piano from The Necksâ Chris Abrahams on the albumâs monolithic centrepiece, âJuneâ.Ned says that Old Chestnut is the first album he has made that âfeels like the albums I always wanted to make. Itâs just messy enough, elaborate enough, simple enough, improvised and collaborative enoughâ¦â and it does feel like Old Chestnut is an elevation, and that with it, he has attained a level of songcraft that transcends his already impressive back catalogue. With snippets written as far back as 2008 and 4 years since his last album release, itâs been a long journey. The resultant work is cohesive and articulate in a way few albums are. A mixture of melancholy balladry interwoven with daedal and often delicate instrumentals that not only frame and anchor the âsongsâ but beautifully showcase the calibre of Colletteâs arrangements and musicianship. This is the record that will etch the name Ned Collette into the lexicon of great Australian songwriters.

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L'Epee

Diabolique