Rock & Indie Vinyl 679 Items

Release: 1968 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: G+, Cover: G+

Morgen Black Vinyl Edition

Morgen

LP | 1969 | EU | Reissue (Guerssen)

Magic Lantern Black Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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US heavy psych masterpiece from 1969. Powerful sound and recording with thunderous drums, piercing fuzz guitars and the incredible vocals of Steve Morgen. Formed as Morgen’s Dreame Spectrum in 1967 in NY, Morgen were one the first bands signed to ABC’s offshoot Probe Records (home also of Soft Machine in the US). Fuelled by the chemistry between ace guitar player Murray Shiffrin and creative songwriter/singer Steve Morgen, they recorded their self-titled album in 1968 but, much to the band’s dismay and frustration, it wasn’t released until December 1969. Morgen included seven impressive tracks, all of them written by Steve Morgen. You can hear subtle influences of Hendrix, Stones, Who, Doors or Donovan but Morgen’s sound is clearly a beast of its own kind. The mysterious gatefold cover featured Edvard Munch’s iconic 1893 composition The Scream on the front. Welcome to the Void! *Original gatefold artwork. *Repro of the elusive poster insert. *New color insert with cool photos and detailed liner notes by Mike Stax (Ugly Things) *Audiophile restoration / remastering by Ezra Lesser.

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Haymarket Square

LP | 1968 | EU | Reissue (Guerssen)

23,99 €*

After All Black Vinyl Edition

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Originally from Chicago, Haymarket Square released in 1968 one of the rarest vinyl artifacts from the US underground psychedelic scene: the “Magic Lantern” album. Originally conceived as the soundtrack to a psychedelic lightshow art installation, the album offers crude, dark, psychedelic rock featuring trippy fuzzed out / wah guitars, male-female vocals and long tracks. Newly remastered sound, insert with liner notes, repro of the ultra-rare Baron & Bailey Lightshow poster.

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After All

LP | 1969 | EU | Reissue (Out-Sider Music)

23,99 €*

LP | 1969 | EU | Reissue (Spoon)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Hailing from Florida, After All was formed by well-experienced musicians with an R&B, jazz and blues background who hooked up with poetry writer Linda Hargrove to record an ambitious album influenced by acid-rock and psychedelic, early progressive sounds. Originally released in 1969 on the Athena label, the album is now considered an obscure classic. Top level psych/prog dominated by Hammond organ / guitar plus explosive drumming. Here’s a welcome new reissue in original artwork plus remastered sound, insert with liner notes.

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Can

Monster Movie

27,99 €*

The Jimi Hendrix Experience

Release: 1969 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Remastered from the original tapes, 180g vinyl!

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Smash Hits

LP | 1968 | EU | Reissue (Experience Hendrix)

17,99 €*

2LP | 1966 | EU | Reissue (Legacy)

Release: 1968 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

2016 reissue. Record Store Day edition

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Bob Dylan

Blonde On Blonde

It's So Hard To Tell Who's Going To Love You...

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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180 gram pressing!

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Karen Dalton

LP | 1969 | EU | Reissue (Elemental)

29,99 €*

King Of The Black Sunrise Black Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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My favorite singer in the place was Karen Dalton. She had a voice like Billie Holiday's and played the guitar like Jimmy Reed"- Bob Dylan This essential folk/blues classic, originally released in 1969, was the debut album by Karen Dalton. Dalton was discovered by singer/songwriter Fred Neil, who introduced her to producer Nick Venet (the man who signed The Beach Boys and took The Beatles to America). She cut most of the tracks with one take, and all in one night. A perfectionist, Dalton was hard to convince to record, and producers Venet and Neil were only successful by tricking her into thinking the tape wasn't rolling. "Some find Karen Dalton's voice difficult to listen to", wrote Al/Music critic Richie Unterberger. "But Dalton's vocals aren't that hard to take, and they are expressive; like Buffy Sainte-Marie, it just does take some getting used to because of their unconventional timbre." On this album, Dalton covers a wide range of styles, from lim Hardin, Jelly Roll Morton, and Leadbelly to the traditional folk song "Ribbon Bow" and the Eddie Floyd/Booker T. Jones penned soul tune "I Love You More Than Words Can Say." She also sings a couple of Neil tunes. After years of drug abuse, Dalton died in 1993, aged 55. Although she didn't enjoy commercial success during her lifetime, her work has gained significant recognition since her death, and artists like Nick Cave, Devendra Banhart, and Joanna Newsom have noted her as an influence.

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Thunder And Roses

LP | 1969 | EU | Reissue (Out-Sider Music)

Andromeda Black Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Led by explosive guitar player Chris (later Christa) Bond, Thunder and Roses was a power-trio from Philly in the best tradition of Cream or the Jimi Hendrix Experience. This is their sole album, originally released in 1969. A cult psychedelic hard-rock classic, including “White Lace and Strange”, famously covered by Nirvana. Thunder and Roses (named after a story from The Astounding Science Fiction Anthology) started to take form when genius 18-years old guitar player Chris Bond and bassist Tom Schaffer met heavy drummer George Emme (previously of The Electric Power House). Rehearsing six days a week the trio gelled quick and soon they were playing memorable shows at venues like Electric Factory and the Trauma. Recorded at Sigma Sound by Joe Tarcia, “King of the Black Sunrise” was released by United Artists in 1969. Dominated by Bond’s outstanding fuzz-wah guitar playing, the album featured seven original songs plus a storming cover of Hendrix’s “Red House”. Sadly, the record label took a wrong decision when refused to release the killer “White Lace and Strange” as a 45 to promote the album, choosing the mockery “Country Life” instead. After Thunder & Roses split, guitar player and main songwriter Chris Bond had a successful career as producer, songwriter, arranger and session musician, working closely with Daryl Hall & John Oates as well as other top artists. Later in his life, Chris eventually transitioned from male to female and changed her name to Christa. She sadly passed away in 2019.

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Andromeda

LP | 1969 | EU | Reissue (Guerssen)

LP | 1967 | EU | Reissue (Cosmic Rock)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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One of the key albums when talking about psychedelic hard-rock and early proto-metal, originally released in 1969. Featuring the great John Du Cann (The Attack, Atomic Rooster, Hard Stuff…) on guitar plus Mick Hawksworth (Fuzzy Duck, Alvin Lee) on heavy bass plus the powerful drumming of Ian McLane (Neat Change, Ray Owen’s Moon).

Andromeda was formed during the final days of Du Cann’s previous band The Attack, when he decided to go in a full heavier & proggier musical direction. Recruiting his friend/room mate Mick Hawksworth on bass plus drummer Jack McCulloch (of One In A Million, soon to be replaced by Ian McLane), the power-trio was born. After initial interest from John Peel (Dandelion) and Kit Lambert (Track Records), Du Cann decided to go with a major label, RCA, who offered him the chance to self-produce their first album. Recorded at Advision Studios, the impressive Andromeda debut was released in 1969, housed in a sleeve designed by John with photos by Gered Mankowitz. But despite receiving excellent reviews and the band playing lots of gigs (some of them billed above bands like Black Sabbath), RCA didn’t know what to do with such a heavy rock band. Tired of the lack of promotion and support, John accepted an offer to join Atomic Rooster… but that’s another story.

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H.P. Lovecraft

The Village Green Preservation Society 2018 Stereo Remaster

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Originally released in October 1967 by Philips Records, H. P. Lovecraft is the debut album by the American psychedelic rock band H. P. Lovecraft. The album blended psychedelic and folk rock influences and was marked by the haunting, eerie ambiance of the band's music, which itself was often inspired by the literary works of horror writer H. P. Lovecraft, after whom the band had named themselves. This is possibly one of the best second-division psychedelic albums, that shows the immediately identifiable Edwards-Michaels vocal tandem at its best. With deft touches of folk, jazz and sultry horn arrangements the album was a cult behind his own generation.

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The Kinks

LP | 1968 | EU | Reissue (BMG/Sanctuary)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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LP | 1967 | EU | Reissue (Lilith)

Cream

Disraeli Gears

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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LP | 1966 | JP | Original (CBS)

Andy Williams

De Luxe

12,99 €*

The Best Of The Modern Folk Quartet

Release: 1966 / JP – Original

Genre: Organic Grooves, Rock & Indie, Pop, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi.

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The Modern Folk Quartet

LP | 1966 | JP | Original (Warner Bros.)

5,99 €*

My People Were Fair And Had Sky In Their Hair ...

Release: 1966 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Red vinyl.

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Tyrannosaurus Rex

LP | 1968 | EU (Vinyl Lovers)

Release: 1968 / EU

Genre: Rock & Indie, Pop

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LP | 1968 | Reissue (Real Gone Music)

Listening

41,99 €*

Release: 1968 / Reissue

Genre: Rock & Indie

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LP | 1968 | EU | Reissue (Cosmic Rock)

Eden's Children

LP | 1969 | EU | Reissue (Cosmic Rock)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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The debut album by the Boston psychedelic power trio, originally released in 1968 on ABC Records. The album consists of a rather awkward mix of Jimi Hendrix inspired heavy guitar rockers, peppered with smoother, jazzy crooners. The standout track on the record is the epic "Just Let Go", with her jazzy nightclub feel, turning soon into a guitar laden Eastern psychedelic jam. An authentic cult finally unleashed!

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The Aggregation

Mind Odyssey

LP | 1968 | EU | Reissue (Cosmic Rock)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Prompt reissue of the only album released by The Aggregation, a Los Angeles psych rock combo, who licensed the album on LHI - Lee Hazlewood company - back in 1969. The story goes like that: the band used to perform cover songs at Disneyland attraction park but also produced a bunch of originals to get along with Disney rides and exhibits. Hence their concept album in which "funhouse" is a metaphor for exploring the brain frontiers. A must have!

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The Wind In The Willows

Luigi Tenco Clear Yellow Vinyl Edition

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Reissue of the band sole album, originally released in 1968 on Capitol Records. The record is a mixture of light psychedelic pop and folk. The band broke up shortly after failing to achieve commercial success or critical acclaim. The following year Artie Kornfeld, the record engineer of the album, went on to be the music producer of the Woodstock festival in 1969. Debbie Harry went on to join The Stillettos in 1974 and other bands until subsequently achieving success in 1976 fronting the new wave band Blondie.

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Luigi Tenco

LP | 1965 | EU | Reissue (SAAR)

Release: 1965 / EU – Reissue

Genre: Rock & Indie

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LP | 1968 | EU | Reissue (Rhino)

Van Morrison

Astral Weeks

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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LP | 1967 | EU | Reissue (Rhino)

The Doors

Strange Days

29,99 €*

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Release: 1967 / EU

Genre: Rock & Indie

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LP | 1968 | US | Reissue (Fat Possum)

Townes Van Zandt

For The Sake Of The Song

27,99 €*

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Originally released in 1968 For The Sake Of The Song is a reissue of Townes Van Zandt's well-known debut album. Produced by Jack Clement (Charley Pride, Chet Atkins, U2, etc.) and featuring original liner notes by Mickey Newbury, Van Zandt went on to cement his status as a cult icon among gifted songwriters such as Willie Nelson, Merle Haggard, and Emmylou Harris who eventually recorded their own covers of Towne's songs. Eleven tracks.

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LP | 1969 | JP | Original (Liberty)

This Is The Ventures

LP | 1968 | JP | Original (Polydor)

Release: 1969 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: G+

Red transparent vinyl! Gatefold cover with wear and seam split!

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The Spotnicks

The Spotnicks Deluxe

Release: 1968 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

The Brothers Four = The Brothers Four

Ever Green = エバーグリーン

LP | 1969 | JP | Original (CBS/Sony)

4,99 €*

Release: 1969 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1966 | DE | Original (Odeon)

The Beatles

Revolver

Golden Joan Baez Double Deluxe

Release: 1966 / DE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Early german pressing, has B5 misspelled. Record has many thin hairlines and surface marks that you can hear, but does not skip. The Cover has shelf and ringwear, no splits.

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Joan Baez

2LP | 1969 | JP | Original (Vanguard)

7,99 €*

Release: 1969 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1969 | JP | Original (CBS/Sony)

Sounds Of Silence

Release: 1969 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1966 | JP | Original (Vanguard)

Joan Baez

Golden Album

Release: 1966 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing without obi | Foxing inside gatefold

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The Monkees' Golden Story

2LP | 1968 | JP | Original (Victor)

33,99 €*

Release: 1968 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing without obi | Faint foxing inside gatefold otherwise VG+, no seam splits, tears ...

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Wednesday Morning, 3 A. M.

LP | 1969 | JP | Reissue (CBS/Sony)

LP | 1968 | JP | Reissue (CBS/Sony)

Release: 1969 / JP – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing without obi. Foxing inside gatefold and discoloration on back cover.

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Blood, Sweat And Tears

Axis Bold As Love EU Stereo Version

Release: 1968 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing without obi, includes lyric sheet | Foxing on cover

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Jimi Hendrix

LP | 1967 | EU | Reissue (Sony)

2LP | 1969 | DE | Reissue (Zappa)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Stereo version, freshly pressed on 180 gram vinyl!

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Frank Zappa

Uncle Meat

46,99 €*

Release: 1969 / DE – Reissue

Genre: Rock & Indie

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LP | 1968 | EU | Reissue (Rhino)

MC5

Kick Out The Jams

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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2LP | 1967 | JP | Original (Polydor)

The Spotnicks

All About The Spotnicks

39,99 €*

LP | 1969 | JP | Original (A&M)

Release: 1967 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.
Sleeve has wear and scuffs.
LPs have surface marks.

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Burt Bacharach

Make It Easy On Yourself

Release: 1969 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1967 | JP | Original (Victor)

More Of The Monkees

Release: 1967 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1968 | JP | Original (Victor)

Golden Album

The Walker Brothers = The Walker Brothers

Release: 1968 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

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The Sun Ain't Gonna Shine Anymore = 太陽はもう輝かない

LP | 1967 | JP | Original (Philips)

4,99 €*

Release: 1967 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Crosby Stills & Nash SuperVinyl Edition

Crosby Stills & Nash

LP | 1969 | US | Reissue (Mobile Fidelity)

119,99 €*

LP | 1969 | EU | Reissue (Atlantic)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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ULTIMATE-SOUNDING VERSION OF THE HARMONY-RICH LANDMARK: DELUXE AUDIOPHILE PRESSING LIMITED AND NUMBERED COPIES
1/4" / 15 IPS analogue master to DSD 256 to analogue console to lathe

The enduring charm, contemporary relevance, and harmonic convergence of Crosby, Stills & Nash's fabled self-titled debut owe not only to impeccably played songs and resonant lyrics, but to career-defining performances by music's first genuine supergroup. Crosby, Stills & Nash lingers as an example of the whole being greater than the sum of its parts. Factor in phenomenal studio production and acoustic-based architecture that served as guideposts for myriad albums that followed, and popular music would never be the same.

Limited and numbered, pressed on MoFi SuperVinyl at RTI, and mastered from the original master tapes, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP collector's edition enhances the incalculably influential work for the ages to come. Surpassing the sonics of any prior version, it peels away any limitations to provide a transparent, ultra-nuanced presentation of a record that birthed the Laurel Canyon movement and established a precedent for close harmony singing that has never been eclipsed. The organic presentation of the textures; expanse and depth of the soundstages; fullness of tones; natural extension of the acoustic guitar strings; realistic rise and decay of individual notes; seamless blending of the vocals – all those important sonic facets (and more) reach demonstration-grade levels.

The packaging features the same attention to detail. Housed in a deluxe box, the Crosby, Stills & Nash UD1S pressing features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendour of the recording and the reissue's premium quality. Aurally and visually, MoFi's UD1S copy exists as a curatorial artifact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art – and everything involved with the album, from the images to the finishes.

The backstory of how Crosby, Stills & Nash came to be nearly matches the import of its content. Already a renowned multi-instrumental virtuoso, Stephen Stills sought a fresh beginning after Buffalo Springfield splintered. Similarly, vocal powerhouse David Crosby arrived after leaving the Byrds and gaining a reputation for being difficult. Graham Nash drifted over after a frustrating stint in the Hollies. He met his new mates at a party. When the three sang together informally for the first time, their fate was sealed. To further tie their fortunes together, the singers used each of their surnames to identify the group to ensure the collective could not exist or continue on without all three members.

From the opening of the lead track, the multi-part "Suite: Judy Blue Eyes," written for Judy Collins, it's apparent the trio's dynamic cannot be replicated or substituted. Originally released in May 1969 on Atlantic, the eponymous debut cracked the Billboard Top 10 and spent almost two years on the charts. Such longevity can be credited to the distinctive traits each member lends to a record Rolling Stone cites as the 252nd Greatest Album of All Time. Stills trades in folk, country, and rock accents while handing a majority of the instrumental duties (organ, bass, and lead guitar included). Crosby paints with mood and atmosphere, as well as direct political commentary. Nash ties everything together with accessible pop melodies.

More than five decades later, the ensemble's mellifluous singing and homespun arrangements continue to soar. The evidence pervades Crosby, Stills & Nash, whose magnetism reflects in standards such as the breezy "Marrakesh Express," protesting "Long Time Gone," poignant "Helplessly Hoping," and poetic "Wooden Ships." No wonder the trio's chemistry – as well as the distinctive traits of each member's singing, interwoven guitar parts, and contrasting personalities – became a permanent part of an American culture dealing with conflicting themes of peace and war, love and violence, and change and status quo.

More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior
Mobile Fidelity Sound Lab's UltraDisc One-Step (UD1S) technique bypasses generational losses inherent to the traditional three-step plating process by removing two steps: the production of father and mother plates, which are created to yield numerous stampers from each lacquer that is cut. For UD1S plating, stampers (also called "converts") are made directly from the lacquers. Since each lacquer yields only one stamper, multiple lacquers need to be cut. Mobile Fidelity's UD1S process produces a final LP with the lowest-possible noise floor. The removal of two steps of the plating process also reveals musical details and dynamics that would otherwise be lost due to the standard multi-step process. With UD1S, every aspect of vinyl production is optimized to produce the best-sounding vinyl album available today.

MoFi SuperVinyl
Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.

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Boz Scaggs

42,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1966 | UK | Reissue (The state51 Conspiracy)

Donovan

Sunshine Superman

18,99 €*

LP | 1969 | US | Reissue (Intervention)

Release: 1966 / UK – Reissue

Genre: Rock & Indie

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Donovan Philips Leitch is a Scottish singer-songwriter and guitarist who in the 1960s developed an eclectic and distinctive style that blended folk, jazz, pop, psychedelia, and world music. He emerged from the British folk scene and reached fame in the UK in early 1965 before replicating this in the US the following year, baring the fruits of the blossoming, successful, and eventually long collaboration with record producer Mickie Most.

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The Flying Burrito Bros

The Gilded Palace Of Sin

49,99 €*

Release: 1969 / US – Reissue

Genre: Rock & Indie

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LP | 1969 | EU | Reissue (Rhino)

The Stooges

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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I Want My Woman White Vinyl Edition

The Emperors

LP | 1965 | US | Reissue (Beatrocket)

The Mugwumps Orange Vinyl Edition

Release: 1965 / US – Reissue

Genre: Rock & Indie

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Blisterin’ bleach blonde garage punk from Long Beach’s Emperors!

Previously limited to a handful of singles, this full length LP includes all of their material, including 4 unissued tracks! From the maniacal laughter on “Laughin’ Linda” to their foot-tappin’ cover of the Zombies’ “You Make Me Feel So Good” it’s easy to see why this group of teens were hailed as Long Beach’s favorite group.

Susan Gilmore, an Emperor fan, recollects, “The highlight of the dances were when they played. While attendance was pretty good for other bands, the Emperors packed the place every time. The buzz would start during the week at school. ‘The Emperors are playing this weekend. Are you going to go?’”

The wild teenage sound of the original Emperors is still the greatest. “It's just a lifetime experience,” concluded Randall. “In a way, I felt that we were ahead of our time. The way we played and the way we presented everything on stage, nobody was shy. It was a wonderful experience.”

A new version of the band rebranded as simply Emperor, led by Steve Watts and Randy Budihas, would record for RCA, then Private Stock during the ‘70s. After a 20-year break, The Emperors reformed in 2002 and are still performing and entertaining fans today.

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The Mugwumps

LP | 1967 | US | Reissue (Sundazed)

Release: 1967 / US – Reissue

Genre: Rock & Indie

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Sunshine & Shadows Pink Vinyl Edition

Ars Nova

LP | 1969 | US | Reissue (Sundazed)

2LP | 1967 | US | Reissue (Mobile Fidelity Sound Lab)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Touted as the “new Doors,” Ars Nova’s second release shows the band genre-bending jazz and heavy psychedelia in a style that’s their own. Shifting from a largely classical centric sound, this was the group’s last album before going their separate ways. Pressed on pink vinyl!

Sunshine & Shadows takes the baroque-meets-psych sound of the debut and turns a bit more to the psych side. The stately brass interludes are gone, but horns still figure prominently in the mix. There’s some jazzy New Orleans flavor to a couple of the tunes, albeit twisted into a 7/4 vamp on “You Had Better Listen.”

The instrumentalists in the band, featuring trumpet and trombone, really give the music a unique flavor, setting them apart from the multitudes of other American psych bands. Ars Nova might be likened to Ultimate Spinach (but without the overly serious, pretentious lyrics) or later Zombies (though with less emphasis on the keyboards).

It’s all very well written and nicely played, and when they do a tender ballad like “Temporary Serenade,” the acoustic guitar is very lute-like, much more along the lines of classical than folk (like the later work of Jan Akkerman with Focus), and the trumpet descant adds a lovely spice.

“Well, Well, Well” is the heaviest rock tune in their repertoire, with a great electric guitar riff and hot organ playing, again set apart by trombone and trumpet. This one is definitely worth seeking out for baroque pop fans.

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Jefferson Airplane

Surrealistic Pillow

75,99 €*

LP | 1966 | JP | Original (CBS)

Release: 1967 / US – Reissue

Genre: Rock & Indie

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180 Gram MONO 45RPM Audiophile Vinyl, limited/numbered

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Andy Williams

Hawaiian Wedding Song

Release: 1966 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Londra Sokaklarında Ağlar Gezerim / Zindan Oldu Sensiz Geçen Günlerim

Yüksel Özkasap

7" | 1969 | TR | Original (Türküola)

15,99 €*

Release: 1969 / TR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: Generic

LP | 1967 | JP | Original (Liberty)

Pops In Japan

12,99 €*

Release: 1967 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1967 | JP | Original (Victor)

Headquarters

7" | 1969 | DE | Original (Mercury)

Release: 1967 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: G+

Japanese pressing, no Obi.
Sleeve has seam-split.

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Sir Douglas Quintet

Nuevo Laredo / Texas Me

3,99 €*

7" | 1966 | DE | Original (Epic)

Release: 1969 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: Generic

Cover is missing.

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Donovan

Sunshine Superman

3,99 €*

7" | 1967 | US | Original (Mala)

Release: 1966 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: Generic

Cover is missing.

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Box Tops

The Letter

4,99 €*

Release: 1967 / US – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: Generic

David Bowie Green Vinyl Edition

David Bowie

2LP | 1967 | PL | Reissue (Decca)

41,99 €*

Release: 1967 / PL – Reissue

Genre: Rock & Indie

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David Bowie Indie Exclusive Cloudy Green Vinyl Edition

David Bowie

2LP | 1967 | WW | Reissue (Decca)

41,99 €*

Release: 1967 / WW – Reissue

Genre: Rock & Indie

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Wednesday Morning, 3 A. M.

LP | 1969 | JP | Reissue (CBS/Sony)

12,99 €*

U.F.O. Black Vinyl Edition

Release: 1969 / JP – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing.

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Jim Sullivan

LP | 1969 | US | Reissue (Light In The Attic)

Revolver Picture Disc Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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* Newly Remastered!* Ultra rare 1969 private press psych-folk-rock masterpiece – featuring the legendary Wrecking Crew (Beach Boys, Phil Spector) * Lacquers cut by John Golden Mastering * Plated at Record Technology Inc. (rti) * Includes deep booklet with liner notes by Andria Lisle, rare photos, archival materials and full lyrics (LP: 16-pgs, CD: 48-pgs) In March 1975, Jim Sullivan mysteriously disappeared outside Santa Rosa, New Mexico. His VW bug was found abandoned, his motel room untouched. Some think he got lost in the desert. Some think he fell foul of a local family with alleged mafia ties. Some think he was abducted by aliens.

By coincidence – or perhaps not – Jim’s 1969 debut album was titled U.F.O. Released in tiny numbers on a private label, it too was truly lost, until Seattle’s Light In The Attic Records begun a years-long quest to give it the full release it deserves – and to solve the mystery of Sullivan’s disappearance. Only one of those things happened.

For record collectors, some albums are considered impossible to get hold of, records so rare you could sit on eBay for years and not get a sniff of a copy. U.F.O. is one of those albums. A seventh son, Jim Sullivan was a West Coast should-have-been, an Irish-American former high school quarterback whose gift for storytelling earned him cult status in the Malibu bar where he performed nightly. Sullivan was always on the edge of fame; hanging out with movie stars like Harry Dean Stanton, performing on the Jose Feliciano show, even stealing a cameo in the ultimate hippie movie, Easy Rider.

Friend and actor Al Dobbs thought he could change all that, and founded a label – Monnie Records – to release Jim’s album, enlisting the assistance of Phil Spector’s legendary sessioneers The Wrecking Crew to do so. That’s Don Randi, Earl Palmer and Jimmy Bond you can hear, the latter also acting as producer and arranger.

U.F.O. was a different beast to the one-man-and-his-guitar stuff Jim had been doing on stage; instead, it was a fully realised album of scope and imagination, a folk-rock record with its head in the stratosphere. Sullivan’s voice is deep and expressive like Fred Neil with a weathered and worldly Americana sound like Joe South, pop songs that aren’t happy – but filled with despair. The album is punctuated with a string section (that recalls David Axelrod), other times a Wurlitzer piano provides the driving groove (as if Memphis great Jim Dickinson was running the show). U.F.O. is a slice of American pop music filtered from the murky depths of Los Angeles, by way of the deep south.

With no music industry contacts, the record went largely unnoticed, and Jim simply moved on, releasing a further album on the Playboy label in 1972. But by 1975, his marriage breaking up, Jim left, for Nashville and the promise of a new life as a sessioneer in the home of C&W. That’s where it gets hazy.

We know he was stopped by cops for swerving on the highway in Santa Rosa, some 15 hours after setting off. We know he was taken to a local police station, found to be sober, and told to go to the local La Mesa Motel to get some rest, which he did. Some time later, his car was spotted on a ranch belonging to the local Genetti family, who confronted him about his business there. The next day his car was found 26 miles down the road, abandoned. His car and his hotel room contained, among other things, his twelve-string guitar, his wallet, his clothes and several copies of his second album, but no note, and no Jim. It was as if he had simply vanished into thin air.

Jim’s family travelled out to join search parties looking for him, the local papers printed missing person stories, but the search proved fruitless. Around the same time, the local sheriff retired and the Genettis moved to Hawaii. Jim’s manager Robert “Buster” Ginter later stated that during the early morning hours of a long evening Jim and Buster were talking about what would you do if they had to disappear. Jim said he’d walk into the desert and never come back.

Tracking down the truth behind Jim’s mystery became an obsession of Light In The Attic’s Matt Sullivan (no relation) when he happened upon a copy of the album and fell in love. He took on a cross country pilgrimage in search of master tapes and truth, and came back with neither, despite hundreds of phone calls, e-mails, letters, faxes, private detectives, telepathy, palm readings and meetings with Jim’s wife, son and producer. Thanks to superb digital mastering techniques, Light In The Attic is still able to present a clean, near perfect copy of Jim’s masterpiece for general consumption for the first time. Enjoy. And remember, beyond the mystery, there’s the music.

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The Beatles

LP | 1966 | EU | Reissue (Apple)

35,99 €*

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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LP | 1969 | EU (Trading Places)

Tramp

20,99 €*

LP | 1968 | EU | Reissue (Gramophone Company Of India)

Release: 1969 / EU

Genre: Organic Grooves, Rock & Indie

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English blues outfit Tramp was a fleeting affair, active in the late 1960s and early 1970s on an on again, off again basis. Centred on former John Dummer Blues Band guitarist/vocalist Dave Kelly and his singing sister Jo Ann, the group benefitted from Fleetwood Mac mainstays Mick Fleetwood, Danny Kirwan, Bob Brunning and former Savoy Blues Band keyboardist, Bob Hall. Produced for Spark in 1969 by Donovan’s manager, Peter Eden, their sole LP featured tough blues originals, written by members of the group. This is a must-have for all Fleetwood Mac devotees, andfor lovers of British blues albums.

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Brijbhushan Kabra

Brij Bhushan Kabra

22,99 €*

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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LP | 1968 | US | Reissue (Mainstream)

Tiffany Shade

The Tiffany Shade

19,99 €*

LP | 1968 | US | Reissue (Mainstream)

Release: 1968 / US – Reissue

Genre: Rock & Indie

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180 Gram Vinyl

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The Art Of Lovin'

18,99 €*

Melvin Black Vinyl Edition

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Colored Vinyl

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The Belles

7" | 1966 | US | Reissue (Numero Group)

11,99 €*

Release: 1966 / US – Reissue

Genre: Rock & Indie

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LP | 1966 | US (International)

Monks

Black Time

20,99 €*

Release: 1966 / US

Genre: Rock & Indie

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LP | 1969 | EU | Reissue (Proper)

White Noise

An Electric Storm

33,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1965 | JP | Original (Liberty)

Ventures In Japan

7,99 €*

Presents Chocolate Moose Spearmint Green Vinyl Edition

Release: 1965 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: F, Cover: VG

No Obi. Cover has damage on spine. Red vinyl is full of marks.

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The Zoo

LP | 1968 | EU | Reissue (Reel Music)

22,99 €*

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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LP | 1965 | US | Reissue (Antarctica Starts Here)

Jackson C. Frank

27,99 €*

LP | 1968 | EU | Reissue (Music On Vinyl)

Release: 1965 / US – Reissue

Genre: Rock & Indie

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Jackson C. Frank’s eponymous album is the embodiment of folk legend. Issued in late 1965 on the UK Columbia label, it was for many years more famous for its producer (Paul Simon) and the musicians who would go on to cover its songs (Nick Drake, Bert Jansch, Sandy Denny) than for the hauntingly beautiful music contained inside.

Frank’s backstory certainly adds to the legacy: born in Buffalo, New York, he used the settlement from a childhood accident to sail to London where he quickly became a fixture of the bustling folk scene. Performing a mix of blues standards and originals, he met fellow ex-pat Paul Simon who would put up the money to record Frank’s only LP.

For such a sparsely recorded work, Jackson C. Frank covers a lot of ground. From the rugged, world-weary opener “Blues Run The Game” to the stunning melancholy of “Milk And Honey,” Frank’s nimble acoustic guitar and passionate howls are all that is needed to power such authentic songwriting. Captured in a single-day session, these ten tracks are stark, gritty and seemingly out-of-place with time. There may be no ‘60s folk record that is simultaneously as rare and influential as Jackson C. Frank’s self-titled debut.

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Janis Joplin

Cheap Thrills

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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One of the most eagerly anticipated albums of 1968 by press and public, 'Cheap Thrills' met every expectation and then some. With the heartrending version of 'Piece Of My Heart' and a definitive cover of Gershwin's 'Summertime', the album (which consists of studio and live material) shot to the top of the charts and stayed there. The audio has been sourced from the original masters, and Robert Crumb's artwork (also known for creating Fritz the Cat and the iconic Keep On Truckin' comics) is meticulously recreated on this Music On Vinyl issue. A truly classic album and an important part of Rock history, this album is a time capsule for one of rock's most distinguished singers.

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LP | 1965 | EU | Reissue (Columbia)

Sounds Of Silence

32,99 €*

Release: 1965 / EU – Reissue

Genre: Rock & Indie

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Creedence Clearwater Revival

Green River

LP | 1969 | US | Reissue (Fantasy)

22,99 €*

Release: 1969 / US – Reissue

Genre: Rock & Indie

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LP | 1969 | EU | Reissue (Mercury)

Scott Walker

Scott 4

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1965 | US | Original (RCA Victor)

The Astronauts

For You From Us

17,99 €*

The Brothers Four Sing Lennon-McCartney

Release: 1965 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines. Cover with edge wear

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A Beatles Songbook

LP | 1966 | JP | Original (CBS)

17,99 €*

Release: 1966 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Cover close to VG+

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LP | 1965 | JP | Original (Liberty)

Ventures In Japan

20,99 €*

John Mayall With Eric Clapton

Release: 1965 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Red Vinyl with scuffs and hairlines.
OBI not included.

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Blues Breakers Blue Vinyl Edition

LP | 1966 | EU | Reissue (Vinyl Lovers)

LP | 1969 | US | Reissue (Now-Again)

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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This seminal British blues album gave Clapton the chance to finally show his chops, not surprisingly, launching Clapton into stardom. Recorded in 1966 during Clapton's short stint with the Bluesbreakers, just after leaving the Yardbirds (the birth place of other legendary guitar players like Jimmy Page and Jeff Beck) and before he joined Cream. Includes 4 bonus tracks. Light blue vinyl LP.

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Hunger

Strictly From Hunger

57,99 €*

Release: 1969 / US – Reissue

Genre: Rock & Indie

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The latest release in Now-Again’s Reserve Series is Hunger – Strictly From Hunger: the band’s preferred version of the album, unedited, fuzz-guitar heavy late 60s psych-rock, restored and remastered from a rare test press. Hunger arrived in L.A. from Portland in late 1967 as the Outcasts, a teenage cover band, but within a six months they had signed with a connected manager, played all over Los Angeles, embraced psychedelia and signed on to record an album of original music for the label their manager founded for them: Public! Records. They showed tremendous promise – and their producers invested heavily into a band that was going to be the next marquee act at the Whiskey A Go-Go, bringing in members of Strawberry Alarm Clock, including future Lynyrd Skynyrd star Ed King, to produce an album. But Hunger broke up before their album’s release and their entry in rock’s canon was shadowed for years. This is the definitive Reserve Edition reissue of a late ‘60s psych–rock classic, overseen by Hunger’s band members John Morton, Steve Hansen and Mike Lane: the band’s preferred, unedited, fuzz-guitar heavy version of the album, restored and remastered from a rare test press. This is the first time that band’s vision for the album has been issued in full on vinyl. Contains an extensive booklet by Jim Cherry, Eothen Alapatt and Clark Faville that corrects many factual inaccuracies told over the record’s celebrated past three decades as one of rock’s holy grails. The booklet is filled with never-published photos from lead guitarist John Morton’s archive. Here’s an example of what’s in store – the full version of “Open Your Eyes” featuring Ed King’s lead guitar lines – all but absent on the Public! Records issue – and nearly double the length of the issued version! Download card for WAV files and bonus tracks – including the full Public! Records version of the album and 7” single tracks – included.

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Pisces, Aquarius, Capricorn & Jones Ltd.

LP | 1967 | US | Original (Colgems)

8,99 €*

Release: 1967 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Bringing It All Back Home

Bob Dylan

LP | 1965 | EU | Reissue (Legacy)

At Folsom Prison Black Vinyl Edition

Release: 1965 / EU – Reissue

Genre: Rock & Indie

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180 gram pressing!

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Johnny Cash

LP | 1968 | EU | Reissue (Sony)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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LP | 1967 | US | Reissue (Imperial)

The Hollies

Bus Stop

Release: 1967 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1968 | US | Original (Capitol)

Steve Miller Band

Sailor

7,99 €*

Release: 1968 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1969 | US | Original (ATCO)

Cream

Best Of Cream

5,99 €*

Release: 1969 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: G+, Cover: G+

LP | 1969 | US | Original (Elektra)

Rhinoceros

Satin Chickens

Spirits Known And Unknown

Release: 1969 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Original US Pressing.

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Leon Thomas

LP | 1969 | UK | Reissue (Pure Pleasure)

35,99 €*

Release: 1969 / UK – Reissue

Genre: Rock & Indie

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In Search Of The Lost Chord

The Moody Blues

LP | 1968 | US | Original (Deram)

Release: 1968 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Revolver Special Edition Standard Vinyl

The Beatles

LP | 1966 | CZ | Reissue (Apple)

35,99 €*

Release: 1966 / CZ – Reissue

Genre: Rock & Indie, Pop

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LP | 1967 | UK | Reissue (Island)

Traffic

Mr Fantasy