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Rock & Indie Vinyl 1945 Items

Hip Hop 80 Organic Grooves 1706 Rock & Indie 1945 Indierock | Alternative 401 Classic Rock 665 Punk | Hardcore 282 Metal 285 Folk 220 Rock 'n' Roll 21 Electronic & Dance 340 Reggae & Dancehall 305 Pop 500 Classical Music 17 Soundtracks 126 Childrens 1
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Reset all Filters Vinyl No Used Vinyl 1970 1972 1973 1974 1976 1977 1978 1979 1980 1983 1984 1985 1987 1988 1989 Stocked Items Only
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3 Hür El - 3 Hür El Volume 1
3 Hür El
3 Hür El Volume 1
LP | 1972 | TR | Reissue (Ada Müzik)
23,99 €*
Release: 1972 / TR – Reissue
Genre: Organic Grooves, Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
3 Hürel is a folk-rock and psychedelic-rock band consisting of 3 brothers from Trabzon, a northern city in Turkiye, who gained fame in the early 1970s with their authentic music and hippie outfits. Thisis their first album compiled from 45 rpm singles. The original release date was 1972. The band's guitarist uses a self-made double-handled guitar and reed instrument, which has become a symbol of the band in concerts. What makes the band special is its groovy guitar tone and excellent bass guitar and percussion technique. They have become one of the most important representatives of psychedelic-rock in Turkiye. "Aşk Davası", "Haram", "Pembelikler" and "Madalyonun Ters Yüzü" are their most popular songs.
3 Hür El - Hur El Arsiv
3 Hür El
Hur El Arsiv
LP | 1974 | TR | Reissue (Ada Müzik)
26,99 €*
Release: 1974 / TR – Reissue
Genre: Organic Grooves, Rock & Indie
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3 Hürel is a folk rock and psychedelic rock band consisting of 3 brothers from Trabzon, a northern city in Turkiye. The band's guitarist uses a self-made double-handled guitar and reed instrument, which has become a symbol of the band in concerts. What makes the band special is its groovy guitar tone and excellent bass guitar and percussion technique. They have become one of the most important representatives of psychedelic rock in Turkiye. This album was first released in 1974. "Sevenler Aglarmış", "Yara", "Gönül Sabreyle Sabreyle", "Canım Kurban" are their most popular songs
7 Seconds - Walk Together Rock Together Deluxe Edition
7 Seconds
Walk Together Rock Together Deluxe Edition
LP | 1985 | US | Reissue (Trust)
37,99 €*
Release: 1985 / US – Reissue
Genre: Rock & Indie
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When it comes to the ’80s hardcore scene, a handful of releases have legendary status. While Black Flag, Minor Threat, and BAD Brains are the obvious mainstays, 7 Seconds were quietly crafting Walk Together Rock Together, an album that would eventually achieve this vaulted status. The seven-song collection of songs that were as catchy as they were cathartic was produced by Minor Threat frontman Ian MacKaye at D.C.’s legendary Inner Ear Studios. While the Los Angeles, New York, and D.C. post-hardcore scenes have been welldocumented, the history of Walk Together Rock Together hasn’t... until now. After releasing a deluxe Trust Records edition of 7 Seconds’ 1984 full-length The Crew in 2021, Trust Records is excited to announce that they are giving the same treatment to the Walk Together Rock Together 12” EP, which will feature a gatefold cover with an attached, 20-page, full-color booklet continuing the oral history of the band from 1984–1986, including commentary from Pushead, Ian MacKaye, Walter Schreifels (gorilla Biscuits, Quicksand), Norman Brannon (texas IS THE Reason), Milo Aukerman (descendents), Tony Hawk, Shepard Fairey, Christian Jacobs (Yo Gabba Gabba!), Fletcher Dragge (pennywise), and more. Walk Together Rock Together is a significant release not just because of the songs and cultural context, but because these songs could only be created under a particular set of precise consequences
9:30 Fly - 9:30 Fly
9:30 Fly
9:30 Fly
LP | 1972 | EU | Reissue (Wah Wah)
20,99 €*
Release: 1972 / EU – Reissue
Genre: Rock & Indie
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9.30 Fly formed in Cheltenham, UK, in 1971 with Michael Wainwright (vocals), Barbara Wainwright (vocals, piano), Lyn Oakey (guitar), Gary Charman (bass) and Mike Clark (Drums). They soon gathered local popularity, even opening for The Velvet Underground at Malver Winter Gardens in 1972. That same year they released their eponymous LP on Ember, offering in it a fantastic selection of original tunes in the finest UK prog rock style, mixing in some folkie melodies and keeping a psychedelic air all through the grooves.

Their original Ember LP has since become a rare collectors' piece that gets now it's first legit vinyl reissue since 1972, with remastered sound and respecting the original textured gatefold sleeve and artwork, in a strictly limited edition of only 500 copies.
999 - Biggest Prize In Sport
999
Biggest Prize In Sport
LP | 1980 | EU | Reissue (Restless Empire)
19,99 €*
Release: 1980 / EU – Reissue
Genre: Rock & Indie
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999 - The Biggest Prize In Sport Green Vinyl Edtion
999
The Biggest Prize In Sport Green Vinyl Edtion
LP | 1980 | EU (Radiation Reissues)
21,99 €*
Release: 1980 / EU
Genre: Rock & Indie
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Launched in London in December 1976, punk stalwarts 999 are one of the most successful and long-lasting acts of the upstart movement. Third studio album The Biggest Prize In Sport was their first for Polydor, the band’s competency at a peak, despite the temporary appearance of fanboy drummer Ed Case, drafted in from the Southall Crew supporters when Pablo LaBrittain broke his arm. Often ranked as the greatest album of their entire career, The Biggest Prize In Sport had noticeably smoother edges than their earlier work, yet still holding plenty of bite, the combination pushing it into the Billboard top 200 in the USA. Unmissable!
Abacus - Everything You Need
Abacus
Everything You Need
LP | 1972 | EU | Reissue (Green Tree)
24,99 €*
Release: 1972 / EU – Reissue
Genre: Rock & Indie
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Studio Album, released in 1972. CD reissue 2012 New Music-Green Tree + 2 exclusive bonus tracks. 8-page booklet, digitally remastered
Abacus - Midway
Abacus
Midway
LP | 1973 | EU | Reissue (Green Tree)
24,99 €*
Release: 1973 / EU – Reissue
Genre: Rock & Indie
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Studio Album, released in 1973. Vinyl reissue 2012 New Music-Green Tree + 2 exclusive bonus tracks. Digitally remastered
Abbass Mehrpouya - Mehrpouya Sitar
Abbass Mehrpouya
Mehrpouya Sitar
LP | 1976 | EU | Reissue (Life Goes On)
24,99 €*
Release: 1976 / EU – Reissue
Genre: Rock & Indie
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This - somehow - mythological album from one of Iran’s top sitarist lurches between traditional Eastern forms and more modern Western styles, blending the two into a fascinating fusion of cultures and flavours. Similar to the work of Indian rare groove master Ananda Shankar, the record brings to life the ultimate marriage of funky drums, lush horns, wah-wah guitars and Eastern harmonies. A necessary re-discovery !
Abdou El Omari - Nuits D'Éte
Abdou El Omari
Nuits D'Éte
LP | 1976 | EU | Reissue (Radio Martiko)
19,99 €*
Release: 1976 / EU – Reissue
Genre: Rock & Indie
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A reissue of this ultra rare Oriental psych monster from the organ king of Casablanca, combining traditional rhythms with spaced out modern sounds. This is the first part of Abdou's 'Nuits' trilogy. Mystical sounds from Morocco!
AC/DC - '74 Jailbreak
AC/DC
'74 Jailbreak
LP | 1974 | EU | Reissue (Sony)
26,99 €*
Release: 1974 / EU – Reissue
Genre: Rock & Indie
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AC/DC - 74 jailbreak
AC/DC
74 jailbreak
LP | 1974 | US | Reissue (Epic)
33,99 €*
Release: 1974 / US – Reissue
Genre: Rock & Indie
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180 gram vinyl
AC/DC - '74 Jailbreak Gold Nugget Vinyl Edition
AC/DC
'74 Jailbreak Gold Nugget Vinyl Edition
LP | 1984 | EU | Reissue (Sony Music Catalog)
30,99 €*
Release: 1984 / EU – Reissue
Genre: Rock & Indie
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AC/DC - Back In Black
AC/DC
Back In Black
LP | 1980 | EU | Reissue (Epic)
26,99 €*
Release: 1980 / EU – Reissue
Genre: Rock & Indie
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AC/DC - Back in black
AC/DC
Back in black
LP | 1980 | FR | Reissue (Epic)
34,99 €*
Release: 1980 / FR – Reissue
Genre: Rock & Indie
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sampled by BDP, Beastie Boys, LL Cool J ...
AC/DC - Back In Black Gold Nugget Vinyl Edition
AC/DC
Back In Black Gold Nugget Vinyl Edition
LP | 1980 | EU | Reissue (Sony)
30,99 €*
Release: 1980 / EU – Reissue
Genre: Rock & Indie
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AC/DC - Blow Up Your Video
AC/DC
Blow Up Your Video
LP | 1988 | EU | Reissue (Sony)
26,99 €*
Release: 1988 / EU – Reissue
Genre: Rock & Indie
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AC/DC - Blow up your video
AC/DC
Blow up your video
LP | 1988 | US | Reissue (Epic)
33,99 €*
Release: 1988 / US – Reissue
Genre: Rock & Indie
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180g vinyl
AC/DC - Dirty Deeds Done Dirt Cheap
AC/DC
Dirty Deeds Done Dirt Cheap
LP | 1976 | EU | Reissue (Epic)
26,99 €*
Release: 1976 / EU – Reissue
Genre: Rock & Indie
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Digitally remastered European vinyl LP pressing of this 1976 release from the Australian Hard Rockers, reissued to coincide with their 2008 studio release and world tour. Nine tracks.
AC/DC - Dirty Deeds Done Dirt Cheap Gold Nugget Vinyl Edition
AC/DC
Dirty Deeds Done Dirt Cheap Gold Nugget Vinyl Edition
LP | 1976 | EU | Reissue (Sony)
30,99 €*
Release: 1976 / EU – Reissue
Genre: Rock & Indie
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AC/DC - Flick Of The Switch
AC/DC
Flick Of The Switch
LP | 1983 | EU | Reissue (Epic)
26,99 €*
Release: 1983 / EU – Reissue
Genre: Rock & Indie
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Digitally remastered European vinyl LP pressing of this 1983 release from the Australian Hard Rockers, reissued to coincide with their 2008 studio release and world tour. Eight tracks.
AC/DC - Fly on the wall
AC/DC
Fly on the wall
LP | 1985 | US | Reissue (Epic)
34,99 €*
Release: 1985 / US – Reissue
Genre: Rock & Indie
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180 gram vinyl
AC/DC - Highway To Hell Gold Nugget Vinyl Edition
AC/DC
Highway To Hell Gold Nugget Vinyl Edition
LP | 1979 | EU | Reissue (Sony)
30,99 €*
Release: 1979 / EU – Reissue
Genre: Rock & Indie
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AC/DC - If You Want Blood You've Got It
AC/DC
If You Want Blood You've Got It
LP | 1978 | EU | Reissue (Epic)
25,64 €* 26,99 € -5%
Release: 1978 / EU – Reissue
Genre: Rock & Indie
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AC/DC - If You Want Blood You've Got It Gold Nugget Vinyl Edition
AC/DC
If You Want Blood You've Got It Gold Nugget Vinyl Edition
LP | 1978 | EU | Reissue (Sony Music Catalog)
30,99 €*
Release: 1978 / EU – Reissue
Genre: Rock & Indie
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AC/DC - Let There Be Rock
AC/DC
Let There Be Rock
LP | 1977 | EU | Reissue (Epic)
26,99 €*
Release: 1977 / EU – Reissue
Genre: Rock & Indie
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Digitally remastered European vinyl LP pressing of this 1977 release from the Australian Hard Rockers, reissued to coincide with their 2008 studio release and world tour. Eight tracks.
AC/DC - Let There Be Rock 50th Anniversary Gold Nugget Vinyl Edition
AC/DC
Let There Be Rock 50th Anniversary Gold Nugget Vinyl Edition
LP | 1977 | EU | Reissue (Sony Music Catalog)
30,99 €*
Release: 1977 / EU – Reissue
Genre: Rock & Indie
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AC/DC - Powerage
AC/DC
Powerage
LP | 1978 | EU | Reissue (Epic)
26,99 €*
Release: 1978 / EU – Reissue
Genre: Rock & Indie
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Digitally remastered European vinyl LP pressing of this 1978 release from the Australian Hard Rockers, reissued to coincide with their 2008 studio release and world tour. Nine tracks.
AC/DC - Powerage Gold Nugget Vinyl Edition
AC/DC
Powerage Gold Nugget Vinyl Edition
LP | 1978 | EU | Reissue (Sony)
30,99 €*
Release: 1978 / EU – Reissue
Genre: Rock & Indie
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Ace Frehley - Frehley's Comet Colored Vinyl Edition
Ace Frehley
Frehley's Comet Colored Vinyl Edition
LP | 1987 | US | Reissue (Friday Music Two)
43,99 €*
Release: 1987 / US – Reissue
Genre: Rock & Indie
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Ace - How Long / Sniffin About
Ace
How Long / Sniffin About
7" | 1974 | UK | Reissue (Not Bad)
13,99 €*
Release: 1974 / UK – Reissue
Genre: Rock & Indie
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Formed in 1972, Ace released three albums on the Anchor label between 1974 and 1977, but will always be remembered for one song from their Number 11 album ‘Five-A-Side’. That song, ‘How Long’, made Number 20 in their native United Kingdom but went all the way to Number 3 in the States in 1975 – quite an achievement for a band that unashamedly took its musical inspiration from that side of the Atlantic. Enjoy their best as originally delivered, on vinyl.
Acezantez Ensemble - Acezantez
Acezantez Ensemble
Acezantez
LP | 1977 | EU | Reissue (Sub Rosa)
17,99 €*
Release: 1977 / EU – Reissue
Genre: Rock & Indie
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Originally issued in 1977, A Croatian masterpiece is back in vinyl again.
"Rich textural pieces constructed from an unnotatable, intricate interplay of percussive squeals, scrapes and rattles, parched and pitchless woodwinds, and dislocated keyboards on the evidence here, this gifted composer and ensemble clearly merit wider recognition." - The Wire
"Here are supposedly stylistic affinities between early Nurse With Wound and Detoni's music. Listen, and discover them!" - The Sound Projector 8
Acid - Engine Beast Black Vinyl Edition
Acid
Engine Beast Black Vinyl Edition
LP | 1985 | EU | Reissue (High Roller)
28,99 €*
Release: 1985 / EU – Reissue
Genre: Rock & Indie
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High Roller Records, ULTIMATE EDITION, 2nd pressing, black vinyl, ltd 250, 425gsm heavy cardboard cover, lyric insert, poster, black vinyl bonus 7" in picture sleeve, restored & mastered by Patrick W. Engel at Temple of Disharmony, Cutting by SST
Acid - Maniac Bi-Colored Vinyl Edition
Acid
Maniac Bi-Colored Vinyl Edition
2LP | 1985 | EU | Reissue (High Roller)
30,99 €*
Release: 1985 / EU – Reissue
Genre: Rock & Indie
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High Roller Records, ULTIMATE EDITION, 3rd pressing, red/ black bi-color vinyl, ltd 250, 425gsm heavy cardboard cover (revised) , lyric insert, poster (revised), red vinyl bonus 7" in picture sleeve, restored & mastered by Patrick W. Engel at Temple of Disharmony
Acid - Maniac Black Vinyl Edition
Acid
Maniac Black Vinyl Edition
2LP | 1985 | EU | Reissue (High Roller)
28,99 €*
Release: 1985 / EU – Reissue
Genre: Rock & Indie
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High Roller Records, ULTIMATE EDITION, 3rd pressing, black vinyl, ltd 250, 425gsm heavy cardboard cover (revised) , lyric insert, poster (revised), black vinyl bonus 7" in picture sleeve, restored & mastered by Patrick W. Engel at Temple of Disharmony
Acqua Fragile - Acqua Fragile Orange Vinyl Edition
Acqua Fragile
Acqua Fragile Orange Vinyl Edition
LP | 1973 | EU | Reissue (Numero Uno)
23,99 €*
Release: 1973 / EU – Reissue
Genre: Rock & Indie
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Aerosmith - Permanent Vacation
Aerosmith
Permanent Vacation
LP | 1987 | EU | Reissue (Universal)
27,54 €* 28,99 € -5%
Release: 1987 / EU – Reissue
Genre: Rock & Indie, Pop
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Limited 180 gram vinyl LP pressing of this album from the classic rock band. Released in 1987, Permanent Vacation marked a turning point in the band's career. Here the band worked alongside professional songwriters to craft an album chock full of hits that charted in the Top 20. This came at the suggestion of executive John Kalodner. He also pushed the band to work with producer Bruce Fairbairn, who remained with them for another two albums. It was also the first Aerosmith album to be promoted by heavy music video airplay on MTV. Though Done with Mirrors was intended to mark Aerosmith's comeback, Permanent Vacation is often considered their true comeback, as it was the band's first truly popular album since their reunion. Tracks like 'Rag Doll', 'Dude (Looks like a Lady)', and 'Angel' helped Permanent Vacation become the band's greatest success in a decade.
Aerosmith - Pump
Aerosmith
Pump
LP | 1989 | EU | Reissue (Universal)
28,99 €*
Release: 1989 / EU – Reissue
Genre: Rock & Indie, Pop
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Limited 180 gram vinyl LP pressing of this album from the classic rock band. Pump is the tenth studio album by Aerosmith, released on September 12, 1989. Pump incorporates the use of keyboards and a horn section on many of the singles ("Love in an Elevator", "The Other Side"), and contains straightforward rockers ("F.I.N.E.", "Young Lust"), the ballad "What It Takes", songs about issues such as incest and murder ("Janie's Got a Gun") and drug and alcohol abuse ("Monkey on My Back"), [4] as well as a variety of instrumental interludes such as "Hoodoo" and "Dulcimer Stomp." The album has certified sales of seven million copies in the U.S. and is tied with it's successor Get a Grip as Aerosmith's second best-selling studio album in the U.S. (Toys in the Attic leads with eight million).
Affinity - Affinity
Affinity
Affinity
LP | 1970 | EU | Reissue (Bonfire)
31,34 €* 32,99 € -5%
Release: 1970 / EU – Reissue
Genre: Rock & Indie
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Fully licensed, ltd to 500 copies, gatefold vinyl The sole album by cultish british prog-blues combo. Originally released in 1970 on influential label Vertigo, their self-titled album is still one of the most original effort of the England jazz-rock scene. Fronted by Linda Hoyle, a powerful vocalist who sounds like a cross between Carol King and Julie Driscoll, the line up was completed by Mo Foster (bass), Mike Jupp (electric and 12-string guitars), Lynton Naiff (keyboards) and Grant Serpell (drums and percussion). Their eclectic mixture was truly compelling moving over a certain psychedelic feel, thanks also to the ubiquitous Hammond organ. A singular effort that made definitely history.
Agitation Free - 2nd
Agitation Free
2nd
LP | 1973 | EU | Reissue (MIG)
23,99 €*
Release: 1973 / EU – Reissue
Genre: Rock & Indie
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Agnostic Front - Victim In Pain Silver Vinyl Edition
Agnostic Front
Victim In Pain Silver Vinyl Edition
LP | 1984 | US | Reissue (Bridge Nine)
34,99 €*
Release: 1984 / US – Reissue
Genre: Rock & Indie
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Agnostic Front’s debut LP, Victim In Pain, went out of print again for a while, so Bridge Nine did a quick pressing to keep it available! This pressing features the original cover art printed as a low-contrast halftone on an almost-black matte cover. Agnostic Front and Victim In Pain are embossed and spot-UV printed so the band’s logo and album title pop off the jacket.
Agression - Don't Be Mistaken Yellow Vinyl Edition
Agression
Don't Be Mistaken Yellow Vinyl Edition
LP | 1983 | US | Reissue (Trust)
36,99 €*
Release: 1983 / US – Reissue
Genre: Rock & Indie
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Akira Ishikawa & His Count Buffalos - Electrum Clear Orange Vinyl Edition
Akira Ishikawa & His Count Buffalos
Electrum Clear Orange Vinyl Edition
LP | 1970 | JP | Reissue (Victor Entertainment / Hmv)
47,99 €*
Release: 1970 / JP – Reissue
Genre: Organic Grooves, Rock & Indie
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Preorder shipping from 2024-11-08
In 1970, amidst the height of the jazz-rock era, Akira Ishikawa captured the chaotic atmosphere of the time and ventured into what could be called "jazz beyond." This album, Electrum, represents the moment when Ishikawa cut most deeply and incisively into jazz. Amid a sharpened groove, musicians ascended to new heights, competing fiercely. The epic "Electrum," the complexly intersecting vectors of "Revulsion," and the beautifully serene "Speak Under My Breath" are pieces that demand attention for their density and intensity. The participation of two genius pianists and composers/arrangers, Masahiko Satoh and Hiromasa Suzuki, is also noteworthy. This album, hailed as Ishikawa's greatest work, is revived here as part of Victor's series. Text by Yusuke Ogawa (universounds / Deep Jazz Reality)
Alan Parsons Project - I Robot UltraDisc One-Step Edition
Alan Parsons Project
I Robot UltraDisc One-Step Edition
LP | 1977 | US | Reissue (Mobile Fidelity)
99,99 €*
Release: 1977 / US – Reissue
Genre: Rock & Indie
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Alberto Camerini - Comici Cosmetici Red Vinyl Edition
Alberto Camerini
Comici Cosmetici Red Vinyl Edition
LP | 1978 | EU | Reissue (Catalog)
23,99 €*
Release: 1978 / EU – Reissue
Genre: Rock & Indie
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Alberto Radius - Radius Colored Record Store Day 2021 Edition
Alberto Radius
Radius Colored Record Store Day 2021 Edition
LP | 1972 | EU | Reissue (Numero Uno)
31,99 €*
Release: 1972 / EU – Reissue
Genre: Rock & Indie
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Record Store Day 2021 Drop 2 release.
Alejandro Medina Y La Pesada - Alejandro Medina Y La Pesada
Alejandro Medina Y La Pesada
Alejandro Medina Y La Pesada
LP | 1974 | EU | Reissue (Svart)
20,99 €*
Release: 1974 / EU – Reissue
Genre: Rock & Indie
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A Svart Mondo release. Black vinyl, 500 copies.
Alejandro Medina Y La Pesada was recorded in 1974 and is the only solo vinyl album released by Alejandro Medina. Born on 1 November 1949 in Buenos Aires, Medina had been in big bands since he was a young teenager, joining Le Pasada del Pock and Roll who included some of Argentina’s finest musicians, such as Billy Bond (who handles the production on this album), Jorge Pinchevsky (who plays Violin on this record) and Pappo, among others. Medina recorded four albums with Le Pasada del Pock and Roll who also played at the third Buenos Aires Rock Festival in November 1972, which was recorded in the movie ‘Rock until the sun goes down’. On this, his solo album, he mixes delta style blues, progressive rock and bluesy style experimental ballads that feature sublime guitar work. Eclectic hard-rock guitar journeys with lush violins and powerful vocals. A deep collectors bounty, Alejandro Medina Y La Pesada is a rare Argentinian heavy rock milestone. La Pesada (which means “The Heavy” in English) gives us a good idea of what to expect with this exceptional heavy jewel.
Alex Chilton - Like Flies On Sherbert
Alex Chilton
Like Flies On Sherbert
LP | 1979 | EU | Reissue (Sundazed Music Inc.)
28,99 €*
Release: 1979 / EU – Reissue
Genre: Rock & Indie
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Alice - Alice
Alice
Alice
LP | 1970 | EU | Reissue (Charly)
32,99 €*
Release: 1970 / EU – Reissue
Genre: Rock & Indie
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Original 1970 BYG album facsimile edition. Newly mastered to vinyl from original BYG tapes. Lacquers cut by Alchemy Mastering at AIR STUDIOS. Exclusive liner notes by author, journalist and BYG-authority Kevin Le Gendre. Formed in the late 1960s Alice was French band that put their own spin on the blues rock scene born in Britain and America. Playing a gaggle of instruments, including woodwinds and vibes, the combo had a sound that often departed from guitar- led grooves to incorporate European classical music and South American folk.
Alice Cooper - Alice Cooper's Greatest Hits
Alice Cooper
Alice Cooper's Greatest Hits
LP | 1974 | US | Reissue (Friday Music Two)
42,99 €*
Release: 1974 / US – Reissue
Genre: Rock & Indie
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Alice Cooper - Billion Dollar Babies 50th Anniversary
Alice Cooper
Billion Dollar Babies 50th Anniversary
3LP | 1974 | EU | Reissue (Rhino)
78,99 €*
Release: 1974 / EU – Reissue
Genre: Rock & Indie
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Alice Cooper - Trash
Alice Cooper
Trash
LP | 1989 | EU | Reissue (Music On Vinyl)
28,99 €*
Release: 1989 / EU – Reissue
Genre: Rock & Indie
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'Trash' is the 18th studio album by rock singer Alice Cooper, released in 1989. The album features the single 'Poison', Cooper's first top ten hit since 1977. It marked a great success in Cooper's music career, reaching the Top 20 of various album charts and selling millions of copies of 'Trash'. The album features many guest performances including Jon Bon Jovi, Stiv Bators, Steven Tyler, as well as singer/ guitarist Kane Roberts. Songwriting contributions were also made by Joan Jett, Diane Warren, Jon Bon Jovi, Richie Sambora and John McCurry.
Alice Island Band - Splendid Isolation
Alice Island Band
Splendid Isolation
LP | 1974 | ES | Reissue (Wah Wah)
19,99 €*
Release: 1974 / ES – Reissue
Genre: Rock & Indie
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Originally pressed in a limited run of 1000 numbered copies in December 1974 The Alice Island Band is one of the rarest UK folk private pressings, having sold in auction for over 600 pounds. Little would school friends Keith Hughes, Tim Phillips and Roger Moore imagine that when they formed The Conqueroos blues band back and subsequent projects like Cinderella's Party Songbook from 1967.



By 1974, Keith, Tim and Roger were ready for something special, and the arrival of Cinny - the ‘Princess’ from the principality of Wales - completed the line up for the next LP. They became The Alice Island Band and recorded Splendid Isolation - Tim, Keith and Cinny played, Roger produced and recorded the 14 songs, some of which had been conceived back in 1968.



For those into the UK folk and psych scenes who love the homemade recordings of Peter Howell and John Ferdinando's projects (Tomorrow Come Someday, Alice Through The Looking Glass, Agincourt, Ithaca...), the bare, raw sound of Comus or those impossibly rare folk albums cut through the Deroy Sound Services – but also for lovers of good crafted songs with male & female vocals and mostly acoustic performances.



Done in close cooperation with Keith and Roger who have been very kind to provide original masters, information and photos for the gatefold insert which also includes the original lyrics – here are 500 copies for those who cannot afford or find an original copy. Comes housed in a reproduction of its original sleeve. Order yours before they fly!
All & Nothing - Underground Vibrations No. 2
All & Nothing
Underground Vibrations No. 2
7" | 1970 | EU | Reissue (Munster)
15,99 €*
Release: 1970 / EU – Reissue
Genre: Rock & Indie
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All & Nothing has become one of the icons of Spanish underground rock of the 70s and their records are among the most sought-after pieces by collectors. With a short discography consisting of just two singles - one of them was even released in Argentina with an alternative cover- the band All & Nothing has become one of the icons of Spanish underground rock of the 70s and their records are among the most sought-after pieces by collectors. The group was really nothing more than a studio project, put together by journalist and record producer José Luis Alvarez, who never performed in public. Their goal was to record songs in the same style that the emerging Andalusian rock scene was already doing in the south of Spain under the influence of the latest international rock trends -imported through the US military bases- and the local musical idiosyncrasy. Although most of the recorded songs - some of whom remained unreleased for years- succeeded in reflecting the original goal, for this first single of All & Nothing their producer instructed the band to record something similar to Iron Butterfly's classic 'In-a-gadda-da-vida', and 'Underground Vibrations nº 2' seems to be a very accomplished effort. The record has become a very sought-after item for those collecting the lesser-known side of 70s Spanish underground rock. The stunning rhythm section on both sides of the single plus the overwhelming organ solos and firing wah-wah and fuzz guitars explain the high interest on this elusive 45, a must in the top DJs record boxes. We are happy to reissue this amazing All & Nothing debut 7" for the first time, remastered from the original tapes and featuring the 1970 sleeve artwork.
Allan Wachs - Mountain Roads & City Streets Clear Vinyl Edition
Allan Wachs
Mountain Roads & City Streets Clear Vinyl Edition
LP | 1979 | US | Reissue (Numero Group)
26,99 €*
Release: 1979 / US – Reissue
Genre: Rock & Indie
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Cosmic American Music from the far flung reaches of rural Oregon. Issued in 1979 on Allan Wachs' own True Vine imprint, Mountain Roads and City Streets gathers a decade of songs written while hitchhiking up and down the west coast. Screeching pedal steel, lilting flute, and tingly dulcimer are peppered throughout Wachs' tales of brief affairs, invisible dogs, and getting lost in a changing America.
Allman Brothers Band - Idlewild South
Allman Brothers Band
Idlewild South
LP | 1970 | EU | Reissue (Elemental Music)
28,99 €*
Release: 1970 / EU – Reissue
Genre: Rock & Indie
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Alluminogeni - Scolopendra Clear Vinyl Edition
Alluminogeni
Scolopendra Clear Vinyl Edition
LP | 1972 | EU | Reissue (Vinyl Magic)
28,99 €*
Release: 1972 / EU – Reissue
Genre: Rock & Indie
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Alternative TV - Life After Life / Life After Dub
Alternative TV
Life After Life / Life After Dub
7" | 1978 | UK | Reissue (Ethbo)
11,99 €*
Release: 1978 / UK – Reissue
Genre: Rock & Indie
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Following hot on the heels of Ethbo's excursion to Russia, with Letov, Suchillin and Pillayev, Howard Williams' Ethbo swivels its telescope to Deptford, South London in 1978.

The band Alternative TV were, and remain, a radical creative force. Originally formed by Mark Perry (Mark P), and Alex Fergusson (later of Psychic TV) in the early days of punk, when Perry was editor of the pioneering punk fanzine, Sniffin' Glue.

Early rehearsals were held in Throbbing Gristle's Industrial Records studio, with Genesis P-Orridge on drums. After line-up changes, the 1978 release of Life After Life saw Dennis Burns on bass, Chris Bennett on drums, Kim Turner on guitar and Mark P. on vocals. The session was produced by prolific Trojan Records artist and producer Joe Sinclair, and released on the independent label Deptford Fun City Records.

The song presents a “conscious” lyric through an urban music form of its time. And here’s the result, more than 40 years on, the dub still rocks. Perry’s vocal, like no other from the punk era, talks of the afterlife, in a twisted nod to Nietzsche, he chants “Wake Me Up When We Are Dead”.

A Venn diagram of Mark P and Mark E Smith, leader of The Fall, would show some common ground. Both band leaders survived numerous member changes throughout the decades, had a baleful eye on the producers and consumers of their music, and expressed themselves through a poetic, existential form of lyric writing and musical experimentation. In the early days Smith cited Alternative TV in a list of favourite music - alongside Johnny Cash.

Remastered with love, pressed at RAND, with sleeve and label artwork re-jigged by Will Bankhead, there's no better way to skank yourself to Armageddon.
Alternative TV - The Image Has Cracked Red Vinyl Edtion
Alternative TV
The Image Has Cracked Red Vinyl Edtion
LP | 1978 | EU (Radiation Reissues)
20,99 €*
Release: 1978 / EU
Genre: Rock & Indie
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Formed in London in 1977 by Mark Perry and Alex Fergusson, then editors of the punk fanzine Sniffin' Glue, Alternative TV was a post-punk group known for incorporating reggae rhythms and pushing the boundaries of the definition of punk toward the experimental and avant-garde. Their first album, The Image Has Cracked, came out originally in 1978 and is a wholly unique piece of British post-punk. Beloved by John Peel, and close confidantes of Throbbing Gristle, Alternative TV is one of the most original and beguiling groups of the era.
Alternative TV - Vibing Up The Senile Man
Alternative TV
Vibing Up The Senile Man
LP | 1979 | EU | Reissue (Spittle)
21,99 €*
Release: 1979 / EU – Reissue
Genre: Rock & Indie
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Possibly one of the weirdest experiment in the post-punk realm, Vibing Up the Senile Man (Part One) is the second studio album by English anti-heroes Alternative TV, released in March 1979 on small indie label Deptford Fun City. Forget about the influential 1978 debut - The Image Has Cracked – frontman Mark Perry is literally leaving the planet in this effort. ‘There are free jazz influences; I'd got into the Art Ensemble of Chicago, Sun Ra ..) I'd moved into this house with an amazing music room – pianos, clarinets, you name it – and we'd always be picking up stuff from junk shops.’ The description set the pace for a unique performance, not only the afro-american heritage , traces of the Canterbury school are almost evident as the early experiment of the BBC Radiophonic workshop. Is it safe to consider Vibing up The Senile Man on the same time-line as Robert Wyatt ‘The End Of An Ear’ and Throbbing Gristle ’20 Jazz Funk Greats’ (Genesis P-Orridge is on board on two tracks, playing assorted percussion) ? Judge by yourself and don’t be scared.
Alusa Fallax - Intorno Alla Mia Cattiva Educazione Clear Red Vinyl Edition
Alusa Fallax
Intorno Alla Mia Cattiva Educazione Clear Red Vinyl Edition
LP | 1974 | EU | Reissue (BTF)
28,99 €*
Release: 1974 / EU – Reissue
Genre: Rock & Indie
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A five-piece from Milan, Alusa Fallax were formed in 1969 deriving from Gli Adelfi, and released their first single the same year, with a second one not long after. Also in 1969 one of the members (there were two of them with the same name) released a solo single as Guido degli Alusa Fallax (Guardarti negli occhi on West Side).

The band kept playing and released their one and only album in 1974 on Fonit; a great little-known gem, in the best Italian prog tradition, led by keyboards with classical influences, it reminds the best things Banco del Mutuo Soccorso ever made. No less than 13 tracks are listed on the label, but these are connected to form two long suites very well played and sung, and with interesting lyrics.
Alvaro - Drinkin My Own Sperm
Alvaro
Drinkin My Own Sperm
LP | 1977 | US | Reissue (Feeding Tube)
27,99 €*
Release: 1977 / US – Reissue
Genre: Rock & Indie
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Ambient Noise - I Was There At The Texas Chainsaw Massacre
Ambient Noise
I Was There At The Texas Chainsaw Massacre
12" | 1980 | US | Reissue (Last Laugh)
29,99 €*
Release: 1980 / US – Reissue
Genre: Rock & Indie
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Preorder shipping from 2024-08-02
Reissue of the rare 1980 punk single. Expanded to a 12-inch EP with two unreleased bonus cuts.
America - Hat Trick
America
Hat Trick
LP | 1973 | EU | Reissue (Music On Vinyl)
28,99 €*
Release: 1973 / EU – Reissue
Genre: Rock & Indie
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Amon Düül - Carnival In Babylon
Amon Düül
Carnival In Babylon
2LP | 1972 | EU | Reissue (BMG)
31,99 €*
Release: 1972 / EU – Reissue
Genre: Rock & Indie
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Amon Düül - Disaster (Lüüd Noma)
Amon Düül
Disaster (Lüüd Noma)
LP | 1972 | EU | Reissue (Ohr)
30,99 €*
Release: 1972 / EU – Reissue
Genre: Rock & Indie
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In September 1968, AMON DÜÜL played the "International Essener Songtage", Germany's first rock festival of five days duration, which was initiated by the later Ohr label boss Rolf-Ulrich Kaise...
Analogy - Analogy Black Vinyl Edition
Analogy
Analogy Black Vinyl Edition
LP | 1972 | EU | Reissue (AMS)
28,99 €*
Release: 1972 / EU – Reissue
Genre: Rock & Indie
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Andrzej I Eliza - Czas Relaksu Gold Colored Vinyl Edtion
Andrzej I Eliza
Czas Relaksu Gold Colored Vinyl Edtion
LP | 1974 | EU | Reissue (Warner)
32,99 €*
Release: 1974 / EU – Reissue
Genre: Rock & Indie
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Angel Dust - To Dust You Will Decay Picture Disc Edition
Angel Dust
To Dust You Will Decay Picture Disc Edition
LP | 1988 | EU | Reissue (High Roller)
28,99 €*
Release: 1988 / EU – Reissue
Genre: Rock & Indie
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Angel Witch - Angel Witch Orange Vinyl Edition
Angel Witch
Angel Witch Orange Vinyl Edition
LP | 1980 | UK | Reissue (Culture Factory)
37,99 €*
Release: 1980 / UK – Reissue
Genre: Rock & Indie
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Self-titled first album by British heavy metal band Angel Witch. Released in 1980 the album made Angel Witch one of the key bands in the new wave of British Heavy Metal movement. The cover features a painting formerly attributed to John Martin titled The Fallen Angels Entering Pandemonium.
Angelic Upstarts - Reason Why?
Angelic Upstarts
Reason Why?
LP | 1983 | EU (Daily)
19,99 €*
Release: 1983 / EU
Genre: Rock & Indie
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Limited edition reissue of this classic Angelic Upstarts album, originally released in 1983 by Anagram Records. A UK independent chart nº12, it includes two of their best loved songs in Woman In Disguise and Solidarity. This pressing comes with a full colour insert with lyrics, press clippings and memorabilia from the era.
Angelic Upstarts - The Murder Of Liddle Towers Colored Vinyl Edition
Angelic Upstarts
The Murder Of Liddle Towers Colored Vinyl Edition
7" | 1978 | EU (Overground)
8,99 €*
Release: 1978 / EU
Genre: Rock & Indie
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Formed in 1977 in South Shields the Angelic Upstarts self-released debut single released in 1978 was ‘The Murder Of Liddle Towers’. The song highlighted the death of Liddle Towers who died after having been beaten in police custody, a crime that was covered up and no officers ever brought to justice. The record became a rallying point against police brutality. The record, and it’s B side ‘Police Oppression’ became a classic punk single and is a passionate call for justice. Mensi: “Liddle Towers was our protest single. It was the story of a boxing coach who was arrested for being drunk and disorderly. He was examined by a doctor and was perfectly healthy. Then in the morning was discovered dead and had injuries which the police surgeon described as being similar to that of a person who had been in a serious 70 miles-an-hour head-on collision. His injuries were absolutely horrific. He was basically kicked to death. “We done a couple of shows and got the money together and we pressed 500 singles, and then Small Wonder/Rough Trade re-released it, and it got to number one in the indie charts despite no radio play. Apart from John Peel, nobody else played it, and it was actually banned off any sort of play list in the northeast. Fair play I say.” The single is reissued as a limited edition of 500 on White vinyl, closely reproducing the first pressing from 1978.
Angelo Branduardi - Alla Fiera Dell'est Record Store Day 2024 Edition
Angelo Branduardi
Alla Fiera Dell'est Record Store Day 2024 Edition
2LP | 1976 | EU | Reissue (Universal)
43,99 €*
Release: 1976 / EU – Reissue
Genre: Rock & Indie
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Annette Peacock - Perfect Release
Annette Peacock
Perfect Release
LP | 1979 | EU | Reissue (Sundazed)
27,99 €*
Release: 1979 / EU – Reissue
Genre: Rock & Indie
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Annette Peacock - X-Dreams
Annette Peacock
X-Dreams
LP | 1973 | EU | Reissue (Sundazed)
27,99 €*
Release: 1973 / EU – Reissue
Genre: Rock & Indie
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Annexus Quam - Osmose
Annexus Quam
Osmose
LP | 1970 | US | Reissue (Ohr)
28,99 €*
Release: 1970 / US – Reissue
Genre: Rock & Indie
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The timing was right: Five years earlier would have been too early, five years later would have been too late. But ANNEXUS QUAM from Kamp-Lintfort near Düsseldorf came along with the right music at the right moment.The seven-piece band formed in 1967 as Ambition Of Music; they were what was then called a "beat group". In 1970, working with a local trombone choir led to a dramatic change of direction. Tromb...
Annihilator - Alice In Hell
Annihilator
Alice In Hell
LP | 1989 | EU | Reissue (Music On Vinyl)
28,99 €*
Release: 1989 / EU – Reissue
Genre: Rock & Indie
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Antonello Venditti - L'orso Bruno Black Vinyl Edition#
Antonello Venditti
L'orso Bruno Black Vinyl Edition#
LP | 1973 | EU | Reissue (Saifam)
39,99 €*
Release: 1973 / EU – Reissue
Genre: Rock & Indie
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Äpärät - Häiriköt Tulee-Ep
Äpärät
Häiriköt Tulee-Ep
7" | 1985 | EU (Voltage)
11,99 €*
Release: 1985 / EU
Genre: Rock & Indie
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Swedish punk classic just reissued. Originally from 1985. Raw Scandinavian hardcore punk not for the weak of heart! Limited to 500 copies on the Voltage label out of Czech Republic.
APB - Something To Believe In Transparent Blue Vinyl Edition
APB
Something To Believe In Transparent Blue Vinyl Edition
LP | 1985 | EU | Reissue (Liberation)
30,99 €*
Release: 1985 / EU – Reissue
Genre: Rock & Indie
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Apocalypse - The Castle
Apocalypse
The Castle
LP | 1976 | EU | Reissue (Out-Sider Music)
23,99 €*
Release: 1976 / EU – Reissue
Genre: Rock & Indie
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70s Chicago-area based band Apocalypse used their double-neck guitars to create chamber prog suites about faraway castles.

Their lost 1976 LP (used as a demo), with male/female harmonies, violin, mellotron and fuzzed-out guitars/keys has been unearthed by Steve "Plastic Crimewave" Krakow. With their lenghty and tuneful musical odysseys, Apocalypse conjures the golden mid-70s progressive period of Renaissance, Soft Machine, ELP, Gentle Giant and Genesis.

Travel back in time with the Salvatori family. Way back to 1976, when he was in high school, Tom Salvatori teamed up with older brother Michael Salvatori, Michael’s wife Gail Salvatori and Tom’s classmate Scott Magnesen.

As Apocalypse they recorded an album of pure progressive rock magic called The Castle. Although the 5-song, 38-minute demo was an amazing showcase for their collective progressive rock leanings, The Castle remained an unreleased artifact until 2021 when the reel-to-reel master tape of the presumably long-lost relic was rediscovered by Michael in a dusty old basement storage bin. Music fans can be thankful that Michael’s rediscovery of the Apocalypse master tape has now led to a vinyl-only reissue of The Castle.
Area - Anto/Logicamente Record Store Day 2022 Red Vinyl Edition
Area
Anto/Logicamente Record Store Day 2022 Red Vinyl Edition
LP | 1977 | EU | Reissue (Cramps)
24,99 €*
Release: 1977 / EU – Reissue
Genre: Rock & Indie
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Armia - Antiarmia
Armia
Antiarmia
LP | 1987 | EU | Reissue (Metal Mind Productions)
30,99 €*
Release: 1987 / EU – Reissue
Genre: Rock & Indie
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Aroma Di Amore - De Sfeer Van Grote Dagen
Aroma Di Amore
De Sfeer Van Grote Dagen
12" | 1985 | EU | Reissue (Onderstroom)
13,29 €* 18,99 € -30%
Release: 1985 / EU – Reissue
Genre: Rock & Indie
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Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.
Aroma Di Amore - Koude Oorlog
Aroma Di Amore
Koude Oorlog
LP | 1984 | EU | Reissue (Onderstroom)
19,99 €*
Release: 1984 / EU – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.
Aroma Di Amore - Koudvuur
Aroma Di Amore
Koudvuur
LP | 1987 | EU | Reissue (Onderstroom)
19,99 €*
Release: 1987 / EU – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.
Aroma Di Amore - Voor De Dood
Aroma Di Amore
Voor De Dood
12" | 1984 | EU | Reissue (Onderstroom)
18,99 €*
Release: 1984 / EU – Reissue
Genre: Rock & Indie
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Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.
Artattacks - First And Last Colored Vinyl Edition
Artattacks
First And Last Colored Vinyl Edition
7" | 1979 | EU (Overground)
10,99 €*
Release: 1979 / EU
Genre: Rock & Indie
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Originally From 1979 - Limited Color Vinyl!
Artery - One Afternoon In A Hot Air Baloon
Artery
One Afternoon In A Hot Air Baloon
LP | 1983 | EU | Reissue (Spittle)
21,99 €*
Release: 1983 / EU – Reissue
Genre: Rock & Indie
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Brilliant second album from the wholly original cult Sheffield post punk band. Released in 1983 on Red Flame ‘One Afternoon In A Hot Air Balloon’ is an adventure on its own. Artery somehow replaced the somber post-punk of the debut with a stream of melancholic pop paeans influenced by british folk and certain ballroom dances, with a spectral keyboard sound worth killing for. The secret weapon - when compared to the rest of their discography - is largely explained by the presence of keyboard player and (by now) main composer Christopher Hendrick. The band was in fact reduced to a trio with former members Mark Gouldthorpe (guitar) and Garry Wilson (drums) now supported by the singular effort of Hendrick (also on bass and xylophone). At the same time Garry Wilson was playing in an early incarnation of Pulp. Despite the early Joy Division influence - which the band firmly dismissed – Artery is moving forward into the so-called new romantic era. A vaudeville scenario light years ahead from the streets and the aggro-culture, a way to some pleasant and revealing experience.
Arthur Brown - Chisholm In My Bosom Crystal Clear Vinyl Edition
Arthur Brown
Chisholm In My Bosom Crystal Clear Vinyl Edition
LP | 1977 | EU | Reissue (Cargo)
19,99 €*
Release: 1977 / EU – Reissue
Genre: Rock & Indie
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Arti & Mestieri - Tilt ( Immagini Per Un Orecchio) Blue Vinyl Edition
Arti & Mestieri
Tilt ( Immagini Per Un Orecchio) Blue Vinyl Edition
LP | 1974 | EU | Reissue (Cracki)
46,99 €*
Release: 1974 / EU – Reissue
Genre: Rock & Indie
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Ash Ra Tempel - Join Inn 50th Anniversary Edition
Ash Ra Tempel
Join Inn 50th Anniversary Edition
LP | 1973 | EU | Reissue (MG.Art)
26,99 €*
Release: 1973 / EU – Reissue
Genre: Rock & Indie, Electronic & Dance
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After the 2021 Re-Release of “Schwingungen” (MG.ART612) and together with “Seven Up” (MG.ART613) we proudly announce “JOIN INN” as Part3 of the authorised 50th Anniversary “A.R.T.” Re-Edition Series. “JOIN INN” is the fourth album by Ash Ra Tempel. It was recorded at Studio Dierks and originally released on LP by Ohr Musik-Produktion, catalogue number OMM 556032. Each side of the LP comprises one long track.

In 1972 ASH RA TEMPEL teamed up again with Klaus Schulze during the recording of Walter Wegmüller's Tarot album, and after one of the recording sessions, ASH RA TEMPEL members: Enke, Göttsching and Rosi, together with Klaus decided to "play it again" in a late night session. This recording led to the birth of the “JOIN INN” album, as well as two legendary last concerts in February 1973 in Paris and Cologne.

Manuel Göttsching recalls Hartmut Enke on bass and Klaus Schulze on drums being a dream-team rhythm section for him to play his guitar, especially here to hear on “Freak'n' Roll”, that was ingenious and not to replace ever since. It was the last recording ever where Klaus Schulze (who sadly passed away this Year) played the Drums and also Hartmut (the Hawk) Enke soon after quit the Bass and music forever. Join Inn marks the end of the collaboration with Klaus Schulze. However, together with Ash Ra Tempel, their eponymous first album, which will be released in 2023 as the final edition of our Series, it is considered a highlight of the Krautrock movement. As for the music itself we again refer to Julian Cope´s review from his book “Krautrocksampler” (published by Head Heritage, 1st ed. 1995):
""Freak’n’roll” fades in like it never started - just was always there from the beginning of time, a dry wah-guitar freerock riff-out unlike any of the other Ash Ra Tempel LPs, and not much like any other music. Yes, there are bluesy riff but none of them have a blues context. Manuel Gottsching’s guitar is so confident that he sometimes drops down to a simple major chord groove, whilst the Hawk pushes that round woody bass into strange overlapping rumbling melody. And ... it’s the return of Klaus Schulze on drums which propels “Freak’n’roll” to its height. No-one but Klaus has the ability to transcend rock’n’roll in such an on-the-beat non-groove-y way and still send sparks of light into the cosmos as he does it. "Freak’n’roll” is so egoless that it even works at a quiet volume as meditational music. Themes rise from the high tempo pulse beat, then are carried along the muscles of the song into the main area where the riff actually becomes real and expressionist for just long enough before slipping back into the musical fabric of the song. As usual with Ash Ra Tempel, the other side is an enormous drift piece called “Jenseits (The Next World)”, a beautiful Klaus Schultze meditation of haunting synthesizer chords over which Rosi Muller tells the story of the Cosmic Couriers’ meeting with Timothy Leary. Gradually, the pulsing guitar becomes increasingly intense and turbulent, but Rosi never sounds less than freaked out. Essentially, “Jenseits” is a precursor to Klaus Schulze’s later spacey minor-key grooves. Unfortunately, this was the last Ash Ra Tempel album in its particular ‘series. After “JOIN INN”, Manuel Gottsching took over the Ash Ra Tempel mantle alone.”

Ashra Tempel – Join Inn
HARTMUT ENKE - Gibson bass
MANUEL GÖTTSCHING -guitar
KLAUS SCHULZE-drums, synthesizers & electronics
ROSI MÜLLER-voice
Ash Ra Tempel - Seven Up 50th Anniversary Edition
Ash Ra Tempel
Seven Up 50th Anniversary Edition
LP | 1973 | EU | Reissue (MG.Art)
26,99 €*
Release: 1973 / EU – Reissue
Genre: Rock & Indie, Electronic & Dance
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After the 2021 Re-Release of “Schwingungen” (MG.ART612) we proudly announce “Seven Up” as Part 2 of the authorised 50th Anniversary “A.R.T.” Re-Edition Series. “Seven Up” is the third studio album by Ash Ra Tempel and their only album recorded in collaboration with American Ph.D. in psychology, Dr. Timothy Leary. The Coverart for “Seven Up” was designed by famous Swiss Artist Walter Wegmüller. Recorded in August 1972 at Sinus Studio in Berne, Switzerland, remixed September 1972 at Dierks Studios in Stommeln, Germany.

First release in spring 1973 by OHR Musik - the first release on the new sub-label "Kosmische Kuriere", Kat-Nr. KK 58001. We release “Seven Up” in a Re-Cut carefully overseen by Manuel Göttsching himself, on September 9th 2022, also being Manuel Göttsching´s 70th Birthday. Our Edition features the full original text for the “7 levels of consciousness” by Timothy Leary in English, i.e. “Instruction Manual for Pleasure Panel” plus a previously unreleased glimpse view of the original scripts incl. notes and mark ups as well as partly unreleased photos from the recording session.

As for the music itself we again refer to Julian Cope´s review and remarks from his book “Krautrocksampler” (published by Head Heritage, 1st ed. 1995): “When the Leary Mob met the Kaiser Gang, the sparks flew ever Up-wards. 7up is a stone classic in every way. Yes, it is unlikely to find Timothy Leary singing lead vocal in a cosmic group, but even weirder that he chose to sing a wild yelping freaked out blues ! Manuel Göttsching and Hartmut Enke had begun their careers in The Steeple Chase Blues Band back in the mid-'60ies, and they quickly felt their way through what Barritt and Leary were aiming for. They reconciled it all as a kind of West Coast chordless psychedelia, where blues riffs sparkle out of nowhere and the sheer weight of synthesizers renders everything with an unreal Pere Ubu/early Roxy Music quality. The greatness of Ash Ra Tempel burned so brightly on 7Up that there is really nothing else like it.

Hartmut Enke and Manuel Gottsching here returned to their riffy roots. It can hardly be called a retro act, though, as the context of music is everything. And with Dierks at the controls, even the New Kids on the Block would have sounded psychedelic. 7Up is like a late night radio show glimpsed through a shattered tuner where all but the most truly dangerous sounds have been allowed to stay, to drift and to dance around the performers. The result is an extreme gem, a flash of hysterical white lightning, and a pre-punk Technicolour yawn in the grandest of traditions. In typical Ash Ra Tempel style, the record is divided into two pieces, “Space” and "Time”. Within this, though, Timothy Leary’s ideas are allowed to free-flow and the two sides are therefore divided into mini-songs all segued together. The highlight of Side 1 is “Power Drive”, a West Coast burn-up that transcends any W. Coast music I ever did hear. Leary and Barritt present the greatest twin-vocal of all time, coming on like Jagger and Morrison but too caught up in their own maelstrom to be anything less than Heralds of the Punkfuture still five years away. In chaos it was conceived and in chaos it was recorded. Yet Dieter Dierks, the great Aural Architect of the Cosmic Couriers, turned 7Up into a personal triumph and a Kosmische dream.”

Ash Ra Tempel – “Seven Up”
TIMOTHY LEARY - voice
BRIAN BARRITT - voice
MICKY DUWE - voice & flute
LIZ ELLIOTT - voice
BETTINA HOHLS - voice
PORTIA NKOMO - voice
HARTMUT "HAWK" ENKE - bass, guitar & electronics
MANUEL GÖTTSCHING - guitar & electronics
STEVE A. - organ & electronics
DIETMAR BURMEISTER - drums
TOMMY ENGEL - drums
DIETER DIERKS - synthesizer & Radio Downtown
Ashbury - Endless Skies Evergreen Vinyl Edition
Ashbury
Endless Skies Evergreen Vinyl Edition
LP | 1983 | EU | Reissue (High Roller)
26,99 €*
Release: 1983 / EU – Reissue
Genre: Rock & Indie
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High Roller Records, reissue 2023, evergreen vinyl, ltd 500, insert printed on uncoated paper, 425gsm heavy cardboard cover, poster, mastered from a new source by Patrick W. Engel at TEMPLE OF DISHARMONY in May 2018. New vinyl cutting by SST! Ultimate audiophile edition of this eternal classic!
Asia Minor - Crossing The Line Limited Yellow Vinyl Edition
Asia Minor
Crossing The Line Limited Yellow Vinyl Edition
LP | 1979 | EU | Reissue (AMS)
28,99 €*
Release: 1979 / EU – Reissue
Genre: Rock & Indie
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“Crossing the Line” is the first album by Asia Minor, a cult band of the progressive rock scene founded by two Turkish students living in Paris, Setrak Bakirel and Erik Tekeli, who are still ...
Asocial And The Bedrövlers - How Could Hardcore Be Any Worse? Volume 1 Black Vinyl Edition
Asocial And The Bedrövlers
How Could Hardcore Be Any Worse? Volume 1 Black Vinyl Edition
LP | 1984 | EU
16,99 €*
Release: 1984 / EU
Genre: Rock & Indie
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The Swedish hardcore punk scene of the early 1980s was vibrant and wide, with underground movements yielding surprising extremities. This ultra-scarce cassette-only release, limited to 300 copies in 1984, was the first of the legendary Uproar label, pitting the blast-beat proto-grindcore of Asocial, from the small town of Hedemora, against the classical thrash of Bedrövlers, from the equally small town of Fagersta, whose name roughly translates to Miserablerz, a term assigned them by a bus driver that disliked their discordant noise. Subverting Bad Religion’s How Could Hell Be Any Worse for their own purposes, Asocial’s tracks are blindingly fast and Bedrövlers’ down and dirty-rare Swedish hardcore, at its best!
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