Rock & Indie Vinyl 30624 Items

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2023 | UK | Reissue (Specialist Subject)

Jeff Rosenstock

Hellmode

Release: 2023 / UK – Reissue

Genre: Rock & Indie

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2 10 Year Anniversary Colored Vinyl Editoin

Mac DeMarco

2LP | 2024 | US | Original (Captured Tracks)

38,99 €*

Girl With Fish Sprinkle Splatter Vinyl

Release: 2024 / US – Original

Genre: Rock & Indie

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Grey White & Orange Vinyl.Mac DeMarco's debut full length, 2, released in 2012, cleaned up the songwriter's warped take on soft rock and brought it to a broader audience. Given DeMarco's affinity for keeping things lo-fi _ 2 was the first time he'd bothered to record demos _ it's revealing to hear these songs in their most embryonic form. The performances here are a little looser and the sound a little hazier than on the actual LP, lending an atmosphere of dreamy vulnerability, especially to ballads like "Annie" and the Lennon-esque "Sherrill."

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Feeble Little Horse

LP | 2023 | US | Reissue (Saddle Creek)

32,99 €*

Release: 2023 / US – Reissue

Genre: Rock & Indie

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12" | 2024 | UK | Original (Riot Season)

Shit And Shine

Rum And Coke

The Dream Of Delphi Indie Exclusive Red Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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Shit And Shine return to Riot Season where it all began with their debut 'You're Lucky To Have Friends Like Us' (2004) for their 20th anniversary.

Rum And Coke, is only available as a limited edition white vinyl LP (300 copies worldwide) with download code and hype sticker. The album also features vocals from Callum Howe (The Shits) and it’s Shit And Shine at their filthy/noisy best

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Bat For Lashes

LP | 2024 | Original (Decca)

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Inscrutable)

Tia Rosa

Misterio Lounge 3000

LP | 2024 | US | Original (Inscrutable)

Release: 2024 / US – Original

Genre: Rock & Indie

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There’s no stopping the froggies from hopping”. Tia Rosa’s psychic elevator goes up to Misterio Lounge 3000, the palace of their self described Electronic Frog Pop. In late 2021, Sam Ortiz (Cáustica Espástica), JJ (Vats) and Gabriel Guiterrez (Lysol, American Nudism, Vats) got together, adopting the popular brand of pre-packaged pan dulce Tia Rosa as their band name. Following a string of self released cassettes and domestic tours in 2022 they spent most of last year recording these eight tracks between their homes in colonia Asturias and colonia Navarte, Mexico City.

Misterio Lounge 3000 reaches behind the mirror, charming the sinister 80’s minimal electronic/post punk of Algebra Suicide onto programmed latin rhythms and experimental/new age soundscapes common in 70’s cosmic music. There’s lots of room to groove here and each track feels like a new stop down an expansive astral hallway. 'Kelly' drives close with its crunchy guitar and radio interference, “Elevador Síquico” captures the sway of joyous pixelated flowers. 'Glass Frog' begins with sampled frogs and ends in a delightful psychedelic freakout. 'La Oscuridad' and 'Floating Hour' build on the mysterious lounge feel with their respective smooth flute and sax solos.

From start to finish Misterio bounces softly like a Miró painting come to life. Mutant elevator music for obscure prophets, flute lovers and froggy dancers alike. A freakadelic electro oddity for the ages. It’s the new strange sensation and it’s happening now. Frog pop is here. Tia Rosa has delivered."

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Famous Mammals

Dust: Recordings 1980-1984

Release: 2024 / US – Original

Genre: Rock & Indie

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"Famous Mammals were already going to be fantastic the moment they decided to form as a pandemic avocation in 2020, considering they’d been birthed from the flames of recent Oakland, CA scene-definers Rays, The World and Andy Human & The Reptoids. Yet when their wonderfully sharp & confounding self-titled tape came out in 2021, they were better than that, even. Their initial sound clicked along, searched and then found oblique treasure in a deep DIY post-punk void one might associate with 39 Clocks or the Swell Maps - sometimes aggressively sharp and pointed, other times given to captivating and off-centered murky quaalude meandering in all the ways you love.

I’m a big fan of Stanley Martinez’ vocals and guitar, and have been since the first time I saw & heard Rays, and he transported his A-game to a recording session yet again. Likewise Amber Sermeno—we all swooned for her fronting The World, and while we only get one lone track w/her vocals, it might even be the best thing on here: the chugging & propulsive 'Unspoken Chair'. Andy Human—well, that guy just moves from strength to strength, excelling as a bass player here and general instrumental conductor of an echoey and wide-open sound partially transported from the hinterlands, moors and home studios of 1979 Northern England. To my ears, this was the first truly great set of recordings to emerge from a 'pandemic band', and now that they’ve gone on to be a full-fledged recording project and occasional touring band of some renown, it’s phenomenal to see it in the format it’s always deserved."—Jay Hinman (Dynamite Hemorrhage)

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22 Beaches

LP | 2024 | UK | Original (Seated)

21,99 €*

Greatest Hits Limited Summer Tour Edition 202

Release: 2024 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Glasgow based Seated Records return with more 1980s Scottish Post-Punk / New Wave material. In this 8-track mini compilation the label introduces the work of Stirling band 22 Beaches, offering a deep dive into music recorded between 1980-1984 - the majority of which has never seen the light of day! 22 Beaches formed in Stirling in the late 1970s as an evolution of the short lived group ‘Alone at Last’ - drummer Fred Parson’s and guitarist Stephen Hunter being the two who spanned the divide. Out of the six members of 22 Beaches, many were school friends, and the rest naturally fell together. The band toured extensively and played at a truly diverse set of venues across the UK: from a local swimming pool boiler room, to small nightclubs and university parties, to several fundraisers for the miners strike. Maybe most notably of all, drummer Fred Parsons described playing at what he calls “the Grangemouth International”, organised by local promoter Brian Guthrie and which featured an all-star lineup of 22 Beaches, The Exploited and the first incarnation of The Cocteau Twins. A coach was hired to ship the audience to Grangemouth from Stirling, the cost of which was included in the ticket. The gig then paused halfway through for a 'help yourself' buffet. Young promoters take heed. This is how it's done! Over the course of the 80s the band released music on three different, and now sought after, various artists compilation cassettes. “What Day Is It?” and “Sadie When She Died” were released on a compilation of local Stirling artists 'The A.N.K.L.E File'. The track from which the current record takes its namesake - “Dust” - was initially released on a compilation-tape for the fanzine 'Another Spark'. And ‘‘Zoo” (also featured on this record) was first released on Glasgow label Pleasantly Surprised via compilation, 'An Hour Of Eloquent Sounds', where 22 Beaches rubbed shoulders with early music from Scottish names Primal Scream, Cocteau Twins, The Wake and Sunset Gun. Unfortunately, 22 Beaches never met the same level of commercial success as these others and decided to retire the project in 1984 - leaving their recordings and demos to gather dust (hehe)…until now! This compilation, “Dust: recordings 1980-1984” follows the band's journey and the changes in their sound over the years. It moves from the raw, punk energy of early DIY recordings through to the A Certain Ratio style Balearica of their later pieces. The record's opener and title track “Dust” is perhaps the most shining example of the latter. Characterised by the plenitude of sonic space in the mix, “Dust” has an almost dub sensibility that is communicated through centrality of Parsons’ drums, McChord’s percussion, and Fildes’ Bass while the harmonising vocals of Sharkey and McGregor chant over the top to give the track its distinctive psychedelic edge. This is an atmosphere only exacerbated by the lofi quality of the recording which sits the vocals in the same aural realm as much 1960s psych-folk. On “Cartoon Boy”, the band strips things down further. A droning bass line persists through the tape fuzz and is accompanied by the sounds of a sole looping guitar chord sequence and McGregor and Sharkey’s vocals - respectively and carefully dancing around one another before harmonising in the most beautiful way. The result is a haunting and abstract Marine Girls style heartbreaker. ‘That Girl’ again delivers a dub adjacent rhythm section similar to that of “Dust”. However, on this instance crisp guitar chords, a distant, phased organ and blue-eyed soul vocal delivery, produce a track that could easily have been a lost Orange Juice recording from their sessions with Dennis Bovel. On “Somebody Got It Wrong” and “One Of Us” the band employ a more macro approach where a jangling guitar with an almost highlife-influenced tone, vocal ad-libs and syncopated percussion give the music a Talking Heads-esque swagger. Taken together these tracks illustrate a clear trajectory in the band's sound, moving from from the high energy no-wave quality of early recordings towards a more dub influenced, and stripped-back sound - a sonic trajectory followed by so many bands of the time, not least those emerging from the diaspora of Manchester’s Factory Records. On “Breathing’’ we hear the beginning of this transition, with the strong influence of the oddball NYC disco styles of Was (Not Was) and ZE records. All of this is meshed together with the residual punk rock energy of 1980s UK. This combination is employed to excellent effect with the addition of the distinctly Scottish (and what the band confirmed to me to be spontaneous) vocal delivery of: “Do you love me? Do you want me?” “Aye!” “Do you love me? Do you need me?” “Naw!”. On the record’s closing tracks, “Zoo” and “Talent Show”, we hear early examples of the band’s work, playing with their rawest all-in-one-take live energy where Hunter’s spiralling guitar riffs and McGregor's distorted vocal exclamations lead the charge. The band recalls that these initial-forays did not always translate so well into multitrack recording and overdubbing: “the deconstruction took away some of the band's natural feel”. On “Talent Show” the record ends with Sharkey delivering an almost unintelligible spoken word section over the top of the track, making for one final, disorientating, almost manic slice of post-punk. These tracks from 1980-1984 chart the progress of a unique contribution to the world of Scottish Post-Punk and New Wave, encapsulating not only the musical trajectory of 22 Beaches but also echoing the broader sonic landscape of 1980s UK, a testament to the adaptability and creativity of the UK’s underground music of the time.

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Shania Twain

LP | 2024 | DE | Original (Mercury)

Release: 2024 / DE – Original

Genre: Rock & Indie

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Misinformation Overload Colored Vinyl Edition

TV Smith

LP | 2024 | EU | Original (Last Exit Music)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Sublime Frequencies)

The Handover

Me First And The Gimme Gimmes

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie

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In The Handover, Aly Eissa, Ayman Asfour and Jonas Cambien explore the common and uncommon senses of Egypt's ritual music. It is clear that Aly Eissa's original composition is deeply rooted in Egyptian and Arabic traditions. At the same time, this band is one of the most progressive coming out of Egypt today. This is in big part thanks to Eissa, who has proven time and again to be not only an extremely skillful composer, but also a real visionary, combining tradition with modern experimentation.

A performance by The Handover is typically one stretch without break: a long build-up that lasts for the duration of the concert. Towards the end of the performance, all the tension is released in an exuberant, joyful climax, when wild improvisations are driven forward on top of exciting dance-rhythms from rural Egypt. The Handover elegantly combines the delicacy of classical Arabic music, the raw expressiveness of Egypt's countryside music, and the spontaneity of free improvisation, carefully obliterating the artificial separation between acoustic and electronic instruments. Despite the remarkable absence of any percussion or drums, The Handover is an extremely groovy band, with an ability to slow down and accelerate the tempo in almost telepathic synchronization at exactly the right moments.

Alongside the tight ensemble playing there is plenty of room for individual expression as the oud, synthesizer and violin take turns playing solos on top of repetitive riffs. Throughout the album, native Alexandrian Ayman Asfour plays the violin with breathtaking beauty, while not being afraid to make the violin buzz, squeak and rattle at times. Belgian/Norwegian keyboardist Jonas Cambien makes the synthesizer a melodic instrument in its own right, at times evoking almost classical Maqam, while in other moments it seems like he comes straight out of an Egyptian wedding. The oud forms the backbone in the composition's structure, as Aly Eissa's solos guide the listener from minimalist, meditative drones, to a compelling climax, and back to earth.

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Blow It At Madison's Quinceanera Black Vinyl Edition

LP | 2024 | EU | Original (Fat Wreck)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Chris Isaak)

Chris Isaak

Heart Shaped World

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | Original (Blue Grape Music Inc.)

Gel

Persona Plum

21,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Preorder shipping from 2024-08-16

LP | 2024 | EU | Original (The Helen Scarsdale Agancy)

Ekin Fil

Sleepwalkers

LP | 2024 | EU | Original (Aguirre)

Release: 2024 / EU – Original

Genre: Rock & Indie

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The drone-pop consternations of Ekin Fil emerge through vaporous tone and forlorn, distant song, as if plucked from a dream. These exist on their own accord, moving with their own internal logic of an emotion heaviness that belies any the passing observation of this as mere shoegazing ambience. Her songs, her compositions find themselves adjacent the fragmented etherealization of Elisabeth Fraser's voice from a forgotten scene of a particular David Lynch film, as a Asmr trigger for Proustian recollection. Something profound. Something hidden. Something desolately sad.

The Helen Scarsdale Agency has had the pleasure of witnessing Ekin's continued development, maturation, and growth as a composer, having released now seven of her magnificent, under-the-radar gems. Her slow burning, dejected ballads continue to draw from the deep well of sorrow, with varying frequencies and intensities of bitter light poking through. Loves lost. A world broken. All is not hopeless, but there is a considerable amount of shit to wade through.

Sleepwalkers embraces a familiar set of metaphors in her work, that of narcolepsy and the unsettled state of existence between sleep and being awake. But she stretches herself with a set of compositions that run parallel to the work of Tim Hecker as in the gravitation soft-noise of "Stone Cold" or to a slow motion serialism that punctuates the ambient crawl of her ambitious "Gone Gone." Recommended for fans of Grouper, Rafael Anton Irisarri, A.C. Marias, and Carla dal Forno.

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Brannten Schnüre

Aprilnacht

24,99 €*

LP | 2024 | EU | Original (No Coincidence)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Originally released on tape by SicSic in 2014, Aprilnacht commemorates a decade of music from Brannten Schnüre and marked the spring in a tetralogy of albums about the four seasons when it came out. Back then the Würzburg-based project consisted solely of Christian Schoppik, who later welcomed Katie Rich to take over the vocals. He used to perform as Agnes Beil, but dropped the name when, while making this album realized his music was becoming "much gentler and more fragile". Aprilnacht already captured the particular musical ideas that Schoppik would thoroughly keep exploring, delving deeper and deeper into the use and manipulation of samplers from sources so diverging as to wander between the five continents to post-war German family television and cult cinema. Heir of the ritualistic intensity of Coil, of the intricate sampler assemblies of Ghédalia Tazartès', and of the dusty, dismal old ballads from around the world, Brannten Schnüre manages to make these paths cross in a territory that is as inherent as it is uncanny; sieged by the past and intimate as a hearth. An organic approach to folk, ambient, and sound collage, where ethereal yet thoroughly textured pieces coalesce in enthralling, delicate, and innermost musical rituals.

The album cover paintings reveal the temper: dreary old towns where shadows come to dim the slow passage of crepuscular colors, a soft area of reanimation where wind and light come close and foresee the night of spring. Aprilnacht was inspired by the stories of German philosopher and writer Friedrich Alfred Schmid Noerr, whose work exhaustively examines the conflict between paganism and Christianity, safeguarding myth in a way that Schoppik describes as boldly modern, humorous and unpredictable in its variations of the Germanic folklore motifs. "I wanted to do the same with the music," he states, and the music here could as well be suitable for a night when household deities welcome wandering will-o'-the-wisps, water nymphs, and gyrovagues to discuss Perchta's leadership of The Wild Hunt, but this album is not a folk tale, it's not an elegy to worlds already gone, hidden in years; it's an intersection of routes that open mysteriously before our ears like a congregation of vapors. Aprilnacht is a gathering of voices; "There are too many children, and none of them keeps quiet," reads the last verse of «Requiem für eine Ringelnatter.»

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Beings

There Is A Garden

Release: 2024 / EU – Original

Genre: Rock & Indie

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In Search Of The Cosmic Tale: Crossing The Galactic Portal Black Vinyl Edition

Nebula / Black Rainbows

LP | 2024 | EU | Original (Heavy Psych Sounds)

22,99 €*

LP | 2024 | US | Original (12XU)

Release: 2024 / EU – Original

Genre: Rock & Indie

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There’s not much to add, two of the greatest Heavy Psych bands of the scene join the forces to give birth to an incredible Split Album. Packed with 32 minutes of the highest quality heavy rock you can find out there; a joint venture which can happen only once every 100 years!! Heavy Psych king-pioneers Nebula bring to life three brand new songs, recorded expressly for this incredible project. Three new gems which follow their latest “Holy Shit” and “Transmission….”

Black Rainbows add in three songs of their own, handpicked from the recording session of their latest success “Superskull”, released back in 2023. Delivering two Stoner in-your-face Heavy Fuzz pieces and one Heavy Space tune to celebrate this awesome collaboration!! The cover art pairs perfectly with the vision and vibe of the album and is credited to the mighty Simon Berndt.

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Winged Wheel

Big Hotel

Loom Coke Bottle Green Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Big Hotel, the sophomore effort of Winged Wheel, is an evolutionary document. Core members Cory Plump (Spray Paint, Rider/Horse, Expensive Shit), Fred Thomas (Tyvek, Idle Ray), Whitney Johnson (Matchess, Damiana), and Matthew J Rolin (Powers/Rolin Duo, solo) expand their lineup to include Lonnie Slack (Water Damage) and Steve Shelley (Sonic Youth), and instead of the entirely remote method utilized to create their 2022 debut No Island, the far-flung party convened in person in Kingston, NY for a long weekend of live studio recording.

The results are undeniably compelling. The band’s signature cyclonic energy is simultaneously augmented and refined with the approach of real-time collaboration. After tracking three days’ worth of group improvisations, weirdly-born songs, and other spontaneous creations, the hours of material were edited with a similar intensity. Half-hour jams became three-minute ragers and fragments were looped into infinity, calling on the same spliced aesthetic as some of the most adventurous material by Can, Faust, or more recently the experimental production of the International Anthem camp. The stereo field has been torn apart and sewn together again, rerouted with strange and mesmerizing left turns. Vignettes of ambiguous construction, both tightly coiled and exploding, revolve around themselves, gathering intensity and mass, coalescing into something greater than the sum of its parts.

'Demonstrably False' swells into existence like a motorik tidepool, tossing fauna onto the shoreline where it sprouts legs with a steady gait lying readily in wait within them. The controlled frenzy of 'Sleeptraining' marks a determined dash to a patch of reeds that are given form by the propulsive and minimal 'Clean Blue Shelf,' where lush terror and the balm of shelter seem equally likely to dwell. 'Grief in the Garden' describes itself like the eventual, fleeting triumph of eyeing the sun as it rises to declare the end of a starless night.

'Smudged Textile' seems another gesture from the sun, where it begins its work of burning swaths of cloud away to uncover the stark and perfect sky; it is around here that the sensation of flight becomes all but irresistible. The aerial coolness of 'Aren’t They All' maintains a reassuring pace much more like a heartbeat than a flapping of wings, which flows naturally into 'Soft Hands,' a piece that widens and ultimately splits the perception, somehow evoking an even, landbound march even as it continues to narrate that endless, gliding flight. 'Short Acting' is blissfully ambiguous in its suggestion, managing to hint at the vault of heaven before descending unhurriedly but inevitably back to earth. 'From Here on Out Nothing Changes' completes the vast arc, teeming as it is with the wild and singular energy of conscious life.

Where No Island was born out of distance and murk, these songs breathe and erupt in close quarters. Though the band isn't necessarily concerned with finding new levels of clarity, there’s a newfound power in the steady drive of Shelley’s unmistakable rhythmic style, and the unexpected interplay that builds on this foundation. Big Hotel is the sound of what happens in the rare and intriguing moments when Winged Wheel are all in the same room."—Jen Powers, March 2024

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Imagine Dragons

LP | 2024 | DE | Original (Interscope)

Release: 2024 / DE – Original

Genre: Rock & Indie

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Der Text Ist Meine Party (Die Hamburger Schule 1989-2000) Blue Vinyl Edition

V.A.

LP | 2024 | EU | Original (Tapete)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Bureau B)

Sprung Aus Den Wolken

1981 - West-Berlin

Release: 2024 / EU – Original

Genre: Rock & Indie

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Les Chants De L'aurore Picture Vinyl Edition

Alcest

LP | 2024 | EU | Original (Nuclear Blast)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Ballaké Sissoko & Derek Gripper

LP | 2024 | UK | Original (Matsuli)

LP | 2024 | EU | Original (Pelagic)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Kora’s most innovative modern exponent bathes in communion with a re-imagined classical guitar, unveiling a new and previously unsuspected musical universe. In a meeting between instruments, not traditions, these maestros emerge from quite different and distant musical worlds. Ballaké Sissoko’s kora tradition and lineage traverse the once powerful West African empire known as Kaabu. South African Derek Gripper’s roots are in European classical guitar but infused with a unique jeli music mastery that takes guitar’s modern history in a captivating new direction.

But we are not hearing these traditions in dialogue: these masters meet on the sonic groundings of the kora, instrument of the griots, resonant vessel of the sacred and profane, sound carrier of history and wisdom. Through two decades of commitment and study, it is to this terrain that Gripper brings his guitar to meet its multi-stringed cousin.

The two men do not share a spoken language, but if it is true that music speaks universally, then they were already involved in profound dialogue long before they met for the series of London concerts which yielded this recording session – a session which matches deep communion with sparkling improvisation, which pushes a living tradition into brand new sonic spaces, and opens a live and direct channel of communication between kora and guitar. In the complex web of theme and variations spun by Sissoko’s twenty-two strings and Gripper’s six, a new African string theory is elaborated.

“Musically we tested each other,” says Sissoko, explaining that the most magical aspect of their encounters are spontaneity. “We have the mastery of our instruments, the technique and a good ear. Derek is very curious, that’s very important.”

“He’s just such a good listener,” says Gripper about Sissoko. “It’s not what he plays, it’s how he plays it. He’s an amazing interpreter, the prime master of timbre.”

Recording by Taylor Pollock at Platoon Studios, London. Mixed, edited and produced by Derek Gripper. Mastered by Murray Anderson at Milestone Studios, Cape Town. Produced for vinyl by Chris Albertyn and Matt Temple at Matsuli Music. Mastered for vinyl and lacquers cut by Frank Merritt at The Carvery, London. Vinyl pressed at Pallas GmbH, Germany. Sleeve notes by Francis Gooding, French translation by Paulo Goncalves. Cover design by Toby Attwell at Twoshoes, Cape Town.

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Mono

Oath Black Vinyl Edition

King Gizzard & The Lizard Wizard

Release: 2024 / EU – Original

Genre: Rock & Indie

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Veteran Japan-based instrumental rock band MONO return with `OATH', their 12th full-length album of genre-defying contemporary classical orchestration and transcende...

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Live In Chicago

LP Box | 2024 | US | Original (Fuzz Club)

264,99 €*

The Director's Cut Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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New King Gizzard box-set ‘Live In Chicago’ available to pre-order now. Recorded live at The Salt Shed in Chicago, it captures 40 tracks across 9 LPs. Includes 132-page hardcover photo book.

- - - - - - - - - - - - - -

Fuzz Club presents another huge King Gizzard And The Lizard Wizard bootleg box-set, in the shape of the 9LP monster 'Live In Chicago’. Recorded over three nights of the Aussie psych-rock polymaths raining down on The Salt Shed in Chicago, this bootleg captures 40 tracks of live Gizz spread across 18 sides of vinyl. Live In Chicago was recorded live June 11, 12 and 13 2023, mixed by the band's Stu Mackenzie and Sam Joseph and remastered for vinyl by James Plotkin exclusively for this edition.

Each of the three nights comes in its own 3LP slipcase, all housed together in one giant hand-numbered slipcase alongside a 132-page hardcover photo book, including photos licensed exclusively for this vinyl release. All 9 LPs come on 180g multi-coloured vinyl (with a unique effect configuration for each night) in their own heavy card jacket with 3mm spine and premium archival rice paper inner-sleeves by Mint. The artwork for each jacket works as a puzzle and forms one giant artwork. Exclusive collage album art and design by Elzo Durt with metallic silver laminated detailing through out all slipcases, jackets and the photo book. Includes large poster with the original cover art by Jason Galea. The box-set is packaged in a bespoke foam-lined box to protect it during shipping.

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Fantômas

LP | 2024 | US | Original (Ipecac)

Release: 2024 / US – Original

Genre: Rock & Indie

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Do You Have The Force? Volume 2 (Jon Savage's Alternate History Of Electronica 1978-82)

V.A.

2LP | 2024 | UK | Original (Caroline True)

Release: 2024 / UK – Original

Genre: Rock & Indie

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3LP | 2024 | US | Original (Dra City)

Gastr Del Sol

We Have Dozens Of Titles

78,99 €*

Anama Olive Green Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Nearly twenty-five years after disbanding, Gastr del Sol have unpacked their archive, stringing together an alternative view to their genre-melting 1993-1998 run. This assembly of previously uncollected studio recordings and beautifully captured unreleased live performances forms a spacious ode to the flux that was their métier; a further set of reinventions that continue to alter the manner in which we hear music, and literally everything else!

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Crumb

LP | 2024 | EU | Original (Crumb)

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Future Is Now Purple & Blue Vinyl Ediiton

Toe

LP | 2012 | US | Reissue (Topshelf)

22,99 €*

Mind Burns Aliveorange Crush

Release: 2012 / US – Reissue

Genre: Rock & Indie

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toe is a Japanese music group long revered in post-rock circles, while their song structures and dynamics have taken on elements from all styles of music, ranging from math-rock, jazz, pop, and R&B. toe is composed of Kashikura Takashi on drums, Mino Takaaki on guitar, Yamane Satoshi on bass guitar, and Yamazaki Hirokazu on guitar. The band has formally played with this lineup since their inception in 1998. The vast majority of the music is instrumental and features the swift, agile drumming of Takashi. The band is also known for melodic, clean guitar, often employing the juxtaposition of electric and acoustic. While the compositions feature the repetition of typical rock motifs, the subtle changes in beat and rhythm form a unique rhythmic dialect. The band has consistently expanded their sound throughout their musical tenure by incorporating singing, rhodes piano, mallet percussion, and electronic production elements.

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Pallbearer

2LP | 2024 | EU | Original (Nuclear Blast)

39,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Carlos Pickling Y Orquesta

Cumbia Morena

7" | 2024 | EU | Original (Vampisoul)

15,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Remote Echoes Clear Smoke Vinyl Edition

Duster

LP | 2024 | US | Original (Numero Group)

13,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Neon Pill Milky Clear Vinyl Edition

Cage The Elephant

LP | 2024 | EU | Original (RCA International)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Stick Season (We'll All Be Here Forever) Black Vinyl Edition

Noah Kahan

3LP | 2024 | EU | Original (Republic)

60,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Hindsight Is 50/50 White & Black Vinyl Edition

Ghost Woman

LP | 2023 | UK | Reissue (Full Time Hobby)

Release: 2023 / UK – Reissue

Genre: Rock & Indie

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Oren Ambarchi / Johan Berthling / Andreas Werliin

Ghosted II

LP | 2024 | US | Original (Drag City)

10" | 2024 | EU | Original (Irrsinn)

Release: 2024 / US – Original

Genre: Rock & Indie

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Missing out on that super-chill, uber-jittery minimal groove thing? Let"s get real, real Ghosted again.Oren Ambarchi has been collaborating with the Fire! trio (Mats Gustafsson, Johan Berthling and Andreas Werliin) for over a decade - and both Johan and Andreas played on Oren"s Live Hubris as well. Oren and Johan began music-making together back in the early aughts - but it wasn"t until 2021 that the three of them got together to record music. That became the first Ghosted album. When they were done, it was clear they had founded a new group. A music of sustained tension and deep atmosphere marked by subtle, shifting dynamics, Ghosted was released in May of 2022 to psyched response everywhere; the trio embarked upon an ongoing series of concert bookings around Europe, with loads of other people in the world still hoping to have the chance to be in the room at the next show. Two years on, Ghosted has gone through several represses, now it"s time for the "dreaded follow up album"! Rather than go back to the well, the guys decided to tear everything down and start all over again, reimagining themselves from scratch.Just kidding! As we"ve noted, Oren, Johan and Andreas have been playing together for years and years, developing an essential telepathy within their shared space. They get each other and feed each other"s music processes on an elemental level. Why change that? What made the most sense was to go back to Daneil Bengtsson at Studio Rymden in Stockholm for a couple days, then have Oren and Joe Talia mix and Joe master it at Good Mixture in Melbourne again, then get Pål Dybwik to do some well-distinctive cover art, and once more, call it a record.That"s just what they did - and it should be no surprise at all that the new Ambarchi/ Berthling/Werliin album looks and sounds as engrossing as their debut, if not more so! Ghosted II has a definitively fresh quality radiating throughout. The mutual feeling among the three players goes deep, allowing for lots more to say every time they get toge...

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Edwin Rosen

Mitleerenhänden

23,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Skipping Stones: The Cassette Years '92-'93

The Cat's Miaow

2LP | 2024 | UK | Original (World Of Echo)

LP | 2020 | EU | Reissue (Untitled)

Release: 2024 / UK – Original

Genre: Rock & Indie

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The Cat’s Miaow return to World Of Echo with Skipping Stones: The Cassette Years ’92-’93, their second compilation for the imprint, and the fourth in a loosely defined series of reissues associated with the group (also including The Shapiros’ Gone By Fall: The Collected Works of The Shapiros and Hydroplane’s Selected Songs 1997-2003). It’s a smart selection of songs by one of Australia’s finest independent pop music groups, whose initial run, across the nineties, was as mysterious as it was bewitching. A generous double album featuring thirty-five songs drawn from The Cat’s Miaow’s history, Skipping Stones lets listeners in on a bunch more secrets.

An even deeper pass through the archives of The Cat’s Miaow, Skipping Stones is a welcome follow-up to 2022’s Songs ’94-’98, which pulled together material from seven-inch singles and compilations. Diving into the four cassettes that the group released over a two-year period, Skipping Stones is full of surprises, rich with unexpected and inspired detours, while reminding everyone just how clear and distinct The Cat’s Miaow’s music was from the very start. Looking in from the outside, they always felt like a group that knew just what they were doing, but intuitive as they are, they weren’t forcing anything: these songs always sound exactly what they need to be, rough edges, playful moments and all.

It's also a fascinating snapshot of one arm of the ‘international pop underground’. While they were clearly listening to music from the US, UK and elsewhere – there are glimpses of Galaxie 500, Spacemen 3, Beat Happening, and The Pastels in some of the songs here – The Cat’s Miaow also feel, consciously or not, part of a continuum of Australian underground pop that takes in The Particles, The Lighthouse Keepers, The Cannanes, The Honeys, Even As We Speak, and The Sugargliders (who they would cover several times). Like those before them, The Cat’s Miaow balanced opposing forces in their music: naivete and knowingness; fragility and strength; worldliness and world-weariness; play and seriousness; heartache and pleasure.

The four cassettes that Skipping Stones draws from – Little Baby Sour Puss, Pet Sounds (both 1992), From My Window, and How Did Everything Get So Fucked Up (both 1993) – were released or assisted by Toytown, a Melbourne cassette label of rare taste, savvy and intelligence, run by Wayne Davidson. Toytown felt like the perfect early home for The Cat’s Miaow, their cassettes rubbing shoulders in the label’s catalogue with brilliant groups like Sukpatch, The Ah Club, Kitty Craft, and Land Of The Loops. The local context is just as important, too, with The Cat’s Miaow sharing their time and creative vision with friends in The Ampersands, Stinky Fire Engine, Girl Of The World, Super Falling Star, Pencil Tin and The Sugargliders. And cassettes were an important form of exchange – cheap, easy to reproduce, not too expensive to send interstate or overseas, they were the most accessible DIY format for any group starting to spread the word about their noise.

All of this is to say, the thirty-five songs here landed in several different contexts, national and international, which goes part-way to explaining the group’s curious cosmopolitanism, the style and spirit in their sound. The Cat’s Miaow may have been bedroom dreamers, but their songs were richly informed, with the sweetest of girl-pop moves sashaying into walls of tremolo-d and distorted guitar, jangling six strings tangling with melodic bass that’s pure Peter Hook/Naomi Yang, while the gentle trickle of a drum machine or the earthy twitch of brushes on drum skins provided the spine for Kerrie’s and Bart’s lovely, unforced singing.

There are a clutch of gorgeous songs here that would reappear in a different form on later releases, classics like “The Phoebe I Know”, “Third Floor Fire Escape View”, “Not Like I Was Doing Anything” and “You Left A Note On The Table”, but plenty of other magic too, all of it finding its way to vinyl for the first time (some tracks appeared on compact disc via the compilations A Kiss and A Cuddle [Bus Stop, 1996] and Songs For Girls to Sing [Drive-In, 1997]). Remarkably, The Cat’s Miaow have also recently released a split single with Rocketship featuring newly recorded material and returned to the stage for their second-ever gig.

But this double LP on World Of Echo feels like the very core of the thing – some of the most heartbreakingly beautiful, effortlessly lush and deeply moving pop music you’re likely to hear.

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Jerskin Fendrix

Winterreise

Dispose Gold Vinyl Edition Edition

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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"Jerskin Fendrix should have tea with Jarvis Cocker" - Iggy Pop on BBC 6 Music "Winterreise has proved his brilliance, but it has also only affirmed his status as an enigma" - The Quietus. Originally billed as the "quasi-godfather of the south London Scene" by The Quietus for his influence on bands like Black Country, New Road, Black Midi and Famous, Jerskin Fendrix has recently made the leap onto the global stage for his Oscar, BAFTA, and Golden Globe-nominated film score for Yorgos Lanthimos' latest film 'Poor Things'. Since this stratospheric rise to red carpet fame, the Shropshire-born musician's debut 'Winterreise' has been put into a fresh perspective; at the time of its release it was lauded as something of an enigma, a collection of errant pop songs that gave little away about the artist behind them. Now, the record that was awarded album of the year in 2020 by Loud & Quiet, can be seen as a prototype for Jerskin's strange blend of baroque, pop, electro, punk - an amalgam that takes the record beyond the referential. Having been out of print for a number of years, untitled (recs) has re-pressed it with its original artwork on a limited run of 1000 copies

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The Plot In You

LP | 2024 | US | Original (Fearless)

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Atlantic)

Twenty One Pilots

Clancy Red Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Funeral For Justice / Tears For Justice Black Vinyl Edition

Mdou Moctar

LP | 2024 | EU | Original (Matador)

LP | 2024 | EU | Original (Napalm)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Funeral For Justice is the new album by Mdou Moctar. Recorded at the close of two years spent touring the globe following the release of 2019 breakout Afrique Victime, it captures the Nigerien quartet in ferocious form. The music is louder, faster, and more wild. The guitar solos are feedback-scorched and the lyrics are passionately political. Nothing is held back or toned down. The songs on Funeral For Justice speak unflinchingly to the plight of Niger and of the Tuareg people. "This album is really different for me," explains Moctar, the band"s singer, namesake, and indisputably iconic guitarist "Now the problems of terrorist violence are more serious in Africa. When the US and Europe came here, they said they"re going to help us, but what we see is really different. They never help us to find a solution."

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Humanoid

Release: 2024 / EU – Original

Genre: Rock & Indie

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Papercuts Singles Collection 2000-2023 Black & Red Splatter Vinyl Edition

Linkin Park

2LP | 2024 | EU | Original (Warner Bros.)

57,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Polydor)

Paul Weller

66 Blue Vinyl Edition

LP | 2023 | Original (Eskapaden)

Release: 2024 / EU – Original

Genre: Rock & Indie

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aul Weller – der „Godfather of Brit-Pop“ ist zurück!

„66“ heißt sein neues und mittlerweile 17. Studioalbum. Der ehemalige Sänger und Gitarrist von „The Jam“ zeigt auf dem Album seine reflektierte Seite, mit viel Melancholie und dennoch auch einem positiven Kern. Die 12 Songs auf "66" wurden im Laufe von drei Jahren in Wellers Black Barn Studio mit einer Reihe von Gastmusikern aufgenommen.

Paul Weller wurde bisher mit 4 Brit – Awards ausgezeichnet, einen für „Outstanding Contribution to British Music“ und auf seinem neuen Album beweist er uns einmal mehr sein eiinzigartiges musikalisches Talent.

Das Album erscheint auf Vinyl, CD und digital.

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Elena Rud

Heimlich Weinen

19,99 €*

Sleep Now Forever Record Store Day 2024 Edition

Release: 2023 / Original

Genre: Rock & Indie

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Chasing dopamine in free fall through a burning world. Looks that make you want to go swimming, even though you know you're going to drown. Where is my value? Who do I want to be? And who do I definitely not want to be?

Mental health, body positivity, queerness, sexualized violence and self-determination: Elena Rud sings about these things, loud and wild. With a voice that sometimes seems on the verge of breaking and then hangs deep in the ear canal again. As raspy as after a handful of cigarettes. So distinctive that you will recognize them again and again from a big bunch of newcomer bands.

Because the songs go through the marrow and bone. Under the skin or into the heart. Maybe left in and right out, but it's good in between. Because you feel that you're no longer quite so alone with yourself and this shitty world.

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Sorrow

2LP | 2024 | Original (Night School)

Fine Art Green White Orange Tri Color Vinyl Edition

Release: 2024 / Original

Genre: Rock & Indie

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Sleep Now Forever is the second and final album released by Sorrow, the post-Strawberry Switchblade group fronted
by singer Rose McDowall. Originally released in 1999 and long since deleted it is a cornucopia of pastoral, elegiac folk
music, swirling atmospherics, hymnal compositions and above it all the alternating towering and fragile vocal
performances of McDowall. Recorded in the late 90s with fellow band member and co-songwriter Robert Lee, Sleep
Now Forever is the definitive statement by the now defunct group and Rose McDowall’s most complete long-form work
to date.
Released through the group’s own Piski Disk Records, Sleep Now Forever was distributed by World Serpent which
struggled through the early 2000s with financial woes, eventually folding due to bankruptcy in 2004. Due to the company’s
troubles, Sleep Now Forever was never distributed widely and was a victim of the company’s failure. Released on CD only,
original copies are now rare and only traded on second hand channels. Remastered by Mikey Young for a limited vinyl release,
Sleep Now Forever will be released on April 20th on double vinyl format, with one side an exclusive etching by Glasgow artist
Holly Allan.
Despite its rarity, Sleep Now Forever enjoys a firm cult following. The album’s textures are expansive, lush, deliciously detailed
and celestial. Recorded in home study Velvet Hole by Rose McDowall and then-husband Robert Lee, the album enlists an
array of players from the underground Neo-folk / industrial scene: Nigel McKernaghan (Uilleann pipes, Whistles), Susan
Franknel (Bassoon), John Contreras (Cello) and Lawrence Frankel (Oboe, Cor Anglais). The eleven songs here revolve
around McDowall’s instantly recognisable voice. Brought up singing in the Catholic Church, McDowall’s vocals are impeccable
and angelic, particularly on tracks like Turn Off The Light where her experiences with religion are canted over soaring oboe
and guitar backing. By far the most evolved and realised version of Sorrow’s vision, it feels somewhat criminal that music this
beautiful could be lost to time until now.
McDowall’s lyrics throughout Sleep Now Forever deal frankly with mental health, depression, altered states, death and
redemption. Wave upon wave of harmony drench each song, McDowal’s vocal multi-tracked and imperious. Opener Soldier
benefits from Robert Lee’s use of the studio as instrument, summoning forth a lilting group performance of sparkling guitar and
percussion that recalls the Velvet Underground. Mikey Love’s master treats the compositions to brand new frequency
dynamics and space. Harmonium and string drones form the counter to McDowall’s vocal on Love Dies, a slow, lurching
lament that feels transcendent. On Haunting, the arrangement is orchestral and aching, bleeding into Fear Becomes You, with
chord and harmony structure that recalls the baroque sixties pop of West Coast Pop Experimental Art Band or the 60s
psychedelic folk movement. A towering, beautiful statement, this elegy for times lost and moonlit-illumination is finally
resurfacing from the darkness.
Sleep Now Forever is being released on 2LP on April 20th, 2024. Limited to 500.

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Kneecap

LP | 2024 | UK | Original (Heavenly)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Wesley's Convertible Tape For The South

April Magazine

LP | 2024 | US | Original (Digital Regress)

Hopes And Fears 20th Anniversary Colored Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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"The wash of flangers & shimmery reverb have been the foundation in Cali psych ever since the Byrds went electric. And while that sound might've dropped off occasionally, it never dropped out. The Velvets minimalist stylings were infused into the mix by The Dream Syndicate in the early 80's & thus a game changer was born. Clay Allison, Opal, Green On Red all took their charge from that current. Then the Shoegaze scene of the 90's looked at those bands as vectors, things got a little more drenched, so yet more seeds were sown into the fertile terroir. Cut to current climes & the bay area is teeming with the latest iterations: Children Maybe Later, Now, & Cindy easily come to mind. But curiously the band most steeped in the mohair constitution is April Magazine, who (thus far) have been content in the shadows. Up till now they've seemed like characters plucked out of a Kazuo Ishiguo novel-mysterious & ethereal-but perhaps this pressing of last year's cassette only release will flush them out. 'Wesley's Convertible Tape For The South' shows the band defly balancing all those that have come before them while also incorporating flourishes of Les Rallizes DeNudes, Hallelujahs & Nagisa Ni Te into the pageantry . So in a way, April Magazine is transforming the landscape yet again; denser, fuzzier, lush & wistfully challenging. 'Wesley's Convertible Tape For The South' is the band's 1st vinyl release stateside (an LP of older tracks was released last year via a UK only label) so no import tariffs! What were once whispers are now proclamations. Just because you don't know them doesn't mean you can't love them. So grab a copy & hug it out amongst yourselves." -- Tom Lax (Siltbreeze Records)

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Keane

2LP | 2024 | Original (Universal)

39,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Only God Was Above Us Alternative Cover Vinyl Edition

Vampire Weekend

2LP | 2024 | EU | Original (Sony)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Cape Elizabeth Aqua Vinyl Edition

Noah Kahan

LP | 2024 | Original (Republic)

19,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Dead Again Green White Split Vinyl Edition

Type O Negative

2LP | 2024 | EU | Original (Nuclear Blast)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Music On Vinyl)

Downset

Release: 2023 / EU – Original

Genre: Rock & Indie

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Heaven :X: Hell Black & Red Quads w/ Cyan Splatter Vinyl Edition

Sum 41

2LP | 2024 | CZ | Original (BMG Rights Management)

32,99 €*

Release: 2024 / CZ – Original

Genre: Rock & Indie

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The Reds, Pinks And Purples

Unwishing Well White Vinyl Edition

LP | 2024 | UK | Original (Tough Love)

Revelator Black Ice Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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The cinema of the scenes as told from the heart and spirit of the omniscient narrator shines through the awe-inspiring oeuvre of Glenn Donaldson's canonical titan that is The Reds, Pinks & Purples. The storied and esoteric histories of every underserved underdog becomes immortalized in records and poignantly penned paeans that evoke the eras and underachievers that became synonymous with their own respective corresponding localized micro-movements. Donaldson channels that psychic spirit and journeyman earned wisdom to provide contemporary era rock operas that eulogize tales of infinitely influential rises and falls. Crystalizing the tragic self-celebrating kingdoms of fortunate failures, false heroes, music press deities of limitless deceit, hometown dive gods and humanity in the grips of all its romanticized wonder and woe — the latest sortie of the sensational and spectacular takes aim at the threads of hope and an untethered abandon into the intimacy and dualities of idolatry and isolation with Unwishing Well.

Ever since its emergence from the harried late 2010s — The Reds, Pinks & Purples have become the absolute encapsulation of Donaldson's own proliferation and prestige. From a musical legacy that chronicles a long list of minor successes and major tragedies; Glenn distills the timelines of distinction from yesterday, today, tomorrow and whatever may be into a musical phenomenon that embodies something more than all of its analogous inspirations. Beyond the clamor about the retro cult pop artistic allusions and tropes that can be found in those spirit expanding kaleidoscope chord chimes; Donaldson takes you on a guided tour through the San Francisco underground movements that would have been, could have been or perhaps never were at all from the start. The Reds, Pinks & Purples’ coveted catalog inadvertently, consciously or unconsciously, offers an authorized and anonymous history of imperfect and ambitious debutantes, dilettantes, auteurs, et al. The lauded visionaries whose volition informed the big money touring stage headliners, but only enjoyed a fleeting jaunt through the glorious corporate clad carnival canopies from the touring circuit routes and tech funded festival tent tabernacles. Unwishing Well is a eulogy for the buzz bands that crashed, the wily one hit wizards, and omnipresent (and often uninspired) eternal aesthetes who work the lucrative outlets of licensing media markets.

Glenn pulls no punches with the promiscuity of the pop machines and their exploited propped up brand ambassadors on the cutting "Your Worst Song is Your Greatest Hit" that tangles with the lumbering and inescapable creatives and careerist trajectories that trade in boardroom playbooks and verticals. Expressions and influencers break out into the collective commissaries of commerce exhibitionism on “Public Art”, to auditing the forums of fandom that pertain to developed affinities and the roads to rabid infatuation with the obsessive in earnest, “Learning to Love a Band”.

And while the Glenn spins many yarns on the under-appreciated secret histories of DIY, Unwishing Well offers cathartic hymns of modern malaise. Sighing in lamentation of regressive trends, “What’s Going on with Ordinary People'' balks with concern over contemporary states of devolution, while “Faith in Daydreaming Youth” questions what vestiges of hope and valor can be found in the new vanguards of political bodies that govern the world’s sovereign daydream nations. The dustbins of dastardly discontinuity are imbued with desire and grief on the dramatist tragedy of “Dead Stars in Your Eyes”, to basking in the discarded ditches of the damned below in voids of obscurity on “Nothing Between the Lines at All”. The human addiction to languishing in anguish, misery and negativity tussles, tosses and turns on “We Only Hear the Bad Things People Say”, the penultimate ode to inherent human infallibility as Donaldson rides the audience out into the gilded sunset glow of “Goodbye Bobby”.

The central set piece of Unwishing Well revolves around the title track that wrestles with wellness and wishes tempered by the sobering reality of ultra pragmatic skepticism. Donaldson shows the audience where the dream falls short, an indictment on the fickleness of wants and the life/work/art balances of making it all work. It's the group that never makes it, the idea that never gets off the ground, the recognition that never arrives, the raise that is never awarded, nor the promotion to the next ladder rung that remains laughably inaccessible. Glenn has the gift of bridging the divide between the hunger artist, their adoring cult public and the common threads that connect these local and global communities through the humanist cause of collective commiseration.

As increasingly found in the continued adventures of The Reds, Pinks and Purples canon — Glenn circles the drain of surrendering to unabashed sentimentality in passions worthy of being showcased as the top headlining spot that your favorite revered then later reviled pop act never even had the chance to claim or ascend. Unwishing Well uplifts and uproots the undercurrents that carry the commonalities between the spectators and the spectacles. Donaldson pays homage in heart to everything and everyone that never got their due or to the lucky ones that made the grade, but paid an ultimate price. The cycle of these pop vignettes depict successes and failures in the same sentences, existing within the same stanzas, where the stories of making it and breaking it operate as events that live on different sides of the same coin. Unwishing Well is a reflection of us, the icons we adore, the Adonises we worship, the false prophets that proselytize the edicts from theses cults of personality, the fallouts, the third acts and the artistic fabrics that spool these sub-sects of artful dodgers into the stuff of legend.

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Phisphorescent

LP | 2024 | EU | Original (Verve)

So Medieval White Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Phosphorescent’s Matthew Houck has announced "Revelator", a new album of nine original songs out April 5 that marks his debut for Verve Records. Grappling with the quiet obstacles and unspoken truths that come with the gravity of navigating home, partnership and family, Revelator ruminates on questions that can be difficult to answer: why a seemingly idyllic life can be defined by an ambient sense of dread, or the natural ways we drift from each other and from ourselves. But true to its title, this is a work intent on finding hard-won reclamation, reinvention and revelation in life's day-to-day.

Since 2001, Matthew has been active in the Indie Rock scene and has accumulated eight studio albums to date – performing at countless festivals internationally solo and on guitar and vocals with a full six-piece bands. He has collaborated with fellow Indie greats such as Father John Misty and mixed his 2018 record with Vance Powell (Jack White, Phish, Chris Stapleton). A career highlight includes his 2013 record: ‘Muchacho’, his most recent album was 2018’s ‘C’est La Vie’. Currently based in Nashville, TN – Phosphorescent continues to be a notable indie figurehead and his return after five years is anticipated by fans and critics alike.

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Blue Bendy

LP | 2024 | UK | Original (The state51 Conspiracy)

Don't Play With The Rich Kids HHV Exclusive Blue Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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‘So Medieval’ captures all the musical foibles, idiosyncrasies and departures from the norm which Blue Bendy have displayed across their previous releases. Expressing their sound over the course of a full record for the first time, ‘So Medieval’ is an explosive mix of genre, atmosphere and emotions. The end result is something rare for a new band: a debut album which is as experimental as it is confident and assured, as tender as it is visceral, as quiet as it is loud, as bloody as it is teary.

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Ja, Panik

LP | 2024 | EU | Original (Bureau B)

Meliora Orange Marble Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Ja, Panik is back! While the last experimental and meandering pop album Die Gruppe Ja, Panik (2021) marked their surprising comeback after a seven-year creative break, Don't play with the rich kids is now something like their return as a rock band As the gang from Burgenland, which has played its way into all our hearts since The Angst And The Money (2009) We see Stefan Pabst, Sebastian Janata, Laura Landergott and Andreas Spechtl Wrapped in a soft cloth on the cover photo on the beach of nowhere It holds the band together inside while also creating a clear boundary outside: we are here, and you are there! And it seems almost impossible to get into this inner circle The worldwide problem of classism could hardly be presented more elegantly This was probably also given to them at some point While Ja, Panik used to want to destroy the system from the inside out,
with a lot of glam and lustfully presented auto-aggression, they have once again thoroughly relaunched their brand, to put it in the advertising speak of the 90s. Their nihilism made in Austria as a basic feeling is still an important core of the brand, but it is now presented in a much more reflective way. And the now quite self-evident negotiation of one's own privileges seems to inspire the band in their new songs. After all, these rich kids are also ultimately themselves This can be confidently told Of course, this must be seen on a global scale We all know what a four-member, left-wing indie rock band between Berlin and Vienna earns with their music And even if, according to Spechtl, 1,000 fights are fighting in his body, of which he himself states that he can never win a single one, his new role as a Zen rocker and self-proclaimed Kung-Fu-Fighter surrounded by his old bandmates in excellent shape doing very well Well, many people their age now own a house in Brandenburg or a condominium in Berlin, but who can call themselves a member of the group Ja, Panik? Cultural capital that many people don't even dare to dream of.

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Ghost

LP | 2024 | Original (Concord)

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | Original (Warner Bros.)

Linkin Park

Lost Demos

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | Original (Nonesuch)

The Black Keys

Ohio Players

Release: 2024 / Original

Genre: Rock & Indie

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Underdressed At The Symphony Faye Blue Vinyl Edition

Faye Webster

LP | 2024 | US | Original (Secretly Canadian)

LP | 2024 | EU | Original (Legere)

Release: 2024 / US – Original

Genre: Rock & Indie

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Faye Webster's songs are a direct line to the human unconscious, and "Underdressed at the Symphony" documents what happens when one begins to build a new self from the wreckage of old routines. Her previously released songs "But Not Kiss" and "Lifetime" already show the rarely explored territory of emotional intimacy, where desire and passion conflict with comfort, understanding and even platonic love. These themes are echoed in "Underdressed at the Symphony," along with hyper-specific symbols that paint a picture of Webster's life, such as "eBay Purchase History" or the objects she covets at "Lego Ring."

"Underdressed at the Symphony" was recorded with her longtime band at Sonic Ranch Studios in Texas and revels in experimentation, playfulness and adventure. Vocoder moments, orchestral flourishes, spooky harmonies and synthesizers emerge without compromising the spacious quality of Webster's earlier music, so her lyrics still have plenty of room to bubble to the surface with additional layers of meaning. Matt "Pistol" Stoessel's pedal steel tones provide just the right shimmer, while Wilco's Nels Cline contributes his undeniably soulful dexterity to a number of songs. Huddling together on the literal border between the US and Mexico gave the musicians room to isolate, focus and experiment. All of the songs on this album are live recordings, some of which were recorded on the first or second take, showcasing Webster's talent for drawing a universal experience from a very specific, seemingly small moment.

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Diane Birch

Flying On Abraham

23,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Something In The Room She Moves Red Vinyl Edition

Julia Holter

2LP | 2024 | UK | Original (Domino)

29,44 €* 30,99 € -5%

Closure / Continuation. Live. Amsterdam 07 / 11 / 22 Clear Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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While the work of the Los Angeles-based singer-songwriter and composer has often explored memory and dreamlike futures in the past, her latest album is more grounded in the present. Her production and arrangements form a continuum of fretless electric bass tones in counterpoint to gliding vocal melodies, while glissading Yamaha CS-60 lines play around the reeds like warm winds. "I've tried to create a world that sounds fluid and water-like, reminiscent of the inner sound world of the body," says Holter about her flowing harmonic universe.

The last few years have brought an existential focus on human connection for Julia Holter, amidst the shattering changes that have come with the deaths of loved ones (including her young nephew, to whom the album is dedicated) and the birth of her daughter. On Something in the Room She Moves, Holter vividly processes the complexity, gravity and awe of this confluence of experiences.

After a string of dream-pop albums - from her breakthrough Ekstasis (2012) to Loud City Song and Have You in My Wilderness - Holter released the sprawling and thrillingly experimental Aviary in 2018. Since then, she has scored films such as Never Rarely Sometimes Always, performed a commissioned piece for The Passion of Joan of Arc with the Chorus of Opera North and collaborated with her partner, musician Tashi Wada, who plays synthesizer and bagpipes on her new album. Something in the Room She Moves is a remarkable step forward in Holter's work, combining her free improvisational energy with her characteristic eloquence.

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Porcupine Tree

4LP | 2024 | EU | Original (Columbia International)

86,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Markthalle Hamburg 1984 Magenta Marble Vinyl Edition

The Smiths

LP | 2023 | EU | Original (Second)

22,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Apocalypse Red Ten Year Anniversary Edition

Thundercat

LP | 2024 | UK | Original (Brainfeeder)

35,09 €* 38,99 € -10%

Release: 2024 / UK – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Ink Music)

Endless Wellness

Was Für Ein Glück

Release: 2024 / EU – Original

Genre: Rock & Indie

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What Do We Do Now Pink Vinyl Edition

J Mascis

LP | 2024 | US | Original (Sub Pop)

When We Were That What Wept For The Sea

Release: 2024 / US – Original

Genre: Rock & Indie

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What Do We Do Now is the fifth solo studio LP recorded by J Mascis since 1996. This is obviously not a very aggressive release schedule, but when you figure in the live albums, guest spots, and records done with his various other bands (Dinosaur Jr., The Fog, Heavy Blanket, Witch, Sweet Apple, and so on), well, to paraphrase Lou Reed, "J's week beats your year." What Do We Do Now began to come together during the waning days of the Pandemic. Utilizing his own Bisquiteen Studio, J started working on writing a series of tunes on acoustic with a different dynamic than the stuff he creates for Dino. "When I'm writing for the band," he says, "I'm always trying to think of doing things Lou and Murph would fit into. For myself, I'm thinking more about what I can do with just an acoustic guitar, even for the leads. Of course, this time, I added full drums and electric leads, although the rhythm parts are still all acoustic. Usually, I try to do the solo stuff more simply so I can play it by myself, but I really wanted to add the drums. Once that started, everything else just fell into place. So it ended up sounding a lot more like a band record. I dunno why I did that exactly, but it's just what happened." Two guest musicians are playing this time out; Western Mass local Ken Mauri (of the B52s) plays piano on several tracks. Since J himself has some experience with keys, when asked why he needed a hired gun, he says, "Ken is great, and he plays all the keys. I tried playing some keyboards on the first Fog album, but I'm really only comfortable playing the white notes, so it's kind of limiting. [laughs] Nowadays, I could just turn the pitch on a mini Mellotron to play different sounds, but black keys just seem hard. For whatever reason, I just like banging on the white ones. Seems like it's harder to figure out how to stretch your fingers around the other ones." Mauri has no such qualms and plays all the keys very damn well. He sounds especially great on "I Can't Find You," where he is Jack Nitzsche to J's Neil Young, creating one of the album's loveliest tunes. The other guest musician, Matthew "Doc" Dunn, is also prominent on this track. Dunn's steel guitar manages to both widen and soften the musical edges of the music, giving it a full classicist profile. Dunn is an Ontario-based polymath who J met through Matt Valentine. After J played on Doc's great 2022 Sub Pop single, "Your Feel," he figured it was time for payback. Both Dunn and Mauri add beautifully to the songs here, helping to transform them from acoustic sketches into full-blown post-core power ballads. What Do We Do Now is the finest set of solo tunes J has yet penned, and the way they're presented is just about perfect. Asked if he would be touring to support the album, J says he'll be doing some weekend dates, but he probably won't be putting a band together. And I'm sure these songs will sound great solo and acoustic, but the arrangements on this album are truly great and put a cool, different spin on Mascis' instantly Recognizable approach to making music. So, what do we do now? Not sure. But apparently, what J does is to make one of his most killer records ever. Hats off to him. - Byron Coley

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Colin Stetson

LP | 2023 | US | Original (52 Hz)

43,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

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Eels So Good: Essential Eels Volume 2 2007-2020

Eels

2LP | 2023 | UK | Original (E-Works)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Loss Of Life Opaque Blue Jay Vinyl Edition

MGMT

LP | 2024 | US | Original (Mom & Pop)

28,79 €* 31,99 € -10%

Damnation 20th Anniversary Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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A very "mgmt Mgmt album" which the band describes as "a group of songs about love and change, first and foremost." Descriptors from the band include: bold, flavorful, playful, sincere, optimistic, perceptive. Loss Of Life was produced by Mgmt and Patrick Wimberly (Solange, Lil Yachty, Mgmt), with mixing and additional production by Dave Fridmann (Flaming Lips, Interpol, Spoon). The album includes the first ever Mgmt song with a feature, courtesy Christine and the Queens. The album artwork has been licensed from John Baldessari's estate and is an artwork titled Noses & Ears, Etc. (Part Two). Formed in 2002, Mgmt released their era-defining debut album Oracular Spectacular in 2007. One of the most influential albums of the '00’s - it went on to sell over 2 million copies worldwide and was certified Gold or Platinum in over 10 major territories, including double platinum in UK, Platinum in Australia, Gold in France and Platinum in the USA. It gave the world evergreen hits such as “Kids”, “Electric Feel” and “Time to Pretend” which have inspired, and continue to inspire new generations of artists and music fans alike to this day - those three songs combined have been streamed over 2 billion times on audio streaming platforms since released. Always taking an unexpected creative turn at every new record, but always maintaining their cultural and commercial relevance over the subsequent 15 years, Mgmt later released three further studio albums: “Congratulations” (2010), “Mgmt” (2013) and “Little Dark Age” (2018).

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Opeth

LP | 2023 | EU | Original (Sony Music Catalog)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Tangk Black Vinyl Edition

IDLES

LP | 2024 | UK | Original (Partisan)

Release: 2024 / UK – Original

Genre: Rock & Indie

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2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

Stone Temple Pilots

Core Atlantic 75 Series

75,99 €*

10" | 2018 | EU | Reissue (Phantom)

Release: 2023 / US – Reissue

Genre: Rock & Indie

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180g 2LP 45rpm

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Pisse / Perky Tits

Split Red Vinyl

13,99 €*

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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Turnstile X Badbadnotgood

New Heart Designs EP Black Friday Record Store Day 2023 Vinyl Edition

12" | 2023 | CZ | Original (Roadrunner)

37,99 €*

LP | 2023 | UK | Original (Relaxin)

Release: 2023 / CZ – Original

Genre: Rock & Indie

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Quantity: 4000
Release type: RSD Exclusive Release

The EP contains Remixes (with Badbadnotgood) of three songs ("Mystery", "Alien Love Call", "Underwater Boi") from the Turnstile's 2021 Album "Glow on"

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Inga Copeland

Higher Powers

All The Good Sh**: 14 Solid Gold Hits 2001-2008

Release: 2023 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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"The first and last Inga Copeland album"

The 2013 album, pressed in a limited qty. Features: Scratcha DVA / Scratchclart .

Premium material from the artist now recording as Lolina. Big TIP!!!

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Sum 41

LP | 2023 | Original (Island)

Release: 2023 / Original

Genre: Rock & Indie

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King Gizzard & The Lizard Wizard

Demos Vol. 5 + Vol. 6 Tri-Color W/ Splatter Vinyl Edition

2LP | 2024 | US | Original (Needlejuice)

Keep Walkin': Singles, Demos & Rarities 1965-1978 Yellow Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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•180 gram vinyl
•Gatefold jacket with new artwork
•Tri-Color vinyl with Black Ice and Multi-Splatters

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Nancy Sinatra

2LP | 2023 | US | Original (Light In The Attic)

46,54 €* 48,99 € -5%

2LP | 2023 | EU | Original (Warner Bros.)

Release: 2023 / US – Original

Genre: Rock & Indie

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Definitive collection of Nancy's rare singles, demos and previously unreleased cuts. Includes 3 previously unreleased tracks, plus 3 tracks making their vinyl debut. Deep booklet includes new Q&As with Nancy & Don Randi (The Wrecking Crew) - both conducted by Grammy®-nominated co-producer Hunter Lea Plus never-before-seen photos from Nancy Sinatra’s personal archive. Features audio freshly remastered from the original analog tapes by Grammy®-nominated engineer John Baldwin. Vinyl pressed at RTI. Double LP housed in a gatefold jacket with 24-page book Light in the Attic continues to celebrate the influential career of singer, actress, activist, and icon *Nancy Sinatra* with a captivating new collection, Keep Walkin’: Singles, Demos & Rarities 1965-1978. Exploring the lesser-known gems from Sinatra’s rich catalog through 25 B-sides, rare singles, covers, demos, and previously-unreleased recordings, Keep Walkin’ was remastered by the *Grammy®-nominated engineer John Baldwin* and available in a variety of formats, including vinyl, CD, 8-track, and digital. The 2LP set, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and accompanied by a 24-page booklet featuring an array of photos from the artist’s personal collection, as well as a new in-depth Q&A with Sinatra, conducted by the reissue’s Grammy®-nominated co-producer, Hunter Lea. The booklet also contains a fascinating interview with keyboardist Don Randi (The Wrecking Crew), who recently spoke to Lea about his hit-filled career and his 50 years of work with Nancy. Keep Walkin’: Singles, Demos & Rarities 1965-1978 serves as a companion to the widely-acclaimed 2021 career-spanning retrospective, Start Walkin’ 1965-1976, and marks the latest release in LITA’s ongoing Nancy Sinatra Archival Series, a partnership with the legendary artist, which honors her musical legacy through lovingly curated reissues (including her 1966 debut, Boots and the 1968 classic, Nancy & Lee), limited-edition merch, and other special releases. In 1965, 25-year-old Nancy Sinatra scored her first No.1 hit with “These Boots are Made for Walkin’,” a bold anthem for female empowerment. Brazen, sassy, and utterly infectious, it was a reintroduction of sorts for the eldest daughter of Frank Sinatra, who had been struggling to find a spotlight of her own amid a changing musical landscape. Suddenly, audiences who had initially brushed off Sinatra as too demure or out-of-touch were paying attention. Written and produced by Oklahoma-born songsmith Lee Hazlewood (with swaggering instrumentals, courtesy of Billy Strange and The Wrecking Crew), the song launched the singer’s career, as well as one of music’s most unlikely, yet compelling, creative partnerships. Over the next decade, Sinatra continued to notch multiple hits on both sides of the Atlantic, including “Sugar Town,” “How Does That Grab You, Darlin?,” and a haunting rendition of the Sonny Bono-penned “Bang Bang (My Baby Shot Me Down).” The singer also paired up with Hazlewood for a series of popular duets (“Summer Wine,” “Jackson,”* and *“Some Velvet Morning”) and collaborative albums. In between best-selling LPs like Boots (1966), How Does That Grab You (1966), and Nancy & Lee (1968), Sinatra performed the theme song to the 1967 James Bond film, You Only Live Twice, and collaborated with her father on the global chart-topper, “Somethin’ Stupid.” While these career landmarks are well-documented in the annals of pop culture history, however, much of Sinatra’s catalog remains sorely overlooked. As Keep Walkin’ co-producer Hunter Lea explains, “With the changing taste of the record-buying public in the late 1960s and the counterculture taking over, artists like Nancy Sinatra weren’t in the mainstream as they once were.” Despite that fact, “[Sinatra] kept working, recording, and performing at a voracious pace.” Lea continues, “This compilation is a celebration of some of the many glorious recordings that may have been overlooked, forgotten, or never even released at the time. The obscurity of some of these recordings doesn’t mask the genius, brilliance, and effort that went into them; on the contrary, it’s incredible to learn that some of the lost gems are just as rich as the national treasures.” Among the highlights is the spritely opener “The City Never Sleeps at Night,” which served as the B-Side to “These Boots Were Made for Walkin’.” Overshadowed by the colossal success of its A-side, it’s no surprise that the cinematic tune never had its proper due. Yet, Lea reveals, Hazlewood initially intended to make it the focus single. Another long-lost B-side is “The Last of the Secret Agents?,” which was paired with the Top 10 hit, “How Does That Grab You, Darlin’?” The playful song, written by Hazlewood, served as the theme to the 1966 comedy of the same name, in which Sinatra co-starred alongside Marty Allen and Steve Rossi. Keep Walkin’ also features several choice A-sides that were never included on albums and were overlooked for one reason or another. Among them is 1966’s “In Our Time,” a rebellious anthem for ‘60s youth, which references drug culture and women’s liberation, among other topics. Speaking to the Hazlewood-penned track, Sinatra recalls, “That was a fun song. Lee was starting to do his ‘anti’ stuff. He was cynical and it showed in his writing at some point.” But, despite the themes of the song, Nancy laments that she was never embraced by the counterculture. “[drugs] knocked me out of the picture completely. I was so far removed from the hip people in those days. I think they probably made fun of my stuff.” Another stylistic departure for both artists is “Love Eyes,” a bluesy, soulful single from 1966. The song, Nancy shares, is “one of my favorites. I think what helped Lee’s writing at that point was the bigger sound.… I really love it. I think it holds up to this day.” She adds that her dreamy vocal performance was inspired by early female R&B stars like Ruth Brown and LaVern Baker. The collection also features several outstanding covers, including a previously-unreleased rendition of the Barry Mann/Cynthia Weil classic, “I Just Can’t Help Believing” (a hit for both B.J. Thomas and Elvis Presley). This 1978 recording, reimagined as a duet, marked one of Sinatra’s brief reunions with Hazlewood, following his abrupt move to Sweden not long after 1972’s Nancy & Lee Again. Another choice track finds Nancy interpreting Neil Diamond’s “Glory Road.” Released as a single in 1971, it features one of the singer’s most cherished vocal performances. “After I worked on my voice and improved as a performer and as a singer, I embraced Neil Diamond. Anything I did by Neil Diamond, to me, is my best work.” Nancy also looks back fondly on her moving rendition of Bill Withers’ “Ain’t No Sunshine," released in 1973 as the B-side to “Sugar Me.” The recording (which features particularly lush orchestral arrangements by Billy Strange) reunited Nancy with another close collaborator, Jimmy Bowen, who produced the singer in the early ‘60s and later introduced her to Hazlewood. “I love Jimmy,” she declares. “The records we did early on…had a depth to them that I appreciated. He heard me and saw me in a different light; he saw me as a much more serious performer, which I appreciated.” Listeners will also be delighted to hear a pair of previously-unreleased demos: “Something Pretty” (the 1968 country hit, made famous by Wynn Stewart) and the theme to the 1965 Richard Rogers/Stephen Sondheim musical, Do I Hear a Waltz?, both of which were intended for a self-described “disco” record. Despite the two catchy takes featured on Keep Walkin’, Sinatra calls the shelved album “A disaster. I called it the disco fiasco!” Offering additional insight into Sinatra’s career is music director, songwriter, and keyboardist, Don Randi. A member of the hallowed *Wrecking Crew* collective, Randi was one of the most prolific session musicians of the ‘60s and ‘70s with hundreds of credits to his name, including The Beach Boys’ “Good Vibrations,” Linda Ronstadt’s “Different Drum,” and “These Boots are Made For Walkin’” – his first recording with Sinatra. For the next fifty years, he would be a fixture at her sessions and live shows. He also appears on nearly every track in this collection. Speaking to Lea, Randi delves deep into his time with Sinatra, with a palpable admiration for the singer. *“She was easy to work with,”* he shares. “She was always wonderful to musicians; nobody even comes close.” The keyboardist, who met Sinatra through Hazlewood, also recalls the magic of that partnership. “I always liked working with Nancy & Lee. They had something very special that they could get out of each other. It was a good team.” He continues, “Sinatra stood up for herself [around Lee]…He could be so cantankerous…but that’s Lee…. [Nancy] saw through it. She was so lovely and helpful to him a number of times when he really needed someone to talk to.” That said, Randi also appreciates the power of Sinatra’s solo performances. “I never thought she really needed [Hazlewood},”* he reveals. “I thought her shows were just as well with everybody else; they were excellent.” After stepping back from the industry in the ‘70s to focus on her young family, Sinatra returned to the spotlight in the mid-90s, releasing a string of new albums, including the star-studded Nancy Sinatra, which paired the artist with some of her biggest fans, including Morrissey, U2, Calexico, and Sonic Youth. Since then, Nancy’s legacy has only continued to grow. In more recent years, her impact has been recognized by the likes of Pitchfork, NPR, and Rolling Stone, while in 2020, “Boots” was inducted into the Grammy® Hall of Fame*. Today, Sinatra remains a force in the industry, as new generations discover her influential catalog, which boasts nearly 20 studio albums and dozens of charting singles.

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Zach Bryan

44,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Javelin Lemonade Colored Vinyl Edition

Sufjan Stevens

LP | 2023 | EU | Original (Asthmatic Kitty)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Light Dark Light Again Transparent Green Vinyl Edition

Angie McMahon

LP | 2023 | EU | Original (Gracie Music)

24,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Sunbather: 10th Anniversary Remix / Remaster Orange Yellow & Pink Haze

Deafheaven

2LP | 2023 | EU | Original (Deathwish Inc.)

Release: 2023 / EU – Original

Genre: Rock & Indie

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2LP | 2023 | EU | Original (BMG)

Sigur Ros

Átta Black Vinyl Edition

28,79 €* 31,99 € -10%

Release: 2023 / EU – Original

Genre: Rock & Indie

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Tomorrow's Gone Green Vinyl Edition

Charlie Megira

LP | 2019 | US | Reissue (Numero Group)

LP | 2023 | JP | Reissue (P-Vine)

Release: 2019 / US – Reissue

Genre: Rock & Indie

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The bastard love child of Elvis and Lux Interior, Israeli guitarist Charlie Megira brewed a heady amalgam of '50s trash rock, surf-y tremolo, and reverb-drenched goth during his all-too-brief 44 trips around the sun. He recorded seven albums worth of material in 15 years, primarily issued on CD-R, most of which is now unreadable or in a landfill. Tomorrow's Gone is the first collection of Megira's work; a 24-track double album accompanied by a lavish booklet that documents his tragic existence. Armed with only an Eko guitar, a black tuxedo, and his signature wrap-around shades, Charlie Megira was a mold-breaking artist who disintegrated while we were all staring at our phones.

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Vansire

The Modern Western World

2LP | 2023 | EU | Original (Sony Music Catalog)

Release: 2023 / JP – Reissue

Genre: Rock & Indie

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The first release available in psyhical format with Vansire, a dream pop unit from Rochester, Minnesota consisting of Josh Augustin and Sam Winemiller. There are still many of the common concerns of mellow dream pop expressed in their previous albums, such as love, nostalgia and loneliness, but in addition, social and serious themes are now also mentioned in the lyrics. 'Modern Western World' has been updated to reflect the times, but the musical quality is certainly at a top level, and with the help of many talented artists, such as Barrie, Munya, Floor Cry, Pink Siifu, Mick Jenkins, India Shawn, Aseul, it's a great piece of work.

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Bob Dylan

Shadow Kingdom

28,49 €* 29,99 € -5%

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Dead Oceans)

Khruangbin & Men I Trust

Live At RBC Echo Beach

Release: 2023 / EU – Original

Genre: Rock & Indie

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Capital Radio (Bbc Radio One)

The Clash

LP | 2024 | EU (Radio Broadcast)

21,99 €*

Pretty (Ugly Before) Tri-Color Vinyl Editoin

Release: 2024 / EU

Genre: Rock & Indie

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Preorder shipping from 2024-08-09

BBC Sessions dated 1978 plus a series of selection from their 1982 East Coast tour

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Elliot Smith

7" | 2010 | US | Reissue (Suicide Squeeze)

12,99 €*