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Rock & Indie Vinyl 695 Items

Hip Hop 1 Organic Grooves 1270 Rock & Indie 695 Indierock | Alternative 45 Classic Rock 312 Punk | Hardcore 2 Metal 2 Folk 177 Rock 'n' Roll 86 Electronic & Dance 9 Reggae & Dancehall 30 Pop 286 Classical Music 19 Soundtracks 85
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13th Floor Elevators
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Reset all Filters Vinyl 1960 1962 1963 1965 1966 1967 1968 1969 Stocked Items Only
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V.A. - An Anthology Of British Blues
V.A.
An Anthology Of British Blues
LP | 1968 | US | Original (Immediate)
6,99 €*
Release: 1968 / US – Original
Genre: Organic Grooves, Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG, Cover: VG
Stephen John Kalinich - A World Of Peace Must Come Orange Vinyl Edition
Stephen John Kalinich
A World Of Peace Must Come Orange Vinyl Edition
LP | 1969 | US | Reissue (Light In The Attic)
12,99 €*
Release: 1969 / US – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Limited Edition for Record Store Day 2014!
John Renbourn - John Renbourn
John Renbourn
John Renbourn
LP | 1966 | UK | Original (Transatlantic)
70,99 €*
Release: 1966 / UK – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG+
Original UK mono pressing.
? & The Mysterians - 96 Tears
? & The Mysterians
96 Tears
LP | 1966 | US | Original (Cameo)
59,99 €*
Release: 1966 / US – Original
Genre: Organic Grooves, Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG+, Cover: VG+
Vinyl with a couple of light scuffs. Cover with punch hole
Moby Grape - Moby Grape
Moby Grape
Moby Grape
LP | 1967 | EU (Endless Happiness)
27,99 €*
Release: 1967 / EU
Genre: Rock & Indie
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Moby Grape were formed by Alexander "Skip" Spence (who switched from drums to rhythm guitar) after his divorce from Jefferson Airplane. Launched with a pompous hype on the wave of the hippie phenomenon, Moby Grape debuted in June 1967 with an album of eight songs. The album tried to appeal to hippies, with eclectic and eccentric songs such as Hey Grandma , Fall On You , As In The Morning , Changes. It was an album of songs, in a period in which acid-rock was producing its most daring experiments .
Little Willie John / Hank Ballard & The Midnighters - Sleep / Let's Go, Let's Go, Let's Go
Little Willie John / Hank Ballard & The Midnighters
Sleep / Let's Go, Let's Go, Let's Go
7" | 1960 | DE | Original (Odeon)
9,99 €*
Release: 1960 / DE – Original
Genre: Organic Grooves, Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: G+, Cover: Generic
Alex Campbell - At The Tivoli Gardens
Alex Campbell
At The Tivoli Gardens
LP | 1967 | DK | Original (Storyville)
21,99 €*
Release: 1967 / DK – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG+, Cover: VG+
Vinyl with a couple of light scuffs
Alex Campbell - Alex Campbell
Alex Campbell
Alex Campbell
LP | 1965 | UK | Original (Xtra)
7,99 €*
Release: 1965 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Alex Campbell - Way Out West
Alex Campbell
Way Out West
LP | 1963 | UK | Original (Society)
3,99 €*
Release: 1963 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: G+
Cover with seam splits and tape on spine
Alex Campbell - The Alex Campbell Sampler
Alex Campbell
The Alex Campbell Sampler
LP | 1969 | UK | Original (Transatlantic)
3,99 €*
Release: 1969 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG
V.A. - Contemporary Guitar
V.A.
Contemporary Guitar
LP | 1966 | EU | Reissue (4 Men With Beards)
19,99 €*
Release: 1966 / EU – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Nigel Denver - Rebellion!
Nigel Denver
Rebellion!
LP | 1967 | UK | Original (Decca)
9,99 €*
Release: 1967 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG
Vinyl with a couple of light scuffs
Country Joe McDonald - Thinking Of Woody Guthrie
Country Joe McDonald
Thinking Of Woody Guthrie
LP | 1969 | US | Original (Vanguard)
9,99 €*
Release: 1969 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Buffy Sainte-Marie - It's My Way!
Buffy Sainte-Marie
It's My Way!
LP | 1965 | UK | Original (Fontana)
23,99 €*
Release: 1965 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Junior Wells - You're Tuff Enough
Junior Wells
You're Tuff Enough
LP | 1968 | US | Original (Blue Rock)
26,99 €*
Release: 1968 / US – Original
Genre: Organic Grooves, Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG, Cover: G+
Sleeve is taped on top seam, bottom seam and at opening. Sleeve also has writing and punch hole. Record has some scuffs and hairlines, but is close to vg+.
Mott The Hoople - Rock And Roll Queen / Road To Birmingham
Mott The Hoople
Rock And Roll Queen / Road To Birmingham
7" | 1969 | DE | Original (Island)
19,99 €*
Release: 1969 / DE – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Them - The "Angry" Young Them!
Them
The "Angry" Young Them!
LP | 1969 | UK | Reissue (Decca)
75,99 €*
Release: 1969 / UK – Reissue
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG, Cover: VG
Ola Belle Reed, Alex Campbell , The New River Boys - I'll Be All Smiles Tonight/All The World Is Lonely Now
Ola Belle Reed, Alex Campbell , The New River Boys
I'll Be All Smiles Tonight/All The World Is Lonely Now
7" | 1962 | US | Original (New River)
3,99 €*
Release: 1962 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: Generic
Chris Farlowe & The Thunderbirds - Buzz With The Fuzz
Chris Farlowe & The Thunderbirds
Buzz With The Fuzz
7" | 1965 | UK | Original (Columbia)
199,99 €*
Release: 1965 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Vinyl with a few scratches! Close to VG+!
Duane Eddy - The Guitar Man
Duane Eddy
The Guitar Man
LP | 1966 | DE | Reissue (RCA International (Camden))
4,99 €*
Release: 1966 / DE – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG+
1973 reissue
Chris Farlowe - Out Of Time
Chris Farlowe
Out Of Time
7" | 1966 | UK | Original (Immediate)
9,99 €*
Release: 1966 / UK – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG, Cover: VG+
Chris Farlowe - Stormy Monday
Chris Farlowe
Stormy Monday
7" | 1966 | UK | Original (Island)
169,99 €*
Release: 1966 / UK – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Chris Farlowe - Hits
Chris Farlowe
Hits
7" | 1966 | UK | Original (Immediate)
29,99 €*
Release: 1966 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: G+, Cover: VG
Vinyl with scuffs and scratches! Plays with crackles and background sounds!
Cover has some ring wear, bents and small tear and writings on the back!
Jimmy Scott - Falling In Love Is Wonderful
Jimmy Scott
Falling In Love Is Wonderful
LP | 1963 | US | Reissue (Honeypie)
13,99 €*
Release: 1963 / US – Reissue
Genre: Rock & Indie
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Originally released on Ray Charles' Tangerine label, and for too long considered a collector’s item, "Falling in Love is Wonderful" can be easily considered as one of Jimmy Scott's essential albums. Perfectly backed by Marty Paich and Gerald Wilson sophisticated arrangements Jimmy Scott lays some of the best vocal performances in his entire career. Classic standards such as "There Is No Greater Love" and "How Deep Is The Ocean" reach new heights and flourish through his unique voice.
Blues Incorporated - Alexis Korner's Blues Incorporated
Blues Incorporated
Alexis Korner's Blues Incorporated
LP | 1969 | DE | Reissue (Decca)
18,99 €*
Release: 1969 / DE – Reissue
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG
Writing on back cover.
The Searchers - Searchers' Smash Hits Vol. 2
The Searchers
Searchers' Smash Hits Vol. 2
LP | 1967 | UK | Original (Marble Arch)
5,99 €*
Release: 1967 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: G+
Igginbottom - Igginbottom's Wrench
Igginbottom
Igginbottom's Wrench
LP | 1969 | EU (Ethelion)
20,99 €*
Release: 1969 / EU
Genre: Rock & Indie
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Free - Free
Free
Free
LP | 1969 | UK | Original (Island)
29,99 €*
Release: 1969 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: Generic
Vinyl with scuffs and hairlines. Generic cover
Picture
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Dusty Springfield
Dusty In Memphis Atlantic 75 Series
2LP | 1969 | US | Reissue (Analogue Productions Atlantic 75 Series)
86,99 €*
Release: 1969 / US – Reissue
Genre: Rock & Indie
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Preorder shipping from 2024-08-23
180g 2LP 45rpm Gatefold Sleeve
Killing Floor - Killing Floor
Killing Floor
Killing Floor
LP | 1969 | EU (Trading Places)
20,99 €*
Release: 1969 / EU
Genre: Rock & Indie
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Inspired by Muddy Waters and other blues greats, the South London blues-rock band Killing Floor was formed in 1968 with lead singer and harmonica player Bill Thorndycraft, guitarist Mike Clarke, bassist Stuart McDonald, pianist Lou Martin and percussionist Bas Smith. This self-titled debut set, issued by the independent Spark label (and licensed to Sire for US pressings), was produced with care by former DJ John Edward, based on Chicago blues material, as heard on the cover of Willie Dixon’s ‘You Need Love.’ This is the band at their rawest beginnings, a grittier traditional blues set that contrasts with later work for Larry Page.
Crosby, Stills & Nash - Crosby, Stills & Nash
Crosby, Stills & Nash
Crosby, Stills & Nash
LP | 1969 | EU | Reissue (Rhino)
36,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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The Brothers Four - The Brothers Four Greatest Hits
The Brothers Four
The Brothers Four Greatest Hits
LP | 1969 | JP | Original (CBS/Sony)
4,99 €*
Release: 1969 / JP – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG, Cover: VG+
Small writing inside gatefold.
OBI not included.
The Rolling Stones - Big Hits High Tide & Green Grass Us Edition
The Rolling Stones
Big Hits High Tide & Green Grass Us Edition
LP | 1966 | EU | Reissue (Universal)
28,99 €*
Release: 1966 / EU – Reissue
Genre: Rock & Indie
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Big Hits (High Tide And Green Grass)[LP] [US Version] by The Rolling Stones - Released in 1966, Big Hits (High Tide and Green Grass) was the first hits compilation album from the Rolling Stones. The US Edition contains 12 of their hits, including the #1 singles "(I Can't Get No) Satisfaction" and "Get Off Of My Cloud." 180-gram vinyl LP in a gatefold jacket with tip-in.
The Rolling Stones - Big Hits High Tide & Green Grass Uk Edition
The Rolling Stones
Big Hits High Tide & Green Grass Uk Edition
LP | 1966 | EU | Reissue (Universal)
28,99 €*
Release: 1966 / EU – Reissue
Genre: Rock & Indie
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Originally released in 1966, Big Hits (High Tide And Green Grass) was the first hits compilation from the Rolling Stones. The UK Edition contains four #1 singles, including "(I Can't Get No) Satisfaction," and "Get Off Of My Cloud." The original "fisheye" artwork has been restored for this version and is pressed on 180-gram vinyl in a gatefold jacket.
The Rolling Stones - Beggars Banquet
The Rolling Stones
Beggars Banquet
LP | 1968 | EU | Reissue (Universal)
28,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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The Rolling Stones returned to their blues roots on 1968's Beggars Banquet, which was immediately acclaimed as one of their landmark achievements. A strong, acoustic Delta Blues flavor colors much of the album, particularly "Prodigal Son" and Jagger/Richards' "No Expectations." Basic rock 'n' roll is not forgotten with "Street Fighting Man" and "Sympathy for the Devil." The lyrical bite of the material ensured it's place as one of the best blues-based rock albums of all time. 180-gram vinyl.
Quicksilver Messenger Service - Quicksilver Messenger Service
Quicksilver Messenger Service
Quicksilver Messenger Service
LP | 1968 | EU | Reissue (Endless Happiness)
23,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Quicksilver Messenger Service's debut effort was a little more restrained and folky than some listeners had expected, given their reputation for stretching out in concert. While some prefer the mostly live Happy Trails, this self-titled collection is inarguably their strongest set of studio material, with the accent on melodic folk-rock. Highlights include their cover of folksinger Hamilton Camp's "Pride of Man," probably their best studio track; "Light Your Windows," probably the group's best original composition; and founding member Dino Valenti's "Dino's Song" (Valenti himself was in jail when the album was recorded). "Gold and Silver" is their best instrumental jam, and the 12-minute "The Fool" reflects some of the best and worst traits of the psychedelic era. (all music)
The Wind In The Willows - The Wind In The Willows
The Wind In The Willows
The Wind In The Willows
LP | 1968 | EU | Reissue (Cosmic Rock)
24,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Reissue of the band sole album, originally released in 1968 on Capitol Records. The record is a mixture of light psychedelic pop and folk. The band broke up shortly after failing to achieve commercial success or critical acclaim. The following year Artie Kornfeld, the record engineer of the album, went on to be the music producer of the Woodstock festival in 1969. Debbie Harry went on to join The Stillettos in 1974 and other bands until subsequently achieving success in 1976 fronting the new wave band Blondie.
George Harrison - Electronic Sound
George Harrison
Electronic Sound
LP | 1969 | EU | Reissue (BMG Rights Management)
25,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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George Harrison - Wonderwall Music
George Harrison
Wonderwall Music
LP | 1968 | EU | Reissue (BMG Rights Management)
25,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Hou-Lops - Off
Hou-Lops
Off
LP | 1966 | CA | Reissue (Return To Analog)
25,64 €* 26,99 € -5%
Release: 1966 / CA – Reissue
Genre: Rock & Indie
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V.A. - The World Of Blues Power
V.A.
The World Of Blues Power
LP | 1969 | DE | Original (Decca)
4,99 €*
Release: 1969 / DE – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Vinyl with many scuffs and hairlines
Gianni Morandi - Gianni Morandi Blue Vinyl Edition
Gianni Morandi
Gianni Morandi Blue Vinyl Edition
LP | 1968 | EU | Reissue (RCA)
24,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Pete Seeger - Pete Seeger's Greatest Hits
Pete Seeger
Pete Seeger's Greatest Hits
LP | 1969 | JP | Original (CBS/Sony)
9,99 €*
Release: 1969 / JP – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: G+
Herman's Hermits - The Best Of Herman's Hermits
Herman's Hermits
The Best Of Herman's Hermits
LP | 1966 | JP | Original (Odeon)
19,99 €*
Release: 1966 / JP – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Record has scuffs and hairlines.
Splits in seams.
The Creation - We Are Paintermen 180gram Half-Speed Master Edition
The Creation
We Are Paintermen 180gram Half-Speed Master Edition
LP | 1967 | UK | Reissue (Demon)
36,99 €*
Release: 1967 / UK – Reissue
Genre: Rock & Indie
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Joan Baez - Joan Baez/3
Joan Baez
Joan Baez/3
LP | 1965 | JP | Original (Vanguard)
21,99 €*
Release: 1965 / JP – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG
The Ventures - All About The Ventures
The Ventures
All About The Ventures
2LP | 1965 | JP | Original (Liberty)
24,99 €*
Release: 1965 / JP – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG, Cover: VG+
Red Translucent Vinyl.
Inlcludes booklet.
Box set is missing.
Original black printed inner sleeves included.
The Easybeats - Easy
The Easybeats
Easy
2LP | 1965 | EU | Reissue (BMG Rights Management)
29,99 €*
Release: 1965 / EU – Reissue
Genre: Rock & Indie
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The Pentangle - Pentangle White Vinyl Edition
The Pentangle
Pentangle White Vinyl Edition
LP | 1968 | UK | Reissue (Renaissance)
22,99 €*
Release: 1968 / UK – Reissue
Genre: Rock & Indie
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The Pentangle - Pentangle Marble Vinyl Edition
The Pentangle
Pentangle Marble Vinyl Edition
LP | 1968 | UK | Reissue (Renaissance)
32,99 €*
Release: 1968 / UK – Reissue
Genre: Rock & Indie
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Nat Bigwan - L'Année Qui Danse
Nat Bigwan
L'Année Qui Danse
LP | 1966 | FR | Original (RCA Victor)
5,99 €*
Release: 1966 / FR – Original
Genre: Organic Grooves, Rock & Indie, Pop
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Used Vinyl
Medium: VG, Cover: VG
The Spaniels - Hits Of The Spaniels
The Spaniels
Hits Of The Spaniels
LP | 1969 | US | Original (UpFront)
6,99 €*
Release: 1969 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Vinyl with a couple of light scuffs
Quicksilver Messenger Service - Shady Grove
Quicksilver Messenger Service
Shady Grove
LP | 1969 | EU | Reissue (Endless Happiness)
23,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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The third long-player from San Francisco psychedelic icons Quicksilver Messenger Service (qms) is a direct contrast from their previous discs. Shady Grove (1969) is comprised mostly of shorter and self-contained pieces as opposed to the long and extended jams that were so prevalent on their self-titled debut (1967) and Happy Trails (1969). Ironically, the one stretched-out instrumental is courtesy of their latest acquisition -- Brit recording session guru Nicky Hopkins (keyboards). Another possible reason for the shift in style as well as personnel is the conspicuous absence of Gary Duncan (guitar) -- who is rumored to have been a "guest" of Bay Area law enforcement at the time. The band incorporate a number of different styles on the album. Kicking off the disc is an up-tempo rocking version of the traditional Appalachian folk song "Shady Grove." The QMS reading is highlighted by John Cipollina's trademark fluid fretwork and a familiar "Bo Diddley" backbeat -- reminiscent of both "Who Do You Love" and "Mona" from the live ensemble LP Happy Trails. (all music)
Mighty Baby - Mighty Baby
Mighty Baby
Mighty Baby
LP | 1969 | UK | Reissue (Ace)
26,99 €*
Release: 1969 / UK – Reissue
Genre: Rock & Indie
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Mighty Baby evolved out of the Action, club favourites who released a number of poor-selling singles. Dropped by Parlophone, musical chairs saw Ian Whiteman (keyboards/flute) and Martin Stone (guitar) join and the music now blended progressive psychedelia with longer pieces dominated by instrumental prowess rather than Reggie King’s soulful vocals. King departed and guitarist Alan King and Whiteman began to share vocal duties on newly penned material like ‘Egyptian Tomb’ and ‘House Without Windows’ that, in retrospect, can be seen as reflecting light from the dark star of the Grateful Dead.

“Mighty Baby” was first released on the Head label on 7th November 1969 in a superb gatefold sleeve with artist Martin Sharp serving up the arresting front cover that looked like a lion being showered in blood. The album received positive reviews, with International Times stating “The music has a hundred characters… Eastern, Oriental, country, folk, rock, blues, pop etc. etc… At this moment in time Mighty Baby’s record is simply THE best thing in its class.”

The album is now seen as a progressive rock classic; cohesive, with no low spots, the inventiveness and musical prowess on a par with the equally revered, albeit jazzier, prog rock band Cressida. This latest edition from Ace, not only replicates the gatefold sleeve of the original but also contains an inner sleeve replete with memorabilia from the collection of Richard Morton Jack

“Mighty Baby” is a must-have purchase not only for fans of the band but those who want to discover this classic progressive rock album for the first time.
Joe & Eddie - Live In Hollywood
Joe & Eddie
Live In Hollywood
LP | 1965 | US | Original (GNP Crescendo)
3,59 €* 3,99 € -10%
Release: 1965 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Andre Borgen - Forested
Andre Borgen
Forested
LP | 1969 | US | Original (Sheep Chase)
27,99 €*
Release: 1969 / US – Original
Genre: Rock & Indie
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Jim Sullivan - U.F.O. Blue Splatter Vinyl Edition
Jim Sullivan
U.F.O. Blue Splatter Vinyl Edition
LP | 1969 | US | Reissue (Light In The Attic)
26,99 €*
Release: 1969 / US – Reissue
Genre: Rock & Indie
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* Newly Remastered!* Ultra rare 1969 private press psych-folk-rock masterpiece – featuring the legendary Wrecking Crew (Beach Boys, Phil Spector) * Lacquers cut by John Golden Mastering * Plated at Record Technology Inc. (rti) * Includes deep booklet with liner notes by Andria Lisle, rare photos, archival materials and full lyrics (LP: 16-pgs, CD: 48-pgs) In March 1975, Jim Sullivan mysteriously disappeared outside Santa Rosa, New Mexico. His VW bug was found abandoned, his motel room untouched. Some think he got lost in the desert. Some think he fell foul of a local family with alleged mafia ties. Some think he was abducted by aliens.

By coincidence – or perhaps not – Jim’s 1969 debut album was titled U.F.O. Released in tiny numbers on a private label, it too was truly lost, until Seattle’s Light In The Attic Records begun a years-long quest to give it the full release it deserves – and to solve the mystery of Sullivan’s disappearance. Only one of those things happened.

For record collectors, some albums are considered impossible to get hold of, records so rare you could sit on eBay for years and not get a sniff of a copy. U.F.O. is one of those albums. A seventh son, Jim Sullivan was a West Coast should-have-been, an Irish-American former high school quarterback whose gift for storytelling earned him cult status in the Malibu bar where he performed nightly. Sullivan was always on the edge of fame; hanging out with movie stars like Harry Dean Stanton, performing on the Jose Feliciano show, even stealing a cameo in the ultimate hippie movie, Easy Rider.

Friend and actor Al Dobbs thought he could change all that, and founded a label – Monnie Records – to release Jim’s album, enlisting the assistance of Phil Spector’s legendary sessioneers The Wrecking Crew to do so. That’s Don Randi, Earl Palmer and Jimmy Bond you can hear, the latter also acting as producer and arranger.

U.F.O. was a different beast to the one-man-and-his-guitar stuff Jim had been doing on stage; instead, it was a fully realised album of scope and imagination, a folk-rock record with its head in the stratosphere. Sullivan’s voice is deep and expressive like Fred Neil with a weathered and worldly Americana sound like Joe South, pop songs that aren’t happy – but filled with despair. The album is punctuated with a string section (that recalls David Axelrod), other times a Wurlitzer piano provides the driving groove (as if Memphis great Jim Dickinson was running the show). U.F.O. is a slice of American pop music filtered from the murky depths of Los Angeles, by way of the deep south.

With no music industry contacts, the record went largely unnoticed, and Jim simply moved on, releasing a further album on the Playboy label in 1972. But by 1975, his marriage breaking up, Jim left, for Nashville and the promise of a new life as a sessioneer in the home of C&W. That’s where it gets hazy.

We know he was stopped by cops for swerving on the highway in Santa Rosa, some 15 hours after setting off. We know he was taken to a local police station, found to be sober, and told to go to the local La Mesa Motel to get some rest, which he did. Some time later, his car was spotted on a ranch belonging to the local Genetti family, who confronted him about his business there. The next day his car was found 26 miles down the road, abandoned. His car and his hotel room contained, among other things, his twelve-string guitar, his wallet, his clothes and several copies of his second album, but no note, and no Jim. It was as if he had simply vanished into thin air.

Jim’s family travelled out to join search parties looking for him, the local papers printed missing person stories, but the search proved fruitless. Around the same time, the local sheriff retired and the Genettis moved to Hawaii. Jim’s manager Robert “Buster” Ginter later stated that during the early morning hours of a long evening Jim and Buster were talking about what would you do if they had to disappear. Jim said he’d walk into the desert and never come back.

Tracking down the truth behind Jim’s mystery became an obsession of Light In The Attic’s Matt Sullivan (no relation) when he happened upon a copy of the album and fell in love. He took on a cross country pilgrimage in search of master tapes and truth, and came back with neither, despite hundreds of phone calls, e-mails, letters, faxes, private detectives, telepathy, palm readings and meetings with Jim’s wife, son and producer. Thanks to superb digital mastering techniques, Light In The Attic is still able to present a clean, near perfect copy of Jim’s masterpiece for general consumption for the first time. Enjoy. And remember, beyond the mystery, there’s the music.
Jim Sullivan - U.F.O. Black Vinyl Edition
Jim Sullivan
U.F.O. Black Vinyl Edition
LP | 1969 | US | Reissue (Light In The Attic)
24,99 €*
Release: 1969 / US – Reissue
Genre: Rock & Indie
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* Newly Remastered!* Ultra rare 1969 private press psych-folk-rock masterpiece – featuring the legendary Wrecking Crew (Beach Boys, Phil Spector) * Lacquers cut by John Golden Mastering * Plated at Record Technology Inc. (rti) * Includes deep booklet with liner notes by Andria Lisle, rare photos, archival materials and full lyrics (LP: 16-pgs, CD: 48-pgs) In March 1975, Jim Sullivan mysteriously disappeared outside Santa Rosa, New Mexico. His VW bug was found abandoned, his motel room untouched. Some think he got lost in the desert. Some think he fell foul of a local family with alleged mafia ties. Some think he was abducted by aliens.

By coincidence – or perhaps not – Jim’s 1969 debut album was titled U.F.O. Released in tiny numbers on a private label, it too was truly lost, until Seattle’s Light In The Attic Records begun a years-long quest to give it the full release it deserves – and to solve the mystery of Sullivan’s disappearance. Only one of those things happened.

For record collectors, some albums are considered impossible to get hold of, records so rare you could sit on eBay for years and not get a sniff of a copy. U.F.O. is one of those albums. A seventh son, Jim Sullivan was a West Coast should-have-been, an Irish-American former high school quarterback whose gift for storytelling earned him cult status in the Malibu bar where he performed nightly. Sullivan was always on the edge of fame; hanging out with movie stars like Harry Dean Stanton, performing on the Jose Feliciano show, even stealing a cameo in the ultimate hippie movie, Easy Rider.

Friend and actor Al Dobbs thought he could change all that, and founded a label – Monnie Records – to release Jim’s album, enlisting the assistance of Phil Spector’s legendary sessioneers The Wrecking Crew to do so. That’s Don Randi, Earl Palmer and Jimmy Bond you can hear, the latter also acting as producer and arranger.

U.F.O. was a different beast to the one-man-and-his-guitar stuff Jim had been doing on stage; instead, it was a fully realised album of scope and imagination, a folk-rock record with its head in the stratosphere. Sullivan’s voice is deep and expressive like Fred Neil with a weathered and worldly Americana sound like Joe South, pop songs that aren’t happy – but filled with despair. The album is punctuated with a string section (that recalls David Axelrod), other times a Wurlitzer piano provides the driving groove (as if Memphis great Jim Dickinson was running the show). U.F.O. is a slice of American pop music filtered from the murky depths of Los Angeles, by way of the deep south.

With no music industry contacts, the record went largely unnoticed, and Jim simply moved on, releasing a further album on the Playboy label in 1972. But by 1975, his marriage breaking up, Jim left, for Nashville and the promise of a new life as a sessioneer in the home of C&W. That’s where it gets hazy.

We know he was stopped by cops for swerving on the highway in Santa Rosa, some 15 hours after setting off. We know he was taken to a local police station, found to be sober, and told to go to the local La Mesa Motel to get some rest, which he did. Some time later, his car was spotted on a ranch belonging to the local Genetti family, who confronted him about his business there. The next day his car was found 26 miles down the road, abandoned. His car and his hotel room contained, among other things, his twelve-string guitar, his wallet, his clothes and several copies of his second album, but no note, and no Jim. It was as if he had simply vanished into thin air.

Jim’s family travelled out to join search parties looking for him, the local papers printed missing person stories, but the search proved fruitless. Around the same time, the local sheriff retired and the Genettis moved to Hawaii. Jim’s manager Robert “Buster” Ginter later stated that during the early morning hours of a long evening Jim and Buster were talking about what would you do if they had to disappear. Jim said he’d walk into the desert and never come back.

Tracking down the truth behind Jim’s mystery became an obsession of Light In The Attic’s Matt Sullivan (no relation) when he happened upon a copy of the album and fell in love. He took on a cross country pilgrimage in search of master tapes and truth, and came back with neither, despite hundreds of phone calls, e-mails, letters, faxes, private detectives, telepathy, palm readings and meetings with Jim’s wife, son and producer. Thanks to superb digital mastering techniques, Light In The Attic is still able to present a clean, near perfect copy of Jim’s masterpiece for general consumption for the first time. Enjoy. And remember, beyond the mystery, there’s the music.
William Penn Fyve - Swami / Blow My Mind
William Penn Fyve
Swami / Blow My Mind
7" | 1967 | EU | Reissue (Guerssen)
14,24 €* 14,99 € -5%
Release: 1967 / EU – Reissue
Genre: Rock & Indie
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First ever band-sanctioned reissue of this legendary ‘Pebbles’ garage-psych 45 from 1967. William Penn Fyve aka William Penn & His Pals were a regular presence on the early Bay Area scene, opening for the likes of Jefferson Airplane, Paul Revere & the Raiders and Them. Their line–up included lead singer / organist Gregg Rolie, later of Santana / Journey. In 1966 they recorded their lone single, "Swami" / “Blow My Mind”, for the Thunderbird label. The A-side (written by guitar player Mike Shapiro and famous for being included on “Pebbles-The Acid Gallery”) is early acid-punk with fuzzed-out raga guitars and hilarious lyrics about a guru. The flipside is an energetic garage-punk number with swirling Vox organ and a fuzz rave up á la Yardbirds.
Chuck Berry - Concerto In B Goode
Chuck Berry
Concerto In B Goode
LP | 1969 | UK | Reissue (Elemental)
28,99 €*
Release: 1969 / UK – Reissue
Genre: Rock & Indie
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John Lee Hooker - It Serve You Right To Suffer
John Lee Hooker
It Serve You Right To Suffer
2LP | 1965 | US | Reissue (Analogue Productions)
75,99 €*
Release: 1965 / US – Reissue
Genre: Rock & Indie
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180g 45rpm pressing. Newly repressed at 45 RPM by Quality Record Pressings. This recording was originally mastered at the former AcousTech Mastering facility and the sound is fantastic.



John Lee Hooker himself did not know his exact date of birth. If he hadn't died at around the age of 80, this ageless musician would still be easily pulling the next generation to his gigs. Hooker remains a phenomenon, a mysterious figure of black rhythm and blues, a charismatic king who reigns supreme in rock 'n' roll's Hall of Fame. John W. Peters described his music as a synthesis of scorching emotional ardour, unrelenting rhythmic intensity, and original poetry of a highly personal character. Anyone hearing him for the first time may well be startled at the unfiltered passion and power of his music.



And another surprise is in store for those who compare Hooker's late recordings with those made in the Sixties. His unmistakable, raw voice has fully matured, but his incantory style of singing appears markedly finer and more flexible. And then there is the perfect gem of a rhythm group whose sinewy sounds fill the grooves with merciless gravitational force. It's enough to make your spine tingle!
David John & The Mood - Bring It To Jerome + 3
David John & The Mood
Bring It To Jerome + 3
7" | 1965 | EU | Reissue (You Are The Cosmos)
13,99 €*
Release: 1965 / EU – Reissue
Genre: Rock & Indie
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This EP contains their second & third singles. Both were originally released in 1965 by Parlophone. Produced by Joe Meek.
Maximillian - Maximillian
Maximillian
Maximillian
LP | 1969 | US | Reissue (Riding Easy)
34,99 €*
Release: 1969 / US – Reissue
Genre: Rock & Indie
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RidingEasy Records has teamed up with Permanent Records in Los Angeles to bring this very special heavy psych rocker back into the fold for RSD 2023. New York City based African-American & Latino hard rock/psych trio Maximillian released their sole self-titled album on ABC Records in 1969, then promptly vanished. It has remained a collectors’ conversation piece ever since. Maximillian combined elements of beat poetry, a little bit of The Fugs, a hit of Funkadelic, a lick of Cream and a vibe of Hendrix worship with an ambition that seems to have jumbled these influences. The Maximillian album is a rare artifact of late-60s psychedelic rock whose appeal is not the skill of their musicianship, but the downright strangeness of it. While at times it sounds like the trio is playing entirely different songs at the same time, it’s said that producer Teddy Vann had a hand in the album’s sometimes confusing production. Gatefold
Amon Düül - Psychedelic Underground
Amon Düül
Psychedelic Underground
LP | 1969 | EU | Reissue (Ohr)
26,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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The Allman Brothers Band - The Allman Brothers Band
The Allman Brothers Band
The Allman Brothers Band
LP | 1965 | EU | Reissue (Polydor)
30,99 €*
Release: 1965 / EU – Reissue
Genre: Rock & Indie
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Soft Machine - Soft Machine
Soft Machine
Soft Machine
LP | 1968 | EU | Reissue (Abc Command)
30,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Debut album by the English rock band The Soft Machine (named after William S. Burroughs' novel), one of the best known exponents, along with Caravan, of the "Canterbury Sound". This masterpiece was released in 1968 and features the trio of Robert Wyatt (drums & vocals), Mike Ratledge (organ & piano), and Kevin Ayers (bass, vocals & piano). This was the only album by the band showcasing Ayers. Additional personnel includes bassist Hugh Hopper (who would later become a permanent member after Ayer's departure), and the NYC vocal group The Cake. The Soft Machine was one of the first albums recorded at the legendary Manhattan studios The Record Plant, which had been inaugurated with Jimi Hendrix's Electric Ladyland that same year. The album was given a 5-star rating on AllMusic by reviewer Richie Unterberger. The group is considered one of the most influential underground bands of their era.
The Kinks - Kinks
The Kinks
Kinks
LP | 1968 | EU | Reissue (BMG/Sanctuary)
25,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Los Vidrios Quebrados - Fictions
Los Vidrios Quebrados
Fictions
LP | 1967 | EU | Reissue (Musica & Entretenimiento)
35,99 €*
Release: 1967 / EU – Reissue
Genre: Rock & Indie
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"Fictions" (1967) by Los Vidrios Quebrados is released now on vinyl, from the original IRT masters! Los Vidrios Quebrados were pioneers in Chile in adopting psychedelia as a musical aesthetic, due to the influences gathered mainly from British groups. Although they bequeathed only one LP, this one is a permanent reference of research and applause, for having been worked with their own material (without covers, as was the norm of local rock at the time) and combining their electric flight with opinions of social observation. "Fictions" (1967) is one of the most important rock albums made in Chile. The 1966 single "Friend" and "She'll Never Know I'm Blue" gave way the following year to the recording of "Fictions", their only LP, under the RCA Victor and Ues Producciones label. Without merely copying their influences, the songs on the album feature smooth and fine instrumental arrangements by Héctor Sepúlveda (guitar and vocals), who also acted as the album's musical director. Those who were lucky enough to hear them live say that they were much more rock than what we can appreciate on the album. And the music on the "Fictions" album was even more sophisticated than what was being done at the time, there was a musicality that was quite anticipatory, even foreign. If you listen to the harmonies in "Introduction to Life..." or "Concerto in A Minor", they are quite complex compared to what was heard at the time. That's why they also had a place in radio stations more accustomed to playing classical music, like Radio Andrés Bello. There was a certain intellectual taste, something like an "intellectual arrogance", like the quotations to Oscar Wilde in the lyrics of the songs, for example. For the recording of "Fictions", Los Vidrios Quebrados had very little time, as was customary in those days. And despite the technical limitations of the recording studios (two tracks -vocals on one side and all the instruments on the other-, bottle cap tambourines and homemade instruments), when listening to the album, the result is surprising and, considering that in Chile the music of the Beatles and the Rolling Stones was already known, the reception of "Fiction" was quite good. After the success of "Fictions" and with a promising future, Los Vidrios Quebrados decided to go to Europe in 1969, but the idea was rejected by the parents of two of the members, who only saw music as a hobby. Different life choices and musical tastes led months later to the end of the band.
Beat 4 - Boots A Go Go
Beat 4
Boots A Go Go
LP | 1966 | EU | Reissue (Musica & Entretenimiento)
35,99 €*
Release: 1966 / EU – Reissue
Genre: Rock & Indie
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This is one of the first Chilean rock albums recorded in Spanish. "Boots a Go Go" (1966) by Beat 4 is released now on vinyl, from the original IRT masters! Los Beat 4 (Santiago de Chile, 1966) began as the partnership of four childhood friends: brothers Mario and Willy Benitez, Johnny Paniagua and Reinaldo Rhino Gonzalez. Under the influence of the Beatles, the Kinks and the Animals, they formed Los Electrones, a group with which they played at school parties and various meetings, following the style of the New Wave. Around 1966, and after the explosion of the beat rhythm in our country with the arrival of the Beatles, they decided to change their name to Beat 4 and sing in Spanish. In 1967, backed by the wide radio diffusion of their single "Llora conmigo" (a Spanish version of an Italian pop song), they toured throughout the country. The band's second hit came with the jingle "Dame un Bananino", composed to promote a banana-flavored ice cream. The song was released as an EP, was a great success and took them on tour to the main beaches of Chile. They would later replicate the model with the song "Ta ta ta ta", as simple and catchy as the previous one. The Beat 4's career was short but intense and popular. At the beginning of the 70's they had already released four LPs, and since then they began to incorporate their own compositions. When Willy Benítez left the band, Tilo Mandiola replaced him, but soon after, the Beat 4 decided to leave. Willy Benítez entered the theater school of the Catholic University, to later begin a career as a humorist in television programs such as "El festival de la una". Reinaldo Rhino González, vocals (1966 - 1971). Johnny Paniagua, guitar (1966 - 1971). Willy Benítez, bass (1966 - 1971). Mario Benítez, drums (1966 - 1971). Tilo Mandiola, bass (1971).
Sacred Mushroom - Sacred Mushroom
Sacred Mushroom
Sacred Mushroom
LP | 1969 | EU | Reissue (Akarma)
25,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Sacred Mushroom -- led by future Pure Prairie League member Larry Goshorn (guitar/vocals) and featuring brother Danny Goshorn (vocals) -- were a short-lived rock/blues quintet based in Cincinnati, OH. Their efforts coalesce on this, the band's self-titled debut (and only) long-player. The album contains a blend of proficient originals as well as a pair of well-chosen cover tunes, such as the blues standard "Mean Old World" and the Kinks' "I'm Not Like Everybody Else." While their name conjures images of late-'60s psychedelic or acid rock, Sacred Mushroom's roots were decidedly more bluesy than trippy.
The Kinks - Kinda Kinks
The Kinks
Kinda Kinks
LP | 1965 | EU | Reissue (BMG/Sanctuary)
25,99 €*
Release: 1965 / EU – Reissue
Genre: Rock & Indie
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The Kinks - Kinda Kinks Kinda Kinks is the second album by English rock band the Kinks, otiginally released in 1965. Recorded and released within two weeks after returning from a tour in Asia, Ray Davies and the band were not satisfied with the production. The big single was "Tired of Waiting for You".
V.A. - Riot On Sunset Strip
V.A.
Riot On Sunset Strip
LP | 1967 | EU (Sparton)
17,99 €*
Release: 1967 / EU
Genre: Rock & Indie, Soundtracks
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Synanthesia - Synanthesia Black Vinyl Edition
Synanthesia
Synanthesia Black Vinyl Edition
LP | 1969 | EU | Reissue (Guerssen)
26,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Prog-psych / acid-folk lost classic from 1969 by this short lived London trio. Now lovingly reissued on vinyl with fantastic remastered sound and including insert with rare photos / memorabilia and detailed liner notes by Steve Krakow aka Plastic Crimewave. Named after a Cannonball Adderley track, Synanthesia formed thanks to a Melody Maker ad placed in 1968 by guitarist/vibes/vocalist Dennis Homes, answered by Jim Fraser (who played sax, oboe and flute) and Leslie Cook (an Incredible String Band fan on bongos, violin and mandolin). With their particular blend of folk, jazz and psychedelia, the trio played all the key underground venues and clubs, sometimes alongside top acts like Floyd, King Crimson or Fairport Convention. Their sole album was recorded at Sounds Technique studio in Chelsea (which was where Pink Floyd were recording their albums at the time) and subsequently released by RCA. The cover featured the trio climbed onto a tree at the same park where the Beatles filmed their “Strawberry Field” promo film. Despite the good reviews and the support of DJs like John Peel, the album was considered too far out and psychedelic and eventually flopped, only to be re-discovered several decades later by acid-folk fans and collectors.
Dennis Olivieri - Come To The Party Record Store Day 2023 Sky Blue Vinyl Edition
Dennis Olivieri
Come To The Party Record Store Day 2023 Sky Blue Vinyl Edition
LP | 1968 | UK | Reissue (Jamie)
33,99 €*
Release: 1968 / UK – Reissue
Genre: Rock & Indie
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"First re-issue since it original pressing in 1969, and this time on a very limited edition Sky Blue vinyl The highly sought after record Come To The Party is very much a homage to the end of the 60’s and was produced at the Hollywood Sound Recorders by the songwriter Tandyn Almer (""Along Comes Mary""). Musicians included Dennis on piano, Jack Elliott on guitar, Ronnie Brown bass, Eddie Greene percussion. Tommy Scott sax, and Tandyn Almer on Rocksichord. Sampled by Dj Shadow on Six Day War on the Private Press album bringing new interest to Dennis's musical career. "
Los Walkers - Walkin' Up Con Los Walkers 53rd Anniversary Edition
Los Walkers
Walkin' Up Con Los Walkers 53rd Anniversary Edition
LP | 1968 | US | Reissue (Noseso)
34,99 €*
Release: 1968 / US – Reissue
Genre: Rock & Indie, Pop
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After 53 years of oblivion, Walkin Up con Los Walkers, the fundamental work of Argentinian garage-psych is being reissued again in Argentina from the original mono master tape. An iconic LP from “the other” youngster music—the one that was known as “beat music"—it was originally released in 1969 and has never been reissued in its original format until now. The band had previously released two LPs and several 45s which contained an exquisite selection of covers, from The Rolling Stones material to songs by Astor Piazzola, but with Walkin’ Up they entered history as excellent songwriters and conceptual artists. With a great use of studio production, unseen before in Argentina, they laid down a wide range of psychedelic sounds and structures that decades later are be considered as the Buenos Aires version of Los Shakers’ La Conferencia Secreta del Toto’s Bar—both albums under a huge influence from The Beatles’ Sgt. Pepper’s. Limited edition of 300 copies on 180-gram vinyl with the careful restoration and printing of the original artwork. Includes a printed postcard and a lavish 4-page booklet with photos and liner notes by journalist Víctor Tapia.
Nova Local - Nova 1
Nova Local
Nova 1
LP | 1968 | EU | Reissue (Cosmic Rock)
24,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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The sole album by cultish psychedelic pop band from Chapel Hill, North Carolina. They formed in 1964 and split up after their debut, which appeared on prestigious label Decca in 1968. The lines "Is it much too much to ask / Not to hide behind the mask?" from "If You Only Had the Time" weree sampled on MF Doom's 2005 song "The Mask". All along with classic blues standard ‘Tobacco Road‘ (covered by anyone from The Animals to Brother Jack McDuff via Jefferson Airplane) and contemporary folk number ‘Morning Dew’ (originally penned by Bonnie Dobson) the record shows a series of original numbers verging on the happiest side of jangle-rock with a ‘nuggets’ feel all in all.
Summerhill - Summerhill
Summerhill
Summerhill
LP | 1968 | EU | Reissue (Cosmic Rock)
24,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Produced by David Briggs (Neil Young, Alice Cooper) and recoreded at famous Wally Heider Studio 3 in Hollywood, CA during 1969, their self-titled album features ten original compositions, with essential contributions from the four members of the band. Summerhill certainly spotted a late-1960s West Coast vibe, including Hendrix-Rock style ("Bring Me Around"), sunshine pop ("Soft Voice") and even a touch of ‘flower-jazz’ ("What Can I Say").
Chet Baker - Angel Eyes
Chet Baker
Angel Eyes
LP | 1960 | EU | Reissue (Intermusic)
21,99 €*
Release: 1960 / EU – Reissue
Genre: Rock & Indie
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Tim Hardin - Tim Hardin 2
Tim Hardin
Tim Hardin 2
LP | 1967 | UK | Reissue (Elemental)
28,99 €*
Release: 1967 / UK – Reissue
Genre: Rock & Indie
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Rare Bird - Rare Bird Orange Vinyl Edtion
Rare Bird
Rare Bird Orange Vinyl Edtion
LP | 1969 | EU | Reissue (Klimt)
24,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Rare Bird are perhaps best remembered for having the distinction of being the first act to be released on Tony Stratton Smith’s gloriously eclectic label Charisma records (also the home of Genesis, THE Nice and VAN DER Graaf Generator to name but a few) and for their excellent 1970 hit single ‘Sympathy’. Like fellow future Charisma stable mates Van Der Graaf Generator, Rare Bird was formed around the principle of keyboard dominated progressive rock which eschewed the use of guitars. In December 1969 their eponymous debut album was released to great critical acclaim.
The Blue Condition - Coming Home
The Blue Condition
Coming Home
7" | 1969 | EU | Reissue (Groovie)
12,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Finnaly we got it, after a long time waiting we were able to reissue this 1969 killer 7" of The Blue Condition, from Waukegan, Illinois. The original wax is a most wanted and a mega rare gem searched by garage punk collectors from all over the world. With "Coming Home" as the main track, a garage punk/freakbeat killer stomper. Fuelled with fuzz and groove. The record come with 2 postcards, linernotes and interview with the band members.
The Beatles - Revolver Picture Disc Edition
The Beatles
Revolver Picture Disc Edition
LP | 1966 | EU | Reissue (Apple)
35,99 €*
Release: 1966 / EU – Reissue
Genre: Rock & Indie
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John Lee Hooker - House Of The Blues
John Lee Hooker
House Of The Blues
LP | 1960 | EU | Reissue (Intermusic)
20,89 €* 21,99 € -5%
Release: 1960 / EU – Reissue
Genre: Rock & Indie
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The Holy Modal Rounders - Indian War Whoop Deluxe Ediiton
The Holy Modal Rounders
Indian War Whoop Deluxe Ediiton
LP | 1967 | US | Reissue (Don Giovanni)
43,99 €*
Release: 1967 / US – Reissue
Genre: Rock & Indie
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"Some people think this record is unlistenable, while others consider this one of the key documents of the American music underground" - Byron Coley -55th Anniversary edition, one time pressing of 1500 foil numbered 2xLP copies -2 disc collection including original album remastered and Live in 1965 -Half-speed mastered vinyl cut by Miles Showell at Abbey Road Studios -Live in 1965 (Disc 2) remastered by Ryan Schwabe and available on vinyl for the first time -Comprehensive liner notes by Jesse Jarnow (Heads: A Biography of Psychedelic America) and Peter Stampfel The year 1967 proved to be a strong point of the ’60s generation culture and the ever growing New York underground music scene. Steve Weber and Peter Stampfel provided a blithe sendup of musical Americana as they mined this tradition, while introducing outrageous and zany virtuoso turns on acoustic guitar, banjo and violin. Their lyrics and vocals are uniquely their own. Their personalities were profoundly incompatible, like those of Gilbert and Sullivan.
Los Shakers - Los Shakers
Los Shakers
Los Shakers
LP | 1965 | EU | Reissue (Guerssen / Little Butterfly)
24,29 €* 26,99 € -10%
Release: 1965 / EU – Reissue
Genre: Rock & Indie
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Guerssen and Little Butterfly proudly present the first long playing record from 1965 by the fabulous LOS Shakers, the legendary band formed in Uruguay in the mid 1960s, in the wake of the Beatlemania phenomenon.

Their songs had little to envy to those of their heroes from Liverpool. Tempo, chord progressions and rhythms boiled in a magic, infectious sound!

Get ready to enjoy the songs of Hugo, Osvaldo, Caio and Pelin… Los Shakers!
The Serpent Power - The Serpent Power
The Serpent Power
The Serpent Power
LP | 1967 | EU | Reissue (Akarma)
25,99 €*
Release: 1967 / EU – Reissue
Genre: Rock & Indie
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The Serpent Power were amongst the many bands that emerged during those heady days of 1967 but, unlike many of their contemporaries who went on to build solid careers, their arrival was only to be a brief spell in the sun as this delightful album was to prove their sole release as a full band. There is no doubt that it stands proudly alongside other better known works of that time.
Bobby Callender - Rainbow
Bobby Callender
Rainbow
2LP | 1968 | EU | Reissue (Akarma)
40,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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T his bizarre, Alan Lorber-produced psychedelic album appeared originally in 1969 on Boston Sound. Bobby Callendar was an incredibly gifted poet and lyricist whose complex texts could only be compared to Scott Walker; the concepts of a U.K. artist of Indian heritage post-psychedelia were augmented by the lush arrangements of Paul Harris and Bob Gallo. The cast of musicians on this album included some of the highest-caliber sidemen of the time, most notably Richard Davis, the master bassist of Van Morrison's Astral weeks fame (not to mention a jazz musician in his own right), the guitars of Eric Gale and Hugh McCracken, and the astonishingly subtle Burnard Purdie on drums. The album is a rich and complex exploration of Eastern-inspired psychedelic rock and folk centered on the incredibly complex texts and vocals of Bobby Callendar. When reading the lyric sheet, it is most astonishing how such elaborate poetic evocations were somehow made to fit popular song forms. Sure, at these highly conscious times of the late '60s it was not uncommon for deeply poetic, socially conscious, or hallucinogenic themes to appear in the lyrics of pop music, yet this is album is absolutely brilliant for being one of the most ostentatious animations of the written word, yet absolutely vital and musical throughout. Fans of Scott Walker's solo material, Colin Blundstone, and Duncan Browne should give this album a few hours -- if not a week -- of their attention. This excellent Italian reissue from Akarma is packaged and remastered exquisitely. (All Music)
Motions - Impressions Of Wonderful Colored Vinyl Edition
Motions
Impressions Of Wonderful Colored Vinyl Edition
LP | 1967 | EU | Reissue (Music On Vinyl)
29,99 €*
Release: 1967 / EU – Reissue
Genre: Rock & Indie
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Orkes Angklung Padaeng, Daeng Soetigna - Angklung
Orkes Angklung Padaeng, Daeng Soetigna
Angklung
LP | 1963 | ID | Original (Lokananta)
9,95 €*
Release: 1963 / ID – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: G+, Cover: VG
Record has many scuffs and some superficial scratches, an audible one on A2. Sleeve is splitting on top and bottom seam.
Cream - Disraeli Gears
Cream
Disraeli Gears
LP | 1967 | FR | Reissue (Polydor)
28,99 €*
Release: 1967 / FR – Reissue
Genre: Rock & Indie
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Creedence Clearwater Revival - Creedence Clearwater Revival
Creedence Clearwater Revival
Creedence Clearwater Revival
LP | 1968 | EU | Reissue (Fantasy)
22,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Creedence Clearwater Revival - Willy And The Poor Boys
Creedence Clearwater Revival
Willy And The Poor Boys
LP | 1969 | EU | Reissue (Fantasy)
22,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Vinyl LP repressing of this 1969 album. WILLY & THE POOR BOYS, the fourth album by one of the world's all-time greatest rock bands, Creedence Clearwater Revival, remains a top-selling album in the CCR catalog with over 2 million copies sold to date. Reaching the top 50 in six countries upon it's release, the album stands as a landmark international success and one that cemented the band's legacy as a vanguard of American rock 'n' roll. Contains the ubiquitous chart-topping hit, 'Down On The Corner,' which rocketed into the top 10 in the Billboard Hot 100 in the U.S. and continues to be a mainstay on classic rock radio today. Additionally, the visceral 'Fortunate Son' is included here - an incendiary protest song that became inextricably linked to the Vietnam war, resulting in it's addition to the National Recording Registry by the Library of Congress in 2014 for being 'culturally, historically, or aesthetically significant'.
The Band - The Band
The Band
The Band
LP | 1969 | EU | Reissue (Capitol)
28,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Ten Years After - Undead
Ten Years After
Undead
LP | 1968 | EU | Reissue (Proper)
31,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Crosby Stills & Nash - Crosby Stills & Nash SuperVinyl Edition
Crosby Stills & Nash
Crosby Stills & Nash SuperVinyl Edition
LP | 1969 | US | Reissue (Mobile Fidelity)
119,99 €*
Release: 1969 / US – Reissue
Genre: Rock & Indie
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ULTIMATE-SOUNDING VERSION OF THE HARMONY-RICH LANDMARK: DELUXE AUDIOPHILE PRESSING LIMITED AND NUMBERED COPIES
1/4" / 15 IPS analogue master to DSD 256 to analogue console to lathe


The enduring charm, contemporary relevance, and harmonic convergence of Crosby, Stills & Nash's fabled self-titled debut owe not only to impeccably played songs and resonant lyrics, but to career-defining performances by music's first genuine supergroup. Crosby, Stills & Nash lingers as an example of the whole being greater than the sum of its parts. Factor in phenomenal studio production and acoustic-based architecture that served as guideposts for myriad albums that followed, and popular music would never be the same.

Limited and numbered, pressed on MoFi SuperVinyl at RTI, and mastered from the original master tapes, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP collector's edition enhances the incalculably influential work for the ages to come. Surpassing the sonics of any prior version, it peels away any limitations to provide a transparent, ultra-nuanced presentation of a record that birthed the Laurel Canyon movement and established a precedent for close harmony singing that has never been eclipsed. The organic presentation of the textures; expanse and depth of the soundstages; fullness of tones; natural extension of the acoustic guitar strings; realistic rise and decay of individual notes; seamless blending of the vocals – all those important sonic facets (and more) reach demonstration-grade levels.

The packaging features the same attention to detail. Housed in a deluxe box, the Crosby, Stills & Nash UD1S pressing features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendour of the recording and the reissue's premium quality. Aurally and visually, MoFi's UD1S copy exists as a curatorial artifact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art – and everything involved with the album, from the images to the finishes.

The backstory of how Crosby, Stills & Nash came to be nearly matches the import of its content. Already a renowned multi-instrumental virtuoso, Stephen Stills sought a fresh beginning after Buffalo Springfield splintered. Similarly, vocal powerhouse David Crosby arrived after leaving the Byrds and gaining a reputation for being difficult. Graham Nash drifted over after a frustrating stint in the Hollies. He met his new mates at a party. When the three sang together informally for the first time, their fate was sealed. To further tie their fortunes together, the singers used each of their surnames to identify the group to ensure the collective could not exist or continue on without all three members.

From the opening of the lead track, the multi-part "Suite: Judy Blue Eyes," written for Judy Collins, it's apparent the trio's dynamic cannot be replicated or substituted. Originally released in May 1969 on Atlantic, the eponymous debut cracked the Billboard Top 10 and spent almost two years on the charts. Such longevity can be credited to the distinctive traits each member lends to a record Rolling Stone cites as the 252nd Greatest Album of All Time. Stills trades in folk, country, and rock accents while handing a majority of the instrumental duties (organ, bass, and lead guitar included). Crosby paints with mood and atmosphere, as well as direct political commentary. Nash ties everything together with accessible pop melodies.

More than five decades later, the ensemble's mellifluous singing and homespun arrangements continue to soar. The evidence pervades Crosby, Stills & Nash, whose magnetism reflects in standards such as the breezy "Marrakesh Express," protesting "Long Time Gone," poignant "Helplessly Hoping," and poetic "Wooden Ships." No wonder the trio's chemistry – as well as the distinctive traits of each member's singing, interwoven guitar parts, and contrasting personalities – became a permanent part of an American culture dealing with conflicting themes of peace and war, love and violence, and change and status quo.

More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior
Mobile Fidelity Sound Lab's UltraDisc One-Step (UD1S) technique bypasses generational losses inherent to the traditional three-step plating process by removing two steps: the production of father and mother plates, which are created to yield numerous stampers from each lacquer that is cut. For UD1S plating, stampers (also called "converts") are made directly from the lacquers. Since each lacquer yields only one stamper, multiple lacquers need to be cut. Mobile Fidelity's UD1S process produces a final LP with the lowest-possible noise floor. The removal of two steps of the plating process also reveals musical details and dynamics that would otherwise be lost due to the standard multi-step process. With UD1S, every aspect of vinyl production is optimized to produce the best-sounding vinyl album available today.

MoFi SuperVinyl
Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.
Boz Scaggs - Boz Scaggs
Boz Scaggs
Boz Scaggs
LP | 1969 | EU | Reissue (Atlantic)
42,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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