Rock & Indie Vinyl 2068 Items

LP | 1971 | EU | Reissue (Bonfire)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Fully licensed, ltd to 500 copies, 180 gr. Another unsung hero of the long lost british prog history, Julian Jay Savarin is a keyboard player and composer, poet and science fiction author, hence the association with the most epic and romantic tendencies of the genre. He was born in Dominica (an island between Martinique and Guadeloupe in the Caribbean) and moved to the UK in 1962. He debuted in 1970 with Julian's Treatment, a short-lived progressive rock band which his sole album - A Time Before This - soon became a sought after collector's item. Julian went solo in 1973, before leaving the musical scene all of a sudden. Waiters On The Dance was definitely his own creation, a narrative masterwork with sumptuous arrangements. Produced by Miki Dallon (founder of independent label Young Blood) and brought to life with members of Julian's Treatment and singer Lady JoMeek, the album is a mysterious and transcendental opera. Waiters on the Dance sounds like a science fiction concept album of sort. Some of the songs rely on long form suite (the two-part "Child of the Night" and "Dance of the Golden Flamingoes" both lasting nearly nine minutes), suggesting an ideal trance state. Relying on heavy Hammond organ and hard-blues reminiscence, the album stands on his own offering occasional parallelism with Brian Auger & The Trinity and the more eclectic folk-revival. A true rare gem.

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Salamander

The Ten Commandments

LP | 1988 | EU | Reissue (Spittle)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Fully licensed, ltd to 500 copies, 180 gr. The biblical ten commandments are surely the main inspiration behind this concept album originally released on british independent label Young Blood in 1971. The one and only release by Salamander, a short- lived UK four piece , the album is a quintessential prog opera with a heavy effort on Hammond organ and lush orchestral arrangements. Comprised of Alister Benson (Organ, Vocals), Dave Chriss (Bass), John Cook (Drums) and Dave Titley (Lead Vocals, Guitar) the band was often compared to The Moody Blues and Deep Purple Mark I. Even if the 10 tracks are inspired by the holy script, the band was not proven to be Christian rock itself. The album is a sublime pompous pop affair, with a good dose of fuzz guitars and brass section.

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Negazione

Little Dreamer

C'est Disco White Vinyl Edition

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Punk only hit Italy in 1980, and the hardcore scene followed straight after confirming itself as one of the most active and interesting scenes in the world. Back in the day most of the bands came from the north of the country, among them: Negazione, a Turin based band which soon became one of the crucial Punk-Hardcore realities in Europe. Originally released by German label We Bite Records in 1988, "Little Dreamer" was Negazione's second album. Compared to their debut release this second effort shows a first step towards a more eclectic sound approach where thanks also to an evident growth in terms of technical skills the band's original inflamed energy opens up to a wider expressive variety of speeds and dynamics.

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Rats

LP | 1981 | EU | Reissue (Spittle)

Dumi-Maichi-Na Chi Maraire & Nyunganyunga Mbira

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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Ltd re-issue on white vinyl ! C'est disco is the first studio album by the Italian band Rats. It was released in 1981 by Italian Records and is a record strongly inspired by the wave and dark scene of that period. In 2014 the record was reissued in a vinyl version with the addition of a bonus CD featuring the complete album plus the song Tattoo, initially discarded from the album's tracklist and included in a compilation. The band's line-up featured vocalist Claudia Lloyd on vocals, and on guitar the only member present in the more famous version active in the late '80s and '90s, Wilko Zanni, who in the next album would take Claudia Lloyd's place on vocals.

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Tichazomuona

LP | 1986 | EU | Reissue (Nyami Nyami)

LP | 1971 | EU | Reissue (You Are The Cosmos)

Release: 1986 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Nyami Nyami Records presents a reissue of a rare gem from the Gramma Records catalog , the historic Zimbabweean label. Dumisani Maraire, the leading creator of modern mbira, settled in the USA in the late 60s where he popularized the traditional music of the Shona people. Tichazomuona is the first album he recorded in liberated Zimbabwe, in 1986, with his wife Maichi and daughter Chiwoniso. You can hear the very young singer on lead vocals on the title track, long before she went on to perform solo on the international stage. We launched Nyami Nyami with her last recording Zvichapera and are happy to also release now her very first.

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Rockin' Horse

Yes It Is

Made In Eile Remastered Deluxe Black Vinyl Edition

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Rockin' Horse was formed by Jimmy Campbell (The Kirkbys / 23rd Turnoff) - perhaps the most talented “unknown” musician to come out of the early 60s Liverpool scene- and Billy Kinsley (The Merseybeats / The Merseys). The band recorded Yes It Is (Philips, 1971), a fantastic debut album that should have raced to the top of the charts. The album has gone on to gain cult status amongst power pop fans around the world, fetching astonishingly high prices (even the 2012 reissue!). Having been schooled in the very same musical influences as the Fab Four, the end result is close to the sound the Beatles were creating at the end of their career. Probably... the product of having grown up as contemporaries of The Beatles in Liverpool and listening to the same records and playing the same circuits. Now you can own one of the greatest power pop recordings of all time on vinyl again!.

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Nichts

LP | 1981 | EU | Reissue (Cargo)

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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LP | 1977 | EU | Reissue (Altercat)

Costa Blanca

Viaje A Prantia

LP | 1975 | EU | Reissue (Dialogo)

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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You know you're into something good when you open the album you just bought and find a lyrics sheet, then play it and quickly realise the record is actually instrumental. The unruliness that defined Costa Blanca's short-lived career resulted in such nonsensical contradictions, and helps understand why one of Spain's best jazz-rock bands of the 70s never had a proper breakthrough. Hailing from sun-bathed Alicante in the Spanish Levantine coast, Costa Blanca shared the stage with some of the country's best-known rock acts of the time, including Triana, Guadalquivir, Bloque or Coz, often receiving praise from fellow musicians and music critics alike. The band's sole LP takes the listener through a typical summer in the Mediterranean, from its blissful afternoons by the sea to galloping thunderstorms, and is reminiscent of some kind of Weather Report with a Mediterranean flair. Formed by four musicians of diverse musical backgrounds, the band members proved to be exceptionally skilled despite their limited experience, remarkably drummer Pedro Barceló who, aged just 17 at the time of recording, delivered an astonishing 9-minute solo and grew to become one of the most in-demand session musicians in Spain. Napi Carratalá's guitar makes sure his inclination for psychedelic rock doesn't go amiss and the imperturbable Chiki Navarret provides the funky bass lines that hold the band together, while the French saxophonist Alain Fabrizio blows the jazz influence, adding a bit of soulfulness into the blend.

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Piero Umiliani

Continente Nero

Metal And Hell Red Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Released in 1975, “Continente Nero” is the perfect flip side of “Africa” (1972), an album that significantly expanded Piero Umiliani’s music perspectives, incorporating partially explored rhythmic variations already used in “Percussioni ed Effetti Speciali” and “To-Day’s Sound”. It does so by taking inspiration from a tradition that starts from the divine Fela Kuti and reaches the amateur and field recordings by musicologists such as David Toop, but also from the Afro-American jazz history of Art Ensemble of Chicago, John Coltrane, Max Roach and hundreds of others.

Continente Nero (1975) Released via the Omicron label in 1975, three years after Africa, Continente Nero is the perfect flip side of an album that significantly expanded Piero Umiliani’s music perspectives, incorporating partially explored rhythmic variations already used in records such as Percussioni ed Effetti Speciali and To-Day’s Sound or experimenting new solutions that drew from a musical heritage little known at the time such as the African one. Without bothering with the usual alias M. Zalla, Umiliani reveal his birth name and surname for a second foray into a territory that pays homage to an entire continent. And it does so by taking inspiration not only from a tradition that starts from the divine Fela Kuti and reaches the amateur and field recordings by musicologists such as David Toop, invaluable documents of an artistic heritage still today almost impossible to map in its complexity, but also from the Afro-American jazz history by Art Ensemble of Chicago, John Coltrane, Max Roach and hundreds of others. It sounds clear in tracks such as Nuovi Fermenti, Rivoluzionari, Riscossa or Ultimo Stregone that show Umiliani’s extraordinary ability to grab a distant tradition essential traits and put them effortlessly into a personal imaginary world, as much exciting as the original one.

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Kat

LP | 1986 | EU | Reissue (Metal Mind Productions)

LP | 1981 | EU | Reissue (Goldencore)

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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red 180 gram vinyl

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Schloss

Ready For The Show

LP | 1981 | EU | Reissue (Goldencore)

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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Reissue of this obscure Rock/Metal album from the German band Schloss.

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Poker

Red Neck Roller

Los 4 Jinetes Del Apocalipsis

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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Sometimes you wonder why a record remained unknown and only attracted attention regionally. With Poker you don‘t know where to start with all the arguments that should have made them conquer the rock world. Let‘s start with the musicians who founded this band in 1980. The name Kin Ping Meh appears twice, making Krautrock fans sit up and take notice. Guitarist Gagey Mrozeck and singer Michael Pozz belonged to this legendary band, while Peter Oehler (guitar) and Jürgen Astor (drums) came from the Geff Harrison Band. Not only related to the Mannheim area, Poker was an all-star group, especially since the names „Nine Days Wonder“ and „Twenty Sixty Six And Then“ have to be mentioned as well, so that the list of ex-bands is halfway complete.

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Zarpa

LP | 1978 | EU | Reissue (Sommor)

LP | 1971 | EU | Reissue (Discos Monterey)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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A conceptual album featuring five long tracks with raw in–your–face sound and production, over–charged fuzz & wah wah guitar, powerful vocals with killer echo/reverb and studio effects. This is must for any hard rock / metal / heavy psych aficionado, reissued for the first time on vinyl and remastered from the original tapes.

Including insert with liner notes and rare pictures from the archive of Vicente Feijóo, the original guitarist & vocalist from Zarpa. Heavy carboard sleeve + OBI.

Formed in Mislata, Valencia, in 1977 by four teenager friends (Vicente Feijóo on lead vocals & lead guitar, Eduardo Feijóo on bass & vocals, Javier Herviás on guitar and Jesús Martinez on drums), Zarpa Rock (“Claw Rock”), later shortened to Zarpa, evolved from a group called Wolframio. After spending most of 1977 learning how to play their instruments, they were approached by a management agency called Zeus Rock, joining their roster in company of bands like Doble Zero. Under Zeus Rock guidance, the band did their first recording: a conceptual album titled “Los 4 Jinetes del Apocalipsis” (The Four Horsemen of Apocalypse) which due to low studio budget, was recorded “live in the studio” in a single one-hour-and-a-half take. After the bankruptcy of Zeus Rock, the proposed album project was shelved. Zarpa shared stage with legends like Ian Gillan and later on, in the heyday of Heavy Metal in Spain, they managed to release two more LP’s which established them as a very popular band, even opening for Barón Rojo, true Metal Stars in the early 80’s. They’re still in active.

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Gerardo Manuel & Humo

Machu Picchu 2000

LP | 1975 | EU | Reissue (Island)

Release: 1971 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Gerardo Manuel left behind his deepest beat days with The Dolton’s and the Shain’s, plus his garage psych stage with St Thomas Pepper Smelter. At the beginning of the seventies he was joined by a new band formed by other illustrious Peruvian musicians, called El Humo because, according to Ernesto Samamé (We All Together) they met to play unpretentiously, to test the new sound equipment of the Virrey label. The first of the albums was "Apocallipsis" (1970). A wild and acid work, with its own songs and fabulous covers. An explosion of crazy psychedelia , overflowing solo moments, and the vocals delivered by a very inspired Gerardo Manuel. Songs of lysergic melodies, with Latin touches, give life to this album that looks for peace in the world. Unique and memorable albums, essential for any discography with the best of South American music from the sixties.

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Richard & Linda Thompson

Pour Down Like Silver

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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LP | 1973 | EU | Reissue (Discos Monterey)

Gerardo Manuel & C.V.P.

Warum Geht Es Mir So dreckig?

Release: 1973 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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We have the great honour of presenting to you the first official reissue of the last project of Gerardo Manuel´s trilogy with Humo . Recorded in 1973 in the style of his previous two albums, although this is the most progressive. As the lyrics leant toward social protest, the military in power didn´t want this music to be popular and as a result of this most of the copies were destroyed. This has made the album extremely rare and an authentic lost jewel of South America Rock.

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Ton Steine Scherben

LP | 1971 | DE | Reissue (David Volksmund)

Release: 1971 / DE – Reissue

Genre: Rock & Indie

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Dezo Ursiny & Ivan Strpka

4/4

LP | 1983 | EU | Reissue (Opus)

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Viral Shedding Record Store Day 2019 Edition

Nocturnal Emissions

LP | 1983 | EU | Reissue (Mannequin)

LP | 1973 | EU | Reissue (Buh)

Release: 1983 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Originally released on Illuminated Records in 1983, "Viral Shedding" is surely one of the most important references for the industrial/funk dance music.

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El Polen

Fuera De La Ciudad

The 5.98 EP - Garage Days Re-Revisited Black Vinyl Edition

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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“Out of the City” was recorded with all of the musicians at the same time in two short sessions at El Virrey studios; which said studio never believed El Polen’s LP would sell so they only released a limited edition of only one thousand copies. Three months later, there were no records in the market. Various musicians from El Polen were contacted in those times by travelers from different parts of the continent who came with the dream of finding a copy… it was not possible, even some of the musicians from the band didn’t have a copy. Today these are rare items still looked for by people from different parts of the planet.
The present edition in vinyl format has been produced from the master tapes with the authorization and supervision of the band itself. This is the starting point for a series of releases of a new collection of our label dedicated to El Polen.

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Metallica

LP | 1987 | EU | Reissue (Mercury)

The Swing (2011 Remaster)

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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San Francisco, CA - January 25, 2018 - The Wait is over…Actually, it’s back! Nearly three decades after going out of print, Metallica will release a remastered version of The $5.98 EP - Garage Days Re-Revisited as part of thir ongoing remasters series via their own Blackened Recordings label.

Originally released over 30 years ago on August 21, 1987, the collection features the band covering songs by early Metallica influencers such as Diamond Head, Holocaust, Killing Joke, Budgie, and The Misfits. The five songs from the EP were later included as a part of the 1998 multi-platinum release Garage, Inc., but the band felt it was time to bring it back in the original formats!

The $5.98 EP - Garage Days Re-Revisited was remastered by Chris Bellman at Bernie Grundman Mastering in Hollywood, CA.

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INXS

LP | 1984 | EU | Original (Universal)

Release: 1984 / EU – Original

Genre: Rock & Indie

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Underneath The Colours (2011 Remaster)

INXS

LP | 1981 | EU | Original (Universal)

Release: 1981 / EU – Original

Genre: Rock & Indie

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LP | 1979 | EU | Reissue (Guerssen)

Baris Manco

Yeni Bir Gun

LP | 1973 | EU | Reissue (ReR Megacorp)

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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The late '70s found Turkey in an economic slump, and there was a huge rise in political violence. Baris, who so often put out collections of singles, rose to the occasion by spending 6 months holed up with his longtime backing band the Kurtalan Ekspres. The result was this studio album of Anatolian bummer psychedelia, often unfairly overlooked because it came out in the rather un-cosmic year of 1979, but also considered his best work by many. Yep, there are still electrified versions of Turkish folk songs, and the spaceshot ARPs and Korgs of '2023' are here too, but dont expect a happy swing around the ceiling of a planetarium. The real star of the album is the keyboard player, whose name translates to Sword Agent. 'Yeni Bir Gun' is viciously funky and brilliantly arranged, with tidbits stolen out of the latest disco hits, and lean, mean synthesizers that emerge from the beats like carbonated bubbles. Melancholy maqams & catastrophic Korgs collide when the Turkish psych master glides unflinchingly into the grim late '70s!! First time ever reissue, this release comes in gorgeous gatefold cover as the original, has a repro of the original poster as well, and brings an extra insert with extensive linernotes.

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Henry Cow

Leg End

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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The first, 1973, release by Britain’s most enigmatic and unclassifiable band. Formed in 1968 by two Cambridge students, Fred Frith and Tim Hodgkinson, Henry Cow’s original influences included the likes of Soft Machine and Frank Zappa. However, in their undying quest to push the boundaries of conventional music, members soon took out their machetes and began hacking a new trail into an unmapped wilderness of sound. The band was thereby also staunchly anti-commercial, never compromising their sound to please anyone but themselves, and it is precisely because of this that they have gone on to influence so many musicians on the outer fringes of rock & roll on both sides of the Atlantic, particularly the NY experimental music scene. Now returned to its original audio mix. Reissued on 180 gram vinyl.

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LP+CD | 1988 | UK | Reissue (Fire)

Lick Deluxe Edition

2LP | 1983 | DE | Reissue (Slime)

Release: 1988 / UK – Reissue

Genre: Rock & Indie

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Lick is the third full-length album by the Lemonheads, and the last to feature founding member Ben Deily. It was the group's last independent label-released album before signing to major label Atlantic. An odd mixture of brand-new, and considerably older, sounds, 1989’s Lick brings together the output of several distinct recording sources: six brand new songs recorded with Minneapolis-based band friend and producer Terry Katzman, and a collection of older, B-side and never-released material originally overseen by producer and engineer Tom Hamilton.

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Slime

Alle Gegen Alle

Release: 1983 / DE – Reissue

Genre: Rock & Indie

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2LP | 1982 | DE | Reissue (Slime)

Slime

Yankees Raus

Release: 1982 / DE – Reissue

Genre: Rock & Indie

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2LP | 1981 | DE | Reissue (Slime)

Slime

Slime 1

Release: 1981 / DE – Reissue

Genre: Rock & Indie

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Beyond The Valley Of 1984

Plasmatics

LP | 1981 | US | Reissue (MVD)

Release: 1981 / US – Reissue

Genre: Rock & Indie

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LP | 1987 | EU | Reissue (Geffen)

Guns N' Roses

Appetite For Destruction

Black Soul Brothers Green Vinyl Edition

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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Back To Black 180 gram vinyl reissue

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Miguel De Deus

LP | 1977 | EU | Reissue (Groovie)

LP | 1978 | EU (Radiation Reissues)

Release: 1977 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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For the first time reissued, with the great contribution of Miguel de Deus's family in São Paulo, that supplied the amazing collection of photos for the 4 pages inner, inside the LP. This limited edition is a highly collectable for fans of brazilian soul, groove and psychedelia. It's our contribution to pay respect to one of the most important brazilian musicians of the late 60's and early 70's. Main brain of bands like OS Brazões and Assim Assado, he let us an amazing legacy for new generations. This is a small, but more than deserved homage to him, finally. Miguel de Deus was the protagonist of this amazing Afro-Funk movement, together with a group of “heavy” musicians, as they were called in those days of consolidation of a strong Black Power scene, mainly composed of black youth from the outskirts of the suburbs of São Paulo and Rio de Janeiro, where the movement took the name of Black Rio. Its raw Rock-Funk-Psychedelic-Tropicalia.

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U.K. White Vinyl Edition

LP | 1971 | EU | Reissue (Endless Happiness)

Release: 1978 / EU

Genre: Rock & Indie

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Formed in Lewisham, southeast London, punk band the Business joined the Oi! scene after supporting the Four Skins in 198l. Debut single ‘Harry May’ hit the Indie charts before the group disintegrated, leading frontman Micky Fitz to recruit new members. Then, in 1987, original guitarist Nick Kent joined Fitz for heavy metal side project UK, with former Tank drummer Mark Brabbs, channelling their love of Ac/dc, Motorhead and Rose Tattoo. As Kent goes all-out with the hard rock solos and Fitz aims for the melodic, this is a great slice of the new wave of British heavy metal, and a startling surprise for all Business fans!

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John Mayall

Thru The Years

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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“Thru The Years” is a compilation album of music by John Mayall released in October 1971 by Decca Records in the U.K. and London Records in the U.S.A. The album was the second compilation to be issued by Decca/London with Mayall's blessing and it features a mixture of previously unissued songs or non-album tracks that had only been released as singles. A grab bag of rare tracks from the '60s, some of which stand among Mayall's finest. His debut 1964 single "Crawling Up a Hill" is one of his best originals. The eight songs featuring Peter Green include some top-notch material that outpaces much of the only album recorded by the Green lineup (A Hard Road), particularly the Green originals "Missing You" and "Out of Reach," a great B-side with devastating, icy guitar lines and downbeat lyrics that ranks as one of the great lost blues-rock cuts of the '60s. The set is filled out with a few songs from the Mick Taylor era, the highlight being the vicious instrumental "Knockers Step Forward."

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LP | 1988 | UK | Reissue (Fire)

Lick

Release: 1988 / UK – Reissue

Genre: Rock & Indie

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LP | 1988 | UK | Reissue (Fire)

Creator

Release: 1988 / UK – Reissue

Genre: Rock & Indie

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Creator is the second album by legendary Boston band The Lemonheads. Still featuring the full original line-up of Evan Dando, Ben Deily, and Jesse Peretz, the album also includes John P. Strohm (of the Blake Babies, Antenna, and Velo-Deluxe) on drums.

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LP | 1987 | UK | Reissue (Fire)

Hate Your Friends

2LP | 1977 | EU | Reissue (Munster)

Release: 1987 / UK – Reissue

Genre: Rock & Indie

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Hate Your Friends is the 1987 debut album by the Lemonheads, one of only three full-length releases to feature the original band line- up of Evan Dando, Ben Deily, and Jesse Peretz. The album showcases a hardcore-punk-to-pop-rock sound and sensibility as playfully fierce as it is surprising…

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Tim Blake

Crystal Machine

Release: 1977 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Hold your body and mind belts, and immerse yourself into a cornerstone of cosmic music in a double remastered vinyl - one them filled with rarities - called "Crystal Machine" by the visionary Tim Blake, English composer and synthesizer master. Recorded in 1976/7, it remains echoing as a timeless effort, pretty much still alive. This is a deadly serious art piece, accordingly trippy in all its aspects, full of strangeness and sheer beauty.

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390 Degrees Of Simulated Stereo V2.1

LP | 1981 | US | Reissue (Fire)

Release: 1981 / US – Reissue

Genre: Rock & Indie

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LP | 1984 | WW | Reissue (Esen Müzik)

Müslüm Gürses

Yaranamadim

Release: 1984 / WW – Reissue

Genre: Rock & Indie

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LP | 1981 | US | Reissue (Fire)

Song Of The Bailing Man

Release: 1981 / US – Reissue

Genre: Rock & Indie

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LP | 1980 | EU | Reissue (Fire)

The Art Of Walking

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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LP comes with download code. Released in 1980, ‘The Art Of Walking’ sees Pere Ubu ‘moving even further from the conventions of rock music - and from their own past - but still moving forward, without a doubt, and losing none of their integrity as a group.’ (Melody Maker, Chris Cutler). The album features in new box set, ‘Architecture Of Language 1979-1982’, released in March. It gathers together ‘New Picnic Time’ with its companion releases, ‘The Art Of Walking’ and ‘Song Of The Bailing Man’ plus LP of extras, ‘Architectural Salvage’. Coed Jail! Live dates mark the release of the box with a set list drawn exclusively from the recordings of 1975-1982. Tom Herman, guitarist from 1975 to 1979 and from 1997 to 2002, rejoins the band for the tour. The line-up is David Thomas, Tom Herman, Robert Wheeler, Michele Temple and Steve Mehlman. Wheeler and Temple have been in Pere Ubu since 1994, Mehlman since 1995.

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LP | 1979 | EU | Reissue (Fire)

New Picnic Time

LP | 1979 | UK | Reissue (Call Of The Void)

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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LP comes with download code. Initially released in 1979, ‘New Picnic Time’ is “weird, wonderful and so far beyond the expected that these deconstructions of popular music are as charmingly retro as the Beatles and as modern as today's blending’s of funk, hip-hop and alt-rock. Revolutionary and demented yet full of fun, Pere Ubu are indispensable to any collection of 20th century rock.” (Herald-American, Scott Laurence). The album features in new box set, ‘Architecture Of Language 1979-1982’, released in March. It gathers together ‘New Picnic Time’ with its companion releases, ‘The Art Of Walking’ and ‘Song Of The Bailing Man’ plus LP of extras, ‘Architectural Salvage’. Coed Jail! Spring dates mark the release of the box with a set list drawn exclusively from the recordings of 1975-1982. Tom Herman, guitarist from 1975 to 1979 and from 1997 to 2002, rejoins the band for the tour. The line-up is David Thomas, Tom Herman, Robert Wheeler, Michele Temple and Steve Mehlman. Wheeler and Temple have been in Pere Ubu since 1994, Mehlman since 1995.

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The Adverts

Cast Of Thousands

LP | 1977 | UK | Reissue (Call Of The Void)

Release: 1979 / UK – Reissue

Genre: Rock & Indie

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Originally released to a fan base and music press that were unprepared for the band to move on from the punk fury of “Crossing The Red Sea”, The Adverts “Cast Of Thousands” has since been recognized as a lost classic of the time. TV Smith’s cutting observational lyrics and sharp musical instincts saw his song writing grow and move in unexpected directions. The primal thumping was replaced by dynamic and driving drumming, acoustic guitars and probing solos emerged, and Tim Cross joined to add keyboards and fill out the overall sound. The one constant was the pounding throb of Gaye Advert’s bass. Encouraged to experiment by surprise producer Tom Newman (Mike Oldfield “Tubular Bells”) the band found themselves stretching creatively, both in song writing and recording techniques. They might agonize over the sound of recording a match being lit in the middle of one song, while doing a single take of a vocal via a microphone hung in the bathroom for another. Giant choirs were built meticulously over multiple tracks, while the sound of a rat running through the reverb room would be captured forever. The results wrapped some of TV’s best songs in strange and inventive sounds to compliment his anti-pop smarts and rock and roll heart. They did not know it at the time, but the band was falling apart. Tensions would soon rise to the level that replacement players were called in to finish their final tour. Punk fans left them in droves. Critics skewered the singles from the album. Their record label had moved on to the next big thing. Feeling that they had reached a creative peak made the tumble even harder to swallow. Time has been very kind though, and fans discovering punk after the first wave have been able to hear “Cast” for what it is - a brilliant and biting collection of rock and roll. Still full of stomp and swagger even when stripped down on “My Place” or via the anthemic surge of “Television’s Over”, with TV’s hook factory on full display on the anti-love song “Love Songs”, and the band closing the album with the creeping ballad “I Will Walk You Home”; The Adverts had grown from a great punk rock band to a great rock band.

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The Boys

LP | 1974 | EU | Reissue (Warner)

Release: 1977 / UK – Reissue

Genre: Rock & Indie

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Classic Black vinyl, 1000 pressed. Arguably one of the best punk albums of the 70s, The Boys self-titled debut (produced by Dangerfield & Steel) is a cult UK classic. The album is filled with the pop punk gems, the kind of immediate salvos that would elevate Buzzcocks into the charts. In the intervening years, the history of punk rock has been written and re-written and a whole heap of bands have been sidelined. The Boys’ debut album, re-mastered here still sounds as fresh and immediate as it did back then and it also includes two classic punk rock singles in ‘I Don’t Care’ and ‘First Time’ (the latter, along with The Undertones "Teenage Kicks", the ultimate punk anthem of teenage romance and adolescent angst). Along with the Sex Pistols, Clash and the Damned, The Boys were part of the first wave of the mid-1970’s UK punk explosion. Armed with an arsenal of killer Steel/Dangerfield songs The Boys became the first UK punk band to sign an album deal in January 1977 and subsequently released two albums, their self-titled debut and the follow-up “Alternative Chartbusters” in quick succession. Highly regarded by the music press and their contemporaries, yet somehow criminally ignored by a wider punk audience, unable to grasp their heritage of vintage rock ‘n’ roll that went back to Chuck Berry courtesy of The Beatles. Their well-crafted songs, together with Steel and Dangerfield’s layered harmonies, even led to them being described as ‘The Beatles of Punk’.

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Czeslaw Niemen

Aerolit

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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Endangered Species Record Store Day 2024 Pink Vinyl Edition

U.K. Subs

LP | 1982 | EU (Radiation Reissues)

Stolen Property Record Store Day 2024 White Marbled Vinyl Edition

Release: 1982 / EU

Genre: Rock & Indie

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By the early 80s punk had become something else compared to what it was when Year Zero stabbed a flag in the sand and established ‘War!’ on boredom and normality. You could argue that in 1982 when Endangered Species arrived...UK Subs were very much that. The vanguard of the second wave. A crucial nook in the subculture. Still alive. Still kicking. Still prowling around the town with their best point yet to be proven. From Ambition, essentially an annihilated bluegrass-skank version of the Stones’ Satisfaction, to Indie Chart hit single Countdown and the atomic sonics of a post punk dub attack in Ice Age, all blistering guitar razors that chime against the night as well as chew it up, it's easy to see both why Charlie Harper considers the group's fifth LP to be their strongest and Guns ‘n’ Roses covered Down on the Farm.

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Charlie Harper

LP | 1981 | EU (Radiation Reissues)

The Visitation Silver Vinyl Edition

Release: 1981 / EU

Genre: Rock & Indie

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Before embracing punk through the influence of bands like the Damned, UK Subs frontman Charlie Harper was active in pub rock groups, so when he decided to cut his debut solo album for Flicknife Records in 1981, he returned to classic rock ‘n’ roll and R&B, cutting an enjoyable covers album with fellow Subs Steve Slack and Pete Davies in tow. Tune in to this long lost gem to catch the other side of Charlie, who delivers one-off takes of Hendrix’s ‘Hey Joe,’ the Doors’ Light My Fire, the Velvets’ ‘Femme Fatale’ and Muddy Waters’ ‘Hoochie Coochie Man,’ among others. All UK Subs fans take note: your hero’s alter-ego awaits!

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Chrome

LP | 1976 | CA | Reissue (Cleopatra)

Release: 1976 / CA – Reissue

Genre: Rock & Indie

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LP | 1980 | TR | Reissue (SN Music Publishing)

Sezen Aksu

Sevgilerimle

Release: 1980 / TR – Reissue

Genre: Rock & Indie

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LP | 1982 | TR | Reissue (Lider)

Selami Sahin

Tapilacak Kadinsin

Release: 1982 / TR – Reissue

Genre: Rock & Indie

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LP | 1978 | TR | Reissue (Ossi Müzik)

Osman Ismen Orkestrasi

Diskomatik Katibim

Release: 1978 / TR – Reissue

Genre: Organic Grooves, Rock & Indie

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Chelsea Red Vinyl Edition

Chelsea

LP | 1979 | EU (Radiation Reissues)

LP | 1981 | US | Reissue (1972)

Release: 1979 / EU

Genre: Rock & Indie

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Formed in 1976, legendary punk outfit Chelsea was assembled by the owners of the Acme Attractions boutique with Gene October as frontman; guitarist Billy Idol, bassist Tony James and drummer John Towe soon split to form Generation X, but their loss was Chelsea’s gain, with debut single ‘Right To Work’ rated one of the best punk songs of all time. Though their self-titled debut LP didn’t surface until 1979, when punk was waning, there is plenty to savour in October’s forceful vocals and James Stevenson’s powerful guitar licks, plus a plausible take of Jimmy Cliff’s ‘Many Rivers To Cross.’ A punk classic, ripe for rediscovery!

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Second Layer

World Of Rubber

LP | 1981 | EU (Radiation Reissues)

Release: 1981 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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Discharge

Why Red Vinyl Edtion

Release: 1981 / EU

Genre: Rock & Indie

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"Why?" is the debut album by hardcore punk legends Discharge, originally released in 1981. Upon it's initial release it peaked at Number 1 in the UK indie album chart. When it comes to classic hardcore punk, Discharge are truly one of the all-time greats.

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Pentacle

La Clef Des Songes

LP | 1975 | EU (Replica)

12" | 1988 | EU | Reissue (Thank You)

Release: 1975 / EU

Genre: Rock & Indie

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Produced by Christian Decamps from Ange in 1975, the sole effort by Pentacle (from Belfort) should ravish fans of early King Crimson lyrism, Gilmouresque guitars and French symphonic progressive bands like Atoll or Mona Lisa. A forgotten gem to be rediscovered.

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Degrees Of Freedom

China

Countdown To Ecstasy Limited Edition

Release: 1988 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Degrees of Freedom is a Canadian musical group founded in 1984 in Montreal by Janet Cadman (vocals and percussion), Martin Chartrand (bass, guitar, rhythm programming and vocals) and David Curtis (keyboards, vocals, and percussion). Established as a 5-piece New Wave cover band, Degrees of Freedom evolved into its classic quartet configuration following the departure of the original guitarist and drummer, and the subsequent enlistment of Santino Mastrocola on drums. With this lineup change came a new musical mission: the writing, recording and live presentation of original material only. Since Santino's withdrawal from the band in 1988, Degrees of Freedom has carried on as a trio in the studio while augmenting concert performances with additional musicians.

In February 1985, Degrees of Freedom performed at the newly formed S.O.S. (Save Our Songwriters) Club in Montreal. Like other participants in the S.O.S. project, Degrees of Freedom was rewarded with studio time to record some of its own songs. One of these, "August is an Angel" was selected to close out the locally produced 1985 band anthology album "Listen - A Faze Compilation of Montreal Music." The next year, a new track "In This Room," was included in the follow-up release "Listen 2." Both songs, with four newly recorded works, were issued in 1988 as Degrees of Freedom's eponymous sole vinyl release, informally known as the “China” album.

In 2015, the music of Degrees of Freedom experienced a renaissance thanks to a new generation of club DJs, traditional and internet-based radio hosts, vinyl disc collectors, and other aficionados of synth-based music. Local and international recognition has come in the form of record sales to fans in Canada as well as in the USA, Germany, Scotland, England, Ireland, Belgium, The Netherlands, France, Spain, Lithuania, Sweden, Bulgaria, Australia, Vietnam, and Japan. Responding to the resurgence of interest, Degrees of Freedom has twice re-issued the disc (2017 and 2019). Today, with eyes on the future and the past, Janet, Martin and David continue to collaborate on new material including the songs, "Metal Flesh" and "Be This Way" both accessible on the band's YouTube channel.

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Steely Dan

LP | 1973 | CZ | Reissue (Geffen)

Release: 1973 / CZ – Reissue

Genre: Rock & Indie

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LP | 1986 | UK | Reissue (Public Opinion Music)

Painters & Dockers

Bucket

23,39 €* 25,99 € -10%

Conrad Schnitzler & Wolf Sequenza

Release: 1986 / UK – Reissue

Genre: Rock & Indie

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Painters AND Dockers are a Melbourne institution – one of those extraordinary live acts that never lets up.

Following their debut album, the band unleashed this legendary live album which fans are still clamouring to get hold of today. Bucket presents the band in all of intense over-the-top live glory. This reissue of the CD contains a bonus live recording of “Bad”.

On vinyl, Bucket has not been available since the original 80’s pressing, and this new edition comes on ultra-rare Colored Vinyl.

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Consequenz II

LP | 1986 | EU | Reissue (Bureau B)

23,79 €* 27,99 € -15%

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Ossian Clear Vinyl Edtion

Ossian

LP | 1975 | EU | Reissue (Warner)

23,79 €* 27,99 € -15%

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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12" | 1979 | US | Reissue (Mesh-Key)

Tolerance

Anonym

23,99 €* 31,99 € -25%

Further Temptations Record Store Day 2023 Pink Vinyl Edition

Release: 1979 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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Packaged in an old school, tip-on sleeve. Includes hi-res digital download.

Legendary debut album by Junko Tange (mystery woman who showed up on the NWW list), originally issued by Osaka’s Vanity Records in 1979. Dadaesque recitations and sparse guitar, piano and electronic meanderings combine for a beguiling, hypnotic dreamworld. Officially licensed from the custodians of Yuzuru Agi's Vanity Records archives, this edition has been fully remastered from new transfers of the original analog tapes by Stephan Mathieu.

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Drones

LP | 1977 | EU (Radiation Reissues)

Qualcosa Ca Nu Mmore Blue Vinyl Edition

Release: 1977 / EU

Genre: Rock & Indie

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Frontman MJ Howells and his drumming brother Peter Purrfect formed glam-rock band Rockslide in Manchester in the mid-1970s with bassist Wispa Cundall and guitarist Vic Long but changed direction after seeing the Sex Pistols; Long was replaced by guitarist Gus Gangrene and after shifting to London, their new identity was pure punk. Debut EP Temptations Of A White Collar Worker sold 14,000 copies in short shrift, paving the way for the dynamite LP Further Temptations, the sole long-player they managed before splitting in the mid-1980s. Brash, bold, defiant and non-conformist, Further Temptations kicks ass!

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Napoli Centrale

LP | 1978 | EU | Reissue (Catalog)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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...Munich-Album... Turquoise Vinyl Edition

Patty Pravo

LP | 1979 | EU | Reissue (RCA)

Release: 1979 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Stadio White Vinyl Edition

Stadio

LP | 1982 | EU | Reissue (RCA)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Comici Cosmetici Red Vinyl Edition

Alberto Camerini

LP | 1978 | EU | Reissue (Catalog)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Master Control 35th Anniversary Edition

Liege Lord

LP | 1987 | EU | Reissue (Sony Music/Metal Blade)

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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The Hall Of Floaters In The Sky

Omega

LP | 1975 | EU | Reissue (MIG)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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200 Years After The Last War

Omega

LP | 1974 | EU | Reissue (MIG)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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LP | 1986 | TR | Reissue (Sn Muzik)

Sezen Aksu

Git

Courts Or Wars Red Vinyl Edition

Release: 1986 / TR – Reissue

Genre: Rock & Indie

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This is one of the best albums of the diva's musical career. Originally released in 1986 on CD and cassette, her 7th studio album is finally available on vinyl. With lyrics by Aysel Gurel, album concept and music by Onno Tunç, this album contains many hits such as "Değer mi", "Git", "Kolay Değil", "Unzile" and "Beni Unutma".

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Second Layer

LP | 1987 | US | Reissue (1972)

Peace, Love & Murder Black Vinyl Edition

Release: 1987 / US – Reissue

Genre: Rock & Indie

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Adrian Borland and Graham Bailey might be better known as members of legendary post-punk group The Sound, but the two were childhood friends and had been playing together even earlier in The Outsiders, and continued their deep musical rapport as a duo, creating these intense and engaging songs as Second Layer at the same time as their higher profile band output. Combining their early recordings, including the 1979 Flesh As Property EP and 1980 State Of Emergency EP, Courts Or Wars takes its title from the first song that served as the pair’s introduction to listeners. Right from the beginning you are enveloped in what The Quietus described as, “a monochrome worldview morbidly obsessed with the dehumanizing effect of war, nuclear weapon annihilation, and the fracturing and negation of the self within an increasingly d istorted and technologically mediated society.” Where The Sound fit snugly next to Echo And The Bunnymen, Second Layer had far more in common with the pulsing menace of Suicide. Borland’s familiar vocals and sense of melody hold a connection to his other songwriting, but within these songs he takes far more risks in his guitar work to suit the subject matter. What really drives everything is Bailey’s propulsive bedrock, formed by his homemade pre-drum machine rhythm generators, creating an innovative mechanical approach that somehow inserts a jittery neurotic touch that merges perfectly with his electronic layers driven by the wasp synth, various unique effects boxes or tape loops. Adding in Bailey’s own distinctive bass playing, the results feel personal and experimental, pointed and harsh, while also bracingly accessible and covered in dark manic energy. Over forty years later, these recordings feel shockingly appropriate. In painting a bleak reality and frightening future, there is real desperate beauty here.

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My Dad Is Dead

LP | 1987 | US | Reissue (Scat)

Premiata Forneria Marconi

Release: 1987 / US – Reissue

Genre: Rock & Indie

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Peace, Love & Murder was the second album by Cleveland’s My Dad Is Dead, originally released in 1987 by Boston’s Birth Records. Like the debut, ...And He’s Not Gonna Take It Anymore, Mark Edwards wrote and performed all the music on his own. While not a significant departure from that album, Peace, Love & Murder does differ from its predecessor and has some qualities that make it unique in the voluminous Mdid discography. While combining live drums with drum machine is a hallmark of the Mdid style, on this album Edwards introduced the Roland Tr-505 into the mix, and in a bold move recorded the live drums first, which had the effect of making the rhythm tracks feel a bit more organic despite the presence, and occasionally the prominence, of the Tr-505. Modal guitar tunings remain de rigeur here, but Edwards’ abilities as a guitarist display a marked increase in proficiency and imagination. While the debut album sprawls a bit, PLM is a tight and focused ten song set, buoyed by a more impactful production job by Chris Burgess. Just as the debut album had a few lighter (or at least slightly less grim) songs, so does this album, but here they shine with a bit more pop sparkle. “Babe In The Woods” and “Hill O’ Beans” would go on to be fan favorites for many years, as would the utterly harrowing unstoppable bulldozer that is “Like A Vise.” All these years on, the album’s closer “Fireball” has become oddly relevant and chilling. Sung from the POV of a mass shooter to a droning riff that evokes Middle Eastern modes, the narrator intones, “I’m gonna go out in a blaze of glory / today’s the day I’m gonna make it to the headlines.” The whole album has remarkable cohesion and pacing, as well as variety, and, not to mention ,what a god-tier track “Breakdown” is. So grab a black overcoat and “Open Wide.”

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Photos Of Ghosts Clear Vinyl Edtion

LP | 1973 | EU | Reissue (Numero Uno)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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LP | 1975 | EU | Reissue (RCA)

Banco

Banco Blue Vinyl Edtion

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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LP | 1987 | EU | Reissue (RCA)

Francesco De Gregori

Terra Di Nessuno

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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LP | 1983 | EU | Reissue (RCA)

Loredana Berte

Jazz Blue Vinyl Edition

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Acqua Fragile Orange Vinyl Edition

Acqua Fragile

LP | 1973 | EU | Reissue (Numero Uno)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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LP | 1988 | EU | Reissue (Supraphon)

Nerez

Na Vareny Nudli

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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LP | 1981 | US | Reissue (Slovenly)

Eddie And The Subtitles

Skeletons In The Closet

LP | 1986 | EU (Trading Places)

Release: 1981 / US – Reissue

Genre: Rock & Indie

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It’s 1980 in Orange County, California, and Punk Rock has been scorching the ‘burbs for a few years. Eddie Joseph has been on the Southern California scene the entire time, plotting his poisonous rock’n’roll maneuvers since the mid 1960s when he began playing in garage bands. Eddie had been honing his skills on roots music and swinging teenbeat well in advance of his foray into a new, seedy, violent punk blitzkrieg. There’s a master plan at work here, and it involves select players depending on which direction Eddie needs to bleed out of his system. The recruitment of Mike Patton and Matt Simon of OC legends THE Middle Class get Eddie AND THE Subtitles rolling for a slew of shows with comrades Black Flag, Adolescents, Circle Jerks and every other degenerate crew in the radius. A DIY imprint called No Label Records is formed (with literally NO Labels on the vinyl!) and the first single “Fuck You Eddie!” is unleashed. Recorded in Fullerton by JON ST. James at his legendary Casbah studio (The Vandals, Social Distortion, Berlin), these sessions also yielded a handful of tracks that would appear on the exceedingly rare Skeletons In The Closet LP (No Label Records, 1981). “Zombie Drug Killers,” “No Virgins In Hollywood,” and “American Society” (the short fast loud version covered by L7) appear here as the opening trio on this newly re-sequenced reissue. Geza X is also on board to produce a handful of tracks with peripheral Subtitles including Nicky Beat (germs, Weirdos) among the sessions’ players. The results here are another manifestation of Eddie’s one true love. Even as a punk allegiant, songwriting, sound and style are the priority. The dusted and dark goth-pop of “Magic” and “Stream of Consciousness” are crucial to the plot, setting a unique tone that works in a sea of one-dimensional scene releases, taking full advantage of Geza’s synth-mimicking microtonal guitar techniques. A tribute to Dave Dacron, chief miscreant of Dangerhouse Records’ Rhino 39 is also set to tape as consolation to X, as Dacron’s 16 year old life was tragically cut short in an automobile accident in 1980. But the party rocks on with covers of “Louie Louie” (also appearing on the elusive Fuck You Eddie! single) and “We Gotta Get Out of This Place,” as a testament to Eddie’s obsession with the timeless now-sounds of his delinquent adolescence. Friends and fellow freaks JON Blair (of surf cats JON AND THE Nightriders) and Bobby Paine (later of rockabilly hepsters THE Paine Brothers) lend their own song-smithery for four more originals: “Boppin’ Little Bobcat, ”“Treat me Right,” “Gina” (covered in 1984 by Josie Cotton and again in ‘89 by Stray Cats) and “Your Head’s In The Right Place,” respectively. Skeletons In The Closet remains an unusual and rare artifact in the ashtray world of punk, DIY and outsider music, and Slovenly Recordings is blasted to present it to the world one more time.

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The Tryp

My Brain Collapsed

LP | 1973 | EU | Reissue (Sommor)

Release: 1986 / EU

Genre: Rock & Indie

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The roots of 80s English psychedelic freak band The Tryp lie in a hoax perpetuated by Steve Lines’ indie mag Mardenbeat, based in the town of Calne in the Marden Delta, which reviewed a gig by a non-existent band; former JP Sunshine main man Rod Goodway and partner Christine Cotter then gave flesh to the beast with Lines and Paul Ricketts of Unhinged mag, cutting My Brain Collapsed! as an exploration of mushroom-fuelled mental instability. First issued on cassette label Mardentapes and later by Acid Tapes (just as Lines took over from Alan Duffy), this edition is the first on vinyl-A Must Have FOR ALL Tryppers!

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Curtis Knight Zeus

Sea Of Time

Sakla Samani Gelir Zamani

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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In the early 70s, Hendrix’s old friend & collaborator Curtis Knight moved to London and formed Curtis Knight Zeus, recruiting a young guitarist named “Fast” Eddie Clarke (later of Motörhead fame).

Sea Of Time was recorded at Olympic Studios in 1973 but never actually released in the UK, only in a few European countries. Psychedelic hard-rock with soul/funk influences and even some raw proto-punk moves. All songs were written by Curtis, showcasing his versatile songwriting talent, and he’s also on lead vocals / guitar.

Includes the underground heavy-funk-rock hit “The Devil Made Me Do It” and more!

Recommended if you like Jimi Hendrix, Arthur Lee’s “Vindicator”, Chubby Checker’s “Chequered”…

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Baris Manco

LP | 1976 | TR | Reissue (Emre Grafson)

Illa Ki Red Vinyl Edition

Release: 1976 / TR – Reissue

Genre: Rock & Indie

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2018 Re-mastered, 180g black viny. The single compilation of Barıs Manco from 1972-1975. Originally released in 1976. Psychedelic Sound flavoured by Turkish traditional instruments and anonymous lyrics, Can’t take your ears off the sound that you hear.

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Erkin Koray

LP | 1983 | TR | Reissue (Mega Müzik)

LP | 1973 | EU | Reissue (Everland Psych)

Release: 1983 / TR – Reissue

Genre: Rock & Indie, Pop

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2021 Re-mastered, reissue, 180g Red Colored Vinyl. Originally released in 1983 by the talented artist who is one of the inventors of Anatolian Rock in 1960s. Although this sort of music was pretty much disappeared around 1980, this album still has the psychedelic rock elements. Erkin Koray took 3 songs from The Devil’s Anvil’s (American Psychedelic Rock Band) 1967 debut album called “Hard Rock From Middle East” and wrote the Turkish lyrics. The fuzzy and groovy guitar tunes never get you bored.

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Niagara

Afire

Tülay German & Francois Rabbath

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Niagara's third LP Afire is the rarest one from kraut drummer, formerly of Sunbirds, Klaus Weiss' band. An astonishing album which returns to the minimal sounds based on percussion and rhythm of their first album, yet retaining a feel of harmony all through it - this time not provided by the brass instruments that had been added in S.U.B., but though to the high emphasis put on combining a variety of drums each tuned to their perfect pitch, and the contribution of Embryo's bass player Dave King. Also present on the sessions were percussionists George Brown, Sabu Rex and Norman Tolbert. The phenomenal rhythms contained on this LP have made it a very sought after piece among those looking for cool samplers to mix.

Klaus Weiss is considered one of the best drummers of the German jazz scene, he was always very active and played with a lot of USA jazzmen travelling Germany like Hampton Hawes, Herbie Mann, Mal Waldron or Johnny Griffin, as well as with German greats as Klaus Doldinger, George Gruntz, Friedrich Gulda, etc.

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Homage To Nazim Hikmet

LP | 1982 | EU | Reissue (Zehra)

LP | 1976 | EU | Reissue (Out-Sider Music)

Release: 1982 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Following the reissue of the self-titled debut by Tülay German & François Rabbath in 2021, we‘re presenting the 2nd and final part of our Tülay German reissues: "Homage to Nazım Hikmet" (1982). Once again in a duo setting with François Rabbath, Tülay German pays tribute to one of Turkey's greatest poets of the 20th century: Nazım Hikmet (1902-1963). Recorded in the early 80s this two-album workcycle refers heavily on turkish poets and the tradition of aşıks (singer-poets and wandering bards) and consists of unique and modern interpretations of turkish folk songs unmatched to this day.

Back in the 60s Tülay German (*1935 in Istanbul, Turkey) shook the turkish music landscape with several 7" records. Most notably her first 7" record Burçak Tarlası (1964) is now considered the cornerstone of what was to become the Anadolu Rock/ Pop movement and underlines her rebellious nature and sense of justice. But due to increasing repression Tülay German and her lifelong partner and intellectual impetus Erdem Buri decided to leave Turkey a few years later. In France Tülay German signs a major contract with Philips resulting in many 7" releases sung in french under her french moniker Toulaϊ. In the long run Tülay German doesn’t feel quite comfortable with this major deal. And thus, despite the success and recognition she had gained, she decides to quit the contract with Philips!

Later on she signs to independent world-music label Arion to pursue her actual artistic goals more in line with her origin and temperament. Back to her mother tongue, Tülay German records above mentioned albums for Arion under full artistic freedom, the only full-lenghths in her 20+ years career. Alongside with double-bass virtuoso and turkophil François Rabbath (*1931 in Aleppo, Syria) the albums consist of aşık traditionals and intonated poems mainly by Nazım Hikmet. Her passionate voice and the restrained arrangements of François Rabbath turn these centuries old melodies and poems into glowing manifestos for love and justice. The fruitful collaboration of these artists-in-exile adds significantly to the rich heritage of turkish folk music.

Nazım Hikmet (1902-1963) is considered as one of Turkey’s greatest poets of the 20th century, though during his lifetime his works were banned in Turkey for decades and he spent most of his life in prison or in exile. He is up to this day a huge reference for turkish writers, musicians and intellectuals.

Tülay German ended her musical career in 1987. In 2021 Tülay German was awarded with the Lifetime Achievement Award by the Istanbul Foundation for Culture and Arts, Turkey.

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Apocalypse

The Castle

LP | 1984 | EU | Reissue (Strangelove)

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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70s Chicago-area based band Apocalypse used their double-neck guitars to create chamber prog suites about faraway castles.

Their lost 1976 LP (used as a demo), with male/female harmonies, violin, mellotron and fuzzed-out guitars/keys has been unearthed by Steve "Plastic Crimewave" Krakow. With their lenghty and tuneful musical odysseys, Apocalypse conjures the golden mid-70s progressive period of Renaissance, Soft Machine, ELP, Gentle Giant and Genesis.

Travel back in time with the Salvatori family. Way back to 1976, when he was in high school, Tom Salvatori teamed up with older brother Michael Salvatori, Michael’s wife Gail Salvatori and Tom’s classmate Scott Magnesen.

As Apocalypse they recorded an album of pure progressive rock magic called The Castle. Although the 5-song, 38-minute demo was an amazing showcase for their collective progressive rock leanings, The Castle remained an unreleased artifact until 2021 when the reel-to-reel master tape of the presumably long-lost relic was rediscovered by Michael in a dusty old basement storage bin. Music fans can be thankful that Michael’s rediscovery of the Apocalypse master tape has now led to a vinyl-only reissue of The Castle.

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Sjunne Ferger

Mind Games

LP | 1977 | EU | Reissue (RCA)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Occupying its own hinterland within Scandinavia's early 80s electronic/progressive move-ments, 'Mindgames' navigates a lifetime of musical and personal exploration by Sjunne Fer-ger. Child jazz drummer prodigy, arts venue operator, music teacher and Aikido practition-er, a bewildering array of personal & creative influences are distilled into the Örebro native's only long player. Written around a new wave context, his own jazz fusion roots and at times with an unintentionally balearic outcome, Sjunne goes some way to conjuring up a singular sounding album of the time.

Narratives of love and loss, calls to self-empowerment and mindfulness, the new age zeal throughout follows Sjunne's own awakening. Its music caught in meditative reflection one moment before propelling into ecstatic revelation the next, with Sjunne's collective 'Exit' providing electric backing throughout. Propelled by the Drummer's beat, its hard not to be caught up with Sjunne's personal vision of a 'Polymood Music'

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Edoardo Bennato

Burattino Senza Fili

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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Anna Oxa Orange Vinyl Edition

Anna Oxa

LP | 1979 | EU | Reissue (RCA)

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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LP | 1973 | EU | Reissue (Out-Sider)

Brigg

LP | 1973 | EU | Reissue (MIG)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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First ever legit vinyl reissue, sanctioned by the band members, of this collectable psych/folk/hard-rock album from 1973. Brigg were a rural Pennsylvania folk-tinged psychedelic band formed by three high school friends: Rob Morse, Jeff Willoughby and Rusty Foulke. In 1973, they borrowed the money to record their first album together. They called it Brigg after one member saw the name in a dream. It was recorded at a grocery store converted into a 4-track studio. The photos for the cover were taken in a purportedly haunted house in Danville. The band members pressed 1000 copies and sold some to their friends but never played a live show together. They divided the remaining copies between them and went their separate ways. Several decades later, the Brigg album became a collector’s item and was bootlegged all over the world.

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Agitation Free

2nd

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Win Or Lose Black Vinyl Edition

Magi

LP | 1976 | EU | Reissue (Got Kinda Lost)

LP | 1975 | EU | Reissue (Musica Per Immagini)

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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First time authorized reissue of Rust Belt hard rockers Magi’s (pronounced ˈmā-ˌjī) 1976 privately-pressed, hard rock nugget, Win Or Lose, originally issued on the infamous Uncle Dirty’s Sound Machine label. Win Or Lose carries similar glimmers to other vulgar, pre-PC, mid-Amerigan rock whose stock-in-trade boy meets girl early rock’n’roll topicry could easily be pulled from the Rock 101 playbook, but Magi was more than mired in muscle and machismo. Magi displayed the general insouciance, hormones, and discontent of their age, but also a concerned and wounded heart underneath the veneer, much less common to the field. While essentially a meat-and-potatoes hard rock record, the album flies closer to the early ‘70s beginnings of the genre (with nuance and psychedelic hangover in tow), when the definition was less rigidly and generically defined, and is additionally expertly sequenced across its eight strong tracks, improved by a masterful mix and remaster by T. Dallas Reed (Electric Wizard, Iron Claw, Mos Generator, Orange Sunshine, Poobah, Saint Vitus, Treepeople, Truth And Janey, et al.), utilizing a reel-to-reel from the original recording sessions. In-depth and informative liner notes by Jeremy Cargill (Got Kinda Lost / NTS Radio) and Patrick Lundborg. As the uncredited seeker who penned the original rear sleeve text expressed... “Energy is apparent, the subtleties are there, listen, there’s no question how they feel! Feel it with them! Feel the Magi!” “…quite contemporary in style for its 1976 release year. Regional and local bands tend to lag behind dominating music trends by a few years, but Magi’s sound seems entirely in line with then popular acts like Aerosmith, early Kiss, and maybe Ted Nugent.” – Patrick “The Lama” Lundborg (The Acid Archives)

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Ugo Busoni

Valvole

Haunting The Chapel Red & White Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Organic Grooves, Rock & Indie, Soundtracks

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Ugo Busoni's “Valvole” is a classic example of the so-called library music records released – between the end of the Sixties and up to the Nineties – in Italy as in the rest of the world, in order to provide 'background music' to be used in the editing of news broadcasts, radio and newsreels. These were records made by highly experienced composers and musicians who, in a very short time and with limited or non-existent budgets, had to make music to be synchronized to images. For obvious reasons, they had to be tracks of short duration, characterized by a certain didactic 'formalism' that allowed an immediate choice for their main use. The titles given to the compositions had to recall a specific topic or setting that would make the choice of technicians easy for synchronization. Tokyo, Uscita Da Scuola, Raid, Polvere Cosmica, Su Una Nuvola, Controspionaggio and Starne are, not surprisingly, some of the titles of the tracks of this album published more than forty years ago by Nuova Idea. Sounds from the Far East, folky and rock guitars, psychedelic rhythms, avant-garde tunes, cosmic echoes and much more are some of the elements of one of the most indecipherable records of that historical period, reissued for the first time on vinyl by Musica Per Immagini with a brand new artwork.

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Slayer

LP | 1984 | EU | Reissue (Metal Blade)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Emerges Black Vinyl Edition

Stone Harbour

LP | 1974 | EU | Reissue (Out-Sider Music)