Rock & Indie Vinyl 2240 Items

Short Sharp Shock White Vinyl Edition

Release: 1978 / EU

Genre: Rock & Indie

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Lesser-known punk band Cyanide formed in the northern cathedral city of York in 1976, the four lads based at the Old Priory Youth Club. After cutting a couple of demos soon after their formation, in time the band’s reputation was such that they were playing the Roxy in London and during their rapid ascent, the quartet managed to score a contract with major label Pye for their self-titled debut album, recorded in December 1976 and produced by Ron O’Shea, who ironically got his start with orchestral easy listening. A fun set of tongue-in-cheek first-wave punk originals, the album also includes a spirited cover version of The Who’s ‘I’m A Boy.’

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Chaos UK

LP | 1984 | EU (Radiation Reissues)

Attitudes "Lp" Yellow Splattered Vinyl Edition

Release: 1984 / EU

Genre: Rock & Indie

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Originally released on the small “Children Of The Revolution” label back in 1984, Short Sharp Shock is Chaos UK's own undiscussed masterpiece, and their first 12” recorded with the classic Mower/Chuck/Gabba /Chaos line up. Up there along with Discharge’s Hear Nothing,See Nothing, Say Nothing and Disorder’s 1984 Under the Scalpel Blade, straight out of the holy trinity of British 80's Punk: angry, pissed and out of tune like it always should have sounded.

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Brat

LP | 1981 | EU (Radiation Reissues)

LP | 1970 | EU (Trading Places)

Release: 1981 / EU

Genre: Rock & Indie

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Innovative East LA Chicano punk rockers THE Brat formed in l978 when lead guitarist Rudy Medina and his guitarist nephew Sidney met singer-songwriter Teresa Covarrubias. Together they began penning songs that addressed social inequalities while fusing hardcore sounds with reggae undercurrents and a hint of girl group pop. A gig at the Vex in l98O put them in the orbit of Los Illegals and The Plugz, whose frontman Tito Larriva produced their debut EP Attitudes, making it the first release on his own Fatima Recordz label. A killer set from start to finish, this fully authorized limited edition remastered reissue comes with rare bonus tracks and a printed inner sleeve. Essential!

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Jawbone

Horror Epics Red Vinyl Edtion

Release: 1970 / EU

Genre: Rock & Indie

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Psychedelic pop act Jawbone had ample talent and keen industry connections yet remained unjustly obscure. Core members had been active in The Mirage, who signed with CBS and later recorded for Phillips; drummer David Hynes and bassist/future Elton John Band mainstay Dee Murray briefly joined the Spencer Davis Group, but regrouped as Portobello Explosion, which became Jawbone. Their rare self-titled debut, released by Carnaby in 1970, had an undercurrent of Americana, and there’s a one-off cover of The Beatles’ ‘Across The Universe’; this edition features bonus track ‘Way, Way Down,’ a non-LP Carnaby 45.

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Exploited

LP | 1985 | EU (Radiation Reissues)

Mona The Carnivorous Circus

Release: 1985 / EU

Genre: Rock & Indie

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Long-awaited reissue of the 1985 album of the most iconical of all the Uk82 bands, The Exploited. Originally out on the small belgian Konexion label in Europe and the legendary Combat Records for the overseas market, ‘Horror Epics’ reached no. 17 in the UK indie chart Top 20, and is still considered an absolute classic of the genre. This superb deluxe reissue, exclusively licensed by Wattie Buchan himself, also features 2 bonus tracks from the original cassette version.

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Mick Farren

LP | 1970 | EU (Trading Places)

LP | 1981 | EU (Trading Places)

Release: 1970 / EU

Genre: Rock & Indie

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The adventurous singer, guitarist and music journalist Mick Farren launched his solo career after being sacked by his fellow Deviants, the protopunk band he fronted from 1967-69. Suffering from depression and other mental health issues, Farren teamed up with an all-star cast, including members of Quartermass and ex-Tyrannosauros Rex honcho Steve Peregrin Took for debut opus Mona The Carnivorous Circus, mixing hard rock, spoken word, spaced-out interludes, radio cut-ups and garage rock, rendering a work as compelling as it is hard to classify. Strange, delightful and a favourite of Julian Cope, this is an aural journey to savour.

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Gypsy Blood

Kokkourishi

The Only Good Punk ...Is A Dead One Clear Vinyl Edtion

Release: 1981 / EU

Genre: Rock & Indie

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Exact Repro OF THE Original With 4 Bonus Tracks. Japanese country rock act Gypsy Blood must be heard to be believed. Released on Vertigo in 1971, their sole LP showed the group simply bursting with talent, Kiyoshi Hayami’s mandolin exceptional and the masterful soft-rock production courtesy of Miki Curtis; drummer Eiichi Tsukasa had earlier been in the Helpful Soul, organist Katsuo Ohno had been in the Spiders, and guitarist/vocalist Hiroaki Nakamura later played in Buzz with future YMO member Yukihiro Takahashi, while none other than Alan Merrill of ‘I Love R‘n’R’ fame completes the picture on piano. A beautiful album, and a very rare beast!

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Electro Hippies

LP | 1988 | EU (Radiation Reissues)

The Michael Schenker Group

Release: 1988 / EU

Genre: Rock & Indie

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Hailing from the former northern mining town of Wigan, between Manchester and Liverpool, the short-lived Electro Hippies were a band like no other, saluted as icons of crust punk and proto-grindcore. Following some cassette demos, a shared LP with Newcastle’s Generic and a Peel session, debut LP The Only Good Punk…Is A Dead One surfaced on Peaceville with twenty songs, all clocking in at under two minutes (around half being less than 60 seconds). Highly political, deeply ironic, and with a snatch of Black Sabbath in the mix, The Only Good Punk is the band at their blistering best, the peak that preceded their ultimate downfall.

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Built To Destroy

LP | 1983 | Reissue (Chrysalis)

22,09 €* 25,99 € -15%

Release: 1983 / Reissue

Genre: Rock & Indie

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LP | 1982 | UK | Reissue (Shadow World Archive)

Lining Time

Strike

22,39 €* 31,99 € -30%

Sognadoro Yellow Vinyl Edtion

Release: 1982 / UK – Reissue

Genre: Organic Grooves, Rock & Indie

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Here I AM is the first thing. A powerful incantation sung in full choral style at Dartington College of Arts in 1982 and captured on tape, now in 1s and 0s for all eternity. It’s a bold phrase, this assertion of existence, this permanent claiming of space in time; these three words we were made to sing in church, that we used to recite one after another at the beginning of class. Doing so might seem mundane, or easy, but it’s not. What’s easy is not. Not declaring one’s presence, not showing up at all. Claire Bushe, Cathy Frost, Lisa Halse, Cathy Josefowitz, and Mara de Wit showed up, took a side. They called themselves Lining Time. They were here. ANY Woman CAN SAY I’M A Witch, they said. Strike is the album Lining Time made. It plays out like a freedom spell, like liberatory healing magic. Reveling in the power of the voice, Lining Time sing. Not at us, but for us. As if by putting voice to the traumas inflicted by the patriarchy and capital, they could be made right. As if the whole world might join in and sing along, might join in and take action - might join in and strike.There’s nothing exclusive about the music Lining Time made. Like many of the best and weirdest records of the post-punk era, Strike wears its amateurism as a badge of honour, flies it like a flag to rally around. It is inclusive to the extreme. Which isn’t to say anyone could’ve made Strike. That’s the thing. The music preserved here is too weirdly spare and idiosyncratic - and wildly overconfident in the way that only the young and young at heart can be. Sometimes it’s almost protest folk, acappella or accompanied by a single acoustic guitar, as on ‘It’s Possible’. Sometimes schoolroom auxiliary percussion clunks out a cyclical, ritual rhythm, as on the title track. At no point does it feel less than singular. Still, this is music about and for universal sisterhood. It invites solidarity. Take up an instrument for the cause and sing your own song. Time Passes Time Passes Time Passes Time Recorded music often functions like a time capsule. It’s not rare that an album is “lost”. Rather, it’s rare that a work is heard widely at the time it was made. Often, it’s barely heard at all. It just exists somewhere, a cave painting or an ancient piece of graffiti, waiting to be stumbled upon for whatever reason. The reason, in Strike’s case, is a wonderful posthumous exhibition of Cathy Josefowitz’s artwork, The Thinking Body, a cooperative effort between Kunsthaus Langenthal, Centre Culturel Suisse, Paris, Macro Roma, Les Amis de Cathy Josefowitz, and Elise Lammer. It’s possible that some might be tempted to think of Lining Time as a sideshow curiosity to the main event, but that’d be foolish. Strike, nearly forty years old, is as alive and relevant as it was when it was recorded in the wake of the Reclaim the Night march. If anything, it’s shocking how potent and necessary its message remains today.

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Mimmo Locasciulli

LP | 1983 | EU | Reissue (RCA)

22,39 €* 31,99 € -30%

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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LP | 1977 | EU | Reissue (Warner Music International)

Triana

Hijos Del Agobio

22,49 €* 24,99 € -10%

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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En Fusion Clear Vinyl Edtion

Offenbach

LP | 1979 | CA | Reissue (Return To Analog)

22,49 €* 24,99 € -10%

LP | 1975 | CA | Reissue (Return To Analog)

Release: 1979 / CA – Reissue

Genre: Rock & Indie

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Record Store Day 2020 Release.

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Maneige

22,79 €* 23,99 € -5%

Release: 1975 / CA – Reissue

Genre: Rock & Indie

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Legendary prog band from Montreal,Qc.Reissue of first album.

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Atlas

Bla Vardag

LP | 1979 | EU (Replica)

22,79 €* 23,99 € -5%

2LP | 1974 | DE | Reissue (Zappa)

Release: 1979 / EU

Genre: Rock & Indie

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Originally published in 1979, the sole album from swedish band Atlas is combining playfulness with intricate, mellow melodies while infusing heavy organs, carefully refined guitar riffs and fantastic synthesized soundscapes. This album is indispensable when looking at the progressive instrumental music history and not to be overlooked !

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Frank Zappa

Roxy & Elsewhere

22,79 €* 23,99 € -5%

Premiata Forneria Marconi

Release: 1974 / DE – Reissue

Genre: Rock & Indie

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Pressed in Germany at Pallas, 180g audiophile quality. With Hype Sticker.

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Jet Lag Blue Vinyl Edition

LP | 1977 | EU | Reissue (Rca Label)

22,94 €* 26,99 € -15%

Release: 1977 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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LP | 1972 | US | Reissue (Manufactured)

Nitai Dasgupta

Songs Of India

22,94 €* 26,99 € -15%

LP | 1986 | TR | Reissue (Bayar Müzik)

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Manufactured Recordings reissues two Indian Classical LPs, Songs Of India from prominent vocalist Nitai Dasgupta and Three Sitar Pieces by trained instrumentalist Pandit Kanwar Sain Trikha, both originally released on Vic Keary’s underground label, Mushroom Records, in the early 70s.

While Vic Keary’s background was in reggae, Mushroom Records dabbled in recording a bit of everything. Mostly known for hyper-rare Psych, Prog and Acid Folk, Nitai Dasgupta and Pandit Kanwar Sain Trikha’s diverse LPs fit in perfectly with their British Psych and Prog label mates like Simon Finn, Magic Carpet, and Chillum.

Nitai Dasgupta was one of the most talented Indian classical singers in Great Britain. His sweetness and flexibility created a unique style complemented by his melodious voice and composing abilities. Songs Of India pleases the lovers of Indian classical and semi-classical music while enticing pop and folk lovers. This LP even caught the ears of acclaimed electronic artist, Four Tet, who featured track “Cham Cham Cham Cham” on his NTS Radio show.

I inherited the Nital Dasgupta LP from my grandfather. I’ve no idea how he came to have it and after he died it sat on a shelf for many years before I found it and gave it a listen. – Kieran Hebden aka Four Tet

Both LPs are fascinatingly diverse pieces of work that dive into the intersection of folk, classical, and psychedelic music.

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Müslüm Gürses

Küskünüm

LP | 1981 | TR | Reissue (Modern Plakcliik)

Release: 1986 / TR – Reissue

Genre: Rock & Indie

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This album was originally released in 1986 on MC and LP. This record was re-released in 2020 and reached the highest sales figures of the King of Arabesk's artistic career, including works such as Küskünüm, Hasret Rüzgarları, Seni Kalbime Gömdüm and Unutamadım, which are among the classics of Müslüm Gürses. You will be surprised by the artist's unique interpretation technique on this record

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Müslüm Gürses

Mutlu Ol Yeter

12" | 1984 | EU (Radiation Reissues)

Release: 1981 / TR – Reissue

Genre: Rock & Indie

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Arabesk and Turkish folk music singer Müslüm Gürses released more than 70 albums, concert recordings and compilations between 1975 and 2014. Gürses starred in 38 movies between 1979 and 2011, reaching a wide audience as a popular cult figure from the 2000s onwards. The Mutlu Ol Yeter album, originally dated in 1981,is back on the shelves in 2017.The songs that stand out in the album are “Mutlu Ol Yeter” and “İtirazım Var”,which also give the album its title. Orhan Akdeniz and Burhan Bayar are the musical directors and producers of the album, who also wrote most of the tracks.

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Vatican Commandos

Point Me To The End

Watching The Dance Silver Colored Vinyl Edition

Release: 1984 / EU

Genre: Rock & Indie

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Formed in the wealthy coastal town of Darien Connecticut in the early 1980, hardcore punk band Vatican Commandos released their debut EP, Hit Squad For God, in 1983, followed swiftly by the Just A Frisbee EP. Recorded in the summer of 1984, shortly before their ultimate demise, the blistering EP Point Me To The End captures the band at their most competent, bolstered by high production values, with a one-off poem by beat-punk poet Earl broadening the boundaries; this edition is made complete by the inclusion of crucial bonus tracks ‘Your World Is Flat’ and ‘Morality,’ from the ultra-rare compilation Make It Work.

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Aerial Fx

LP | 1982 | EU (Radiation Reissues)

Souvent Fauche Toujours Marteau

Release: 1982 / EU

Genre: Rock & Indie, Electronic & Dance

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Moody Oxford post-punk quintet Exit 13 became Aerial FX at the dawning of the 1980s, the promise of their minimal sound, with its prominent synthesizers, yielding a publishing deal with Island Records and an early single released by the label. Debut album Watching The Dance has shades of dark synth pop and Goth, with future Radiohead manager/producer Chris Hufford firmly in the spotlight throughout. The influence of acts like Van Der Graaf Generator, Modern Eon and others lurk beneath this hidden Cold Wave gem.

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Berurier Noir

LP | 1989 | EU | Reissue (Archives De La Zone Mondiale)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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LP | 1984 | EU | Reissue (Archives De La Zone Mondiale)

Berurier Noir

Macadam Massacre

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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LP | 1985 | EU | Reissue (Archives De La Zone Mondiale)

Berurier Noir

Concerto Pour Detraques

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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LP | 1981 | EU | Reissue (Glossy Mistakes)

Earthling

Dance

LP | 1970 | Reissue (Mute)

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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Tokyo. 1981. A couple of fashion designers decide to go for it and start recording music with a third musician. Their debut album, Dance, is an influential synth pop and wave album twisting the boundaries of the genres.

Earthling consisted of the couple: lead vocalist/guitarist John, bass guitarist Yoko Fujiwara, plus keyboard/sythesizer player Jin Haijama. The group was formed in Tokyo in 1979 when John and Yoko, previously fashion and textile designers, felt the desire to give the music they'd written a more permanent environment. They recruited Jim, who was working in an amusement park, and evolved a musical form which pulsed with a steady beat, yet was tempered by hypnotic vocal chanting. The sound of Earthling reinforces the subtle and sensitive connections which link modern music to dance to, with hints of synth-pop, new wave and heavy punk vocals tainted by drum machines.

While the group uses a rhythm-machine to epitomize the sustained beat of Tokyo in the early 80s, the emotional vocal impact of songs like ''Heavy Feeling in My mind'' and ''The Guard of Sensitivity'' add an urgent, street-wise dimension to their precise instrumental presentation. Earthling are sound pioneers, painting future dreams that transcend the present day.

Their music crossed borders also internationally: "You go on Natural" became a well-known banger in the late 80s in La Ruta Destroy in Valencia, championed by local djs back then. The band also toured the United States in the early 80s.

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Can

Soundtracks

Release: 1970 / Reissue

Genre: Rock & Indie

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LP | 1977 | Reissue (Mute)

Can

Saw Delight

Release: 1977 / Reissue

Genre: Rock & Indie

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LP | 1989 | Reissue (Mute)

Can

Rite Time

Release: 1989 / Reissue

Genre: Rock & Indie

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Lo Spirito Continua Tvor Edition

Negazione

Lo Spirito Continua Konkurrel Edition

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Available in two versions: the original dutch artwork on Konkurrel (1986) and the classic re-issue on Tvor from 1989. This is where Negazione reached their peak! Their frantic hardcore became more technical, leading to the future crossover turning point. A debut album made out of 10 unforgettable tracks, each an emotional and political manifesto.

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Negazione

LP | 1970 | EU | Reissue (Bonfire)

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Julian's Treatment

A Time Before This

LP | 1970 | EU | Reissue (True North)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Fully licensed, ltd to 500 copies, 180 gr. 1970 the year prog rock broke ! A time Before This was the sole album of british cultish band Julian's Treatment. Fronted by sci-fi author/keyboards player Julian Jay Savarin the band became an extra-cult because of their lyrics and arrangements extravaganza. Savarin – who later embraced a solo career - was born in Dominica and moved to Britian in the early Sixties. He started rehearsing with John Dover (bass), Del Watkins (guitar), Jack Drummond (drums) and Australian born Cathy Pruden (vocals). In june '70 the label Youngblood released their first album "A Time Before This". Based after a survivalist concept the album still stands as an original artefact of the time, still maintaining a sort of baroque feel. Leader Savarin keyboards maybe all over the place (with that sort of proto-hard church organ feel), but a virtuoso rhythm section and the vocal performance of Cathy Pruden (imagine a crossing line between Julie Driscoll and Grace Slick) give the record an embraceable feeling overall.

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Bruce Cockburn

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Limbo

In Limbo

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Formed in 1984, Limbo stands as one of the true Italian electro-dark-wave cult bands. Originally released in 1986 by Spittle Records, this was the band’s first effort. A powerful sound object based on gothic-post-industrial elements

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Thelema

Tantra

LP | 1979 | EU | Reissue (Bonfire)

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Deeply inspired by Aleister Crowley’s esoteric thinking , Thelema are regarded as one of the crucial 80’s post-punk acts from Italy. Orignally released in 1986 Tantra was the band’s debut album, a unique chemistry between occultism, acid guitars and pagan rhythms.

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Veronique Chalot

J'ai Vu Le Loup

LP | 1985 | EU | Reissue (Virgin Music Las)

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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Fully licensed, ltd to 500 copies, 180 gr. Comprised of a precious inlay card featuring an exclusive essai by Emma Tricca. “This is an album that takes you on a supernatural journey to the discovery of ancient sounds that move our souls in the deepest of manners”.

Veronique Chalot was born in Normandy in the north of France, but it was in Paris that she first became interested in traditional French folk music. In 1974 she landed in Rome where she soon earned a small, but dedicated following. In 1979 she recorded her first studio effort, J'ai vu le loup, for the Italian Materiali Sonori label. Over the past 30+ years she has given hundreds of concerts, presenting her repertoire of traditional French/Italian folk songs and building awareness of that fascinating patrimony of antique melodies and dance rhythms. She passed away unfortunately on the 3rd of July 2021

“First glance into Veronique's voice and you're under a spell she's unaware of casting. Like hearing the magical sound of Ulysses' sirens, you want to throw yourself into the deep blue waters of this record, its saucerful of secrets. Like finding the hidden doors into an ancient world of court jesters, magic flutes, troubadours, and love potions, her delivery, both on the instrument and the singing, is of a beauty impossible to comprehend. Pointless for me to dissect every song or try to draw the history of each and every poem or musical piece. This is an album that takes you on a supernatural journey to the discovery of ancient sounds that move our souls in the deepest of manners. All of this and more was how I felt back in the mid-90s, as a kid, when I first saw Veronique playing in a small club in Rome called Folkstudio. This record captures all the wondrous sensations I had seeing her perform; a life-changing experience. Bon voyage; she'll take you places. (Emma Tricca)”

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Peter Gabriel

Birdy

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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A Day On The Town White Vinyl Edition

Burial

LP | 1989 | EU (Radiation Reissues)

LP | 1988 | EU | Reissue (Spittle)

Release: 1989 / EU

Genre: Rock & Indie

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Hailing from Britain’s formerly industrial heartland of North Yorkshire, The Burial was a forward-facing ska-punk/Oi band with a strong Left orientation, channelling 2Tone, Northern Soul, punk, and folk influences. Rhythm guitarist Eric ‘Barney’ Barnes made sure the world knew these skinheads were antifascist and the use of a full horn section made their sole LP, A Day On The Town, stand out. Unlike the Redskins, who soon moved to the student circuit, The Burial remained embedded in the working class communities from whence they came; this fine, often overlooked LP will be devoured by all fans of ska-punk and Oi!.

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Negazione

Little Dreamer

C'est Disco White Vinyl Edition

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Punk only hit Italy in 1980, and the hardcore scene followed straight after confirming itself as one of the most active and interesting scenes in the world. Back in the day most of the bands came from the north of the country, among them: Negazione, a Turin based band which soon became one of the crucial Punk-Hardcore realities in Europe. Originally released by German label We Bite Records in 1988, "Little Dreamer" was Negazione's second album. Compared to their debut release this second effort shows a first step towards a more eclectic sound approach where thanks also to an evident growth in terms of technical skills the band's original inflamed energy opens up to a wider expressive variety of speeds and dynamics.

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Rats

LP | 1981 | EU | Reissue (Spittle)

The Last Fourfathers Transparent Blue Vinyl Edition

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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Ltd re-issue on white vinyl ! C'est disco is the first studio album by the Italian band Rats. It was released in 1981 by Italian Records and is a record strongly inspired by the wave and dark scene of that period. In 2014 the record was reissued in a vinyl version with the addition of a bonus CD featuring the complete album plus the song Tattoo, initially discarded from the album's tracklist and included in a compilation. The band's line-up featured vocalist Claudia Lloyd on vocals, and on guitar the only member present in the more famous version active in the late '80s and '90s, Wilko Zanni, who in the next album would take Claudia Lloyd's place on vocals.

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The Prisoners

LP | 1985 | UK | Reissue (Big Beat)

Dumi-Maichi-Na Chi Maraire & Nyunganyunga Mbira

Release: 1985 / UK – Reissue

Genre: Rock & Indie

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First-ever vinyl reissue of the Prisoners’ 1985 third album, on 180g transparent blue vinyl.

At this point in the band’s career, the Prisoners were taking new influences on board. The old favourites of early Deep Purple, Arthur Brown and the Small Faces were present and correct, but whilst signed to Big Beat, Graham Day had picked up a large chunk of Kent soul LPs put together by Ady Croasdell. These led to some new influences that would show themselves over their next recordings.

The resultant album was the band’s own favourite. It opened with the magisterial ‘Nobody Wants Your Love’, co-written by Day and Billy Childish. It carried on through a series of nascent anthems, freaked out instrumentals and several stranger moments. ‘Whenever I’m Gone’, ‘Nobody Wants Your Love’ and ‘Who’s Sorry Now’ were all stand-out moments that fans of the band loved both live and on vinyl.

After a further album in 1986, “Countdown”, the Prisoners disbanded but they went on to have an interesting afterlife. Keyboard player James Taylor enjoyed chart hits with his acid jazz group, while Graham Day and Allan Crockford continued to make thrilling guitar-based music. When the Prisoners reformed in 1994 they were bigger than ever, playing to venues many sizes bigger than they had first time around. Their influence continues to be felt today.

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Tichazomuona

LP | 1986 | EU | Reissue (Nyami Nyami)

Made In Eile Remastered Deluxe Black Vinyl Edition

Release: 1986 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Nyami Nyami Records presents a reissue of a rare gem from the Gramma Records catalog , the historic Zimbabweean label. Dumisani Maraire, the leading creator of modern mbira, settled in the USA in the late 60s where he popularized the traditional music of the Shona people. Tichazomuona is the first album he recorded in liberated Zimbabwe, in 1986, with his wife Maichi and daughter Chiwoniso. You can hear the very young singer on lead vocals on the title track, long before she went on to perform solo on the international stage. We launched Nyami Nyami with her last recording Zvichapera and are happy to also release now her very first.

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Nichts

LP | 1981 | EU | Reissue (Cargo)

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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LP | 1977 | EU | Reissue (Altercat)

Costa Blanca

Viaje A Prantia

LP | 1975 | EU | Reissue (Dialogo)

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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You know you're into something good when you open the album you just bought and find a lyrics sheet, then play it and quickly realise the record is actually instrumental. The unruliness that defined Costa Blanca's short-lived career resulted in such nonsensical contradictions, and helps understand why one of Spain's best jazz-rock bands of the 70s never had a proper breakthrough. Hailing from sun-bathed Alicante in the Spanish Levantine coast, Costa Blanca shared the stage with some of the country's best-known rock acts of the time, including Triana, Guadalquivir, Bloque or Coz, often receiving praise from fellow musicians and music critics alike. The band's sole LP takes the listener through a typical summer in the Mediterranean, from its blissful afternoons by the sea to galloping thunderstorms, and is reminiscent of some kind of Weather Report with a Mediterranean flair. Formed by four musicians of diverse musical backgrounds, the band members proved to be exceptionally skilled despite their limited experience, remarkably drummer Pedro Barceló who, aged just 17 at the time of recording, delivered an astonishing 9-minute solo and grew to become one of the most in-demand session musicians in Spain. Napi Carratalá's guitar makes sure his inclination for psychedelic rock doesn't go amiss and the imperturbable Chiki Navarret provides the funky bass lines that hold the band together, while the French saxophonist Alain Fabrizio blows the jazz influence, adding a bit of soulfulness into the blend.

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Piero Umiliani

Continente Nero

Metal And Hell Red Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Released in 1975, “Continente Nero” is the perfect flip side of “Africa” (1972), an album that significantly expanded Piero Umiliani’s music perspectives, incorporating partially explored rhythmic variations already used in “Percussioni ed Effetti Speciali” and “To-Day’s Sound”. It does so by taking inspiration from a tradition that starts from the divine Fela Kuti and reaches the amateur and field recordings by musicologists such as David Toop, but also from the Afro-American jazz history of Art Ensemble of Chicago, John Coltrane, Max Roach and hundreds of others.

Continente Nero (1975) Released via the Omicron label in 1975, three years after Africa, Continente Nero is the perfect flip side of an album that significantly expanded Piero Umiliani’s music perspectives, incorporating partially explored rhythmic variations already used in records such as Percussioni ed Effetti Speciali and To-Day’s Sound or experimenting new solutions that drew from a musical heritage little known at the time such as the African one. Without bothering with the usual alias M. Zalla, Umiliani reveal his birth name and surname for a second foray into a territory that pays homage to an entire continent. And it does so by taking inspiration not only from a tradition that starts from the divine Fela Kuti and reaches the amateur and field recordings by musicologists such as David Toop, invaluable documents of an artistic heritage still today almost impossible to map in its complexity, but also from the Afro-American jazz history by Art Ensemble of Chicago, John Coltrane, Max Roach and hundreds of others. It sounds clear in tracks such as Nuovi Fermenti, Rivoluzionari, Riscossa or Ultimo Stregone that show Umiliani’s extraordinary ability to grab a distant tradition essential traits and put them effortlessly into a personal imaginary world, as much exciting as the original one.

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Kat

LP | 1986 | EU | Reissue (Metal Mind Productions)

LP | 1981 | EU | Reissue (Goldencore)

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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red 180 gram vinyl

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Schloss

Ready For The Show

LP | 1981 | EU | Reissue (Goldencore)

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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Reissue of this obscure Rock/Metal album from the German band Schloss.

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Poker

Red Neck Roller

Los 4 Jinetes Del Apocalipsis

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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Sometimes you wonder why a record remained unknown and only attracted attention regionally. With Poker you don‘t know where to start with all the arguments that should have made them conquer the rock world. Let‘s start with the musicians who founded this band in 1980. The name Kin Ping Meh appears twice, making Krautrock fans sit up and take notice. Guitarist Gagey Mrozeck and singer Michael Pozz belonged to this legendary band, while Peter Oehler (guitar) and Jürgen Astor (drums) came from the Geff Harrison Band. Not only related to the Mannheim area, Poker was an all-star group, especially since the names „Nine Days Wonder“ and „Twenty Sixty Six And Then“ have to be mentioned as well, so that the list of ex-bands is halfway complete.

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Zarpa

LP | 1978 | EU | Reissue (Sommor)

LP | 1970 | EU | Reissue (Discos Monterey)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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A conceptual album featuring five long tracks with raw in–your–face sound and production, over–charged fuzz & wah wah guitar, powerful vocals with killer echo/reverb and studio effects. This is must for any hard rock / metal / heavy psych aficionado, reissued for the first time on vinyl and remastered from the original tapes.

Including insert with liner notes and rare pictures from the archive of Vicente Feijóo, the original guitarist & vocalist from Zarpa. Heavy carboard sleeve + OBI.

Formed in Mislata, Valencia, in 1977 by four teenager friends (Vicente Feijóo on lead vocals & lead guitar, Eduardo Feijóo on bass & vocals, Javier Herviás on guitar and Jesús Martinez on drums), Zarpa Rock (“Claw Rock”), later shortened to Zarpa, evolved from a group called Wolframio. After spending most of 1977 learning how to play their instruments, they were approached by a management agency called Zeus Rock, joining their roster in company of bands like Doble Zero. Under Zeus Rock guidance, the band did their first recording: a conceptual album titled “Los 4 Jinetes del Apocalipsis” (The Four Horsemen of Apocalypse) which due to low studio budget, was recorded “live in the studio” in a single one-hour-and-a-half take. After the bankruptcy of Zeus Rock, the proposed album project was shelved. Zarpa shared stage with legends like Ian Gillan and later on, in the heyday of Heavy Metal in Spain, they managed to release two more LP’s which established them as a very popular band, even opening for Barón Rojo, true Metal Stars in the early 80’s. They’re still in active.

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Gerardo Manuel & Humo

Apocallypsis

LP | 1975 | EU | Reissue (Island)

Release: 1970 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Gerardo Manuel left behind his deepest beat days with The Dolton’s and the Shain’s, plus his garage psych stage with St Thomas Pepper Smelter. At the beginning of the seventies he was joined by a new band formed by other illustrious Peruvian musicians, called El Humo because, according to Ernesto Samamé (We All Together) they met to play unpretentiously, to test the new sound equipment of the Virrey label. The first of the albums was "Apocallipsis" (1970). It was followed in 1971 by the conceptual "Machu Picchu 2000" in which he used all his imagination to tell us about the resurgence of the Inca empire after the third world war that broke out at half past five on December 31, 1999. Songs of lysergic melodies, with Latin touches, give life to this album that looks for peace in the world. Unique and memorable albums, essential for any discography with the best of South American music from the sixties.

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Richard & Linda Thompson

Pour Down Like Silver

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Dezo Ursiny & Ivan Strpka

4/4

LP | 1983 | EU | Reissue (Opus)

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Viral Shedding Record Store Day 2019 Edition

Nocturnal Emissions

LP | 1983 | EU | Reissue (Mannequin)

The Gospel According To Zeus

Release: 1983 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Originally released on Illuminated Records in 1983, "Viral Shedding" is surely one of the most important references for the industrial/funk dance music.

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Power Of Zeus

LP | 1970 | EU | Reissue (Mr Bongo)

The 5.98 EP - Garage Days Re-Revisited Black Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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* Record Store Day Europe / UK 2019 Exclusive Release!
* Transferred from 2 x 1/4"" analog reels at 192kHz/24-bit.
* Half-speed cut at Abbey Road Studios.
* One of the most sampled breaks in hip hop history - including KRS-One, Kanye West, Jay-Z, Cyprus Hill, Tribe Called Quest and Eminem to name a few.
* 180gm vinyl

Seminal funk-rock album originally released on Rare Earth in 1970. Featuring the monster breakbeat on 'The Sorcerer Of Isis’.

Formed in Detroit in 1968, Power of Zeus became the first rock band to be signed by Motown subsidiary label, Rare Earth. The group drew inspiration from British hard rock and heavy metal giants like Cream, Black Sabbath, and Led Zeppelin when they created this well-produced, seminal post-hard rock album. After ‘The Gospel According to Zeus’, the group never made another album and the band slipped into obscurity, until it was discovered by the hip hop diggers. The drum beat from "Sorcerer of Isis" has been one of the most sampled in hip-hop music, including KRS-One, Kanye West, Jay-Z, Cyprus Hill, Tribe Called Quest and Eminem to name a few.

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Metallica

LP | 1987 | EU | Reissue (Mercury)

Listen Like Thieves (2011 Remaster)

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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San Francisco, CA - January 25, 2018 - The Wait is over…Actually, it’s back! Nearly three decades after going out of print, Metallica will release a remastered version of The $5.98 EP - Garage Days Re-Revisited as part of thir ongoing remasters series via their own Blackened Recordings label.

Originally released over 30 years ago on August 21, 1987, the collection features the band covering songs by early Metallica influencers such as Diamond Head, Holocaust, Killing Joke, Budgie, and The Misfits. The five songs from the EP were later included as a part of the 1998 multi-platinum release Garage, Inc., but the band felt it was time to bring it back in the original formats!

The $5.98 EP - Garage Days Re-Revisited was remastered by Chris Bellman at Bernie Grundman Mastering in Hollywood, CA.

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INXS

LP | 1985 | EU | Original (Universal)

Release: 1985 / EU – Original

Genre: Rock & Indie

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The Swing (2011 Remaster)

INXS

LP | 1984 | EU | Original (Universal)

Release: 1984 / EU – Original

Genre: Rock & Indie

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Underneath The Colours (2011 Remaster)

INXS

LP | 1981 | EU | Original (Universal)

Release: 1981 / EU – Original

Genre: Rock & Indie

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LP | 1970 | UK | Reissue (Parlophone)

Jethro Tull

Stand Up

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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LP | 1979 | EU | Reissue (Guerssen)

Baris Manco

Yeni Bir Gun

Creedence Clearwater Revival

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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The late '70s found Turkey in an economic slump, and there was a huge rise in political violence. Baris, who so often put out collections of singles, rose to the occasion by spending 6 months holed up with his longtime backing band the Kurtalan Ekspres. The result was this studio album of Anatolian bummer psychedelia, often unfairly overlooked because it came out in the rather un-cosmic year of 1979, but also considered his best work by many. Yep, there are still electrified versions of Turkish folk songs, and the spaceshot ARPs and Korgs of '2023' are here too, but dont expect a happy swing around the ceiling of a planetarium. The real star of the album is the keyboard player, whose name translates to Sword Agent. 'Yeni Bir Gun' is viciously funky and brilliantly arranged, with tidbits stolen out of the latest disco hits, and lean, mean synthesizers that emerge from the beats like carbonated bubbles. Melancholy maqams & catastrophic Korgs collide when the Turkish psych master glides unflinchingly into the grim late '70s!! First time ever reissue, this release comes in gorgeous gatefold cover as the original, has a repro of the original poster as well, and brings an extra insert with extensive linernotes.

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Cosmo's Factory

LP | 1970 | EU | Reissue (Fantasy)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP+CD | 1988 | UK | Reissue (Fire)

Lick Deluxe Edition

2LP | 1983 | DE | Reissue (Slime)

Release: 1988 / UK – Reissue

Genre: Rock & Indie

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Lick is the third full-length album by the Lemonheads, and the last to feature founding member Ben Deily. It was the group's last independent label-released album before signing to major label Atlantic. An odd mixture of brand-new, and considerably older, sounds, 1989’s Lick brings together the output of several distinct recording sources: six brand new songs recorded with Minneapolis-based band friend and producer Terry Katzman, and a collection of older, B-side and never-released material originally overseen by producer and engineer Tom Hamilton.

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Slime

Alle Gegen Alle

Release: 1983 / DE – Reissue

Genre: Rock & Indie

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2LP | 1982 | DE | Reissue (Slime)

Slime

Yankees Raus

Release: 1982 / DE – Reissue

Genre: Rock & Indie

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2LP | 1981 | DE | Reissue (Slime)

Slime

Slime 1

Release: 1981 / DE – Reissue

Genre: Rock & Indie

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Beyond The Valley Of 1984

Plasmatics

LP | 1981 | US | Reissue (MVD)

Release: 1981 / US – Reissue

Genre: Rock & Indie

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LP | 1987 | EU | Reissue (Geffen)

Guns N' Roses

Appetite For Destruction

Black Soul Brothers Green Vinyl Edition

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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Back To Black 180 gram vinyl reissue

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Miguel De Deus

LP | 1977 | EU | Reissue (Groovie)

LP | 1978 | EU (Radiation Reissues)

Release: 1977 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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For the first time reissued, with the great contribution of Miguel de Deus's family in São Paulo, that supplied the amazing collection of photos for the 4 pages inner, inside the LP. This limited edition is a highly collectable for fans of brazilian soul, groove and psychedelia. It's our contribution to pay respect to one of the most important brazilian musicians of the late 60's and early 70's. Main brain of bands like OS Brazões and Assim Assado, he let us an amazing legacy for new generations. This is a small, but more than deserved homage to him, finally. Miguel de Deus was the protagonist of this amazing Afro-Funk movement, together with a group of “heavy” musicians, as they were called in those days of consolidation of a strong Black Power scene, mainly composed of black youth from the outskirts of the suburbs of São Paulo and Rio de Janeiro, where the movement took the name of Black Rio. Its raw Rock-Funk-Psychedelic-Tropicalia.

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U.K. White Vinyl Edition

Release: 1978 / EU

Genre: Rock & Indie

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Formed in Lewisham, southeast London, punk band the Business joined the Oi! scene after supporting the Four Skins in 198l. Debut single ‘Harry May’ hit the Indie charts before the group disintegrated, leading frontman Micky Fitz to recruit new members. Then, in 1987, original guitarist Nick Kent joined Fitz for heavy metal side project UK, with former Tank drummer Mark Brabbs, channelling their love of Ac/dc, Motorhead and Rose Tattoo. As Kent goes all-out with the hard rock solos and Fitz aims for the melodic, this is a great slice of the new wave of British heavy metal, and a startling surprise for all Business fans!

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LP | 1988 | UK | Reissue (Fire)

Lick

Release: 1988 / UK – Reissue

Genre: Rock & Indie

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LP | 1988 | UK | Reissue (Fire)

Creator

Release: 1988 / UK – Reissue

Genre: Rock & Indie

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Creator is the second album by legendary Boston band The Lemonheads. Still featuring the full original line-up of Evan Dando, Ben Deily, and Jesse Peretz, the album also includes John P. Strohm (of the Blake Babies, Antenna, and Velo-Deluxe) on drums.

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LP | 1987 | UK | Reissue (Fire)

Hate Your Friends

Second Attack Yellow Vinyl Edition

Release: 1987 / UK – Reissue

Genre: Rock & Indie

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Hate Your Friends is the 1987 debut album by the Lemonheads, one of only three full-length releases to feature the original band line- up of Evan Dando, Ben Deily, and Jesse Peretz. The album showcases a hardcore-punk-to-pop-rock sound and sensibility as playfully fierce as it is surprising…

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Crossfire

LP | 1985 | EU | Reissue (Vinyl Invasion)

2LP | 1977 | EU | Reissue (Munster)

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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SECOND ATTACK was CROSSFIRE’s second album

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Tim Blake

Crystal Machine

Release: 1977 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Hold your body and mind belts, and immerse yourself into a cornerstone of cosmic music in a double remastered vinyl - one them filled with rarities - called "Crystal Machine" by the visionary Tim Blake, English composer and synthesizer master. Recorded in 1976/7, it remains echoing as a timeless effort, pretty much still alive. This is a deadly serious art piece, accordingly trippy in all its aspects, full of strangeness and sheer beauty.

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390 Degrees Of Simulated Stereo V2.1

LP | 1981 | US | Reissue (Fire)

Release: 1981 / US – Reissue

Genre: Rock & Indie

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LP | 1989 | US | Reissue (Fire)

Cloudland

Release: 1989 / US – Reissue

Genre: Rock & Indie

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LP | 1984 | WW | Reissue (Esen Müzik)

Müslüm Gürses

Yaranamadim

Release: 1984 / WW – Reissue

Genre: Rock & Indie

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LP | 1981 | US | Reissue (Fire)

Song Of The Bailing Man

Release: 1981 / US – Reissue

Genre: Rock & Indie

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LP | 1979 | EU | Reissue (Fire)

New Picnic Time

LP | 1979 | UK | Reissue (Call Of The Void)

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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LP comes with download code. Initially released in 1979, ‘New Picnic Time’ is “weird, wonderful and so far beyond the expected that these deconstructions of popular music are as charmingly retro as the Beatles and as modern as today's blending’s of funk, hip-hop and alt-rock. Revolutionary and demented yet full of fun, Pere Ubu are indispensable to any collection of 20th century rock.” (Herald-American, Scott Laurence). The album features in new box set, ‘Architecture Of Language 1979-1982’, released in March. It gathers together ‘New Picnic Time’ with its companion releases, ‘The Art Of Walking’ and ‘Song Of The Bailing Man’ plus LP of extras, ‘Architectural Salvage’. Coed Jail! Spring dates mark the release of the box with a set list drawn exclusively from the recordings of 1975-1982. Tom Herman, guitarist from 1975 to 1979 and from 1997 to 2002, rejoins the band for the tour. The line-up is David Thomas, Tom Herman, Robert Wheeler, Michele Temple and Steve Mehlman. Wheeler and Temple have been in Pere Ubu since 1994, Mehlman since 1995.

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The Adverts

Cast Of Thousands

LP | 1977 | UK | Reissue (Call Of The Void)

Release: 1979 / UK – Reissue

Genre: Rock & Indie

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Originally released to a fan base and music press that were unprepared for the band to move on from the punk fury of “Crossing The Red Sea”, The Adverts “Cast Of Thousands” has since been recognized as a lost classic of the time. TV Smith’s cutting observational lyrics and sharp musical instincts saw his song writing grow and move in unexpected directions. The primal thumping was replaced by dynamic and driving drumming, acoustic guitars and probing solos emerged, and Tim Cross joined to add keyboards and fill out the overall sound. The one constant was the pounding throb of Gaye Advert’s bass. Encouraged to experiment by surprise producer Tom Newman (Mike Oldfield “Tubular Bells”) the band found themselves stretching creatively, both in song writing and recording techniques. They might agonize over the sound of recording a match being lit in the middle of one song, while doing a single take of a vocal via a microphone hung in the bathroom for another. Giant choirs were built meticulously over multiple tracks, while the sound of a rat running through the reverb room would be captured forever. The results wrapped some of TV’s best songs in strange and inventive sounds to compliment his anti-pop smarts and rock and roll heart. They did not know it at the time, but the band was falling apart. Tensions would soon rise to the level that replacement players were called in to finish their final tour. Punk fans left them in droves. Critics skewered the singles from the album. Their record label had moved on to the next big thing. Feeling that they had reached a creative peak made the tumble even harder to swallow. Time has been very kind though, and fans discovering punk after the first wave have been able to hear “Cast” for what it is - a brilliant and biting collection of rock and roll. Still full of stomp and swagger even when stripped down on “My Place” or via the anthemic surge of “Television’s Over”, with TV’s hook factory on full display on the anti-love song “Love Songs”, and the band closing the album with the creeping ballad “I Will Walk You Home”; The Adverts had grown from a great punk rock band to a great rock band.

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The Boys

LP | 1974 | EU | Reissue (Warner)

Release: 1977 / UK – Reissue

Genre: Rock & Indie

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Classic Black vinyl, 1000 pressed. Arguably one of the best punk albums of the 70s, The Boys self-titled debut (produced by Dangerfield & Steel) is a cult UK classic. The album is filled with the pop punk gems, the kind of immediate salvos that would elevate Buzzcocks into the charts. In the intervening years, the history of punk rock has been written and re-written and a whole heap of bands have been sidelined. The Boys’ debut album, re-mastered here still sounds as fresh and immediate as it did back then and it also includes two classic punk rock singles in ‘I Don’t Care’ and ‘First Time’ (the latter, along with The Undertones "Teenage Kicks", the ultimate punk anthem of teenage romance and adolescent angst). Along with the Sex Pistols, Clash and the Damned, The Boys were part of the first wave of the mid-1970’s UK punk explosion. Armed with an arsenal of killer Steel/Dangerfield songs The Boys became the first UK punk band to sign an album deal in January 1977 and subsequently released two albums, their self-titled debut and the follow-up “Alternative Chartbusters” in quick succession. Highly regarded by the music press and their contemporaries, yet somehow criminally ignored by a wider punk audience, unable to grasp their heritage of vintage rock ‘n’ roll that went back to Chuck Berry courtesy of The Beatles. Their well-crafted songs, together with Steel and Dangerfield’s layered harmonies, even led to them being described as ‘The Beatles of Punk’.

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Czeslaw Niemen

Aerolit

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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Endangered Species Record Store Day 2024 Pink Vinyl Edition

U.K. Subs

LP | 1982 | EU (Radiation Reissues)

Stolen Property Record Store Day 2024 White Marbled Vinyl Edition

Release: 1982 / EU

Genre: Rock & Indie

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By the early 80s punk had become something else compared to what it was when Year Zero stabbed a flag in the sand and established ‘War!’ on boredom and normality. You could argue that in 1982 when Endangered Species arrived...UK Subs were very much that. The vanguard of the second wave. A crucial nook in the subculture. Still alive. Still kicking. Still prowling around the town with their best point yet to be proven. From Ambition, essentially an annihilated bluegrass-skank version of the Stones’ Satisfaction, to Indie Chart hit single Countdown and the atomic sonics of a post punk dub attack in Ice Age, all blistering guitar razors that chime against the night as well as chew it up, it's easy to see both why Charlie Harper considers the group's fifth LP to be their strongest and Guns ‘n’ Roses covered Down on the Farm.

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Charlie Harper

LP | 1981 | EU (Radiation Reissues)

The Visitation Silver Vinyl Edition

Release: 1981 / EU

Genre: Rock & Indie

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Before embracing punk through the influence of bands like the Damned, UK Subs frontman Charlie Harper was active in pub rock groups, so when he decided to cut his debut solo album for Flicknife Records in 1981, he returned to classic rock ‘n’ roll and R&B, cutting an enjoyable covers album with fellow Subs Steve Slack and Pete Davies in tow. Tune in to this long lost gem to catch the other side of Charlie, who delivers one-off takes of Hendrix’s ‘Hey Joe,’ the Doors’ Light My Fire, the Velvets’ ‘Femme Fatale’ and Muddy Waters’ ‘Hoochie Coochie Man,’ among others. All UK Subs fans take note: your hero’s alter-ego awaits!

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Chrome

LP | 1976 | CA | Reissue (Cleopatra)

Release: 1976 / CA – Reissue

Genre: Rock & Indie

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LP | 1982 | TR | Reissue (Lider)

Selami Sahin

Tapilacak Kadinsin

Release: 1982 / TR – Reissue

Genre: Rock & Indie

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LP | 1978 | TR | Reissue (Ossi Müzik)

Osman Ismen Orkestrasi

Diskomatik Katibim

Release: 1978 / TR – Reissue

Genre: Organic Grooves, Rock & Indie

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LP | 1970 | US | Reissue (DiCristina)

Vashti Bunyan

Just Another Diamond Day

Release: 1970 / US – Reissue

Genre: Rock & Indie

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... voted one of the top 100 British albums of all time!

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Unhuman Society Death

Demo 1989

LP | 1989 | EU (Foad)

Chelsea Red Vinyl Edition

Release: 1989 / EU

Genre: Rock & Indie

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Another obscure Japanese Thrash gem unearthed.. Blasting Thrash-core force from Tokyo! Official reissue of the band’s debut demotape recorded in 1989, sourced from the studio master tape. Grind infused Hardcore delivered with unmatchable Japanese HC energy and rage, often speeding things up with furious blast beats! Includes a fanzine styled booklet collecting a lot of rare gig flyers, photos, scans of the original cassette. Recommended to fans of “What’s the truth?”-era S.O.B., Roserose, Genoa and Satanic Hell Slaughter.

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Chelsea

LP | 1979 | EU (Radiation Reissues)

LP | 1989 | US | Reissue (Superior Viaduct)

Release: 1979 / EU

Genre: Rock & Indie

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Formed in 1976, legendary punk outfit Chelsea was assembled by the owners of the Acme Attractions boutique with Gene October as frontman; guitarist Billy Idol, bassist Tony James and drummer John Towe soon split to form Generation X, but their loss was Chelsea’s gain, with debut single ‘Right To Work’ rated one of the best punk songs of all time. Though their self-titled debut LP didn’t surface until 1979, when punk was waning, there is plenty to savour in October’s forceful vocals and James Stevenson’s powerful guitar licks, plus a plausible take of Jimmy Cliff’s ‘Many Rivers To Cross.’ A punk classic, ripe for rediscovery!

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Peter Gutteridge

Pure

LP | 1981 | US | Reissue (1972)

Release: 1989 / US – Reissue

Genre: Rock & Indie

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In the swirl of underground music emerging from Dunedin, New Zealand in the 1980s, Peter Guttering–founding member of The Clean and The Chills–stands as one of the era’s most intense and shadowy figures. His lone solo album of intimate home recordings serves as the most revealing and celebrated release of his career. Originally released on cassette in 1989 on Xpressway, »Pure« documents Gutteridge’s stunning use of 4-track as instrument. Featuring lo-fi pop gems and interstitial sketches, the LP combines densely layered keyboards and guitars, distorted drum machines and possessed-sounding vocals to create a truly singular work of undistilled artistic vision.

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Second Layer

World Of Rubber

LP | 1981 | EU (Radiation Reissues)

Release: 1981 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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Adrian Borland and Graham Bailey might be better known as members of legendary post-punk group The Sound, but the two were childhood friends and had been playing together even earlier in The Outsiders, and continued their deep musical rapport as a duo, creating these intense and engaging songs as Second Layer at the same time as their higher profile band output. Following the release of Courts Or Wars, combining their early material, 1972 reissues their only full length album, »World Of Rubber«.

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Discharge

Why Red Vinyl Edtion

Release: 1981 / EU

Genre: Rock & Indie

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"Why?" is the debut album by hardcore punk legends Discharge, originally released in 1981. Upon it's initial release it peaked at Number 1 in the UK indie album chart. When it comes to classic hardcore punk, Discharge are truly one of the all-time greats.

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Pentacle

La Clef Des Songes

LP | 1975 | EU (Replica)

12" | 1988 | EU | Reissue (Thank You)

Release: 1975 / EU

Genre: Rock & Indie

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Produced by Christian Decamps from Ange in 1975, the sole effort by Pentacle (from Belfort) should ravish fans of early King Crimson lyrism, Gilmouresque guitars and French symphonic progressive bands like Atoll or Mona Lisa. A forgotten gem to be rediscovered.

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Degrees Of Freedom

China

LP | 1985 | UK | Reissue (Public Opinion Music)

Release: 1988 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Degrees of Freedom is a Canadian musical group founded in 1984 in Montreal by Janet Cadman (vocals and percussion), Martin Chartrand (bass, guitar, rhythm programming and vocals) and David Curtis (keyboards, vocals, and percussion). Established as a 5-piece New Wave cover band, Degrees of Freedom evolved into its classic quartet configuration following the departure of the original guitarist and drummer, and the subsequent enlistment of Santino Mastrocola on drums. With this lineup change came a new musical mission: the writing, recording and live presentation of original material only. Since Santino's withdrawal from the band in 1988, Degrees of Freedom has carried on as a trio in the studio while augmenting concert performances with additional musicians.

In February 1985, Degrees of Freedom performed at the newly formed S.O.S. (Save Our Songwriters) Club in Montreal. Like other participants in the S.O.S. project, Degrees of Freedom was rewarded with studio time to record some of its own songs. One of these, "August is an Angel" was selected to close out the locally produced 1985 band anthology album "Listen - A Faze Compilation of Montreal Music." The next year, a new track "In This Room," was included in the follow-up release "Listen 2." Both songs, with four newly recorded works, were issued in 1988 as Degrees of Freedom's eponymous sole vinyl release, informally known as the “China” album.

In 2015, the music of Degrees of Freedom experienced a renaissance thanks to a new generation of club DJs, traditional and internet-based radio hosts, vinyl disc collectors, and other aficionados of synth-based music. Local and international recognition has come in the form of record sales to fans in Canada as well as in the USA, Germany, Scotland, England, Ireland, Belgium, The Netherlands, France, Spain, Lithuania, Sweden, Bulgaria, Australia, Vietnam, and Japan. Responding to the resurgence of interest, Degrees of Freedom has twice re-issued the disc (2017 and 2019). Today, with eyes on the future and the past, Janet, Martin and David continue to collaborate on new material including the songs, "Metal Flesh" and "Be This Way" both accessible on the band's YouTube channel.

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Painters & Dockers

Kill Kill Kill

23,39 €* 25,99 € -10%