Rock & Indie Vinyl 2252 Items

LP | 1984 | EU (Mad Butcher Classics)

Release: 1983 / EU

Genre: Rock & Indie

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After the chart-topping debut City Baby Attacked By Rats, Birmingham ‘uk82’ punk pioneers Charged G.B.H. cut City Baby’s Revenge, their second release for Clay Records, and even though a mere year had passed, City Baby’s Revenge showed significant progression, Jock’s guitar more obviously inspired by metal, the lyrics more explicit and the sound even rawer than before. With a cool take of the Stooges’ ‘I Feel Alright’ and the reggae/rockabilly-esque ‘Skanga,’ this acclaimed winner is the LP that broke the band in the USA and is arguably the best they ever recorded required listening for the band’s devotees and all fans of metal-edged hardcore.

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Red London

This Is England

19,99 €*

The Worst Of Jefferson Airplane

Release: 1984 / EU

Genre: Rock & Indie

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RED London was formed in 1981 in Sunderland, UK as a left-wing Skinhead band that most of all mixed socialist ideas with the working class mentality. Anthemic Oi! with nods of early protest folk and the New Wave atmosheres that were so popular among their contemporaries. This band is a great example of Early Eighties political Punk Rock which needs to be rediscovered for sure.

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Jefferson Airplane

LP | 1970 | EU | Reissue (Sony)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1972 | UK (Trading Places)

Stack Waddy

Bugger Off!

21,99 €*

LP | 1983 | DE | Reissue (Atlantic)

Release: 1972 / UK

Genre: Rock & Indie

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Bugger Off! picked up where its predecessor left off, and rampaged on from there. Covers
of Zappa’s “Willy the Pimp” and the Kinks’ “You Really Got Me” might have seemed a little obvious, but both are battered down
with such a glorious lack of finesse that it’s impossible to object — anybody familiar with, respectively, Juicy Lucy and the
Hammersmith Gorillas’ versions of the same songs will come in with at least a vague idea of what to expect, but that’s about
it. “Hoochie Coochie Man” is even more disheveled, and when John Peel’s liner notes reminisce on the group’s insistence
on recording live, you can tell he’s not necessarily looking back with any fondness.
On one occasion, he suggested they do a little overdubbing. The band’s response to his words would become the album’s title.
Including “Mama Keep Your Big Mouth Shut” as bonus track taken from the 1972 John Peel Session.

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Genesis

32,99 €*

Release: 1983 / DE – Reissue

Genre: Rock & Indie

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LP | 1970 | US | Reissue (Poppy)

Mandrake Memorial

Puzzle

Release: 1970 / US – Reissue

Genre: Rock & Indie

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LP | 1983 | UK | Reissue (Warner)

ZZ Top

Eliminator

Release: 1983 / UK – Reissue

Genre: Rock & Indie

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2LP | 1987 | UK | Reissue (Warner)

The Smiths

Louder Than Bombs

36,99 €*

LP | 1978 | EU (Radiation Reissues)

Release: 1987 / UK – Reissue

Genre: Rock & Indie

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Official remastered reissue on 180 gram wax.

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U.K. White Vinyl Edition

LP | 1978 | EU (Radiation Reissues)

Release: 1978 / EU

Genre: Rock & Indie

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Formed in Lewisham, southeast London, punk band the Business joined the Oi! scene after supporting the Four Skins in 198l. Debut single ‘Harry May’ hit the Indie charts before the group disintegrated, leading frontman Micky Fitz to recruit new members. Then, in 1987, original guitarist Nick Kent joined Fitz for heavy metal side project UK, with former Tank drummer Mark Brabbs, channelling their love of Ac/dc, Motorhead and Rose Tattoo. As Kent goes all-out with the hard rock solos and Fitz aims for the melodic, this is a great slice of the new wave of British heavy metal, and a startling surprise for all Business fans!

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U.K. Black Vinyl Edition

20,99 €*

A Holocaust In Your Head Red Vinyl Edition

Release: 1978 / EU

Genre: Rock & Indie

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Extreme Noise Terror

LP | 1989 | EU (Radiation Reissues)

A Holocaust In Your Head Black Vinyl Edition

Release: 1989 / EU

Genre: Rock & Indie

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Away from the grandeur, and although their line-up history is full of potholes - the key to unlock this classic release by Extreme Noise Terror, Holocaust in Your Head is the double-edged vocal prongs from ENT founders Phil Vane and Dean Jones and the black-avalanche guitars of Steve Hurley (not forgetting the drum stool occupied by Mick Harris, soon to be of Scorn during the recording of this album, and Doom’s Tony "Stick" Dickens). Statement is as good as any opening gambit for a band - a trail of sludge setting fire to itself consuming the raw, political ashtray mantras spewed into its thick, corrosive grip. Another Nail in the Coffin suitably devastating the senses as a wrecking ball swings from its chain into the side of a condemned building, brick by brick. Eaten. Buried.

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Extreme Noise Terror

LP | 1989 | EU (Radiation Reissues)

20,99 €*

Shock Troops Black Ice Vinyl Edition

Release: 1989 / EU

Genre: Rock & Indie

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Cock Sparrer

LP | 1983 | US | Reissue (Pirates Press)

Medieval Steel Bone Vinyl Editoin

Release: 1983 / US – Reissue

Genre: Rock & Indie

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Some records so perfectly capture an artist at a critical point in their creativity, and make such an impact, that they become not just synonymous with the band, but an essential piece of music history. Such is the case with Shock Troops, the album that not only became Cock Sparrer’s most acclaimed record, but a defining moment for Oi!, punk rock, and underground music in general! Originally released by Razor Records in 1983, Shock Troops proved to consist of song after song which would each become anthems of the burgeoning Oi! scene and far beyond. From the opening of “Where Are They Now?” on through “Take ‘Em All,” “We’re Coming Back,” all the way to the closing chords of “Out On An Island,” there isn’t a song in the bunch that any self respecting punk rocker can’t shout along to. These working class anthems are just as vital today, as proven by the crowds of beloved fans worldwide that continue to go wild at Sparrer’s live shows, where Shock Troops tracks still make up the heart of their setlists. For nearly 15 years, Pirates Press Records has made certain this classic stayed in print, in an absolutely stunning assortment of coloured vinyl pressings. In celebration of the band’s 50th year, we were proud to present a remastered version of Shock Troops, from the original 1⁄4” tapes, sounding better than ever! The 50th anniversary gold jacket versions are sadly all sold out but now we have the remastered versions on colored vinyl with the original artwork! Pure class. SIDE A:1. Where Are They Now2. Riot Squad3. Working4. Take 'em All5. We're Coming Back SIDE B:1. Watch Your Back2. I Got Your Number3. Secret Army4. Droogs Don't Run5. Out on an Island

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Medieval Steel

LP | 1984 | EU | Reissue (High Roller)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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LP | 1973 | EU | Reissue (Universal)

Deep Purple

Who Do We Think We Are

2LP | 1978 | US | Reissue (Mobile Fidelity)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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This release comes on 180g vinyl.

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Warren Zevon

Excitable Boy

75,99 €*

Release: 1978 / US – Reissue

Genre: Rock & Indie

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LP | 1989 | EU | Reissue (Neubauten)

Einstürzende Neubauten

Haus der Lüge

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Scaling New Horizons With Guitar

Brij Bhushan Kabra

LP | 1976 | EU | Reissue (His Master's Voice)

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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Bennesbeh Labokra ... Chou?

Ziad Rahbani

LP | 1978 | EU | Reissue (Wewantsounds)

34,99 €*

Intermission Remastered Vinyl Edition

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Wewantsounds is delighted to announce the reissue of Ziad Rahbani's cult album, "Bennesbeh Labokra...Chou?" released in Lebanon only and mixing arabic music with Jazz, Bossa Nova and other western influences. Hailed as an absolute classic, the album is the soundtrack to his eponymous play and has been highly sought-after by DJs and collectors around the world. Curated by Lebanese-born music expert Mario Choueiry from Institut du Monde Arabe in Paris, the album is reissued on vinyl for the first time since 1978, featuring original gatefold sleeve, remastered audio and a 2 page insert with a new introduction by Choueiry. When Ziad Rahbani released "Bennesbeh Labokra... Chou?" he was only 22 years old. He had started to make an impression on the Lebanese cultural scene a few years before, while still a teenager, composing and releasing albums under his own name. Born into an illustrious musical family - his mother is the legendary Lebanese Diva Fairuz and his father, Assi Rahbani, was a renowned composer and part of one of the most famous Lebanese groups, The Rahbani Brothers - Ziad quickly gained exposure as a gifted composer and producer. When his father fell ill in the mid 70s, he took over as Fairuz's producer which led to a fruitful collaboration starting with the 1979 album "Wahdon." ?Highly influenced by other genres of music, Rahbani had started bringing modern western influences to traditional arabic music. 1978 saw the release of two key albums by the young musician, the Disco 12-inch "Abu Ali" which went on to become one of the most sought-after Arabic albums on the international DJ scene and "Bennesbeh Labokra... Chou?" which follows "Abu Ali" closely in many diggers' want-list. ?A soundtrack to Rahbani's eponymous play, the album "Bennesbeh Labokra… Chou?" gathers all the musical interludes heard during the play, a social diatribe about the Beirut society underlining the difficulties of living in the tense social and political climate of the Lebanese civil war. Written by and starring Rahbani, the play follows the everyday life and problems of a young couple running a cafe in the heart of Beirut. The play underlying Rahbani's leftist sensitivity was an immense success and the album was released the same year (the complete play was also released over three LPs). ?"Bennesbeh Labokra… Chou?" is a skilful blend of Arabic music and Bossa-nova ("First Introduction" - the recurring theme of the album), groove with the funky beat of "Second Introduction" and the jazz vibe of "Variation 3" and "Variation 4." It's also interesting to hear an early version of "Al Bosta" which would grace Fairuz's 1979 album "Wahdon" in a faster, funkier version also produced by Rahbani." ?with a knack for cinematic orchestrations reminiscent of Lalo Schifrin, Ziad Rahbani also brings more complex arrangements to the album on such tracks as "Variation 5" making the album such a rich listening. Undoubtedly one of the most important albums recorded in the Middle East which Wewantsounds is glad to reissue in its full glory with remastered audio and original artwork.

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Dio

LP | 1986 | EU | Reissue (Mercury)

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Dream Evil Remastered Vinyl Edition

Dio

LP | 1987 | EU | Reissue (Mercury)

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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LP | 1976 | EU | Reissue (Music On Vinyl)

Blue Öyster Cult

Agents Of Fortune

2LP | 1978 | EU | Reissue (Music On Vinyl)

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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The hit song "(Don't Fear) The Reaper" is just one of the wonderful tunes on Blue Öyster Cult's fifth album from 1976. This record rocks 'n thunders, with a sensual boogie permeating these 10 great tracks.

180g vinyl.

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Hank Williams

40 Greatest Hits

35,99 €*

LP | 1984 | UK | Reissue (Warner)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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This double LP includes such number 1 hits as "Lovesick Blues", "Jambalaya (On The Bayou)", "Kaw-liga" and "Your Cheatin' Heart". This anthology is the perfect starting point for newcomers to Hanks Williams' recorded legacy.

180g vinyl in gatefold sleeve.

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The Smiths

LP | 1970 | EU | Reissue (Dream Catcher)

Release: 1984 / UK – Reissue

Genre: Rock & Indie

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Official remastered reissue on 180 gram wax.

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Red Dirt

30,99 €*

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Big Game Black Vinyl Edition

White Lion

LP | 1989 | EU | Reissue (Music On Vinyl)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Disco nights (rock-freak)

12" | 1979 | US (Arista)

12,99 €*

12" | 1984 | EU | Reissue (Onderstroom)

Release: 1979 / US

Genre: Organic Grooves, Rock & Indie

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/ standing ovation

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Aroma Di Amore

Voor De Dood

18,99 €*

LP | 1988 | EU | Reissue (Supraphon)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.

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Nerez

Na Vareny Nudli

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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2LP | 1972 | EU | Reissue (Warner Music Poland)

Czeslaw Niemen

Volume 1 & Volume 2

33,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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LP | 1982 | EU | Reissue (BMG Rights Management)

Nazareth

2xs

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Isn't Anything Deluxe Edition

my bloody valentine

LP | 1988 | EU | Reissue (Domino)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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LP | 1983 | UK | Reissue (Ace)

The Fire Escape

Psychotic Reaction

Release: 1983 / UK – Reissue

Genre: Rock & Indie

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LP | 1983 | UK | Reissue (Chiswick)

Motörhead

What's Words Worth

13,99 €*

LP | 1976 | UK | Reissue (Domino)

Release: 1983 / UK – Reissue

Genre: Rock & Indie

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Continuing our reissue programme of Motorhead’s Chiswick albums on vinyl, September sees the release of “What’s Words Worth?” on lobster red vinyl.

A live album, it was recorded on 18th February 1978 at a benefit organised by Wilko Johnson to raise money to preserve some William Wordsworth manuscripts. The Rolling Stones mobile had been hired to record Chiswick labe-lmates the Count Bishops, but they also recorded Motorhead’s set. For contractual reasons they were billed as Iron Fist & the Hordes From Hell.

Includes an illustrated inner sleeve with a full note by Chiswick boss Ted Carroll.

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Buzzcocks

Time's Up

Release: 1976 / UK – Reissue

Genre: Rock & Indie

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LP | 1986 | EU | Reissue (Supraphon)

Zuzana Michnova

Rany

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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LP | 1976 | EU | Reissue (Croatia)

Teska Industrija

Ho-Ruk

37,99 €*

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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Jiri Schelinger & Frantisek R. Cech

LP | 1976 | EU | Reissue (Supraphon)

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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LP | 1988 | UK | Reissue (Fire)

The Lemonheads

Lick

LP | 1988 | UK | Reissue (Fire)

Release: 1988 / UK – Reissue

Genre: Rock & Indie

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Lick is the third full-length album by the Lemonheads, and the last to feature founding member Ben Deily. It was the group's last independent label-released album before signing to major label Atlantic. An odd mixture of brand-new, and considerably older, sounds, 1989’s Lick brings together the output of several distinct recording sources: six brand new songs recorded with Minneapolis-based band friend and producer Terry Katzman, and a collection of older, B-side and never-released material originally overseen by producer and engineer Tom Hamilton.

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The Lemonheads

Creator

LP | 1987 | UK | Reissue (Fire)

Release: 1988 / UK – Reissue

Genre: Rock & Indie

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Creator is the second album by legendary Boston band The Lemonheads. Still featuring the full original line-up of Evan Dando, Ben Deily, and Jesse Peretz, the album also includes John P. Strohm (of the Blake Babies, Antenna, and Velo-Deluxe) on drums.

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The Lemonheads

Hate Your Friends

Feedback '86 Vinyl Edition Re-Issue 2024

Release: 1987 / UK – Reissue

Genre: Rock & Indie

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Hate Your Friends is the 1987 debut album by the Lemonheads, one of only three full-length releases to feature the original band line- up of Evan Dando, Ben Deily, and Jesse Peretz. The album showcases a hardcore-punk-to-pop-rock sound and sensibility as playfully fierce as it is surprising…

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Steve Hackett

LP | 1986 | EU | Reissue (Insideoutmusic Catalog)

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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A Sultan's Ransom Splatter Vinyl Edition

Cloven Hoof

LP | 1989 | EU | Reissue (High Roller)

LP | 1987 | EU | Reissue (BMG Rights Management)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, reissue 2023 with original cover art, electric blue w/ black & white splatter vinyl, ltd 200, lyric sheet, restored original master, mastered for vinyl by Patrick W. Engel at Temple of Disharmony, new cutting by SST

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Overkill

Taking Over

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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Landscape Of Life Clear Green Vinyl Edition

Osanna

LP | 1974 | EU | Reissue (Vinyl Magic)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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Innermost Limits Of Pure Fun Feat. Dragon Brothers

Farm

LP | 1970 | US | Reissue (Sundazed)

Release: 1970 / US – Reissue

Genre: Rock & Indie

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Intorno Alla Mia Cattiva Educazione Clear Red Vinyl Edition

Alusa Fallax

LP | 1974 | EU | Reissue (BTF)

LP | 1973 | EU | Reissue (Vinyl Magic)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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A five-piece from Milan, Alusa Fallax were formed in 1969 deriving from Gli Adelfi, and released their first single the same year, with a second one not long after. Also in 1969 one of the members (there were two of them with the same name) released a solo single as Guido degli Alusa Fallax (Guardarti negli occhi on West Side).

The band kept playing and released their one and only album in 1974 on Fonit; a great little-known gem, in the best Italian prog tradition, led by keyboards with classical influences, it reminds the best things Banco del Mutuo Soccorso ever made. No less than 13 tracks are listed on the label, but these are connected to form two long suites very well played and sung, and with interesting lyrics.

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Blocco Mentale

Poa Yellow Vinyl Edition

LP | 1983 | EU | Reissue (Spittle)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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A very obscure and one of the rarest albums from Italian rock music scene of the 70's. This album takes on ecology as its theme and sings of the evil of polluting the planet. Terrific basic progressive music housed in a creative gimmick sleeve with window to flower. Blocco Mentale were a quintet, consisting of Aldo Angeletti (who wrote the music) on vocals and bass, Michele Arena on drums and vocals, Gigi "Roso" Bianchi on guitar and vocals, Filippo Lazzari on keyboards, harmonica and vocals, and Dino Finocchi on vocals, sax and flute. Musically Blocco Mentale is characterised by a progressive style with some personal touches. The best intruments are the horns and the keyboards.

The album opens with angular staccato sax riffs and then slides into a lush melody somewhat reminiscent of PFM ( Premiata Forneria Marconi ) in their early (and best) days. There are rich vocal harmonies blended with organ and flute, and once again a Meditteranean sensibility which distinguishes much of the best Italian progressive rock. (The opening lines of that opening track, "Capita," are recapitulated in the closing lines of the sixth track, "Ritorno," but the album still has one track to go at that point, oddly enough). Swelling Mellotrons blend into vocal harmonies, and give way to a cascading piano line. The music moves around a lot in the course of the album. The fourth track, "Io E Me," is an amazing Meditteranean blues, with a wailing harmonica taking the lead.

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Sad Lovers & Giants

Feeding The Flame

Off White White Vinyl Edition

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Sad Lovers and Giants second album, a brilliant atmospheric post punk record with several elements akin to Joy Division and The Chameleons. We can definitely apply the term’ ethereal’ to these composition, certainly the sound is very oceanic and otherwordly melancholic, typical trademarks of the new wave renaissance. Recorded in 1983 – and released on their own label Midnight Music - Feeding the Flame showcases the original line up at its very best.

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James White & The Blacks

LP | 1979 | EU (Future Shock)

LP | 1986 | EU | Reissue (Mercury)

Release: 1979 / EU

Genre: Rock & Indie

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Definite reissue of this No Wave classic, originally issued in 1979. Previous reissues of the Contortions and James White albums on Infinite Zero have been deleted for the better part of a decade. These are all officially sanctioned by the originating label, Ze Records; packaged in fold out digipaks, with deluxe 20 page booklets. The 21st century has produced a new generation of young contenders of all kinds, who have, within months, spread a new string of names across the planet such as The Rapture, Playgroup, LCD Sound system, Liars, Yeah Yeah Yeahs, Radio 4 and the likes, just to name a few. Once again the heat was initiated in NYC, even though its Lower East Side epicenter 'cleaned up' by Giuliani and Bloomberg, has moved a few blocks east and across the river to Brooklyn and Williamsburg. It might be wise to remind the younger ones among us that the origins of this new musical cycle is for the most part rooted in the No Wave movement of which James Siegfried aka James White, aka James Chance is undoubtedly one of its most prominent figures. New York City was hands down the artistic telluric center of the second half of the 20th century, especially from the 70's, on. Rising from the ashes of the Velvet Underground, a slew of local bands redefined the aesthetics of rock'n'roll which the merchants of the temple hastened to rename under various designations, such as punk, new wave, no wave, jazz-funk or even disco and disco-punk without forgetting to mention the original Electro designation pioneered by the band Suicide. One of the indispensable and emblematic figures of the mid-'70s is of course James Chance.

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Bon Jovi

Slippery When Wet

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Exile On Main Street Half Speed Remastered Edition

The Rolling Stones

2LP | 1972 | EU | Reissue (Polydor)

38,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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LP | 1977 | EU | Reissue (Bureau B)

Richard Pinhas

Rhizosphere

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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LP | 1973 | EU | Reissue (Music On Vinyl)

Judee Sill

Heart Food

Analogy Black Vinyl Edition

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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The second album Judee Sill made, proved to be her last. Instead of using an outside arranger for the strings for her album Heart Food (as she did on her previous album Judee Sill [MOVLP1800]), Sill did all of the work herself.

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Analogy

LP | 1972 | EU | Reissue (AMS)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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LP | 1983 | EU | Reissue (Rhino)

Talking Heads

Speaking In Tongues

Release: 1983 / EU – Reissue

Genre: Rock & Indie, Pop

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LP | 1971 | EU | Reissue (Soulgramma)

Milt Matthews Inc.

For The People

Il Padrone Della Festa Orange Transparent & Black Vinyl Edition

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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A key funk release from 1971, For The People was the 2nd album by interracial soul-rock band led by vocalist Milt Matthews. All the way from Wilson, North Carolina, Milton Ray Matthews was an inspired songwriter in the vein of master Curtis Mayfield and follower Lou Bond. With a series of excellent cover version – BB King ‘The Thrill Is Gone’, The Beatles ‘A Hard Days’ Night’ (stylistically related to the acid r&b Stax records was in charge at the time) and Blind Faith ‘Presence Of The Lord’ - the record is full of acid-blues chops and sensuous numbers. Filling the gap between modern psychedelia and afro-american consciousness, 'For The People' literally ascend to the title of black tinged rock opera.

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Fabi Silvestri Gazze

2LP | 1987 | EU | Reissue (Columbia)

41,99 €*

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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L'orso Bruno Black Vinyl Edition#

Antonello Venditti

LP | 1973 | EU | Reissue (Saifam)

39,99 €*

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Volume 8 Black Vinyl Edition

Fabrizio De André

LP | 1974 | EU | Reissue (RCA)

37,99 €*

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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Rimini Black Vinyl Edition

Fabrizio De André

LP | 1978 | EU | Reissue (RCA)

37,99 €*

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Kalrshamns Punks 1981-1984 Purple Red Swirl Vinyl Edition

Nyx Negativ

LP | 1977 | EU | Reissue (F.O.A.D.)

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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USA 50th Anniversary Blue Sparkle Vinyl Edition

King Crimson

2LP | 1974 | UK | Reissue (Panegyric)

41,99 €*

The Opening Ritual Black Vinyl Edition

Release: 1974 / UK – Reissue

Genre: Rock & Indie

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From one of the last few concerts of King Crimson’s final US tour of the ‘70s, “usa” was issued as an epitaph for the band in Spring 1975 as a single album, at a time when doubles or even triple live albums were considered more the norm for live releases. Deleted towards the end of the vinyl era in the mid-1980s, it remained unreleased in the CD era until the expanded edition was finally issued in October 2002. In common with much of Crimson’s output, it was not well received by critics when originally released, though its critical reputation grew immeasurably in the intervening years to the point where a review of the “21st Century Guide to King Crimson” boxed set in 2004 identified the album as the point

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Cloven Hoof

LP | 1982 | EU | Reissue (High Roller)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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To Dust You Will Decay Picture Disc Edition

Angel Dust

LP | 1988 | EU | Reissue (High Roller)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Into The Dark Past Picture Disc Edition

Angel Dust

LP | 1986 | EU | Reissue (High Roller)

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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LP | 1971 | EU | Reissue (Wiseraven)

Trifle

First Meeting

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Miss Italia Picture Disc Edition

Patty Pravo

LP | 1978 | EU | Reissue (RCA)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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LP | 1989 | EU | Reissue (Life Goes On)

Groundhogs

Flight N°5 To Houston

13,99 €*

Bloodsuckers Clear Vinyl Edition

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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This album is compiled from the "Hoggin the Stage" and "bbc In Concert" sessions. In the 1960s Groundhogs were among the pioneers of the British blues revival. The group shifted to a more rock sound in the early 1970s and placed three consecutive albums in the UK top ten between 1970 and 1972.

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The Varukers

LP | 1983 | EU | Reissue (Audioplatter)

17,99 €*

The Album Red Vinyl Edition

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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The Varukers were one of the first groups of the UK 82 movement - the second generation of punk rock that took the spirit of ’77 and merged it with the incessant beat of Nwobhm – responsible for creating UK hardcore. Heavily inspired by Discharge, The Varukers released three 7”s in the early ‘80s before this, their first and most definitive album, came out in 1983 on the legendary Riot City Records (Vice Squad, Abrasive Wheels, Chaos U.K.). Back in print on LP, thanks to Audioplatter, Bloodsuckers is one of the definitive pieces of early UK hardcore, full of Sabbath inspired guitar work, pounding rhythms and aggressive anarchistic lyrical content. Essential!

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Eater

LP | 1977 | EU (Radiation Reissues)

19,99 €*

LP | 1970 | EU | Reissue (Guerssen)

Release: 1977 / EU

Genre: Rock & Indie

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Formed in early stages of the British punk explosion by four high school mates in Finchley, north London, Eater quickly established themselves as one of the youngest and rawest bands on the scene. Inspired by a line in the T Rex song, “Suneye,” Eater was influenced by the classier side of glam rock but was very much a rapid-fire power-punk concern with their own output. Signing to Dave Goodman’s fledgling punk imprint, The Label, Eater issued three singles before their greatly anticipated debut album, which has since been hailed as an all-time classic; pointing their fingers at upper-class twits and taking the piss out of themselves and their fans on “No Brains,” the album also features two Velvet Underground covers and an unusual David Bowie adaptation, all delivered in no-holds-barred triple time. Poster included.

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Crystalline

Axe Music

LP | 1973 | US | Reissue (Just Add Water)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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First reissued by us in 2012 and out of print for many years, here’s a new, improved repress of this UK psych holy grail. Axe (known also as Axe Music and finally Crystalline by the time they recorded their rare acetate) were an obscure British psych band led by acid-rock guitar player extraordinaire Tony Barford and graced by Vivienne Jones ethereal vocals. The band hailed from Northampton (home also of their mates Dark of “Dark Round The Edges” fame). In 1970, they recorded a demo album of which only 12 copies were pressed as a demo acetate. Here's a straight reissue of this legendary artifact, as the previous "reissue" on the Kissing Spell label from 1993 and credited to Axe was altered without the band consent and included newly edited tracks, artificial echo / phasing effects, altered song titles...

Here' you'll find the acetate recording on its pure form: 100% unadulterated heavy psych and acid-rock sounds full of raw, fuzzed-out guitars and dreamy female vocals. Four impressive original songs plus a long, psyched to the max cover of Love's "A house is not a motel" which has to be heard to be believed. Carefully remastered from an original acetate copy in 24-bit. Unfortunately, no masters survived and no 100% clean copies are known to exist of the original acetates, but you’ll get the best result for the possibilities. In fact we’ve managed to improve the sound a bit over our first edition from 2012. * New artwork (the original acetate came in blank sleeve), insert with unseen pictures and liner notes by Paul Cross (Sweet Floral Albion). Rated with the maximum rarity (six stars) in Hans Pokora's 5001 Record Collector Dreams book.

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Coloured Balls

Ball Power

39,99 €*

2LP | 1973 | EU | Reissue (Kosmische Kuriere)

Release: 1973 / US – Reissue

Genre: Rock & Indie

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50th Anniversary Edition of this touchstone of Aussie Rock n Roll. This 1973 LP should need no introduction. Just in case it does, it's simply one of the finest albums to ever come out of Australia. Coloured Balls are the godfathers of Aussie punk, hard rock, psychedelic boogie, etc. They played too many different styles to be just any one thing. Lobby, Bobsie, Trevor, and Janis created something very special with this album and it sounds as fresh and vital as the date it was originally released.

This pressing has been painstakingly sourced directly from the 1973 quarter inch mix-down master tapes and sounds incredible. This has been an entirely analog production chain and hasn't been touched by a computer at any stage of the process. Hear Coloured Balls as nature intended.

Every copy includes bonus poster!

Edition of 800 copies on black vinyl.

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Walter Wegmüller

Tarot

41,99 €*

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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LP | 1971 | EU | Reissue (You Are The Cosmos)

Rockin' Horse

Yes It Is

LP | 1974 | US | Reissue (Mobile Fidelity)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Rockin' Horse was formed by Jimmy Campbell (The Kirkbys / 23rd Turnoff) - perhaps the most talented “unknown” musician to come out of the early 60s Liverpool scene- and Billy Kinsley (The Merseybeats / The Merseys). The band recorded Yes It Is (Philips, 1971), a fantastic debut album that should have raced to the top of the charts. The album has gone on to gain cult status amongst power pop fans around the world, fetching astonishingly high prices (even the 2012 reissue!). Having been schooled in the very same musical influences as the Fab Four, the end result is close to the sound the Beatles were creating at the end of their career. Probably... the product of having grown up as contemporaries of The Beatles in Liverpool and listening to the same records and playing the same circuits. Now you can own one of the greatest power pop recordings of all time on vinyl again!.

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Ravi Shankar

Shankar Family & Friends

49,99 €*

Release: 1974 / US – Reissue

Genre: Rock & Indie

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Tango 2000 Remastered Deluxe Black Vinyl Edition

Nichts

LP | 1982 | EU | Reissue (Cargo)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Win Or Lose Black Vinyl Edition

Magi

LP | 1976 | EU | Reissue (Got Kinda Lost)

Emerges Black Vinyl Edition

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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First time authorized reissue of Rust Belt hard rockers Magi’s (pronounced ˈmā-ˌjī) 1976 privately-pressed, hard rock nugget, Win Or Lose, originally issued on the infamous Uncle Dirty’s Sound Machine label. Win Or Lose carries similar glimmers to other vulgar, pre-PC, mid-Amerigan rock whose stock-in-trade boy meets girl early rock’n’roll topicry could easily be pulled from the Rock 101 playbook, but Magi was more than mired in muscle and machismo. Magi displayed the general insouciance, hormones, and discontent of their age, but also a concerned and wounded heart underneath the veneer, much less common to the field. While essentially a meat-and-potatoes hard rock record, the album flies closer to the early ‘70s beginnings of the genre (with nuance and psychedelic hangover in tow), when the definition was less rigidly and generically defined, and is additionally expertly sequenced across its eight strong tracks, improved by a masterful mix and remaster by T. Dallas Reed (Electric Wizard, Iron Claw, Mos Generator, Orange Sunshine, Poobah, Saint Vitus, Treepeople, Truth And Janey, et al.), utilizing a reel-to-reel from the original recording sessions. In-depth and informative liner notes by Jeremy Cargill (Got Kinda Lost / NTS Radio) and Patrick Lundborg. As the uncredited seeker who penned the original rear sleeve text expressed... “Energy is apparent, the subtleties are there, listen, there’s no question how they feel! Feel it with them! Feel the Magi!” “…quite contemporary in style for its 1976 release year. Regional and local bands tend to lag behind dominating music trends by a few years, but Magi’s sound seems entirely in line with then popular acts like Aerosmith, early Kiss, and maybe Ted Nugent.” – Patrick “The Lama” Lundborg (The Acid Archives)

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Stone Harbour

LP | 1974 | EU | Reissue (Out-Sider Music)

LP | 1973 | EU (Trading Places)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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The absolute king of lo-fi basement psychedelia, originally released as a private pressing in 1974 by this duo from Ohio. From dreamy melancholic tracks to insane fuzzed-out heavy psych ones.

“Two multi-instrumentalists creating a melancholic dreamlike state with songs fading in and out of the speakers, cavemen drums, primitive electronics and murky fuzz lurking in the background. The best tracks go into places no other albums reach” Patrick Lundborg (Acid Archives). " ‘Emerges’ as in slowly from the primordial sludge of the universe. 'Emerges' like a slow, slouching spectre hauling itself out of the swamps. But then what's a boy to do?

It's 1974, you're young and have a head full of Hawkwind and Roky and the Elevators, old brutalist blues in the Hound Dog Taylor / Fred McDowell backwoods whisky-fucked mode, freakfolk and LSD; you're stuck in Hicksville, USA - that's Youngstown, Ohio to you lot; the music scene sucks; glam's dead or dying slowly; punk a good year of so from even starting to get itself born. Town's too damn small to even muster up a band in. It's just and your buddy and that's it, man.

So you grows your hair and wear satin, wander wide-eyed and tripping across small town railway tracks and hang loose at the weekend in your basement. You gather a bunch if cheapo instruments on the never-never and you start cutting low-fi bedroom demos. Slowly, slowly Stone Harbour emerge.

Stone Harbour were Ric Ballas - electric, acoustic and slide guitars; organ; piano; synthesizers; bass guitar percussion and voice - and Dave McCarty - lead vocals, drums and percussion... and out of nowhere and nothing, at entirely the wrong time, they cut an LP that will blow your head clean off. This is a trip into the true dark heart of psychedelia.

The music? What can I tell you? ‘You'll be a star’ shimmers and aches in the midnight; cymbals wash over you, Dave McCarty's vocals emerge from some subterranean cave and the keyboards flicker, flicker, flash across the periphery of the song; ‘Rock & Roll Puzzle’ is dark, twisted fried garage punk blues brutality in the same mould as 'White Faces' or 'Cold Night for Alligators', pre-empting The Gories and Pussy Galore by a good ten years!!

"Who invented rock & roll? And who invented soul? Was it you or was it me?" Indeed. Songs fade in and out; finger-picking blurs into screaming squeiching synths; guitars melt in the mid-summer heat. ‘Grains of Sand’ frazzles like The Stooges through a fucked-up amp and filtered through a transistor radio with the valves burning out.

‘Thanitos’ is the freak-out ending of ‘Julia’s Dream’ lost in suburban downtown US of A with the taillights cutting on the freeway... whilst ‘Summer Magic is Gone’ is the most haunted, haunting song I've heard in many a long strange moon. Shimmers like stars in the 2am fug and haze and bleeds lost and lonely and bruised into the heat-warped dawn. You're still awake though the brain don't work like it used to. Blurred and bleary and exhilarated and stoned the very core of the soul. Best record I've heard all year." Hugh Dellar (Shindig!)

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Tucky Buzzard

Buzzard

15,99 €*

On The Way To Eden White Vinyl Edition

Release: 1973 / EU

Genre: Rock & Indie

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The roots of hard rock act Tucky Buzzard lie in psychedelic group, The End, who supported The Rolling Stones on an early tour, leading Bill Wyman to produce their sole LP. The band then morphed into Tucky Buzzard, now with scorching lead guitar licks and Hammond organ parts to the fore, and Wyman still on board as producer and manager. For their final album, Buzzard, released on Deep Purple’s Purple imprint in 1973, there is a mix of hard-edged blues rock, with a fine interpretation of perennial classic, “Who Do You Love,” and wistful originals like “Hanging On In There.” As ever, Wyman’s sterling production and presence on acoustic and electric piano makes this one a must for all Stones fans.

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Eden Rose

LP | 1970 | EU | Reissue (Guerssen)

21,99 €*

Utakata No Hibi Black Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Limited to 200 copies on white vinyl!

Proto-progressive, groovy instrumental psychedelia, recorded in France in 1969 by this pre-Sandrose band and released on the tiny Katema label. Swirling Hammond grooves by keyboard virtuoso Henri Garella, top guitar playing by Jean-Pierre Alacen and a tight, funky rhythm section create one of the best early prog/psych French albums ever. First reissued on Guerssen back in 2016 and out of print for many years, here's a repress in hard cardboard sleeve + OBI - resealable outer sleeve.

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Mariah

2LP | 1983 | EU | Reissue (Everland)

LP | 1987 | EU (Mad Butcher)

Release: 1983 / EU – Reissue

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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An amazingly colorful album with songs that are based on solid substance rather than cheap pop structures. This is music for the bold listeners and music lovers and this awesome reissue should quickly find it’s way into the record collections of 80s synth and art pop aficionadoes. Yasuaki Shimizu did what he wanted with Mariah, pushed the borders of popular music further than anybody would have thought. Listen to a track like „Shonen“ with a repetitive rhythm pattern that hypnotizes you and somehow silky melodylines by saxophone and synth piano upon which a female voice sings in a very spiritual way. Praising pop or whatever this can be called, it is sheer magic put in music. I wonder if this would have made it into the charts back then, but you never know. It is a piece of musical art that shall be listened to. Grab your copy now!!!

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Outsiders

Close Up

17,99 €*

Release: 1987 / EU

Genre: Rock & Indie

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LP | 1980 | US | Reissue (Fat Possum)

Los Angeles

30,99 €*

Release: 1980 / US – Reissue

Genre: Rock & Indie

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LP | 1989 | US | Reissue (Geffen)

Tom Petty

Full Moon Fever

38,99 €*

Release: 1989 / US – Reissue

Genre: Rock & Indie

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2LP | 1988 | US | Reissue (Sub Pop)

Soundgarden

Ultramega OK

Release: 1988 / US – Reissue

Genre: Rock & Indie

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LP | 1971 | US | Reissue (Fat Possum)

Townes Van Zandt

Delta Momma Blues

7" | 1983 | US | Reissue (Chunklet)

Release: 1971 / US – Reissue

Genre: Rock & Indie

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limited edition 180 gram vinyl

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DDT

Brave New World

14,99 €*

Heading For Internal Darkness Red Vinyl Edtion

Release: 1983 / US – Reissue

Genre: Rock & Indie

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No Atlanta punk record from the 1980s creates such a lather as the debut single by DDT (except maybe Neon Christ's single, but I digress). Self released in 1983, merely finding a copy would put you into serious debt. That is, until now. Audio was restored by Jason NeSmith at Chase Park from a spotless copy of the record given to Chunklet by Joe Perry who recorded the single at his Bombay Studios in Smyrna. Never before reissued until right now. Get in on the ground floor of Atlanta's punk scene from 40 years ago

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Hellbastard

2LP | 1988 | EU (Radiation Reissues)

Heading For Internal Darkness Black Vinyl Edition

Release: 1988 / EU

Genre: Rock & Indie

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A manic clash of guitars, bass and drums beating each other’s brains out in the same sonic bullring? Check. Despite already (if a little unbeknownst) being considered crust pioneers, by 1988, Hellbastard had firmly inserted themselves, even proudly so, in between a series of bifurcated genre schisms well-protected by those scene’s respected guardians. Their official debut, Heading For Internal Darkness no less perfectly exemplifies that schism. With Wendy V Gill’s haunted-cosmos monologues injecting some transcendental light into the neck otherwise being mercilessly ripped to pieces by Scruff and Scotty’s spaced-out vocal grunts, opener We Had Evidence to the equally arresting elevator-shaft-with-a-mind-of-its-own Death Camp to The Pylons whip up seriously dark whirlwinds into atmospheric dances of rapid energy and relentless spasms of spellcasting drama. Never mind metal, too punk for anything.

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Hellbastard

2LP | 1988 | EU (Radiation Reissues)

LP | 1984 | JP | Reissue (P-Vine)

Release: 1988 / EU

Genre: Rock & Indie

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The Stalin

Fish Inn

35,99 €*

Teenage Jesus & The Jerks

Release: 1984 / JP – Reissue

Genre: Rock & Indie

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The album called "Fish Inn" was originallyreleased in 1984. The leader of the band Michiro Endo anticipated departing from punk rock and created this work, exploring a sound inclined towards psychedelic music, a challenging move that seemed to self-denounce The Stalin's previous style. Higo Hiroshi from Friction was also involved in the band as bassist during this recording. Endo reminisced later about the album as: "More specifically, the main theme was how to kill The Stalin." Following this release, The Stalin disbanded and marked it as their final album. Although the remix version produced by Bill Laswell released in 1986 is generally more highly regarded, P-vine focuses on the original version and reissues it on vinyl with the original artwork for the first time.

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Teenage Jesus & The Jerks Black Vinyl Edition

LP | 1979 | EU (Radiation Reissues)

18,99 €*

Limited Edition Black Vinyl Edtion

Release: 1979 / EU

Genre: Rock & Indie

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During the late 1970s, after No Wave pioneer Lydia Lunch met saxophonist James Chance, she began setting her angry and disjointed poetry to anti-music, founding her ground-breaking band Teenage Jesus and The Jerks with Lunch’s shouted lyrics matched by her non-conventional use of electric guitar. The group’s self-titled debut EP is a fast and furious affair, produced by Robert Quine of the Voidoids/Lou Reed, with future Nick Cave drummer Jim Sclavunos on bass and Bradley Field on minimalist percussion; steeped in aggression and audacity, it’s an awesome disc that rebuffs punk’s easy cliches and refuses to be categorized. This reissue also includes the ‘Pre’ EP and the tracks from the legendary No New York compilation. Essential!

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Blue Max

LP | 1977 | EU | Reissue (Out-Sider Music)

Dónde Está Esa Mujer A La Que Yo Amé

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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“Limited Edition” was originally released in 1977 as a private edition of 1000 copies for promo purposes. Here’s the first ever official vinyl reissue with new, improved artwork, newly remastered sound and insert with liner notes.

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Grupo Uno

7" | 1970 | EU | Reissue (Madmua)

21,99 €*