Rock & Indie Vinyl 2341 Items

LP | 1972 | EU | Reissue (Guerssen)

Release: 1972 / UK – Reissue

Genre: Rock & Indie

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Módulo 1000 were not messing around when they made 'Não Fale Com Paredes’. It holds its own, not just as a raw, heavy, experimental “Brazilian” psychedelic rock album, but as a raw, heavy, experimental psychedelic rock album, full-stop!

Formed in Rio de Janeiro in 1969, Módulo 1000 honed their craft as the house band in clubs and resorts in São Paulo where they predominantly covered American artists such as Jimmy Hendrix as well as British giants, Led Zeppelin. After acquiring a taste for fame following the performance of one of their tracks at the Rio International Song Festival, the band focussed their attention on composing original material. Their manager, Marinaldo Guimarães, encouraged the band to explore their experimental and creative sides. This, in parallel with the explosion of experimental music in Brazil, resulted in the band performing alongside heavyweights such as O Têrço; there was a happening in the air.

Módulo 1000 recorded just one album. Released on Top Tape records in 1972, it featured Eduardo Leal on bass, Candido Faria on drums, Daniel Cardone on guitar, violin and vocals, and Luiz Paulo Simas on organ, piano, and vocals. 'Não Fale Com Paredes' was produced by the popular DJ, Ademir Lemos, and came housed in a fold-out cover featuring tripped-out artwork and design by Wander Borges. However, due the uncompromising nature of its wild, heavy psychedelic rock sound, the album was destined not to be played on the radio in Brazil. Rumours suggest that the label didn't understand the album, and as a result, it wasn't promoted or marketed. Thus, like many other underground cult classics, it was lost in the ether, only later to be rediscovered by a new audience at a different time.

One thing is certain, you definitely know when you've heard Módulo 1000. The sound is raw, heavy and at points quite aggressive, more Black Sabbath than Os Mutantes. It floats between psychedelic rock, prog rock, early metal, and dare we say, displays elements of proto-math-rock.

The band’s discography includes a 7" single, as well as their music being featured on several compilations for Odeon Records, additionally they released a 7" single under their alias 'Love Machine' for Top Tape Records. These compositions are included as bonus tracks on the CD version of our reissue.

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Dakila

25,99 €*

LP | 1972 | US | Reissue (Old Bear Reissued)

Release: 1972 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Dakila (a Filipino word meaning Greatness) emerged from the melting pot of musical fusions that originated in the San Francisco Bay Area of the late 60s. They often could be seen playing at Bill Graham's Fillmore West, SF Winterland and all the major clubs in the SF Bay Area and festivals.

Singing in Tagalog, Spanish and English, Dakila was the first Filipino-American band signed to a major label. Their sole album from 1972 combined their Filipino heritage with Latin Rock, psychedelia / acid-rock and afro-funk. The result was an explosive, hot jamming sound full of congas/percussion, Hammond, dual fuzz guitar, fuzz-bass…

This, the first ever official reissue, features corrected pitch (the original was speeded up by the producers against the band’s will) and a 4-page color insert with detailed liner notes.

*50th Anniversary Reissue

*One of the hidden gems from the original Latin-Rock movement

Riyl: Santana, El Chicano, Barrabás, Chango, Malo, Mandrill…

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Kevin Max

Revisiting This Planet

40,99 €*

LP | 1972 | EU (Trading Places)

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Larry Norman’s 1972 pioneering album ‘Only Visiting This Planet’ was the first of its kind. It was hailed as the first ‘Jesus-rock’ album and added to the national registry of the Library of Congress.

In the mid-1990s, Kevin Max toured with Larry Norman and covered his songs on the road with his band dcTalk. Norman and Max struck up a friendship, with Larry guesting on Max’s first solo album ‘Stereotype Be’, produced by Adrian Belew. After Larry Norman’s passing, Max decided to re-create the whole album ‘Only Visiting This Planet’ but was sidetracked by other projects. After meeting Larry’s son, Mike Norman, at a show in Portland Oregon, Max finally decided to start the project with a campaign run by Nashville Company ‘Generosity Rocks.’

John Mark Painter, a multi-instrumentalist producer from Nashville was brought on to collaborate and produce the project.

Guest appearances on the album include Daniel Smith from the Danielson Band, Fleming McWilliams & Mike Norman.

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Dando Shaft

Lantaloon

20,99 €*

Miley Smile / Stage Recall

Release: 1972 / EU

Genre: Rock & Indie

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Dando Shaft’s third LP continued their explorations into the progressive and psychedelic strands of folk, now with shifting time signatures evidencing an increasing sophistication, as well as an ongoing commitment to experimentation; more varied in theme than their previous releases, there were shades of blues in places and an array of new instruments in the mix, including harpsichord, accordion, and slide guitar, yet the progressive folk that was always at the core of the group is still intact. With original copies costing in the hundreds, this is another worthy exploration for Dando Shaft fans, and all lovers of progressive folk music.

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Burnin Red Ivanhoe

LP | 1972 | EU | Reissue (Long Hair)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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LP | 1972 | EU | Reissue (Wah Wah)

Nirvana

Songs Of Love And Praise

The Adventure Of Pirate Kid

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Once again a work by Patrick Campbell-Lyons without Alex Spyropoulos, this time Songs Of Love And Praise showed a return to a more classic Nirvana sound. Campbell-Lyons revisited two of the most loved songs by the band, Pentecost Hotel from their debut LP and Rainbow Chaser from their second one. The album opens precisely with the amazing uptempo beat of Rainbow Chaser, which while sounding faithful to the original recording, it comes with a totally different approach on the arrangements. Campbell-Lyons states on the liners that he went for a step further in that field, and looked for a jazzy atmosphere. It sets the tone of the album: upbeat good vibrations songs that differ from the dark mood of the previous Local Anaesthetic LP and that besides these two songs revisited presents all new material.

Uplifted and positive, Songs Of Love And Praise gives what the title promises to take the classic Nirvana sound from their first three albums one step further with the collaboration of Bobby Harrison (Procol Harum, Snafu) Lesley Duncan, Maggie Bell and Sylvia Schuster (who had already played live with Nirvana at the time of their debut album).

The Wah Wah edition is the first ever official vinyl edition since 1971. Housed in a glossy textured reproduction of the original sleeve and featuring two bonus tracks not on the original release. 500 copies only!

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Sons Of Sun

LP | 1972 | JP | Reissue (Fuji)

44,99 €*

Yufusugebito No Uta (Japanese Edition)

Release: 1972 / JP – Reissue

Genre: Rock & Indie, Pop

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Originally released in 1972, the legendary Soft Rock "Happy End" album is now back on an analog LP!! Written by Hiro Yanagida, Produced by Takashi Matsumoto, Sons OF SUN's first album will be making its return from the label Fuji!! Keyboard Hiro Yanagida Drums Kiyoshi Tanaka E.Guitar Kazuyuki Nagaoka E.Bass Hideaki Takebe Vocal MAO

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Yukimasa Takebe

LP | 1972 | JP | Reissue (Fuji)

44,99 €*

People No Names - 50th Anniversary Black Vinyl Edition

Release: 1972 / JP – Reissue

Genre: Rock & Indie

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This is the only album left by the legendary singer/songwriter Yukimasa Takebe. One of the best recordings of all time, reminiscent of Neil Young's "Harvest". The beautiful music and lyrical world. A great masterpiece of quality Folk-Rock that sings about the anxieties and hopes of youth. Originally released in 1972. Junji Ariyama: Acoustic / Classic guitar, flute Takashi Nishioka: Acoustic guitar, Conga, Mouth-harp Isato Nakagawa: Acoustic/Electric/Dobro guitar Hiro Yanagida: Cello, Piano, Organ, Strings Hideaki Takebe: Bass Chito Kawachi: Drums Masahiro Takekawa: Violin Yukimasa Takebe: Acoustic-guitar, Vocal

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Kalevala

LP | 1972 | EU | Reissue (Svart)

LP | 1972 | TR | Reissue (Ada Müzik)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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0th Anniversary Vinyl Reissue! With the original gatefold layout plus all lyrics, new liner notes plus an interview with vocalist Harri Saksala. The album has been remastered for vinyl by Finland's premier progressive rock specialist Pauli Saastamoinen at Finnvox.

Kalevala and especially their debut album People No Names is a prime example of a record that should've been big, sold only a handful and only later on was reappraised as the masterful progressive rock epic that it is. Originally released 50 years ago on Finnlevy, then one of the largest labels in Finland, and not marketed at all, there were not more than 500 copies of the album pressed. When people finally realised the quality of the music on this piece of wax, prices for original copies on the second hand market went blasting through the roof and eventually into four figures.

Kalevala's story began at the turn of the new decade in 1970, and they played Cream-style hard

rock with a power trio lineup. The band's founding member Remu Aaltonen was kicked out the following year, and a renewed lineup immersed themselves in progressive rock. People No Names was released in 1972, and eventually Finnlevy had no idea what to do with this kind of difficult new youth music.

This 50th Anniversary reissue is put together with the approval of original vocalist Harri Saksala The album is remastered for vinyl by Pauli Saastamoinen at Finnvox.

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3 Hür El

3 Hür El Volume 1

LP | 1972 | US | Reissue (Fire)

Release: 1972 / TR – Reissue

Genre: Organic Grooves, Rock & Indie

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3 Hürel is a folk-rock and psychedelic-rock band consisting of 3 brothers from Trabzon, a northern city in Turkiye, who gained fame in the early 1970s with their authentic music and hippie outfits. Thisis their first album compiled from 45 rpm singles. The original release date was 1972. The band's guitarist uses a self-made double-handled guitar and reed instrument, which has become a symbol of the band in concerts. What makes the band special is its groovy guitar tone and excellent bass guitar and percussion technique. They have become one of the most important representatives of psychedelic-rock in Turkiye. "Aşk Davası", "Haram", "Pembelikler" and "Madalyonun Ters Yüzü" are their most popular songs.

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Groundhogs

Who Will Save The World

20,89 €* 21,99 € -5%

Kristian Black Vinyl Edition

Release: 1972 / US – Reissue

Genre: Rock & Indie

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The final instalment to the trio of masterpieces from the legendary British rock group, The Groundhogs' gets a special reissue for first time since 1991 on yellow vinyl. Treading more progressive realms 'Who Will Save The World' sees Tony McPhee moving away from the blues territory of their earlier releases and towards a heavier more psychedelic sound. Achieving Top 10 album success back in 1972, 'Who Will Save The World' is the last record that features the classic line up of Tony McPhee, Pete Cruickshank and Ken Pustelnik. A definitive collector's item as part of the ongoing Fire catalogue campaign. This special reissue features the iconic artwork accompanied by a deluxe comic book insert, a bumper sticker and postcard, along with sleeve notes and an interview with the original Marvel artist Neal Adams. Also includes a bonus download of an unreleased live recording from their final live show in Pocono, USA.

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Kristian

LP | 1972 | EU | Reissue (Svart)

7" | 1972 | US | Reissue (Just Add Water)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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A limited-to-300 reissue of this rare west coast psych inspired album from 1972. With all lyrics and liner notes by Jaakko Riihimaa.

Bengt Huhta, known by his nom de plume Kristian, made this unusual album in 1972, after enjoying a pop star career in the late sixties.

As a singer he suffered the same fate as most sixties pop singers - no matter how ambitious the artist, his choice of songs to record was always made by the label, the songs more often than not being Finnish translations of popular international schlager tunes. Most live appearances took place on small stages inside restaurants or at traditional dance halls, with the expectation that the band would perform music suitable for dancing, which meant a selection of evergreen material mostly. The artist could sneak their own material in at the end of a long set or between shorter dance sets.

Winds of change were in the air, though, and Kristian grew bored of his one-dimensional role as a domestic pop star. In 1971 he decided to quit altogether, but as his Finnish cover version of Let The Sunshine In was still in the charts, the record company persuaded him to make one more album. He agreed, but with the condition that the album would record his own English language material only.

For a Finnish singer-songwriter to release an album of English language rock music influenced by the post-hippie psychedelic and progressive movements of the time was a career suicide, and this is what happened with this album as well. What few original copies there are in circulation still have become very expensive. Svart Records are happy to present a new edition of this underrated light psych rock gem to the new millennium.

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Things Fall Apart

Bye Bye My Rose

15,99 €*

Nel Mondo, Una Cosa 50th Anniversay Edition

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Available again for the first time in 51 years. This banger has been in our DJ box for many years. First issued by our all-time favorite label, President Records in 1972, this was Things Fall APART's one and only release. Contrary to speculation, The Equals nor Eddy Grant had anything to do with this record despite it sounding very much like The Equals circa "Stand Up And Be Counted." Both songs were written and sang by Ralph ADU. Mind the fuzz! Remastered by Sean M. LENNONstraight from the original master tapes from the President Records archive. Edition of 200 copies on black vinyl.

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Mia Martini

LP | 1972 | EU | Reissue (Bmg Rights Warner)

27,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie, Pop

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LP | 1972 | EU | Reissue (RCA)

Perigeo

Azimut Red Vinyl Edition

20,99 €*

Release: 1972 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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LP | 1972 | UK | Reissue (Seelie Court)

Threads Of Life

Alco

10,99 €*

Release: 1972 / UK – Reissue

Genre: Rock & Indie

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Climax Featuring Sonny Geraci Coconut Cream Vinyl Edition

Climax

LP | 1972 | UK | Reissue (Goodtime)

23,24 €* 30,99 € -25%

Nuda Clear Green Vinyl Edition

Release: 1972 / UK – Reissue

Genre: Rock & Indie

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As a somewhat overlooked gem of early 70’s ballad rock, Los Angeles-based soft rockers Climax boast some of the biggest breakout hits of their time. Fronted here by the illustrious Sonny Geraci this album features 1972 hit “Precious and Few” amongst a number of other arcane classics. Reissued in original gatefold format and pressed on heavyweight cream Colored Vinyl.

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Garybaldi

LP | 1972 | EU | Reissue (AMS)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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2LP | 1972 | UK | Reissue (Fire)

Groundhogs

Hogwash

48,99 €*

Release: 1972 / UK – Reissue

Genre: Rock & Indie

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2LP | 1972 | EU | Reissue (Universal)

Deep Purple

Made In Japan

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Mitch Ryder & The Detroit Wheels

All Mitch Ryder Hits -Original Greatest Hits

LP | 1972 | US | Reissue (Friday Music)

40,99 €*

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Mannoia Foresi & Co. Green Vinyl Edition

Mannoia Fiorella

LP | 1972 | EU | Reissue (RCA Records Label)

20,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie, Pop

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Nancy & Lee Again Black Vinyl Edition

22,99 €*

Release: 1972 / US – Reissue

Genre: Rock & Indie

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* LP available on Standard Black Wax plus Special Limited Color Editions * First ever reissue of Nancy & Leeâ€™s 1972 classic * Includes bonus tracks â€œMachine Gun Kellyâ€ and the previously unreleased â€œThink Iâ€™m Coming Downâ€ * Newly remastered from the original analog tapes by GRAMMYÂ®-nominated engineer John Baldwin * Vinyl pressed at RTI * Beautifully packaged and expanded gatefold LP featuring a 20-page booklet * Q&A with Nancy & GRAMMYÂ®-nominated reissue co-producer Hunter Lea * Never-before-seen photos from Nancy Sinatraâ€™s personal archive

Light in the Attic Records is proud to present the next installment of the _Nancy Sinatra Archival Series_ with the first ever reissue of the classic 1972 album _Nancy & Lee Again_. Recorded during a 1972 reunion between Nancy and the enigmatic Hazlewood, the album contains some of the pairâ€™s most enduring and ambitious duets including the epic â€Arkansas Coal (Suite),â€ the sensual â€œParis Summerâ€ and the incredibly powerful Dolly Parton-penned â€œDown From Dover.â€ Equal parts daring, psychedelic, cinematic, and sweet, _Nancy & Lee Again_ reveals with each track a timeless, natural chemistry between two artists who would remain influential for generations to come.

_Nancy & Lee Again_ is available in a variety of formats, including vinyl, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and is accompanied by a 20-page booklet, featuring an array of photos from the legendary singer, actress, and activistâ€™s personal collection, as well as in-depth Q&A with Nancy Sinatra, conducted by the reissueâ€™s Grammyâ®-nominated co-producer, Hunter Lea (also available in the CD package). All formats have been beautifully designed by Darryl Norsen of D. Norsen Design, and include two bonus tracks, â€œMachine Gun Kellyâ€ (first time on vinyl) and the previously unreleased â€œThink Iâ€™m Coming Down.â€

In addition to the black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

A limited-edition merchandise capsule, including a custom chain stitched denim jacket, embroidered pillow, canvas tote and apparel collaboration with LA-based Midnight Rider will accompany the release at Nancyâ€™s Bootique at *NancySinatra.com*.

Nancyâ€™s impact on fashion, music, and culture will also be celebrated at Modernism Week in Palm Springs this February with three events, including a roundtable discussion featuring Kii Arens (Visual Artist), Alison Martino (Vintage Los Angeles), Hunter Lea (Record Producer), Don Randi (The Wrecking Crew), and Amanda Erlinger (daughter of Nancy Sinatra, and co-author of the book _Nancy Sinatra: One For Your Dreams_), a double decker bus tour featuring audio commentary from Nancy at notable locations, and a Nancy Sinatra Tribute street party on Arenas to close out the weekâ€™s festivities.

*more About _nancy & LEE AGAIN_:*

The incongruous, yet glorious, creative partnership between Nancy Sinatra and Lee Hazlewood was well underway when the two singular artists reunited to record 1972â€™s _Nancy & Lee Again_, a follow-up to their bestselling duet debut, _Nancy & Lee_. Nancy, the eldest daughter of Frank Sinatra, had been working with the Oklahoma-born songwriter since 1965, when she topped the pop charts with â€œThese Boots Are Made For Walkinâ€™.â€ Over the next five years, the two artists forged a prolific relationship in the studio, with Hazlewood writing and producing many of Nancyâ€™s solo hits. Soon, the duo found success with a series of duets, including â€œSand,â€ â€œSummer Wine,â€ and â€œSome Velvet Morningâ€ â€“ all of which appeared on their highly-influential 1968 debut.

Not long after the critical acclaim and chart success of Nancy & Lee died down, however, Hazlewood unexpectedly relocated to Sweden, leaving his musical partner in the proverbial dust. America, meanwhile, was in the midst of a cultural shift, as the Vietnam War waged on. By the turn of the decade, the musical landscape had changed significantly. â€œTrivial music and not profound music became unimportant,â€ recalls Nancy, speaking to Hunter Lea. â€œIt was a tough time.â€ And yet, despite the circumstances, the stars somehow aligned for the duo to record some of their most magnificent music together.

Returning to Los Angeles for the project, Hazlewood â€“ who reprised his role as producer â€“ chose to take a new direction with the duoâ€™s sophomore album. Nancy recalls, â€œIt was more dramatic; it was more fun to do, more challenging to doâ€¦. It was more grandiose.â€ For the lush, orchestral arrangements, they collaborated with Larry Muhoberac (an original member of Elvis Presleyâ€™s TCB band, whose early â€˜70s credits also included Barbra Streisand, Neil Diamond, and Lalo Schifrin) and Clark Gassman, who had worked on Hazlewoodâ€™s 1970 LP, _Cowboy in Sweden_. Backing vocals from brothers John and Tom Bahler, who remain two of the most recorded singers in history, added additional texture to several songs.

The big sound that Nancy describes above is exemplified in the albumâ€™s cinematic opener, â€œArkansas Coal (Suite).â€ Clocking in at nearly six minutes long, the dynamic overture tells the tale of an ill-fated coal miner (sung by Hazlewood), while Nancy adjusts her vocals to sing as both the minerâ€™s daughter and his wife. Hazlewoodâ€™s knack for vivid, nuanced storytelling shines throughout _Nancy & Lee Again_, particularly in â€œParis Summer,â€ which details the conflict that a married woman faces, as she engages in a passionate affair. Another highlight is the country-inspired hit, â€œDid You Ever,â€ which was released as the albumâ€™s lead single. After it landed at No.2 on the U.K. pop charts, the song served as an alternate title track in several countries, including LP pressings in the U.K., Germany, and Canada.

One of the most emotionally-charged moments on _Nancy & Lee Again_ is a cover of Dolly Partonâ€™s â€œDown From Dover.â€ The heartbreaking tune tells the tale of a pregnant teenager, who has been abandoned by her lover and her family and ultimately gives birth to a stillborn baby. While Partonâ€™s 1970 version was sung from the teenagerâ€™s point of view, Hazlewood and Sinatra transformed the country song into a duet. Hazlewood, who offers the manâ€™s side of the story, sings in a notably deeper octave than his signature baritone.

Another poignant selection is â€œCongratulations,â€ which describes a soldier coming home from Vietnam. â€œHis face has grown old and his eyes have grown cold/And they tell you of where he has been/Congratulations, you sure made a man out of him,â€ Hazlewood sings, pointedly. Nancy, who performs as the vetâ€™s wife, argues that the song had a deeper meaning for her duet partner. â€œLee started out a hawk, he was an army guy, so he was all for the war in the beginning. We didnâ€™t talk about it, but at some point, he changed radically. â€˜Congratulationsâ€™ was almost like an apology from him. I donâ€™t want to put words in his mouth, but it was as though he was saying â€˜Iâ€™m really sorry.â€™â€

The song â€œFriendship Trainâ€ could also be interpreted as an apology of sorts â€“ this time to Nancy. â€œYou've been hurt and I've been hurt/Now we're living pain,â€ the tune opens. When Hazlewood moved to Sweden without telling his longtime musical partner, Sinatra was understandably upset. â€œI felt pretty betrayed. I mean, who does that? Who just up and disappears like that? Iâ€™ll never understand it,â€ she reveals. But the uplifting duet â€“ a slice of â€˜70s pop perfection â€“ offers reaffirming words of love between friends. â€œ[Lee] felt things very deeply and tended to express his feelings in song instead of in real life,â€ explains Nancy.

The 10-track album closes with the stripped-down â€œGot It Together.â€ Backed by an acoustic guitar, the song is equal parts playful and candid, as the duo has an impromptu, spoken-word conversation about their lives. â€œI wish that weâ€™d quit getting so old,â€ laments Nancy, who later shares her wish to have children (she would do so in the next few years). Hazlewood, meanwhile, attempts to remedy his past wrongdoings â€“ this time asking his partner, â€œCan I go back to Sweden?â€ With that, Nancy gives her blessing.

This definitive reissue of _Nancy & Lee Again_ also includes two bonus tracks. Both are stylistic departures for the duo â€“ but fit right in with the psychedelic pop of the era. The first one, â€œThink Iâ€™m Coming Down,â€ is a harmony-filled reflection on a toxic relationship. â€œI think that was one of [Leeâ€™s] drug things. I donâ€™t mean that he used drugs; I mean that he was trying to be part of that culture. Trying to be hip,â€ explains Nancy, who delivers an emotive vocal performance on the solo track. Also included is â€œMachine Gun Kelly,â€ penned by a staple of the 70s singer-songwriter movement, Danny Kortchmar (James Taylor, Carole King, Linda Ronstadt). Recorded several months after the release of the album, the song found Nancy reuniting with Billy Strange, who arranged many of her solo albums, as well as Nancy & Lee. Sinatra and Hazlewood first performed â€œMachine Gun Kellyâ€ during their residency at Las Vegasâ€™ Riviera Hotel in February 1972 (later released as a concert documentary on Swedish television). While the recording has long remained a career favorite of Nancyâ€™s, it would be decades before it was officially released.

_Nancy & Lee Again_ remains a creative high point in the careers of Sinatra and Hazlewood and, upon its release, garnered rave reviews from Billboard, _Record World_, and _Cash Box_, among others. Yet, _Nancy & Lee Again_ never received the spotlight it so utterly deserved. â€œWe didnâ€™t have label support at all in those days,â€ recalls Nancy. â€œWithout the strength of a label, records die. We were old. We were old-fashioned. We were just not what was happening. Itâ€™s a very ageist kind of business.â€ Nevertheless, she adds, â€œI think itâ€™s a very good album. I think itâ€™s timeless.â€ Now, after years of being a sought-after rarity, this gem in the Sinatra-Hazlewood canon can finally get its due.

Five decades later, Nancyâ€™s legacy only continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums â€“ her duets with Hazlewood among them â€“ and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when â€œThese Boots Are Made For Walkinâ€™â€ was inducted into the Grammyâ® Hall of Fame. That same year, Sinatra partnered with Light in the Attic for *Nancy Sinatra: Start Walkinâ€™ 1965-1976*, a definitive survey of her most prolific period. Lita has also reissued Sinatraâ€™s classic debut, *Boots*, and her iconic, 1968 album with Lee Hazlewood, *Nancy & Lee*. The label looks forward to celebrating Nancy over the coming years with a variety of special releases, exclusive merchandise, and more.

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Nancy & Lee Again Big Red Balloon Swirl Vinyl Edition

Release: 1972 / US – Reissue

Genre: Rock & Indie

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* LP available on Standard Black Wax plus Special Limited Color Editions
* First ever reissue of Nancy & Leeâ€™s 1972 classic
* Includes bonus tracks â€œMachine Gun Kellyâ€ and the previously unreleased â€œThink Iâ€™m Coming Downâ€
* Newly remastered from the original analog tapes by GRAMMYÂ®-nominated engineer John Baldwin
* Vinyl pressed at RTI
* Beautifully packaged and expanded gatefold LP featuring a 20-page booklet
* Q&A with Nancy & GRAMMYÂ®-nominated reissue co-producer Hunter Lea
* Never-before-seen photos from Nancy Sinatraâ€™s personal archive
* CD housed in a digipak and featuring a 28-page booklet
* 8-track also available
* Actual LP pressing color may differ from mock-up image

Light in the Attic Records is proud to present the next installment of the _Nancy Sinatra Archival Series_ with the first ever reissue of the classic 1972 album _Nancy & Lee Again_. Recorded during a 1972 reunion between Nancy and the enigmatic Hazlewood, the album contains some of the pairâ€™s most enduring and ambitious duets including the epic â€Arkansas Coal (Suite),â€ the sensual â€œParis Summerâ€ and the incredibly powerful Dolly Parton-penned â€œDown From Dover.â€ Equal parts daring, psychedelic, cinematic, and sweet, _Nancy & Lee Again_ reveals with each track a timeless, natural chemistry between two artists who would remain influential for generations to come.

_Nancy & Lee Again_ is available in a variety of formats, including vinyl, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and is accompanied by a 20-page booklet, featuring an array of photos from the legendary singer, actress, and activistâ€™s personal collection, as well as in-depth Q&A with Nancy Sinatra, conducted by the reissueâ€™s Grammyâ®-nominated co-producer, Hunter Lea (also available in the CD package). All formats have been beautifully designed by Darryl Norsen of D. Norsen Design, and include two bonus tracks, â€œMachine Gun Kellyâ€ (first time on vinyl) and the previously unreleased â€œThink Iâ€™m Coming Down.â€

In addition to the black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

A limited-edition merchandise capsule, including a custom chain stitched denim jacket, embroidered pillow, canvas tote and apparel collaboration with LA-based Midnight Rider will accompany the release at Nancyâ€™s Bootique at *NancySinatra.com*.

Nancyâ€™s impact on fashion, music, and culture will also be celebrated at Modernism Week in Palm Springs this February with three events, including a roundtable discussion featuring Kii Arens (Visual Artist), Alison Martino (Vintage Los Angeles), Hunter Lea (Record Producer), Don Randi (The Wrecking Crew), and Amanda Erlinger (daughter of Nancy Sinatra, and co-author of the book _Nancy Sinatra: One For Your Dreams_), a double decker bus tour featuring audio commentary from Nancy at notable locations, and a Nancy Sinatra Tribute street party on Arenas to close out the weekâ€™s festivities.

*more About _nancy & LEE AGAIN_:*

The incongruous, yet glorious, creative partnership between Nancy Sinatra and Lee Hazlewood was well underway when the two singular artists reunited to record 1972â€™s _Nancy & Lee Again_, a follow-up to their bestselling duet debut, _Nancy & Lee_. Nancy, the eldest daughter of Frank Sinatra, had been working with the Oklahoma-born songwriter since 1965, when she topped the pop charts with â€œThese Boots Are Made For Walkinâ€™.â€ Over the next five years, the two artists forged a prolific relationship in the studio, with Hazlewood writing and producing many of Nancyâ€™s solo hits. Soon, the duo found success with a series of duets, including â€œSand,â€ â€œSummer Wine,â€ and â€œSome Velvet Morningâ€ â€“ all of which appeared on their highly-influential 1968 debut.

Not long after the critical acclaim and chart success of Nancy & Lee died down, however, Hazlewood unexpectedly relocated to Sweden, leaving his musical partner in the proverbial dust. America, meanwhile, was in the midst of a cultural shift, as the Vietnam War waged on. By the turn of the decade, the musical landscape had changed significantly. â€œTrivial music and not profound music became unimportant,â€ recalls Nancy, speaking to Hunter Lea. â€œIt was a tough time.â€ And yet, despite the circumstances, the stars somehow aligned for the duo to record some of their most magnificent music together.

Returning to Los Angeles for the project, Hazlewood â€“ who reprised his role as producer â€“ chose to take a new direction with the duoâ€™s sophomore album. Nancy recalls, â€œIt was more dramatic; it was more fun to do, more challenging to doâ€¦. It was more grandiose.â€ For the lush, orchestral arrangements, they collaborated with Larry Muhoberac (an original member of Elvis Presleyâ€™s TCB band, whose early â€˜70s credits also included Barbra Streisand, Neil Diamond, and Lalo Schifrin) and Clark Gassman, who had worked on Hazlewoodâ€™s 1970 LP, _Cowboy in Sweden_. Backing vocals from brothers John and Tom Bahler, who remain two of the most recorded singers in history, added additional texture to several songs.

The big sound that Nancy describes above is exemplified in the albumâ€™s cinematic opener, â€œArkansas Coal (Suite).â€ Clocking in at nearly six minutes long, the dynamic overture tells the tale of an ill-fated coal miner (sung by Hazlewood), while Nancy adjusts her vocals to sing as both the minerâ€™s daughter and his wife. Hazlewoodâ€™s knack for vivid, nuanced storytelling shines throughout _Nancy & Lee Again_, particularly in â€œParis Summer,â€ which details the conflict that a married woman faces, as she engages in a passionate affair. Another highlight is the country-inspired hit, â€œDid You Ever,â€ which was released as the albumâ€™s lead single. After it landed at No.2 on the U.K. pop charts, the song served as an alternate title track in several countries, including LP pressings in the U.K., Germany, and Canada.

One of the most emotionally-charged moments on _Nancy & Lee Again_ is a cover of Dolly Partonâ€™s â€œDown From Dover.â€ The heartbreaking tune tells the tale of a pregnant teenager, who has been abandoned by her lover and her family and ultimately gives birth to a stillborn baby. While Partonâ€™s 1970 version was sung from the teenagerâ€™s point of view, Hazlewood and Sinatra transformed the country song into a duet. Hazlewood, who offers the manâ€™s side of the story, sings in a notably deeper octave than his signature baritone.

Another poignant selection is â€œCongratulations,â€ which describes a soldier coming home from Vietnam. â€œHis face has grown old and his eyes have grown cold/And they tell you of where he has been/Congratulations, you sure made a man out of him,â€ Hazlewood sings, pointedly. Nancy, who performs as the vetâ€™s wife, argues that the song had a deeper meaning for her duet partner. â€œLee started out a hawk, he was an army guy, so he was all for the war in the beginning. We didnâ€™t talk about it, but at some point, he changed radically. â€˜Congratulationsâ€™ was almost like an apology from him. I donâ€™t want to put words in his mouth, but it was as though he was saying â€˜Iâ€™m really sorry.â€™â€

The song â€œFriendship Trainâ€ could also be interpreted as an apology of sorts â€“ this time to Nancy. â€œYou've been hurt and I've been hurt/Now we're living pain,â€ the tune opens. When Hazlewood moved to Sweden without telling his longtime musical partner, Sinatra was understandably upset. â€œI felt pretty betrayed. I mean, who does that? Who just up and disappears like that? Iâ€™ll never understand it,â€ she reveals. But the uplifting duet â€“ a slice of â€˜70s pop perfection â€“ offers reaffirming words of love between friends. â€œ[Lee] felt things very deeply and tended to express his feelings in song instead of in real life,â€ explains Nancy.

The 10-track album closes with the stripped-down â€œGot It Together.â€ Backed by an acoustic guitar, the song is equal parts playful and candid, as the duo has an impromptu, spoken-word conversation about their lives. â€œI wish that weâ€™d quit getting so old,â€ laments Nancy, who later shares her wish to have children (she would do so in the next few years). Hazlewood, meanwhile, attempts to remedy his past wrongdoings â€“ this time asking his partner, â€œCan I go back to Sweden?â€ With that, Nancy gives her blessing.

This definitive reissue of _Nancy & Lee Again_ also includes two bonus tracks. Both are stylistic departures for the duo â€“ but fit right in with the psychedelic pop of the era. The first one, â€œThink Iâ€™m Coming Down,â€ is a harmony-filled reflection on a toxic relationship. â€œI think that was one of [Leeâ€™s] drug things. I donâ€™t mean that he used drugs; I mean that he was trying to be part of that culture. Trying to be hip,â€ explains Nancy, who delivers an emotive vocal performance on the solo track. Also included is â€œMachine Gun Kelly,â€ penned by a staple of the 70s singer-songwriter movement, Danny Kortchmar (James Taylor, Carole King, Linda Ronstadt). Recorded several months after the release of the album, the song found Nancy reuniting with Billy Strange, who arranged many of her solo albums, as well as Nancy & Lee. Sinatra and Hazlewood first performed â€œMachine Gun Kellyâ€ during their residency at Las Vegasâ€™ Riviera Hotel in February 1972 (later released as a concert documentary on Swedish television). While the recording has long remained a career favorite of Nancyâ€™s, it would be decades before it was officially released.

_Nancy & Lee Again_ remains a creative high point in the careers of Sinatra and Hazlewood and, upon its release, garnered rave reviews from Billboard, _Record World_, and _Cash Box_, among others. Yet, _Nancy & Lee Again_ never received the spotlight it so utterly deserved. â€œWe didnâ€™t have label support at all in those days,â€ recalls Nancy. â€œWithout the strength of a label, records die. We were old. We were old-fashioned. We were just not what was happening. Itâ€™s a very ageist kind of business.â€ Nevertheless, she adds, â€œI think itâ€™s a very good album. I think itâ€™s timeless.â€ Now, after years of being a sought-after rarity, this gem in the Sinatra-Hazlewood canon can finally get its due.

Five decades later, Nancyâ€™s legacy only continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums â€“ her duets with Hazlewood among them â€“ and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when â€œThese Boots Are Made For Walkinâ€™â€ was inducted into the Grammyâ® Hall of Fame. That same year, Sinatra partnered with Light in the Attic for *Nancy Sinatra: Start Walkinâ€™ 1965-1976*, a definitive survey of her most prolific period. Lita has also reissued Sinatraâ€™s classic debut, *Boots*, and her iconic, 1968 album with Lee Hazlewood, *Nancy & Lee*. The label looks forward to celebrating Nancy over the coming years with a variety of special releases, exclusive merchandise, and more.

Go to Item

Nancy & Lee Again Fanclub Edition pressed on Got It Together Again Gold Vinyl Edition

34,19 €* 35,99 € -5%

Release: 1972 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

* LP available on Standard Black Wax plus Special Limited Color Editions
* First ever reissue of Nancy & Leeâ€™s 1972 classic
* Includes bonus tracks â€œMachine Gun Kellyâ€ and the previously unreleased â€œThink Iâ€™m Coming Downâ€
* Newly remastered from the original analog tapes by GRAMMYÂ®-nominated engineer John Baldwin
* Vinyl pressed at RTI
* Beautifully packaged and expanded gatefold LP featuring a 20-page booklet
* Q&A with Nancy & GRAMMYÂ®-nominated reissue co-producer Hunter Lea
* Never-before-seen photos from Nancy Sinatraâ€™s personal archive
* CD housed in a digipak and featuring a 28-page booklet
* 8-track also available
* Actual LP pressing color may differ from mock-up image

Light in the Attic Records is proud to present the next installment of the _Nancy Sinatra Archival Series_ with the first ever reissue of the classic 1972 album _Nancy & Lee Again_. Recorded during a 1972 reunion between Nancy and the enigmatic Hazlewood, the album contains some of the pairâ€™s most enduring and ambitious duets including the epic â€Arkansas Coal (Suite),â€ the sensual â€œParis Summerâ€ and the incredibly powerful Dolly Parton-penned â€œDown From Dover.â€ Equal parts daring, psychedelic, cinematic, and sweet, _Nancy & Lee Again_ reveals with each track a timeless, natural chemistry between two artists who would remain influential for generations to come.

_Nancy & Lee Again_ is available in a variety of formats, including vinyl, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and is accompanied by a 20-page booklet, featuring an array of photos from the legendary singer, actress, and activistâ€™s personal collection, as well as in-depth Q&A with Nancy Sinatra, conducted by the reissueâ€™s Grammyâ®-nominated co-producer, Hunter Lea (also available in the CD package). All formats have been beautifully designed by Darryl Norsen of D. Norsen Design, and include two bonus tracks, â€œMachine Gun Kellyâ€ (first time on vinyl) and the previously unreleased â€œThink Iâ€™m Coming Down.â€

In addition to the black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

A limited-edition merchandise capsule, including a custom chain stitched denim jacket, embroidered pillow, canvas tote and apparel collaboration with LA-based Midnight Rider will accompany the release at Nancyâ€™s Bootique at *NancySinatra.com*.

Nancyâ€™s impact on fashion, music, and culture will also be celebrated at Modernism Week in Palm Springs this February with three events, including a roundtable discussion featuring Kii Arens (Visual Artist), Alison Martino (Vintage Los Angeles), Hunter Lea (Record Producer), Don Randi (The Wrecking Crew), and Amanda Erlinger (daughter of Nancy Sinatra, and co-author of the book _Nancy Sinatra: One For Your Dreams_), a double decker bus tour featuring audio commentary from Nancy at notable locations, and a Nancy Sinatra Tribute street party on Arenas to close out the weekâ€™s festivities.

*more About _nancy & LEE AGAIN_:*

The incongruous, yet glorious, creative partnership between Nancy Sinatra and Lee Hazlewood was well underway when the two singular artists reunited to record 1972â€™s _Nancy & Lee Again_, a follow-up to their bestselling duet debut, _Nancy & Lee_. Nancy, the eldest daughter of Frank Sinatra, had been working with the Oklahoma-born songwriter since 1965, when she topped the pop charts with â€œThese Boots Are Made For Walkinâ€™.â€ Over the next five years, the two artists forged a prolific relationship in the studio, with Hazlewood writing and producing many of Nancyâ€™s solo hits. Soon, the duo found success with a series of duets, including â€œSand,â€ â€œSummer Wine,â€ and â€œSome Velvet Morningâ€ â€“ all of which appeared on their highly-influential 1968 debut.

Not long after the critical acclaim and chart success of Nancy & Lee died down, however, Hazlewood unexpectedly relocated to Sweden, leaving his musical partner in the proverbial dust. America, meanwhile, was in the midst of a cultural shift, as the Vietnam War waged on. By the turn of the decade, the musical landscape had changed significantly. â€œTrivial music and not profound music became unimportant,â€ recalls Nancy, speaking to Hunter Lea. â€œIt was a tough time.â€ And yet, despite the circumstances, the stars somehow aligned for the duo to record some of their most magnificent music together.

Returning to Los Angeles for the project, Hazlewood â€“ who reprised his role as producer â€“ chose to take a new direction with the duoâ€™s sophomore album. Nancy recalls, â€œIt was more dramatic; it was more fun to do, more challenging to doâ€¦. It was more grandiose.â€ For the lush, orchestral arrangements, they collaborated with Larry Muhoberac (an original member of Elvis Presleyâ€™s TCB band, whose early â€˜70s credits also included Barbra Streisand, Neil Diamond, and Lalo Schifrin) and Clark Gassman, who had worked on Hazlewoodâ€™s 1970 LP, _Cowboy in Sweden_. Backing vocals from brothers John and Tom Bahler, who remain two of the most recorded singers in history, added additional texture to several songs.

The big sound that Nancy describes above is exemplified in the albumâ€™s cinematic opener, â€œArkansas Coal (Suite).â€ Clocking in at nearly six minutes long, the dynamic overture tells the tale of an ill-fated coal miner (sung by Hazlewood), while Nancy adjusts her vocals to sing as both the minerâ€™s daughter and his wife. Hazlewoodâ€™s knack for vivid, nuanced storytelling shines throughout _Nancy & Lee Again_, particularly in â€œParis Summer,â€ which details the conflict that a married woman faces, as she engages in a passionate affair. Another highlight is the country-inspired hit, â€œDid You Ever,â€ which was released as the albumâ€™s lead single. After it landed at No.2 on the U.K. pop charts, the song served as an alternate title track in several countries, including LP pressings in the U.K., Germany, and Canada.

One of the most emotionally-charged moments on _Nancy & Lee Again_ is a cover of Dolly Partonâ€™s â€œDown From Dover.â€ The heartbreaking tune tells the tale of a pregnant teenager, who has been abandoned by her lover and her family and ultimately gives birth to a stillborn baby. While Partonâ€™s 1970 version was sung from the teenagerâ€™s point of view, Hazlewood and Sinatra transformed the country song into a duet. Hazlewood, who offers the manâ€™s side of the story, sings in a notably deeper octave than his signature baritone.

Another poignant selection is â€œCongratulations,â€ which describes a soldier coming home from Vietnam. â€œHis face has grown old and his eyes have grown cold/And they tell you of where he has been/Congratulations, you sure made a man out of him,â€ Hazlewood sings, pointedly. Nancy, who performs as the vetâ€™s wife, argues that the song had a deeper meaning for her duet partner. â€œLee started out a hawk, he was an army guy, so he was all for the war in the beginning. We didnâ€™t talk about it, but at some point, he changed radically. â€˜Congratulationsâ€™ was almost like an apology from him. I donâ€™t want to put words in his mouth, but it was as though he was saying â€˜Iâ€™m really sorry.â€™â€

The song â€œFriendship Trainâ€ could also be interpreted as an apology of sorts â€“ this time to Nancy. â€œYou've been hurt and I've been hurt/Now we're living pain,â€ the tune opens. When Hazlewood moved to Sweden without telling his longtime musical partner, Sinatra was understandably upset. â€œI felt pretty betrayed. I mean, who does that? Who just up and disappears like that? Iâ€™ll never understand it,â€ she reveals. But the uplifting duet â€“ a slice of â€˜70s pop perfection â€“ offers reaffirming words of love between friends. â€œ[Lee] felt things very deeply and tended to express his feelings in song instead of in real life,â€ explains Nancy.

The 10-track album closes with the stripped-down â€œGot It Together.â€ Backed by an acoustic guitar, the song is equal parts playful and candid, as the duo has an impromptu, spoken-word conversation about their lives. â€œI wish that weâ€™d quit getting so old,â€ laments Nancy, who later shares her wish to have children (she would do so in the next few years). Hazlewood, meanwhile, attempts to remedy his past wrongdoings â€“ this time asking his partner, â€œCan I go back to Sweden?â€ With that, Nancy gives her blessing.

This definitive reissue of _Nancy & Lee Again_ also includes two bonus tracks. Both are stylistic departures for the duo â€“ but fit right in with the psychedelic pop of the era. The first one, â€œThink Iâ€™m Coming Down,â€ is a harmony-filled reflection on a toxic relationship. â€œI think that was one of [Leeâ€™s] drug things. I donâ€™t mean that he used drugs; I mean that he was trying to be part of that culture. Trying to be hip,â€ explains Nancy, who delivers an emotive vocal performance on the solo track. Also included is â€œMachine Gun Kelly,â€ penned by a staple of the 70s singer-songwriter movement, Danny Kortchmar (James Taylor, Carole King, Linda Ronstadt). Recorded several months after the release of the album, the song found Nancy reuniting with Billy Strange, who arranged many of her solo albums, as well as Nancy & Lee. Sinatra and Hazlewood first performed â€œMachine Gun Kellyâ€ during their residency at Las Vegasâ€™ Riviera Hotel in February 1972 (later released as a concert documentary on Swedish television). While the recording has long remained a career favorite of Nancyâ€™s, it would be decades before it was officially released.

_Nancy & Lee Again_ remains a creative high point in the careers of Sinatra and Hazlewood and, upon its release, garnered rave reviews from Billboard, _Record World_, and _Cash Box_, among others. Yet, _Nancy & Lee Again_ never received the spotlight it so utterly deserved. â€œWe didnâ€™t have label support at all in those days,â€ recalls Nancy. â€œWithout the strength of a label, records die. We were old. We were old-fashioned. We were just not what was happening. Itâ€™s a very ageist kind of business.â€ Nevertheless, she adds, â€œI think itâ€™s a very good album. I think itâ€™s timeless.â€ Now, after years of being a sought-after rarity, this gem in the Sinatra-Hazlewood canon can finally get its due.

Five decades later, Nancyâ€™s legacy only continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums â€“ her duets with Hazlewood among them â€“ and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when â€œThese Boots Are Made For Walkinâ€™â€ was inducted into the Grammyâ® Hall of Fame. That same year, Sinatra partnered with Light in the Attic for *Nancy Sinatra: Start Walkinâ€™ 1965-1976*, a definitive survey of her most prolific period. Lita has also reissued Sinatraâ€™s classic debut, *Boots*, and her iconic, 1968 album with Lee Hazlewood, *Nancy & Lee*. The label looks forward to celebrating Nancy over the coming years with a variety of special releases, exclusive merchandise, and more.

Go to Item

Nancy & Lee Again Nancy’s Bootique Edition pressed on Tippy Toes Teal & White Swirl Vinyl Edition

34,19 €* 35,99 € -5%

Nancy & Lee Again Clear W/ Black White Vinyl Edition

Release: 1972 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

* LP available on Standard Black Wax plus Special Limited Color Editions
* First ever reissue of Nancy & Leeâ€™s 1972 classic
* Includes bonus tracks â€œMachine Gun Kellyâ€ and the previously unreleased â€œThink Iâ€™m Coming Downâ€
* Newly remastered from the original analog tapes by GRAMMYÂ®-nominated engineer John Baldwin
* Vinyl pressed at RTI
* Beautifully packaged and expanded gatefold LP featuring a 20-page booklet
* Q&A with Nancy & GRAMMYÂ®-nominated reissue co-producer Hunter Lea
* Never-before-seen photos from Nancy Sinatraâ€™s personal archive
* CD housed in a digipak and featuring a 28-page booklet
* 8-track also available
* Actual LP pressing color may differ from mock-up image

Light in the Attic Records is proud to present the next installment of the _Nancy Sinatra Archival Series_ with the first ever reissue of the classic 1972 album _Nancy & Lee Again_. Recorded during a 1972 reunion between Nancy and the enigmatic Hazlewood, the album contains some of the pairâ€™s most enduring and ambitious duets including the epic â€Arkansas Coal (Suite),â€ the sensual â€œParis Summerâ€ and the incredibly powerful Dolly Parton-penned â€œDown From Dover.â€ Equal parts daring, psychedelic, cinematic, and sweet, _Nancy & Lee Again_ reveals with each track a timeless, natural chemistry between two artists who would remain influential for generations to come.

_Nancy & Lee Again_ is available in a variety of formats, including vinyl, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and is accompanied by a 20-page booklet, featuring an array of photos from the legendary singer, actress, and activistâ€™s personal collection, as well as in-depth Q&A with Nancy Sinatra, conducted by the reissueâ€™s Grammyâ®-nominated co-producer, Hunter Lea (also available in the CD package). All formats have been beautifully designed by Darryl Norsen of D. Norsen Design, and include two bonus tracks, â€œMachine Gun Kellyâ€ (first time on vinyl) and the previously unreleased â€œThink Iâ€™m Coming Down.â€

In addition to the black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

A limited-edition merchandise capsule, including a custom chain stitched denim jacket, embroidered pillow, canvas tote and apparel collaboration with LA-based Midnight Rider will accompany the release at Nancyâ€™s Bootique at *NancySinatra.com*.

Nancyâ€™s impact on fashion, music, and culture will also be celebrated at Modernism Week in Palm Springs this February with three events, including a roundtable discussion featuring Kii Arens (Visual Artist), Alison Martino (Vintage Los Angeles), Hunter Lea (Record Producer), Don Randi (The Wrecking Crew), and Amanda Erlinger (daughter of Nancy Sinatra, and co-author of the book _Nancy Sinatra: One For Your Dreams_), a double decker bus tour featuring audio commentary from Nancy at notable locations, and a Nancy Sinatra Tribute street party on Arenas to close out the weekâ€™s festivities.

*more About _nancy & LEE AGAIN_:*

The incongruous, yet glorious, creative partnership between Nancy Sinatra and Lee Hazlewood was well underway when the two singular artists reunited to record 1972â€™s _Nancy & Lee Again_, a follow-up to their bestselling duet debut, _Nancy & Lee_. Nancy, the eldest daughter of Frank Sinatra, had been working with the Oklahoma-born songwriter since 1965, when she topped the pop charts with â€œThese Boots Are Made For Walkinâ€™.â€ Over the next five years, the two artists forged a prolific relationship in the studio, with Hazlewood writing and producing many of Nancyâ€™s solo hits. Soon, the duo found success with a series of duets, including â€œSand,â€ â€œSummer Wine,â€ and â€œSome Velvet Morningâ€ â€“ all of which appeared on their highly-influential 1968 debut.

Not long after the critical acclaim and chart success of Nancy & Lee died down, however, Hazlewood unexpectedly relocated to Sweden, leaving his musical partner in the proverbial dust. America, meanwhile, was in the midst of a cultural shift, as the Vietnam War waged on. By the turn of the decade, the musical landscape had changed significantly. â€œTrivial music and not profound music became unimportant,â€ recalls Nancy, speaking to Hunter Lea. â€œIt was a tough time.â€ And yet, despite the circumstances, the stars somehow aligned for the duo to record some of their most magnificent music together.

Returning to Los Angeles for the project, Hazlewood â€“ who reprised his role as producer â€“ chose to take a new direction with the duoâ€™s sophomore album. Nancy recalls, â€œIt was more dramatic; it was more fun to do, more challenging to doâ€¦. It was more grandiose.â€ For the lush, orchestral arrangements, they collaborated with Larry Muhoberac (an original member of Elvis Presleyâ€™s TCB band, whose early â€˜70s credits also included Barbra Streisand, Neil Diamond, and Lalo Schifrin) and Clark Gassman, who had worked on Hazlewoodâ€™s 1970 LP, _Cowboy in Sweden_. Backing vocals from brothers John and Tom Bahler, who remain two of the most recorded singers in history, added additional texture to several songs.

The big sound that Nancy describes above is exemplified in the albumâ€™s cinematic opener, â€œArkansas Coal (Suite).â€ Clocking in at nearly six minutes long, the dynamic overture tells the tale of an ill-fated coal miner (sung by Hazlewood), while Nancy adjusts her vocals to sing as both the minerâ€™s daughter and his wife. Hazlewoodâ€™s knack for vivid, nuanced storytelling shines throughout _Nancy & Lee Again_, particularly in â€œParis Summer,â€ which details the conflict that a married woman faces, as she engages in a passionate affair. Another highlight is the country-inspired hit, â€œDid You Ever,â€ which was released as the albumâ€™s lead single. After it landed at No.2 on the U.K. pop charts, the song served as an alternate title track in several countries, including LP pressings in the U.K., Germany, and Canada.

One of the most emotionally-charged moments on _Nancy & Lee Again_ is a cover of Dolly Partonâ€™s â€œDown From Dover.â€ The heartbreaking tune tells the tale of a pregnant teenager, who has been abandoned by her lover and her family and ultimately gives birth to a stillborn baby. While Partonâ€™s 1970 version was sung from the teenagerâ€™s point of view, Hazlewood and Sinatra transformed the country song into a duet. Hazlewood, who offers the manâ€™s side of the story, sings in a notably deeper octave than his signature baritone.

Another poignant selection is â€œCongratulations,â€ which describes a soldier coming home from Vietnam. â€œHis face has grown old and his eyes have grown cold/And they tell you of where he has been/Congratulations, you sure made a man out of him,â€ Hazlewood sings, pointedly. Nancy, who performs as the vetâ€™s wife, argues that the song had a deeper meaning for her duet partner. â€œLee started out a hawk, he was an army guy, so he was all for the war in the beginning. We didnâ€™t talk about it, but at some point, he changed radically. â€˜Congratulationsâ€™ was almost like an apology from him. I donâ€™t want to put words in his mouth, but it was as though he was saying â€˜Iâ€™m really sorry.â€™â€

The song â€œFriendship Trainâ€ could also be interpreted as an apology of sorts â€“ this time to Nancy. â€œYou've been hurt and I've been hurt/Now we're living pain,â€ the tune opens. When Hazlewood moved to Sweden without telling his longtime musical partner, Sinatra was understandably upset. â€œI felt pretty betrayed. I mean, who does that? Who just up and disappears like that? Iâ€™ll never understand it,â€ she reveals. But the uplifting duet â€“ a slice of â€˜70s pop perfection â€“ offers reaffirming words of love between friends. â€œ[Lee] felt things very deeply and tended to express his feelings in song instead of in real life,â€ explains Nancy.

The 10-track album closes with the stripped-down â€œGot It Together.â€ Backed by an acoustic guitar, the song is equal parts playful and candid, as the duo has an impromptu, spoken-word conversation about their lives. â€œI wish that weâ€™d quit getting so old,â€ laments Nancy, who later shares her wish to have children (she would do so in the next few years). Hazlewood, meanwhile, attempts to remedy his past wrongdoings â€“ this time asking his partner, â€œCan I go back to Sweden?â€ With that, Nancy gives her blessing.

This definitive reissue of _Nancy & Lee Again_ also includes two bonus tracks. Both are stylistic departures for the duo â€“ but fit right in with the psychedelic pop of the era. The first one, â€œThink Iâ€™m Coming Down,â€ is a harmony-filled reflection on a toxic relationship. â€œI think that was one of [Leeâ€™s] drug things. I donâ€™t mean that he used drugs; I mean that he was trying to be part of that culture. Trying to be hip,â€ explains Nancy, who delivers an emotive vocal performance on the solo track. Also included is â€œMachine Gun Kelly,â€ penned by a staple of the 70s singer-songwriter movement, Danny Kortchmar (James Taylor, Carole King, Linda Ronstadt). Recorded several months after the release of the album, the song found Nancy reuniting with Billy Strange, who arranged many of her solo albums, as well as Nancy & Lee. Sinatra and Hazlewood first performed â€œMachine Gun Kellyâ€ during their residency at Las Vegasâ€™ Riviera Hotel in February 1972 (later released as a concert documentary on Swedish television). While the recording has long remained a career favorite of Nancyâ€™s, it would be decades before it was officially released.

_Nancy & Lee Again_ remains a creative high point in the careers of Sinatra and Hazlewood and, upon its release, garnered rave reviews from Billboard, _Record World_, and _Cash Box_, among others. Yet, _Nancy & Lee Again_ never received the spotlight it so utterly deserved. â€œWe didnâ€™t have label support at all in those days,â€ recalls Nancy. â€œWithout the strength of a label, records die. We were old. We were old-fashioned. We were just not what was happening. Itâ€™s a very ageist kind of business.â€ Nevertheless, she adds, â€œI think itâ€™s a very good album. I think itâ€™s timeless.â€ Now, after years of being a sought-after rarity, this gem in the Sinatra-Hazlewood canon can finally get its due.

Five decades later, Nancyâ€™s legacy only continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums â€“ her duets with Hazlewood among them â€“ and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when â€œThese Boots Are Made For Walkinâ€™â€ was inducted into the Grammyâ® Hall of Fame. That same year, Sinatra partnered with Light in the Attic for *Nancy Sinatra: Start Walkinâ€™ 1965-1976*, a definitive survey of her most prolific period. Lita has also reissued Sinatraâ€™s classic debut, *Boots*, and her iconic, 1968 album with Lee Hazlewood, *Nancy & Lee*. The label looks forward to celebrating Nancy over the coming years with a variety of special releases, exclusive merchandise, and more.

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Nancy Sinatra

31,99 €*

Release: 1972 / US – Reissue

Genre: Rock & Indie

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LP | 1972 | EU | Reissue (Mute)

Can

Ege Bamyasi

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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12" | 1972 | EU | Reissue (Week-End)

Slapp Happy

Sort Of

LP | 1972 | EU | Reissue (ADA)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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In 1972, left-wing intellectual film critic Uwe Nettelbeck suggested to Anthony Moore that he might write some straight songs (relatively speaking), which in turn prompted Moore to invite his old schoolfriend Peter Blegvad over to Hamburg to form the band Slapp Happy. Dagmar Krause, a young singer from Hamburg and Moore‘s girlfriend, joined them both on their trip to Wümme to record what was to become this album, Sort of, using Faust as their rhythm section. In honour of this album ́s 50th anniversary the album will get a nicely remastered reissue with the newly founded Week–End Records –the fetsival‘s inhouse label who managed to get the band together for a final reunion shows in November of 2016 and Spring of 2017.

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Jackson Browne

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Io Come Io Yellow Vinyl Edtion

Rovescio Della Medaglia

LP | 1972 | EU | Reissue (RCA)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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7" | 1972 | US | Reissue (Just Add Water)

Atlantis

I Ain't Got Time

17,99 €*

Pollution White Vinyl Edition

Release: 1972 / US – Reissue

Genre: Rock & Indie

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There’s “obscure” and then there’s this record. This is simply Rockin’ Horse, featuring gods Jimmy Campbell and Billy Kinksley, recording under a different name. Their incredible Yes It Is LP completely flopped in 1971 and their label, Phillips Records, just didn’t want to know. They were still under contract as Rockin’ Horse so they got around that by releasing this single as "atlantis" on their producer HAL CARTER's Fury label in 1972. They should have sold these songs to John Lennon because this smokes anything he was doing at the time yet sounds eerily just like him. Available for the first time since 1972. Edition of 300 copies.

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Franco Battiato

LP | 1972 | EU | Reissue (Saifam)

35,69 €* 41,99 € -15%

LP | 1972 | EU | Reissue (Vinilisssimo)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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“Pollution” is the second album by Italian singer-songwriter Franco Battiato, originally released in January 1973. Finally available again in a white vinyl / 180 gram version.

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Tarkus

25,99 €*

LP | 1972 | EU | Reissue (Ohr)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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"For every copy of one of the great and collectible rock albums one finds on Peru's stalwart MAG label, one has a dashed dream about finding Tarkus, one of South America's whispered hard rock holy grails. I've never found one, and I've been looking for the better part of two decades. It's a fiery set of Black Sabbath style jamming and worthy of its praise."- Eothen Alapatt aka Egon (Now Again) The Peruvian-Argentinian band Tarkus was only together for six months and recorded only one album, but the record's unprecedented sound and the limited number of copies released made it legendary for fans of hard rock in Latin America. Recorded under the influenced by the Argentinian groups Almendra, Pappo, Manal and Led Zeppelin and Black Sabbath from the United Kingdom. Details:The only album released by Peruvian band Tarkus (featuring members of Telegraph Avenue), from 1972, is a heavy psych/hard rock masterpiece with echoes of Led Zeppelin, Black Sabbath and Deep Purple. Only a handful of promotional copies were made available at the time of its release, making it for years a true lost classic and one of the rarest records of Latin American rock. Tarkus was born after the 1971 split of Telegraph Avenue, one of the most popular Peruvian bands at the time. TA member Walo Carrillo was joined by Argentinian musicians Guillermo Van Lacke, whom he had met previously in Lima, and 16-year-old Darío Gianella. They got together and started making music very influenced by bands such as Black Sabbath, Led Zeppelin, Cream, Deep Purple_ They immediately developed a heavy, hard rock sound uncommon in Peru, and asked former Telegraph Avenue member Alex Nathanson to join them. They recorded their first album between April and May of 1972 for the MAG record label, which was expecting something closer to Telegraph Avenue and didn't know how to market such a heavy sound. Soon after, guitarist and main composer Darío Gianella decided to leave the band to follow his religious faith, just before they presented th...

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Amon Düül

Disaster (Lüüd Noma)

All The Young Dudes Orange Vinyl Edition

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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In September 1968, AMON DÜÜL played the "International Essener Songtage", Germany's first rock festival of five days duration, which was initiated by the later Ohr label boss Rolf-Ulrich Kaise...

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Mott The Hoople

2LP | 1972 | UK | Reissue (Madfish)

46,99 €*

Release: 1972 / UK – Reissue

Genre: Rock & Indie

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LP | 1972 | EU (Cosmic Rock)

Kuni Kawachi & His Group

Love Suki Daikirai

2LP | 1972 | US | Reissue (Light In The Attic)

Release: 1972 / EU

Genre: Rock & Indie

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Re-issue of Kuni's second album with his former heavy friends Flower Travelling Band, originally released in 1972. Dreamy and psychedelic flavour here, a Japanese early '70s underground rock masterpiece! Kawachi plays piano, celesta, Hammond organ, Rocksichord, Harpsichord, various percussions, and sings. Kimio Mizutani (A Path Through Haze, Love Live Life +1) contributes acoustic and electric guitars.

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Lee Hazlewood

13 Deluxe Edition

43,69 €* 45,99 € -5%

Appunti Per Un'idea Fissa Clear Yellow Vinyl Edition

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Newly Expanded Deluxe Double LP Edition! Includes the original 1972 album, plus all of Larry Mark's acoustic demos and tracks from his unreleased 1970 LHI LP for the first time on vinyl Previously unreleased session outtake of “Cold Hard Times” plus demos of obscure Hazlewood compositions “Drums,” “The Start,” “Susie,” “Miracle on 19th Street,” and “Peppermint Morning” 30 total tracks Remastered by GRAMMY®nominated mastering engineer John Baldwin Liner notes by GRAMMY®nominated reissue producer Hunter Lea including interviews with Larry Marks, Joe Cannon, Torbjörn Axelman & Suzi Jane Hokom Lee Hazlewood comic strip, the story of 13 told through original artwork by Jess Rotter Double LP housed in a gatefold jacket “Pimps… whores… pushers… dopers… gangsters… and bottom of the human chain shitheels. Now you’re probably thinking I’m writing about major record companies and their unscrupulous executives… and lawyers. You could be right… but this time… You’re Wrong! I’m describing the characters in my album ‘13’ …Some I knew… some I invented … some are true… some are false… some I liked… some I didn’t. But they all had a story to tell and I told it…none of ‘em seem to care… and I don’t either… have fun…" Lee Hazlewood

“He (Lee) took my voice off the album and put his voice on the album. Now don’t forget these were in my keys, it was my charts, it was my everything. Lee Hazlewood was not even remotely going to be considered as an artist for this album and that’s the way he wanted it.” Larry Marks

The album 13 was never supposed to be a Lee Hazlewood album. It is perhaps the strangest record in one of the most varied discographies in music. The Bombastic brass heavy funk, deep blues and soul paired with Hazlewood’s subterranean baritone would be best enjoyed with a tall Chivas in an offstrip seedy Vegas lounge. By 1972 Lee Hazlewood had settled in his new homeland of Sweden. His days were spent carousing, making movies with Torbjӧrn Axelman and releasing albums. To keep up his prolific recorded output, Lee began to mine the recently defunct LHI Records archives for material. One such gem, was an unreleased album by Larry Marks (lhi producer, artist and the voice of the first ScoobyDoo theme). Larry’s concept was to take Hazlewood’s strongest compositions and arrange them in a soul vibe. An album was completed, but with no distribution in America and no funding, Lee had no vehicle to release Larry’s record. The tapes were taken to Sweden, Larry’s voice was wiped and Hazlewood’s was dubbed… 13 was born.

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Capsicum Red

LP | 1972 | EU | Reissue (BTF)

It's Just A Matter Of Time

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Many italian music fans only know Capsicum Red by name because their singer and guitarist Red Canzian had a very successful career (until now!) with pop band Pooh, and this four-piece from Treviso didn’t catch so much interest in their short career.

The name Capsicum Red was chosen by the producer Pino Massara when he discovered Canzian, singer and guitarist with I Prototipi, and took him to his newly-born label Bla Bla in 1970. After assembling a proper group with keyboardist Mauro Bolzan, bassist Walter Gasparini and drummer Paolo Podda (later replaced by Paolo Steffan and Roberto Balocco, the latter from Panna Fredda), Canzian strongly moved with “Appunti per un’idea fissa” towards progressive music with classical influences.

Side A contains the long Beethoven-derived “Patetica” suite, a very interesting piece of classical prog with keyboards to the fore, while side B is interesting too, with three shorter songs.

Clear yellow vinyl edition.

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Bobby Patterson

LP | 1972 | US | Reissue (Wax Trader)

Release: 1972 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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Nuggets: Original Artyfacts From The First Psychedelic Era (1965-1968) Orange, Yellow & Pink Vinyl Edition

V.A.

2LP | 1972 | EU | Reissue (Rhino)

51,99 €*

Living With The Past Limited Green Vinyl Edition

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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The most groundbreaking and influential compilation of all time. Produced by Lenny Kaye in 1972.

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Jethro Tull

2LP | 1972 | EU | Reissue (Earmusic Classics)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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All The Young Dudes 2buch Boxset

Mott The Hoople

Box | 1972 | Reissue (Madfish)

158,99 €*

Release: 1972 / Reissue

Genre: Rock & Indie

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LP | 1972 | PL | Reissue (Warner)

Breakout

Karate

22,94 €* 26,99 € -15%

Release: 1972 / PL – Reissue

Genre: Rock & Indie

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LP | 1972 | PL | Reissue (Warner)

Marek Grechuta

Droga Za Widnokres

Release: 1972 / PL – Reissue

Genre: Rock & Indie

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Tadeusz Wozniak Blue Vinyl Edtion

Tadeusz Wozniak

LP | 1972 | EU | Reissue (Warner)

22,94 €* 26,99 € -15%

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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LP | 1972 | US | Reissue (Friday Music)

Doobie Brothers

Toulouse Street

42,99 €*

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Shades Of A Blue Orphanage

Thin Lizzy

LP | 1972 | Reissue (Decca)

29,99 €*

Release: 1972 / Reissue

Genre: Rock & Indie

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LP | 1972 | US | Reissue (Craft)

Big Star

#1 Record

35,99 €*

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Broke Again Record Store Day 2024 Red Vinyl Edition

Bob Frank

LP | 1972 | US | Reissue (Real Gone Music)

56,99 €*

LP | 1972 | EU (Life Goes On)

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Originally released in 1972 on Vanguard Records, Bob Frank’s self-titled debut album took elements of Dylan, Johnny Cash, and Ian Tyson and filtered it thru a pot-smoked haze and the infusion of Frank’s long-time friend, Memphis guru Jim Dickinson. Dickinson and Frank shared a mutual admiration that ran so deep that on Dickinson’s own 1972 debut album Dixie Fried (released on Atlantic Records), he recorded one of Bob Frank’s songs “Wild Bill Jones.” But despite the Dickinson/Memphis connection, Bob Frank’s only LP for Vanguard became a forgotten, hard to find relic - until Light in the Attic reissued it to great acclaim in 2014. Now, from Real Gone comes more 1972 Vanguard Bob Frank recordings (all previously unreleased studio songs) coupled with a live set from the Old Quarter in Houston 1973 (the first-ever vintage live Bob Frank recordings to be released). Includes an insert with extensive liner notes detailing Frank’s career self-sabotage by Pat Thomas and the director of the documentary Within A Few Degrees: A Little Gest of Bob Frank, Isaac Pingree. 20 tracks, all unreleased, pressed on stems ‘n’ seeds “marijuana” vinyl.

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Magic Carpet

Umanamente Uomo: Il Sogno Record Store Day 2024 Red And Black Vinyl Edition

Release: 1972 / EU

Genre: Rock & Indie

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The North London-based group Magic Carpet released their first album in 1972, bringing together elements of folk and rural psychedelia, altogether with a strong middle-eastern flavor. The music of Jim Alford, Clem Alford, Keshav Sathe and singer/guitar player Alisha Sufit still retain a fascinating charme, providing a still standing template for future global beat fusion.

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Lucio Battisti

LP | 1972 | EU | Reissue (Numero Uno)

31,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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The Words Don't Fit The Picture Translucent Blue Vinyl Edition

Willie Nelson

LP | 1972 | EU | Reissue (Music On Vinyl)

Whistle Rymes Red Vinyl Edition

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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180 GRAM AUDIOPHILE VINYL
FEATURING NELSON’S FIRST SOLO RECORDING OF “GOOD HEARTED WOMAN”
LIMITED EDITION OF 1500 INDIVIDUALLY NUMBERED COPIES ON TRANSLUCENT
BLUE COLOURED VINYL

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John Entwistle

LP | 1972 | UK | Reissue (Demon)

36,99 €*

Release: 1972 / UK – Reissue

Genre: Rock & Indie

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7" | 1972 | UK | Reissue (Dynamite Cuts)

Sixto Rodriguez

Sugar Man

16,99 €*

Opens The Seven Gates Of Transcendental Consciousness Colored Vinyl Edition

Release: 1972 / UK – Reissue

Genre: Rock & Indie

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Just had to do it, this timeless classic "Sugar man" by Sixto Rodriguez. An immense tune. OG released on the funk and soul label; Sussex records. With a top line up of musicains - Bob Babbitt on bass and Dennis coffey on Guitar; Gordon Staples did the stunning Strings arrangment and Mike Theodore producer... This was previously issued as a 7" in the 70s, but sell for well over £100.00. We have used the OG White colour sleeve design instead of the South African issue with a black sleeve, in keeping with format styles. On the flip we have take another track from the LP "Only good for conversation" Heavy groove with nice bass drum loop, it has a Eugene McDaniels vibes. x500 copies Don;t miss out!!! credits releases June 21, 2024

Sixto Rodriguez Vocals, Acoustic Guitar Bob Babbitt Bass Andrerw Smith Drums Dennis Coffey Electric Guitar Gordon Staples Leader [Strings] Mike Theodore Arranged By , Keyboards Carl Reatz Baritone Saxophone, Leader, Trombone Bob Pangborn Percussion Theo-Coff Productions Producer Dennis Coffey & Mike Theodore Producer, Arranged By Detroit Symphony* Strings

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Master Wilburn Burchette

32,99 €*

Opens The Seven Gates Of Transcendental Consciousness Black Vinyl Edition

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Opaque Red Vinyl.California mail-order mystic MasterWilburn Burchette was first known fromhis ads, hidden in the back pages of FateMagazine, Beyond Reality, and GnosticaNews. On his 1972 sophomore album,Burchette channels dreamy early music,druid folk, electric fingerstyle, psychedelicballadry, and new age ontology to createa visionary guitar technique all his own.This faithful reproduction includes theoriginal 12-page full color instructionbook for the secret method of piercing thepsychic heart.

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Master Wilburn Burchette

LP | 1972 | UK | Reissue (Westbound)

Release: 1972 / US – Reissue

Genre: Rock & Indie

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California mail-order mystic MasterWilburn Burchette was first known fromhis ads, hidden in the back pages of FateMagazine, Beyond Reality, and GnosticaNews. On his 1972 sophomore album,Burchette channels dreamy early music,druid folk, electric fingerstyle, psychedelicballadry, and new age ontology to createa visionary guitar technique all his own.This faithful reproduction includes theoriginal 12-page full color instructionbook for the secret method of piercing thepsychic heart.

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Fatback Band

Lets Do It Again

Add Some Music To Your Day

Release: 1972 / UK – Reissue

Genre: Rock & Indie

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Formed by drummer Bill Curtis in 1970 the Fatback Band signed to Perception Records who issued this debut album in America in 1972.Recorded at Blue Rock Studio in New York, “Let’s Do It Again” featuring the soon to be patented Fatback sound, the album included originals like ‘Street Dance’ – that became a Billboard R&B hit in 1973 – ‘Free Form’, ‘Take A Ride (On The Soul Train)’ , ‘Give Me One More Chance’, ‘Goin’ To See My Baby’ and the title track. There were also cover versions of Jimmy Webb’s ‘Wichita Lineman’, David Gates ‘Baby I’m A Want You’ and the evergreen ‘Green Green Grass Of Home’. SIDE ONE1. STREET DANCE2. FREE FORM3. TAKE A RIDE (ON THE SOUL TRAIN)4. WICHITA LINEMAN5. BABY, I'M A WANT YOUSIDE TWO1. LET'S DO IT AGAIN2. GOIN' TO SEE MY BABY3. GIVE ME ONE MORE CHANCE4. GREEN GRASS OF HOME

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Tatsuro Yamashita

LP | 1972 | JP | Reissue (NBC Universal Entertainment Japan Inc.)

92,99 €*

Release: 1972 / JP – Reissue

Genre: Rock & Indie

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Dystopisk Framtid Black Vinyl Edition

Oral

LP | 1972 | EU | Reissue (F.O.A.D.)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Nattag Marbled Vinyl Edition

San Michael's

LP | 1972 | EU | Reissue (Plusqueréel)

LP | 1972 | EU | Reissue (Munster)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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The re-release of the 2 seminal psych/prog albums by SAN MICHAEL’s, the self-titled (1971) one and Nattåg (1972), overlaps not at all coincidentally with the appearance of Kaipa’s 15th studio album Sommargryningsljus, as the fabular universe of the latter revolves around counterfactual rebirth, that is, becoming (re)born as one is getting older. These 2 evergreen albums, essential for savvy collectors of Scandinavian psych/prog, showcase the smooth progression towards Kaipa’s sonic multiverse, bordering on the porous dividing line between psychedelia (with a Made-in- Sweden pedigree) and European progressive, and driven by Hans Lundin’s ferocious organplaying that alternates between swirling ultra-groovy psychedelia and imposing kraut-ish segments. Both albums, produced by Leif Mases, have been remastered by sound meister Martin Igelström for your maximum audio pleasure, and come in ultra-limited pressings of 200 numbered copies + 2-page insert with bio and rare studio and live photos, in splatter (1st ) and marble (Nattag) vinyl. File nearby: Blakulla, Blue Sun, Dice, Kaipa, Made in Sweden, Mecki Mark Men, Panta Rei, Trettioåriga Kriget Vinyl 180 gr., strictly limited pressing of 200 numbered copies. NB: Not to be confused with St. Mikael or Cosmic Michael.

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We All Together

25,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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LP | 1972 | EU | Reissue (Warner Music Poland)

Dwa Plus Jeden

Nowy Wspanialy Swiat

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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LP | 1972 | AU | Reissue (Half A Cow)

Neil Gardner

Said The Blackbird

52,99 €*

Release: 1972 / AU – Reissue

Genre: Rock & Indie

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The Truth Black Vinyl Edition

D.R. Hooker

29,99 €*

The Truth Cobalt Vinyl Edition

Release: 1972 / US – Reissue

Genre: Rock & Indie

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A real people music masterpiece, D.R.Hooker's 1972 debut meets at the be-inof drug-addled hippy psychedelia andevangelical Christianity. Conjuringvisions of an L.S.D.-damaged FrankSinatra or Lou Reed playing the roleof a divorced suburban dad, The Truthis a religious midlife crisis disguisedas a private press LP. Forge your ownchains, indeed.

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D.R. Hooker

Dreaming With Alice Purple Vinyl Edition

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Cobalt Vinyl. A real people music masterpiece, D.R.Hooker's 1972 debut meets at the be-inof drug-addled hippy psychedelia andevangelical Christianity. Conjuringvisions of an L.S.D.-damaged FrankSinatra or Lou Reed playing the roleof a divorced suburban dad, The Truthis a religious midlife crisis disguisedas a private press LP. Forge your ownchains, indeed.

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Mark Fry

LP | 1972 | EU | Reissue (Guerssen)

Dreaming With Alice Black Vinyl Edition

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Recorded when he was just nineteen, “Dreaming With Alice” by British folk musician/artist Mark FRY was (barely) released only in Italy in 1972, making it one of the rarest and most desirable acid-folk / psychedelic albums ever. Tracks like “The Witch” or “Mandolin Man” are considered nowadays classics of the genre.

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Mark Fry

LP | 1972 | EU | Reissue (Guerssen)

LP | 1972 | EU | Reissue (Sommor)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Dom

Edge Of Time

Whatevershebringswesing Remastered Edition

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Monster tripped-out Floydian psychedelia / krautrock by this band from Düsseldorf featuring visual artist Gabor Baksay. This is their sought-after album originally released in 1972. Dark, atmospheric, hypnotic sound with percussion, flute, organ, guitars and early electronics / proto-industrial sound collages… DOM (Gabor and Laszlo Baksay, Rainer Puzalowski and Hans-Georg Stopka) evolved from a beat/psychedelic band called the Early Birds, later Set Mind, who were in a sort of sporty competition with another group called Spirits of Sounds, featuring Michael Rother’s Pre-NEU and Kraftwerk drummer Wolfgang Flür. DOM were regulars at underground clubs from Düsseldorf such as the Creamcheese, where they rubbed shoulders with early Krafwerk and Can. “Edge Of Time” was recorded at the legendary Neubauer Studios (Harmonia, Kalacakra, Anima-Sound…) and subsequently released on the tiny Melocord label in 1972. Its enigmatic cover was designed by a friend of the band, Jutta Keime. *Remastered sound *Original artwork in cardboard sleeve + OBI *Insert with liner notes by Klemen Breznikar (It’s Psychedelic Baby) and rare photos Riyl: Pink Floyd, Tangerine Dream, Mythos, Kluster, Popol Vuh, Yatha Sidhra… “One of the legendary classics of the German underground” – The Crack In The Cosmic Egg “My favourite German Psychedelic German Underground album of all time” – Reine Fiske (Dungen)

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Kevin Ayers

LP | 1972 | EU | Reissue (Esoteric)

43,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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LP | 1972 | JP | Reissue (Warner Music Japan)

Flower Travellin' Band

Made In Japan

51,99 €*

LP | 1974 | EU | Reissue (MCA)

Release: 1972 / JP – Reissue

Genre: Rock & Indie

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An analog reissue of Flower Travellin' BAND's masterpiece third album ""made IN Japan"" has been decided!

The strongest new rock band, Flower Travelin' Band (ftb) A masterpiece third album that pursues all possibilities and fully packs the band's charm. First Canadian recording. As much as possible at this time, we have chosen materials that are as close to the original materials as possible to recreate the original cardboard jacket.

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Lynyrd Skynyrd

Second Helping

LP | 1974 | US | Reissue (Epic)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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incl. 'sweet home Alabama'

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AC/DC

74 jailbreak

33,99 €*

LP | 1974 | EU | Reissue (Polydor)

Release: 1974 / US – Reissue

Genre: Rock & Indie

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180 gram vinyl

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Eric Clapton

461 Ocean Boulevard

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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LP | 1974 | EU | Reissue (Sony BMG)

Bob Dylan

Blood On The Tracks

2LP | 1974 | DE | Reissue (Zappa)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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180 gram vinyl of Rolling Stones number 9 ranked best album ever.

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Frank Zappa

Roxy & Elsewhere

Release: 1974 / DE – Reissue

Genre: Rock & Indie

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LP | 1974 | UK | Reissue (Rhino)

Robin Trower

Bridge Of Sighs

Release: 1974 / UK – Reissue

Genre: Rock & Indie

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LP | 1974 | UK | Reissue (Spoon)

Can

Soon Over Babaluma

27,99 €*

2LP | 1974 | US | Reissue (Mobile Fidelity Sound Lab)

Release: 1974 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Remastered from the original tapes, 180g vinyl!

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Bob Dylan & The Band

Before The Flood

84,99 €*

2LP | 1974 | UK | Reissue (Spoon)

Release: 1974 / US – Reissue

Genre: Rock & Indie

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180 gram audiophile vinyl, numbered limited edition!

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Can

Unlimited Edition

28,49 €* 29,99 € -5%

LP | 1974 | UK | Reissue (Back On Black)

Release: 1974 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Remastered from the original tapes, 180g vinyl!

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Judas Priest

Rocka Rolla

7" | 1974 | UK | Reissue (Not Bad)

Release: 1974 / UK – Reissue

Genre: Rock & Indie

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Colored Vinyl

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Ace

How Long / Sniffin About

13,99 €*

LP | 1974 | EU | Reissue (Speakers Corner)

Release: 1974 / UK – Reissue

Genre: Rock & Indie

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Formed in 1972, Ace released three albums on the Anchor label between 1974 and 1977, but will always be remembered for one song from their Number 11 album ‘Five-A-Side’. That song, ‘How Long’, made Number 20 in their native United Kingdom but went all the way to Number 3 in the States in 1975 – quite an achievement for a band that unashamedly took its musical inspiration from that side of the Atlantic. Enjoy their best as originally delivered, on vinyl.

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Santana

Borboletta

LP | 1974 | US | Reissue (Universal)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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After some hot live performances and subversive jaunts made in the aftershock of Woodstock, Santana and his band entered the calm atmosphere of the recording studio to make their sixth album. Taking a look at the blue butterfly on the LP cover, it wasn’t surprising that purist Santana fans scented that the music in this particular garden would be more gentle and cultivated than the previous hard-rock sound. But one thing after another: in attune with semi natural sounds, the 'Canto De Los Flores' swings along to dabbed figures on the Rhodes piano and waves of multi-cultural drumming.
The drama continues with "Life Is Anew" – a powerfully arranged ballad, followed by a highly emotional rock number ("Give And Take"). This takes us to where Santana feels most at home – "Promise Of A Fisherman" with its velvety, wonderfully expansive guitar sound. By now, at the latest, the listener joins the sensitive outdoorsman on his chase after the butterfly named "Boborletta" with a wealth of gorgeous sounds. Don’t hesitate to capture this rare specimen for your collection!

Recording: 1974 by Glen Kolotkin
Production: Carlos Santana, Michael Shrieve & Tom Coster

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Kiss

Release: 1974 / US – Reissue

Genre: Rock & Indie

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LP | 1974 | US | Reissue (Future Days)

Goldberg

Misty Flats

31,99 €*

Bratricku, Zavirej Vratka

Release: 1974 / US – Reissue

Genre: Rock & Indie

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Barry Thomas Goldberg was 23 in 1974, the year his Minneapolis power pop group, The Batch, split up. Rudderless, he set about recording solo album Misty Flats, and though few would hear it in its day, he hit on something very special indeed.

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Karel Kryl

LP | 1974 | EU | Reissue (Supraphon)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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LP | 1974 | US | Reissue (Discipline Global)

King Crimson

Starless & Bible Black

27,99 €*

Release: 1974 / US – Reissue

Genre: Rock & Indie

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LP | 1974 | TR | Reissue (Rainbow 45)

Bülent Octacgil

Benimle Oynar Misin

Release: 1974 / TR – Reissue

Genre: Rock & Indie

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LP | 1974 | EU | Reissue (Vinyl Magic)

Le Orme

In Concerto

LP | 1974 | EU | Reissue (ReR Megacorp)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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In the first half of the 70s the landscape of pop / rock music world was
revolutionized by a current defined as 'progressive'. For those groups who
dared to deviate from the 'commercial' stream and propose something
different, a double destiny was reserved: they could become a meteor-band,
releasing only one LP or so before disappearing completely, or emerge from
anonymity and capture the attention of major record labels.
This was the case of Le Orme who, after a debut on Car Juke-Box, were
engaged by Philips, releasing several albums who made history. And in an
attempt to ride the wave of success led by "Collage", "Uomo di Pezza" and
"Felona e Sorona", the record label didn't take long to propose the release of
a live record, which turned out to be "In concert ", one of the first if not THE
actual first live album ever printed in Italy.
The haste in wanting to market a new product with "Le Orme" brand on it
prevailed on the quality of the recordings, consisting of one side fully
improvised (the two parts of "Truck of Fire") and the other with songs from
the "Collage" LP; but the charm of this work, also due to the beautiful
photographic cover, comes out unharmed, and the grooves of "In Concert"
deliver us the 'real' Le Orme, without any tricks or deception, but sincere as
only a live performance can be!

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Henry Cow

Unrest

22,99 €*